Lenneke Ruiten
Lenneke Ruiten (born 1977 in Velsen) is a Dutch soprano. Ruiten studied at the Music Conservatory in Alkmaar and the Conservatorium van Amsterdam, the Royal Conservatory of The Hague, Hochschule für Musik und Theater München, and at the Franz Schubert Institut in Baden bei Wien near Vienna. She has performed with a wide range of international orchestras and opera companies including the Vienna Philharmonic, the Dutch National Opera and the Monteverdi Choir. Ruiten has recorded works by Bach, Mozart, Brahms and others. Ruiten had been performing with leading orchestras and conductors on the concert stage for years, when in 2013 she jumped in as Ophélie Hamlet at La Monnaie to great acclaim. Ruiten returned to La Monnaie to sing Aspasia in Mitridate, re di Ponto, Giunia in Lucio Silla and as Foxie in The Cunning Little Vixen. Other big debuts followed. In 2014 she made her debut at the Salzburg Festival as Donna Anna in Don Giovanni. In 2015 Ruiten made her La Scala debut as Giunia in Lucio Silla, and she returned to La Scala as Konstanze in Die Entführung aus dem Serail. Her Dutch National Opera debut came in 2015 as well, as Gretel in Hänsel und Gretel, and she returned as Konstanze (Die Entführung) and La Mort in Henze's Das Floss der Medusa. In 2016 she sang Fiordiligi in a dark production of Così fan tutte, marking her debut both at the Aix-en-Provence Festival and the Edinburgh International Festival. In 2017, Ruiten made her debut as Lucia in Lucia di Lammermoor at the Lausanne Opera. Ruiten is a regular guest at the Staatsoper Stuttgart, where she sang roles such as Zerbinetta (Ariadne auf Naxos); Sophie (Der Rosenkavalier); Gilda (Rigoletto) and Pamina (Die Zauberflöte).
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Top Tracks
- Bach, JS: St John Passion, BWV 245, Pt. 2: No. 35, Arie. "Zerfliesse, mein Herze"
- Bach, JS: St John Passion, BWV 245, Pt. 1: No. 3, Choral. "O groβe Lieb'"
- Bach, JS: St John Passion, BWV 245, Pt. 2: No. 39, Chor. "Ruht wohl, ihr heiligen Gebeine"
- Es erhub sich ein Streit, BWV 19: III. Gott schickt uns Mahanaim zu
- Bach, JS: St John Passion, BWV 245, Pt. 1: No. 5, Choral. "Dein Will gescheh, Herr Gott, zugleich"
- Bach, JS: St John Passion, BWV 245, Pt. 1: No. 2, Rezitativ und Chor. "Jesus ging mit seinen Jüngern" - Rezitativ und Chor. "Jesus antwortete"
- Bach, JS: St John Passion, BWV 245, Pt. 1: No. 11 bis, Arie mit Chor. "Himmel reiβe, Welt erbebe"
- Bach, JS: St John Passion, BWV 245, Pt. 1: No. 14, Choral. "Petrus, der nicht denkt zurück"
- Bach, JS: St John Passion, BWV 245, Pt. 1: No. 12, Rezitativ und Chor. "Und Hannas sandte ihn gebunden" - Rezitativ. "Er leugnete aber und sprach"
- Bach, JS: St John Passion, BWV 245, Pt. 1: No. 11, Choral. "Wer hat dich so geschlagen"
- Man singet mit Freuden vom Sieg, BWV 149: IV. Gottes Engel weichen nie, sie sind bei mir aller Enden
- Es erhub sich ein Streit, BWV 19: VI. Laßt uns das Angesicht
- Bach, JS: St John Passion, BWV 245, Pt. 2: No. 40, Choral. "Ach Herr, laβ dein lieb Engelein"
- Bach, JS: St John Passion, BWV 245, Pt. 2: No. 37, Choral. "O hilf, Christe, Gottes Sohn"
- Bach, JS: St John Passion, BWV 245, Pt. 2: No. 32, Arie mit Chor. "Mein teurer Heiland, lass dich fragen"
- Bach, JS: St John Passion, BWV 245, Pt. 2: No. 28, Choral. "Er nahm alles wohl in Acht"
- Bach, JS: St John Passion, BWV 245, Pt. 2: No. 27, Rezitativ und Chor. "Die Kriegsknechte aber" - Rezitativ. "Auf daβ erfüllet würde die Schrift"
- Bach, JS: St John Passion, BWV 245, Pt. 2: No. 26, Choral. "In meines Herzens Grunde"
- Bach, JS: St John Passion, BWV 245, Pt. 2: No. 25, Rezitativ und Chor. "Allda kreuzigten sie ihn" - Rezitativ. "Pilatus antwortet"
- Bach, JS: St John Passion, BWV 245, Pt. 2: No. 23, Rezitativ und Chor. "Die Jüden aber schrieen und sprachen" - Rezitativ. "Da überantwortete er ihn"
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