Inga Nielsen
Inga Nielsen (2 June 1946 – 10 February 2008) was a Danish soprano who had an active international opera career from 1971 to 2006. A child prodigy, Nielsen performed on American radio during the 1950s, beginning at the age of six, and also released some commercial recordings of Danish folk songs and Christmas carols as a child. She began her opera career performing parts in the lyric soprano repertory and then became an admired singer of dramatic soprano roles, beginning in the late 1980s. She was a particularly renowned interpreter of the roles of Konstanze in Mozart's Die Entführung aus dem Serail and the title role in Strauss's Salome. She excelled in portraying some of the more rarely heard and demanding dramatic soprano roles such as the woman in Schoenberg's Erwartung, Ursula in Hindemith's Mathis der Maler and Jenny in Weill's Rise and Fall of the City of Mahagonny.
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Top Tracks
- Fidelio, Op. 72: Abscheulicher, wo eilst du hin
- L'oca del Cairo, K.422 / Act 1: "Su via putti, presto, presto!"
- L'oca del Cairo, K.422 / Act 1: "Ho un pensiero nel cervello"
- L'oca del Cairo, K.422 / Act 1: "Siano pronte alle gran nozze"
- L'oca del Cairo, K.422 / Act 1: "O pazzo, pazzissimo Biondello"
- L'oca del Cairo, K.422 / Act 1: "Buon pro', Signori"
- L'oca del Cairo, K.422 / Act 1: "Se fosse qui nascoso"
- L'oca del Cairo, K.422 / Act 1: "Auretta mia, Chichibio, vi saluto"
- L'oca del Cairo, K.422 / Act 1: "Così si fa"
- Fidelio, Op. 72: Abscheulicher! Wo eilst du hin?
- Haydn: The Seven Last Words, Hob. XX/2: No. 2, Adagio. "Vater, vergieb ihnen"
- Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Part II, Final Scene from Faust: Alles Vergängliche (Mystic Chorus)
- Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Part II, Final Scene from Faust: Bei der Liebe, die den Füßen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
- Der Herr ist mein getreuer Hirt, BWV 112: Versus V: Chorale. Gutes und die Barmherzigkeit (Chorus)
- Der Herr ist mein getreuer Hirt, BWV 112: Versus IV: Duet. Du bereitest fur mir einen Tisch (Soprano, Tenor)
- Der Herr ist mein getreuer Hirt, BWV 112: Versus III: Recitative. Und ob ich wandert im finstern Tal (Bass)
- Der Herr ist mein getreuer Hirt, BWV 112: Versus II: Aria. Zum reinen Wasser er mich weist (Alto)
- Der Herr ist mein getreuer Hirt, BWV 112: Versus I: Der Herr ist mein getreuer Hirt (Chorus)
- Wie schön leuchtet der Morgenstern, BWV 1: Chorale. Wie bin ich doch so herzlich froh (Chorus)
- Wie schön leuchtet der Morgenstern, BWV 1: Aria. Unser Mund und Ton der Saiten (Tenor)
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