Günther Groissböck
Günther Groissböck (born 24 September 1976) is an Austrian operatic bass. Anthony Tommasini, chief classical music critic for The New York Times, described Groissböck's "imposing and good-looking" portrayal of Baron Ochs in Der Rosenkavalier at the Metropolitan Opera, New York, as "a revelation". James Jorden of the New York Observer praised Groissböck's "innovative take" on the role and his "big, virile sound". A 2018 recording of the Met performance was nominated for Grammy Award in the Best Opera Recording.
Genre: opera
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Top Tracks
- Mass in C Major, Op. 86: II. Gloria (Live) [Remastered 2021]
- Mass No. 3 in F Minor, WAB 28: Agnus Dei
- Mass No. 3 in F Minor, WAB 28: Benedictus
- Mass No. 3 in F Minor, WAB 28: Sanctus
- Mass No. 3 in F Minor, WAB 28: Credo
- Mass No. 3 in F Minor, WAB 28: Kyrie
- Lady Macbeth of Mtsensk District, Op. 29, Act II Scene 5: Opyát’ usnúl ... Katerína L’vóvna, ubíyca! ... Nu? Čegó tebé?
- Lady Macbeth of Mtsensk District, Op. 29, Act II Scene 4: Vídno, skóro už zaryá. Ėkh! ... Gde tut umiráyut? ... Bátya, ispovédat’sya ... Akh, Borís Timoféyevič, začém tï ot nas ušól?
- Lady Macbeth of Mtsensk District, Op. 29, Act II Scene 4: Ustál – Prikážete mne postegát’? ... Progolodálsya ya
- Lady Macbeth of Mtsensk District, Op. 29, Act II Scene 4: Proščáy, Kátya, proščáy! ... Stoy! Gde bïl? ... Smotrí, Katerína, zanyátnoye zrélišče
- Lady Macbeth of Mtsensk District, Op. 29, Act II Scene 4: Čto znáčit stárost’: Ne spítsya
- Lady Macbeth of Mtsensk District, Op. 29, Act I Scene 3: Kto ėto, kto, kto stučít? ... Proščáy ... Uydí tï, rádi bóga, ya múžnyaya žená
- Lady Macbeth of Mtsensk District, Op. 29, Act I Scene 3: Spat’ porá. Den’ prošól
- Lady Macbeth of Mtsensk District, Op. 29, Act I Scene 2: Mnógo vï, mužikí, o sebé vozmečtáli ... Čto ėto?
- Lady Macbeth of Mtsensk District, Op. 29, Act I Scene 1: Govorí! ... Začém že tï uyezžáyes’, khozyáin ... Vot, pápa, posmotrí ... Proščáy, Katerína ... Katerína, poklyanís’ na svyatóy ikóne .
- Lady Macbeth of Mtsensk District, Op. 29, Act I Scene 1: Gribkí segódnya búdut?
- Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Part II, Final Scene from Faust: Alles Vergangliche ist nur ein Gleichnis
- Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Part II, Final Scene from Faust: Blicket auf zum Retterblick, alle reuig Zarten -
- Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Part II, Final Scene from Faust: Komm! Hebe dich zu hohern Spharen! -
- Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Part II, Final Scene from Faust: Bei dem Bronn, zu dem schon weiland -
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