Ferdinand Grossmann
Copyright Verification
- CopyrightID (CopyrightChains tx_hash): 0xd8bd887324b1d4be9ebbce0770bc997ba0e4a2ac7eaea5551a85710a87149910
- Status: registered
- Registered: 2026-06-16T09:46:51+00:00
- Explorer: https://explorer.copyrightchains.com/tx/0xd8bd887324b1d4be9ebbce0770bc997ba0e4a2ac7eaea5551a85710a87149910
Top Tracks
- Weihnachtsoratorium, BWV 248, Pt. I: 5. "Wie soll ich Dich empfangen"
- Easter Oratorio, BWV 249: II. Adagio in B Minor - III. Kommt, eilet und laufet
- Oster-Oratorium, BWV 249: No. 11b, Coro. Eröffnet, ihr Himmel, die prächtigen Bogen (Choir)
- Oster-Oratorium, BWV 249: No. 11a, Coro. Preis und Dank (Choir)
- Oster-Oratorium, BWV 249: No. 10, Recitativo. Wir sind erfreut (Bass)
- Oster-Oratorium, BWV 249: No. 9, Aria. Saget, saget mir geschwinde (Alto)
- Oster-Oratorium, BWV 249: No. 8b, Recitativo. Ach! Ach! Könnt es doch nur bald geschelen (Soprano, Alto)
- Oster-Oratorium, BWV 249: No. 8a, Recitativo. Indessen seufzen wir (Soprano, Alto)
- Oster-Oratorium, BWV 249: No. 7, Aria. Sanfte soll mein Todeskummer (Tenor)
- Oster-Oratorium, BWV 249: No. 6, Recitativo. Hier ist die Gruft (Alto, Tenor, Bass)
- Oster-Oratorium, BWV 249: No. 5, Aria. Seele, deine Spezereien (Soprano)
- Oster-Oratorium, BWV 249: No. 4, Recitativo. O kalter Männer Sinn! (Soprano, Alto, Tenor, Bass)
- Oster-Oratorium, BWV 249: No. 3, Duetto e Coro. Kommt, eilet und laufet (Bass, Tenor, Choir)
- Oster-Oratorium, BWV 249: No. 2, Adagio
- Oster-Oratorium, BWV 249: No. 1, Sinfonia
- Liebeslieder Waltzes, Op. 52 - Extracts
- Ständchen, Op. 135, D. 920 "Zögernd leise" - Version for Alto Voice, Female Chorus and Piano
- Venite populi, K. 260 - Arr. for Chorus A cappella
- Ave verum corpus, K. 618 - Arr. for Chorus A cappella
- Opus musicum, Liber I: Hodie Christus natus est
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