Helmuth Rilling
Helmuth Rilling (29 May 1933 – 11 February 2026) was a German choral conductor and an academic teacher who was internationally known as an authority on the music of Johann Sebastian Bach. He was the founder of the Gächinger Kantorei in 1954 when still a student, the Bach-Collegium Stuttgart in 1965, the Oregon Bach Festival in 1970, the Internationale Bachakademie Stuttgart in 1981 and other Bach Academies worldwide, as well as the Festival Ensemble Stuttgart (FES) in 2001 and Junges Stuttgarter Bach Ensemble in 2011. He taught choral conducting at the Frankfurt Musikhochschule from 1965 to 1989 and led the Frankfurter Kantorei from 1969 to 1982. He held talk concerts, introducing the music with the performers, internationally and notably in Eastern Europe. In 1985, Rilling was the first to have recorded Bach's complete church cantatas, and recordings of Bach's complete works were issued by 2000. He performed the world premiere of the Messa per Rossini (which Verdi had initiated upon the death of Rossini) in 1988. He recorded 20th-century works such as Honegger's Jeanne d'Arc au bûcher and Penderecki's Credo, the latter commissioned and performed by the Oregon Bach Festival and winning the 2001 Grammy Award for best choral performance. He continued to lead the Gächinger Kantorei and the Bach-Collegium Stuttgart until 2013.
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Top Tracks
- Stabat Mater, Op. 58, B. 71: Eja mater fons amoris
- Concerto Brandebourgeois No. 2 En Fa Majeur, BWV 1047: II. Andante
- Stabat Mater, Op. 58, B. 71: Stabat mater dolorosa
- Stabat Mater, Op. 58, B. 71: Fac me vere tecum flere
- Stabat Mater, Op. 58, B. 71: Quis est homo qui non fleret
- Stabat Mater, Op. 58, B. 71: Quando corpus morietur
- Stabat Mater, Op. 58, B. 71: Fac, ut ardeat cor meum
- Stabat Mater, Op. 58, B. 71: Virgo virginum praeclara
- Messiah, HWV 56: Chorus. Hallelujah
- Ich steh mit einem Fuss im Grabe, BWV 156: Sinfonia
- Stabat Mater, Op. 58, B. 71: Inflammatus et accensus
- Stabat Mater, Op. 58, B. 71: Tui Nati vulnerati
- Wer nur den lieben Gott lässt walten, BWV 93: Wer nur den lieben Gott lasst walten (Chorus, Soprano, Alto, Tenor, Bass)
- Ich hatte viel Bekümmernis, BWV 21: Das Lamm, das erwurget ist (Chorus)
- Ich hatte viel Bekümmernis, BWV 21: Aria. Erfreue dich, Seele, erfreue dich, Herze (Tenor)
- Ich hatte viel Bekümmernis, BWV 21: Chorale. Sei nun wieder zufrieden, meine Seele (Soprano, Alto, Tenor, Bass, Chorus)
- Ich hatte viel Bekümmernis, BWV 21: Duet. Komm, mein Jesu, und erquicke (Soprano, Bass)
- Ich hatte viel Bekümmernis, BWV 21: Recitative. Ach Jesu, meine Ruh (Soprano, Bass)
- Ich hatte viel Bekümmernis, BWV 21: Was betrubst du dich, meine Seele (Soprano, Alto, Tenor, Bass, Chorus)
- Ich hatte viel Bekümmernis, BWV 21: Aria. Bache von gesalznen Zahren (Tenor)
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