Patricia Racette
Patricia Lynn Racette (born in 1965) is an American operatic soprano. A winner of the Richard Tucker Award in 1998, she has been a regular presence at major opera houses internationally. Racette has enjoyed long-term partnerships with the San Francisco Opera, where she has been a regular performer since 1989, and with the Metropolitan Opera, where she has performed since 1995. Also active on the concert stage, Racette has appeared with many of the world's leading orchestras, including the Boston Symphony Orchestra, the Chicago Symphony Orchestra, the San Francisco Symphony, and the London Philharmonic Orchestra. She also received the award for Best Opera Recording for her performance in the Los Angeles Opera's production of The Ghosts of Versailles at the 59th Annual Grammy Awards. Racette has particularly excelled in Puccini and Verdi operas. Among her most well-known roles is Violetta in La traviata; Blanche de la Force and Madame Lidoine in Dialogues of the Carmelites; both Mimì and Musetta in La bohème; the title heroine in Jenůfa; Cio-Cio San in Madama Butterfly; the title role in Tosca; Alice Ford in Falstaff; Liù in Turandot; Desdemona in Otello; and Káťa in Káťa Kabanová. She has performed in several world premieres, including the title role in Tobias Picker's Emmeline (1996), and as Leslie Crosby in Paul Moravec's The Letter (2009) at the Santa Fe Opera. She appeared in the premiere of Picker's An American Tragedy (2005) at the Met, and portrayed Love Simpson in the premiere of Carlisle Floyd's Cold Sassy Tree (2000) at the Houston Grand Opera.
Genre: opera
Copyright Verification
- CopyrightID (CopyrightChains tx_hash): 0x8d080e5da119cdbac4027e0100c9a77734958948c7dea388ac7fb88a06b6e0a6
- Status: registered
- Registered: 2026-06-16T15:58:00+00:00
- Explorer: https://explorer.copyrightchains.com/tx/0x8d080e5da119cdbac4027e0100c9a77734958948c7dea388ac7fb88a06b6e0a6
- Bitcoin block (earliest attestation): 954065, 2026-06-17T08:10:43Z
- Record hash: sha256:65ae032f1a4f52590949900a2f0ddf7cb42f51ace8896224e79ec93902fc456c
- Anchored record: https://artists.proofprofile.net/proofs/artist/4ac8174e-cab4-4fee-918b-97bd112cafec.json
- OpenTimestamps proof: https://artists.proofprofile.net/proofs/artist/4ac8174e-cab4-4fee-918b-97bd112cafec.ots
- Verification result: https://artists.proofprofile.net/api/v1/bot/ots/verify/artist/4ac8174e-cab4-4fee-918b-97bd112cafec
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Top Tracks
- Il prigioniero: VI. Scene Four
- Il prigioniero: V. Second Choral Intermezzo
- Il prigioniero: IV. Scene Three
- Il prigioniero: III. Scene Two
- Il prigioniero: II. Scene One
- Il prigioniero: I. Prologue and 1st Choral Intermezzo
- The Ghosts of Versailles, Act II: No, Beaumarchais. It is as it should have been. Once there was a golden bird
- The Ghosts of Versailles, Act II: Goodbye, Figaro. Goodbye, Beaumarchais
- The Ghosts of Versailles, Act II: I hope I'm not too late for your party
- The Ghosts of Versailles, Act II: Welcome, Madeleine, welcome
- The Ghosts of Versailles, Act II: Marie Antoinette of Lorraine and Austria
- The Ghosts of Versailles, Act II: Antoinette, we want your head. Order! Order!
- The Ghosts of Versailles, Act II: What is happening
- The Ghosts of Versailles, Act II: And now I must go Bless you Madam, bless you
- The Ghosts of Versailles, Act II: As summer brings a wistful breeze
- The Ghosts of Versailles, Act II: Damn that Figaro. He's your husband
- The Ghosts of Versailles, Act II: Wait!... Figaro was supposed to return the necklace
- The Ghosts of Versailles, Act II: Watch. Now Figaro comes back
- The Ghosts of Versailles, Act II: Hurry, hurry... It's late! The second act is beginning!
- The Ghosts of Versailles, Act I: I am in a valley and you are in a valley
Albums (4)
- Verdi: I Lombardi (1997-01-01)
- La voix humaine (2022-09-27)
- Corigliano: The Ghosts of Versailles (2016-04-01)
- Dallapiccola's Il prigioniero (2013-12-16)
Recordings with proof (16)
- I Lombardi - Act 3: Processione: "Gerusalem"; ISRC GBF079643321; CopyrightID 0xb68509d0d6971c6a6e47b74008cd76adcba12fc8243a75092218b8a5fa217baf; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- I Lombardi - Act 3: "Dove sola m'inoltro?"; ISRC GBF079643322; CopyrightID 0x845b5924ca8d6e381a0bf4e2fcfc4b7b05f00d6409e1905e4e7ae3621a4c088d; Bitcoin block 957145; anchored record, OpenTimestamps proof, verification result
- I Lombardi - Act 3: "Oh belle, a questa misera"; ISRC GBF079643323; CopyrightID 0x4d1289c4b59b9a39877f44e815a278a1798311871ddaec7cf88c3e7d76faa8ca; Bitcoin block 957120; anchored record, OpenTimestamps proof, verification result
- I Lombardi - Act 1: Scena: "Or s'ascolti"; ISRC GBF079643304; CopyrightID 0xbf52c11157874e518e701b07b067bc18bd2aa449b18bcd51178d10caf8286f04; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- I Lombardi - Act 3: Scena ed Aria: "Che vid'io mai?"; ISRC GBF079643324; CopyrightID 0x940f550036313d5b6c0b14be84a6a3e6a8119afb94504a062d74aa74046d5588; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- I Lombardi - Act 3: Preludio; ISRC GBF079643325; CopyrightID 0xf7c5aba1b1f228211d56bca21ae86c8c90598d5091d7acd946db7019a7bd32a0; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- I Lombardi - Act 3: Finale. Terzetto: "Qual voluttà"; ISRC GBF079643327; CopyrightID 0xe34dc723d5181d108ce90ce6a23b93e75d03aee774e576742b2badf390844c0b; Bitcoin block 957118; anchored record, OpenTimestamps proof, verification result
- I Lombardi - Act 4: "Qual prodigio"; ISRC GBF079643330; CopyrightID 0xa0ece936080157209b69884cd20bca49caec4b75ef24a8fcec8985eca276ef38; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- I Lombardi - Act 2: Coro di Schiave: "La bella straniera"; ISRC GBF079643318; CopyrightID 0x9b315c900e1d02c6e83d0b855f0457f7cebcf0736cbe6c6d702289fd3294eabd; Bitcoin block 957120; anchored record, OpenTimestamps proof, verification result
- I Lombardi - Act 2: "Oh madre, dal cielo soccorri al mio pianto"; ISRC GBF079643319; CopyrightID 0xd8dd72b3333700b744c219cdf0187d6866b36d5d9f9480343c7f18d1d4dc4b28; Bitcoin block 957122; anchored record, OpenTimestamps proof, verification result
- I Lombardi - Act 2: Cabaletta: "No! No! giusta causa non è"; ISRC GBF079643320; CopyrightID 0x7d227b2c55a4fa6315f30b7e167447e91016c6e7831625f8f1822aee87c0a104; Bitcoin block 957145; anchored record, OpenTimestamps proof, verification result
- I Lombardi - Act 1: Quintetto: "T'assale un tremito!"; ISRC GBF079643303; CopyrightID 0xd74336393049e752aeb9f2e519be9e4df9627934cda17f0aea6134dd81ba1aa1; Bitcoin block 960266; anchored record, OpenTimestamps proof, verification result
- I Lombardi - Act 1: Scena: "Tutta tremante ancor"; ISRC GBF079643307; CopyrightID 0x41a257fff9c11c30adf377e9833d76f7bf9d6f2074d033fca0d1649990f1836b; Bitcoin block 960337; anchored record, OpenTimestamps proof, verification result
- I Lombardi - Act 1: Scena e Finale: "Vieni! Già pose Arvino"; ISRC GBF079643309; CopyrightID 0xafb1cdad99e0166a6374c566f39705636bd38a707d32e13a6d7bce3fdbe7aaaa; Bitcoin block 960368; anchored record, OpenTimestamps proof, verification result
- The Ghosts of Versailles, Act I: Tafaddaloo marhabun bikoom Shall we; ISRC NLE421406023; CopyrightID 0x467b6f9d516ad05909398e0c0bf2397e922c467146d00fbcf9621acb19b12d4a; Bitcoin block 957124; anchored record, OpenTimestamps proof, verification result
- The Ghosts of Versailles, Act I: They are always with me; ISRC NLE421406003; CopyrightID 0x8a06a1f61e90d653f29a9c579f7c1d3a722295da99dc398ebc8afbdebdf49052; Bitcoin block 960485; anchored record, OpenTimestamps proof, verification result
Full machine-verifiable record (JSON-LD, dual-chain proof, every album and recording): https://artists.proofprofile.net/storage/jsonld/artists/0dac/artist-462252.json
Popularity-0 recordings of Patricia Racette in everplay, described from supplier metadata.