Sir Peter Pears

Copyright Verification

• CopyrightID (CopyrightChains tx_hash): 0x3190a41a358bf1e61996ced178f450a421881a908f01bf59e557d636beeae70d
• Status: registered
• Registered: 2026-06-12T07:31:21+00:00
• Explorer: https://explorer.copyrightchains.com/tx/0x3190a41a358bf1e61996ced178f450a421881a908f01bf59e557d636beeae70d

• Bitcoin block (earliest attestation): 953407, 2026-06-12T19:24:56Z
• Record hash: sha256:63d39c0b9d7fd07036652c936b4932b3d2af53dedc642ce3e190e223086383b4
• Anchored record: https://artists.proofprofile.net/proofs/artist/b1e150bc-77e2-4c3a-a632-ce47caf03c2a.json
• OpenTimestamps proof: https://artists.proofprofile.net/proofs/artist/b1e150bc-77e2-4c3a-a632-ce47caf03c2a.ots
• Verification result: https://artists.proofprofile.net/api/v1/bot/ots/verify/artist/b1e150bc-77e2-4c3a-a632-ce47caf03c2a
• Bitcoin block lookup: https://blockstream.info/api/block-height/953407

Top Tracks

• The Rape of Lucretia, Op. 37 / Act 1: "My Horse! My Horse! Tarquinius Does Not Wait"
• The Rape of Lucretia, Op. 37 / Act 2: "Lucretia!...What Do You Want?"
• The Rape of Lucretia, Op. 37 / Act 2: "The Prosperity Of the Etruscans"
• The Rape of Lucretia, Op. 37 / Act 1: "The Oatmeal Slippers Of Sleep"
• The Rape of Lucretia, Op. 37 / Act 1: "Tarquinius Does Not Dare"
• The Rape of Lucretia, Op. 37 / Act 1: "Collatinus Is Politically Astute"
• The Rape of Lucretia, Op. 37 / Act 1: "Maria Was Unmasked At a Masked Ball"
• The Rape of Lucretia, Op. 37 / Act 1: "Who Reaches Heaven First"
• The Rape of Lucretia, Op. 37 / Act 1: "It Is An Axiom Among Kings"
• The Rape of Lucretia, Op. 37 / Act 1: "Rome Is Now Ruled By the Etruscan Upstart"
• The King Goes A-Hunting (Le Roi S'en Va-t'en Chasse)
• St. John Passion, BWV 245, Pt. 2: No. 38, Darnach bat Pilatum Joseph von Arimathia (Live)
• St. John Passion, BWV 245, Pt. 2: No. 36, Die Jüden aber, dieweil es der Rüsttag war (Live)
• St. John Passion, BWV 245, Pt. 2: No. 33, Und siehe da, der Vorhang im Tempel zerriß (Live)
• St. John Passion, BWV 245, Pt. 2: No. 31, Und neiget das Haupt und verschied (Live)
• St. John Passion, BWV 245, Pt. 2: No. 29, Und von Stund an nahm sie der Jünger zu sich (Live)
• St. John Passion, BWV 245, Pt. 2: No. 27, Die Kriegsknechte aber - Lasset uns den nicht zerteilen - Auf daß erfüllet würde die Schrift (Live)
• St. John Passion, BWV 245, Pt. 2: No. 25, Allda kreuzigten sie ihn - Der Jüden König - Pilatus antwortet (Live)
• St. John Passion, BWV 245, Pt. 2: No. 23, Die Jüden aber schrieen und sprachen (Live)
• St. John Passion, BWV 245, Pt. 2: No. 21, Und die kriegsknechte flochten (Live)

Albums (2)

• Britten: The Rape of Lucretia; Phaedra (1990-01-01)
• Purcell: The Fairy Queen; Dido & Aeneas (2001-01-01)

Recordings with proof (2)

• Dido and Aeneas - Realised: Imogen Holst & Benjamin Britten - Act 1: "Fear no danger to ensue"; ISRC GBF077542605; CopyrightID 0x125a0215b5b1e519607fee606f3f816506b2f3b34196488325b9a73ed5d8ad9b; Bitcoin block 956351; anchored record, OpenTimestamps proof, verification result
• The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 3: "O Let Me Weep, For Ever Weep"; ISRC GBF077041022; CopyrightID 0x304bbfe93fb333c040fdc598241b1764ddd0a1d3a4d69d5b4c41d41f6981305d; Bitcoin block 956891; anchored record, OpenTimestamps proof, verification result