Sir Adrian Boult
Sir Adrian Cedric Boult, CH (; 8 April 1889 – 22 February 1983) was a British conductor. Brought up in a prosperous mercantile family, he followed musical studies in England and at Leipzig, Germany, with early conducting work in London for the Royal Opera House and Sergei Diaghilev's ballet company. His first prominent post was conductor of the City of Birmingham Orchestra in 1924. When the British Broadcasting Corporation appointed him director of music in 1930, he established the BBC Symphony Orchestra and became its chief conductor. The orchestra set standards of excellence that were rivalled in Britain only by the London Philharmonic Orchestra (LPO), founded two years later. Forced to leave the BBC in 1950 on reaching retirement age, Boult became principal conductor of the London Philharmonic Orchestra. The orchestra had declined from its peak of the 1930s, but under his guidance its fortunes were revived. He retired as its chief conductor in 1957, and later accepted the post of president. Although in the latter part of his career he worked with several other orchestras, including the London Symphony Orchestra, the Philharmonia Orchestra, the Royal Philharmonic Orchestra, and his former orchestra, the BBC Symphony, it was the LPO with which he was primarily associated, conducting it in concerts and recordings until 1978, in what was widely called his "Indian summer". Boult was known for his championing of British music. He gave the first performance of his friend Gustav Holst's The Planets, and introduced new works by, among others, Elgar, Bliss, Britten, Delius, Rootham, Tippett, Vaughan Williams and Walton. In his BBC years, he introduced works by foreign composers, including Bartók, Berg, Stravinsky, Schoenberg and Webern. A modest man who disliked the limelight, Boult felt as comfortable in the recording studio as on the concert platform, making recordings throughout his career. From the mid-1960s until his retirement after his last sessions in 1978 he recorded extensively for EMI. In addition to several recordings that have remained in the active catalogue, Boult's legacy includes his influence on prominent conductors of later generations, including Sir Colin Davis and Vernon Handley.
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Top Tracks
- Vaughan Williams: The Lark Ascending (Excerpt)
- The Lark Ascending (Opening) - 1987 Remaster
- Vaughan Williams: The Lark Ascending
- Fantasia on "Greensleeves"
- Elgar: 2 Chansons, Op. 15: No. 2, Chanson de matin (Orchestral Version)
- Vaughan Williams: Fantasia on a Theme by Thomas Tallis (Excerpt)
- Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace
- Fantasia On Greensleeves
- Messiah, HWV 56 / Pt. 1: 1. Accompagnato: Comfort ye, My people
- Strauss, R: Don Quixote, Op. 35: Theme. The Knight of the Mournful Countenance - Sancho Panza
- Herz und Mund und Tat und Leben Cantata, BWV 147: Jesu joy of man's desiring
- Holst: The Planets, Op. 32: I. Mars, the Bringer of War
- Strauss, R: Don Quixote, Op. 35: Finale. Don Quixote’s Death
- Strauss, R: Don Quixote, Op. 35: Variation X. The Defeat of Don Quixote
- Strauss, R: Don Quixote, Op. 35: Variation IX. The Combat with the Two Magicians
- Strauss, R: Don Quixote, Op. 35: Variation VIII. The Voyage in the Enchanted Boat
- Strauss, R: Don Quixote, Op. 35: Variation VII. The Ride Through the Air
- Strauss, R: Don Quixote, Op. 35: Variation VI. The Meeting with Dulcinea
- Strauss, R: Don Quixote, Op. 35: Variation V. The Knight’s Vigil
- Strauss, R: Don Quixote, Op. 35: Variation IV. The Adventure with the Pilgrims
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