Yvonne Minton
Yvonne Fay Minton CBE (born 4 December 1938) is an Australian-born but mostly British-resident opera singer. She is variously billed as a soprano, mezzo-soprano or contralto. A native of Sydney, she studied voice while on a scholarship at the New South Wales Conservatorium of Music. She won the £1000 Shell Aria, run in conjunction with the 1960 National Eisteddfod, Canberra. By this stage she had become one of the country's leading contraltos, often appearing on radio and television and with the Sydney and Queensland orchestras. Minton left Australia in 1961 to pursue her studies in London. The same year, she won the Kathleen Ferrier Prize for the best contralto at the International Vocal Competition 's-Hertogenbosch in the Netherlands. Her first major part in England was as Maggie Dempster in the premiere of Nicholas Maw's One Man Show. She sang the role of Clotilde on the 1965 Decca recording of Bellini's Norma. Shortly thereafter, she became a regular member of the company of the Royal Opera House, Covent Garden, appearing in such roles as Lola in Cavalleria rusticana. She created the role of Thea in Tippett's The Knot Garden (1970) and appeared at the Cologne Opera from 1969 (début as Sesto in La clemenza di Tito). She has since appeared with most of the major English orchestras and in opera houses throughout Europe and the United States. She has also appeared at Bayreuth (Brangäne in Tristan und Isolde) and the Salzburg Festival 1978 (Octavian). In 1973, she made her Metropolitan Opera debut as Octavian in Strauss's Der Rosenkavalier. She sang the role of Countess Geschwitz in Lulu in Paris in 1979. She has also made many concert appearances, notably with Sir Georg Solti and the Chicago Symphony Orchestra. Her recordings include Parsifal (Armin Jordan), Der Rosenkavalier (Georg Solti), The Marriage of Figaro (Colin Davis), Bach's Mass in B minor (Karl Münchinger), Rossini's Stabat Mater (István Kertész), Elgar's The Dream of Gerontius, Mahler's The Song of the Earth, Lieder eines fahrenden Gesellen, Des Knaben Wunderhorn (all with Solti), Tristan und Isolde (Leonard Bernstein), and Béatrice et Bénédict (Daniel Barenboim). In the New Year Honours 1980, she was appointed Commander of the Order of the British Empire (CBE) for services to music.
Genre: classical-mezzo-soprano
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Top Tracks
- Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2: XVI. Alles Vergängliche
- Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: II. Imple superna gratia
- Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: VIII. Gloria sit Patri Domino
- Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: VI. Accende lumen sensibus
- Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: VII. Veni, creator... Da gaudiorum praemia
- Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: III. Infirma nostri corporis I - IV. Tempo - V. Infirma nostri corporis II
- Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2: VIII. Uns bleibt ein Erdenrest - IX. Ich spür' soeben
- Tristan und Isolde, WWV 90, Act I Scene 1: Westwärts schweift der Blick - Live
- Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2: XII. Bei der Liebe, die den Fussen
- Tristan und Isolde, WWV 90, Act II Scene 2: O sink hernieder, Nacht der Liebe (Love Duet, Pt. 1) - Live
- Tristan und Isolde, WWV 90, Act I Scene 3: Wie lachend sie mir Lieder singen - Live
- Tristan und Isolde, WWV 90, Act I Scene 3: Weh, ach wehe! Dies zu dulden - Live
- Tristan und Isolde, WWV 90, Act I Scene 2: Hab acht, Tristan! - Live
- Tristan und Isolde, WWV 90, Act I Scene 2: Frisch weht der Wind - Live
- Elektra, Op. 58, TrV 223: "Wo bleibt Elektra?"
- Le nozze di Figaro / Act 2: "Voi che sapete" - "Bravo! che bella voce!"
- Tristan und Isolde, WWV 90, Act I Scene 5: Tristan! ... Isolde! ... Treuloser Holder! - Live
- Le nozze di Figaro, K. 492 / Act 1: "Non so più cosa son, cosa faccio"
- Le nozze di Figaro / Act 1: "Via resti servita" - "Va là, vecchia pedante"
- Tristan und Isolde, WWV 90, Act II Scene 2: So starben wir (Love Duet, Pt. 3) - Live
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