Tamara Stefanovich (born 1973) is a German-Serbian pianist known for her interpretations of contemporary and classical repertoire. She has performed with major orchestras and at international festival
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Musica viva, Vol. 26: Salvatore Sciarrino
Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: I. Assai lento – Allegro molto
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Viola Concerto, Sz. 120 (Compl. Serly): I. Moderato – Lento parlando
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Viola Concerto, Sz. 120 (Compl. Serly): II. Adagio religioso – Allegretto
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Viola Concerto, Sz. 120 (Compl. Serly): III. Allegro vivace
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Kurtág: Complete Works for Ensemble and Choir
4 Capriccios, Op. 9: Paris I: Musée de Cluny. La Dame à la Licorne
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...quasi una fantasia..., Op. 27/1: I. Introduzione
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Musikalisches Opfer, BWV 1079, Sonata sopri' il soggetto Reale a traversa (Excerpts Arr. R. Hekkema for Reed Quintet): I. Largo
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Vom Himmel hoch, da komm ich her, Op. 7, BWV 769 (Arr. R. Hekkema for Reed Quintet): Var. 2, Alio modo in canone alla quinta
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Cello Suite No. 2, BWV 1008 (Excerpts Arr. for Lute): IV. Sarabande
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Easter Oratorio, BWV 249 "Komm, gehet und eilet": II. Adagio
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Songs Without Words, Book 2, Op. 30: No. 6 in F-Sharp Minor, MWV U 110 "Venetianisches Gondellied"
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Pictures at an Exhibition: Promenade III
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Pavane pour une infante défunte, M. 19 (Version for Orchestra)
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7 Fantasien, Op. 116: No. 4 in E Major, Intermezzo
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Violin Concerto No. 3 in G Major, K. 216: II. Adagio
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Piano Sonata No. 25 in G Major, Op. 79: II. Andante
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Piano Concerto No. 1 in G Minor, Op. 25, MWV O 7: II. Andante
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Symphonic Metamorphosis After Themes by Carl Maria von Weber: III. Andantino
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Waldszenen, Op. 82: No. 3, Einsame Blumen
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Violin Sonata in D Major, Op. 137 No. 1, D. 384: II. Andante
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Piano Sonata No. 31 in A-Flat Major, Op. 110: III. Adagio ma non troppo. Arioso dolente
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Wandrers Nachtlied, Op. 96 No. 3, D. 768 (Arr. X. van Dijk for String Quartet)
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Abendstern, D. 806 (Arr. X. van Dijk for String Quartet)
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String Quartet No. 16 in F Major, Op. 135: III. Lento assai, cantante e tranquillo (Arr. M. Mussorgsky for Piano)
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Visions de l'Amen, I/25: I. Amen de la Création
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Visions de l'Amen, I/25: II. Amen des étoiles, de la planète à l'anneau
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This Bitter Earth / On the Nature of Daylight
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x8f754c149c52f93fcb8f45e7b99a9aac751d8308a89598131ba6b5db15ccef20. Chain 2 (Bitcoin): anchored in block 960150 (2026-07-29T21:51:49Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence at https://artists.proofprofile.net/api/v1/bot/ots/verify/track/DEN962030314 — a six-check JSON result.
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9 Lieder und Gesänge, Op. 32: I. Wie rafft ich mich auf in der Nacht
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Zeynep Gedizlioğlu: Verbinden und Abwenden
Martin Suckling: This Departing Landscape
4 Orchestral Pieces, Sz. 51: I. Preludio
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4 Orchestral Pieces, Sz. 51: II. Scherzo. Allegro
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4 Orchestral Pieces, Sz. 51: III. Intermezzo. Moderato
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4 Orchestral Pieces, Sz. 51: IV. Marcia funebre. Maestoso
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Concerto for Orchestra, Sz. 116: I. Introduction. Andante non troppo – Allegro vivace
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Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando
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Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo
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Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto
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Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto
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Dance Suite, Sz. 77: III. Allegro vivace
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Dance Suite, Sz. 77: IV. Molto tranquillo
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Dance Suite, Sz. 77: VI. Finale. Allegro
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Hungarian Sketches, Sz. 97: I. Evening in Transylvania
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Hungarian Sketches, Sz. 97: II. Bear Dance
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Hungarian Sketches, Sz. 97: IV. Slightly Tipsy
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Hungarian Sketches, Sz. 97: V. Swineherd's Dance
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Divertimento for Strings, Sz. 113: I. Allegro non troppo
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Divertimento for Strings, Sz. 113: III. Allegro assai
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The Miraculous Mandarin, Sz. 73: Introduction. Allegro
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The Miraculous Mandarin, Sz. 73: 1st Decoy Game. Moderato
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The Miraculous Mandarin, Sz. 73: 2nd Decoy Game
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The Miraculous Mandarin, Sz. 73: 3rd Decoy Game. Sostenuto
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The Miraculous Mandarin, Sz. 73: The Mandarin Enters. Maestoso
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The Miraculous Mandarin, Sz. 73: The Girl Sinks Down to Embrace Him. Allegro
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The Miraculous Mandarin, Sz. 73: Again, the Frightened Tramps Discuss How to Eliminate the Mandarin. Agitato
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The Miraculous Mandarin, Sz. 73: She Resists No Longer – They Embrace. Più mosso – Vivo
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Music for Strings, Percussion & Celesta, Sz. 106: I. Andante tranquillo
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Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro
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Music for Strings, Percussion & Celesta, Sz. 106: III. Adagio
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Music for Strings, Percussion & Celesta, Sz. 106: IV. Allegro molto
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Cantata profana, Sz. 94: I. Molto moderato
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Piano Concerto No. 1, Sz. 83: II. Andante
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Piano Concerto No. 2, Sz. 95: III. Allegro molto
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Rhapsody No. 2 for Violin and Orchestra, Sz. 90: I. Lassú. Moderato
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Piano Concerto No. 3, Sz. 119: I. Allegretto
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Piano Concerto No. 3, Sz. 119: II. Adagio religioso
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Piano Sonata No. 2: I. Extrèmement rapide
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Piano Sonata No. 1, Op. 1: II. Andante con moto
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Piano Sonata, BB 88, Sz. 80: I. Allegro moderato
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Piano Sonata, BB 88, Sz. 80: II. Sostenuto e pesante
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Piano Sonata, BB 88, Sz. 80: III. Allegro molto
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Male über Male II: II. Sehr langsam, wie aus weiter Ferne (Live)
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