Ashley Solomon is a British flute and recorder player. He is both professor of recorder and head of the historical performance department of the Royal College of Music in London. He has taught there s
1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → returns the Bitcoin block hash at height OTSBitcoinBlock; GET https://blockstream.info/api/block/{that hash} → its timestamp must match OTSTimestamp 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin Note: an OTS proof may carry multiple Bitcoin attestations; OTSBitcoinBlock is the earliest confirmed one — a later attestation inside the proof corroborates it and is not a mismatch
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x5c84f9f3572e41f6d64d08fe43775825149fab30106a3093a7225e32ad565b04. Chain 2 (Bitcoin): anchored in block 954693 (2026-06-21T11:50:32Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/ea4bc5ef-2bd4-4e1b-8fcc-4274225705e8.json and https://artists.proofprofile.net/proofs/artist/ea4bc5ef-2bd4-4e1b-8fcc-4274225705e8.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Stabat mater, P. 77: I. Stabat Mater dolorosa (Soprano, Alto). Grave
1. Confirm isrcCode identifies the recording in the pre-2022 source corpus and cc-db-prod record 2. GET OTSVerificationAPI → server-side canonical-record, hash, and attestation checks must pass 3. GET OTSBitcoinBlockVerifyURL → returns the Bitcoin block hash at height OTSBitcoinBlock; GET https://blockstream.info/api/block/{that hash} → its timestamp must match OTSTimestamp 4. Confirm CopyrightID is the CopyrightChains transaction hash 5. If all match: the cc-db-prod record is independently anchored on Bitcoin at OTSTimestamp Note: an OTS proof may carry multiple Bitcoin attestations; OTSBitcoinBlock is the earliest confirmed one — a later attestation inside the proof corroborates it and is not a mismatch
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xfbef27791927eed3ad9099dd213f9fa5bb27f6277980b8e23c30942d2b59b08d. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLA460911335.
Stabat mater, P. 77: II. Cujus animam gementem (Soprano). Andante amoroso
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Stabat mater, P. 77: III. O quam tristis et afflicta (Soprano, Alto). Larghetto
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Stabat mater, P. 77: IV. Quae moerebat et dolebat (Alto). Allegro
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Stabat mater, P. 77: V. Quis est homo (Soprano, Alto). Largo
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Stabat mater, P. 77: VI. Vidit suum dulcem natum (Soprano). Tempo giusto
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Stabat mater, P. 77: VII. Eja mater fons amoris (Alto). Andantino
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Stabat mater, P. 77: VIII. Fac ut ardeat cor meum (Soprano, Alto). Allegro
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Stabat mater, P. 77: IX. Sancta mater, istud agas (Soprano, Alto). Tempo giusto
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Stabat mater, P. 77: X. Fac ut portem Christi mortem (Alto). Largo
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Stabat mater, P. 77: XI. Inflammatus et accensus (Soprano, Alto). Allegro ma non troppo
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Stabat mater, P. 77: XII. Quando corpus morietur (Soprano, Alto). Largo assai - Amen (Soprano, Alto). Presto assai
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Sinfonia for Cello and Continuo in F Major: I. Comodo
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Sinfonia for Cello and Continuo in F Major: II. Allegro
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Sinfonia for Cello and Continuo in F Major: III. Adagio
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The Well-Tempered Clavier: Book I, BWV 846-869: I. Prelude
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Serenade in D, K.250 "Haffner": 4. Rondo (Allegro)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x88c7ab52de33b89f36131f577a85c366d4b4513164418d177cf94d5ebfa4d1b6. Chain 2 (Bitcoin): anchored in block 957073 (2026-07-07T18:39:05Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DEN961801800.
Nocturne No. 2 in E-Flat Major, Op. 9 No. 2
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Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String"
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12 Etudes, Op. 25: No. 9 In G Flat Major - "Butterfly Wings"
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Minuet In C Minor, BWV Anh. 121 (App. C)
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Himmelskönig, sei willkommen, BWV 182: I. Sonata
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15 Sinfonias, BWV 787-801: No. 13 in A Minor, BWV 799
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Divertimento in E-Flat Major, K. 166/159d: IV. Adagio
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24 Preludes, Op. 28: No. 16 in B-Flat Minor. Presto con fuoco
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Capriccio in B flat, BWV 992 "On the departure of a dear brother": 5. Allegro poco. Aria di Postiglione
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15 Three-part Inventions, BWV 787/801: No. 13 in A minor, BWV 799
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Mazurka No. 49 in A Minor Op. 68 No. 2: Lento
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6 Minuets K. 105 (attribution doubtful): No. 4 in G Major
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The Well-Tempered Clavier: Book 1, BWV. 846-869: Fugue in F Major, BWV. 856
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Prelude & Fugue in C Minor (Well-Tempered Clavier, Book I, No. 2), BWV 847: II. Fugue
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Musikalische Schlittenfahrt: 6. Andante, sempre piano: Das schüttelnde Pferd
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Cantata No. 142, BWV 142 "Uns ist ein Kind Geoboren": Concerto
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Les petits riens, K.app.10 (ballet): Gavotte joyeuse (Allegro)
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French Suite No. 6 in E Major, BWV 817: VII. Bourrée
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Das Wohltemperierte Klavier: Book 2, BWV 870-893: Fuge G-Dur, BWV 884
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Orchestral Suite No. 2 In B Minor, BWV 1067: 8. Badinerie
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15 Inventions, BWV 772-786: 12. Invention In A Major, BWV 783
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Six German Dances, K. 567: No. 1 in B-Flat Major
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Partita No. 1 in B flat, BWV 825: 6. Menuet II
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24 Préludes, Op. 28: 16. In B Flat Minor - Live
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Flute Sonata in C Major, BWV 1033: I. Andante - Presto
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Orgelbüchlein, BWV 599-644: Wir danken dir, Herr Jesu Christ, BWV 623
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15 Inventions, BWV 772-786: 9. Invention In F Minor, BWV 780
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Prelude and Fugue in C sharp (WTK, Book II, No. 3), BWV 872: Praeludium 3 - Allegro
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Piano Version of Ballet Music from Ascanio in Alba, K.Anh207: No. 2
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Fughetta super 'Wir glauben all'an einen Gott', BWV 681
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Orgelbüchlein: 39. Durch Adams Fall ist ganz verderbt, BWV 637
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Nocturne No. 13 in C Minor, Op. 48 No. 1 - Pt. 1
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Piano Sonata No. 15 in D Major, Op. 28 "Pastorale": III. Scherzo. Allegro vivace - Stereo Version
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Symphony No. 48 in D, K.120: 2. Andante grazioso
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15 Two-part Inventions, BWV 772/786: No. 5 in E flat, BWV 776
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Prelude and Fugue in B Flat Major (WTK, Book I, No. 21), BWV 866: I. Prelude
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12 Flute Sonatas, Op. 2, No. 8 Sonata in F Major: I. Largo
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Haydn: Symphonies 6, 7, 8 "Le matin" "Le midi" "Le soir"
Symphony No. 6 in D Major, Hob.I:6: I. Adagio - Allegro
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Symphony No. 6 in D Major, Hob.I:6: II. Adagio - Andante
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Pièces de violle, Livre 1: Chaconne en trio in G Major
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Organ Sonata No. 4 in E Minor, BWV 528 (Arr. for Ensemble by Florilegium): II. Andante
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Il Flauto Dolce - Italian Music from Three Centuries
Telemann: Concerto in A Major from Tafelmusik, Pt. 1 - Bach: Non sa che sia dolore BWV 209 & Triple Concerto BWV 1044
Cantata "Non sa che sia dolore", BWV 209: No. 3. Aria, "Parti pur, e con dolore" (Soprano)
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Cantata "Ich habe genug", BWV 82a: No. 1. Aria, "Ich habe genug"
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Cantata "Mein Herze schwimmt im Blut", BWV 199: No. 2. Aria, "Stumme Seufzer, stille Klagen"
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Cantata "Mein Herze schwimmt im Blut", BWV 199: No. 4. Aria, "Tief gebückt und voller Reue"
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Bach: Sonatas for Flute and Harpsichord, Vol. 2
Flute Quartet in D Major, K. 285: II. Adagio
Flute Concerto in G Minor, RV 439: V. Allegro
Sonata à 4 in G Minor, TWV 43:g1: I. Andante
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Sonata à 4 in G Minor, TWV 43:g1: II. Allegro
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Sonata à 4 in G Minor, TWV 43:g1: III. Largo
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Sonata à 4 in G Minor, TWV 43:g1: IV. Allegro
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12 Fantasias for Violin without Bass, TWV 40:14-25: Fantasia No. 5 in A Major, TWV 40:18. I. Allegro - Presto - II. Andante - III. Allegro
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Sonata à 4 in A Major, TWV 43:A1: I. Soave
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Sonata à 4 in A Major, TWV 43:A1: II. Allegro
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Sonata à 4 in A Major, TWV 43:A1: III. Andante
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Sonata à 4 in A Major, TWV 43:A1: IV. Vivace
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Concerto à 4 in D Major, TWV 43:D1: I. Allegro
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Concerto à 4 in D Major, TWV 43:D1: II. Affetuoso
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Concerto à 4 in D Major, TWV 43:D1: III. Vivace
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36 Fantaisies pour le clavessin, TWV 33:1-36: Fantaisie No. 8 in G Minor, TWV33:8 (I. Presto - II. Cantabile
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Suite à 4 in E Minor, TWV 43:e1: IV. Replique
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Suite à 4 in E Minor, TWV 43:e1: V. Menuet I & II
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Trio Sonata in C Minor, Wq. 161/1, H. 579 "Sanguineus et Melancholicus": I. Allegretto - Presto
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Trio Sonata in C Minor, Wq. 161/1, H. 579 "Sanguineus et Melancholicus": III. Allegro
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Chamber Concerto in G Minor, RV 107: I. Allegro
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Vivaldi: Sacred Works for Soprano and Concertos
Laudate pueri, RV 601: I. Laudate, pueri, Dominum. Allegro non molto
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Laudate pueri, RV 601: III. A solis ortu. Andante
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Laudate pueri, RV 601: IV. Excelsus super omnes gentes Dominus. Larghetto
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Laudate pueri, RV 601: VII. Gloria Patri et Filio. Larghetto
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Nulla in mundo pax sincera, RV 630: I. Aria, "Nulla in mundo pax sincera". Larghetto
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Bach: Cantatas Nos. 106 "Actus tragicus" & 182
Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina
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Telemann: Concerto in E Minor for Violin, Flute and Strings, TWV 52:E3: II. Adagio