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The Purcell Album – Alfred Deller & Consort
King Arthur, Z.628: Venus's Song: Fairest isle, all isles excelling
The Indian Queen, Z.630: I attempt from love's sickness to fly
If music be the food of love Z.379A (1st Version, 1692)
Welcome To All The Pleasures "Ode On St. Cecilia's Day", Z. 339: Here The Deities Approve
Rejoice in the Lord alway "The Bell Anthem", Z.49
The Fairy-Queen, Z.629: I. Mystery's Son
The Fairy-Queen, Z.629: II. Secrecy's Song
The Fairy-Queen, Z.629: III. Epithalamium: Thrice happy lover
Dido and Aeneas, Z.626: Fear no danger to ensue
Dido and Aeneas, Z.626: Thy hand, Belinda - When I am laid in earth - With drooping wings ye Cupids come
My Beloved Spake, Z.28: I. Overture (Sinfonia)
My Beloved Spake, Z.28: II. My beloved spake
My Beloved Spake, Z.28: III. My beloved is mine
Hail! Bright Cecilia, Z.328: I. The fife and all the harmony of war
Hail! Bright Cecilia, Z.328: II. Hail! Bright Cecilia
Come Ye Sons of Art, Z.323: I. Sound the trumpet
Come Ye Sons of Art, Z.323: II. Come, come, ye sons of art
Come Ye Sons of Art, Z.323: III. Strike the viol
Come Ye Sons of Art, Z.323: IV. See nature rejoicing
Processional Song of the Nuns of Chester
anonymous, Chester Manuscript (ca. 1425)
anonymous, William Ballet's Lute Book (late 16th cent.)
anonymous, traditional, old Besançon carol tune
anonymous, traditional, West Country of England
Alfred Deller: Madrigals, Complete Deller Vol. 5
The First Booke of Balletts to Five Voyces, iii (1595) - Now is the month of maying
Madrigals to Foure Voyces (1594) - XVIII: Ho! Who comes here?
Madrigalls to Foure Voyces... The First Booke, vii (1594) - In dew of roses
Madrigals to 3, 4, 5 voyces (1597) - VI: Cease sorrows now
The First Booke of Balletts to Five Voyces, ii (1595) - Shoot, false Love, I care not
Songs of divers Ayres and Natures (1619) - IV: Mother, I will have a husband
The First Booke of Canzonets to Two Voyces, vii (1595) - Miraculous love's wounding!
The Mulliner Book - In going to my naked bed
Madrigals to 3, 4, 5 Voyces, viii (1597) - Hark, alleluia cheerly
Balletts and Madrigals (1598) - II: To shorten Winter's sadness
Canzonets or Little Short Songs to Three Voyces, xx (1593) - Arise, get up, my dear
Madrigals of 5 (and 6) (1600) - O Care, thou wilt despatch me
The First Booke of Balletts to Five Voyces, xix (1595) - Leave this tormenting
A Booke of Ayres (1606) - 10: Of all the birds that I do know
Madrigalls to Foure Voyces... The First Booke, v (1595) - I go before, my darling
The Triumphes of Oriana (1601) - IV: All creatures are now merry-minded
The First set of English Madrigals, xx (1594) - Say, gentle nymphs
The First Booke of Canzonets (1595) - III: Sweet nymph
Canzonets or Little Short Songs to Three Voyces, vi (1595) - Good morrow, fair ladies
Madrigalls to Foure Voyces (1599) - XIII: Weep O mine eyes
Madrigalls to Foure Voyces... The First Booke, (1594) - April is in my mistress' face
Ayres or Phantasticke Spirites (1608) -X: The Ape, the Monkey and the Baboon
Canzonets or Little Short Songs to Three Voyces, xxiii (1593) - Though Philomela lost her love
The Second Set of Madrigals (1609) -XX: Oft have I vowed
The Triumphes of Oriana, xxiii (1601) - Hard by a crystal fountain
Ayres or Phantasticke Spirites (1608) -XVIII:Strike it up, Tabor
Canzonets or Little Short Songs to Three Voyces, vii (1593) - Whiter away, so fast
The First Set of English Madrigals (1613) -XVII: Hope of my heart
Canzonets or Little Short Aers to Five and Sixe Voyces, xvii (1597) - I follow, lo, the footing
The Second Set of Madrigals (1609) -XVII-XVIII: Sweet honey-sucking bees
Canzonets or Little Short Aers to Five and Sixe Voyces, vii (1597) - O grief !
The First Booke of Canzonets to Two Voyces, vii (1595) - When, lo, by break of morning
Ballets and Madrigals for Five Voices (1598) -V: On the plains, fairy trains
Madrigalls to Foure Voyces... The First Booke, xiv (1594) - Besides a fountain
The First Booke of Balletts to Five Voyces, xiv (1595) - Fire! Fire! my heart
The first set of english madrigals (1598) - XI: Thus saith my Cloris bright
The second set of madrigals (1609) - XVI: Happy, O happy he, who not affecting
The second set of madrigals (1609) - XXV: Ye that do live in pleasures plenty
The First Set of English Madrigals (1598) -XXII: Flora gave me fairest flowers
The second set of madrigals (1609) - XXX: Ah, cannot sigh, nor tears, nor aught else move thee
The second set of madrigals (1609) - XXXII: Stay, Corydon, thou swain
The second set of madrigals (1609) - XXXI: Draw on, sweet Night, best friend unto those cares
The first set of english madrigals (1598) - XVIII: Lady your words do spite me
The second set of madrigals (1609) - V: As fair as morn, as fresh as May
The second set of madrigals (1609) - XXIII: Weep, weep, mine eyes, my heart can take no rest
Fantasia upon a Ground in D Minor (3 violins and continuo), Z. 731
Cantata “If ever I more riches did desire
The Comical History of Don Quixote, Part I (1694), Z. 578
The Fairy Queen (1692), Z. 629, adapted from Shakespeare "A Midsummer Night's Dream"
Song: If music be the food of love (1st version, 1692), Z. 379A
Tell Me, Some Pityng Angel (The Blessed Virgin's Expostulation), (1693), Z. 186
Ten Sonata in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810
Close Thine Eyes and Sleep Secure (Upon a quiet conscience), (1688), Z. 184
Musick's Hand-made, Part II (1687): Music Lessons 1-6
Ode on Queen Mary's Birthday (1693), Z. 321
The Prophetess or The History of Dioclesian (1690), Z. 627
Musick's Hand-made, Part II (1687): Music Lessons 7-12
Sonata in G Minor for Violin and Continuo, Z. 780
Alfred Deller: The Complete Vanguard Classics Recordings - Folk Songs And Ballads
John Cobb(Ed. D. Stevens): These Are The Cries Of London Town
Thomas Ravenscroft (Ed. D. Stevens): New Oysters
Richard Dering (Ed. D. Stevens): The Cries Of London
Thomas Ravenscroft (Ed. D. Stevens): A Bellman's Song
Thomas Ravenscroft (Ed D. Stevens): The Painter's Song
Richard Dering (Ed. H. Purcell): Country Cries
Anon. (Ed. D. Stevens.): A Quart A Penny
Anon. (Ed. D. Stevens): I Can Mend Your Tubs And Pails
Anon., Publ. 1764- Amo, Amas, I Love As Lass
William Cornyshe- Hoyda, Jolly Rutterkin
Henery Purcell- An Ape, A Lion, A Fox, And An Ass
Anon., Coll. By Thomas Lant, 1580- Troll The Bowl
John Travers- Fair And Ugly, False And True
Anon., Publ. 1614 - We Be Soldiers Three
John Bennet- Hunting Madrigal: Lure, Falconers, Lure!
Benjamin Rogers- Restoration Pastroal: In The Merry Month Of May
Henry Purcell- Patriotic Song: True Englishmen
Reginald Spofforth- 18th Century Glee Club: L'ape E La Serpe
Thomas Arne- Which Is The Properest Day To Drink
Ode On St. Cecilia's Day: I. Symphony (Overture)
Come Ye Sons of Art: I. Symphony: Largo-Allegro-Adagio
Ode On St. Cecilia's Day: II. Hail! Bright Cecilia (Soli and Chorus)
Come Ye Sons of Art: II. Come Ye Sons of Art (Countertenor, Solo, Chorus)
Ode On St. Cecilia's Day: III. Hark, Each Tree (Duet)
Come Ye Sons of Art: III. Sound the Trumpet (Duet - Two Countertenors)
Ode On St. Cecilia's Day: IV. 'Tis Nature's Voice (Alto Solo)
Come Ye Sons of Art: IV. Come Ye Sons of Art (Reprise)
Ode On St. Cecilia's Day: V. Soul Of The World (Chorus)
Come Ye Sons of Art: V. Strike the Viol (Countertenor Solo with Flute)
Ode On St. Cecilia's Day: VI. Thou Tun'st This World (Soprano Solo)
Come Ye Sons of Art: VI. The Day That Such a Blessing (Bass Solo, Chorus)
Ode On St. Cecilia's Day: VII. With That Sublime Celestial Lay (Trio)
Come Ye Sons of Art: VII. Bid the Virtues (Soprano Solo with Oboe)
Ode On St. Cecilia's Day: VIII. Wond'rous Machine (Bass Solo)
Come Ye Sons of Art: VIII. These are the Sacred Charms (Bass Solo)
Ode On St. Cecilia's Day: IX. The Airy Violin (Alto Solo)
Come Ye Sons of Art: IX. See Nature Rejoicing (Duet - Soprano and Bass, Chorus)
Ode On St. Cecilia's Day: X. In Vain the Am'rous Flute (Duet)
Come Ye Sons of Art: X. Rejoice the Lord Always (The Bell Anthem)
Ode On St. Cecilia's Day: XI. The Fife and All the Harmony of War (Alto Solo)
Ode On St. Cecilia's Day: XII. Let These Among Themselves Contest (Duet)
My Beloved Spake: II. My Beloved Spake (Soli)
Ode On St. Cecilia's Day: XIII. Hail! Bright Cecilia (Great Chorus)
My Beloved Spake: III. For, Lo, the Winter is Past (Soli)
My Beloved Spake: IV. The Time of the Singing (Soli)
My Beloved Spake: V. And the Voice of the Turtle (Soli)
My Beloved Spake: VI. The Fig Tree (Tenor Solo)
My Beloved Spake: VIII. My Beloved is Mine (Soli)
Welcome to All the Pleasures: I. Symphony: Maestoso - Vivace
Welcome to All the Pleasures: II. Welcome to all the Pleasures
Welcome to All the Pleasures: III. Here the Deities Approve (Countertenor Solo)
Welcome to All the Pleasures: IV. While Joys Celestial (Trio)
Welcome to All the Pleasures: V. Then Lift Up Your Voices
Welcome to All the Pleasures: VI. Adagio (Harpsichord Solo)
Welcome to All the Pleasures: VII. Beauty Thou Scene of Love (Tenor Solo)
Welcome to All the Pleasures: VIII. In a Consort of Voices (Tenor Solo, Chorus, Bass Solo, Chorus)
Gibbons: Anthems, Madrigals & Fantasies / Morley: Madrigals
Anthem: "O Lord, I lift my heart to Thee
Violen-Ensemble Der Schola Cantorum Basiliensis
Anthem: Almighty and Everlasting God. 4vv, (1641)
Verse Anthem: This is the Record of John St. John, I, vv. 19-23
The cries of London: 1. God give you good morrow
The cries of London 2. A good saussage a good
Madrigal: Good love then fly thou to her
Madrigal: Now is the gentle season/ The fields abroad
Madrigal: Sweet Nymph, Come To Thy Lover
Madrigals: Stay Heart, Run Not So Fast (à 4)
Madrigals: O grief e'en on the bud (à 5)
Antonio Vivaldi: Introduzione al Dixit (RV 594) "Canta in prato, ride in fonte"
Antonio Vivaldi: Dixit Dominus in D Major, RV 594: I. Dixit Dominus
Antonio Vivaldi: Dixit Dominus in D Major, RV 594: II. Donec ponam
Antonio Vivaldi: Dixit Dominus in D Major, RV 594: III. Virgam virtutis tuae
Antonio Vivaldi: Dixit Dominus in D Major, RV 594: IV. Tecum principium
Antonio Vivaldi: Dixit Dominus in D Major, RV 594: V. Allegro: Juravit Dominus
Antonio Vivaldi: Dixit Dominus in D Major, RV 594: VI. Dominus a dextris tuis
Antonio Vivaldi: Dixit Dominus in D Major, RV 594: VII. Allegro molto: Judicabit in nationibus
Antonio Vivaldi: Dixit Dominus in D Major, RV 594: VIII. De torrente
Antonio Vivaldi: Dixit Dominus in D Major, RV 594: XI. Gloria Patri
Antonio Vivaldi: Dixit Dominus in D Major, RV 594: X. Sicut erat
Christoph Willibald von Gluck: Orfeo ed Euridice: Act I - Scene I - Overture
Christoph Willibald von Gluck: Orfeo ed Euridice: Act I - Scene I - Ah, se intorno (Chorus)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act I - Scene I - Basta, o compagni! (Orfeo)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act I - Scene I - Dance
Christoph Willibald von Gluck: Orfeo ed Euridice: Act I - Scene I - Chiamo il mio ben cosi (Orfeo)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act I - Scene II - T'assiste Amore! (Amore)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act I - Scene II - Gli sguardi trattieni (Amore)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act I - Scene II - Che disse? (Orfeo)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act II - Scene I - Chi mai dell'Erebo (Chorus)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act II - Scene I - Deh placatevi con me (Orfeo)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act II - Scene I - Dance Of The Furies
Christoph Willibald von Gluck: Orfeo ed Euridice: Act II - Scene I - Dance Of The Blessed Spirits
Christoph Willibald von Gluck: Orfeo ed Euridice: Act II - Scene I - E' quest'asilo (Euridice)(Chorus)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act II - Scene II - Che puro ciel (Orfeo)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act II - Scene II - Vieni a' regni del riposo (Chorus)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act II - Scene II - Dance
Christoph Willibald von Gluck: Orfeo ed Euridice: Act II - Scene II - Anime avventurose (Orfeo)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act III - Scene I - Vieni, segui i miei passi (Orfeo)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act III - Scene I - Vieni, appaga il tuo (Orfeo)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act III - Scene I - Qual vita e questa? (Euridice)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act III - Scene I - Che fiero momento (Euridice)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act III - Scene I - Ecco un nuovo tormento! (Orfeo)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act III - Scene I - Che faro senza Euridice? (Orfeo)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act III - Scene I - Ah finisca (Orfeo)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act III - Scene II - Orfeo, che fai? (Amore)
Christoph Willibald von Gluck: Orfeo ed Euridice: Act III - Scene III - Ballet
Christoph Willibald von Gluck: Orfeo ed Euridice: Act III - Scene III - Trionfi, Amore (Soli)
François Couperin: Leçons de Ténébres: Première Leçon (a1): I. Incipit: Lamentatio Jeremiae Prophetae
François Couperin: Leçons de Ténébres: Première Leçon (a1): II. Aleph
François Couperin: Leçons de Ténébres: Première Leçon (a1): III. Beth
François Couperin: Leçons de Ténébres: Première Leçon (a1): IV. Gimel
François Couperin: Leçons de Ténébres: Première Leçon (a1): V. Daleth
François Couperin: Leçons de Ténébres: Première Leçon (a1): VI. Heth
François Couperin: Leçons de Ténébres: Première Leçon (a1): VII. Jerusalem, convertere ad Dominum Deum tuum
François Couperin: Leçons de Ténébres: Deuxième Leçon (a1): I. Vau
François Couperin: Leçons de Ténébres: Deuxième Leçon (a1): II. Zain
François Couperin: Leçons de Ténébres: Deuxième Leçon (a1): III. Heth
François Couperin: Leçons de Ténébres: Deuxième Leçon (a1): IV. Jerusalem, convertere ad Dominum Deum tuum
English Renaissance and Baroque Music Edition
3 tunes new to John Playford's Dancing Master
Why so pale / Bid me to live / 2 tunes new to John Playford's Dancing Master
Venus and Adonis: Prologue: Cupid's Entry
Passages in Imitation of the Trumpet, Ayres and Pieces IV / 5 marches and tunes from John Playford's new tunes / After Nicola Matteis: Chaconne, Plaint, Ecchi
Venus and Adonis: Prologue: Behold my arrows and my bow (Cupid)
Venus and Adonis: Prologue: Come shepherd's all, let's sing and play (Cupid, Choir)
Court Masques under Charles I and Charles II, 1640-1665
Venus and Adonis: Prologue: Cupid's Entry (da capo)
Toccata in A major, ZD 229 / The Plaint, a Ground in a
The black Joak, as 'tis perform'd at Dublin, upon a silent Ground in D
Macdowell: 2 Piano Concertos & Solo Works
Primo Libro di Madrigali a 4, 1547 -Anchor che col partire
Cipriano de Rore (m) / Alfonso d'Avalos & Marquis del Vasto (t)
6th Book of Madrigals -Morro lasso al mio duolo
1st Book of Madrigals -Il bianco e dolce cigno
The Triumph of Oriana -Fair Oriana seeming to wink at folly
George Frideric Handel: Ode for the Birthday of Queen Anne -- Largo: Eternal source of light divine
George Frideric Handel: Ode for the Birthday of Queen Anne -- Andante: Let all the winged ...
George Frideric Handel: Ode for the Birthday of Queen Anne -- Andante: Let flocks ...
George Frideric Handel: Ode for the Birthday of Queen Anne -- Let rolling streams ...
George Frideric Handel: Ode for the Birthday of Queen Anne -- Kind health descends
George Frideric Handel: Ode for the Birthday of Queen Anne -- Let envy then conceal her head
George Frideric Handel: Ode for the Birthday of Queen Anne -- United nations shall combine
George Frideric Handel: Coronation Anthems -- Zadok the priest
George Frideric Handel: Coronation Anthems -- The King shall rejoice
George Frideric Handel: Coronation Anthems -- Let thy hand be strenghtened
Tant ai amé c'or me convient hair (Chanson)
S'on me regarde/Prennés i garde/Hé mi enfant (Motet)
Petre Clemens, tam re quam nimine - Lugentium siccentur occuli plaudant senes (Motette)
La Messe de Nostre Dame: Minstrels and beggars play at the entrance of the church: Guillaume de Machaut: Virelai "Quant je suis mis"
Polifonica Lucchese e Capella Santa Cecilia
Instrumental Piece - Diex, quant la verrai - Instrumental Piece - Bonnement m'agrée - Douce dame, je vous pri - Instrumental Piece - Guilleurs me font mout souvent - Instrumental Piece
Tribum, que non abhorruit (Intabulation)
La Messe de Nostre Dame: Minstrels and beggars play at the entrance of the church: Li Roi de Navarre (1201-1243): Chancon d'amour
Vos quid admiramini, virgines - Gratissima virginis species - Gaude gloriosa (Motette)
La Messe de Nostre Dame: Minstrels and beggars play at the entrance of the church: Guillaume de Machaut: Virelai "Dou mal"
La Messe de Nostre Dame: La Messe de Nostre Dame: Kyrie eleison
La Messe de Nostre Dame: La Messe de Nostre Dame: Anonymus (c. 1300, french): St. Mary's hymn "Ave virgo regia"
Des Gwenc'hlan prophesei - Music after motifs by Machaut
La Messe de Nostre Dame: La Messe de Nostre Dame: Anonymus (14th century, french): Agniaus dous"
Zwei Schwestern - Jaidhofer version of the Scottish ballad "Twa Sisters"
La Messe de Nostre Dame: La Messe de Nostre Dame: St. Mary's hymn, Limoges (c. 1200): "Ave nobilis" - Glockenspiel
Herr Heinrich - Jaidhofer version of the Scottish ballad "King Henry"
La Messe de Nostre Dame: La Messe de Nostre Dame: Ite missa est
Herr Oluf - Danish folk ballad "Hr. Oluf rider om otte"
Lore Lay - Text after ancient legends/Music after motifs by Scarlatti
Congaudeant catholici - Music for St. James the Apostle from Codex Calixtinus, Santiago de Compostela, 12th Century
Pero que seja a gente (Cantigas de Santa Maria)
Alleluia, V. Inclite dux Benedicte Benedicte merita
Alfred Deller: French & Italian Discoveries
Anon. (now Attr. To Philippe Le Chancelier)
Nikolaus Harnoncourt & Concentus Musicus Wien: Complete Vanguard and MHS Recordings
Fantasias on "Une jeune fillete": I. Fantasia No. 1
Fantasias on "Une jeune fillete": II. Fantasia No. 2
Fantasias on "Une jeune fillete": III. Fantasia No. 3
Fantasias on "Une jeune fillete": IV. Fantasia No. 4
Fantasias on "Une jeune fillete": V. Fantasia No. 5
Suite from "Alcyone": I. Air, Gravement et pique
Suite from "Alcyone": V. Tambourin I and II
Pieces for Viol, Book 2: III. Fantasie, Legerement
Concerts Royaux, 2ème Concert: I. Prelude. Gracieusement
Concerts Royaux, 2ème Concert: II. Allemande fuguée. Gayement
Concerts Royaux, 2ème Concert: III. Air tendre
Concerts Royaux, 2ème Concert: IV. Air contrefugué. Vivement
Concerts Royaux, 2ème Concert: V. Echos. Tendrement
Monteverdi: Vespers of the Blessed Virgin Mary, 1610: i. Deus in Adjutorum
Monteverdi: Vespers of the Blessed Virgin Mary, 1610: ii. Dixit Dominus
Monteverdi: Vespers of the Blessed Virgin Mary, 1610: iii. Laudate pueri
Monteverdi: Vespers of the Blessed Virgin Mary, 1610: iv. Laetatus Sum
Monteverdi: Vespers of the Blessed Virgin Mary, 1610: v. Nisi Dominus
Monteverdi: Vespers of the Blessed Virgin Mary, 1610: vi. Lauda Jerusalem
Monteverdi: Vespers of the Blessed Virgin Mary, 1610: vii. Ave Maris Stella
Monteverdi: Vespers of the Blessed Virgin Mary, 1610: viii. Magnificat
Guillaume de Machaut: Messe de Notre Dame: i. Kyrie
Guillaume de Machaut: Messe de Notre Dame: ii. Gloria
Guillaume de Machaut: Messe de Notre Dame: iii. Credo
Guillaume de Machaut: Messe de Notre Dame: iv. Sanctus
Guillaume de Machaut: Messe de Notre Dame: v. Agnus dei
Guillaume de Machaut: Messe de Notre Dame: vi. Ito missa est – Deo gratias
William Byrd: The Great Service: i. Venite
William Byrd: The Great Service: ii. Te Deum
William Byrd: The Great Service: iii. Benedictus
William Byrd: The Great Service: iv. Kyrie
William Byrd: The Great Service: v. Creed
William Byrd: The Great Service: vi. Magnificat
William Byrd: The Great Service: vii. Nunc Dimittis
deLassus: Missa Bell’ amfitrit' altera: i. Kyrie
deLassus: Missa Bell’ amfitrit' altera: ii. Gloria
deLassus: Missa Bell’ amfitrit' altera: iii. Credo
deLassus: Missa Bell’ amfitrit' altera: iv. Sanctus
deLassus: Missa Bell’ amfitrit' altera: v. Benedictus
deLassus: Missa Bell’ amfitrit' altera: vi. Agnus Dei
Guillaume Dufay: Je languis en piteux matryre
Giaches de Wert: De que sirven ojos more ros
Sinfonia Iii C Major - I - Allegro Assai
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Altri canti di Marte e di sua schiera (sv155) -Part I: Altri canti di Marte e di sua schiera
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Altri canti di Marte e di sua schiera (sv155) -Part II: Due belli occhi fur l'armi onde trafitto
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 -Vago augelletto che cantando vai (sv156)
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 -Mentre vaga angioletta (sv157)
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Ninfa che scalza il piede e sciolto il crine (sv160) -Part I: Ninfa che scalza il piede e sciolto il crine
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Ninfa che scalza il piede e sciolto il crine (sv160) -Part II: Qui deh meco t'arresta, ove di fiori
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Ninfa che scalza il piede e sciolto il crine (sv160) -Part III: De l'usate mie corde al suon potrai
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 -Dolcissimo uscignolo, 'cantato à voce piena, alla francese' (sv161)
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 -Chi vole aver felice e lieto il core, 'cantato à voce piena, alla francese' (sv162)
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Lamento della Ninfa (sv163) -Part I: Non avea Febo ancora 'rapresentativo'
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Lamento della Ninfa (sv163) -Part II: 'Amor', dicea, e'l piè
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Lamento della Ninfa (sv163) -Part III: Sí tra sdegnosi pianti
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 -Perchè te'n fuggi, o Fillide? (sv164)
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 -Non partir, ritrosetta (sv165)
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade
O Come, All Ye Faithful J.F. WadeÃ¢â‚¬â„¢s Cantus Diversi
DHM Spendeurs: Machaut:Messe Nostre Dame à 4
Alleluia Christus resurgens & Clausula: Mors
Libro de villanelle, moresche et altre canzoni (1581): Matona mia cara
Il terzo libro de madrigali a cinque voci: Scaldava il sol di mezzo giorno l'arco
Il primo libro de madrigali a cinque voci: Baci soavi e cari
Il secondo libro de madrigali a cinque voci: Ecco mormorar l'onde
Madrigali a 5 voci, libro quarto: Ecco, morirò dunque
Il quarto libro de madrigali a cinque voci: A un giro sol de' bell' occhi, SV 84
Il quarto libro de madrigali a cinque voci: Non più guerra, pietate, SV 88
Il quarto libro de madrigali a cinque voci: Sfogava con le stelle, SV 78
Deller Vol. 4; Handel, Bach & The English Renaissance
George Frideric Handel: Jephta-Oratorio (1752), HWV 70 -- 'Tis Heaven's all-ruling pow'r
George Frideric Handel: Alexander's Feast – Part I -- Overture (Maestoso–Allegro ma non troppo–Andante)
Oriana Concert Choir and Orchestra & Alfred Deller (Conductor)
George Frideric Handel: Jephta-Oratorio (1752), HWV 70 -- O spare your daughter
George Frideric Handel: Alexander's Feast – Part I -- Recitative: 'Twas at the royal feast
George Frideric Handel: Jephta-Oratorio (1752), HWV 70 -- Laud her all ye virgin train
George Frideric Handel: Alexander's Feast – Part I -- Air and Chorus: Happy, happy, happy
George Frideric Handel: Serse-Opera (1738-London) -- Ombra mai fu
George Frideric Handel: Alexander's Feast – Part I -- Recitative: Timotheus, plac'd on high
George Frideric Handel: Orlando-Opera (1733-London) -- Ah! Stigie larve
George Frideric Handel: Alexander's Feast – Part I -- Accompanied recitative: The song began
George Frideric Handel: L'Allegro, il Pensoroso ed il Moderato-Oratorio (1740), HWV 55 -- Let me wander
George Frideric Handel: Alexander's Feast – Part I -- Chorus: The list'ning crowd
George Frideric Handel: Orlando-Opera (1733-London) -- Cielo se tu il consenti
George Frideric Handel: Alexander's Feast – Part I -- Air: With ravish'd ears
George Frideric Handel: Rinaldo-Opera (1711-London) -- Lascia ch'io pianga
Johann Sebastian Bach: Cantata 170 "Vergnügte Ruh' beliebte Seelenlust" -- Aria: Vergnügte Ruh'
George Frideric Handel: Alexander's Feast – Part I -- Recitative: The praise of Bacchus
George Frideric Handel: Theodora-Oratorio (1750), HWV 68 -- Kind Heav'n, if Virtue be thy care
Johann Sebastian Bach: Cantata 170 "Vergnügte Ruh' beliebte Seelenlust" -- Recitative: Die Welt, das Sündenhaus
George Frideric Handel: Alexander's Feast – Part I -- Air and Chorus: Bacchus, ever fair
George Frideric Handel: Theodora-Oratorio (1750), HWV 68 -- Wide spread his name
Johann Sebastian Bach: Cantata 170 "Vergnügte Ruh' beliebte Seelenlust" -- Aria: Wie jammern
George Frideric Handel: Alexander's Feast – Part I -- Recitative: Sooth'd with the sound
George Frideric Handel: Theodora-Oratorio (1750), HWV 68 -- Sweet Rose, and Lilly, flow'ry Form
Johann Sebastian Bach: Cantata 170 "Vergnügte Ruh' beliebte Seelenlust" -- Recitative: Wer solte sich
George Frideric Handel: Alexander's Feast – Part I -- Accompanied recitative: He chose a mournful Muse
George Frideric Handel: Theodora-Oratorio (1750), HWV 68 -- To thee thou glorious son of worth
Johann Sebastian Bach: Cantata 170 "Vergnügte Ruh' beliebte Seelenlust" -- Aria: Wie leid ist mir das Leben
George Frideric Handel: Alexander's Feast – Part I -- Air: He sung Darius
Johann Sebastian Bach: Cantata 54 "Widerstehe doch der Sünde" -- Aria: Widerstehe
George Frideric Handel: Alexander's Feast – Part I -- Accompanied recitative: With downcast looks
Johann Sebastian Bach: Cantata 54 "Widerstehe doch der Sünde" -- Recitative: Die Art
George Frideric Handel: Alexander's Feast – Part I -- Chorus: Behold Darius
Johann Sebastian Bach: Cantata 54 "Widerstehe doch der Sünde" -- Aria: Wer Sunde tut
George Frideric Handel: Alexander's Feast – Part I -- Recitative: The mighty master smil'd
Johann Sebastian Bach: Mass in b minor, BWV233 -- Agnus Dei
George Frideric Handel: Alexander's Feast – Part I -- Air: Softly sweet in Lydian measures
George Frideric Handel: Alexander's Feast – Part I -- Air: War, he sung, is toil and trouble
George Frideric Handel: Alexander's Feast – Part I -- Chorus: The many rend the skies
George Frideric Handel: Alexander's Feast – Part I -- Air: The Prince, unable to conceal
Little Big Box :: English Folk Songs and Madrigals :: English Folk Songs and Madrigals
How Should I Your True Love Know (Ophelia's song from Hamlet)
Heigh Ho, the Wind and the Rain ("Twelfth Night")
O Who's Going to Shoe Your Pretty Little Foot
Madrigals to Foure Voyces (1594), XVIII: Ho! Who comes here?
Madrigals to 3, 4, 5 voyces (1597), VI: Cease sorrows now
of divers Ayres and Natures (1619), IV: Mother, I will have a husband
The Mulliner Book, In going to my naked bed
Balletts and Madrigals (1598), II: To shorten Winter's sadness
Madrigals of 5 (and 6) (1600), O Care, thou wilt dispatch me
A Booke of Ayres (1606), 10: Of all the birds that I do know
The Triumphes of Oriana (1601), IV: All creatures are now merry-minded
The First Booke of Canzonets (1595), III: Sweet nymph
Madrigalls to Foure Voyces (1599), XIII: Weep O mine eyes
Ayres or Phantasticke Spirites (1608), X: The Ape, the Monkey and the Baboon
The Second Set of Madrigals (1609), XX: Oft have I vowed
Ayres or Phantasticke Spirites (1608), XVIII:Strike it up, Tabor
The First Set of English Madrigals (1613), XVII: Hope of my heart
The Second Set of Madrigals (1609), XVII-XVIII: Sweet honey-sucking bees
Ballets and Madrigals for Five Voices (1598), V: On the plains, fairy trains
Ballets and Madrigal for Five Voices (1598), I: All at once well met
Cantus Gregorianus; Gregorian Chants (Gregorianische Choraele)
Lois Nicolas Clerambault: Basse et des-sus de trompette
Tomás Luis De Victoria: Sanctus Benedictus
Mendelssohn: A Midsummer Night's Dream, Op. 61: I. Overture
Mendelssohn: A Midsummer Night's Dream, Op. 61: II. Scherzo
Mendelssohn: A Midsummer Night's Dream, Op. 61: III. Nocturne
Mendelssohn: A Midsummer Night's Dream, Op. 61: IV. Wedding March
Anonymous: Heigh Ho, the Wind and the Rain
John Wilbye: Ye That Do Live In Pleasures
Anonymous (Welde Lute Book): Munday's Joy and Watkins Ale
Anonymous: Have You Seen But A Whyte Lillie Grow
Anonymous: Frog Galliard, Coranto & Borey, “Mr. Tollett" (arr. Dolmetsch)
Alfonso Ferrabosco: Fantasia for Viols in G
Anonymous: Agincourt Song-Deo Gracias, Anglia