Les Chantres du Centre de Musique Baroque de Versailles
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genre: opera
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subject of: OpenTimestamps Proof of Existence
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album: Salieri: Les Danaïdes
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track: Tarare, Prologue, Scène 1: Ouverture « C'est assez troubler l'univers » (La Nature et les Vents déchaînés)
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  by artist: Les Chantres du Centre de Musique Baroque de Versailles
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    date published: 2019-06-07
  popularity: 4
  genre: classical
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  subject of: OpenTimestamps Proof of Existence
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    date published: 2026-07-30T10:42:33Z
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track: Tarare, Prologue, Scène 3: « Quel charme inconnu nous attire ? » (Chœur d'ombres)
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    date published: 2019-06-07
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  subject of: OpenTimestamps Proof of Existence
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    date published: 2026-07-31T13:04:34Z
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track: Tarare, Prologue, Scène 3: « Un mot encor » (Le Génie du Feu, la Nature, des ombres et Astasie) – « Qu'un jeune cœur » (La Nature)
track: Tarare, Prologue, Scène 3: « Futurs mortels, prosternez-vous » (La Nature, chœur des Ombres) – « Sois l'empereur Atar » (Le Génie du Feu, la Nature) – « Enfants, embrassez-vous » (La Nature)
track: Tarare, Prologue, Scène 3: « Ô bienfaisante déité » (Chœur d'Ombres, la Nature) – « C'est assez » (La Nature) – « Tels qu'une vapeur élancée » (La Nature) – « Gloire à l'éternelle sagesse » (
track: Tarare, Acte I, Scène 3: « Dans les plus beaux lieux de l'Asie » (Chœur d'esclaves du sérail, Atar) – « Ô sort affreux » (Astasie, Spinette, Atar)
track: Tarare, Acte II, Scène 8: Grande marche « Prêtres du grand Brama ! » (Arthenée, chœur, Elamir, Altamort, Atar)
track: Proserpine, LWV 58: Air et chœur "O malheureuse mère"
track: Proserpine, LWV 58: Air et chœur "Que tout se ressente de la fureur que je sens"
track: La Diane de Fontainebleau: Chœur du sommeil
track: Tarare, Acte II, Scène 8: « Qui veut la gloire » (Tarare, chœur) – « Je ne puis soutenir la clameur importune » (Atar, Altamort)
track: Tarare, Acte II, Scène 8: « Brama ! Si la vertu t'est chère » (Chœur général)
track: Tarare, Acte III, Scène 4: « Je suis natif de Ferrare » (Calpigi, chœur, Atar, Spinette) – « Tarare ! » (Astasie, chœur, Atar, Spinette)
track: Médée, H.491: Air et chœur "Noires filles du Styx"

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Tarare, Prologue, Scène 3: « Un mot encor » (Le Génie du Feu, la Nature, des ombres et Astasie) – « Qu'un jeune cœur » (La Nature)
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by artist: Antonio Salieri
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by artist: Les Chantres du Centre de Musique Baroque de Versailles
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by artist: Les Talens Lyriques
by artist: Christophe Rousset
in album: Salieri: Tarare
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  date published: 2019-06-07
popularity: 2
genre: classical
genre: classical-era
genre: galante-era
genre: italian-romanticism
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subject of: OpenTimestamps Proof of Existence
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  date published: 2026-07-08T03:22:41Z
audio: Tarare, Prologue, Scène 3: « Un mot encor » (Le Génie du Feu, la Nature, des ombres et Astasie) – « Qu'un jeune cœur » (La Nature)
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Tarare, Prologue, Scène 3: « Futurs mortels, prosternez-vous » (La Nature, chœur des Ombres) – « Sois l'empereur Atar » (Le Génie du Feu, la Nature) – « Enfants, embrassez-vous » (La Nature)
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by artist: Antonio Salieri
by artist: Judith van Wanroij
by artist: Les Chantres du Centre de Musique Baroque de Versailles
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by artist: Les Talens Lyriques
by artist: Christophe Rousset
in album: Salieri: Tarare
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  date published: 2019-06-07
popularity: 2
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subject of: OpenTimestamps Proof of Existence
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  date published: 2026-07-31T22:27:44Z
audio: Tarare, Prologue, Scène 3: « Futurs mortels, prosternez-vous » (La Nature, chœur des Ombres) – « Sois l'empereur Atar » (Le Génie du Feu, la Nature) – « Enfants, embrassez-vous » (La Nature)
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Tarare, Prologue, Scène 3: « Ô bienfaisante déité » (Chœur d'Ombres, la Nature) – « C'est assez » (La Nature) – « Tels qu'une vapeur élancée » (La Nature) – « Gloire à l'éternelle sagesse » (
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popularity: 2
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subject of: OpenTimestamps Proof of Existence
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  date published: 2026-08-01T00:15:43Z
audio: Tarare, Prologue, Scène 3: « Ô bienfaisante déité » (Chœur d'Ombres, la Nature) – « C'est assez » (La Nature) – « Tels qu'une vapeur élancée » (La Nature) – « Gloire à l'éternelle sagesse » (
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Tarare, Acte I, Scène 3: « Dans les plus beaux lieux de l'Asie » (Chœur d'esclaves du sérail, Atar) – « Ô sort affreux » (Astasie, Spinette, Atar)
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duration: PT4M9S
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by artist: Antonio Salieri
by artist: Les Chantres du Centre de Musique Baroque de Versailles
by artist: Jean-Sébastien Bou
by artist: Karine Deshayes
by artist: Judith van Wanroij
by artist: Les Talens Lyriques
by artist: Christophe Rousset
in album: Salieri: Tarare
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  date published: 2019-06-07
popularity: 2
genre: classical
genre: classical-era
genre: galante-era
genre: italian-romanticism
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additional property: OTSVerifyInstructions
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subject of: OpenTimestamps Proof of Existence
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  date published: 2026-07-08T03:39:04Z
audio: Tarare, Acte I, Scène 3: « Dans les plus beaux lieux de l'Asie » (Chœur d'esclaves du sérail, Atar) – « Ô sort affreux » (Astasie, Spinette, Atar)
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Tarare, Acte II, Scène 8: Grande marche « Prêtres du grand Brama ! » (Arthenée, chœur, Elamir, Altamort, Atar)
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duration: PT4M41S
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by artist: Antonio Salieri
by artist: Les Talens Lyriques
by artist: Tassis Christoyannis
by artist: Les Chantres du Centre de Musique Baroque de Versailles
by artist: Marine Lafdal-Franc
by artist: Philippe-Nicolas Martin
by artist: Jean-Sébastien Bou
in album: Salieri: Tarare
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  date published: 2019-06-07
popularity: 2
genre: classical
genre: classical-era
genre: galante-era
genre: italian-romanticism
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additional property: OTSVerifyInstructions
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subject of: OpenTimestamps Proof of Existence
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  date published: 2026-07-31T19:53:13Z
audio: Tarare, Acte II, Scène 8: Grande marche « Prêtres du grand Brama ! » (Arthenée, chœur, Elamir, Altamort, Atar)
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Proserpine, LWV 58: Air et chœur "O malheureuse mère"
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by artist: Jean-Baptiste Lully
by artist: Véronique Gens
by artist: Les Chantres du Centre de Musique Baroque de Versailles
by artist: Ensemble les Surprises
by artist: Louis-Noël Bestion de Camboulas
in album: Lully, Charpentier & Desmarets: Passion
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  date published: 2021-08-27
popularity: 2
genre: classical
genre: french-opera
genre: early-music
genre: baroque
genre: french-baroque
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additional property: OTSVerificationAPI
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additional property: OTSVerifyInstructions
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subject of: OpenTimestamps Proof of Existence
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  date published: 2026-07-08T03:22:41Z
audio: Proserpine, LWV 58: Air et chœur "O malheureuse mère"
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Proserpine, LWV 58: Air et chœur "Que tout se ressente de la fureur que je sens"
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by artist: Véronique Gens
by artist: Les Chantres du Centre de Musique Baroque de Versailles
by artist: Ensemble les Surprises
by artist: Louis-Noël Bestion de Camboulas
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popularity: 2
genre: classical
genre: french-opera
genre: early-music
genre: baroque
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additional property: OTSVerificationAPI
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additional property: OTSTimestamp
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additional property: OTSVerifyInstructions
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  value: 1. Confirm isrcCode identifies the recording in the pre-2022 source corpus and cc-db-prod record 2. GET OTSVerificationAPI → server-side canonical-record, hash, and attestation checks must pass 3. GET OTSBitcoinBlockVerifyURL → returns the Bitcoin block hash at height OTSBitcoinBlock; GET https://blockstream.info/api/block/{that hash} → its timestamp must match OTSTimestamp 4. Confirm CopyrightID is the CopyrightChains transaction hash 5. If all match: the cc-db-prod record is independently anchored on Bitcoin at OTSTimestamp Note: an OTS proof may carry multiple Bitcoin attestations; OTSBitcoinBlock is the earliest confirmed one — a later attestation inside the proof corroborates it and is not a mismatch
subject of: OpenTimestamps Proof of Existence
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  date published: 2026-07-08T03:22:41Z
audio: Proserpine, LWV 58: Air et chœur "Que tout se ressente de la fureur que je sens"
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La Diane de Fontainebleau: Chœur du sommeil
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duration: PT3M10S
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by artist: Henri Desmarets
by artist: Les Chantres du Centre de Musique Baroque de Versailles
by artist: Ensemble les Surprises
by artist: Louis-Noël Bestion de Camboulas
in album: Lully, Charpentier & Desmarets: Passion
  type: MusicAlbum
  date published: 2021-08-27
popularity: 2
genre: baroque
genre: french-baroque
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additional property: OTSVerificationAPI
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additional property: OTSTimestamp
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additional property: OTSVerifyInstructions
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  value: 1. Confirm isrcCode identifies the recording in the pre-2022 source corpus and cc-db-prod record 2. GET OTSVerificationAPI → server-side canonical-record, hash, and attestation checks must pass 3. GET OTSBitcoinBlockVerifyURL → returns the Bitcoin block hash at height OTSBitcoinBlock; GET https://blockstream.info/api/block/{that hash} → its timestamp must match OTSTimestamp 4. Confirm CopyrightID is the CopyrightChains transaction hash 5. If all match: the cc-db-prod record is independently anchored on Bitcoin at OTSTimestamp Note: an OTS proof may carry multiple Bitcoin attestations; OTSBitcoinBlock is the earliest confirmed one — a later attestation inside the proof corroborates it and is not a mismatch
subject of: OpenTimestamps Proof of Existence
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  date published: 2026-07-30T09:58:01Z
audio: La Diane de Fontainebleau: Chœur du sommeil
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Tarare, Acte II, Scène 8: « Qui veut la gloire » (Tarare, chœur) – « Je ne puis soutenir la clameur importune » (Atar, Altamort)
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duration: PT0M46S
duration ms: 46853
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by artist: Antonio Salieri
by artist: Cyrille Dubois
by artist: Les Chantres du Centre de Musique Baroque de Versailles
by artist: Jean-Sébastien Bou
by artist: Philippe-Nicolas Martin
by artist: Les Talens Lyriques
by artist: Christophe Rousset
in album: Salieri: Tarare
  type: MusicAlbum
  date published: 2019-06-07
popularity: 1
genre: classical
genre: classical-era
genre: galante-era
genre: italian-romanticism
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additional property: CopyrightChainExplorerURL
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additional property: OTSVerificationAPI
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additional property: OTSTimestamp
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additional property: OTSVerifyInstructions
  type: PropertyValue
  value: 1. Confirm isrcCode identifies the recording in the pre-2022 source corpus and cc-db-prod record 2. GET OTSVerificationAPI → server-side canonical-record, hash, and attestation checks must pass 3. GET OTSBitcoinBlockVerifyURL → returns the Bitcoin block hash at height OTSBitcoinBlock; GET https://blockstream.info/api/block/{that hash} → its timestamp must match OTSTimestamp 4. Confirm CopyrightID is the CopyrightChains transaction hash 5. If all match: the cc-db-prod record is independently anchored on Bitcoin at OTSTimestamp Note: an OTS proof may carry multiple Bitcoin attestations; OTSBitcoinBlock is the earliest confirmed one — a later attestation inside the proof corroborates it and is not a mismatch
subject of: OpenTimestamps Proof of Existence
  type: DigitalDocument
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  date published: 2026-07-08T03:20:19Z
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Tarare, Acte II, Scène 8: « Brama ! Si la vertu t'est chère » (Chœur général)
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Tarare, Acte III, Scène 4: « Je suis natif de Ferrare » (Calpigi, chœur, Atar, Spinette) – « Tarare ! » (Astasie, chœur, Atar, Spinette)
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Médée, H.491: Air et chœur "Noires filles du Styx"
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