John Mainwaring
Copyright Verification
- CopyrightID (CopyrightChains tx_hash): 0x336d359c37904810be76a52fd95f99682305604b28c8d5d4a38c1052808da7c9
- Status: registered
- Registered: 2026-06-11T19:13:21+00:00
- Explorer: https://explorer.copyrightchains.com/tx/0x336d359c37904810be76a52fd95f99682305604b28c8d5d4a38c1052808da7c9
Top Tracks
- Memoirs: XLV. After he quitted Naples
- Memoirs: XLIV. How Handel executed his task
- Memoirs: XLIII. From Rome
- Memoirs: XLII. No hopes appearing of a real conversion
- Memoirs: XLI. As he was familiar
- Memoirs: XL. Wheter his Eminence
- Memoirs: XXXIX. Ils seavent encore
- Memoirs: XXXVIII. While he was at Rome
- Memoirs: XXXVII. Though no two persons ever arrived
- Memoirs: XXXVI. Handel used often to speak of this person
- Memoirs: XXXV. As he was an exquisite player on the harpsichord
- Memoirs: XXXIV. The first of these he became aquainted with
- Memoirs: XXXIII. Hitherto Handel was chiefly been considered
- Memoirs: XXXII. Corelli gently lays down his instrument
- Memoirs: XXXI. The ouverture for Il trionfo del tempo e del disinganno
- Memoirs: XXX. Severall fruitless attemps
- Memoirs: XXIX. There was also something in his manner
- Memoirs: XXVIII. Besides a fine collection of pictures and statues
- Memoirs: XXVI. Having mentioned
- Memoirs: XXV. This opera drew over all the best singers
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