Tsippi Fleischer: Innovated Classics (קלאסיקות מתחדשות)

Album by Tsippi Fleischer.

Release date: 2013-06-15

Tracks (25)

  1. Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 1, Piece of Earth
  2. Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 2, Eyelids
  3. Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 3, The Coffin with Its Lid Remote
  4. Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 4, Girl-Butterfly-Girl
  5. Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 1, Introduction; Your Swiftly-Saddled Horse
  6. Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 2, Refrain (b); You Appease the Thirsty Spear
  7. Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 3, Ballet
  8. Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 4, Refrain (c); He Found Rest
  9. Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 5, Every Morning at Sunrise
  10. Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 6, Refrain (d); I Shall Weep for you
  11. Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 1, First methodological unit: Solo
  12. Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 2, Second methodological unit: Special unison
  13. Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 3, Third methodological unit: Doublings I: The opening motif: kanun with two oboes
  14. Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 4, Third methodological unit: Doublings I: Return of the opening motif, with richer ensemble, including choir
  15. Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 5, Third methodological unit: Doublings I: Opening motif – kanun ‘ripped’ from ensemble performance
  16. Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 6, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling male and female voices in o
  17. Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 7, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling female voices in thirds
  18. Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 8, 1. Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the v
  19. Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 9, Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the voca
  20. Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 10, Sixth methodological unit: The kanun is prominent in the texture, virtuosic
  21. Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 1, Piece of Earth
  22. Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 2, Eyelids
  23. Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 3, The Coffin with Its Lid Remote
  24. Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 4, Girl-Butterfly-Girl
  25. Song No. 3 from 'Girl Butterfly Girl' for voice & piano, sung in German: 'Der Sarg mit entferntem Deckel' ('The Coffin with Its Lid Remote')

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