Wolf Matthias Friedrich
Wolf Matthias Friedrich is a classical singer of baritone and bass roles, especially of Early music and Baroque music. Friedrich studied at the Musikhochschule Leipzig. In 1980, he was the winner of the International Dvorák Competition in Karlovy Vary. From 1982 to 1986 Friedrich was a member of the Opera Studio of the Dresden State Opera. The bass has made guest appearances at the Dresden Music Festival, the Handel Festival in Halle, the Schwetzingen Festival as well as in Berlin, Hanover, Potsdam, Edinburgh and Australia. In 2000, he performed the role of Pluto in the first modern revival of Giovanni Legrenzi's La divisione del mondo at the Schwetzingen Festival. He has focused on Baroque operas. He has often collaborated with the conductor Alessandro De Marchi. In 2002/03, he appeared as Licomede in Handel's Deidamia at the Handel Festival in Halle, conducted by De Marchi. In the 2006/07 season Friedrich performed the role of Publio in Mozart's La clemenza di Tito in a production by Ursel and Karl-Ernst Herrmann, and under the musical direction of De Marchi at the Estates Theatre in Prague. He worked with Norman Shetler in various lied projects, including Franz Schubert, Felix Mendelssohn and Carl Loewe). His recordings have included Schubert’s Schwanengesang. He works regularly with the ensembles Musica Fiata and Cantus Cölln, also as a member of Cantus Cölln. In 2002, Friedrich was one of the co-founders of the Kerll-Rosenmüller Festival, which was held annually from 2002 to 2006 to promote the musical heritage of the Baroque composers Johann Caspar Kerll, Johann Rosenmüller and Sebastian Knüpfer.
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Top Tracks
- Christ lag in Todesbanden: Versus I
- Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis
- Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 1. Dies irae
- Mass No. 2 in D Minor, "Messe Solennelle": Credo: Et resurrexit
- Herz und Mund und Tat und Leben, BWV 147: IX. Arie (Bass) - Ich will von Jesu Wundern singen - Live
- Herz und Mund und Tat und Leben, BWV 147: IV. Rezitativ (Bass) - Verstockung kann Gewaltige verblenden - Live
- Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (a) Hostias et praeces tibi, Domine
- Ach Gott, wie manches Herzeleid, BWV 3: III. Empfind ich Höllenangst und Pein (Arie [Bass]) - Live
- Ach Gott, wie manches Herzeleid, BWV 3: II. Wie schwerlich läßt sich Fleisch und Blut (Rezitativ und Choral [Sopran, Alt, Tenor, Bass; Chor]) - Live
- Miserere in G Minor, HocJ C1.23: XIX. Tunc acceptabis, 1. Tunc acceptabis sacrificium
- Miserere in G Minor, HocJ C1.23: XVII. Sacrificium Deo
- Miserere in G Minor, HocJ C1.23: XV. Domine labia mea aperies
- Miserere in G Minor, HocJ C1.23: XIII. Docebo iniquos vias tuas
- Miserere in G Minor, HocJ C1.23: XI. Ne proicias me a facie tua
- Miserere in G Minor, HocJ C1.23: IX. Averte faciem tuam
- Miserere in G Minor, HocJ C1.23: VII. Asparges me hysopo et mundabor
- Miserere in G Minor, HocJ C1.23: V. Ecce enim in iniquitatibus conceptus sum
- Miserere in G Minor, HocJ C1.23: III. Quoniam iniquitatem meam
- Miserere in G Minor, HocJ C1.23: I. Miserere, 2. Et secundum multitudinem
- I. Orchestersuite BWV 1066: Forlane - Live
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