1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x36c299d485cb6b26f138b48516a497d09c8e547341d3bbf66fd3a7c6f4424add. Chain 2 (Bitcoin): anchored in block 953423 (2026-06-12T21:20:00Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/c96aa903-527e-4cae-bf09-6bc00e383d99.json and https://artists.proofprofile.net/proofs/artist/c96aa903-527e-4cae-bf09-6bc00e383d99.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Mozart: The Magic Flute (Highlights) – Queen of the Night Arias
The Magic Flute, K. 620, Act I: Zu Hilfe! Zu Hilfe!
The Magic Flute, K. 620, Act I: Arie. Der Vogelfänger bin ich ja
The Magic Flute, K. 620: Dies Bildnis ist bezaubernd schön
The Magic Flute, K. 620, Act I: Rezitativ und Arie. O zittre nicht, mein lieber Sohn!
The Magic Flute, K. 620, Act I: Quintett. Hm! Hm! Hm! Hm!
The Magic Flute, K. 620, Act I: Duett. Bei Männern, welche Liebe fühlen
The Magic Flute, K. 620, Act I: Wie stark ist nicht dein Zauberton!
The Magic Flute, K. 620, Act I: Schnelle Füße, rascher Mut
The Magic Flute, K. 620, Act II: Marsch der Priester
The Magic Flute, K. 620, Act II: Arie und Chor. O Isis und Osiris
The Magic Flute, K. 620, Act II: Arie. Alles fühlt der Liebe Freuden
The Magic Flute, K. 620, Act II: Aria. Der Hölle Rache kocht in meinem Herzen
The Magic Flute, K. 620, Act II: In diesen heil'gen Hallen
The Magic Flute, K. 620, Act II: Ach! Ich fühl's, es ist verschwunden
The Magic Flute, K. 620, Act II: Arie. Ein Mädchen oder Weibchen Wünscht Papageno sich!
The Magic Flute, K. 620, Act II: Pa-Pa-Pa-Pa-Pa-Pa-Papagena!
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1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x22442e79574e25955b2e509ae99afd0625efb62fb7ac3dfc0db20b7c07aada13. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0P8NMpGJk6qvfPPvaTaEqc.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0P8NMpGJk6qvfPPvaTaEqc.
The Magic Flute, K. 620, Act II: Moderato. Nur stille, stille, stille, stille
The Magic Flute, K. 620, Act II: Die Strahlen der Sonne
Fidelio: Act II: Introduction and Aria - Gott, welch Dunkel hier
Fidelio: Act I: Duet - Jetzt Schätzchen, jetzt sind wir allein
Fidelio: Act I: Aria - O wär ich schon mit dir vereint
Fidelio: Act II: Duet - Nur hurtig fort, nur frisch gegraben
Fidelio: Act I: Quartet - Mir ist so wunderbar
Fidelio: Act II: Terzett - Euch werde Lohn in besseren Welten
Fidelio: Act I: Aria - Hat man nicht auch Gold beineben
Fidelio: Act I: Terzett - Gut, Söhnchen, gut, hab immer Mut
Fidelio: Act II: Es schlägt der Rache Stunde
Fidelio: Act II: Duet - O namenlose Freude
Fidelio: Act I: Aria - Ha, welch ein Augenblick
Fidelio: Act II: Finale - Heil sei dem Tag, heil sei der Stunde
Fidelio: Act I: Duet - Jetzt, Alter, jetzt hat es Eile
Fidelio: Act II: Des besten Königs Wink und Wille
Fidelio: Act I: Recitativo ed Aria - Abscheulicher, wo eilst du hin?
Fidelio: Act II: Wer ein holdes Weib errungen
Fidelio: Act I: Finale - O welche Lust, in freier Luft
Leonore Overture No. 2 in C Major, Op. 72
Fidelio: Act I: Leb wohl, du warmes Sonnenlicht
Falstaff / Act I: Sei polli, sei scellini
Falstaff / Act I: Eh! Paggio! Andante a impendervi
Falstaff / Act I: Fulgida Alice! Amor t'offro
Falstaff / Act I: E'un ribaldo, un furbo, un ladro
Falstaff / Act I: Falstaff m'ha canzonata
Falstaff / Act I: Udrai quanta egli sfoggia
Falstaff / Act II: Siam pentiti e contriti
Falstaff / Act II: Signore, v'assista il cielo!
Falstaff / Act III: Reverenza. La bella Alice
Falstaff / Act III: Non dubitar, tu sposerai mia figlia
Falstaff / Act III: Una, due, tre, quattro
Falstaff / Act III: Ninfe! Elfi! Doridi! Sirene!
Falstaff / Act III: Ogni sorta di gente dozzinale
Falstaff / Act III: Tutto nel mondo è burla
Die Zauberflöte, K. 620: Zu Hilfe! Zu Hilfe!
Die Zauberflöte, K. 620: Der Vogelfänger bin ich ja
Die Zauberflöte, K. 620, Act I: Dies Bildnis ist bezaubernd schön
Die Zauberflöte, K. 620: O zitt're nicht, mein lieber Sohn!
Die Zauberflöte, K. 620, Act I: Hm! Hm! Hm! Hm!
Die Zauberflöte, K. 620, Act I: Bei Männern, welche Liebe fühlen
Die Zauberflöte, K. 620, Act I: Wie stark ist nicht dein Zauberton!
Die Zauberflöte, K. 620, Act I: Schnelle Füsse, rascher Mut
Die Zauberflöte, K. 620, Act II: March of the Priests
Die Zauberflöte, K. 620: O Isis und Osiris
Die Zauberflöte, K. 620, Act II: Alles fühlt der liebe Freuden
Die Zauberflöte, K. 620, Act II: Der Hölle Rache kocht in meinen Herzen
Die Zauberflöte, K. 620, Act II: In diesen heil'gen Hallen
Die Zauberflöte, K. 620, Act II: Ach, ich fuhl's
Die Zauberflöte, K. 620: Ein Mädchen oder Weibchen
Die Zauberflöte, K. 620: Pa-Pa-Pa-Pa-Pa-Pa-Papageno
Die Zauberflöte, K. 620, Act II: Nur stille, stille, stille
Die Zauberflöte, K. 620: Die Strahlen der Sonne vertreiben die Nacht
Mass in B Minor, BWV 232: I. Gloria: f. Laudamus te (Soprano II) - Live at Orchestra Hall, Chicago, 1990
Mass in B Minor, BWV 232: I. Gloria: j. Qui sedes ad dexteram Patris (Alto) - Live at Orchestra Hall, Chicago, 1990
Mass in B Minor, BWV 232: IV. Agnus Dei: d. Agnus Dei (Alto) - Live at Orchestra Hall, Chicago, 1990
Messiah, HWV 56 / Pt. 3: L. "If God Be for Us"
Hercules, HWV 60 / Act 1: Aria: "The world, when day's career is run"
Mass in C Minor, K. 427 "Grosse Messe" (Ed. H.C. Robbins Landon): II. Gloria: d. Domine Deus
Mass in C Minor, K. 427 "Grosse Messe" (Ed. H.C. Robbins Landon): II. Gloria: b. Laudamus te
Donna, che in ciel di tanta luce splendi HWV 233: Aria con coro: "Maria, salute e speme"
Il pianto di Maria (Prev. Attrib. Handel as HWV 234): II. Cavatina. Se d'un Dio fui fatta madre
Dido and Aeneas / Act III: "Thy Hand, Belinda...When I Am Laid in Earth"
St. Matthew Passion, BWV 244 - Part One: "Du lieber Heiland du"
St. Matthew Passion, BWV 244 / Part One: No. 6 Aria (Alto): "Buss und Reu"
St. Matthew Passion, BWV 244 - Part Two: "Ach nun ist mein Jesu hin"
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich"
St. Matthew Passion, BWV 244 - Part Two: "Können Tränen meiner Wangen"
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas: No. 4 Aria: " Bereite dich, Zion"
Die Zauberflöte, K. 620: Act I: Overture
Il barbiere di Siviglia (The Barber of Seville): Overture
Don Giovanni, K. 527: Act I Scene 1: Introduzione: Notte e giorno faticar (Leporello, Donna Anna, Don Giovanni, Il Commendatore)
Die Zauberflöte, K. 620: Act I: Zu hilfe! Zu hilfe! (Tamino, the Three Ladies)
Il barbiere di Siviglia (The Barber of Seville): Act I Cavatina: Ecco, ridente in cielo (Conte)
Don Giovanni, K. 527: Act I Scene 3: Duetto: Fuggi, crudele, fuggi! (Donna Anna, Don Ottavio)
Die Zauberflöte, K. 620: Act I: Der Vogelfanger bin ich ja (Papageno)
Il barbiere di Siviglia (The Barber of Seville): Act I Cavatina: Largo al factotum della citta (Figaro)
Don Giovanni, K. 527: Act I Scene 5: Aria: Ah chi mi dice mai (Donna Elvira, Don Giovanni, Leporello)
Die Zauberflöte, K. 620: Act I: Dies Bildnis ist bezaubernd schon (Tamino)
Il barbiere di Siviglia (The Barber of Seville): Act I Duetto: All'idea di quel metallo (Figaro, Conte)
Don Giovanni, K. 527: Act I Scene 5: Aria: Madamina, il catalogo e questo (Leporello)
Die Zauberflöte, K. 620: Act I: O zitt're nicht, mein lieber Sohn! (Queen of the Night)
Il barbiere di Siviglia (The Barber of Seville): Act I Cavatina: Una voce poco fa (Rosina)
Don Giovanni, K. 527: Act I Scene 7: Coro: Giovinette che fate all'amore (Zerlina, Masetto, Chorus)
Die Zauberflöte, K. 620: Act I: Hm! Hm! Hm! Hm! (Papageno, Tamino, the Three Ladies)
Il barbiere di Siviglia (The Barber of Seville): Act I Aria: La calunnia e un venticello (Basilio)
Don Giovanni, K. 527: Act I Scene 8: Aria: Ho capito, signor si (Masetto)
Die Zauberflöte, K. 620: Act I: Bei Mannern, welche Liebe fuhlen (Pamina, Papageno)
Il barbiere di Siviglia (The Barber of Seville): Act I Duetto: Dunque io son... tu non m'inganni? (Rosina, Figaro)
Don Giovanni, K. 527: Act I Scene 9: Duettino: La ci darem la mano (Zerlina, Don Giovanni)
Die Zauberflöte, K. 620: Act I: Wie stark ist nicht dein Zauberton! (Tamino)
Il barbiere di Siviglia (The Barber of Seville): Act I Aria A un dottor della mia sorte (Bartolo)
Don Giovanni, K. 527: Act I Scene 10: Aria: Ah fuggi il traditor (Donna Elvira)
Die Zauberflöte, K. 620: Act I: Schnelle Fusse, rascher Mut (Pamina, Papageno, Monostatos, Slaves)
Il barbiere di Siviglia (The Barber of Seville): Act I Finale: Fredda ed immobile
Don Giovanni, K. 527: Act I Scene 12: Quartetto: Non ti fidar, o misera (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni)
Die Zauberflöte, K. 620: Act II: March of the Priests
Il barbiere di Siviglia (The Barber of Seville): Act II Duetto: Pace e gioia sia con voi (Conte, Bartolo)
Don Giovanni, K. 527: Act I Scene 13: Recitativo accompagnato ed Aria: Don Ottavio, son morta! - Aria: Or sai chi l'onore (Donna Anna, Don Ottavio)
Die Zauberflöte, K. 620: Act II: O Isis und Osiris (Sarastro, Chorus)
Il barbiere di Siviglia (The Barber of Seville): Act II Aria: Contro un cor che accende amore (Rosina, Conte)
Don Giovanni, K. 527: Act I Scene 13 Appendix: Aria: Dalla sua pace (Don Ottavio)
Die Zauberflöte, K. 620: Act II: Alles fuhlt der liebe Freuden (Monostatos)
Don Giovanni, K. 527: Act I Scene 15: Aria: Fin ch'han dal vino (Don Giovanni)
Die Zauberflöte, K. 620: Act II: Der Holle Rache kocht in meinen Herzen (Queen of the Night)
Don Giovanni, K. 527: Act I Scene 16: Aria: Batti, batti, o bel Masetto (Zerlina)
Die Zauberflöte, K. 620: Act II: In diesen heil'gen Hallen (Sarastro)
Don Giovanni, K. 527: Act II Scene 3: Canzonetta: Deh, vieni alla finestra (Don Giovanni)
Die Zauberflöte, K. 620: Act II: Ach, ich fuhl's (Pamina)
Don Giovanni, K. 527: Act II Scene 6: Aria: Vedrai, carino (Zerlina)
Die Zauberflöte, K. 620: Act II: Ein Madchen oder Weibchen (Papageno)
Don Giovanni, K. 527: Act II Scene 10: Aria: Il mio tesoro intanto (Don Ottavio)
Die Zauberflöte, K. 620: Act II: Pa-Pa-Pa-Pa-Pa-Pa-Papageno (Papageno, Papagena)
Don Giovanni, K. 527: Act II Scene 10 Appendix 2: Recitativo accompagnato ed Aria: In quali eccessi (Donna Elvira)
Die Zauberflöte, K. 620: Act II: Nur stille, stille, stille, stille (Monostatos, Queen of the Night, the Three Ladies)
Don Giovanni, K. 527: Act II Scene 15: Don Giovanni, a cenar teco (Il Commendatore, Don Giovanni, Leporello, Chorus)
Die Zauberflöte, K. 620: Act II: Die Strahlen der Sonne vertreiben die Nacht (Sarastro, Chorus)
Don Giovanni, K. 527: Act II Scene 16: Questo e il fin (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
Le nozze di Figaro, K. 492, Act I: Overture
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Carmen: Carmen, Act I: L'amour est un oiseau rebelle, "Habanera"
Il trovatore, Act III: The Gypsy's Son - Manrico?… Di quella pira
Manon Lescaut, Act I: Donna non vidi mai simile a questa!
Belgian Radio and Television Philharmonic Orchestra
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Le nozze di Figaro, K. 492, Act I: Aria: Non piu andrai, farfallone amoroso
La donna del lago (The Lady of the Lake), Act I: Elena! Oh tu, che chiamo!
South West German Radio Kaiserslautern Orchestra
Don Giovanni, K. 527, Act I Appendix: Aria: Dalla sua pace
Madama Butterfly, Act II: Un bel di vedremo
Aida: Aida, Act I: Se quel guerrier io fossi!… Celeste Aida
Turandot, Act III: Tu, che di gel sei cinta
L'Orfeo, Act III: Possente spirto, e formidabil nume
San Petronio Cappella Musicale Orchestra
Don Giovanni, K. 527, Act II: Aria: Vedrai, carino
Carmen: Carmen, Act II: Toreador Song: Votre toast, je peux vous le rendre
La boheme: La Boheme, Act I: Si, Mi chiamo Mimi
Dido and Aeneas, Z. 626, Act III: When I am laid in earth (Dido's Lament)
Die Zauberflote (The Magic Flute), K. 620, Act II: Der Holle Rache kocht in meinem Herzen
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Die Zauberflote (The Magic Flute), K. 620, Act II: Ach, ich fuhl's, es ist verschwunden
L'Italiana in Algeri (The Italian Girl in Algiers), Act II: Scena ed Aria: Pensa alla patria, e intrepido
Orfeo ed Euridice, Act III: Aria: Che faro senza Euridice?
Les contes d'Hoffmann (The Tales of Hoffmann): Les Contes D'Hoffmann: Barcarolle
Il trovatore, Act III: Or co'dadi, ma fra poco
Der fliegende Hollander (The Flying Dutchman), Tableau III: Chorus of Norwegian Sailors and Girls
La traviata, Act II: Noi siamo zingarelle
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Madama Butterfly, Act II: Humming Chorus
Tristan und Isolde, Act III: Mild und leise wie er lachelt, "Isoldes Liebestod"
Les pecheurs de perles (The Pearl Fishers), Act I: Duet: Au fond du temple saint
La Cenerentola (Cinderella), Act II: Aria: Sia qualunque delle figlie
Così fan tutte, K. 588: Cosi fan tutte, K. 588, Act I: La mia Dorabella capace non e
I puritani: I Puritani, Act II: Qui la voce sua soave
Le nozze di Figaro, K. 492, Act III: Recitativo and Aria: E Susanna non vien!… Dove sono i bei momenti
Don Giovanni, K. 527, Act I: La ci darem la mano
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La Wally, Act I: Ebben? Ne andro lontana
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Tosca: Tosca, Act III: E lucevan le stelle
Suite for Orchestra No. 3 in D Major, BWV 1068: II. Air
The Four Seasons: Violin Concerto No. 4 in F Minor, RV 297, "Winter": II. Largo
Musikalisches Opfer (Musical Offering), BWV 1079: Sonata sopr'il Sogetto Reale a Traversa, Violino e Continuo: Largo
Serse, HWV 40, Act 1: No. 1 Recitativo accompagnato "Frondi tenere"
Serse, HWV 40, Act 1: No. 2 Arioso: "Ombra mal fu"
Trio Sonata in G Major, BWV 1038: I. Largo
Vesperae solennes de confessore, K. 339: Laudate Dominum
Orchestre de chambre Jean-François Paillard
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Cello Concerto No. 2 in B-Flat Major, Wq 171/H.436: II. Adagio
Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits
Eine kleine Nachtmusik, K. 525: II. Romanze. Andante
Piano Concerto No. 21 in C major, K. 467, "Elvira Madigan": Andante
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro
Ouverture-Suite in A Major, TWV 55:A5: I. Ouverture
Ouverture-Suite in A Major, TWV 55:A5: II. Marsch
Ouverture-Suite in A Major, TWV 55:A5: IV. Gavotte
Cantata No. 211: Schweigt stille, plaudert nicht, BWV 211, "Coffee Cantata": Ei, wie schmeckt der Coffee süße (Aria)
Cantata No. 211: Schweigt stille, plaudert nicht, BWV 211, "Coffee Cantata": Wenn du mir nicht den Coffee läßt (Recitativo)
Cantata No. 211: Schweigt stille, plaudert nicht, BWV 211, "Coffee Cantata": Heute noch, heute noch (Aria)
Cantata No. 211: Schweigt stille, plaudert nicht, BWV 211, "Coffee Cantata": Die Katze läßt das Mausen nicht (Coro)
Solomon, HWV 67, Act II: Sinfonia "The Arrival of the Queen of Sheba"
Serenade in G Major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante
Concerto for Trumpet and Orchestra In E-Flat Major, Hob.Vlle:1: II. Andante
Piano Concerto No. 21 in C Major, K. 467, "Elvira Madigan": II. Andante
String Quartet No. 1 in E Minor, "From My Life": III. Largo sostenuto
Orchestral Suite No. 1 in C Major, BWV 1066: I. Overture
Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavotte 1 - IV. Gavotte 2
Cantata BWV 147 "Herz und Mund und Tat und Leben": VI. Chorale "Wohl mir, daß ich Jesum habe"
Carmen, WD 31, Act I: L'amour est un oiseau rebelle
L'Elisir d'amore, Act II: Una furtiva lagrima
Carmen, WD 31, Act III: Je dis que rien ne m'épouvante (Micaëla)
Dido & Aeneas, Z. 626, Act III: When I am laid in earth (Dido)
Le nozze di Figaro, K. 492, Act II: Voi che sapete
Les pêcheurs de perles, WD 13, Act I: Au fond du temple saint (Nadir, Zurga)
Cosi fan tutte, K. 588, Act I: Soave sia il sento (Fiordiligi, Dorabella, Don Alfonso)
Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre à ta voix (Dalila, Samson)
Werther, Act III: Pourquoi me réveiller (Werther)
Rigoletto, Act III: La donna è mobile (Duca)
Rusalka, Op. 114, Act I: Song to the Moon
Madama Butterfly, Act II: Un bel dì vedremo (Butterfly)
Manon Lescaut, Act I: Donna non vidi mai (Des Grieux)
Tosca, SC 69, Act II: Vissi d'arte (Tosca)
La bohème, SC 67, Act I: Che gelida manina (Rodolfo)
La bohème, SC 67, Act I: Sì, Mi chiamano Mimì (Mimì, Rodolfo, Schaunard, Colline, Marcello)
La bohème, SC 67, Act I: O soave fanciulla (Rodolfo, Mimì)
Gianni Schicchi, SC 88, Act I: O mio babbino caro (Lauretta)
La Wally, Act I: "Ebben?...Ne andrò lontana" (Wally)
Les contes d'Hoffman, Act IV: Barcarolle. Belle nuit, ô nuit d'amour (Giulietta, Niklausse)
Carmen, WD 31, Act II: La fleur que tu m'avais jetée...Non, tu ne m'aimes pas (Carmen, José)
Turandot, SC 91, Act I: Signore ascolta! (Liù)
La traviata, Act I: Un dì felice (Alfredo, Violetta, Gastone)
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Lakmé, Act I: Flower Duet, Dôme épais le jasmin (Lakmé, Mallika)
Le Nozze di Figaro, K. 492, Act II: Porgi amor (La Comtessa)
Don Giovanni, K. 527, Act I: Dalla sua pace (Don Ottavio)
Il barbiere di Siviglia, Act I: Una voce poco fa (Rosina)
Rinaldo, HWV 7a, Act II: Lascia ch'io pianga (Almirena)
Orphée et Eurydice, Wq. 41, Act IV: J'ai perdu mon Eurydice (Orfeo)
Orchestre national de la radiodiffusion française
Don Giovanni, K. 527, Act II: Deh vieni alla fenestra (Don Giovanni)
La rondine, Act I: Chi il bel sogno di Doretta (Magda)
Die lustige Witwe, Act II: Vilja-Lied (Hanna)
Tosca, SC 69, Act III: E lucevan le stelle (Cavaradossi)
Tristan und Isolde, WWV 90, Act III: Mild und leise wie er lächelt (Isolde)
Agrippina, HWV 6, Act II: Voi che udite il mio lamento (Ottone)
Ariodante HWV 33, Act III: Aria. Neghittosi, or voi che fate?
Giulio Cesare in Egitto, HWV 17, Act III, Scene 7: Voi che mie fide ancelle
Il re pastore, K. 208, Act II: Voi che fausti ognor donate (Alessandro)
Serse, HWV 40, Act I, Scene 2 & 3: Arioso e Recitativo - O voi che penate (Romilda, Arsamene, Elviro, Serse)
Great Composers in Words & Music: Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492: Sull'aria (Excerpt)
Minuet in G Major, K. 1 (Arr. E. Fischer for Piano) [Excerpt]
La finta semplice, K. 51: Sinfonia (Excerpt)
Symphony No. 24 in B-Flat Major, K. 182: II. Andantino grazioso (Excerpt)
Another Work That Stands Out Among Mozart’s Early Repertoire
Missa solemnis in C Minor, K. 139 "Waisenhausmesse": I. Kyrie (Excerpt)
Returning to Salzburg After His Three Italian Sojourns
Symphony No. 25 in G Minor, K. 183: I. Allegro con brio (Excerpt)
Piano Sonata No. 7 in C Major, K. 309: II. Andante un poco adagio (Excerpt)
Symphony No. 31 in D Major, K. 297 "Paris": III. Allegro (Excerpt)
Happiness, However Soon Turned to Despair
Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile (Excerpt)
Mass in C Major, K. 317 "Krönungsmesse" (Excerpts): II. Gloria [Excerpt]
Over Time, Mozart Appears to Have Played
Concert Rondo in D Major, K. 382 (Excerpt)
Mozart’s Keyboard Playing Was Widely Recognised
Die Entführung aus dem Serail, K. 384: Martern von aller Arten (Excerpt)
String Quartet No. 16 in E-Flat Major, K. 428: II. Andante con moto (Excerpt)
While Instrumental Genres and Chamber Music
Le nozze di Figaro, K. 492: La vendetta, oh, la vendetta! (Excerpt)
There Are Reports of Encores at the First Performances
Don Giovanni, K. 527: Don Giovanni, a cenar teco (Excerpt)
On Returning to Vienna, Mozart Received Good News
Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro vivace (Excerpt)
Così fan tutte, K. 588: Come scoglio (Excerpt)
Besides Così, Mozart Completed Relatively Few Compositions
Die Zauberflöte, K. 620: Der, welcher wandert diese Strasse voll Beschwerden (Excerpt)
The Magic Flute Was Not Mozart’s Only Stage Work of 1791
Clarinet Concerto in A Major, K. 622: II. Adagio (Excerpt)
The Clarinet Concerto Marked Mozart’s Farewell
Requiem in D Minor, K. 626: II. Kyrie (Excerpt)
Having Become Ill Towards the End of November
Mass in C Major, K. 317 "Krönungsmesse" (Excerpts): Sanctus [Excerpt]
Mozart: Zauberflöte (Die) (The Magic Flute)
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Die Zauberflöte, K. 620, Act II: Dialog - Eine schreckliche Nacht!
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Die Zauberflöte, K. 620, Act II No. 11: Duett - Bewahret euch vor Weibertucken
Die Zauberflöte, K. 620, Act I: Dialog - Wo bin ich?
Die Zauberflöte, K. 620, Act II: Dialog - He, Lichter her!
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Die Zauberflöte, K. 620, Act II No. 12: Quintett - Wie? Wie? Wie?
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Die Zauberflöte, K. 620, Act I: Dialog - He da!
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Die Zauberflöte, K. 620, Act II: Dialog - Jungling!
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Die Zauberflöte, K. 620, Act I: Dialog - Ruste dich mit Mut und Standhaftigkeit
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Die Zauberflöte, K. 620, Act II: Dialog - Zuruck!
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Die Zauberflöte, K. 620, Act I: Dialog - Ist's denn auch Wirklichkeit, was ich sah?
Die Zauberflöte, K. 620, Act II: Dialog - Morden soll ich?
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Die Zauberflöte, K. 620, Act I No. 6: Terzett - Du feines Taubchen, nur herein!
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Die Zauberflöte, K. 620, Act II: Dialog - Hier seid ihr euch beide allein uberlassen
Die Zauberflöte, K. 620, Act I: Dialog - Mutter, Mutter!
Die Zauberflöte, K. 620, Act II No. 16: Terzett - Seid uns zum zweiten Mal willkommen
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Die Zauberflöte, K. 620, Act II: Dialog - Tamino, wollen wir nicht speisen?
Die Zauberflöte, K. 620, Act I No. 8: Finale - Zum Ziele fuhrt dich diese Bahn
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Die Zauberflöte, K. 620, Act I: Rezitativ - Die Weisheitslehre dieser Knaben
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Die Zauberflöte, K. 620, Act II: Dialog - Nicht wahr, Tamino, ich kann auch schweigen
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Die Zauberflöte, K. 620, Act II No. 18: Chor der Priester - O, Isis und Osiris, welche Wonne!
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Die Zauberflöte, K. 620, Act II: Dialog - Prinz, dein Betragen war bis hierher mannlich und gelassen
Die Zauberflöte, K. 620, Act I: Allegro maestoso - Es lebe Sarastro, Sarastro lebe!
Die Zauberflöte, K. 620, Act II No. 19: Terzett - Soll ich dich, Teurer, nicht mehr sehn?
Die Zauberflöte, K. 620, Act I: Allegro - Na, stolzer Jungling, nur hierher!
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Die Zauberflöte, K. 620, Act II: Dialog - Tamino! Tamino!
Die Zauberflöte, K. 620, Act I: Presto - Wenn Tugend und Gerechtigkeit
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Die Zauberflöte, K. 620, Act II: Dialog - Da bin ich schon, mein Engel!
Die Zauberflöte, K. 620, Act II: Dialog - Ihr, in dem Weisheitstempel eingeweihten
Die Zauberflöte, K. 620, Act II No. 21: Finale - Bald prangt, den Morgen zu verkunden
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Die Zauberflöte, K. 620, Act II: Adagio - Der, welcher wandert diese Strasse voll Beschwerden
Die Zauberflöte, K. 620, Act II: Andante - Tamino mein!
Die Zauberflöte, K. 620, Act II: Marsch. Adagio - Wir wandelten durch Feuersgluten
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Die Zauberflöte, K. 620, Act II: Allegro - Papagena! Papagena! Papagena!
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Don Carlo - 1886 Modena version / Act 1: "Su, cacciator!"
Chorus of the Royal Opera House, Covent Garden
Orchestra of the Royal Opera House, Covent Garden
Don Carlo - 1886 Modena version / Act 2: "Io vengo a domandar grazia mia Regina"
Don Carlo - 1886 Modena version / Act 4: "Ella giammai m'amò!"
Don Carlo - 1886 Modena version / Act 1: "Fontainebleau! Foresta immensa e solitaria!"
Don Carlo - 1886 Modena version / Act 2: "I Re!"
Don Carlo - 1886 Modena version / Act 4: "Il Grande Inquisitor!"
Don Carlo - 1886 Modena version / Act 1: "Io la vidi e al suo sorriso"
Don Carlo - 1886 Modena version / Act 2: "Non piangar, mia compagna"
Don Carlo - 1886 Modena version / Act 4: "Nell'ispano suol mai l'eresia dominò"
Don Carlo - 1886 Modena version / Act 1: "Il suon del corno alfin nel bosco tace"
Don Carlo - 1886 Modena version / Act 2: "Restate!"
Don Carlo - 1886 Modena version / Act 4: "Giustizia!"
Don Carlo - 1886 Modena version / Act 1: "Al mio piè, perché?"
Don Carlo - 1886 Modena version / Act 2: "Signor, di Fiandra arrivo"
Don Carlo - 1886 Modena version / Act 4: "Ah! sii maledetto, sospetto fatale"
Don Carlo - 1886 Modena version / Act 1: "Di qual amor, di quant'ardor"
Don Carlo - 1886 Modena version / Act 2: "Osò lo sguardo tuo penetrar il mio soglio"
Don Carlo - 1886 Modena version / Act 4: "Pietà! perdon! per la rea che si pente"
Don Carlo - 1886 Modena version / Act 1: "Al fedel ch'ora viene, o signora"
Don Carlo - 1886 Modena version / Act 3: Preludio
Don Carlo - 1886 Modena version / Act 4: "O don fatale"
Don Carlo - 1886 Modena version / Act 1: "L'ora fatale è suonata!"
Don Carlo - 1886 Modena version / Act 3: "A mezzanotte, ai giardin della Regina"
Don Carlo - 1886 Modena version / Act 4: "Son io, mio Carlo"
Don Carlo - 1886 Modena version / Act 1: "Inni di festa lieti echeggiate"
Don Carlo - 1886 Modena version / Act 3: "Al mio furor sfuggitte invano"
Don Carlo - 1886 Modena version / Act 4: "Per me giunto è il di supremo"
Don Carlo - 1886 Modena version / Act 1: "Il glorioso Re di Francia, il grande Enrico"
Don Carlo - 1886 Modena version / Act 3: "Spuntato ecco il di d'esultanza"
Don Carlo - 1886 Modena version / Act 4: "O Carlo, ascolta"
Don Carlo - 1886 Modena version / Act 2: "Carlo il sommo Imperatore"
Don Carlo - 1886 Modena version / Act 3: "Sire, no, l'ora estrema"
Don Carlo - 1886 Modena version / Act 4: "Mio Carlo, a te la spada io rendo!"
Don Carlo - 1886 Modena version / Act 2: "Al chiostro di San Giusto ove finì la vita"
Don Carlo - 1886 Modena version / Act 3: "Sire! egli è tempo ch'io viva!"
Don Carlo - 1886 Modena version / Act 5: "Tu che le vanità"
Don Carlo - 1886 Modena version / Act 2: "E lui! desso! l'Infante!"
Don Carlo - 1886 Modena version / Act 5: "Francia, nobile suol, si caro ai miei verd'anni!"
Don Carlo - 1886 Modena version / Act 2: "Dio, che nell'alma infodere"
Don Carlo - 1886 Modena version / Act 5: "E dessa!"
Don Carlo - 1886 Modena version / Act 2: "Sotto ai folti, immensi abeti"
Don Carlo - 1886 Modena version / Act 5: "Ma lassù ci vedremo in un mondo migliore"
Don Carlo - 1886 Modena version / Act 2: "Nei giardin del bello"
Don Carlo - 1886 Modena version / Act 5: "Si, per sempre!"
Don Carlo - 1886 Modena version / Act 2: "La Regina!"
Brahms: Ein deutsches Requiem (Wolfgang Holzmair – The Philips Recitals, Vol. 13)
Ein deutsches Requiem, Op. 45: 1. "Selig sind, die da Leid tragen"
Ein deutsches Requiem, Op. 45: 2. "Denn alles Fleisch, es ist wie Gras"
Ein deutsches Requiem, Op. 45: 3. "Herr, lehre doch mich"
Ein deutsches Requiem, Op. 45: 4. "Wie lieblich sind deine Wohnungen, Herr Zebaoth!"
Ein deutsches Requiem, Op. 45: 5. "Ihr habt nun Traurigkeit"
Ein deutsches Requiem, Op. 45: 6. "Denn wir haben hie keine bleibende Statt"
Ein deutsches Requiem, Op. 45: 7. "Selig sind die Toten, die in dem Herrn sterben"
Mozart: Great Mass in C Minor "Grosse Messe"
Mass in C Minor, K. 427 "Grosse Messe" (Ed. H.C. Robbins Landon): I. Kyrie
Mass in C Minor, K. 427 "Grosse Messe" (Ed. H.C. Robbins Landon): II. Gloria: a. Gloria in excelsis Deo
Mass in C Minor, K. 427 "Grosse Messe" (Ed. H.C. Robbins Landon): II. Gloria: c. Gratias agimus tibi
Mass in C Minor, K. 427 "Grosse Messe" (Ed. H.C. Robbins Landon): II. Gloria: e. Qui tollis peccata mundi
Mass in C Minor, K. 427 "Grosse Messe" (Ed. H.C. Robbins Landon): II. Gloria: f. Quoniam tu solus
Mass in C Minor, K. 427 "Grosse Messe" (Ed. H.C. Robbins Landon): II. Gloria: g. Jesu Christe – h. Cum sancto spiritu
Mass in C Minor, K. 427 "Grosse Messe" (Ed. H.C. Robbins Landon): III. Credo: a. Credo in unum Deum
Mass in C Minor, K. 427 "Grosse Messe" (Ed. H.C. Robbins Landon): III. Credo: b. Et incarnatus est
Mass in C Minor, K. 427 "Grosse Messe" (Ed. H.C. Robbins Landon): IV. Sanctus: a. Sanctus
Mass in C Minor, K. 427 "Grosse Messe" (Ed. H.C. Robbins Landon): IV. Sanctus: b. Osanna
Mass in C Minor, K. 427 "Grosse Messe" (Ed. H.C. Robbins Landon): V. Benedictus: a. Benedictus
Mass in C Minor, K. 427 "Grosse Messe" (Ed. H.C. Robbins Landon): V. Benedictus: b. Osanna
Handel: Serse, HWV 40, Act 2, Scene 1: Arioso. "Speranze mie fermate" (Amastre)
Handel: Serse, HWV 40, Act 2, Scene 1: Arietta. "Ah! chi voler fiora" (Elviro)
Handel: Serse, HWV 40, Act 1, Scene 1: Accompagnato. "Frondi tenere" (Serse)
Handel: Serse, HWV 40, Act 2, Scene 1: Recitativo. "E chi di rebbe mai" (Elviro, Amastre)
Handel: Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse)
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Handel: Serse, HWV 40, Act 2, Scene 1: Aria. "Or che siete speranze tradite" (Amastre)
Handel: Serse, HWV 40, Act 1, Scene 2: Recitativo. "Siam giunti, Elviro" (Elviro, Arsamene)
Handel: Serse, HWV 40, Act 2, Scene 2: Recitativo. "Quel curioso è partito" (Elviro)
Handel: Serse, HWV 40, Act 1, Scene 2: Sinfonia - Recitativo. "Sento un soave concento" (Arsamene, Elviro)
Handel: Serse, HWV 40, Act 2, Scene 2: Arioso. "A piangere ogn'ora Amor mi destinà" (Atalanta)
Handel: Serse, HWV 40, Act 1, Scene 2: Arioso e Recitativo. "O voi che penate!" - "Un Serse mirate" (Romilda, Arsamene, Elviro, Serse)
Handel: Serse, HWV 40, Act 2, Scene 2: Arietta. "Ah! Tigre infedele" (Elviro)
Handel: Serse, HWV 40, Act 1, Scene 3: Recitativo. "Arsamene. Mio Sire?" (Serse, Arsamene)
Handel: Serse, HWV 40, Act 2, Scene 2: Recitativo. "Parti, il re s'avvicina" (Atalanta, Elviro)
Handel: Serse, HWV 40, Act 1, Scene 3: Aria. "Và godendo vezzoso e bello" (Romilda)
Handel: Serse, HWV 40, Act 2, Scene 3: Recitativo. "Con questo foglio" (Atalanta)
Handel: Serse, HWV 40, Act 1, Scene 3: Recitativo. "Quel canto a un bel amor" (Serse, Arsamene)
Handel: Serse, HWV 40, Act 2, Scene 3: Arioso. "È tormento troppo fiero" (Serse)
Handel: Serse, HWV 40, Act 1, Scene 3: Aria. "Io le dirò che l'amo" - "Tu le dirai che l'ami" (Serse, Arsamene)
Handel: Serse, HWV 40, Act 2, Scene 3: Recitativo. "Di quel foglio, Atalanta" (Serse, Atalanta)
Handel: Serse, HWV 40, Act 1, Scene 4: Recitativo. "Arsamene! Romilda, oh Dei!" (Romilda, Arsamene, Atalanta)
Handel: Serse, HWV 40, Act 2, Scene 3: Aria. "Dirà che amor per me piagato" (Atalanta)
Handel: Serse, HWV 40, Act 1, Scene 4: Aria. "Sì, sì, mio ben, sì, sì" (Atalanta)
Handel: Serse, HWV 40, Act 2, Scene 3: Recitativo. "Voi quel foglio lasciate" (Serse, Atalanta)
Handel: Serse, HWV 40, Act 1, Scene 4: Recitativo. "Presto, Signor" (Elviro, Arsamene)
Handel: Serse, HWV 40, Act 2, Scene 3: Aria. "Dirà che non m'amò" (Atalanta)
Handel: Serse, HWV 40, Act 1, Scene 5: Recitativo. "Come, qui, Principessa" (Serse, Romilda, Arsamene, Elviro)
Handel: Serse, HWV 40, Act 1, Scene 5: Aria. "Meglio in voi col mio partire" (Arsamene)
Handel: Serse, HWV 40, Act 1, Scene 6: Recitativo. "Bellissima Romilda" (Serse)
Handel: Serse, HWV 40, Act 1, Scene 6: Aria. "Di tacere e di schernirmi" (Serse)
Handel: Serse, HWV 40, Act 1, Scene 7: Recitativo. "Aspide sono" (Romilda)
Handel: Serse, HWV 40, Act 1, Scene 7: Aria. "Nè men con l'ombre" (Romilda)
Handel: Serse, HWV 40, Act 1, Scene 8: Aria. "Se cangio spoglia" (Amastre)
Handel: Serse, HWV 40, Act 1, Scene 9: Recitativo. "Pugnammo, amici" (Ariodate, Amastre)
Handel: Serse, HWV 40, Act 1, Scene 10: Coro. "Già la tromba, che chiamo" (Chorus)
Handel: Serse, HWV 40, Act 1, Scene 10: Recitativo. "Ecco Serse, o che volto" (Amastre, Serse, Ariodate)
Handel: Serse, HWV 40, Act 1, Scene 10: Aria. "Soggetto al mio volere" (Ariodate)
Handel: Serse, HWV 40, Act 1, Scene 11: Recitativo. "Queste vittorie, io credo" (Serse, Amastre)
Handel: Serse, HWV 40, Act 1, Scene 11: Aria. "Più che penso alle fiamme" (Serse)
Handel: Serse, HWV 40, Act 1, Scene 12: Recitativo. "Eccoti il foglio, Elviro" (Arsamene, Elviro)
Handel: Serse, HWV 40, Act 1, Scene 12: Arietta. "Signor, Signor, lasciate far a me" (Elviro)
Handel: Serse, HWV 40, Act 1, Scene 12: Aria. "Non so se sia la speme" (Arsamene)
Handel: Serse, HWV 40, Act 1, Scene 13: Recitativo. "Tradir di reggia sposa" (Amastre)
Handel: Serse, HWV 40, Act 1, Scene 13: Aria. "Saprà delle mie offese" (Amastre)
Handel: Serse, HWV 40, Act 1, Scene 14: Recitativo. "Al fin sarete sposa" (Atalanta, Romilda)
Handel: Serse, HWV 40, Act 1, Scene 14: Aria. "Se l'idol mio rapir mi vuoi" (Romilda)
Handel: Serse, HWV 40, Act 1, Scene 15: Recitativo. "Per rapir quel tesoro" (Atalanta)
Handel: Serse, HWV 40, Act 1, Scene 15: Aria. "Un cenno leggiadretto" (Atalanta)
Requiem in D Minor, K. 626: Requiem KV 626: Introitus
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Ein deutsches Requiem, Op. 45: Ihr habt nun Traurigkeit
Die Schöpfung (The Creation), H. 21/2, (Oratorio): Stimmt an die Saiten
Stabat Mater, P. 77: I. Stabat mater dolorosa
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Cantata No. 202 "Wedding": Und dieses ist das Glücke - Sich üben im Lieben
Mass in C Major, K. 317 "Coronation Mass": Agnus Dei, Dona Nobis Pacem
Ein deutsches Requiem, Op. 45: Herr, lehre doch mich
Die Zauberflote (The Magic Flute), K. 620, Act Ii: Ach, Ich Fuhl's (Pamina)
Orfeo Ed Euridice: Dance Of The Blessed Spirits (Paris version)
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Lakme: Lakme: Viens, Mallika... Dome Epais, "Flower Duet"
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Martha [Italian]: Martha: M'appari, Tutt'amor
La Traviata: La Traviata: Prelude To Act III
La Forza Del Destino: Pace, Pace Mio Dio
Tamerlano - Act 2: Recit: Amico, tengo un testimon
Tamerlano - Act 3: Recit: Figlia, siam rei
Tamerlano - Act 2: Aria: Bella gara che faranno
Tamerlano - Act 1: Recit: Esci, esci o Signore
Tamerlano - Act 2: Recit: Qui l'infedel!
Tamerlano - Act 3: Recit: Andronico, il mio amore
Tamerlano - Act 2: Aria: Non È più tempo no
Tamerlano - Act 2: Recit: Ah no! dove trascorri
Tamerlano - Act 3: Aria: A dispetto d'un volto ingrato
Tamerlano - Act 1: Aria: Forte e lieto a morte
Tamerlano - Act 2: Aria: Cerco in vano di placare
Tamerlano - Act 3: Recit: L'empietà de' ministri
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Tamerlano - Act 1: Recit: Non si perda di vista
Tamerlano - Act 2: Recit: Signor, vergine illustre
Tamerlano - Act 1: Aria: Vuò dar pace a un'alma
Tamerlano - Act 2: Recit: Senti, chiunque tu sia
Tamerlano - Act 1: Recit: Il Tartaro ama Asteria
Tamerlano - Act 2: Recit: Non si perda di vista
Tamerlano - Act 2: Aria: Par che minasca in seno
Tamerlano - Act 1: Recit: No È più tempo, Asteria
Tamerlano - Act 2: Recit: Dov'e mia figlia
Tamerlano - Act 1: Recit: Serve Asteria de prezzo
Tamerlano - Act 2: Aria: A suoi piedi padre esangue
Tamerlano - Act 1: Aria: S'ei non mi vuol amar
Tamerlano - Act 1: Recit: Non ascolto più nulla
Tamerlano - Act 2: Recit: E per lei vengo
Tamerlano - Act 1: Aria: Ciel e terra armi di sdegno
Tamerlano - Act 1: Recit: Asteria, non parlate?
Tamerlano - Act 1: Aria: Deh, lasciatemi il nemico
Tamerlano - Act 2: Arietta: No, no, il tuo sdegno
Tamerlano - Act 2: Recit: Andronico, son più l'infida
Tamerlano - Act 1: Aria: Dal crudel che m'ha tradita
Tamerlano - Act 2: Arietta: No, che del tuo gran cor
Tamerlano - Act 1: Recit: Chi vide mai più sventurato
Tamerlano - Act 2: Recit: Amica, son quella superba
Tamerlano - Act 1: Aria: Benchè mi sprezzi
Tamerlano - Act 2: Arietta: Non, che sei tanto constante
Tamerlano - Act 2: Recit: Sì, sì,son vendicata
Overture (Suite) No. 3 in D Major, BWV 1068: Air (Se7en)
Preludes, Book 1: Les sons et les parfums tournent dans l'air du soir (The Usual Suspects)
Goldbergvariationen, BWV 988: Aria (Der englische Patient): Aria (The Silence Of The Lambs)
Tosca: Tosca, Act II: Vissi d'arte (Copycat)
Il barbiere di Siviglia (The Barber of Seville): Largo al factotum (Copycat)
Il salmo Miserere mei Deus: Miserere (Face - Off)
24 Preludes, Op. 28: Prelude No. 15, 'Raindrop' (Face - Off)
Die Zauberflote (The Magic Flute), K. 620, Act I: Ach ich fuhl's (Face - Off)
Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, "Moonlight": I. Adagio sostenuto (Misery)
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Symphonie fantastique, Op. 14: Reveries - Passions (Sleeping With The Enemy)
March and Canzona in C Minor, Z. 860: March (A Clockwork Orange)
Sinfonie Nr. 9 d-Moll, Op. 125: 4. Finale: Presto - Allegro assai (Uhrwerk Orange): Symphony No. 9 In, 'Choral'
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix"
Il barbiere di Siviglia / Act I: Cavatina: "Una voce poco fa" - "Io sono docile"
Pique Dame (Pikovaya Dama), Op. 68, TH.10 / Act 3: "Uzh polnoch blizitsya"
Il barbiere di Siviglia / Act I: Duetto: "Dunque io son... Tu non m'inganni?"
Eugene Onegin, Op. 24, TH.5 / Act 1: "Kak ya lyublyu pod zvuki pesen etikh...Uzh kak po mostu, mostochku"
Serse, HWV 40 / Act 1: "Frondi tenere e belle" - "Ombra mai fù"
The Maid Of Orléans, TH 6: "The time has come! - Farewell to you"
La forza del destino / Act 2: "Al suon del tamburo"
Pique Dame, Op. 68, TH.10 / Act 1: "Uzh vecher"
La forza del destino / Act 3: "Rataplan!"
Once Again, As Before, I Am Alone, Op. 73, TH 109, No. 6
The Endearing Image of You, so very Charming
Semiramide / Act 1: "Ah! Quel giorno ognor rammento"
Boris Godounov / Act 3: Ruzya, I do not need you today-How tediously...
La Gioconda / Act 1: "Voce di donna o d'angelo"
Khovanshchina / Act 2: "Postav'!" "Sily potajnye"
Samson et Dalila, Op. 47, R. 288 / Act 2: "Samson, recherchant ma présence"
Prince Igor / Act 1: Cavatina: "Merknet svet dnevnoj"
Samson et Dalila, Op. 47, R. 288 / Act II: J'ai gravi la montagne
Prince Igor / Act 1: Duet: "Ty li, Vladimir moj"
Roméo et Juliette, Op. 17 / Part 1: "Heureux enfants aux coers de flamme"
The Clouds Begin to Scatter, Op. 42, No. 3
Dido and Aeneas, Z.626 / Act 3: "Thy hand, Belinda...When I am laid in earth"
La Cenerentola / Act 2: "Nacqui all'affanno e al pianto"
The Tsar's Bride / Act 2: Scene 5 "Vot do chego ya dozhila"
7 Canciones populares españolas: 1. El paño moruno
7 Canciones populares españolas: 3. Asturiana
7 Canciones populares españolas: 5. Nana
Vespers, Op. 37: II. "Blagoslovi dushe moya"
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Die Entfuhrung aus dem Serail, K. 384, Act I: Overture
Le nozze di Figaro, K. 492, Act II: Voi, che sapete
Don Giovanni, K. 527, Act II: Rondo: Non mi dir
Così fan tutte, K. 588: Cosi fan tutte, K. 588, Act I: Soave sia il vento
Le nozze di Figaro, K. 492, Act IV: Ecco qui la mia Susanna!
Don Giovanni, K. 527, Act II: Aria: Il mio tesoro intanto
Le nozze di Figaro, K. 492, Act IV: Tutto e tranquillo e placido
Don Giovanni, K. 527, Act I: Quartetto: Non ti fidar, o misera
Le nozze di Figaro, K. 492, Act II: Porgi amor
Le nozze di Figaro, K. 492, Act II: Aria: Un moto de gioia mi sento
Die Zauberflote, K. 620, Act I: Der Vogelfanger bin ich ja
Le nozze di Figaro, K. 492, Act III: Duettino: Canzonetta sull aria… Che soave zeffiretto
Così fan tutte, K. 588: Cosi fan tutte, K. 588, Act I: Aria: Un'aura amorosa
Don Giovanni, K. 527, Act I: Aria: Madamina, il catalogo e questo
Don Giovanni, K. 527, Act I: Aria: Ah! Fuggi il traditor!
Le nozze di Figaro, K. 492, Act III: Recitativo and Aria: E Susanna non vien! … Dove sono i bei momenti
Die Zauberflote, K. 620, Act II: Pa-Pa-Pa-Pa-Pa-Pa-Papagena!
Die Zauberflote, K. 620, Act I: Overture
Don Giovanni, K. 527, Act I: Aria: Or sai chi l'onore
Die Zauberflote, K. 620, Act II: Aria and Chorus: O Isis und Osiris
Don Giovanni, K. 527, Act I: Aria: Batti, batti, o bel Masetto
Die Zauberflote, K. 620, Act I: Ach ich fuhl's
Die Zauberflote, K. 620, Act II: Aria: Ein Madchen oder Weibchen wunscht Papageno sich!
Don Giovanni, K. 527, Act II: Terzetto: Ah taci ingiusto core
Don Giovanni, K. 527, Act I: Protegga il giusto cielo
Le nozze di Figaro, K. 492, Act I: Se vuol ballare
Le nozze di Figaro, K. 492, Act IV: Aria: Il capro e la capretta son sempre in amista
Così fan tutte, K. 588: Cosi fan tutte, K. 588, Act I: Aria: Come scoglio
Don Giovanni, K. 527, Act II: Deh! vieni alla finestra
Die Zauberflote, K. 620, Act II: Der Holle Rache...
Die Zauberflote, K. 620, Act I: Aria: Dies Bildnis ist bezaubernd schon
Così fan tutte, K. 588: Cosi fan tutte, K. 588, Act I: Aria: In uomini, in soldati
Die Zauberflote, K. 620, Act I: Duet: Bei Mannern, welche Liebe fuhlen
Don Giovanni, Act I: Aria: Fin ch'han dal vino
Don Giovanni, K. 527, Act II: Don Giovanni, a cenar teco
Don Giovanni, K. 527, Act II: Questo e il fin
No Me Gusta la Música Clásica Pero Lo Que Hay Aquí Si. Especial Niños
Piano Sonata in A Major, K. 331: III. Alla turca. Allegretto
Violin Concerto in E Minor, Op. 64: III. Allegretto ma non troppo - Allegro molto vivace
The Carnival of the Animals, R. 125: XIII. Le cygne (Arr. for Cello & 2 Pianos)
Carmina Burana: Fortuna imperatrix mundi: O Fortuna
Suite Bergamasque, L. 75 (Transcribed for Harp): III. Clair de lune
Die Zauberflöte, K. 620: Act II: Der Hölle Rache
Turandot - Opera in three Acts: Act III: Nessun dorma!
La traviata: Act I: Libiamo ne' lieti calici (Brindisi)
Orchestral Suite No. 2 in B Minor, BWV 1067: Menuet and Badinerie
Carmen: Act II: Nous avons en tête une affaire (Quintet)
Concerto for Oboe, 2 Violins, Viola and Continuo in D minor: Adagio
Concerto for Clarinet and Orchestra in A Major, K. 622: II. Adagio
Concerto No. 2 in B Minor for Double Bass and Orchestra: I. Allegro moderato
Concerto for Horn and Orchestra in E-Flat Major, K. 495: I. Allegro moderato
Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai
Symphony No. 9 in E Minor, Op. 95, B. 178 "From The New World": Allegro con fuoco
Suite No. 2 for Jazz Orchestra: VII. Waltz II
Mandolin Concerto in C Major, RV 425: III. Allegro
Piano Trio No. 2 in C Minor, Op. 66: III. Scherzo. Molto allegro quasi presto
Carnival of the Animals, R. 125: Fossils
Quintet, Op. 114 (D. 667) "Trout" in A Major: Theme: Andantino; Variations 1-5; Allegretto
A Guided Tour of the Classical Era, Vol. 2
Guitar Quintet in E Major, G. 446: I. Maestoso assai
Guitar Quintet in G Major, G. 450: IV. Allegretto
String Quintet in E Major, Op. 11, No. 5, G. 275: III. Minuetto
Cello Concerto in D Major, G. 479: I. Allegro
Cello Concerto in G Major, G. 480: II. Adagio
Cello Concerto in B-Flat Major, G. 482: I. Allegro moderato
Symphony No. 1 in C Major, "Die 4 Weltalter" (The 4 Ages of the World): Sinfonia No. 1 in C Major, "Die vier Weltalter" (The Four Ages of the World): I. Larghetto
Symphony No. 5 in D Major, "Die Versteinerung der Phineus und seiner Freunde" (The Petrification of Phineus and his friends): Sinfonia No. 5 in D Major, "Die Versteinerung des Phineus und sei
Symphony in A Major, Grave A10, "Sinfonia nazionale nel gusto di 5 nazioni" (Flavor of 5 Nations): Sinfonia in A Major, Grave A10, "Sinfonia nazionale nel gusto di 5 nazioni" (Flavor of 5 Nat
Oboe Concerto in C Major: III. Siciliana (arr. Arthur Benjamin)
Keyboard Sonata in G Major, Op. 25, No. 2: 6 Piano Sonatas, Op. 25: No. 2 in G Major: I. Allegro con brio
Le nozze di Figaro (The Marriage of Figaro), K. 492: Sinfonia
Le nozze di Figaro (The Marriage of Figaro), K. 492: Act I: Aria: Non so piu cosa son faccio
Le nozze di Figaro (The Marriage of Figaro), K. 492: Act II: Arietta: Voi, che sapete
Così fan tutte, K. 588: Act I: Trio: Soave sia il vento
Così fan tutte, K. 588: Act II: Benedetti i doppi conjugi
Don Giovanni, K. 527 [complete]: Act I: Duet: La ci darem la mano
Don Giovanni, K. 527 [complete]: Act I: Quartet: Non ti fidar, o misera
Don Giovanni, K. 527 [complete]: Act II: Don Giovanni, a cenar teco
Die Zauberflöte, K. 620: Act I: Aria: Der Vogelfanger bin ich ja
Die Zauberflöte, K. 620: Act II: Aria: Der Holle Rache kocht in meinem Herzen
Die Zauberflöte, K. 620: Act II: Aria: Ach, ich fuhl's, es ist verschwunden
Die Zauberflöte, K. 620: Act II: Papagena! Papagena! Papagena!
Mass No. 16 in C Major, K. 317, "Coronation Mass": Gloria
Requiem in D Minor, K. 626 (completed F.X. Sussmayr): Introit: Requiem aeternam
Requiem in D Minor, K. 626 (completed F.X. Sussmayr): Sequence: VI. Lacrimosa dies illa (completed by Sussmayr)
Symphony No. 36 in C Major, K. 425, "Linz": I. Adagio - Allegro spirituoso
Symphony No. 38 in D Major, K. 504, "Prague": II. Andante
Symphony No. 40 in G Minor, K. 550: I. Allegro molto
Symphony No. 41 in C Major, K. 551, "Jupiter": II. Andante cantabile
Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): Piano Concerto No. 21 in C Major, K. 467, "Elvira Madigan": I. Allegro maestoso
Piano Concerto No. 25 in C Major, K. 503: II. Andante
Piano Concerto No. 27 in B-Flat Major, K. 595: III. Allegro
Violin Concerto No. 3 in G Major, K. 216: I. Allegro
Violin Concerto No. 4 in D Major, K. 218: II. Andante cantabile
Violin Concerto No. 5 in A Major, K. 219: III. Tempo di menuetto
Sinfonia Concertante in E-Flat Major, K. 364: II. Andante
Horn Concerto No. 2 in E-Flat Major, K. 417: III. Rondo: Allegro
Amadeus Chamber Orchestra of Polish Radio
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": I. Allegro
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante
Clarinet Quintet in A Major, K. 581: II. Larghetto
Piano Quintet in E-Flat Major, K. 452: II. Larghetto
String Quartet No. 17 in B-Flat Major, K. 458, "Hunt": II. Menuetto: Moderato
String Quartet No. 19 in C Major, K. 465, "Dissonance": I. Adagio - Allegro
String Quartet No. 21 in D Major, K. 575, "Prussian No. 1": II. Andante
String Quartet No. 23 in F Major, K. 590, "Prussian No. 3": IV. Allegro
Piano Sonata No. 11 in A Major, K. 331: I. Theme and Variations: Andante grazioso
Piano Sonata No. 14 in C Minor, K. 457: II. Adagio
Spectacular Soprano: Best Loved Opera Arias
Roméo et Juliette, CG 9: Je veux vivre dans le rêve
Madama Butterfly, SC 74: Un bel dì vedremo
Les contes d'Hoffmann: Les oiseaux dans la charmille
La forza del destino: Pace, pace, mio Dio! (Live)
Die Zauberflöte, K. 620: Ach! Ich fühl's, es ist verschwunden
Gianni Schicchi, SC 88: O mio babbino caro
Pique Dame, Op. 68, TH 10: I Am Worn Out by Grief
Die Zauberflöte, K. 620: Der Hölle Rache kocht in meinem Herzen
La traviata (Excerpts): Addio, del passato bei sogni ridenti
La traviata (Excerpts): È strano! È strano!
Dido & Aeneas, Z. 626: When I Am Laid in Earth
Rusalka, Op. 114, B. 203: Měsíčku na nebi hlubokém
An der schonen, blauen Donau (The Beautiful Blue Danube), Op. 314 (Titanic)
Guillaume Tell (William Tell): William Tell Overture
Die Zauberflote (The Magic Flute), K. 620, Act II: Pamina's Aria (Face/ Off)
Piano Sonata No. 8 in C Minor, Op. 13, "Pathetique": II. Adagio cantabile (Jurassic Park 2: The Lost World)
Overture (Suite) No. 3 in D Major, BWV 1068: Air
Gianni Schicchi: O mio babbino caro (Zimmer mit Aussicht): O mio babbino caro
Piano Sonata No. 2 in B-Flat Minor, Op. 35, "Funeral March": March
The Hebrides, Op. 26, "Fingal's Cave" (L.A. Confidential)
Debussy: Le Martyre de Saint Sébastien (Recorded 1997)
Le Martyre de Saint Sébastien, L.124, Act I, La Cour des lys, No. 1: Prélude “Frère, que sera-t-il le monde” - Live
Le Martyre de Saint Sébastien, L.124, Act I, La Cour des lys, No. 2: "Sébastien!” - Live
Le Martyre de Saint Sébastien, L.124, Act I, La Cour des lys, No. 3: “Hymnes, toute l’ombre s’efface” - Live
Le Martyre de Saint Sébastien, L.124, Act II, La Chambre magique, No. 1: Prélude. Tres modéré - Live
Le Martyre de Saint Sébastien, L.124, Act II, La Chambre magique, No. 2: “Je fauchais l’épi de froment” - Live
Le Martyre de Saint Sébastien, L.124, Act II, La Chambre magique, No. 3: “Qui pleure mon enfant si doux” - Live
Le Martyre de Saint Sébastien, L.124, Act III, Le Concile des faux dieux, No. 1: Prélude - Live
Le Martyre de Saint Sébastien, L.124, Act III, Le Concile des faux dieux, Scene 2: Modéré - Live
Le Martyre de Saint Sébastien, L.124, Act III, Le Concile des faux dieux, No. 3: “Païan, Lyre d’or, Arc d’argent!” - Live
Le Martyre de Saint Sébastien, L.124, Act III, Le Concile des faux dieux, No. 4: “Avez-vous vu celui que j’aime?” - Live
Le Martyre de Saint Sébastien, L.124, Act III, Le Concile des faux dieux, No. 5: “Ne pleurez plus!” - Live
Le Martyre de Saint Sébastien, L.124, Act III, Le Concile des faux dieux, No. 6: “Io! Io! Adoniastes!” - Live
Le Martyre de Saint Sébastien, L.124, Act III, Le Concile des faux dieux, No. 7: “Il est mort, le bel Adonis” - Live
Le Martyre de Saint Sébastien, L.124, Act IV, Le Laurier blessé, No. 1: Prélude. Sombre et lent - Live
Le Martyre de Saint Sébastien, L.124, Act IV, Le Laurier blessé, No. 2: “Il est là, le Pasteur. Regardez” - Live
Le Martyre de Saint Sébastien, L.124, Act IV, Le Laurier blessé, No. 3: “Hélas!” - Live
Le Martyre de Saint Sébastien, L.124, Act V, Le Paradis, No. 1: Interlude. Modéré - Live
Le Martyre de Saint Sébastien, L.124, Act V, Le Paradis, No. 2: “Gloire!” - Live
The Independent Composers Book Series - Mozart
Bassoon Concerto in B-Flat Major, K. 191: I. Allegro
Bassoon Concerto in B-Flat Major, K. 191: II. Andante ma adagio
Bassoon Concerto in B-Flat Major, K. 191: III. Rondo (Tempo di menuetto)
The Marriage of Figaro, K. 492: Overture
The Marriage of Figaro, K. 492: Non piu andrai
Don Giovanni, K. 527: Madamina, il catalogo è questo
Così Fan Tutte, K. 588: "Soave sia il vento"
Slovak Philharmonic Orchestra, Capella Istropolitana
Così Fan Tutte, K. 588: "Un'aura amorosa"
Die Zauberflöte, K. 620: Der vogelfanger bin ich ja
Die Zauberflöte, K. 620: Der hölle rache
Die Zauberflöte, K. 620: Ach, ich fühl's
Requiem in D Minor, K. 626: III. Dies Irae
Gianni Schicchi: O mio babbino caro (O daddy dear)
Czecho-Slovak State Philharmonic Orchestra
Rusalka, Op. 114, Act I: O Silver Moon, "Song to the Moon"
Orphee et Euridice (Paris version): Orfeo ed Euridice: Reigen seliger Geister
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Madama Butterfly, Act II: Humming Chorus
Carmen: Carmen: Act II: La fleur que tu m'avais jetee
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Madama Butterfly, Act I: Bimba dagli occhi
La traviata, Act I: Libiamo, ne'lieti calici, "Brindisi"
Die Zauberflote (The Magic Flute), K. 620, Act II: Ach, ich fuhl's, es ist verschwunden (Pamina)
Don Giovanni, K. 527, Act I: Madamina!, il catalogo e questo, "Catalogue Aria"
Nabucco, Act III: Va, pensiero, "Chorus of Hebrew Slaves"