1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd3612d4eb504878d6fb174af67ad2f3340101f69d37cc5fd0ff06213942a9f6a. Chain 2 (Bitcoin): anchored in block 953407 (2026-06-12T19:24:56Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/ecb71af0-e239-42ee-9ecb-f7a296722352.json and https://artists.proofprofile.net/proofs/artist/ecb71af0-e239-42ee-9ecb-f7a296722352.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Beethoven: Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio
{"copyright_id":"0x6e879c47e89ebab1fa3c2d125a3f6b3b4330d23079625780e0c6a3dff9ca7004","isrc":"GBAYC0203305","name":"Beethoven: Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio","registered_at":"2026-06-06T09:50:27Z","spotify_id":"09fa61VXzIlN1e1cxsGsVX","type":"track"}
1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6e879c47e89ebab1fa3c2d125a3f6b3b4330d23079625780e0c6a3dff9ca7004. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/09fa61VXzIlN1e1cxsGsVX.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/09fa61VXzIlN1e1cxsGsVX.
Beethoven: Symphony No. 2 in D Major, Op. 36: I. Adagio - Allegro con brio
{"copyright_id":"0xcda470e9981602e5dd01d79bb3f8c23ddf0346ade1534e5a18970ff74eec468c","isrc":"GBAYC0203315","name":"Beethoven: Symphony No. 2 in D Major, Op. 36: I. Adagio - Allegro con brio","registered_at":"2026-06-07T06:42:57Z","spotify_id":"5owNg0Lb8hGgBvQo5DWVGY","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xcda470e9981602e5dd01d79bb3f8c23ddf0346ade1534e5a18970ff74eec468c. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5owNg0Lb8hGgBvQo5DWVGY.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5owNg0Lb8hGgBvQo5DWVGY.
Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace
{"copyright_id":"0x49c664a133e4b84771ad855f42d884cc0e9f86e7e150e500c25aec5144eb59ab","isrc":"GBAYC0203325","name":"Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace","registered_at":"2026-06-08T02:21:18Z","spotify_id":"7hBZSDkmffS5smWCOhwF3Y","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x49c664a133e4b84771ad855f42d884cc0e9f86e7e150e500c25aec5144eb59ab. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7hBZSDkmffS5smWCOhwF3Y.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7hBZSDkmffS5smWCOhwF3Y.
Beethoven: Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace
{"copyright_id":"0xa4333286a30adecd852aaab833bd69583379be0116b42585cd1c414192a66bd9","isrc":"GBAYC0203330","name":"Beethoven: Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace","registered_at":"2026-06-07T19:20:46Z","spotify_id":"2NLBb7vS6mAMUEDeeoZPeE","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa4333286a30adecd852aaab833bd69583379be0116b42585cd1c414192a66bd9. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2NLBb7vS6mAMUEDeeoZPeE.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2NLBb7vS6mAMUEDeeoZPeE.
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso
{"copyright_id":"0x3aebbd140af246c30602d40f31195f4a18bdfd6da00fdd4c3253b943b4122269","isrc":"GBAYC0202790","name":"Beethoven: Symphony No. 9 in D Minor, Op. 125 \"Choral\": I. Allegro ma non troppo, un poco maestoso","registered_at":"2026-06-07T19:20:58Z","spotify_id":"5TgZsKOvxJa2gL28giSpSQ","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3aebbd140af246c30602d40f31195f4a18bdfd6da00fdd4c3253b943b4122269. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5TgZsKOvxJa2gL28giSpSQ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5TgZsKOvxJa2gL28giSpSQ.
Beethoven: Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto
{"copyright_id":"0x87c23f4aa1c68d35328464d89666405836f24f733a64cce4d3138ef026f95334","isrc":"GBAYC0203306","name":"Beethoven: Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto","registered_at":"2026-06-06T23:07:11Z","spotify_id":"28a5QN2fW3Lb1TDbyUvhhz","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x87c23f4aa1c68d35328464d89666405836f24f733a64cce4d3138ef026f95334. Chain 2 (Bitcoin): anchored in block 953515 (2026-06-13T12:53:06Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/28a5QN2fW3Lb1TDbyUvhhz.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/28a5QN2fW3Lb1TDbyUvhhz.
Beethoven: Symphony No. 2 in D Major, Op. 36: II. Larghetto
{"copyright_id":"0x85b5605f8dded63493ead91e1eec8d8a6ed2017088c0af5143e0b9d84e6c7a4a","isrc":"GBAYC0203316","name":"Beethoven: Symphony No. 2 in D Major, Op. 36: II. Larghetto","registered_at":"2026-06-08T02:23:43Z","spotify_id":"3vbyp4Wk3phDndxdWCjWWG","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x85b5605f8dded63493ead91e1eec8d8a6ed2017088c0af5143e0b9d84e6c7a4a. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3vbyp4Wk3phDndxdWCjWWG.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3vbyp4Wk3phDndxdWCjWWG.
Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio
{"copyright_id":"0x8c4b82831c2353f8a8fe26625f7d93c0cda0e30e8d107b83ec95d32d2ff50672","isrc":"GBAYC0203326","name":"Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio","registered_at":"2026-06-08T19:11:05Z","spotify_id":"23m6LpZRvwvGUm1xdzb7Vz","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x8c4b82831c2353f8a8fe26625f7d93c0cda0e30e8d107b83ec95d32d2ff50672. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/23m6LpZRvwvGUm1xdzb7Vz.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/23m6LpZRvwvGUm1xdzb7Vz.
Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto
{"copyright_id":"0x14a66b0dc6849f88224594e1ec739ca549cfd21d572f28b67dfdb6b4b05543b9","isrc":"GBAYC0203331","name":"Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto","registered_at":"2026-06-06T16:22:15Z","spotify_id":"1jYj9Z6fX68cLK0xr4znBF","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x14a66b0dc6849f88224594e1ec739ca549cfd21d572f28b67dfdb6b4b05543b9. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1jYj9Z6fX68cLK0xr4znBF.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1jYj9Z6fX68cLK0xr4znBF.
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Presto
{"copyright_id":"0x19c466e05bb0eb4f80e0109fd53c031eccd24b2e9407730e05452185ee843928","isrc":"GBAYC0202791","name":"Beethoven: Symphony No. 9 in D Minor, Op. 125 \"Choral\": II. Molto vivace - Presto","registered_at":"2026-06-08T02:28:13Z","spotify_id":"6ihAdkoMDK1xyrQCgH40mS","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x19c466e05bb0eb4f80e0109fd53c031eccd24b2e9407730e05452185ee843928. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6ihAdkoMDK1xyrQCgH40mS.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6ihAdkoMDK1xyrQCgH40mS.
Beethoven: Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace
{"copyright_id":"0x1c405940becf6cf71ab12178e498a7ec220d7e059db60a0f4c4484b3d118110d","isrc":"GBAYC0203307","name":"Beethoven: Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace","registered_at":"2026-06-06T23:11:18Z","spotify_id":"1mPbPOw1UYtCpECDWFbxpo","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1c405940becf6cf71ab12178e498a7ec220d7e059db60a0f4c4484b3d118110d. Chain 2 (Bitcoin): anchored in block 953515 (2026-06-13T12:53:06Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1mPbPOw1UYtCpECDWFbxpo.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1mPbPOw1UYtCpECDWFbxpo.
Beethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro
{"copyright_id":"0xa009b44b3df269b82a769e7f3346bb6053e533a332dc75fa9a4137b5825f10f0","isrc":"GBAYC0203317","name":"Beethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro","registered_at":"2026-06-04T12:18:07Z","spotify_id":"4ySqdQH0bhSzuGbBjeJrQm","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa009b44b3df269b82a769e7f3346bb6053e533a332dc75fa9a4137b5825f10f0. Chain 2 (Bitcoin): anchored in block 953513 (2026-06-13T12:47:07Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4ySqdQH0bhSzuGbBjeJrQm.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4ySqdQH0bhSzuGbBjeJrQm.
Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto. Allegro vivace
{"copyright_id":"0xaeb6783c8dd5cf47e18323bf9945747410b68edbfe7d2a7e0f7d7cb4d2d23d74","isrc":"GBAYC0203327","name":"Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto. Allegro vivace","registered_at":"2026-06-08T19:06:00Z","spotify_id":"4X0TP0xb3rLOIyiMve6hwM","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xaeb6783c8dd5cf47e18323bf9945747410b68edbfe7d2a7e0f7d7cb4d2d23d74. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4X0TP0xb3rLOIyiMve6hwM.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4X0TP0xb3rLOIyiMve6hwM.
Beethoven: Symphony No. 7 in A Major, Op. 92: III. Presto - Assai meno presto
{"copyright_id":"0x51d8e3efb41122a9abd3ee468686816c8078a753f2e7dc69036d68fae3eccd7b","isrc":"GBAYC0203332","name":"Beethoven: Symphony No. 7 in A Major, Op. 92: III. Presto - Assai meno presto","registered_at":"2026-06-08T10:02:17Z","spotify_id":"27OqUaqv5gkySS82WGepsA","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x51d8e3efb41122a9abd3ee468686816c8078a753f2e7dc69036d68fae3eccd7b. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/27OqUaqv5gkySS82WGepsA.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/27OqUaqv5gkySS82WGepsA.
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato
{"copyright_id":"0x906f4bda5ecaace774d15ce900757bc8926ee66944f0dae0d5ffa2caf0745072","isrc":"GBAYC0202792","name":"Beethoven: Symphony No. 9 in D Minor, Op. 125 \"Choral\": III. Adagio molto e cantabile - Andante moderato","registered_at":"2026-06-08T11:18:42Z","spotify_id":"6iAlAN0If5dh8wetCefhXP","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x906f4bda5ecaace774d15ce900757bc8926ee66944f0dae0d5ffa2caf0745072. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6iAlAN0If5dh8wetCefhXP.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6iAlAN0If5dh8wetCefhXP.
Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace
{"copyright_id":"0x60928810c61d37584c252afa909416ddac68dd871d353f845d7f8a659d34d7a1","isrc":"GBAYC0203308","name":"Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace","registered_at":"2026-06-07T06:45:28Z","spotify_id":"7B7Lnj7G1JwQBuXxQI9Tbt","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x60928810c61d37584c252afa909416ddac68dd871d353f845d7f8a659d34d7a1. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7B7Lnj7G1JwQBuXxQI9Tbt.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7B7Lnj7G1JwQBuXxQI9Tbt.
Beethoven: Symphony No. 2 in D Major, Op. 36: IV. Allegro molto
{"copyright_id":"0x3fe3138fb4b72bcb27694661f129032277251f45c41af75d8cdeabb7b859456d","isrc":"GBAYC0203318","name":"Beethoven: Symphony No. 2 in D Major, Op. 36: IV. Allegro molto","registered_at":"2026-06-06T23:17:07Z","spotify_id":"6WKXJwgtSdkDj3fRga7VWy","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3fe3138fb4b72bcb27694661f129032277251f45c41af75d8cdeabb7b859456d. Chain 2 (Bitcoin): anchored in block 953515 (2026-06-13T12:53:06Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6WKXJwgtSdkDj3fRga7VWy.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6WKXJwgtSdkDj3fRga7VWy.
Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo
{"copyright_id":"0x763860329adb5665cbb85bd64629d3b355d41c53022c0d1abcc4c79fa98a8026","isrc":"GBAYC0203328","name":"Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo","registered_at":"2026-06-08T19:03:35Z","spotify_id":"7cd0M7NEMoyvtMxt1l1qpE","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x763860329adb5665cbb85bd64629d3b355d41c53022c0d1abcc4c79fa98a8026. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7cd0M7NEMoyvtMxt1l1qpE.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7cd0M7NEMoyvtMxt1l1qpE.
Beethoven: Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio
{"copyright_id":"0x4a16b9d636908507ed88174453be151d86d81e64004b02149f49f30677eda645","isrc":"GBAYC0203333","name":"Beethoven: Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio","registered_at":"2026-06-08T19:13:46Z","spotify_id":"10ZVt6JlsbS4rZv1MoY9Xq","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x4a16b9d636908507ed88174453be151d86d81e64004b02149f49f30677eda645. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/10ZVt6JlsbS4rZv1MoY9Xq.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/10ZVt6JlsbS4rZv1MoY9Xq.
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (a) Presto - Allegro assai
{"copyright_id":"0xbeda5388c3a8e2e0003e82c4fbf3d5fc218e5d36ed08bbdc8b274966a4ee0be9","isrc":"GBAYC0202793","name":"Beethoven: Symphony No. 9 in D Minor, Op. 125 \"Choral\": IV. (a) Presto - Allegro assai","registered_at":"2026-06-08T19:06:32Z","spotify_id":"1zaZr9RVoKiKyXyivq1n22","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xbeda5388c3a8e2e0003e82c4fbf3d5fc218e5d36ed08bbdc8b274966a4ee0be9. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1zaZr9RVoKiKyXyivq1n22.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1zaZr9RVoKiKyXyivq1n22.
Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
{"copyright_id":"0xb36d337e81a7acc4c28fd958b3f531750517f6b76e0ec7ba86268a9d553f3501","isrc":"GBAYC0203320","name":"Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio","registered_at":"2026-06-06T23:16:31Z","spotify_id":"4mw5oRBKNBfNV0dXAOIcne","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb36d337e81a7acc4c28fd958b3f531750517f6b76e0ec7ba86268a9d553f3501. Chain 2 (Bitcoin): anchored in block 953515 (2026-06-13T12:53:06Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4mw5oRBKNBfNV0dXAOIcne.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4mw5oRBKNBfNV0dXAOIcne.
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio
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Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
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Beethoven: Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio
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Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": "O Freunde, nicht diese Töne!" (Ode to Joy)
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Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
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Beethoven: Symphony No. 5 in C Minor, Op. 67: II. Andante con moto
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Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene am Bach. Andante molto moto
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Beethoven: Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
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Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
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Beethoven: Symphony No. 5 in C Minor, Op. 67: III. Allegro -
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Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro
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Beethoven: Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto
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Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale. Allegro molto
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Beethoven: Symphony No. 5 in C Minor, Op. 67: IV. Allegro - Presto
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Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro -
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Beethoven: Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace
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Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
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Beethoven: Ode an die Freude - Sinfonie Nr. 9
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "O Freunde, nicht diese Töne!"
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Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo e un poco maestoso
Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace
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Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile
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Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto - Allegro assai (Except: Ode to Joy)
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The Sound of Simon Rattle and the Berliner Philharmoniker
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam
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Mahler: Symphony No. 9 in D Major: IV. Adagio. Sehr langsam und noch zurückhaltend
Mahler: Symphony No. 10 in F-Sharp Major: I. Adagio (1989 Cooke Version)
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (e) Langsam. Misterioso. "Aufersteh'n, ja aufersteh'n wirst du" - V. (f) Etwas bewegter. "O glaube, mein Herz !" - V. (g) Mit Aufschwung a
Holst: The Planets, Op. 32: I. Mars, the Bringer of War
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Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86
Tchaikovsky: The Nutcracker, Op. 71, Act 2: Divertissement
Brahms: 21 Hungarian Dances, WoO 1: No. 3 in F Major (Orchestral Version)
Orff: Carmina Burana, Pt. 1 "Uf dem Anger": Tanz
Stravinsky: Le Sacre du printemps, Tableau I "L'adoration de la Terre"
Rachmaninov: Symphonic Dances, Op. 45: I. Non allegro
Borodin: Prince Igor, Act 2: Polovtsian Dances (Instrumental Version)
Mussorgsky / Orch. Ravel: Pictures at an Exhibition: XI. The Knight's Gate in the Old Capital of Kiev
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Haydn: Symphony No. 88 in G Major, Hob. I:88: IV. Finale. Allegro con spirito
Schubert: Symphony No. 9 in C Major, D. 944 "The Great": IV. Finale. Allegro vivace
Brahms: Piano Quartet No. 1 in G Minor, Op. 25: IV. Rondo alla zingarese. Presto (Orch. Schoenberg)
Berlioz: Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro
Satie / Orch. Debussy: 3 Gymnopédies: No. 3, Lent et grave
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Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 3 in A-Flat Major
Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 4 in G Major
Ravel: Ma mère l'oye, M. 60: Le Jardin féerique
Cardenas: The Flower is a Key (A Rap for Mozart)
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Siegfried, WWV 86C, Act II: Prelude - Live
Siegfried, WWV 86C, Act III: Prelude - Live
Siegfried, WWV 86C, Act I Scene 1: Zwangvolle Plage! Muh' ohne Zweck! - Live
Siegfried, WWV 86C, Act II Scene 1: In Wald und Nacht vor Neidhöhl' halt' ich Wacht - Live
Siegfried, WWV 86C, Act III Scene 1: Wache, Wala! Wala! Erwach'! - Live
Siegfried, WWV 86C, Act I Scene 1: Hoiho! Hoiho! Hau' ein! Hau' ein! - Live
Siegfried, WWV 86C, Act II Scene 1: Wer naht dort schimmernd im Schatten? - Live
Siegfried, WWV 86C, Act III Scene 1: Stark ruft das Lied - Live
Siegfried, WWV 86C, Act I Scene 1: Da hast du die Stücken, schändlicher Stümper - Live
Siegfried, WWV 86C, Act II Scene 1: Mit Mime rang' ich allein um den Ring? - Live
Siegfried, WWV 86C, Act III Scene 1: Mein Schlaf ist Träumen - Live
Siegfried, WWV 86C, Act I Scene 1: Als zullendes Kind zog ich dich auf - Live
Siegfried, WWV 86C, Act II Scene 2: Wir sind zur Stelle, bleib' hier steh'n! - Live
Siegfried, WWV 86C, Act III Scene 1: Wirr wird mir, seit ich erwacht - Live
Siegfried, WWV 86C, Act I Scene 1: Es sangen die Vöglein so selig im Lenz - Live
Siegfried, WWV 86C, Act II Scene 2: Dass der mein Vater nicht ist - Live
Siegfried, WWV 86C, Act III Scene 1: Weißt du, was Wotan will? - Live
Siegfried, WWV 86C, Act I Scene 1: Einst lag wimmernd ein Weib - Live
Siegfried, WWV 86C, Act II Scene 2: Siegfrieds hornruf - Dass der mein Vater nicht ist - Live
Siegfried, WWV 86C, Act III Scene 2: Dort seh' ich Siegfried nah'n - Live
Siegfried, WWV 86C, Act I Scene 1: Und diese Stücke sollst du mir schmieden - Live
Siegfried, WWV 86C, Act II Scene 2: Wer bist du, kühner Knabe - Live
Siegfried, WWV 86C, Act III Scene 2: Was lach'st du mich aus? - Live
Siegfried, WWV 86C, Act I Scene 1: Da stürmt er hin! - Live
Siegfried, WWV 86C, Act II Scene 2: Ist mir doch fast, als sprächen die Vöglein zu mir? - Live
Siegfried, WWV 86C, Act III Scene 2: Bleibst du mir stumm, störrischer Wicht? - Live
Siegfried, WWV 86C, Act I Scene 2: Heil dir, weiser Schmied! - Live
Siegfried, WWV 86C, Act II Scene 3: Wohin schleichst du eilig und schlau - Live
Siegfried, WWV 86C: Orchesterzwischenspiel - Live
Siegfried, WWV 86C, Act I Scene 2: Wie werd' ich den lauernden los? - Live
Siegfried, WWV 86C, Act II Scene 3: Willkommen, Siegfried! Sag', du kühner - Live
Siegfried, WWV 86C, Act III Scene 3: Selige Öde auf sonniger Höh'! - Live
Siegfried, WWV 86C, Act I Scene 2: Nun rede, weiser Zwerg! - Live
Siegfried, WWV 86C, Act II Scene 3: Neides Zoll zahlt Nothung - Live
Siegfried, WWV 86C, Act III Scene 3: Das ist kein Mann! - Live
Siegfried, WWV 86C, Act I Scene 2: Nun, ehrlicher Zwerg, Sag' mir zum ersten - Live
Siegfried, WWV 86C, Act II Scene 3: Heiß ward mir von der harten Last - Live
Siegfried, WWV 86C, Act III Scene 3: Brünnhildes Erwachen - Live
Siegfried, WWV 86C, Act I Scene 3: Verfluchtes Licht! Was flammt dort die Luft? - Live
Siegfried, WWV 86C, Act II Scene 3: Nun sing! Ich lausche dem Gesang - Live
Siegfried, WWV 86C, Act III Scene 3: Heil dir, Sonne! Heil dir, Licht! - Live
Siegfried, WWV 86C, Act I Scene 3: Bist du es, Kind? Kommst du allein? - Live
Siegfried, WWV 86C, Act III Scene 3: O Siegfried! Siegfried! Seliger Held! - Live
Siegfried, WWV 86C, Act I Scene 3: Fühltest du nie im finstren Wald - Live
Siegfried, WWV 86C, Act III Scene 3: Dort seh' ich Grane - Live
Siegfried, WWV 86C, Act I Scene 3: Hättest du fleißig die Kunst gepflegt - Live
Siegfried, WWV 86C, Act I Scene 3: Notung! Notung! Neidliches Schwert! - Live
Siegfried, WWV 86C, Act I Scene 3: Hoho! Hoho! Hohei! - Live
Siegfried, WWV 86C, Act I Scene 3: Den der Bruder schuf, den schimmernden Reif - Live
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: I. Tempo molto moderato
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto
Sibelius: 2 Pieces from Kuolema, Op. 44: No. 2, Scene with Cranes
Sibelius: Symphony No. 2 in D Major, Op. 43: I. Allegretto
Sibelius: Symphony No. 2 in D Major, Op. 43: II. Tempo andante, ma rubato
Sibelius: Symphony No. 2 in D Major, Op. 43: III. Vivacissimo
Sibelius: Symphony No. 2 in D Major, Op. 43: IV. Finale. Allegro moderato
Sibelius: Violin Concerto in D Minor, Op. 47: I. Allegro moderato
Sibelius: Violin Concerto in D Minor, Op. 47: II. Adagio di molto
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto
Sibelius: Symphony No. 6 in D Minor, Op. 104: I. Allegro molto moderato
Sibelius: Symphony No. 6 in D Minor, Op. 104: II. Allegretto moderato
Sibelius: Symphony No. 6 in D Minor, Op. 104: III. Poco vivace
Sibelius: Symphony No. 6 in D Minor, Op. 104: IV. Allegro molto
Sibelius: Night Ride and Sunrise, Op. 55
Sibelius: Symphony No. 7 in C Major, Op. 105: I. Adagio
Sibelius: Symphony No. 7 in C Major, Op. 105: II. Un pochettino meno adagio - Vivacissimo - Adagio
Sibelius: Symphony No. 7 in C Major, Op. 105: III. Allegro molto moderato
Sibelius: Symphony No. 7 in C Major, Op. 105: IV. Vivace - Presto - Adagio
Sibelius: Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico
Sibelius: Symphony No. 1 in E Minor, Op. 39: II. Andante, ma non troppo lento
Sibelius: Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro
Sibelius: Symphony No. 1 in E Minor, Op. 39: IV. Finale, quasi una fantasia. Andante - Allegro molto
Sibelius: Symphony No. 4 in A Minor, Op. 63: I. Tempo molto moderato, quasi adagio
Sibelius: Symphony No. 4 in A Minor, Op. 63: II. Allegro molto vivace
Sibelius: Symphony No. 4 in A Minor, Op. 63: III. Il tempo largo
Sibelius: Symphony No. 4 in A Minor, Op. 63: IV. Allegro
Sibelius: Symphony No. 3, Op. 52: I. Allegro moderato
Sibelius: Symphony No. 3, Op. 52: II. Andantino con moto, quasi allegretto
Sibelius: Symphony No. 3, Op. 52: III. Moderato - Allegro ma non tanto
Saint-Saëns: Piano Concerto No. 2, Op. 22 - Liszt: Piano Concerto No. 1, S. 124
Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso
Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio - III. Allegretto vivace
Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124: IV. Allegro marziale animato
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Theme
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation I. C.A.E.
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation II. H.D.S-P.
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation III. R.B.T.
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IV. W.M.B.
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation V. R.P.A.
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation VI. Ysobel
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation VII. Troyte
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation VIII. W.N.
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod
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Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation X. Dorabella
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation XI. G.R.S.
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation XII. B.G.N.
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation XIII. Romanza. ***
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation XIV. Finale. E.D.U.
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio
Elgar: Cello Concerto in E Minor, Op. 85: IV. Allegro - Allegro ma non troppo
Elgar: Grania and Diarmid, Op. 42: I. Incidental Music
Elgar: Grania and Diarmid, Op. 42: II. Funeral March
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: Prelude
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "Jesu, Maria, I Am Near to Death" (Gerontius)
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "So Pray for Me" - "Kyrie eleison. Holy Mary, Pray for Him" (Gerontius, Chorus)
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "Rouse Thee, My Fainting Soul" (Gerontius)
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "Lord, Thy Servant Deliver" - "Sanctus fortis, Santus Deus" (Gerontius)
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "I Can No More" (Gerontius)
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "Rescue Him, O Lord" (Chorus, Gerontius)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: Andantino
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "I Went to Sleep" (Soul)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "Another Marvel" (Soul)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "It Is a Member of That Family" (Soul, Angel)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "But hark! Upon My Senses" (Soul)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "Dispossessed, Aside Thrust" (Chorus)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "I See Not Those False Spirits" (Soul, Angel)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "There Was a Mortal" (Angel)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "But Hark! A Grand Mysterious Harmony" (Soul)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "Thy Judgment Now Is Near" (Angel, Soul)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "Jesu! By That Shuddering Dread" (Angel of the Agony)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "Praise to His Name!" (Angel)
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "Softly and Gently" (Angel, Chorus)
Elgar: Violin Concerto in B Minor, Op. 61: I. Allegro
Elgar: Violin Concerto in B Minor, Op. 61: II. Andante
Elgar: Violin Concerto in B Minor, Op. 61: III. Allegro molto
Elgar: Falstaff, Op. 68: I. Falstaff and Prince Henry
Elgar: Falstaff, Op. 68: Dream Interlude
Elgar: Falstaff, Op. 68: III. Falstaff's March
Elgar: Falstaff, Op. 68: Interlude. Gloucestershire, the Shallow's Orchard - The New King - The Hurried Ride to London
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 1 "Hymnus": I. Veni, Creator Spiritus
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 1 "Hymnus": II. Imple superna gratia
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 1 "Hymnus": III. Infirma nostri corporis
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 1 "Hymnus": IV. Tempo I. Allegro, etwas hastig
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 1 "Hymnus": V. Infirma nostri corporis (Reprise)
City of Birmingham Symphony Youth Chorus
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 1 "Hymnus": VI. Accende lumen sensibus
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 1 "Hymnus": VII. Qui Paraclitus diceris
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 1 "Hymnus": VIII. Gloria sit Patri Domino
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": I. Poco adagio
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": II. Più mosso. Allegro moderato
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": III. Waldung, sie schwankt heran
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": IV. Ewiger Wonnebrand
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": V. Wie Felsenabgrund mir zu Füssen
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": VI. Gerettet ist das edle Glied
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": VII. Uns bleibt ein Erdenrest
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": VIII. Ich spür soeben
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": IX. Höchste Herrscherin der Welt!
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": X. Dir, der Unberührbaren
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XI. Bei der Liebe, die den Füssen
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XII. Neige, neige, du Ohnegleiche
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XIII. Er überwächst uns schon
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XIV. Komm! Komm!
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XV. Blicket auf zum Retterblick
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XVI. Chorus mysticus
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XVII. Chorus mysticus (Reprise)
Mahler: Des Knaben Wunderhorn: No. 1, Der Schildwache Nachtlied
Mahler: Des Knaben Wunderhorn: No. 2, Verlor'ne Müh'
Mahler: Des Knaben Wunderhorn: No. 4, Wer hat dies Liedlein erdacht?
Mahler: Des Knaben Wunderhorn: No. 9, Wo die schönen Trompeten blasen
Mahler: Des Knaben Wunderhorn: No. 11, Revelge
Mahler: Des Knaben Wunderhorn: No. 12, Der Tamboursg'sell
Mahler: Des Knaben Wunderhorn: No. 6, Des Antonius von Padua Fischpredigt
Mahler: Lieder und Gesänge, Heft III: No. 2, Ablösung im Sommer (Orchestral Version)
Mahler: Symphony No. 2 in C Minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
Mahler: Symphony No. 2 in C Minor "Resurrection": II. Andante moderato. Sehr gemächlich. Nie eilen
Mahler: Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung
Mahler: Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (a) Im Tempo des Scherzos. Wild herausfahrend
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (b) Wieder sehr breit
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (c) Molto ritenuto - Maestoso
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (d) Wieder zurückhaltend
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (e) Langsam. Misterioso. "Aufersteh'n, ja aufersteh'n wirst du"
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (f) Etwas bewegter. "O glaube, mein Herz !"
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz!"
Mahler: Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
Mahler: Das Lied von der Erde: II. Der Einsame im Herbst
Mahler: Das Lied von der Erde: III. Von der Jugend
Mahler: Das Lied von der Erde: IV. Von der Schönheit
Mahler: Das Lied von der Erde: V. Der Trunkene im Frühling
Mahler: Das Lied von der Erde: VI. Der Abschied
Beethoven: Piano Concerto No. 2 in B-Flat Major, Op. 19: I. Allegro con brio
Beethoven: Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio
Beethoven: Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto allegro
Beethoven: Fidelio, Op. 72, Act 1: "O wär' ich schon mit dir vereint" (Marzelline)
Beethoven: Fidelio, Op. 72, Act 1: "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
Beethoven: Fidelio, Op. 72, Act 1: "Gut, Söhnchen, gut, hab' immer Mut" (Rocco, Leonore, Marzelline)
Beethoven: Fidelio, Op. 72, Act 1: "Nur auf der Hut, dann geht es gut" (Rocco, Leonore, Marzelline)
Beethoven: Fidelio, Op. 72, Act 1: "Abscheulicher! Wo eilst du hin?" (Leonore)
Beethoven: Fidelio, Op. 72, Act 1: "Komm, Hoffnung, lass den letzten Stern" (Leonore)
Beethoven: Fidelio, Op. 72, Act 1: "O welche Lust" (Chor, Gefangener)
Beethoven: Fidelio, Op. 72, Act 2: "In des Lebens Frühlingstagen" (Florestan)
Beethoven: Fidelio, Op. 72, Act 2: "Wer ein holdes Weib errungen" (Chor, Florestan, Leonore, Marzelline, Jaquino, Don Fernando, Rocco)
Beethoven: Piano Concerto No. 1 in C Major, Op. 15: I. Allegro con brio
Beethoven: Piano Concerto No. 1 in C Major, Op. 15: II. Largo
Beethoven: Piano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro scherzando
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (b) Ode to Joy. "O Freunde, nicht diese Töne!"
Brahms: Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto - Allegro
Brahms: Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto
Brahms: Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso
Brahms: Symphony No. 1 in C Minor, Op. 68: IV. Finale. Adagio
Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Theme. Andante
Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation I. Poco più animato
Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation II. Più vivace
Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation III. Con moto
Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation IV. Andante con moto
Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation V. Vivace
Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VI. Vivace
Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VII. Grazioso
Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VIII. Presto non troppo
Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Finale. Andante
Brahms: Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo
Brahms: Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo
Brahms: Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso. Quasi andantino
Brahms: Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito
Brahms: Piano Quartet No. 1 in G Minor, Op. 25: I. Allegro (Orch. Schoenberg)
Brahms: Piano Quartet No. 1 in G Minor, Op. 25: II. Intermezzo. Allegro ma non troppo (Orch. Schoenberg)
Brahms: Piano Quartet No. 1 in G Minor, Op. 25: III. Andante con moto (Orch. Schoenberg)
Brahms: Piano Concerto No. 2 in B-Flat Major, Op. 83: I. Allegro non troppo
Brahms: Piano Concerto No. 2 in B-Flat Major, Op. 83: II. Allegro appassionato
Brahms: Piano Concerto No. 2 in B-Flat Major, Op. 83: III. Andante
Brahms: Piano Concerto No. 2 in B-Flat Major, Op. 83: IV. Allegretto grazioso
Brahms: Symphony No. 3 in F Major, Op. 90: I. Allegro con brio - Un poco sostenuto (Live at Berlin Titania-Palast, 1949)
Brahms: Symphony No. 3 in F Major, Op. 90: II. Andante (Live at Berlin Titania-Palast, 1949)
Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto (Live at Berlin Titania-Palast, 1949)
Brahms: Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un poco sostenuto (Live at Berlin Titania-Palast, 1949)
Brahms: Violin Concerto in D Major, Op. 77: I. Allegro non troppo
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace
Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen
Brahms: Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch es ist wie Gras
Brahms: Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich
Brahms: Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen
Brahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit
Brahms: Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt
Brahms: Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten
Brahms: Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo
Brahms: Symphony No. 4 in E Minor, Op. 98: II. Andante moderato
Brahms: Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso
Brahms: Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato
Ravel: L'enfant et les sortilèges & Ma mère l'Oye
Ravel: L'enfant et les sortilèges, M. 71, Tableau I: "J'ai pas envie de faire ma page" - "Bébé a été sage ?" - "Ça m'est égal !" (L'Enfant, Maman)
Ravel: L'enfant et les sortilèges, M. 71, Tableau I: "Votre serviteur humble, Bergère" - "Ding, ding, ding, ding" (Le Fauteuil, La Bergère, Les Meubles, L'Horloge, L'Enfant)
Ravel: L'enfant et les sortilèges, M. 71, Tableau I: "How's your mug?" - "Arrière ! Je réchauffe les bons" - "Adieu, pastourelles !" (La Théière, La Tasse, L'Enfant, Le Feu, Les Pâtres, Un pâ
Ravel: L'enfant et les sortilèges, M. 71, Tableau I: "Ah ! C'est elle ! C'est elle !" - "Toi, le cœur de la rose" (L'Enfant, La Princesse)
Ravel: L'enfant et les sortilèges, M. 71, Tableau I: "Deux robinets coulent dans un réservoir !" - Duo miaulé (Le Petit Vieillard, L'Enfant, Les Chiffres, Le Chat, La Chatte)
Ravel: L'enfant et les sortilèges, M. 71, Tableau II: Musique d'insectes - "Ah ! Quelle joie de te retrouver, jardin !" - Ronde des chauves-souris - Danse des rainettes (L'Enfant, Les Arbres,
Ravel: L'enfant et les sortilèges, M. 71, Tableau II: "Sauve-toi, sotte ! Et la cage ? La cage ?" (L'Écureuil, La Rainette, L'Enfant)
Ravel: L'enfant et les sortilèges, M. 71, Tableau II: "Ah ! C'est l'enfant au couteau !" - "Il est bon, l'enfant, il est sage" (Les Bêtes et les Arbres, l'Enfant)
Ravel: Ma mère l'Oye, M. 62: II. Danse du rouet - Scène
Ravel: Ma mère l'Oye, M. 62: III. Pavane de la Belle au bois dormant
Ravel: Ma mère l'Oye, M. 62: IV. Les entretiens de la Belle et de la Bête
Ravel: Ma mère l'Oye, M. 62: V. Petit Poucet
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Ravel: Ma mère l'Oye, M. 62: VI. Laideronnette, impératrice des pagodes
Ravel: Ma mère l'Oye, M. 62: VII. Le jardin féerique
Ravel / Orch. Grainger: Miroirs, M. 43: V. La vallée des cloches
Ravel: Piano Concerto in G Major, M. 83: I. Allegramente
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai
Ravel: Piano Concerto in G Major, M. 83: III. Presto
Ravel: Miroirs, M. 43: IV. Alborada del Gracioso
Ravel: Ma mère l'Oye, M. 62: II. Danse du rouet et Scène
Ravel: Ma mère l'Oye, M. 62: IV. Interlude - Les entretiens de la Belle et la Bête
Ravel: Ma mère l'Oye, M. 62: V. Interlude - Petit Poucet
Ravel: Ma mère l'Oye, M. 62: VI. Interlude - Laideronette, impératrice des Pagodes
Ravel: Ma mère l'Oye, M. 62: VII. Interlude - Apothéose - Le jardin féerique
Ravel: Piano Concerto for the Left Hand in D Major, M. 82
Ravel: Daphnis et Chloé, M. 57, Pt. 1: Introduction et Danse religieuse
Ravel: Daphnis et Chloé, M. 57, Pt. 1: Danse générale
Ravel: Daphnis et Chloé, M. 57, Pt. 1: Danse grotesque de Dorcon
Ravel: Daphnis et Chloé, M. 57, Pt. 1: Danse légére et gracieuse de Daphnis
Ravel: Daphnis et Chloé, M. 57, Pt. 1: Danse de Lycéion
Ravel: Daphnis et Chloé, M. 57, Pt. 1: L'on perçoit des bruits d'armes
Ravel: Daphnis et Chloé, M. 57, Pt. 1: Nocturne - Danse lente et mystérieuse des Nymphes
Ravel: Daphnis et Chloé, M. 57, Pt. 2: Introduction - Danse guerrière
Ravel: Daphnis et Chloé, M. 57, Pt. 2: Danse suppliante de Chloé
Ravel: Daphnis et Chloé, M. 57, Pt. 2: Bryaxis veut l'entraîner
Ravel: Daphnis et Chloé, M. 57, Pt. 3: Lever du jour
Ravel: Daphnis et Chloé, M. 57, Pt. 3: Pantomime. Les amours de Pan et Syrinx
Ravel: Daphnis et Chloé, M. 57, Pt. 3: Danse générale
Ravel: Fanfare pour "L'éventail de Jeanne", M. 80
Ravel: Shéhérazade, M. 41: II. La flûte enchantée
Ravel: Shéhérazade, M. 41: III. L'indifférent
Strauss: Ein Heldenleben & Le bourgeois gentilhomme
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: II. Menuett
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: III. Der Fechmeister
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IV. Auftritt und Tanz der Schneider
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VI. Courante
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VII. Auftritt des Cleonte
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VIII. Vorpsiel
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IX. Das Diner
Strauss, R: Ein Heldenleben, Op. 40: I. Der Held
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Strauss, R: Ein Heldenleben, Op. 40: II. Des Helden Widersacher
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Strauss, R: Ein Heldenleben, Op. 40: III. Des Helden Gefährtin
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Strauss, R: Ein Heldenleben, Op. 40: IV. Des Helden Walstatt
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Strauss, R: Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke
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Strauss, R: Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung
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Dance of the Sugar Plum Fairy - A Nutcracker Christmas
Tchaikovsky: The Nutcracker, Op. 71: Miniature Overture
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Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 1: No. 1, Decoration of the Christmas Tree
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Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 1: No. 2, March
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Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 1: No. 3, Children's Galop and Entry of the Parents
Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 1: No. 6, Clara and the Nutcracker
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Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 2: No. 9, Waltz of the Snowflakes
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Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 10, The Enchanted Palace of Confiturembourg, the Kingdom of Sweets
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Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 12a, Divertissement. Chocolate, Spanish Dance
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Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 12b, Divertissement. Coffee, Arabian Dance
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Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 12c, Divertissement. Tea, Chinese Dance
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Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 12d, Divertissement. Trepak, Russian Dance
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Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 12e, Divertissement. Dance of the Reed-Flutes
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Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 13, Waltz of the Flowers
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Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 14a, Pas de deux. Andante maestoso
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Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 14c, Pas de deux. Variation II "Dance of the Sugar Plum Fairy"
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Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 15, Final Waltz and Apotheosis
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5 Hungarian Folksongs, BB 108, SZ. 101: No. 1, In Prison
5 Hungarian Folksongs, BB 108, SZ. 101: No. 2, Old Lament
5 Hungarian Folksongs, BB 108, SZ. 101: No. 3, Yellow foal, with a bell
5 Hungarian Folksongs, BB 108, SZ. 101: No. 4, Complaint
5 Hungarian Folksongs, BB 108, SZ. 101: No. 5, There is a light in Virag's window
Folk Songs: No. 9, Malorous qu'o uno fenno
Folk Songs: No. 11, Azerbaijan Love Song
5 Mélodies populaires grecques: No. 1, Chanson de la mariée
5 Mélodies populaires grecques: No. 2, Là-bas, vers l'eglise
5 Mélodies populaires grecques: No. 3, Quel galant m'est comparable
5 Mélodies populaires grecques: No. 4, Chanson des cueilleuses de lentisques
5 Mélodies populaires grecques: No. 5, Tout gai!
5 Canciones negras: No. 1, Cuba dentro de un piano
5 Canciones negras: No. 2, Punto de Habanera
5 Canciones negras: No. 4, Canción de cuna para dormir a un negrito
Symphony No. 7 in E Major, WAB 107 (Version 1881-83; Cohrs A07): I. Allegro moderato
Symphony No. 7 in E Major, WAB 107 (Version 1881-83; Cohrs A07): II. Adagio. Sehr feierlich und langsam – Moderato
Symphony No. 7 in E Major, WAB 107 (Version 1881-83; Cohrs A07): III. Scherzo. Sehr schnell – Trio. Etwas langsamer – Scherzo da capo
Symphony No. 7 in E Major, WAB 107 (Version 1881-83; Cohrs A07): IV. Finale. Bewegt, doch nicht schnell
Violin Concerto in D Major, Op. 61: I. Allegro ma non troppo
Violin Concerto in D Major, Op. 61: II. Larghetto
Violin Concerto in D Major, Op. 61: III. Rondo. Allegro
Fragment from Violin Concerto in C Major, WoO 5
Symphony No. 9: I. Andante comodo (Live)
Symphony No. 9: II. Im Tempo eines gemächlichen Ländlers (Live)
Symphony No. 9: III. Rondo-burleske (Live)
Symphony No. 4 "Romantic" (Version 1878-81, Cohrs A04B): I. Bewegt, nicht zu schnell (1881)
Symphony No. 4 "Romantic" (Cohrs A04B): Scherzo. Sehr schnell - Trio. Im gleichen Tempo - Scherzo da capo (1874, rev. 1876, Cohrs A04B-1)
Symphony No. 4 "Romantic" (Version 1878-81, Cohrs A04B): II. Andante quasi Allegretto (1881)
Symphony No. 4 "Romantic" (Cohrs A04B): Finale (Volksfest). Allegro moderato (1878, Cohrs A04B-2)
Symphony No. 4 "Romantic" (Version 1878-81, Cohrs A04B): III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - Scherzo da capo (1881)
Symphony No. 4 "Romantic" (Cohrs A04B): Andante quasi Allegretto (1878, extended initial version)
Symphony No. 4 "Romantic" (Version 1878-81, Cohrs A04B): IV. Finale. Bewegt, doch nicht zu schnell (1881, abridged)
Symphony No. 4 "Romantic" (Cohrs A04B): Finale. Bewegt, doch nicht zu schnell (1881, unabridged)
Brahms: Symphony No. 3 in F Major, Op. 90: I. Allegro con brio
Brahms: Symphony No. 3 in F Major, Op. 90: II. Andante
Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto
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Brahms: Symphony No. 3 in F Major, Op. 90: IV. Allegro
Brahms: Piano Concerto No. 1 in D Minor, Op. 15: I. Maestoso
Brahms: Piano Concerto No. 1 in D Minor, Op. 15: II. Adagio
Brahms: Piano Concerto No. 1 in D Minor, Op. 15: III. Rondo. Allegro non troppo
Brahms / Orch. Schoenberg: Piano Quartet No. 1 in G Minor, Op. 25: I. Allegro
Brahms / Orch. Schoenberg: Piano Quartet No. 1 in G Minor, Op. 25: II. Intermezzo. Allegro ma non troppo
Brahms / Orch. Schoenberg: Piano Quartet No. 1 in G Minor, Op. 25: III. Andante con moto
Brahms / Orch. Schoenberg: Piano Quartet No. 1 in G Minor, Op. 25: IV. Rondo alla zingarese. Presto
Brahms: Violin Concerto in D Major, Op. 77: I. Allegro non troppo (Cadenza by Joachim)
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace (Cadenza by Joachim)
Symphony No. 9 in D Minor, WAB 109/143 (Completed Version by Samale-Phillips-Cohrs-Mazzuca): I. Feierlich, misterioso
Symphony No. 9 in D Minor, WAB 109/143 (Completed Version by Samale-Phillips-Cohrs-Mazzuca): II. Scherzo. Bewegt, lebhaft – Trio. Schnell – Scherzo da capo
Symphony No. 9 in D Minor, WAB 109/143 (Completed Version by Samale-Phillips-Cohrs-Mazzuca): III. Adagio. Langsam, feierlich
Symphony No. 9 in D Minor, WAB 109/143 (Completed Version by Samale-Phillips-Cohrs-Mazzuca): IV. Finale [Misterioso, nicht schnell]
Walton: Symphony No. 1 & Belshazzar's Feast
Walton: Symphony No. 1 in B-Flat Minor: I. Allegro assai
Walton: Symphony No. 1 in B-Flat Minor: II. Scherzo. Presto con malizia
Walton: Symphony No. 1 in B-Flat Minor: III. Andante con malinconia
Walton: Symphony No. 1 in B-Flat Minor: IV. Maestoso - Brioso ed ardentemente
Walton: Belshazzar's Feast: I. Thus Spake Isaiah
Walton: Belshazzar's Feast: II. Babylon Was a Great City
Walton: Belshazzar's Feast: III. Thus in Babylon, the Mighty City
Walton: Belshazzar's Feast: IV. And in That Same Hour as They Feasted
Walton: Belshazzar's Feast: V. Then Sing Aloud to God Our Strength
Walton: Belshazzar's Feast: VI. Then Sing Aloud to God Our Strength (Reprise)
Bruckner: Symphony No. 9 in D Minor, WAB 109: I. Feierlich, misterioso
Bruckner: Symphony No. 9 in D Minor, WAB 109: II. Scherzo. Bewegt, lebhaft - Trio. Schnell
Bruckner: Symphony No. 9 in D Minor, WAB 109: III. Adagio. Langsam, feierlich
Bruckner: Symphony No. 9 in D Minor, WAB 109: IV Finale. Misterioso, nicht schnell (2012 Revised Samale-Mazzuca-Phillips-Cohrs Version)
Bruckner: Symphony No. 7 in E Major, WAB 107: I. Allegro moderato
Bruckner: Symphony No. 7 in E Major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam
Bruckner: Symphony No. 7 in E Major, WAB 107: III. Scherzo. Sehr schnell - Trio. Etwas langsamer
Bruckner: Symphony No. 7 in E Major, WAB 107: IV. Finale. Bewegt, doch nicht schnell
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": I. Bewegt, nicht zu schnell (1884 Version)
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": II. Andante, quasi allegretto (1884 Version)
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell (1884 Version)
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": IV. Finale. Bewegt, doch nicht zu schnell (1884 Version)
Stravinsky: Ebony Concerto: I. Allegro moderato
Stravinsky: Ebony Concerto: III. Moderato
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Spring Rounds - Ritual of the Rival Tribes - Procession of the Sage
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Adoration of the Earth - Dance of the Earth
Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Introduction
Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Mystic Circles of the Young Girls
Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Glorification of the Chosen One - Evocation of the Ancestors - Ritual Action of the Ancestors
Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Sacrificial Dance
Stravinsky: Suite No. 1 for Chamber Orchestra: I. Andante
Stravinsky: Suite No. 1 for Chamber Orchestra: II. Napolitana
Stravinsky: Suite No. 1 for Chamber Orchestra: III. Española
Stravinsky: Suite No. 1 for Chamber Orchestra: IV. Balalaïka
Stravinsky: Suite No. 2 for Chamber Orchestra: I. Marche
Stravinsky: Suite No. 2 for Chamber Orchestra: II. Valse
Stravinsky: Suite No. 2 for Chamber Orchestra: III. Polka
Stravinsky: Suite No. 2 for Chamber Orchestra: IV. Galop
Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": Introduction - At the Shrovetide Fair (1947 Version)
Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": The Charlatan's Booth - Russian Dance (1947 Version)
Stravinsky: Petrushka, Pt. 2 "Petrushka's Cell": Petrushka's Cell (1947 Version)
Stravinsky: Petrushka, Pt. 3 "The Moor's Room": Introduction - The Moor's Room - Dance of the Ballerina (1947 Version)
Stravinsky: Petrushka, Pt. 3 "The Moor's Room": Waltz - The Ballerina and the Moor (1947 Version)
Stravinsky: Petrushka, Pt. 4 "The Shrovetide Fair": Introduction - The Shrovetide Fair, Near Evening (1947 Version)
Stravinsky: Petrushka, Pt. 4 "The Shrovetide Fair": Dance of the Wet Nurses (1947 Version)
Stravinsky: Petrushka, Pt. 4 "The Shrovetide Fair": Dance of the Peasant and the Bear (1947 Version)
Stravinsky: Petrushka, Pt. 4 "The Shrovetide Fair": Dance of the Gypsy Girls (1947 Version)
Stravinsky: Petrushka, Pt. 4 "The Shrovetide Fair": Dance of the Coachmen and Grooms (1947 Version)
Stravinsky: Petrushka, Pt. 4 "The Shrovetide Fair": The Masqueraders (1947 Version)
Stravinsky: Petrushka, Pt. 4 "The Shrovetide Fair": Petrushka Dashes from the Little Theatre, Pursued by the Moor (1947 Version)
Stravinsky: Petrushka, Pt. 4 "The Shrovetide Fair": Petrushka Dies, Still Moaning (1947 Version)
Stravinsky: Petrushka, Pt. 4 "The Shrovetide Fair": The Magician Arrives and Picks up Petrushka's Corpse - The Ghost of Petrushka Appears (1947 Version)
Stravinsky: Scherzo à la russe (Jazz Band Version)
Stravinsky: 4 Études pour orchestre: No. 1, Danse. Con moto (1952 Version)
Stravinsky: 4 Études pour orchestre: No. 2, Excentique. Moderato (1952 Version)
Stravinsky: 4 Études pour orchestre: No. 3, Cantique. Largo (1952 Version)
Stravinsky: 4 Études pour orchestre: No. 4, Madrid. Allegro con moto (1952 Version)
Stravinsky: Symphony in C: I. Moderato alla breve
Stravinsky: Symphony in C: II. Larghetto concertante
Stravinsky: Symphony in C: III. Allegretto
Stravinsky: Symphony in C: IV. Largo - Tempo giusto alla breve
Stravinsky: L'Oiseau de feu, Tableau I: Introduction - Le jardin enchanté de Kachtcheï - Apparition de l'Oiseau de feu, poursuivi par Ivan Tsarévitch
Stravinsky: L'Oiseau de feu, Tableau I: Danse de l'Oiseau de feu - Capture de l'Oiseau de feu par Ivan Tsarévitch - Apparition des treize princesses enchantées
Stravinsky: L'Oiseau de feu, Tableau I: Scherzo. Jeu des princesses avec les pommes d'or
Stravinsky: L'Oiseau de feu, Tableau I: Brusque apparition d'Ivan Tsarévitch - Khorovode. Ronde des princesses
Stravinsky: L'Oiseau de feu, Tableau I: Danse infernale de tous les sujets de Kachtcheï
Stravinsky: L'Oiseau de feu, Tableau I: Berceuse - Mort de Kachtcheï - Profondes ténèbres
Stravinsky: L'Oiseau de feu, Tableau II: Disparition du palais et des sortilèges de Kachtcheï, animation des chevaliers pétrifiés, allégresse générale
Stravinsky: Symphonies of Wind Instruments
Stravinsky: Scherzo à la russe (Orchestral Version)
NAZARENO! Bernstein, Stravinsky, Golijov
Prelude, Fugue and Riffs: I. Prelude for the Brass
Prelude, Fugue and Riffs: II. Fugue for the Saxes
Prelude, Fugue and Riffs: III. Riffs for Everyone
Ebony Concerto: III. Moderato - Con moto - Moderato - Vivo - Same tempo
Nazareno: I. Berimbau (Arr. Gonzalo Grau)
Nazareno: II. Tambor en blanco y negro (Arr. Gonzalo Grau)
Nazareno: III. Guaracha y Mambo (Arr. Gonzalo Grau)
Nazareno: V. Tormenta y Quitiplá (Arr. Gonzalo Grau)
Nazareno: VI. Procesión (Arr. Gonzalo Grau)
Rachmaninov: Piano Concerto No. 2, Op. 18 & Rhapsody on a Theme of Paganini, Op. 43
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Introduction. Allegro vivace & Variation I. Precedente
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Theme. L'istesso tempo & Variation II. L'istesso tempo
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation III. L'istesso tempo
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation IV. Più vivo
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Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation V. Tempo precedente
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation VI. L'istesso tempo
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation VII. Meno mosso, a tempo moderato
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation VIII. Tempo I
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation IX. L'istesso tempo
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation X. Poco marcato
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Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XI. Moderato
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XII. Tempo di minuetto
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XIII. Allegro
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XIV. L'istesso tempo
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XV. Più vivo, scherzando
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVI. Allegretto
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVII. Allegretto
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile
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Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XIX. A tempo vivace
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XX. Un poco più vivo
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XXI. Un poco più vivo
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XXII. Un poco più vivo. Alla breve
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XXIII. L'istesso tempo
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XXIV. A tempo un poco meno mosso
Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato
Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto
Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando
Haydn: Symphony No. 88 in G Major, Hob. I:88: I. Adagio - Allegro
Haydn: Symphony No. 88 in G Major, Hob. I:88: II. Largo
Haydn: Symphony No. 88 in G Major, Hob. I:88: III. Menuetto - Trio
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Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 2, Air and Chorus. "Now Vanish Before the Holy Beams" (Uriel, Chorus)
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 6, Air. "Rolling in Foaming Billows" (Raphael)
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 8, Air. "With Verdure Clad" (Gabriel)
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 10, Chorus. "Awake the Harp" (Chorus)
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 13, Trio and Chorus. "The Heavens Are Telling" (Chorus, Gabriel, Uriel, Raphael)
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 19, Trio and Chorus. "The Lord Is Great" (Gabriel, Uriel, Raphael, Chorus)
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 24, Air. "In Native Worth" (Uriel)
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 27, Trio. "On Thee Each Living Soul Awaits" (Gabriel, Uriel, Raphael)
Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 30a, Duet with Chorus. "By Thee With Bliss" (Eve, Adam, Chorus)
Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 34, Chorus with Soli. "Sing the Lord" (Chorus)
Haydn: Symphony No. 60 in C Major, Hob. I:60 "Il distratto": I. Adagio - Allegro di molto
Haydn: Symphony No. 60 in C Major, Hob. I:60 "Il distratto": II. Andante
Haydn: Symphony No. 60 in C Major, Hob. I:60 "Il distratto": III. Menuetto - Trio
Haydn: Symphony No. 60 in C Major, Hob. I:60 "Il distratto": IV. Presto
Haydn: Symphony No. 60 in C Major, Hob. I:60 "Il distratto": V. Adagio di lamentatione
Haydn: Symphony No. 60 in C Major, Hob. I:60 "Il distratto": VI. Finale. Prestissimo
Haydn: Sinfonia concertante in B-Flat Major, Hob. I:105: I. Allegro
Haydn: Sinfonia concertante in B-Flat Major, Hob. I:105: II. Andante
Haydn: Sinfonia concertante in B-Flat Major, Hob. I:105: III. Allegro con spirito
Haydn: Symphony No. 22 in E-Flat Major, Hob. I:22 "The Philosopher": I. Adagio
Haydn: Symphony No. 22 in E-Flat Major, Hob. I:22 "The Philosopher": II. Presto
Haydn: Symphony No. 22 in E-Flat Major, Hob. I:22 "The Philosopher": III. Menuetto
Haydn: Symphony No. 22 in E-Flat Major, Hob. I:22 "The Philosopher": IV. Finale. Presto
Haydn: Symphony No. 90 in C Major, Hob. I:90: I. Adagio - Allegro assai
Haydn: Symphony No. 90 in C Major, Hob. I:90: II. Andante
Haydn: Symphony No. 90 in C Major, Hob. I:90: III. Menuetto - Trio
Haydn: Symphony No. 90 in C Major, Hob. I:90: IV. Finale. Allegro assai
Haydn: Symphony No. 102 in B-Flat Major, Hob. I:102: I. Largo - Allegro vivace
Haydn: Symphony No. 102 in B-Flat Major, Hob. I:102: II. Adagio
Haydn: Symphony No. 102 in B-Flat Major, Hob. I:102: III. Menuetto - Trio
Haydn: Symphony No. 102 in B-Flat Major, Hob. I:102: IV. Finale. Presto
Ravel: Valses nobles et sentimentales, Le tombeau de Couperin, Miroirs & Concertos
Ravel: Valses nobles et sentimentales, M. 61: No. 1, Modéré
Ravel: Valses nobles et sentimentales, M. 61: No. 2, Assez lent
Ravel: Valses nobles et sentimentales, M. 61: No. 3, Modéré
Ravel: Valses nobles et sentimentales, M. 61: No. 4, Assez animé
Ravel: Valses nobles et sentimentales, M. 61: No. 5, Presque lent
Ravel: Valses nobles et sentimentales, M. 61: No. 6, Vif
Ravel: Valses nobles et sentimentales, M. 61: No. 7, Moins vif
Ravel: Valses nobles et sentimentales, M. 61: No. 8, Épilogue. Lent
Ravel: Menuet sur le nom de Haydn, M. 58
Ravel: Sonatine, M. 40: II. Mouvement de menuet
Ravel: Miroirs, M. 43: II. Oiseaux tristes
Ravel: Miroirs, M. 43: III. Une barque sur l'océan
Ravel: Miroirs, M. 43: V. La vallée des cloches
Ravel: Le Tombeau de Couperin, M. 68: I. Prélude
Ravel: Le Tombeau de Couperin, M. 68: II. Fugue
Ravel: Le Tombeau de Couperin, M. 68: III. Forlane
Ravel: Le Tombeau de Couperin, M. 68: IV. Rigaudon
Ravel: Le Tombeau de Couperin, M. 68: V. Menuet
Ravel: Le Tombeau de Couperin, M. 68: VI. Toccata
Ravel: Piano Concerto for the Left Hand in D Major, M. 82: I. Lento
Ravel: Piano Concerto for the Left Hand in D Major, M. 82: II. Allegro
Ravel: Piano Concerto for the Left Hand in D Major, M. 82: III. Tempo primo
Petruskha, K012 (Revised 1947), Scene 1: I. The Shrovetide Fair (Introduction)
The Firebird, K010: II. Premier tableau. Le jardin enchanté de Kastchei
Petruskha, K012 (Revised 1947), Scene 1: II. The Crowds
The Firebird, K010: III. Apparition de l'oiseau de feu poursuivi par Ivan Tsarévitch
Petruskha, K012 (Revised 1947), Scene 1: III. The Conjuring Trick
The Firebird, K010: IV. Danse de l'oiseau de feu
Petruskha, K012 (Revised 1947), Scene 1: IV. Russian Dance
The Firebird, K010: V. Capture de l'oiseau de feu par Ivan Tsarévitch - Supplications de l'oiseau de feu - Apparition des treize princesses enchantées
Petruskha, K012 (Revised 1947), Scene 2: I. Petrushka's Cell
The Firebird, K010: VI. Jeu des princesses avec les pommes d'or
Petruskha, K012 (Revised 1947), Scene 3: I. The Moor's Cell
The Firebird, K010: VII. Brusque apparition d'Ivan Tsarévitch - Corovod (Ronde) des princesses - Lever du jour
Petruskha, K012 (Revised 1947), Scene 3: II. Dance of the Ballerina
The Firebird, K010: VIII. Ivan Tsarévitch pénètre dans le palais de Kastchei - Carillon féérique - Arrivée de Kastchei - Dialogue - Intercession des princesses - Apparition de l'oiseau de feu
Petruskha, K012 (Revised 1947), Scene 3: III. Waltz (The Ballerina and the Moor)
The Firebird, K010: IX. Danse infernale de tous les sujets de Kastchei
Petruskha, K012 (Revised 1947), Scene 4: I. The Shrovetide Fair (towards evening)
The Firebird, K010: X. Berceuse (L'oiseau de feu) - Réveil de Kastchei - Mort de Kastchei - Profondes ténèbres
Petruskha, K012 (Revised 1947), Scene 4: II. Dance of the Wet-Nurses
The Firebird, K010: XI. Second tableau. Disparition du palais et des sortilèges de Kastchei, animation des chevaliers pétrifiés. Allégresse générale
Petruskha, K012 (Revised 1947), Scene 4: III. A Peasant Enters with a Bear
Petruskha, K012 (Revised 1947), Scene 4: IV. The Gypsy Girls Dance
Petruskha, K012 (Revised 1947), Scene 4: V. Dance of the Coachmen and Grooms
Petruskha, K012 (Revised 1947), Scene 4: VI. The Mummers (Masqueraders)
Petruskha, K012 (Revised 1947), Scene 4: VII. Death of Petrushka
The Rite of Spring, K015 (Revised 1947), Part 1: Adoration of the Earth. Introduction
The Rite of Spring, K015 (Revised 1947), Part 1: The Augurs of Spring - Dances of the Young Girls
The Rite of Spring, K015 (Revised 1947), Part 1: Ritual of Abduction
The Rite of Spring, K015 (Revised 1947), Part 1: Spring Rounds
The Rite of Spring, K015 (Revised 1947), Part 1: Ritual of the Rival Tribes
The Rite of Spring, K015 (Revised 1947), Part 1: Procession of the Sage - The Sage
The Rite of Spring, K015 (Revised 1947), Part 1: Dance of the Earth
The Rite of Spring, K015 (Revised 1947), Part 2: The Sacrifice. Introduction
The Rite of Spring, K015 (Revised 1947), Part 2: Mystic Circles of the Young Girls
The Rite of Spring, K015 (Revised 1947), Part 2: Glorification of the Chosen One
The Rite of Spring, K015 (Revised 1947), Part 2: Evocation of the Ancestors
The Rite of Spring, K015 (Revised 1947), Part 2: Ritual Action of the Ancestors
The Rite of Spring, K015 (Revised 1947), Part 2: Sacrificial Dance (The Chosen One)
Ondřej Adámek: Follow Me & Where Are You?
Where Are You?: I. Slotha - Setting a Trap for Divine (Live)
Where Are You?: II. Where Are You? (Live)
Where Are You?: III. Peter Sent Me Back (Live)
Where Are You?: IX. You Are Not Here (Live)
Where Are You?: X. Gentle Whisper (Live)
Concerto for Cor Anglais, Strings and Basso Continuo in G Major: I. Allegro
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Concerto for Cor Anglais, Strings and Basso Continuo in G Major: II. Adagio
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Concerto for Cor Anglais, Strings and Basso Continuo in G Major: III. Allegro
Symphony No. 9 in E Minor, Op. 95: No. 1, Largo
4 Impromptus, Op. 90: No. 3 in G-Flat Major, Andante
Quartet for Cor Anglais, Violin, Viola and Cello: No. 1, Allegro vivace
Quartet for Cor Anglais, Violin, Viola and Cello: No. 2, Andante tranquillo
Quartet for Cor Anglais, Violin, Viola and Cello: No. 3, Vivo assai
Quartet for Cor Anglais, Violin, Viola and Cello: No. 4, Andanino
Quartet for Cor Anglais, Violin, Viola and Cello: No. 5, Allegro giocoso
Tristan und Isolde, Act 3. Hirtenreigen auf einer Schalmei. Mässig langsam
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Erster Teil: I. Veni, creator spiritus
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Erster Teil: II. Infirma nostri corporis
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Erster Teil: III. Veni, creator spiritus
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Erster Teil: IV. Gloria Patri Domino
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Zweiter Teil: V. Poco adagio
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Zweiter Teil: VI. Waldung, sie schwankt heran
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Zweiter Teil: VII. Ewiger Wonnebrand
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Zweiter Teil: VIII. Wie Felsenabgrund mir zu Füßen
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Zweiter Teil: IX. Gerettet ist das edle Glied der Geisterwelt vom Bösen
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Zweiter Teil: X. Uns bleibt ein Erdenrest
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Zweiter Teil: XI. Höchste Herrscherin der Welt!
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Zweiter Teil: XII. Bei der Liebe, die den Füßen
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Zweiter Teil: XIII. Neige, neige, du Ohnegleiche
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Zweiter Teil: XIV. Blicket auf zum Retterblick
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Zweiter Teil: XV. Alles Vergängliche ist nur ein Gleichnis
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Piano Concerto No. 1 in C Major, Op. 15: I. Allegro con brio
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Piano Concerto No. 1 in C Major, Op. 15: II. Largo
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Piano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro
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Piano Concerto No. 2 in B Flat Major, Op. 19: I. Allegro con brio
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Piano Concerto No. 2 in B Flat Major, Op. 19: II. Adagio
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Piano Concerto No. 2 in B Flat Major, Op. 19: III. Rondo. Molto allegro
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Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio
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Piano Concerto No. 3 in C Minor, Op. 37: II. Largo
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Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro
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Piano Concerto No. 4 in G Major, Op. 58: I. Allegro moderato
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Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto
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Piano Concerto No. 4 in G Major, Op. 58: III. Rondo. Vivace
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Piano Concerto No. 5 in E Flat Major, Op. 73 "Emperor": I. Allegro
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Piano Concerto No. 5 in E Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso
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Piano Concerto No. 5 in E Flat Major, Op. 73 "Emperor": III. Rondo. Allegro
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Symphony No. 2 in E Minor, Op. 27: I. Largo – Allegro moderato
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Symphony No. 2 in E Minor, Op. 27: II. Allegro molto
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Symphony No. 2 in E Minor, Op. 27: III. Adagio
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Symphony No. 2 in E Minor, Op. 27: IV. Allegro vivace
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Elgar: Violin Sonata in E Minor, Op. 82: I. Allegro
Elgar: Violin Sonata in E Minor, Op. 82: II. Romance. Andante
Elgar: Violin Sonata in E Minor, Op. 82: III. Allegro non troppo
Symphony No. 7 in E Minor: I. Langsam (Adagio) – Allegro risoluto, ma non troppo
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Symphony No. 7 in E Minor: II. Nachtmusik I. Allegro moderato
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Symphony No. 7 in E Minor: III. Scherzo. Schattenhaft – Trio
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Symphony No. 7 in E Minor: IV. Nachtmusik II. Andante amoroso
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Symphony No. 7 in E Minor: V. Rondo-Finale. Tempo I (Allegro ordinario) – Tempo II (Allegro moderato ma energico)
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Beethoven: Piano Concerto No. 1 in C Major, Op. 15
Beethoven: Christ on the Mount of Olives (Christus Am Ölberge)
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 1a. Introduzione. Grave - Adagio
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 1b. Recitativo. "Jehova, du mein Vater!"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 1c. Aria. "Meine Seele ist erschüttert"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 2a. Recitativo. "Erzittre, Erde!"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 2b. Aria. "Preist des Erlösers Güte"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 2c. Chor der Engel. "O Heil euch ihr Erlösten"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 3a. Recitativo. "Verkündet, Seraph, mir dein Mund"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 3b. Duetto. "So ruhe dann mit ganzer Schwere"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 4a. Recitativo. "Willkommen, Tod!"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 4b. Chor der Krieger. "Wir haben ihn gesehen"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 5a. Recitativo. "Die mich zu fangen ausgezogen sind"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 5b. Chor der Krieger, Chor der Jünger. "Hier ist er, der Verbannte"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 6a. Recitativo. "Nicht ungestraft soll der Verwegnen Schar"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 6b. Terzetto. "In meinen Adern wühlen unbändig Zorn und Wut"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 6c. Chor der Krieger, Chor der Jünger. "Auf, auf! Ergreifet den Verräter"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 6d. Chor der Engel. "Welten singen Lob und Ehre"
Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: No. 6e. Chor der Engel. "Preiset ihn, ihr Engelschöre"
Janáček: The Cunning Little Vixen, Sinfonietta
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act III: Prelude [3]
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Prelude
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act III: Scene VII, Dež sem vandroval
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Scene I, Dostaneme bóřku
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act III: Scene VII, Tož co, Harašto, máš se dobře?
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Scene I, Kmotřenko, zakoncertovala si také
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act III: Scene VII, Běži liška k Táboru
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Scene I, Mami!
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act III: Scene VII, Kolik jsme to měli děti!?
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Scene I, Pantomime
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act III: Scene VII, Nůšo důle!
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Interlude (Proměna)
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act III: Act III: Interlude (Proměna) [5]
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Scene II, To čučiš, Lapáku!?
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act III: Scene VIII, A kde otec Pásek?
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Scene II, Že nevíš, co máme?
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act III: Scene VIII, Do hroma!
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Scene II, Pantomime
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act III: Act III: Interlude (Proměna) [6]
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Interlude (Svitáni)
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act III: Scene IX, Neříkal jsem to?
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Scene II, Mělas dělat podlivámě!
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act III: Scene IX, A přece su rád
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Scene II, Zbabělče, podivé se, jeli už mrtvá?
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act III: Scene IX, Hoj! Ale není tu Bystroušky!
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Prelude [2]
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act III: Scene IX, Totok nésu já
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene III, Ach!
Sinfonietta, Op. 60, JW VI/18, "Sokol Festival": I. Fanfare. Allegretto - Allegro - Maestoso
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Act II: Interlude (Proměna) [2]
Sinfonietta, Op. 60, JW VI/18, "Sokol Festival": II. The Castle, Brno. Andante - Allegretto - Maestoso - Tempo I - Allegretto
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene IV, Ano, ve Stráni bude daleko lépe!
Sinfonietta, Op. 60, JW VI/18, "Sokol Festival": III. The Queen's Monastery, Brno. Moderato - Con moto - Tempo I - Prestissimo - Moderato
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene IV, Bývalo, bývalo, dávno už neni
Sinfonietta, Op. 60, JW VI/18, "Sokol Festival": IV. The Street Leading to the Castle. Allegretto - Adagio - Presto - Andante - Presto - Prestissimo
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene IV, Domů? Pro ten šňupec tvýho spaní?
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Act II: Interlude (Proměna) [3]
Sinfonietta, Op. 60, JW VI/18, "Sokol Festival": V. The Town Hall, Brno. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene V, Bud'to mám těžiště pohyblivé
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene V, Pomni, abys byl dobrým mužem!
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene V, Memnesthó anér agathos einai
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Act II: Interlude (Proměna) [4]
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene VI, Bóžinku, ten je hezké!
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene VI, Kradla jsem!
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene VI, Zlatohřbítek, lišák s kroužkovými pesíky, z Hluboké zmoly
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene VI, Jsemli opravdu tak krásná?
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene VI, Pusťte mě!
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene VI, Kdybyste věděli, co já viděla
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act II: Scene VI, Když je to tak
Katya Kabanova, JW I/8, Act I Scene 1: Introduction
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Katya Kabanova, JW I/8, Act II Scene 1: "Vida, chvástala jsi se"
Katya Kabanova, JW I/8, Act I Scene 1: "Zázrak!"
Katya Kabanova, JW I/8, Act II Scene 1: "Půjdu též se projít"
Katya Kabanova, JW I/8, Act I Scene 1: "Přišel jsi sem lelky chytat?"
Katya Kabanova, JW I/8, Act II Scene 1: "Nic zvláštního, jenom jsem trochu nachmelen"
Katya Kabanova, JW I/8, Act I Scene 1: "Je baryňa doma?"
Katya Kabanova, JW I/8, Act II Scene 2: Introduction
Katya Kabanova, JW I/8, Act I Scene 1: "Co pak je?"
Katya Kabanova, JW I/8, Act II Scene 2: "Nikoho tu není!"
Katya Kabanova, JW I/8, Act I Scene 1: "A potom běž domů"
Katya Kabanova, JW I/8, Act II Scene 2: "Za vodou, za vodičkou"
Katya Kabanova, JW I/8, Act I Scene 1: Intermezzo I
Katya Kabanova, JW I/8, Act II Scene 2: "Jste to vy, Katěrino Petrovno?"
Katya Kabanova, JW I/8, Act I Scene 2: "Víš co mi napadlo?"
Katya Kabanova, JW I/8, Act II Scene 2: "Nuže, shodli jste se?"
Katya Kabanova, JW I/8, Act I Scene 2: "Zdráva..."
Katya Kabanova, JW I/8, Act II Scene 2: "Choď si, dívka, do času"
Katya Kabanova, JW I/8, Act I Scene 2: "Ale nač tobě to vykládám?"
Katya Kabanova, JW I/8, Act III Scene 1: Introduction - "Krápe!"
Katya Kabanova, JW I/8, Act I Scene 2: "Což pak už mne nemáš rád?"
Katya Kabanova, JW I/8, Act III Scene 1: "Celého mne to pokropilo"
Katya Kabanova, JW I/8, Act I Scene 2: "Abych ani otce"
Katya Kabanova, JW I/8, Act III Scene 1: "Pssst! Pssst! Zdá se, že je to on!"
Katya Kabanova, JW I/8, Act III Scene 1: "Tu jdou! Maminka jde s nimi!"
Katya Kabanova, JW I/8, Act III Scene 2: "Ach Glašo!"
Katya Kabanova, JW I/8, Act III Scene 2: "Vidět se s ním"
Katya Kabanova, JW I/8, Act III Scene 2: "Proč se tak chovají?"
Katya Kabanova, JW I/8, Act III Scene 2: "Ale smrt nepřichází"
Katya Kabanova, JW I/8, Act III Scene 2: "Svedl nás Bůh!"
Katya Kabanova, JW I/8, Act III Scene 2: "Ale ne!"
Katya Kabanova, JW I/8, Act III Scene 2: "Ptáčci přiletí na mohylu"
Britten: Spring Symphony, Sinfonia da Requiem, The Young Person's Guide to the Orchestra
Sinfonia da Requiem, Op. 20: I. Lacrymosa. Andante ben misurato
Sinfonia da Requiem, Op. 20: II. Dies irae. Allegro con fuoco - Alla marcia
Sinfonia da Requiem, Op. 20: III. Requiem aeternam. Andante molto tranquillo
Spring Symphony, Op. 44, Part I: Introduction. Shine out (chorus)
Spring Symphony, Op. 44, Part I: The Merry Cuckoo (Tenor)
Spring Symphony, Op. 44, Part I: Spring, the Sweet Spring (soprano, alto, tenor, chorus)
Spring Symphony, Op. 44, Part I: The Driving Boy (soprano, children's chorus)
Spring Symphony, Op. 44, Part I: The Morning Star (Chorus)
Spring Symphony, Op. 44, Part II: Welcome, Maids of Honour (alto)
Spring Symphony, Op. 44, Part II: Waters Above (Tenor)
Spring Symphony, Op. 44, Part II: Out on the Lawn I lie in Bed (alto, chorus)
Spring Symphony, Op. 44, Part III: When will my May come (Tenor)
Spring Symphony, Op. 44, Part III: Fair and Fair (Soprano, Tenor)
Spring Symphony, Op. 44, Part III: Sound the Flute (chorus, children's chorus)
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus)
The Young Person's Guide to the Orchestra, Op. 34: I. Theme. Allegro maestoso e largamente
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando
The Young Person's Guide to the Orchestra, Op. 34: IV. Variation I, Harp. Maestoso
The Young Person's Guide to the Orchestra, Op. 34: V. Variations J-L, Brass. L'istesso tempo - Vivace - Allegro pomposo
The Young Person's Guide to the Orchestra, Op. 34: VI. Variation M, Percussion. Moderato
The Young Person's Guide to the Orchestra, Op. 34: VII. Fugue. Allegro molto - Animato
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Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 11, Arrival of Clara and the Nutcracker
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Tchaikovsky: The Nutcracker, Op. 71, Act I: No. 2, March
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Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 1: No. 4, Dancing Scene. Arrival of Drosselmeyer
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Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 1: No. 5, Scene and Grandfather Dance
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Tchaikovsky: The Nutcracker, Op. 71, Act 2: No. 12e, Divertissement. Dance of the Reed-Flutes
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Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 1: No. 7, The Battle
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Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 12f, Divertissement. Mother Gigogne and the Clowns
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Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 2: No. 8, The Forest of Fir Trees in Winter. Journey Through the Snow
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Tchaikovsky: The Nutcracker, Op. 71, Act 2: No. 13, Waltz of the Flowers
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Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 14b, Pas de deux. Variation I "Tarantella"
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Tchaikovsky: The Nutcracker, Op. 71, Act 2: No. 14c, Pas de deux. Variation II "Dance of the Sugar Plum Fairy"
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Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 14d, Pas de deux. Coda
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Schumann: Piano Concerto / Brahms: Variations & Fugue on a Theme by Handel (Live In Vienna)
Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso - Live
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso - Live
Piano Concerto in A Minor, Op. 54: III. Allegro vivace - Live
Variations and Fugue on a Theme by Handel, Op. 24: Aria - Live
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Variations and Fugue on a Theme by Handel, Op. 24: Variation I - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation II - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation III - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation IV - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation V - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation VI - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation VII - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation VIII - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation IX - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation X - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation XI - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation XII - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation XIII - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation XIV - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation XV - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation XVI - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation XVII - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation XVIII - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation XIX - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation XX - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation XXI - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation XXII - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation XXIII - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation XXIV - Live
Variations and Fugue on a Theme by Handel, Op. 24: Variation XXV - Live
Variations and Fugue on a Theme by Handel, Op. 24: Fuga - Live
Pelléas et Mélisande, L. 88, Acte 1 Scène 1 "Une forêt": "Je ne pourrai plus sortir"
Pelléas et Mélisande, L. 88, Acte 3 Scène 1 "Une des tours du château": "Mes longs cheveux descendent"
Pelléas et Mélisande, L. 88, Acte 5 Scène 1 "Une chambre dans le château": "Ce n'est pas de cette petite blessure"
Pelléas et Mélisande, L. 88, Acte 1 Scène 1 "Une forêt": "Pourquoi pleures-tu?"
Pelléas et Mélisande, L. 88, Acte 3 Scène 1 "Une des tours du château": "Je les tiens dans les mains"
Pelléas et Mélisande, L. 88, Acte 5 Scène 1 "Une chambre dans le château": "Attention, je crois qu'elle s'éveille"
Pelléas et Mélisande, L. 88, Acte 1 Scène 1 "Une forêt": Interlude
Pelléas et Mélisande, L. 88, Acte 3 Scène 1 "Une des tours du château": "Que faites-vous ici?"
Pelléas et Mélisande, L. 88, Acte 5 Scène 1 "Une chambre dans le château": "Mélisande, as-tu pitié de moi?"
Pelléas et Mélisande, L. 88, Acte 1 Scène 2 "Un appartement dans le château": "Voici ce qu'il écrit à son frère"
Pelléas et Mélisande, L. 88, Acte 3 Scène 2 "Les souterrains du château": "Prenez garde, par ici"
Pelléas et Mélisande, L. 88, Acte 5 Scène 1 "Une chambre dans le château": "Non, non nous n'avons pas été coupables"
Pelléas et Mélisande, L. 88, Acte 1 Scène 2 "Un appartement dans le château": "Qu'en dites-vous?"
Pelléas et Mélisande, L. 88, Acte 3 Scène 3 "Une terrasse au sortir des souterrains": "Ah, je respire en fin!"
Pelléas et Mélisande, L. 88, Acte 5 Scène 1 "Une chambre dans le château": "Qu'avez-vous fait?"
Pelléas et Mélisande, L. 88, Acte 1 Scène 2 "Un appartement dans le château": Interlude (II)
Pelléas et Mélisande, L. 88, Acte 3 Scène 3 "Une terrasse au sortir des souterrains": Interlude (V)
Pelléas et Mélisande, L. 88, Acte 5 Scène 1 "Une chambre dans le château": "Qu'y a-t-il?"
Pelléas et Mélisande, L. 88, Acte 1 Scène 3 "Devant le château": "Il fait sombre dans les jardins"
Pelléas et Mélisande, L. 88, Acte 3 Scène 4 "Devant le château": "Viens, nous allons nous asseoir ici"
Pelléas et Mélisande, L. 88, Acte 5 Scène 1 "Une chambre dans le château": "Attention… attention!"
Pelléas et Mélisande, L. 88, Acte 1 Scène 3 "Devant le château": "Hoé! hisse hoé!"
Pelléas et Mélisande, L. 88, Acte 3 Scène 4 "Devant le château": "Qu'ils s'embrassent, petit père?"
Pelléas et Mélisande, L. 88, Acte 2 Scène 1 "Une fontaine dans le parc": "Vous ne savez pas où je vous ai menée ?"
Pelléas et Mélisande, L. 88, Acte 4 Scène 1 "Un appartement dans le château": "Où vas-tu?"
Pelléas et Mélisande, L. 88, Acte 2 Scène 1 "Une fontaine dans le parc": "C'est au bord d'une fontaine"
Pelléas et Mélisande, L. 88, Acte 4 Scène 2 "Un appartement dans le château": "Maintenant que le père de Pelléas"
Pelléas et Mélisande, L. 88, Acte 2 Scène 1 "Une fontaine dans le parc": Interlude (III)
Pelléas et Mélisande, L. 88, Acte 4 Scène 2 "Un appartement dans le château": "Pelléas part ce soir"
Pelléas et Mélisande, L. 88, Acte 2 Scène 2 "Un appartement dans le château": "Ah! Ah! Tout va bien"
Pelléas et Mélisande, L. 88, Acte 4 Scène 2 "Un appartement dans le château": "Ne mettez pas ainsi votre main à la gorge"
Pelléas et Mélisande, L. 88, Acte 2 Scène 2 "Un appartement dans le château": "Tiens, Où est l'anneau que je t'avais donné"
Pelléas et Mélisande, L. 88, Acte 4 Scène 2 "Un appartement dans le château": Interlude (VI)
Pelléas et Mélisande, L. 88, Acte 2 Scène 2 "Un appartement dans le château": Interlude (IV)
Pelléas et Mélisande, L. 88, Acte 4 Scène 3 "Une fontaine dans le parc": "Oh! Cette pierre est lourde"
Pelléas et Mélisande, L. 88, Acte 2 Scène 3 "Devant une grotte": "Oui; c'est ici nous y sommes"
Pelléas et Mélisande, L. 88, Acte 4 Scène 4 "Une fontaine dans le parc": "C'est le dernier soir"
Pelléas et Mélisande, L. 88, Acte 4 Scène 4 "Une fontaine dans le parc": "Nous sommes venus ici il y a bien longtemps"
Pelléas et Mélisande, L. 88, Acte 4 Scène 4 "Une fontaine dans le parc": "On dirait que ta voix"
Pelléas et Mélisande, L. 88, Acte 4 Scène 4 "Une fontaine dans le parc": "Quel est ce bruit?"
Chanson perpétuelle, Op. 37 (Version for Mezzo-Soprano & Piano Quintet)
Gypsy Song, Op. 55, B. 104 (Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble): No. 1, Ma piseu zas mi laskou zni
Gypsy Song, Op. 55, B. 104 (Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble): No. 2, Sirokymi rukavy
Gypsy Song, Op. 55, B. 104 (Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble): No. 3, Me srdce casto
Gypsy Song, Op. 55, B. 104 (Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble): No. 4, Zalo dievca
Gypsy Song, Op. 55, B. 104 (Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble): No. 5, Kdyz mne stara matka
Gypsy Song, Op. 55, B. 104 (Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble): No. 6, Struna naladena
In Folk Tone, Op. 73, B. 146 (Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble): No. 7, Dobru noc
2 Songs, Op. 91: No. 1, Gestillte Sehnsucht
2 Songs, Op. 91: No. 2, Geistliches Wiegenlied
3 Songs from William Shakespeare: No. 1, Musick to heare
3 Songs from William Shakespeare: No. 2, Full fadom five
3 Songs from William Shakespeare: No. 3, When Daisies pied
Chansons Madécasses, M. 78: No. 1, Nahandove
Chansons Madécasses, M. 78: No. 3, Il est doux
5 Ophelia Songs, WoO 22 (Arr. A. Reimann for Mezzo-Soprano & String Quartet): No. 1, Wie erkenn' ich dein Treulieb
5 Ophelia Songs, WoO 22 (Arr. A. Reimann for Mezzo-Soprano & String Quartet): No. 2, Sein Leichenhemd weiß wie Schnee zu sehn
5 Ophelia Songs, WoO 22 (Arr. A. Reimann for Mezzo-Soprano & String Quartet): No. 3
5 Ophelia Songs, WoO 22 (Arr. A. Reimann for Mezzo-Soprano & String Quartet): No. 4, Sie trugen ihn auf der Bahre bloß
5 Ophelia Songs, WoO 22 (Arr. A. Reimann for Mezzo-Soprano & String Quartet): No. 5, Und kommt er nicht mehr zurück?
Říkadla, JW 5/16: No. 1, The mole creeps
Říkadla, JW 5/16: No. 2, Karel rode off to hell
Říkadla, JW 5/16: No. 3, Franta, the knacker's son
Říkadla, JW 5/16: No. 4, Children, hear my sermon
Říkadla, JW 5/16: No. 5, Ho ho, off the cows go
Říkadla, JW 5/16: No. 7, Vacek scallywag
Říkadla, JW 5/16: No. 8, Frantik, Frantik
4 Songs, Op. 27, TrV 170: No. 4, Morgen! (Arr. for Mezzo-Soprano, Violin & Piano by Magdalena Kožená, Sir Simon Rattle & Wolfram Brandl)
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Prelude
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Prelude
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Going to be a storm soon (Forester)
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: In the month of May (Harašta)
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Come on, old lady, and let's get the show started (Cricket, Catepillar
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Hey there, Harašta, how's it going? (
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Mummy! Mummy! What is that? (Vixen Cub, Forester)
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Little foxes running fast (Fox Cubs,
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Pantomime
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: How many children do we have? (Fox, V
The Cunning Little Vixen, Act I. Sharp-Ears at the Forester's lakeside farmyard: Interlude
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Put it down fast! Harašta, Harašta! (
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Look at how big she's grown! (Forester, Forester's Wife, Vixen, Dog)
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Interlude
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: I'm just the same too (Vixen)
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Where is old man Pásek? (Forester, In
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Look what we've got down 'ere (Pepik, Frantik, Vixen, Forester's Wife,
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Well I'm damned! (Forester, Innkeeper
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Interlude (beginning) "Ou, ou!" (Vixen)
The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Interlude
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Interlude (conclusion)
The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Spring is here at last (Forester)
The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: You should take a lesson from me! (Dog, Rooster, Hens, Chief Hen)
The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: When evening arrives, I welcome the r
The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: Sisters! Comrades! (Vixen, Hens, Rooster)
The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Hey! But I can't see the Vixen there!
The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: Come on then, don't be frightened (Chief Hen, Forester's Wife, Vixen,
The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Tha-that wasn't me (Frog)
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Prelude
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Ah! - Who's that out there screaming? (Vixen, Badger, Forest Cre
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Interlude
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: In my view parish things have got to be better! (Priest, Foreste
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Once long since, long ago (Forester, Schoolmaster, Priest, Pásek
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Home now? (Forester, Pásek)
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home : Interlude II
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Something is wrong with my equilibrium (Schoolmaster)
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Staccato! Flageoletti! (Schoolmaster)
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: So remember to be a good man! (Priest)
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Memnestho aner agathos einai (Priest, Forester, Schoolmaster)
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Interlude
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: O my God! He's so handsome! (Vixen, Fox)
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: One dark night (Vixen)
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Fox Goldenstripe (Fox, Vixen)
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Can it be that I am lovely? (Vixen, Fox)
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Let me go! I am afraid of you! (Vixen, F
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: If you had only seen what I saw just now
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: That's how it is! (Fox, Vixen, Woodpecke
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Mahler: Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenen Schritt. Streng. Wie ein Kondukt
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Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity
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Mussorgsky: Pictures at an Exhibition: Promenade I (Orch. Ravel, M. A 24)
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Mussorgsky: Pictures at an Exhibition: III. Tuileries (Orch. Ravel, M. A 24)
Mussorgsky: Pictures at an Exhibition: V. Ballet of the Unhatched Chicks (Orch. Ravel, M. A 24)
Mussorgsky: Pictures at an Exhibition: VII. Limoges, le marché (Orch. Ravel, M. A 24)
Mussorgsky: Pictures at an Exhibition: X. The Hut on Fowl's Legs "Baba Yaga" (Orch. Ravel, M. A 24)
Tchaikovsky: The Nutcracker, Op. 71, Act 1: No. 2, March
Tchaikovsky: The Nutcracker, Op. 71, Act 2: No. 12a, Divertissement. Chocolate, Spanish Dance
Tchaikovsky: The Nutcracker, Op. 71, Act 2: No. 12c, Divertissement. Tea, Chinese Dance
Tchaikovsky: The Nutcracker, Op. 71, Act 2: No. 12d, Divertissement. Trepak, Russian Dance
Tchaikovsky: The Nutcracker, Op. 71, Act 2: No. 14a, Pas de deux. Andante maestoso
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Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo
Debussy: La Mer, CD 111, L. 109: II. Jeux de vagues
Messiaen: Éclairs sur l'au-delà...: VI. Les sept anges aux sept trompettes
Messiaen: Éclairs sur l'au-delà...: X. Le chemin de l'invisible
Orff: Carmina Burana, Introduction "Fortuna Imperatrix Mundi": O Fortuna
Orff: Carmina Burana, Pt. 2 "In taberna": Estuans interius
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Eath": Introduction
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Eath": Augurs of Spring
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Eath": Dances of the Young Girls
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Eath": Ritual of Abduction
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Eath": Spring Rounds
Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Glorification of the Chosen One
Die Walküre, WWV 86B, Act I: Vorspiel (Live)
Die Walküre, WWV 86B, Act II: Vorspiel (Live)
Die Walküre, WWV 86B, Act II Scene 4: Siegmund! - Sieh auf mich! (Live)
Die Walküre, WWV 86B, Act III Scene 1: Walkürenritt - Hojotoho! Heiaha! (Live)
Die Walküre, WWV 86B, Act I Scene 1: Wess' Herd dies auch sei, hier muss ich rasten (Live)
Die Walküre, WWV 86B, Act II Scene 1: Nun zäume dein Ross, reisige Maid! (Live)
Die Walküre, WWV 86B, Act II Scene 4: Hehr bist du und heilig gewahr' ich (Live)
Die Walküre, WWV 86B, Act III Scene 1: Schützt mich, und helft in höchster Not! (Live)
Die Walküre, WWV 86B, Act I Scene 1: Kühlende Labung gab mir der Quell (Live)
Die Walküre, WWV 86B, Act II Scene 1: Der alte Sturm, die alte Müh'! (Live)
Die Walküre, WWV 86B, Act II Scene 4: Du sahest der Walküre sehrenden Blick (Live)
Die Walküre, WWV 86B, Act III Scene 1: Nicht sehre dich Sorge um mich (Live)
Die Walküre, WWV 86B, Act I Scene 1: Des seimigen Metes süßen Trank (Live)
Die Walküre, WWV 86B, Act II Scene 1: Heut' - Hast du's erlebt! (Live)
Die Walküre, WWV 86B, Act II Scene 4: So wenig achtest du ewige Wonne? (Live)
Die Walküre, WWV 86B, Act III Scene 1: Fort denn eile nach Osten gewandt! (Live)
Die Walküre, WWV 86B, Act I Scene 1: Einen Unseligen labtest du (Live)
Die Walküre, WWV 86B, Act II Scene 1: Nichts lerntest du, wollt' ich dich lehren (Live)
Die Walküre, WWV 86B, Act II Scene 5: Zauberfest bezaehmt ein Schlaf (Live)
Die Walküre, WWV 86B, Act III Scene 2: Wo ist Brünnhild', wo die Verbrecherin? (Live)
Die Walküre, WWV 86B, Act I Scene 2: Müd' am Herd fand ich den Mann (Live)
Die Walküre, WWV 86B, Act II Scene 1: Was verlangst du? (Live)
Die Walküre, WWV 86B, Act II Scene 5: Kehrte der Vater nur heim! (Live)
Die Walküre, WWV 86B, Act III Scene 2: Hier bin ich, Vater Gebiete die Strafe! (Live)
Die Walküre, WWV 86B, Act I Scene 2: Friedmund darf ich nicht heißen (Live)
Die Walküre, WWV 86B, Act II Scene 1: Dort kommt deine kühne Maid (Live)
Die Walküre, WWV 86B, Act II Scene 5: Triff ihn, Siegmund! Traue dem Schwert! (Live)
Die Walküre, WWV 86B, Act III Scene 2: Du verstössest mich? (Live)
Die Walküre, WWV 86B, Act I Scene 2: Wunder und wilde Märe kündest du, kühner Gast (Live)
Die Walküre, WWV 86B, Act II Scene 2: Schlimm, fürcht' ich, schloss der Streit (Live)
Die Walküre, WWV 86B, Act III Scene 3: War es so schmählich, was ich verbrach (Live)
Die Walküre, WWV 86B, Act I Scene 2: Aus dem Wald trieb es mich fort (Live)
Die Walküre, WWV 86B, Act II Scene 2: Lass' ich's verlauten (Live)
Die Walküre, WWV 86B, Act I Scene 2: Die so leidig los dir beschied (Live)
Die Walküre, WWV 86B, Act II Scene 2: Ein andres ist's Achte es wohl (Live)
Die Walküre, WWV 86B, Act I Scene 2: Ich weiß ein wildes Geschlecht (Live)
Die Walküre, WWV 86B, Act II Scene 2: Doch der Wälsung, Siegmund? (Live)
Die Walküre, WWV 86B, Act I Scene 2: Fort aus dem Saal (Live)
Die Walküre, WWV 86B, Act II Scene 2: So nimm meinen Segen, Niblungen-Sohn! (Live)
Die Walküre, WWV 86B, Act I Scene 3: Ein Schwert verhieß mir der Vater (Live)
Die Walküre, WWV 86B, Act II Scene 2: So sah ich Siegvater nie (Live)
Die Walküre, WWV 86B, Act I Scene 3: Wälse! Wo ist dein Schwert? (Live)
Die Walküre, WWV 86B, Act II Scene 3: Raste nun hier Gönne dir Ruh'! (Live)
Die Walküre, WWV 86B, Act I Scene 3: Schläfst du, Gast? (Live)
Die Walküre, WWV 86B, Act II Scene 3: Hinweg! Hinweg! Flieh die Entweihte! (Live)
Die Walküre, WWV 86B, Act I Scene 3: Winterstürme wichen dem Wonnemond (Live)
Die Walküre, WWV 86B, Act I Scene 3: Du bist der Lenz, nach dem ich verlangte (Live)
Die Walküre, WWV 86B, Act I Scene 3: O süßeste Wonne! Seligstes Weib! (Live)
Die Walküre, WWV 86B, Act I Scene 3: Wehwalt heiß'st du fürwahr? (Live)
Die Walküre, WWV 86B, Act I Scene 3: Siegmund heiß' ich, und Siegmund bin ich (Live)
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Beethoven: Fidelio, Op. 72, Act 1: "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline)
Beethoven: Fidelio, Op. 72, Act 1: "Armer Jaquino" (Marzelline)
Beethoven: Fidelio, Op. 72, Act 1: "Marzelline, ist Fidelio noch nicht zurückgekommen?" (Rocco, Marzelline, Leonore)
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Beethoven: Fidelio, Op. 72, Act 1: "Höre, Fidelio, ich gebe dir meine Tochter zur Frau" (Rocco)
Beethoven: Fidelio, Op. 72, Act 1: "Hat man nicht auch Gold beineben" (Rocco)
Beethoven: Fidelio, Op. 72, Act 1: "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline)
Beethoven: Fidelio, Op. 72, Act 1: March
Beethoven: Fidelio, Op. 72, Act 1: "Wo sind die Depeschen?" (Pizarro, Rocco)
Beethoven: Fidelio, Op. 72, Act 1: "Ha! Welch' ein Augenblick!" (Pizarro, Chorus)
Beethoven: Fidelio, Op. 72, Act 1: "Hauptmann! Besteigen Sie mit einem Trompeter" (Pizarro, Rocco)
Beethoven: Fidelio, Op. 72, Act 1: "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)
Beethoven: Fidelio, Op. 72, Act 1: "Meister Rocco, Ihr verspracht so oft" (Leonore, Rocco, Marzelline)
Beethoven: Fidelio, Op. 72, Act 1: "Nun sprecht, wie ging's?" (Leonore, Rocco)
Beethoven: Fidelio, Op. 72, Act 1: "Ach! Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro)
Beethoven: Fidelio, Op. 72, Act 1: "Leb wohl, du warmes Sonnenlicht" (Chorus, Marzelline, Leonore, Jaquino, Pizarro, Rocco)
Beethoven: Fidelio, Op. 72, Act 2: "Gott! Welch' Dunkel hier!" (Florestan)
Beethoven: Fidelio, Op. 72, Act 2: "Wie kalt ist es hier!" (Leonore, Rocco)
Beethoven: Fidelio, Op. 72, Act 2: "Nur hurtig fort, nur frisch gegraben" (Rocco, Leonore)
Beethoven: Fidelio, Op. 72, Act 2: "Er erwacht" (Leonore, Rocco, Florestan)
Beethoven: Fidelio, Op. 72, Act 2: "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
Beethoven: Fidelio, Op. 72, Act 2: "Alles ist bereit" (Rocco, Florestan, Leonore, Pizarro)
Beethoven: Fidelio, Op. 72, Act 2: "Er sterbe! ... Vater Rocco!" (Pizarro, Florestan, Leonore, Rocco, Jaquino)
Beethoven: Fidelio, Op. 72, Act 2: "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco)
Beethoven: Fidelio, Op. 72, Act 2: "O namenlose Freude!" (Leonore, Florestan)
Beethoven: Fidelio, Op. 72, Act 2: "Heil sei dem Tag" (Chorus)
Beethoven: Fidelio, Op. 72, Act 2: "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline)
Beethoven: Fidelio, Op. 72, Act 2: "O Gott! Welch' ein Augenblick!" (Leonore, Florestan, Don Fernando, Marzelline, Rocco, Chorus)
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Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara, Chorus)
Debussy: Le Roi Lear, CD 116, L. 107: II. Le sommeil de Lear
Mozart: Così fan tutte, K. 588: Ouvertura
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Bizet: Carmen, WD 31, Act 1: Habanera. "L'amour est un oiseau rebelle" (Carmen, Chœur)
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Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto (Excerpt)
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Britten: 4 Chansons françaises: No. 3, L'enfance
Bizet: Carmen, WD 31, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès)
Mussorgsky: Pictures at an Exhibition: Il. Il vecchio castello (Orch. Ravel, M. A 24)
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Gershwin / Orch. Grofé: Rhapsody in Blue (Opening)
Rodrigo: Concierto de Aranjuez: II. Adagio (Excerpt)
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Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt)
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Dvořák: The Water Goblin, Op. 107, B. 195: I. Allegro vivo
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Debussy: Images pour orchestre, CD 118, L. 122, Pt. 2 "Iberia": No. 1, Par les rues et par les chemins
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Shostakovich: Symphony No. 14 in G Minor, Op. 135: II. Malagueña
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Bernstein: Wonderful Town, Act 1: Overture
Szymanowski: Songs of a Fairy-Tale Princess, Op. 31: No. 2, The Nightingale
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Bizet: Carmen, WD 31, Act 1: Séguedille. "Près des remparts de Séville" (Carmen, Don José)
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Bizet: Carmen, WD 31, Act 2: "Votre toast, je peux vous le rendre" - "Toréador, en garde !" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga)
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Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: III. Moderato
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Schoenberg: Gurre-Lieder, Pt. 1: Introduktion. Mässig bewegt
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Berg: Lulu Suite: II. Ostinato (Allegro)
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Dvořák: The Water Goblin, Op. 107, B. 195: II. Andante mesto come prima
The John Adams Edition, Vol. 3: The Gospel According to the Other Mary
The Gospel According to the Other Mary, Act I Scene 1: The Next Day in the City Jail
The Gospel According to the Other Mary, Act I Scene 1: Now a Certain Woman Named Martha
The Gospel According to the Other Mary, Act I Scene 2: And She Had a Sister Named Mary
The Gospel According to the Other Mary, Act I Scene 2: I Am Surprised That I Am Beginning to Pray Daily
The Gospel According to the Other Mary, Act I Scene 2: Chorus "En un Día de Amor Yo Bajé Hasta la Tierra"
The Gospel According to the Other Mary, Act I Scene 3: Now a Certain Man Was Sick
The Gospel According to the Other Mary, Act I Scene 3: Lazarus Dies While His Sisters Await Jesus
The Gospel According to the Other Mary, Act I Scene 3: Why Standest Thou Afar off, O Lord?
The Gospel According to the Other Mary, Act I Scene 3: In My Own Quietly Explosive Here
The Gospel According to the Other Mary, Act I Scene 3: Don't Touch My Left Arm
The Gospel According to the Other Mary, Act I Scene 3: When Mary Was Come Where Jesus Was
The Gospel According to the Other Mary, Act I Scene 3: Jesus Said, Take Ye Away the Stone
The Gospel According to the Other Mary, Act I Scene 3: And When He Thus Had Spoken
The Gospel According to the Other Mary, Act I Scene 3: Chorus "Drop Down, Ye Heavens, from Above"
The Gospel According to the Other Mary, Act I Scene 4: Then Jesus Six Days Before the Passover
The Gospel According to the Other Mary, Act I Scene 4: For the Grave Cannot Praise Thee
The Gospel According to the Other Mary, Act I Scene 4: Then Took Mary a Pound of Ointment
The Gospel According to the Other Mary, Act I Scene 5: And There Were Some That Had Indignation Within Themselves
The Gospel According to the Other Mary, Act I Scene 5: We Know There Will Be No Utopias
The Gospel According to the Other Mary, Act I Scene 5: Tell Me, How Is This Night Different
The Gospel According to the Other Mary, Act II Scene 1: Chorus "Who Rips His Own Flesh Down the Seams"
The Gospel According to the Other Mary, Act II Scene 1: Martha and Mary, Not Knowing
The Gospel According to the Other Mary, Act II Scene 2: Introduction
The Gospel According to the Other Mary, Act II Scene 2: Up at Two a.m., Picketed All Day
The Gospel According to the Other Mary, Act II Scene 2: The Said Defendants
The Gospel According to the Other Mary, Act II Scene 2: Chorus "Jesus, Incomparable Perdonador de Injurias"
The Gospel According to the Other Mary, Act II Scene 3: And They Were Come unto a Place Called Golgotha
The Gospel According to the Other Mary, Act II Scene 3: Daughters of Jerusalem, Weep Not for Me
The Gospel According to the Other Mary, Act II Scene 3: Now There Stood by the Cross of Jesus
The Gospel According to the Other Mary, Act II Scene 3: When Jesus Saw His Mother
The Gospel According to the Other Mary, Act II Scene 4: When the Rain Began to Fall
The Gospel According to the Other Mary, Act II Scene 4: On Earth When He Heard the First Rain
The Gospel According to the Other Mary, Act II Scene 4: His Son Cried Out to Him
The Gospel According to the Other Mary, Act II Scene 5: Now in the Place Where He Was Crucified There Was a Garden
The Gospel According to the Other Mary, Act II Scene 5: Mary Awakens on the Third Morning
The Gospel According to the Other Mary, Act II Scene 5: Chorus "It Is Spring"
The Gospel According to the Other Mary, Act II Scene 6: And, Behold, There Was a Great Earthquake
The Gospel According to the Other Mary, Act II Scene 6: Why Seek Ye the Living Among the Dead?
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso
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