1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this artist was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6f727d13d08d009d55efce05f14d0ac8517bd2773bf1145dfc28fd853a0cfafe. Chain 2 (Bitcoin): anchored in block 953778 (2026-06-15T11:57:35Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/a60454d9-3af1-4565-bc59-92e9c419369b.json and https://artists.proofprofile.net/proofs/artist/a60454d9-3af1-4565-bc59-92e9c419369b.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Malipiero: Impressioni dal vero - Pause del silenzio
Impressioni dal vero I: I. Il Capinero (the Blackcap)
Impressioni dal vero I: II. Il Picchio (the Woodpecker)
Impressioni dal vero I: III. Il Chiu (the Scops Owl)
Impressioni dal vero II: I. Colloquio di campane (Dialogue of Bells)
Impressioni dal vero II: II. I Cipressi e il Vento (the Cypresses and the Wind)
Impressioni dal vero II: III. Baldoria Campestre (Country Festival)
Impressioni dal vero III: I. Festival in Val d'Inferno (Festival in the Valley of Hell)
Impressioni dal vero III: II. I Galli (the Cockerels)
Impressioni dal vero III: III. La tarantella a Capri (the Tarantella in Capri)
Pause del silenzio II: II. Allegro, ma non troppo mosso
Pause del silenzio II: IV. Allegro, ben ritmato
Pause del silenzio II: V. Maestoso, non troppo lento
Ben-Hur: The Leper's Search for the Christ
Le marteau sans maître: I. Avant l'Artisanat furieux"
Piano Sonata No. 2 "Concord, Mass., 1840-60": I. Emerson
Voice of the Whale (Vox Balaenae) - for Three Masked Players
Le marteau sans maître: II. Commentaire I de "bourreaux de solitude"
Seven Studies on Themes of Paul Klee: 1. Antique Harmonies
Piano Sonata No. 2 "Concord, Mass., 1840-60": II. Hawthorne
Night of the Four Moons - based on fragments from Federico García Lorca: I. La luna está muerta, muerta ... (The moon is dead, dead ....)
Le marteau sans maître: III. L'Artisanat furieux
Seven Studies on Themes of Paul Klee: 2. Abstract Trio
Piano Sonata No. 2 "Concord, Mass., 1840-60": III. The Alcotts
Night of the Four Moons - based on fragments from Federico García Lorca: II. Cuando sale la luna .... (When the moon rises ....)
Le marteau sans maître: IV. Commentaire II de Bourreaux de solitude
Seven Studies on Themes of Paul Klee: 3. Little Blue Devil
Piano Sonata No. 2 "Concord, Mass., 1840-60": IV. Thoreau
Night of the Four Moons - based on fragments from Federico García Lorca: III. Otro Adán oscuro está soñando ... (Another obscure Adam dreams ....)
Le marteau sans maître: V. Bel édifice et les pressentiments I
Seven Studies on Themes of Paul Klee: 4. The Twittering Machine
Night of the Four Moons - based on fragments from Federico García Lorca: IV. ¡Huye luna, luna, luna ! .... (Run away moon, moon, moon ! ....)
Le marteau sans maître: VI Bourreaux de solitude
Seven Studies on Themes of Paul Klee: 5. Arab Village
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 1, I. Morning Music (Genesis II)
Le marteau sans maître: VII. Après l'artisanat furieux
Seven Studies on Themes of Paul Klee: 6. An Eerie Moment
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 1, II. The Mystic Chord
Le marteau sans maître: VIII. Commentaire III de Bourreaux de solitude
Seven Studies on Themes of Paul Klee: 7. Pastorale
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 1, III. Rain-Death Variations
Le marteau sans maître: IX. Bel édifice et les pressentiments II
Emerson Transcription No. 1 with Interpolated Improvisations
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 1, IV. Twin Suns (Doppelgänger aus der Ewigkeit)
Strings of the New Philharmonia Orchestra
New Philharmonia Orchestra, string section
Emerson Transcription No. 3 with Interpolated Improvisations
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 2, V. Ghost Nocturne for the Druids of Stonehenge (Night-Spell II)
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 2, VI. Gargoyles
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 2, VII. Tora! Tora! Tora! (Cadenza Apocalittica)
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 2, VIII. A Prophecy of Nostradamus
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 3, IX. Cosmic Wind
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 3, X. Voices from "Corona Borealis"
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 3, XI. Litany of the Galactic Bells
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 3, XII. Agnus Dei
The City of Prague Philharmonic Orchestra
Il Volo (after Rachmaninoff's Vocalise, Op. 34 No. 14)
Solo Amore (Orchestra Suite No. 3 in D Major, BWV 1068: II. Air)
Je crois entendre encore from Les Pêcheurs de Perles
Au fond du temple saint from Les Pêcheurs de Perles
Seconda sinfonia caratteristica napoletana
Gran Sinfonia sopra motivi dello Stabat Mater del celebre Rossini
Clarinet Concerto No. 2 in B-Flat Major, Op. 101: I. Allegro maestoso
Clarinet Concerto No. 2 in B-Flat Major, Op. 101: II. Andante con variazoni
Promenade (arr. S. Berkowitz for clarinet and orchestra)
Le siege de Corinthe, Act I: Recitatif et Air: Qu'a ma voix - Chef d'un peuple indomptable (Mahomet, Chorus)
Sacred Concerto No. 27, "Hlasom moim ko Hospodu vozzvakh" (With my voice unto the Lord have I cried): I. Adagio
Baal Shem: No. 3. Simchas Torah (Rejoicing in the Holy Scriptures) (arr. Hong-Mei Xiao for viola and orchestra)
Symphony No. 2, "The Big Apple": Interlude: Times Square Cadenza
String Quartet No. 1 in G Major: IV. Allegro
3 Pequenas piezas: No. 2. Por caminos de Santiago
Peches de vieillesse, Vol. 12: Quelques riens pour album: No. 6. Un rien: Andante maestoso - Allegro brillante
Pictures at an Exhibition: II. Old Castle
Monologe, Op. 63: Nos. 7-12: No. 9. Toccata
L'Arlesienne Suite, Nr. 1: L'arlesienne Suite No. 1: II. Menuet
Clásicos del Milenio, Arias de Opera, Mozart, Donizetti, Bizet...
Die Zauberflöte, K. 620, Act I, Scene 1: "Dies Bildnis ist bezaubernd schön"
Don Pasquale, Act I, Scene 4: "Quel guardo il cavaliere"
L'elisir d'amore, Act II, Scene 2: "Una furtiva lacrima"
Die Zauberflöte, K. 620, Act II, Scene 3: "Der hölle rache kocht in meinem herzen"
Così fan tutte, K.588, Act II, Scene 1: "Una donna a quindici anni"
L'elisir d'amore, Act I, Scene 1: "Quanto è bella, quanto è cara"
Oberon, J.306, Act III: "Arabien, mein heimatland"
Il barbiere di Siviglia, Act I: "Frag ich mein bekommen"
Oberon, J.306, Act II: "Ozean du ungeheuer"
Flute Concerto in D Minor, H. 484.1: I. Allegro
Flute Concerto in D Minor, H. 484.1: II. Un poco andante
Flute Concerto in D Minor, H. 484.1: III. Allegro di molto
Fantaisie brillante sur Carmen (Arr. Strauss for Flute and Orchestra)
Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio
Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto
Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace
Music from King of Kings (Original Motion Picture Soundtrack)
Mount Galilee and the Sermon on the Mount
Christ's Entry into Jerusalem and Temptest in Judea
Petrassi: Piano Concerto - Flute Concerto - La follia di Orlando Suite
Piano Concerto: I. Non molto mosso, ma energico
Piano Concerto: II. Arietta con variazioni. Molto adagio e tranquillo
Piano Concerto: III. Rondo. Andantino mosso - Allegro agitato
La follia di Orlando Suite: Introduzione. Allegro sostenuto - Quadro I: Danza di Angelica. Andantino grazioso, con fantasia
La follia di Orlando Suite: Quadro II, Angelica e Medoro. Andante sereno
La follia di Orlando Suite: Quadro III, Danza di Astolfo. Presto, volante e leggero
La follia di Orlando Suite: Quadro I, Danza guerriera. Molto sostenuto
Catalani: Ero e Leandro - Scherzo - Andantino - Contemplazione & Il mattino
Symphony No. 3 in G Major, WoO 34, "Great National Symphony" (edited by P. Spada): I. Andante sostenuto - Allegro con brio
Symphony No. 3 in G Major, WoO 34, "Great National Symphony" (edited by P. Spada): II. Andante un poco mosso
Symphony No. 3 in G Major, WoO 34, "Great National Symphony" (edited by P. Spada): III. Minuetto: Allegretto
Symphony No. 3 in G Major, WoO 34, "Great National Symphony" (edited by P. Spada): IV. Finale: Vivace
Symphony No. 4 in D Major, WoO 35 (edited by P. Spada): I. Andante sostenuto - Allegro vivace
Symphony No. 4 in D Major, WoO 35 (edited by P. Spada): II. Andante cantabile
Symphony No. 4 in D Major, WoO 35 (edited by P. Spada): III. Minuetto: Allegro moderato
Symphony No. 4 in D Major, WoO 35 (edited by P. Spada): IV. Finale: Allegro vivace
Ghedini: Architetture - Contrappunti - Marinaresca e baccanale
Architetture: I. Allegro moderato e marcato
Architetture: III. Lo stesso movimento, ma pesante
Architetture: V. Molto lento ed espressivo
Architetture: VII. Allegro molto moderato
Contrappunti: I. Molto moderato e marcato
Marinaresca e baccanale: I. Molto sostenuto e ampio
Scene veneziane: No. 1, Carnevale: Allegro brillante
Scene veneziane: No. 2, Dichiarazione d'amore: Andante sostenuto
Scene veneziane: No. 3, Fuga degli Amanti a Chioggia: Scherzo
Scene veneziane: No. 4, Ritorno in Gondola: Andante con moto
Scene veneziane: No. 5, Cerimonia e Danza di Nozze: Lento (Tempo di marcia religiosa)
6 Intermezzi sinfonici per la tragedia Cleopatra: No. 1, Ouverture
6 Intermezzi sinfonici per la tragedia Cleopatra: No. 3, Battaglia di Azio
Petrassi: Partita - Divertimento - 4 inni sacri - Coro di morti
Divertimento in C Major: II. Caccia: Andante
4 inni sacri: No. 1, Jesus dulcis memoria (Version for tenor, baritone and orchestra)
4 inni sacri: No. 2, Te lucis ante terminum (Version for tenor, baritone and orchestra)
4 inni sacri: No. 3, Lucis creator optime (Version for tenor, baritone and orchestra)
4 inni sacri: No. 4, Salvete Christi vulnera (Version for tenor, baritone and orchestra)
Symphony No. 1 in C Major, WoO 32: I. Larghetto - Allegro vivace (Edited by P. Spada)
Symphony No. 1 in C Major, WoO 32: II. Andante con moto (Edited by P. Spada)
Symphony No. 1 in C Major, WoO 32: III. Minuetto. Allegretto - Trio (Edited by P. Spada)
Symphony No. 1 in C Major, WoO 32: IV. Finale. Allegro vivace - Animato e giocoso (Edited by P. Spada)
Symphony No. 2 in D Major, WoO 33: I. Adagio - Allegro (Edited by P. Spada)
Symphony No. 2 in D Major, WoO 33: II. Larghetto cantabile (Edited by P. Spada)
Symphony No. 2 in D Major, WoO 33: III. Minuetto. Allegretto (Edited by P. Spada)
Symphony No. 2 in D Major, WoO 33: IV. Finale. Presto (Edited by P. Spada)
Symphony No. 1 in D Major, Op. 16: I. Allegro vivace, non troppo
Symphony No. 1 in D Major, Op. 16: II. Andante mesto
Symphony No. 1 in D Major, Op. 16: III. Scherzo. Presto
Symphony No. 1 in D Major, Op. 16: IV. Serenata. Andante
Symphony No. 1 in D Major, Op. 16: V. Finale. Allegro con fuoco
Introduzione, aria e toccata, Op. 55: Aria
Introduzione, aria e toccata, Op. 55: Toccata. Allegro un poco moderato e man mano movendo
La donna serpente Suite No. 1, Op. 50bis: I. Musica del sogno di re altidor: Andante
La donna serpente Suite No. 1, Op. 50bis: II. Interludio: Andante moderato
La donna serpente Suite No. 1, Op. 50bis: III. Marcia Guerriera: Tempo di marcia
La donna serpente Suite No. 2, Op. 50ter: I. Sinfonia. Allegro vivacissimo
La donna serpente Suite No. 2, Op. 50ter: II. Preludio. Lento, ma non troppo
La donna serpente Suite No. 2, Op. 50ter: III. Battaglia - IV. Finale. Allegro vivacissimo
Casella: Concerto for Orchestra - Pagine di guerra - Suite
Pagine di guerra, Op. 25bis: I. Nel Belgio: Sfilata di artiglieria pesante tedesca
Pagine di guerra, Op. 25bis: II. In Francia: Davanti alle rovine della cattedrale di Reims
Pagine di guerra, Op. 25bis: III. In Russia: Carica di cavalleria cosacca
Pagine di guerra, Op. 25bis: IV. In Alsazia: Croci di legno
Pagine di guerra, Op. 25bis: V. Nell'Adriatico: Corazzate italiane in crociera
Concerto for Orchestra, Op. 61: I. Sinfonia
Concerto for Orchestra, Op. 61: II. Passacaglia
Concerto for Orchestra, Op. 61: III. Inno
Idillio-concertino in A Major, Op. 15: I. Preambola
Idillio-concertino in A Major, Op. 15: II. Scherzo
Idillio-concertino in A Major, Op. 15: III. Adagio
Idillio-concertino in A Major, Op. 15: IV. Rondo
Concertino in A-Flat Major, Op. 34: I. Preludio
Concertino in A-Flat Major, Op. 34: II. Capriccio
Concertino in A-Flat Major, Op. 34: III. Adagio
Concertino in A-Flat Major, Op. 34: IV. Finale
Suite-concertino in F Major, Op. 16: I. Notturno: Andante un poco mosso
Suite-concertino in F Major, Op. 16: II. Strimpellata: Presto
Suite-concertino in F Major, Op. 16: III. Canzone. Andante cantabile
Suite-concertino in F Major, Op. 16: IV. Finale. Andante con moto
Busoni: Lustspielouverture - Rondo arlecchinesco - Clarinet Concertino - Divertimento - Tanzwalzer
Lustspielouvertüre, Op. 38: Lustspielouverture, Op. 38
Indianisches Tagebuch, Book 2: Gesang vom Reigen der Geister, Op. 47, "Elegie No. 4"
Rondo arlecchinesco, Op. 46, "Elegie No. 3"
Piano Concerto, Op. 39: I. Prologo e Introito: Allegro, dolce e solenne
Piano Concerto, Op. 39: II. Pezzo giocoso: Vivacemente, ma senza fretta
Piano Concerto, Op. 39: III. Pezzo serioso: Introductio - Prima Pars - Altera Pars - Ultima Pars
Piano Concerto, Op. 39: IV. All'Italiana (Tarantella): Vivace - In un tempo
Piano Concerto, Op. 39: V. Cantico: Largamente
Ferrara: Fantasia Tragica - Notte di Tempesta
Symphony No. 3, Op. 63: I. Allegro mosso
Symphony No. 3, Op. 63: II. Andante molto moderato quasi adagio
Symphony No. 3, Op. 63: IV. Rondo Finale. Allegro molto vivace ed animato
Casella: Notte di maggio - Cello Concerto - Scarlattiana
Cello Concerto, Op. 58: I. Allegro molto vivace
Cello Concerto, Op. 58: II. Largo - Grave
Cello Concerto, Op. 58: III. Presto vivacissimo
Scarlattiana, Op. 44: I. Sinfonia. Lento grave, allegro molto vivace
Scarlattiana, Op. 44: II. Minuetto. Allegretto ben moderato e grazioso
Scarlattiana, Op. 44: III. Capriccio: Allegro vivacissimo e impetuoso
Scarlattiana, Op. 44: IV. Pastorale. Andantino dolcemente mosso
Scarlattiana, Op. 44: V. Finale. Lento molto e grave
Symphony No. 2 in C Minor, Op. 12: I. Lento grave solenne
Symphony No. 2 in C Minor, Op. 12: II. Allegro molto vivace
Symphony No. 2 in C Minor, Op. 12: III. Adagio quasi andante
Symphony No. 2 in C Minor, Op. 12: IV. Finale. Tempo di marcia ben risoluto con fuoco
Martucci, G.: Orchestral Music (Complete), Vol. 4 - Piano Concerto No. 2 / Momento Musicale E Minuetto / Novelletta
Piano Concerto No. 2 in B-Flat Minor, Op. 66: I. Allegro giusto
Piano Concerto No. 2 in B-Flat Minor, Op. 66: II. Larghetto
Piano Concerto No. 2 in B-Flat Minor, Op. 66: III. Allegro con spirito
Momento musicale e Minuetto (Arr. For string orchestra)
Novelletta, Op. 82, No. 2 (Arr. For orchestra)
Serenata, Op. 57, No. 2 (Arr. For orchestra)
Colore orientale, Op. 44, No. 3 (Arr. For orchestra)
Martucci, G.: Orchestral Music (Complete), Vol. 3 - Piano Concerto No. 1 / La Canzone Dei Ricordi
Piano Concerto No. 1 in D Minor, Op. 40: I. Allegro
Piano Concerto No. 1 in D Minor, Op. 40: II. Andante
Piano Concerto No. 1 in D Minor, Op. 40: III. Allegro
La canzone dei ricordi: No. 1, No, svaniti non sono i sogni (Arr. For voice and orchestra)
La canzone dei ricordi: No. 2, Cantava'l ruscello la gaia canzone (Arr. For voice and orchestra)
La canzone dei ricordi: No. 3, Fior di ginestra (Arr. For voice and orchestra)
La canzone dei ricordi: No. 4, Su'l mar la navicella (Arr. For voice and orchestra)
La canzone dei ricordi: No. 5, Un vago mormorio mi giunge (Arr. For voice and orchestra)
La canzone dei ricordi: No. 6, Al folto bosco, placida ombria (Arr. For voice and orchestra)
La canzone dei ricordi: No. 7, No, svaniti non sono i sogni (Arr. For voice and orchestra)
Martucci: Orchestral Music, Vol. 2 - Symphony No. 2, Theme and Variations, Tarantella & Gavotta
Symphony No. 2 in F Major, Op. 81: I. Allegro moderato
Symphony No. 2 in F Major, Op. 81: II. Scherzo. Allegro vivace
Symphony No. 2 in F Major, Op. 81: III. Adagio, ma non troppo
Symphony No. 2 in F Major, Op. 81: IV. Allegro
Theme and Variations, Op. 58 (Arr. For piano and orchestra)
Gavotta, Op. 55, No. 2 (Arr. For orchestra)
Tarantella, Op. 44, No. 6 (Arr. For orchestra)
Martucci, G.: Orchestral Music (Complete), Vol. 1 - Symphony No. 1 / Nocturne / Andante / Canzonetta / Giga
Symphony No. 1 in D Minor, Op. 75: I. Allegro
Symphony No. 1 in D Minor, Op. 75: II. Andante
Symphony No. 1 in D Minor, Op. 75: III. Allegretto
Symphony No. 1 in D Minor, Op. 75: IV. Mosso - Allegro risoluto
Giga, Op. 61, No. 3 (Arr. For orchestra)
Canzonetta, Op. 65, No. 2 (Arr. For orchestra)
Andante, Op. 69, No. 2 (Arr. For cello and orchestra)
Nocturne, Op. 70, No. 1 (Arr. For orchestra)
Casella: Symphony No. 1 - Concerto for Piano, Timpani, Percussion and Strings
Symphony No. 1 in B Minor, Op. 5: I. Lento grave - Più mosso - Tempo I: Un poco mosso - Allegro vivo - Lento - Tempo lento maestoso - Tempo I: Allegro vivo
Symphony No. 1 in B Minor, Op. 5: II. Adagio, quasi andante
Symphony No. 1 in B Minor, Op. 5: III. Lento molto - Poco più mosso - Allegro vivo, energico
Concerto for Piano, Timpani, Percussion and Strings, Op. 69: I. Allegro alquanto pesante
Concerto for Piano, Timpani, Percussion and Strings, Op. 69: II. Sarabanda. Grave, ampio
Concerto for Piano, Timpani, Percussion and Strings, Op. 69: III. Allegro molto vivace
Flagello: She Walks in Beauty & Capriccio for Cello and Orchestra - Lautrec: Ballet Suite, Remembrance, & Contemplazioni di Michelangelo
Lautrec, Op. 47: I. Paris - La Belle Époque
Lautrec, Op. 47: II. L'histories naturelles
Contemplazioni di Michelangelo, Op. 42: No. 1, Come può essere
Contemplazioni di Michelangelo, Op. 42: No. 2, Ben doverrieno
Contemplazioni di Michelangelo, Op. 42: No. 3, Ben Fu
Contemplazioni di Michelangelo, Op. 42: No. 4, Di più cose
King of Kings (Original Motion Picture Soundtrack, Stereo Version)
Christ's Entry into Jerusalem and Tempest in Judea
Ottorino Respighi · Antiche danze et arie per liuto Suites No. 1, 2, 3
Antiche danze et arie per liuto, Suite No.1, IOR 2: No. 1, Balletto detto “Il Conte Orlando„
Antiche danze et arie per liuto, Suite No.1, IOR 2: No. 2, Gagliarda
Antiche danze et arie per liuto, Suite No.1, IOR 2: No. 3, Villanella
Antiche danze et arie per liuto, Suite No.1, IOR 2: No. 4, Passo mezzo e Mascherada
Antiche danze et arie per liuto, Suite No.2, P 138, IOR 3: No. 1, Laura Soave; Balletto con Gagliarda, Saltarello e Canario
Antiche danze et arie per liuto, Suite No.2, P 138, IOR 3: No. 2, Danza Rustica
Antiche danze et arie per liuto, Suite No.2, P 138, IOR 3: No. 3, Campanæ Parisienses – Aria
Antiche danze et arie per liuto, Suite No.2, P 138, IOR 3: No. 4, Bergamasca
Antiche danze et arie per liuto, Suite No.3, IOR 4: No. 1, Italiana. Andantino
Antiche danze et arie per liuto, Suite No.3, IOR 4: No. 2, Arie di corte. Andante cantabile
Antiche danze et arie per liuto, Suite No.3, IOR 4: No. 3, Siciliana. Andantino
Antiche danze et arie per liuto, Suite No.3, IOR 4: No. 4, Passacaglia. Maestoso - Vivace
Farewell: The Greatest Classical Themes from the Master
The Symphony Orchestra Graunke of Munich
New Europa: European Jazz & Funk 1969-1977, Vol. 1
Wir Entdecken Komponisten: Joseph Haydn – Abschied von Schloss Esterházy
Das Problem mit dem Stimmbruch und den Streichen
Symphony No. 4 in A Major, Op. 90, "Italian": I. Allegro vivace
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto
Belgian Radio and Television Philharmonic Orchestra
Symphony No. 9 in E Minor, Op. 95, "From the New World": IV. Allegro con fuoco
Symphonie fantastique, Op. 14: IV. Marche au supplice: Allegro non troppo
Symphony No. 6 in B Minor, Op. 74, "Pathetique": II. Allegro con grazia
Symphony No. 1 in D Major, "Titan": III. Feierlich und gemessen, ohne zu schleppen
Symphony No. 2 in E Minor, Op. 27: III. Adagio
Symphony No. 8 in B Minor, D. 759, "Unfinished": II. Andante con moto
Symphony No. 3 in A Minor, Op. 56, "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai
Symphony in D Minor: III. Allegro non troppo
Symphony No. 2 in C Major, J. 51: III. Menuetto and Trio
Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo
Slovak State Philharmonic Orchestra, Kosice
Symphony No. 1 in A-Flat Major, Op. 55: III. Adagio
Symphony in C Major: III. Allegro Vivace
Symphony No. 4 in G Major: II. In gemachlicher Bewegung, ohne Hast
Polish National Radio Symphony Orchestra
Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso
Symphony No. 1 in E-Flat Major, Op. 28: IV. Finale: Allegro guerriero
Symphony No. 3 in F Major, Op. 153, "Im Walde" (In the Forest): II. Abteilung: In der Dammerung. Traumerei: Largo
Symphony No. 1 in C Minor, WAB 101 (orig. 1866 unrevised Linz version, prep. W. Carragan): III. Scherzo: Schnell
Symphony No. 5 in B-Flat Major, D. 485: I. Allegro
Symphony in B-Flat Major, Op. 20: II. Tres lent - Un peu plus vite - (Tempo I)
Orchestre Symphonique et Lyrique de Nancy
Symphony No. 3 in E-Flat Major, Op. 10: III. Allegro vivace
Symphony No. 1 in D Major: I. Allegro molto
Symphony in E Minor, Op. 7, "Odrodzenie" (Rebirth): III. Vivace - Molto meno mosso - Tempo I
Symphony No. 4 in F Minor, Op. 36: IV. Finale: Allegro con fuoco
Symphony No. 2 in C Minor, WAB 102 (1872 first version, ed. W. Carragan): II. Scherzo: Schnell
Eine Faust-Symphonie in drei Charakterbildern, S108/R425: Final Chorus
Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im Ausdruck
Symphony No. 6 in D Major, Op. 60, B. 112: III. Scherzo: Furiant: Presto
Symphony No. 2 in F Major, Op. 81: II. Scherzo: Allegro vivace
Symphony No. 2 in D Major, Op. 73: IV. Allegretto con spirito
Symphony No. 5 in C-Sharp Minor: IV. Adagietto
Symphony No. 2 in D Minor: II. Scherzo: Allegro scherzando
Symphony No. 2 in B-Flat Major, Op. 52, "Lobgesang" (Hymn of Praise): X. Ihr Volker! bringet her dem Herrn (Chorus)
Symphony No. 2 in E-Flat Major: III. Scherzo: Allegro molto
Symphony No. 1, Op. 96, "An das Vaterland": II. Scherzo: Allegro vivace
Symphony No. 1 in A Major, Op. 79: IV. Finale: Allegro ma non troppo - Allegro molto quasi presto
Symphony No. 3 in C Minor, Op. 78, "Organ": II. Allegro moderato - Presto - Allegro moderato - Presto - Allegro moderato
Symphony No. 1, Op. 26, "Landliche Hochzeit" (Rustic Wedding Symphony): Landliche Hochzeit (Rustic Wedding Symphony), Op. 26: Tanz: Finale
Symphony No. 1 in E Major: IV. Lebhaft, doch nicht zu schnell
Symphony No. 1 in B-Flat Major, Op. 38, "Spring": II. Larghetto
Symphony No. 3 in E Major, Op. 51: III. Scherzo: Vivace
Symphony No. 3 in B-Flat Major: III. Adagio
Symphony No. 1 in C Major, J. 50: IV. Finale: Presto
Symphony No. 4 in E-Flat Major, WAB 104, "Romantic" (1886 version, ed. L. Nowak): III. Scherzo: Bewegt
Symphony No. 2 in B Major, Op. 4: IV. Finale: Allegro con fuoco
Symphony No. 1 in D Minor, Op. 13: II. Allegro animato
Symphony No. 4 in C Major: III. Molto vivace
Symphony No. 3 in D Major, Op. 29, "Polish": V. Finale: Allegro con fuoco
Magnificat - A Musical Celebration of the Great Jubilee of the Year 2000
Choir and Orchestra of the Accademia di Santa Cecilia in Rome
Symphony Orchestra Of Emilia Romagna Arturo Toscanini
Choir Of The Cappella Giulia Of The St. Peter Basilica In The Vatican
Choir and Orchestra of the Accademia Filarmonica Romana
Choir Of The Nuova Polifonica Ambrosiana
Orchestra I Pomeriggi Musicali di Milano
Choir & Youth Orchestra Of The Basilica Of San Giovanni Laterano
Sodom and Gomorrah: Triumphal March and Wedding
Goliath and the Barbarians: March of Victory
National Philharmonic Orchestra Of London
﻿Return of the Jedi: ﻿Parade of the Ewoks
Star Wars - Chapter IV - A New Hope - Main Title