Miles Davis
Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American trumpeter, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. In a career spanning nearly five decades, Davis was at the forefront of several major stylistic developments in jazz, including—but not limited to—bebop, cool jazz, hard bop, third stream, modal jazz, avant-garde jazz, and jazz fusion. Davis's legacy extends beyond jazz into the realms of rock, funk, classical, and hip-hop. Born into an upper-middle-class family in Alton, Illinois, and raised in East St. Louis, Davis started on the trumpet in his early teens. He left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly afterwards, he recorded the Birth of the Cool sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, while addicted to heroin, Davis recorded some of the earliest hard bop music under Prestige Records. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract with Columbia Records, and recorded the album 'Round About Midnight in 1955. It was his first work with saxophonist John Coltrane and bassist Paul Chambers, key members of the sextet he led into the early 1960s. During this period, he alternated between orchestral jazz collaborations with arranger Gil Evans, such as the Spanish music–influenced Sketches of Spain (1960), and band recordings, such as Milestones (1958) and Kind of Blue (1959). The latter recording remains one of the most popular jazz albums of all time, having sold more than five million copies in the U.S. Davis made several lineup changes while recording Someday My Prince Will Come (1961), his 1961 Blackhawk concerts, and Seven Steps to Heaven (1963), another commercial success that introduced bassist Ron Carter, pianist Herbie Hancock and drummer Tony Williams. After adding saxophonist Wayne Shorter to his new quintet in 1964, Davis led them on a series of more abstract recordings often composed by the band members, helping pioneer the post-bop genre with albums such as E.S.P. (1965) and Miles Smiles (1967), before transitioning into his electric period. During the 1970s, he experimented with rock, funk, African rhythms, emerging electronic music technology, and an ever-changing lineup of musicians, including keyboardist Joe Zawinul, drummer Al Foster, bassist Michael Henderson and guitarist John McLaughlin. This period, beginning with Davis's 1969 studio album In a Silent Way and concluding with the 1975 concert recording Agharta, was the most controversial in his career, alienating and challenging many in jazz. His million-selling 1970 record Bitches Brew helped spark a resurgence in the genre's commercial popularity with jazz fusion as the decade progressed. After a five-year retirement due to poor health, Davis resumed his career in the 1980s, employing younger musicians and pop sounds on albums such as The Man with the Horn (1981), You're Under Arrest (1985) and Tutu (1986). Critics were often unreceptive but the decade garnered Davis his highest level of commercial recognition. He performed sold-out concerts worldwide, while branching out into visual arts, film and television work, before his death in 1991 from the combined effects of a stroke, pneumonia and respiratory failure, aged 65. In 2006, Davis was inducted into the Rock and Roll Hall of Fame, which recognized him as "one of the key figures in the history of jazz". Rolling Stone magazine described him as "the most revered jazz trumpeter of all time, not to mention one of the most important musicians of the 20th century," while Gerald Early called him inarguably one of the most influential and innovative musicians of that period.
Genre: jazz, soul, vocal-jazz, free-jazz, hard-bop, bebop, jazz-trumpet, cool-jazz, jazz-fusion, jazz-ballads
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Top Tracks
- Blue in Green (feat. John Coltrane & Bill Evans)
- So What (feat. John Coltrane, Cannonball Adderley & Bill Evans)
- So What (feat. John Coltrane, Cannonball Adderley & Bill Evans)
- Blue in Green (feat. John Coltrane & Bill Evans)
- 'Round Midnight
- Mystery
- Freddie Freeloader (feat. John Coltrane, Cannonball Adderley, Wynton Kelly & Paul Chambers)
- All Blues (feat. John Coltrane, Cannonball Adderley & Bill Evans)
- Stella By Starlight (feat. John Coltrane & Bill Evans)
- Flamenco Sketches (feat. John Coltrane, Cannonball Adderley & Bill Evans)
- Bye Bye Blackbird (feat. John Coltrane, Red Garland, Paul Chambers & Philly Joe Jones)
- Human Nature (2022 Remaster)
- On Green Dolphin Street (feat. John Coltrane, Cannonball Adderley & Bill Evans)
- So What
- Time After Time (2022 Remaster)
- Shhh / Peaceful
- Rubberband of Life (feat. Ledisi)
- Time After Time - Live
- Autumn Leaves
- Blue Haze
Albums (56)
- Miles '56 (Remastered 2026) (2026-06-19)
- A Catalogue of Jazz: Miles Davis (2026-01-15)
- A Catalogue of Jazz: Miles Davis (2024-05-08)
- INTEGRAL MILES DAVIS 1951-1956 (2024-04-19)
- Miles Davis Quintet in Concert Live at the Olympia, Paris, November 30 - 1957 (2023-09-15)
- MILES DAVIS INTEGRAL 1957 - 1962 (2023-06-02)
- Blue 'n' Boogie (2023-05-07)
- Tune Up (2023-05-07)
- Turnaround: Rare Miles From The Complete On The Corner Sessions (2023-04-20)
- Tivoli Koncertsal (Live Copenhagen '71) (2023-03-07)
- On Savoy: Charlie Parker & Miles Davis (2022-11-04)
- That's What Happened 1982-1985: The Bootleg Series, Vol. 7 (2022-09-16)
- Four Classic Albums (Quintet - Sextet / Bags’ Groove / Miles / Miles Davis & the Modern Jazz Giants) (Digitally Remastered) (2022-07-01)
- What It Is: Montreal 7/7/83 (Live) (2022-06-03)
- Vaults (2022-05-09)
- BD Music Presents Kind of Blue (2021-11-20)
- Miles Davis Jazz Monument (2021-10-13)
- The Lost Concert (2021-09-24)
- Champions: Rare Miles from the Complete Jack Johnson Sessions (2021-07-17)
- Merci Miles! Live at Vienne (2021-06-25)
- Caught Up In Circles (Live 1990) (2021-05-04)
- Miles Davis - A Jazz Legend (2021-01-25)
- Double Image: Rare Miles From The Complete Bitches Brew Sessions (2020-10-24)
- The Lost Septet (Live) (2020-07-31)
- Music From and Inspired by The Film Birth Of The Cool (2020-02-21)
- Early Minor: Rare Miles From The Complete In A Silent Way Sessions (2019-11-29)
- 1951-1959 The Essential Works (2019-11-29)
- All of You (2019-10-11)
- Rubberband (2019-09-06)
- The Lost Quintet (2019-07-26)
- The Final Tour: The Bootleg Series, Vol. 6 (2018-03-23)
- The Only One and Fantastic... Miles Davis (Remastered) (2017-08-13)
- Miles Davis Quintet: Freedom Jazz Dance: The Bootleg Series, Vol. 5 (2016-10-21)
- Everything's Beautiful (2016-05-27)
- Miles Ahead (Original Motion Picture Soundtrack) (2016-04-01)
- All that Jazz, Vol. 59: Miles Davis and Friends - Cool Dimensions (Remastered 2016) (2016-04-01)
- All That Jazz, Vol. 44: Miles Davis, Vol. 3 – Cool Boplicity in Hackensack (Remastered 2015) (2015-10-02)
- Miles Davis at Newport: 1955-1975: The Bootleg Series, Vol. 4 (2015-07-17)
- All That Jazz, Vol. 17: Miles Davis, Vol. 2 (Live in Boston 1955 & Paris 1949) (2014-11-04)
- Take Off: The Complete Blue Note Albums (2014-05-13)
- Miles at The Fillmore: Miles Davis 1970: The Bootleg Series, Vol. 3 (2014-03-21)
- Ascenseur pour l'echafaud (1970-01-01)
- Miles Davis Quintet: Live In Europe 1967: The Bootleg Series, Vol. 1 (2011-09-21)
- BD Music Presents Miles Davis, Vol. 2 (2009-11-12)
- The Best Of Miles Davis (2004-01-01)
- Live Around the World (1996-05-10)
- Doo-Bop (1992-06-26)
- Chronicles - The Complete Prestige Recordings 1951-1956 (1987-01-01)
- Tutu (1986-12-01)
- You're Under Arrest (2022 Remaster) (1985-09-09)
- Bitches Brew (1970-04-01)
- In A Silent Way (1969-07-30)
- Kind Of Blue (1959-08-17)
- Kind Of Blue (Legacy Edition) (1959-08-17)
- Milestones (1958-04-01)
- 'Round About Midnight (1957-03-18)
Full machine-verifiable record (JSON-LD, dual-chain proof, every album and recording): https://artists.proofprofile.net/storage/jsonld/artists/3231/artist-12849.json
Popularity-0 recordings of Miles Davis in everplay, described from supplier metadata.