Otakar Kraus
Otakar Kraus OBE (10 December 1909 — 28 July 1980) was a Czech (later British), operatic baritone and teacher. He was born in Prague and studied there with Konrad Wallerstein and in Milan with Fernando Carpi. He himself was the teacher of a number of important British basses, including Robert Lloyd, Willard White, John Tomlinson, Gwynne Howell and Colin Iveson. He taught the British baritone John Rawnsley, and also taught New Zealand baritones Barry Mora and David Griffiths and soprano Judy Bellingham. He made his operatic debut as Amonasro in Aida in Brno in 1935. From 1936 to 1939 he sang as principal baritone at the Slovak National Theatre in Bratislava. In 1940, he moved to England, appearing at the Savoy Theatre in Mussorgsky's The Fair at Sorochyntsi, and from 1943 to 1946 he appeared with the Carl Rosa Opera Company, singing Scarpia, Germont, the three roles in Hoffmann and other parts. After seasons with the English Opera Group and the Netherlands Opera, he joined the Royal Opera House, Covent Garden in 1951, and sang there until 1973. Kraus specialised in villainous characters. His roles at Covent Garden and worldwide included Don Pizarro in Fidelio, Iago in Otello and Scarpia in Tosca, as well as Alberich in the Ring cycle at the Bayreuth Festival from 1960 to 1962. He created the roles of Nick Shadow in Stravinsky's The Rake's Progress, Tarquinius in Britten's The Rape of Lucretia, King Fisher in Michael Tippett's The Midsummer Marriage, Diomede in Walton's Troilus and Cressida, and the Sheriff in Gian Carlo Menotti's Martin's Lie. He died in London. The Otakar Kraus Music Trust, a charity which provides music therapy to children and adults with special needs, was founded by Dr. Margaret Lobo, a former pupil, in memory of him. It was founded in 1988 in Twickenham, London and now operates in that local area and also in India. His name is mentioned in the Czech film "Cosy Dens" (1999) by Jirí Kodet (as Kraus).
Genre: opera
Copyright Verification
- CopyrightID (CopyrightChains tx_hash): 0x2dadd6ac478098ad269d9daf5699bda290926b62c6671f15af8342788630a254
- Status: registered
- Registered: 2026-06-15T20:31:22+00:00
- Explorer: https://explorer.copyrightchains.com/tx/0x2dadd6ac478098ad269d9daf5699bda290926b62c6671f15af8342788630a254
- Bitcoin block (earliest attestation): 953903, 2026-06-16T07:05:05Z
- Record hash: sha256:d215856c42004ca4d28ed86731f156fb4d6bb044c68d681acd7cfa82de99c2d9
- Anchored record: https://artists.proofprofile.net/proofs/artist/13ec348e-372d-4064-a508-fdb16483386b.json
- OpenTimestamps proof: https://artists.proofprofile.net/proofs/artist/13ec348e-372d-4064-a508-fdb16483386b.ots
- Verification result: https://artists.proofprofile.net/api/v1/bot/ots/verify/artist/13ec348e-372d-4064-a508-fdb16483386b
- Bitcoin block lookup: https://blockstream.info/api/block-height/953903
Top Tracks
- Siegfried, WWV 86C, Act II: Wohin schleichst du eilig und schlau (Live)
- Siegfried, WWV 86C, Act II: Fafner! Fafner! erwache, Wurm! (Live)
- Siegfried, WWV 86C, Act II: Deinen Sinn kenn' ich (Live)
- Siegfried, WWV 86C, Act II: Wer naht dort schimmernd im Schatten (Live)
- Siegfried, WWV 86C, Act II: In Wald und Nacht (Live)
- Otello, Act IV: Quai grida! (Live)
- Otello, Act III: Fuggirmi io sol non so! (Live)
- Otello, Act III: A terra!… Si… Nel livido fango (Live)
- Otello, Act III: Messeri! Il doge (Live)
- Otello, Act III: Viva! Evviva! Viva il Leon di San Marco! (Live)
- Otello, Act III: Come la ucciderò? (Live)
- Otello, Act III: Questa è una ragna (Live)
- Otello, Act III: Vieni, l'aula è deserta (Live)
- Otello, Act III: Dio! Mi potevi scagliar tutti i mali (Live)
- Otello, Act III: La vedetta del porto ha segnalato (Live)
- Otello, Act II: Si, pel ciel marmoreo guiro! (Live)
- Otello, Act II: Era la notte, Cassio dormia (Live)
- Otello, Act II: Ora e per sempre addio (Live)
- Otello, Act II: Desdemona rea! (Live)
- Otello, Act II: Se inconscia contro te (Live)
Albums (41)
- Wagner: Götterdämmerung (Live) (2015-06-02)
- Wagner: Siegfried (Recorded Live 1959) (2014-11-01)
- Wagner: Der Ring des Nibelungen (Live) (2016-11-11)
- Wagner: Götterdämmerung (Live) (2015-03-01)
- Verdi: Otello (Live Recordings 1955) (2014-10-28)
- Wagner: Parsifal (2014-10-01)
- Wagner: Das Rheingold, WWV 86A (Live) (2014-09-01)
- Mussorgsky: Boris Godunov (1958) (2015-02-01)
- Legenden der Operette: Elisabeth Schwarzkopf (2006-06-09)
- Puccini: Tosca (1961) (2015-01-01)
- Lehár: Das Land des Lächelns & Other Operetta Excerpts (2005-08-01)
- The Land Of Smiles, Vol. 2 (2000-01-01)
- The Land Of Smiles, Vol. 1 (2000-01-01)
- Wagner: Das Rheingold (1960) (2015-02-01)
- Schwarzkopf, Elizabeth: Operetta Arias (2000-01-01)
- Wagner: Götterdämmerung, WWV 86D (2016-01-01)
- Bach: St Matthew Passion, BWV 244 (Remastered) (2023-11-08)
- Bach: Matthaüs-Passion, BWV 244 (1962-01-01)
- Bach: St Matthew Passion, Violin Concertos, No. 1 & 2, Concerto for 2 Violins (2020-01-01)
- Das Rheingold (Recorded 1962) (2013-02-01)
- Weber: Euryanthe (2019-07-05)
- Stravinsky: The Rake's Progress (1951)
- Lehár: The Merry Widow (2017-10-13)
- R. Strauss: Ariadne auf Naxos (1999-07-01)
- Wagner: Gotterdamerung (Recorded 1962) (2013-02-01)
- Lehár: Die Lustige Witwe & Das Land Des Lächelns (1953)
- Berg, Stravinsky & Vaughan Williams: Orchestral Works (Live) (2023-11-17)
- Meine Lippen, sie küssen so heiß: das Schönste der Operette (2024-04-19)
- Lehar: Merry Widow (The) (Schwartzkopf, Kunz, Gedda) (1953) (2005-03-01)
- The Hoffnung Interplanetary Music Festival, 1958 (2021-05-24)
- Wagner: Siegfried (1960) (2015-01-01)
- Strauss, R: Ariadne Auf Naxos (Schwarzkopf, Streich, Karajan) (1954) (2006-03-21)
- Franz Lehár: Das Land Des Lächelns (2006-01-01)
- Lehar: Das Land des Lächelns/Die Lustige Witwe (2001)
- Wagner: Siegfried (Recorded 1962) (2013-02-01)
- Strauss: Elektra (2010-07-04)
- Die Listige Witwe (2000-01-01)
- La Carrière Du Libertin (Acte 1 & Acte 2) : Anthologie Igor Stravinsky Vol. 8 (2011-09-15)
- Strauss: Ariadne auf Naxos (2000-01-01)
- La Carrière Du Libertin (Acte 2 & Acte 3) : Anthologie Igor Stravinsky Vol. 9 (2011-09-15)
- Lehár Die lustige Witwe (2018-02-02)
Recordings with proof (29)
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 3, Choral. "Herzliebster Jesu, was hast du verbrochen"; ISRC GBAYC2300989; CopyrightID 0x3fe96128f3994f6adb637634f60a0c51a29cfc012fb5eb19a5c0a50fa40f0e4a; Bitcoin block 957145; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4d, Chor. "Wozu dienet dieser Unrat"; ISRC GBAYC2300993; CopyrightID 0xe0df0f2852104253a36b70d7842d7c9f794f1ab7403cadfe3415ebe82fb18293; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 14, Rezitativ. "Und da sie den Lobgesang gesprochen hatten"; ISRC GBAYC2301006; CopyrightID 0xe7461f64763a8b38094286dc3d7d4b74df8cb4e2ee5eae83a6283ff42a949d0a; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 32, Choral. "Mir hat die Welt trüglich gericht"; ISRC GBAYC2301024; CopyrightID 0x9a252f20df379f7e9b0b90b5022297554f164da01cc2d4fa08f2c82053394f1e; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 37, Choral. "Wer hat dich so geschlagen"; ISRC GBAYC2301030; CopyrightID 0x74c050bb6899594aa1e22eed92c40efef118f7fec0d9694d0d06096b1da45470; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chor. "Kommt, ihr Töchter helft mir klagen"; ISRC GBAYC6100172; CopyrightID 0xbd6117779ed602609203542bfe066ef90d75be27313d4988d7a9d7759c921145; Bitcoin block 956894; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria und Chor. "So ist mein Jesus nun gefangen"; ISRC GBAYC6100204; CopyrightID 0xfe150cb28d5b08ed3aab80991220d746d5ff0210873e8e6a5fb605566824f6ce; Bitcoin block 957120; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 3, Choral. "Herzliebster Jesu, was hast du verbrochen"; ISRC GBAYC6100174; CopyrightID 0xe7609faf7eb86aa06f3fea5b58f63953c58815aa27f795e41f613fda88af6a4a; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4a, Rezitativ. "Da versammleten sich die Hohenpriester"; ISRC GBAYC6100175; CopyrightID 0xbe0a2d1d9a1f440c243e22f5994a16aac48fc5f1947da7d8011dc202fcaa75c9; Bitcoin block 957120; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 30, Aria mit Chor. "Ach, nun ist mein Jesus hin!"; ISRC GBAYC6100208; CopyrightID 0x5f119cf879b316e743c8ef2f54b1661f65f190b12d724a4fd74650067fca112b; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 31, Rezitativ. "Die aber Jesum gegriffen hatten"; ISRC GBAYC6100209; CopyrightID 0x5ee9604f47d7f2c63ec61de91f8b2525f1542ce5ac5e999623de75347caa080f; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4d, Chor. "Wozu dienet dieser Unrat"; ISRC GBAYC6100178; CopyrightID 0xd08ddc47df0430a2521190562eb0095ece91febc78958c4bd238f2f6da78076c; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4e, Rezitativ. "Da das Jesus merkete"; ISRC GBAYC6100179; CopyrightID 0x35080f2c52b3bee252f1727a59d9e48b3f7fff17c39f4beebf70ae28949d764b; Bitcoin block 957145; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 5, Rezitativ. "Du lieber Heiland du"; ISRC GBAYC6100180; CopyrightID 0xa95bac8960f8fe3be1dd8b9851d81ece96d0ab0a595e4c7ad7b062e37551446f; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 35, Aria. "Geduld!"; ISRC GBAYC6100213; CopyrightID 0xd38277163e7f49fd09ab5e4a6d415b18ea3dce3d2451f6f4fcf077d197479cea; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 36c, Rezitativ. "Da speieten sie aus"; ISRC GBAYC6100215; CopyrightID 0xa784247e360d8d6d94e5e9f53a7bbc603a8802e24b5d5648abda14c0897c7dc0; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9c, Rezitative und Chor. "Er sprach. Gehet hin in die Stadt"; ISRC GBAYC6100186; CopyrightID 0x575f84dbc3825daa36a1b43bffc8ca2870fd21370f5ea99637789b42c16b91d2; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 38c, Rezitativ. "Da hub er an, sich zu verfluchen"; ISRC GBAYC6100218; CopyrightID 0x8739b6833ce32d0bc8a8da91fe4dd83fb77b18a47cbee4684cebfbef539b3b49; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 10, Choral. "Ich bin's, ich sollte büßen"; ISRC GBAYC6100187; CopyrightID 0x1aa03e1a90163f1abb5868333111cfd25465da642cf8f0b720245cc27f9fb3c6; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 11, Rezitativ. "Er antwortete und sprach"; ISRC GBAYC6100188; CopyrightID 0x44ad150dfc2699e8f77e78e065f1a2c9ae2108e8a8a47e9fa53543b06cc743d5; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 12, Rezitativ. "Wiewohl mein Herz in Tränen schwimmt"; ISRC GBAYC6100189; CopyrightID 0x4f780446ed9281a7c54b966417f4d10ae019db693b37f8eef3cd6cdac397de09; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 41c, Rezitativ. "Und er warf die Silberlinge in den Tempel"; ISRC GBAYC6100222; CopyrightID 0x684acaac55d5e5611ae737815686624ad12ae16cce501ca2e5e8cecd0f3122af; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 14, Rezitativ. "Und da sie den Lobgesang gesprochen hatten"; ISRC GBAYC6100191; CopyrightID 0x616ec382864328a835ce4332256339c1f7df56fbf5bdcc11276771e2e6bd7744; Bitcoin block 957145; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 15, Choral. "Erkenne mich, mein Hüter"; ISRC GBAYC6100192; CopyrightID 0x1b55242bb989f42c4a23b1f6e3335b410f0cb8c48ab49ed6208a1acc39910db0; Bitcoin block 957145; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 17, Choral. "Ich will hier bei dir stehen"; ISRC GBAYC6100194; CopyrightID 0xb5f0c575445d01382d3fc8b69713f821a3e98e527be425ab2896dab9270ac144; Bitcoin block 957122; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 25, Choral. "Was mein Gott will, das g'scheh allzeit"; ISRC GBAYC6100202; CopyrightID 0x61cad613df6458820a36a9d6fcb0dc90d235c977c958b088591547c634afc676; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 36a, Rezitativ und Chor. "Und der Hohepriester antworte"; ISRC GBAYC6100214; CopyrightID 0xd9011ec01465e4ba40fa448184be3b08e169cd7ac1f17d0ed639f4ba1ddc84e1; Bitcoin block 960334; anchored record, OpenTimestamps proof, verification result
- Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Hübsch gepredigt! Aber tauben Ohren!" (Harlekin, Zerbinetta, Brighella, Scaramuccio, Truffaldin); ISRC GBAYC9900491; CopyrightID 0x478d6ba2328d491b7444c868556f3baa77c31c7b08826be1bc21a403da90b83f; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Für einen Bacchus!" (Tenor, Composer, Wigmaker); ISRC GBAYC9900472; CopyrightID 0xf935f769ef01130bb9b83b18d910f922f1a9a2ee6a1be951cdf74c9efa79b81a; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
Full machine-verifiable record (JSON-LD, dual-chain proof, every album and recording): https://artists.proofprofile.net/storage/jsonld/artists/8c67/artist-429159.json
Popularity-0 recordings of Otakar Kraus in everplay, described from supplier metadata.