1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x67e44fbe43824721d5317190dea4d6917b2fee96e633d500129d73b2961c90d9. Chain 2 (Bitcoin): anchored in block 953408 (2026-06-12T19:28:13Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/54e8a937-4f0d-4e3f-9a17-11280dd7188f.json and https://artists.proofprofile.net/proofs/artist/54e8a937-4f0d-4e3f-9a17-11280dd7188f.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
{"copyright_id":"0xb13ee1fe7b04e4a113b3b1204ce21ba86c696d2c8c54e21b4a3c32a0b0d9f6c9","isrc":"USA371283521","name":"Maurerische Trauermusik K. 477","registered_at":"2026-06-19T11:03:00Z","spotify_id":"28v1AHPc5wNdip0U4glqJ3","type":"track"}
1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb13ee1fe7b04e4a113b3b1204ce21ba86c696d2c8c54e21b4a3c32a0b0d9f6c9. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/28v1AHPc5wNdip0U4glqJ3.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/28v1AHPc5wNdip0U4glqJ3.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x28515ccbac49ca0875ea041714c829cd95c585fcdc58f11b515b87ce6633886a. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3KFLnbKAb8INtchV9ZQ59N.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3KFLnbKAb8INtchV9ZQ59N.
{"copyright_id":"0x99a6a581378faf847e22edcfaf4e9dde096eb905a05735aef9f814f477e57d60","isrc":"USA371283523","name":"Mozart : Requiem K. 626 - Dies irae","registered_at":"2026-06-17T22:49:46Z","spotify_id":"20Ahwyou8HBYUHKsg5c5I4","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x99a6a581378faf847e22edcfaf4e9dde096eb905a05735aef9f814f477e57d60. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/20Ahwyou8HBYUHKsg5c5I4.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/20Ahwyou8HBYUHKsg5c5I4.
{"copyright_id":"0x8d47d467ed78f2344c4643eca3e1caa5a806deebb9bcaa13b2b53ab9b8ac71a3","isrc":"USA371283524","name":"Mozart : Requiem K. 626 - Tuba mirum","registered_at":"2026-06-20T00:00:01Z","spotify_id":"1vRqn5ren3Sl8A5H4pIQ3x","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x8d47d467ed78f2344c4643eca3e1caa5a806deebb9bcaa13b2b53ab9b8ac71a3. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1vRqn5ren3Sl8A5H4pIQ3x.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1vRqn5ren3Sl8A5H4pIQ3x.
{"copyright_id":"0x27efbf063233108aa8beefd4fc1b9ab5bbcc1aca9056d40374fa679f968ab84e","isrc":"USA371283525","name":"Mozart : Requiem K. 626 - Rex tremendae","registered_at":"2026-06-20T04:42:35Z","spotify_id":"2DpRTNjzJJBqjeP7l7poqB","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x27efbf063233108aa8beefd4fc1b9ab5bbcc1aca9056d40374fa679f968ab84e. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2DpRTNjzJJBqjeP7l7poqB.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2DpRTNjzJJBqjeP7l7poqB.
{"copyright_id":"0xc939b193336fcacfba04a8b15c28fd4139373838f53f4d52fad7905a6c16a76e","isrc":"USA371283526","name":"Mozart : Requiem K. 626 - Recordare","registered_at":"2026-06-19T11:01:23Z","spotify_id":"46qUZfLmAyZjE3IIyzXE00","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc939b193336fcacfba04a8b15c28fd4139373838f53f4d52fad7905a6c16a76e. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/46qUZfLmAyZjE3IIyzXE00.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/46qUZfLmAyZjE3IIyzXE00.
{"copyright_id":"0xc4ec261dd847e5168e6c4d82dcb8c085ca4a4f0fa37b4bed802a4f378c077801","isrc":"USA371283527","name":"Mozart : Requiem K. 626 - Confutatis","registered_at":"2026-06-18T14:52:18Z","spotify_id":"4O0O0zgOYw0pR61sH7ckTo","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc4ec261dd847e5168e6c4d82dcb8c085ca4a4f0fa37b4bed802a4f378c077801. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4O0O0zgOYw0pR61sH7ckTo.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4O0O0zgOYw0pR61sH7ckTo.
{"copyright_id":"0x7963accb8098cf034d1f05b820990fd8aa5e30f0db40c67b14f72d27cebb26da","isrc":"USA371283528","name":"Mozart : Requiem K. 626 - Lacrimosa","registered_at":"2026-06-04T10:28:58Z","spotify_id":"3hj6jHDmZfoQdukMi6bWF6","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7963accb8098cf034d1f05b820990fd8aa5e30f0db40c67b14f72d27cebb26da. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3hj6jHDmZfoQdukMi6bWF6.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3hj6jHDmZfoQdukMi6bWF6.
{"copyright_id":"0x21e9c07bdb98646a43f5b770bae89b36fbac4ffc11ca4046ffdf1c36693de1d9","isrc":"USA371283529","name":"Mozart : Requiem K. 626 - Domine Jesu","registered_at":"2026-06-20T04:47:23Z","spotify_id":"1NK5nCAx85EpnyDebafm6w","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x21e9c07bdb98646a43f5b770bae89b36fbac4ffc11ca4046ffdf1c36693de1d9. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1NK5nCAx85EpnyDebafm6w.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1NK5nCAx85EpnyDebafm6w.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x8695caf15cc76e9f3484483730959067276c3962f56dbb934a48fdae3d50f1c2. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2Bg7tys5qRJbvtP8dKlRnQ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2Bg7tys5qRJbvtP8dKlRnQ.
{"copyright_id":"0x6b6d514536207c4d78db3c59c49c4ed7ebc3da99e8fbe75b00eb78d8f606b8cb","isrc":"USA371283531","name":"Mozart : Requiem K. 626 - Sanctus","registered_at":"2026-06-21T22:25:02Z","spotify_id":"17VrQZp6sds5t1TQDcMegC","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6b6d514536207c4d78db3c59c49c4ed7ebc3da99e8fbe75b00eb78d8f606b8cb. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/17VrQZp6sds5t1TQDcMegC.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/17VrQZp6sds5t1TQDcMegC.
{"copyright_id":"0x110aa3bdebeb7390acd6bee8e3fc53cf50567c5c6e1a90b0442b50404729239d","isrc":"USA371283532","name":"Mozart : Requiem K. 626 - Benedictus","registered_at":"2026-06-20T23:54:35Z","spotify_id":"6Q3xUfoPLKdDj12fSlYx8g","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x110aa3bdebeb7390acd6bee8e3fc53cf50567c5c6e1a90b0442b50404729239d. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6Q3xUfoPLKdDj12fSlYx8g.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6Q3xUfoPLKdDj12fSlYx8g.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2c4f0580e7df2a82d74e374a503f2252dabe924ba03f14608c55020eb9f64cde. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4Ain0iG8mInx9yoyDo1K4H.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4Ain0iG8mInx9yoyDo1K4H.
{"copyright_id":"0x25eb4b1f553cb6678430aec6c87843df56700282627cdccef6059efacbdebd11","isrc":"USA371283534","name":"Mozart : Requiem K. 626 - Lux aeterna","registered_at":"2026-06-20T23:58:01Z","spotify_id":"6UwW8YOgZRsg9o8Mj2uc9u","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x25eb4b1f553cb6678430aec6c87843df56700282627cdccef6059efacbdebd11. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6UwW8YOgZRsg9o8Mj2uc9u.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6UwW8YOgZRsg9o8Mj2uc9u.
W. A. Mozart: Requiem in D Minor, K. 626
Requiem in D Minor, K. 626: I. Introitus: Requiem aeternam
Requiem in D Minor, K. 626: II. Kyrie eleison
Requiem in D Minor, K. 626: III. Sequentia: No. 1, Dies irae
Requiem in D Minor, K. 626: III. Sequentia: No. 2, Tuba mirum
Requiem in D Minor, K. 626: III. Sequentia: No. 3, Rex tremendae
Requiem in D Minor, K. 626: III. Sequentia: No. 4, Recordare
Requiem in D Minor, K. 626: III. Sequentia: No. 5, Confutatis
Requiem in D Minor, K. 626: III. Sequentia: No. 6, Lacrymosa
Requiem in D Minor, K. 626: IV. Offertorium: No. 1, Domine Jesu
Requiem in D Minor, K. 626: IV. Offertorium: No. 2, Hostias
Requiem in D Minor, K. 626: VI. Benedictus
Requiem in D Minor, K. 626: VII. Agnus Dei
Requiem in D Minor, K. 626: VIII. Communio: Lux aeterna
Symphony No. 4 in A Major, Op. 90 "Italian" (1834 version): I. Allegro vivace
Symphony No. 4 in A Major, Op. 90 "Italian" (1834 version): II. Andante con moto
Symphony No. 4 in A Major, Op. 90 "Italian" (1834 version): III. Menuetto
Symphony No. 4 in A Major, Op. 90 "Italian" (1834 version): IV. Saltarello
Symphony No. 4 in A Major, Op. 90 "Italian": I. Allegro vivace
Symphony No. 4 in A Major, Op. 90 "Italian": II. Andante con moto
Symphony No. 4 in A Major, Op. 90 "Italian": III. Menuetto
Symphony No. 4 in A Major, Op. 90 "Italian": IV. Saltarello
Charpentier à la chapelle royale de Versailles
Canticum in honorem Beate Virginis Mariae inter homines et angelos, H. 400
Missa assumpta est Maria, H. 11a: I. Sinfonie devant le Kyrie 1
Symphonie devant Regina Coeli. Prélude à trois voix, H. 509
Missa assumpta est Maria, H. 11a: II. Kyrie 1
Missa assumpta est Maria, H. 11a: III. Sinfonie devant le Christe
Missa assumpta est Maria, H. 11a: IV. Christe
Missa assumpta est Maria, H. 11a: V. Sinfonie devant le Kyrie 2
Salve Regina à trois voix pareilles, H. 23
Missa assumpta est Maria, H. 11a: VI. Kyrie 2
Missa assumpta est Maria, H. 11a: VII. Gloria
Prélude pour le Magnificat à quatre voix, H. 533
Missa assumpta est Maria, H. 11a: VIII. Et in terra pax hominibus
Missa assumpta est Maria, H. 11a: IX. Laudamus Te
Stabat Mater pour les religieuses, H. 15
Missa assumpta est Maria, H. 11a: X. Domine Deus, Rex caelestis
Litanies de la Vierge à six voix et deux dessus de violes, H. 83
Missa assumpta est Maria, H. 11a: XI. Qui tollis
Missa assumpta est Maria, H. 11a: XII. Quoniam tu solus sanctus
Missa assumpta est Maria, H. 11a: XIII. Credo in unum Deum
Missa assumpta est Maria, H. 11a: XIV. Patrem omnipotentem
Missa assumpta est Maria, H. 11a: XV. Et in unum Dominum Jesum Christum filium Dei
Missa assumpta est Maria, H. 11a: XVI. Et incarnatus
Missa assumpta est Maria, H. 11a: XVII. Crucifixus
Missa assumpta est Maria, H. 11a: XVIII. Et resurrexit
Missa assumpta est Maria, H. 11a: XIX. Et in spiritum sanctum Dominum
Missa assumpta est Maria, H. 11a: XX. Confiteor unum Baptisma in remissionem peccatorum
Missa assumpta est Maria, H. 11a: XXI. Et vitam venturi saeculi. Amen
Missa assumpta est Maria, H. 11a: XXII. Sinfonie devant le Sanctus
Missa assumpta est Maria, H. 11a: XXIII. Sanctus
Missa assumpta est Maria, H. 11a: XXIV. Sinfonie derrière le Sanctus
Missa assumpta est Maria, H. 11a: XXV. Sinfonie devant l'Agnus
Missa assumpta est Maria, H. 11a: XXVI. Agnus Dei
Missa assumpta est Maria, H. 11a: XXVII. Sinfonie derrière l'Agnus
Missa assumpta est Maria, H. 11a / Domine Salvum fac regem, H. 303
Concert pour quatre parties de violes, H. 545: I. Prélude
Concert pour quatre parties de violes, H. 545: II. Allemande
Concert pour quatre parties de violes, H. 545: III. Sarabande. Rondeau
Concert pour quatre parties de violes, H. 545: IV. Gigue anglaise
Concert pour quatre parties de violes, H. 545: V. Gigue française
Concert pour quatre parties de violes, H. 545: VI. Passacaille
In nativitatem domini canticum, H. 416: Nuit
La musique au temps des castrats - Astrée Recordings
Orfeo ed Euridice, Wq. 30, Act II, Scene 2: Symphonie - Arioso "Che puro ciel, che chiaro sol" (Orfeo)
{"copyright_id":"0xbaa693f78ab43fd53a25b01e130c41c63044b257f358459b821e18a9e501b067","isrc":"FRZ130893010","name":"Orfeo ed Euridice, Wq. 30, Act II, Scene 2: Symphonie - Arioso \"Che puro ciel, che chiaro sol\" (Orfeo)","registered_at":"2026-06-26T21:36:38Z","spotify_id":"2j2thcX8y8o4nJ0naRAacZ","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xbaa693f78ab43fd53a25b01e130c41c63044b257f358459b821e18a9e501b067. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2j2thcX8y8o4nJ0naRAacZ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2j2thcX8y8o4nJ0naRAacZ.
Motezuma, RV 723, Act III, Scene 10: Aria "Dov'è la figlia" (Motezuma)
Dixit Dominus, RV 594: No. 8, Aria "De torrente in via"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x570aa494a834cae3d1fc144694c9c4929beebb949399c044b313680572fb0b94. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4n7Bwa2YJleh3MBaTZyI72.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4n7Bwa2YJleh3MBaTZyI72.
Orfeo ed Euridice, Wq. 30, Act III, Scene 1: "Che faro senza Euridice ?" (Orfeo)
{"copyright_id":"0xf857df1afec9af21ea6f15745ea585f44dad58d45fdd7f5ac32ff189510020d2","isrc":"FRZ130893060","name":"Orfeo ed Euridice, Wq. 30, Act III, Scene 1: \"Che faro senza Euridice ?\" (Orfeo)","registered_at":"2026-06-07T07:01:22Z","spotify_id":"5yE8lJ16vJwfsA98G7YcAS","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf857df1afec9af21ea6f15745ea585f44dad58d45fdd7f5ac32ff189510020d2. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5yE8lJ16vJwfsA98G7YcAS.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5yE8lJ16vJwfsA98G7YcAS.
Motezuma, RV 723, Act I, Scene 2: Aria "Gl'oltraggidella sorte" (Motezuma)
Nisi Dominus, RV 608: No. 9, Aria "Sicut erat" - "Amen"
Artaserse, Act III, Scene 1: Aria "Son qual nave ch'agitata" (Arbace)
Antonio Vivaldi: La Viola Da Gamba In Concerto
Concerto con violino e viola da gamba, Archi e Continuo (La Maggiore, RV 546): I. Allegro
{"copyright_id":"0xf8f31c600656c8c0670683d590b6e27f5c686e03613fbfde27abc3ced67a9266","isrc":"CH4210300136","name":"Concerto con violino e viola da gamba, Archi e Continuo (La Maggiore, RV 546): I. Allegro","registered_at":"2026-06-24T11:03:04Z","spotify_id":"7CR3IYZyp29WUYvGYyNBjI","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf8f31c600656c8c0670683d590b6e27f5c686e03613fbfde27abc3ced67a9266. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7CR3IYZyp29WUYvGYyNBjI.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7CR3IYZyp29WUYvGYyNBjI.
Concerto con violino e viola da gamba, Archi e continuo (La Maggiore, RV 546): II. Andante
Concerto con violino e viola da gamba, Archi e continuo (La Maggiore, RV 546): III. Allegro
Concerto con 2 violini e viola da gamba, Archi e Continuo (Re Minore, RV 565): I. Allegro, Adagio e spiccato
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3880cba64b46cb3b7418233447c963e981ea00226d0826c3e9d0bd02b3070ec7. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3aGXC2WQQ4Wkpw11RtS6zK.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3aGXC2WQQ4Wkpw11RtS6zK.
Concerto con 2 violini e viola da gamba, Archi e continuo (Re Minore, RV 565): II. Allegro
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc902cbaf82acb3081a1267d51e305344c0029e57897a5cda2812ef6aeeaf1f84. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6SvBSOCDbJWWbVuDpxdQbq.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6SvBSOCDbJWWbVuDpxdQbq.
Concerto con 2 violini e viola da gamba, Archi e continuo (Re Minore, RV 565): III. Largo e spiccato
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Concerto con 2 violini e viola da gamba, Archi e continuo (Re Minore, RV 565): IV. Allegro
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"Concerto Funebre" con hautbois sordini e salmoè, violino principale e viole da gamba (Si Bem. Maggiore, RV 579): I. Largo
"Concerto Funebre" con hautbois sordini e salmoè, violino principale e viole da gamba (Si Bem. Maggiore, RV 579): II. Allegro poco poco
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"Concerto Funebre" con hautbois sordini e salmoè, violino principale e viole da gamba (Si Bem. Maggiore, RV 579): III. Allegro
Concerto "Il proteo o sia il mondo al Rovescio" con violino e violoncello, Archi e continuo (Fa Maggiore, RV 544): I. Allegro
Concerto "Il proteo o sia il mondo al Rovescio" con violino e violoncello, Archi e continuo (Fa Maggiore, RV 544): II. Largo
Concerto "Il proteo o sia il mondo al Rovescio" con violino e violoncello, Archi e continuo (Fa Maggiore, RV 544): III. Allegro
Concerto con 2 violini e viola da gamba, Archi e continuo (Sol Minore, RV 578): I. Adagio e spiccato
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Concerto con 2 violini e viola da gamba, Archi e continuo (Sol Minore, RV 578): II. Larghetto
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Concerto con 2 violini e viola da gamba, Archi e continuo (Sol Minore, RV 578): III. Allegro
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Concerto con 4 violini e violoncello, Archi e continuo (Si Minore, RV 580): I. Allegro
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Concerto con 4 violini e violoncello, Archi e continuo (Si Minore, RV 580): II. Largo
Concerto con 4 violini e violoncello, Archi e continuo (Si Minore, RV 580): III. Larghetto. Adagio - Largo
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Concerto con 4 violini e violoncello, Archi e continuo (Si Minore, RV 580): IV. Allegro
Concerto con molti istromenti (Do Maggiore, RV 555): I. Allegro
Concerto con molti istromenti (Do Maggiore, RV 555): II. Largo e spicato
Concerto con molti istromenti (Do Maggiore, RV 555): III. Allegro
Jean-Baptiste Lully: L'orchestre du Roi Soleil
Le Bourgeois Gentilhomme, LWV 43: Ouverture (1670)
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Le Bourgeois Gentilhomme, LWV 43: Gavotte (1670)
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Le Bourgeois Gentilhomme, LWV 43: Canaries (1670)
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Le Bourgeois Gentilhomme, LWV 43: Marche pour la Cérémonie Turque (1670)
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Le Bourgeois Gentilhomme, LWV 43: 1er Air des Espagnols - Sarabande (1670)
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Le Bourgeois Gentilhomme, LWV 43: 2ème Air des Espagnols - Gigue (1670)
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Le Bourgeois Gentilhomme, LWV 43: L'entrée des Scaramouches, Trivelins et Arlequins (1670)
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Le Bourgeois Gentilhomme, LWV 43: Chaconne des Scaramouches, Trivelins et Arlequins (1670)
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Le Divertissement Royal de Versailles, LWV 38: Danse de Neptune (1664-1670)
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Le Divertissement Royal de Versailles, LWV 38: Les Suivants de Neptune (1664-1670)
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Le Divertissement Royal de Versailles, LWV 38: Prélude des Trompettes (1664-1670)
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Le Divertissement Royal de Versailles, LWV 38: Les hommes et femmes armés (1664-1670)
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Le Divertissement Royal de Versailles, LWV 38: Rondeau du Mariage Forcé (1664)
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Le Divertissement Royal de Versailles, LWV 38: Second Air ("Le Mariage Forcé") (1664-1670)
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Le Divertissement Royal de Versailles, LWV 38: Bourrée du Mariage Forcé (1664-1670)
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Le Divertissement Royal de Versailles, LWV 38: Bourrée du Divertissement de Chambord (1669)
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Le Divertissement Royal de Versailles, LWV 38: Symphonie des Plaisirs (1664-1670)
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Le Divertissement Royal de Versailles, LWV 38: Les Esclaves (1664-1670)
Le Divertissement Royal de Versailles, LWV 38: Menuet pour les Trompettes (1664-1670)
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Alceste, LWV 50: Marche des Combattans (1674)
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Alceste, LWV 50: Loure pour les Pêcheurs (1674)
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Alceste, LWV 50: Rondeau de la Gloire (1674)
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Alceste, LWV 50: La Pompe Funèbre (1674)
Alceste, LWV 50: Rondeau pour la Fête Marine (1674)
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Alceste, LWV 50: La Fête Infernale - 1er Air (1674)
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Alceste, LWV 50: 2ème Air, Les Démons (1674)
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Alceste, LWV 50: Marche des Assiégeants (1674)
Chaconne de l'amour Médecin, LWV 29 (1665)
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Pavane pour la petite « guaire » (guerre), fait pour les Cornetz en 1601
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Makam « Muhayyer pesrev » – Marche Guerrière Ottomane: I. Taksim
Makam « Muhayyer pesrev » – Marche Guerrière Ottomane: II. Marche turque
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Zion spricht : Der Herr hat mich verlassen
Cant dels Aucells quant arribaren los Vaixells
Il più bel nome: II. Coro di Seguaci della virtù
Intrada-Geschwindt-Langsamer-Sarabande (Suites d'orchestre)
Taksim & Makam « Uzzäl uşūleş Darb-I feth »
Florilegium II, Chaconne de la Suite IV « Impatientia »
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Der makām-ı Uzzäl Sakîl « Turna » Semâ’î
Jubilate Deo « Le Motet de la Paix » (LWV 77/16)
Battalia a 10: Lamento der Verwundten Musquetirer
Der makām-ı Räst « Murass’a » uşūleş Düyek
Jubilate Deo / O Be Joyful, HWV 279: I. O Be Joyful in the Lord
Jubilate Deo / O Be Joyful, HWV 279: II. Serve the Lord with Gladness
Jubilate Deo / O Be Joyful, HWV 279: III. Be Ye Sure That the Lord He Is God
Jubilate Deo / O Be Joyful, HWV 279: IV. O Go Your Way Into His Gates
Jubilate Deo / O Be Joyful, HWV 279: V. For the Lord Is Gracious - Terzetto
Jubilate Deo / O Be Joyful, HWV 279: VI. Glory Be to the Father - Chorus
Jubilate Deo / O Be Joyful, HWV 279: VII. As It Was in the Beginning - Chorus
Teuzzone, RV 736, Act II, Scene 1: Di trombe guerriere
Teuzzone, RV 736, Act II, Scene 1: Recitativo
Teuzzone, RV 736, Sinfonia: III. Allegro
Teuzzone, RV 736, Act II, Scene 2: Recitativo
Teuzzone, RV 736, Act I, Scene 1: Recitativo
Teuzzone, RV 736, Act II, Scene 2: Tornerò, pupille belle
Teuzzone, RV 736, Act I, Scene 1: Recitativo accompagnato
Teuzzone, RV 736, Act II, Scene 3: Recitativo
Teuzzone, RV 736, Act I, Scene 2: Al fiero mio tormento (Cavatina)
Teuzzone, RV 736, Act II, Scene 3: Un'aura lusinghiera
Teuzzone, RV 736, Act I, Scene 2: Recitativo
Teuzzone, RV 736, Act II, Scene 4: Recitativo
Teuzzone, RV 736, Act I, Scene 2: Come suol la navicella
Teuzzone, RV 736, Act II, Scene 7: Recitativo
Teuzzone, RV 736, Act I, Scene 3: Recitativo
Teuzzone, RV 736, Act II, Scene 8: Recitativo
Teuzzone, RV 736, Act I, Scene 3: Tu mio vezzoso
Teuzzone, RV 736, Act II, Scene 8: La gloria del tuo sangue
Teuzzone, RV 736, Act I, Scene 4: Recitativo
Teuzzone, RV 736, Act II, Scene 9: Recitativo
Teuzzone, RV 736, Act I, Scene 4: In trono assiso
Teuzzone, RV 736, Act I, Scene 5: Recitativo
Teuzzone, RV 736, Act I, Scene 5: Taci per poco ancora
Teuzzone, RV 736, Act I, Scene 6: Ove giro il mesto sguardo
Teuzzone, RV 736, Act I, Scene 6: Recitativo
Teuzzone, RV 736, Act I, Scene 6: Que amaro tormento
Teuzzone, RV 736, Act I, Scene 6: Recitativo II
Teuzzone, RV 736, Act I, Scene 7: Dagl'Elisi ove posate - choeur
Teuzzone, RV 736, Act I, Scene 8: Recitativo
Teuzzone, RV 736, Act I, Scene 8: Sarò tua regina e sposa
Teuzzone, RV 736, Act I, Scene 9: Recitativo
Teuzzone, RV 736, Act I, Scene 9: La timida cervetta
Teuzzone, RV 736, Act I, Scene 10: Recitativo
Teuzzone, RV 736, Act I, Scene 10: Alma bella che vedi il mio core
Teuzzone, RV 736, Act I, Scene 10: Recitativo II
Teuzzone, RV 736, Act I, Scene 10: Recitativo accompagnato
Teuzzone, RV 736, Act I, Scene 10: Recitativo III
Teuzzone, RV 736, Act I, Scene 10: Viva Zidiana, viva - Choeur
Teuzzone, RV 736, Act I, Scene 10: Recitativo IV
Teuzzone, RV 736, Act I, Scene 10: Come fra turbini
Teuzzone, RV 736, Act I, Scene 11: Recitativo
Teuzzone, RV 736, Act I, Scene 12: Recitativo
Teuzzone, RV 736, Act I, Scene 12: Mi va scherzando in sen
Teuzzone, RV 736, Act I, Scene 12: Recitativo II
Teuzzone, RV 736, Act I, Scene 12: Non paventa già mai le cadute
Teuzzone, RV 736, Act I, Scene 13: Recitativo
Teuzzone, RV 736, Act I, Scene 14: Recitativo
Teuzzone, RV 736, Act I, Scene 14: Ti sento, sì, ti sento
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L'Orfeo, Atto terzo: I. Sinfonia - Scorto da te mio Nume
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L'Orfeo, Prologo: Ritornello - Dal mio permesso amato
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L'Orfeo, Atto terzo: II. Ecco l’atra palude
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L'Orfeo, Ato primo: I. In questo lieto e fortunato giorno
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L'Orfeo, Atto terzo: III. O tu ch’innanzi mort’a queste rive
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L'Orfeo, Ato primo: II. Lasciate i monti
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L'Orfeo, Atto terzo: IV. Possente Spirto
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L'Orfeo, Atto terzo: V. Ritornello - Orfeo son io
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L'Orfeo, Ato primo: IV. Vieni Imeneo, deh vieni
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L'Orfeo, Atto terzo: VI. Sol tu nobil Dio
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L'Orfeo, Ato primo: V. Ritornello - Alcun non sia
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L'Orfeo, Atto secondo: I. Sinfonia - Ecco pur ch’à voi ritorno
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L'Orfeo, Atto secondo: II. Mira, ch’à se n’alletta
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L'Orfeo, Atto secondo: III. Ahi, caso acerbo!
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L'Orfeo, Atto quarto: I. Signor, quel infelice
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L'Orfeo, Atto secondo: IV. In un fiorito prato
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L'Orfeo, Atto quarto: II. Sinfonia - Qual honor di te sia degno
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L'Orfeo, Atto quarto: III. O dolcissimi lumi
L'Orfeo, Atto secondo: VI. Ahi, caso acerbo!
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L'Orfeo, Atto quarto: IV. Sinfonia a 7 - E la virtute un raggio
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L'Orfeo, Atto secondo: VII. Chi ne consola, ahi lassi?
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L'Orfeo, Atto quinto: III. Saliam cantand’al cielo
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L'Orfeo, Atto quinto: IV. Vanne, Orfeo, felice a pieno - Moresca
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Tous les matins du monde (Bande originale du film)
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Prélude pour Mr. Vaquelin (Improvisation d'après le Prélude en Sol mineur de Mr. de Sainte Colombe le fils)
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Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall)
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4ème livre de Pièces de viole: La Rêveuse
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L'Arabesque - 4ème livre de Pièces de viole
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Fantaisie en Mi mineur (Arrangement Jordi Savall d'après Mr. de Sainte Colombe le fils)
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Le Badinage - 4ème livre de Pièces de viole
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2ème livre de Pièces de viole: Tombeau pour Mr. de Sainte Colombe
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3ème livre de Pièces de viole: Muzettes I-II
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Sonnerie de Ste. Geneviève du Mont-de-Paris
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Concerto pour 2 violons et viole de gambe en sol mineur, RV 578: I. Adagio e spiccato – Allegro
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Concerto pour 2 violons et viole de gambe en sol mineur, RV 578: II. Larghetto
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Concerto pour 2 violons et viole de gambe en sol mineur, RV 578: III. Allegro
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Magnificat en sol mineur, RV 610: I. Magnificat
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Magnificat en sol mineur, RV 610: II. Et exultavit
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Magnificat en sol mineur, RV 610: III. Et misericordia eius
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Magnificat en sol mineur, RV 610: IV. Fecit potentiam
Magnificat en sol mineur, RV 610: V. Deposuit potentes
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Magnificat en sol mineur, RV 610: VI. Esurientes
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Magnificat en sol mineur, RV 610: VII. Suscepit Israel
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Magnificat en sol mineur, RV 610: VIII. Sicut locutus est
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Magnificat en sol mineur, RV 610: IX. Gloria Patri
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Magnificat en sol mineur, RV 610: X. Sicut erat in principio
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Concerto pour clavecin en ré mineur, BWV 1052: I. Allegro
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Concerto pour clavecin en ré mineur, BWV 1052: II. Adagio
Concerto pour clavecin en ré mineur, BWV 1052: III. Allegro
Magnificat en ré majeur, BWV 243: I. Magnificat
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Magnificat en ré majeur, BWV 243: II. Et exultavit
Magnificat en ré majeur, BWV 243: III. Quia respexit
Magnificat en ré majeur, BWV 243: IV. Omnes generationes
Magnificat en ré majeur, BWV 243: V. Quia fecit mihi magna
Magnificat en ré majeur, BWV 243: VI. Et misericordia
Magnificat en ré majeur, BWV 243: VII. Fecit potentiam
Magnificat en ré majeur, BWV 243: VIII. Deposuit potentes
Magnificat en ré majeur, BWV 243: IX. Esurientes implevit bonis
Magnificat en ré majeur, BWV 243: X. Suscepit Israel
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Magnificat en ré majeur, BWV 243: XI. Sicut locutus est
Magnificat en ré majeur, BWV 243: XII. Gloria Patri
Dixit Dominus, RV 595: I. Chorus "Dixit Dominus"
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Dixit Dominus, RV 595: II. Chorus "Donec ponam"
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Dixit Dominus, RV 595: III. Aria "Virgam virtutis"
Dixit Dominus, RV 595: IV. Duet "Tecum principium"
Dixit Dominus, RV 595: V. Chorus "Juravit Dominus"
Dixit Dominus, RV 595: VI. Aria "Dominus a dextris tuis"
Dixit Dominus, RV 595: VII. Chorus "Judicabit in nationibus"
Dixit Dominus, RV 595: VIII. Aria "De torrente in via bibet"
Dixit Dominus, RV 595: IX. Trio "Gloria Patri"
Dixit Dominus, RV 595: X. Chorus "Sicut erat in principio"
Dixit Dominus, RV 595: XI. Chorus "Et in saecula saeculorum"
Dixit & Magnificat, K. 193: I. Allegro "Dixit Dominus"
Dixit & Magnificat, K. 193: II. Andante "Gloria Patri"
Dixit & Magnificat, K. 193: III. Allegro "Et in saecula saeculorum"
Dixit & Magnificat, K. 193: IV. Allegro "Magnificat"
Dixit & Magnificat, K. 193: V. Allegro "Gloria Patri"
Dixit Dominus, HWV 232: I. Soli & Chorus "Dixit Dominus"
Dixit Dominus, HWV 232: II. Chorus "Donec ponam"
Dixit Dominus, HWV 232: III. Aria "Virgam virtutis"
Dixit Dominus, HWV 232: IV. Aria "Tecum principium"
Dixit Dominus, HWV 232: V. Chorus "Juravit Dominus"
Dixit Dominus, HWV 232: VI. Chorus "Tu es sacerdos"
Dixit Dominus, HWV 232: VII. Chorus "Dominus a dextris tuis"
Dixit Dominus, HWV 232: VIII. Chorus "Judicabit in nationibus"
Dixit Dominus, HWV 232: IX. Chorus "Conquassabit capita"
Dixit Dominus, HWV 232: X. Soli & Chorus "De torrente in via bibet"
Dixit Dominus, HWV 232: XI. Chorus "Gloria Patri"
Farnace, RV 711, Act II, Scene 1: Principessa gentil, ciascun di noi: (Gilade, Aquilio, Selinda)
Farnace, RV 711, Act II, Scene 1: Lascia di sospirar: (Selinda)
Farnace, RV 711, Sinfonia: IAndante - Allegro
Farnace, RV 711, Act II, Scene 2: Di Farnace e del figlio: (Berenice, Gilade)
Farnace, RV 711, Act I, Scene 1: Benché vinto e sconfitto: (Farnace, Tamiri)
Farnace, RV 711, Act II, Scene 2: Langue misero quel valore: (Berenice)
Farnace, RV 711, Act I, Scene 1: Ricordati che sei: (Farnace)
Farnace, RV 711, Act II, Scene 3: No, ch’amar non è fallo in cor guerriero: (Gilade)
Farnace, RV 711, Act I, Scene 2: Ch’io mi tolga col ferro: (Tamiri)
Farnace, RV 711, Act II, Scene 3: Cè un dolce furore: (Gilade)
Farnace, RV 711, Act I, Scene 2: Combattono quest'alma: (Tamiri)
Farnace, RV 711, Act II, Scene 4: No, che ceder non voglio: (Farnace)
Farnace, RV 711, Act I, Scene 3: Dell'eusino: (Coro)
Farnace, RV 711, Act II, Scene 5: Pupille, o voi sognate: (Tamiri, Farnace)
Farnace, RV 711, Act I, Scene 3: Del nemico Farnace quest’è l’Impero: (Gilade, Berenice)
Farnace, RV 711, Act II, Scene 5: Gelido in ogni vena: (Farnace)
Farnace, RV 711, Act I, Scene 4: Amazzone real dell’Oriente!: (Pompeo, Berenice)
Farnace, RV 711, Act II, Scene 6: Olà! Queste superbe memorie: (Berenice, Tamiri)
Farnace, RV 711, Act I, Scene 5: Guerrieri, eccovi a fronte: (Pompeo)
Farnace, RV 711, Act II, Scene 7: Quest’è la fè spergiura: (Farnace)
Farnace, RV 711, Act I, Scene 5: Su campioni...: (Coro)
Farnace, RV 711, Act II, Scene 8: Dite che v’ho fatt’io, ditelo, o cieli!: (Tamiri)
Farnace, RV 711, Act I, Scene 5: In si gran punto ancora: (Farnace)
Farnace, RV 711, Act II, Scene 9: Arsa da rai cocenti: (Tamiri)
Farnace, RV 711, Act I, Scene 6: Signor, s’anche fra l’armi: (Selinda, Aquilio, Berenice, Pompeo)
Farnace, RV 711, Act II, Scene 10: Ah, s’egli è ver che m’ami: (Selinda, Gilade)
Farnace, RV 711, Act I, Scene 7: A’ nostri danni armata: (Selinda, Gilade, Aquilio)
Farnace, RV 711, Act II, Scene 10: Quel tuo ciglio languidetto: (Gilade)
Farnace, RV 711, Act I, Scene 7: Nell'intimo del petto: (Gilade)
Farnace, RV 711, Act II, Scene 11: Dove mai ti trasporta: (Selinda, Farnace)
Farnace, RV 711, Act I, Scene 8: A sorprendermi il cor, bella Selinda: (Aquilio, Selinda)
Farnace, RV 711, Act II, Scene 11: Spogli pur l'ingiusta Roma: (Farnace)
Farnace, RV 711, Act I, Scene 8: Penso...penso che que'begl' occhi: (Aquilio)
Farnace, RV 711, Act II, Scene 12: Dell’iniquo Farnace eccoti il figlio: (Berenice, Selinda, Aquilio, Pompeo)
Farnace, RV 711, Act I, Scene 9: Qual sembianza improvvisa: (Selinda)
Farnace, RV 711, Act II, Scene 12: Roma invitta, ma clemente: (Pompeo)
Farnace, RV 711, Act I, Scene 9: Al vezzeggiar d'un volto: (Selinda)
Farnace, RV 711, Act II, Scene 13: Fra le Libiche serpi: (Selinda, Aquilio, Berenice)
Farnace, RV 711, Act I, Scene 10: Figlio, non v’è più scampo: (Tamiri)
Farnace, RV 711, Act II, Scene 13: Lascero d'esser spietata: (Berenice)
Farnace, RV 711, Act I, Scene 11: Fermati ingrata: (Berenice, Tamiri)
Farnace, RV 711, Act II, Scene 14: Aquilio, ebben? Pensasti?: (Selinda, Aquilio)
Farnace, RV 711, Act I, Scene 12: Signor, costei che audace: (Berenice, Pompeo)
Farnace, RV 711, Act I, Scene 12: Da quel ferro che ha svenato: (Berenice)
Farnace, RV 711, Act II, Scene 14: La sento nel petto: (Selinda, Aquilio)
Farnace, RV 711, Act I, Scene 13: L’Asia non è ancor doma: (Pompeo, Tamiri)
Farnace, RV 711, Act I, Scene 13: Leon feroce: (Tamiri)
Farnace, RV 711, Act I, Scene 14: Come ben fa veder la donna eccelsa: (Pompeo)
Farnace, RV 711, Act I, Scene 14: Sorge l'irato nembo: (Pompeo)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x185c026acf29b022a90da029e49903f4539544240b26c8cc1ecc38dcb6ea0c2a. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2bFG2qeBjAJSKctRDh8RUA.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2bFG2qeBjAJSKctRDh8RUA.
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x48f03da11ba9d28d9778416f37301e6c4add9d958ae4b7abc6c86c436f8e545d. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5xcFPmJ7ABz4VxnDAyZW5G.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5xcFPmJ7ABz4VxnDAyZW5G.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xdd0202a85852fa93353659dd925957d3b55cae6e3efed97a2459e82a2973b13f. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7BaVIpgj8RG5b7esuO9D4T.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7BaVIpgj8RG5b7esuO9D4T.
{"copyright_id":"0x1f84dc1af4d15bfd1e74e833ea743a51debec7732a063f0c127c48dbabb35f2d","isrc":"CH4210700033","name":"Bonus 3: Sarabande","registered_at":"2026-06-26T21:31:45Z","spotify_id":"31h5JBJ2fu5I7yCNwsjXvY","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1f84dc1af4d15bfd1e74e833ea743a51debec7732a063f0c127c48dbabb35f2d. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/31h5JBJ2fu5I7yCNwsjXvY.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/31h5JBJ2fu5I7yCNwsjXvY.
{"copyright_id":"0xc4045c1d0ec8f8e4bc2e94f426f1b3b65ee356882e959afb4df18d525eb142dd","isrc":"CH4210700004","name":"Planctus Caravaggio I (Jordi Savall)","registered_at":"2026-06-18T14:52:34Z","spotify_id":"3fZcBV9r1axwEcDvRMKVjN","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc4045c1d0ec8f8e4bc2e94f426f1b3b65ee356882e959afb4df18d525eb142dd. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3fZcBV9r1axwEcDvRMKVjN.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3fZcBV9r1axwEcDvRMKVjN.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1898978b15fe0bd29aa6315105a30cc9e53a787a88a40f3a2653db87c9ab45d6. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/47aQ55JmZyvftQeH3yXgq3.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/47aQ55JmZyvftQeH3yXgq3.
Fantasia « Moro, Lasso » (d’après Carlo Gesualdo)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x71fd69854c69105c79c7ff67849f0518862140cf0dc5138c972c950eed7f5894. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6XPFN6HSGIrM21KJQCagmz.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6XPFN6HSGIrM21KJQCagmz.
Concentus: Aria-Recit-Lamento-Aria (d’après A.Stradella & L.Rossi)
{"copyright_id":"0x71f8a0397c746207e56541a6e8042ab65a3bfb17515845647f88d47af0f99cee","isrc":"CH4210700013","name":"Lachrimæ Dolcissima (Improvisation)","registered_at":"2026-06-25T18:32:47Z","spotify_id":"0vVnvxc2BGNt7nV63UmjIT","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x71f8a0397c746207e56541a6e8042ab65a3bfb17515845647f88d47af0f99cee. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0vVnvxc2BGNt7nV63UmjIT.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0vVnvxc2BGNt7nV63UmjIT.
Cantus Caravaggio II « O Lux » (Jordi Savall)
{"copyright_id":"0x30d8abf3cd91123948ce9c5f4e6786fa735c2622484df2464f877742a4cde09a","isrc":"CH4210700015","name":"Cantus Caravaggio II « O Lux » (Jordi Savall)","registered_at":"2026-06-20T23:58:05Z","spotify_id":"0u5thweFItC912O1ZoL9RM","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x30d8abf3cd91123948ce9c5f4e6786fa735c2622484df2464f877742a4cde09a. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0u5thweFItC912O1ZoL9RM.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0u5thweFItC912O1ZoL9RM.
{"copyright_id":"0xcd3b4f7d4347d2774bb02d7a43419670c3b9af5090154897e233a504b93792e3","isrc":"CH4210700016","name":"Passacaglia « Umbrae » (Improvisation)","registered_at":"2026-06-26T21:29:01Z","spotify_id":"4QRMZwCUdJZnmsq2tXqBnu","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xcd3b4f7d4347d2774bb02d7a43419670c3b9af5090154897e233a504b93792e3. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4QRMZwCUdJZnmsq2tXqBnu.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4QRMZwCUdJZnmsq2tXqBnu.
{"copyright_id":"0x7729da7fa7af96d3b2cc72a97e5f6d33f1afd44ec0ad1c962572154282038b0a","isrc":"CH4210700019","name":"Passacaglia « Libertas » (Jordi Savall)","registered_at":"2026-06-20T04:43:35Z","spotify_id":"7qZs2tpULIdabiBlLXoFrS","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7729da7fa7af96d3b2cc72a97e5f6d33f1afd44ec0ad1c962572154282038b0a. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7qZs2tpULIdabiBlLXoFrS.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7qZs2tpULIdabiBlLXoFrS.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe5f067526a332dbf824460c3b753ea964a59cbfc781028091822030c699b1227. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0IFvT21wThu76HbL8xvXlH.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0IFvT21wThu76HbL8xvXlH.
Consonanze Stravaganti (d’après Trabaci)
Cantus Caravaggio III « Extempore » (Jordi Savall)
{"copyright_id":"0x6c58b131601d7195b9bbcb4e3ed3271ca9e137be9cbe6a0e6a0b431148cca21c","isrc":"CH4210700025","name":"Spiritum Morientis (Jordi Savall)","registered_at":"2026-06-19T09:44:44Z","spotify_id":"6xWdCO7wG05GzGtCGRcWBK","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6c58b131601d7195b9bbcb4e3ed3271ca9e137be9cbe6a0e6a0b431148cca21c. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6xWdCO7wG05GzGtCGRcWBK.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6xWdCO7wG05GzGtCGRcWBK.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf24fe89b227b9373427709b2c4d066118433e7f2627ce716205899efa15d8157. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6eBaQOTR0MmDpbnCyci4fs.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6eBaQOTR0MmDpbnCyci4fs.
Cantus Caravaggio IV « In Memoriam » (Jordi Savall)
{"copyright_id":"0xa8ff9454b62e2b4af88bdfefeb0eb7ba6efe5a69d3f7f8ccf1f6fd9d646b1fd4","isrc":"CH4210700030","name":"Cantus Caravaggio IV « In Memoriam » (Jordi Savall)","registered_at":"2026-06-23T02:22:14Z","spotify_id":"3KH8lPEnsICzwFYkhorJpV","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa8ff9454b62e2b4af88bdfefeb0eb7ba6efe5a69d3f7f8ccf1f6fd9d646b1fd4. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3KH8lPEnsICzwFYkhorJpV.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3KH8lPEnsICzwFYkhorJpV.
{"copyright_id":"0x6c58b131601d7195b9bbcb4e3ed3271ca9e137be9cbe6a0e6a0b431148cca21c","isrc":"CH4210700025","name":"Afghanistan: Laïla Djân","registered_at":"2026-06-19T09:44:44Z","spotify_id":"7o4nr2Ws0EjRgNhZbSqA8j","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6c58b131601d7195b9bbcb4e3ed3271ca9e137be9cbe6a0e6a0b431148cca21c. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7o4nr2Ws0EjRgNhZbSqA8j.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7o4nr2Ws0EjRgNhZbSqA8j.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf24fe89b227b9373427709b2c4d066118433e7f2627ce716205899efa15d8157. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4I0G7LH4DIQC6aQTPS5u40.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4I0G7LH4DIQC6aQTPS5u40.
{"copyright_id":"0xa8ff9454b62e2b4af88bdfefeb0eb7ba6efe5a69d3f7f8ccf1f6fd9d646b1fd4","isrc":"CH4210700030","name":"Strambotto: Correno multi cani","registered_at":"2026-06-23T02:22:14Z","spotify_id":"4COFbxov24TguptrkDUeB6","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa8ff9454b62e2b4af88bdfefeb0eb7ba6efe5a69d3f7f8ccf1f6fd9d646b1fd4. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4COFbxov24TguptrkDUeB6.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4COFbxov24TguptrkDUeB6.
{"copyright_id":"0x1f84dc1af4d15bfd1e74e833ea743a51debec7732a063f0c127c48dbabb35f2d","isrc":"CH4210700033","name":"Gallyard (Anonyme)","registered_at":"2026-06-26T21:31:45Z","spotify_id":"5I4puyTCGhWUyWY7uQ0Bcc","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1f84dc1af4d15bfd1e74e833ea743a51debec7732a063f0c127c48dbabb35f2d. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5I4puyTCGhWUyWY7uQ0Bcc.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5I4puyTCGhWUyWY7uQ0Bcc.
Lullaby: My little sweet darling (Anonyme)
Tourdion: Quand je bois du vin (Anonyme)
{"copyright_id":"0x6bd30ecc224883b54b8e249319a1981e430edb89666e4ca2565fd01e87328431","isrc":"CH4210700036","name":"Tourdion: Quand je bois du vin (Anonyme)","registered_at":"2026-06-10T03:05:22Z","spotify_id":"1jW6yzXVRDowz8LHVg4lmU","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6bd30ecc224883b54b8e249319a1981e430edb89666e4ca2565fd01e87328431. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1jW6yzXVRDowz8LHVg4lmU.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1jW6yzXVRDowz8LHVg4lmU.
Les Nimphes de la Grenouillere (Anonyme)
Canarios: No piense Menguilla (J. Marin)
Baile: Niña como en tus mudanças (J. Marin)
Concerto en Ré majeur per la Solennità di San Lorenzo, RV 562: Andante – Allegro
Juditha Triumphans, RV 644, pars altera: Récitatif (Ozias) "Summi Regis in mente"
Concerto en Ré majeur Op. 3, No. 9, RV 230: II. Larghetto
Juditha Triumphans, RV 644, pars altera: Aria (Ozias) "O Sydera, o stellæ"
Juditha Triumphans, RV 644, pars prior: Chœur des soldats assyriens "Arma, cædes, vindictæ, furores"
{"copyright_id":"0x0b86224dde7ec5a73fa5b7bd75871ba2628788d74f6a09af827530b0793cbc16","isrc":"CH4211900090","name":"Juditha Triumphans, RV 644, pars prior: Chœur des soldats assyriens \"Arma, cædes, vindictæ, furores\"","registered_at":"2026-06-26T21:32:28Z","spotify_id":"7pHrEb7RFujgY4TUpJ3aMk","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x0b86224dde7ec5a73fa5b7bd75871ba2628788d74f6a09af827530b0793cbc16. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7pHrEb7RFujgY4TUpJ3aMk.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7pHrEb7RFujgY4TUpJ3aMk.
Juditha Triumphans, RV 644, pars altera: Récitatif (Ozias, Holopherne) "Jam sævientis in hostem"
Juditha Triumphans, RV 644, pars prior: Récitatif (Holopherne) "Felix en fausta dies"
Juditha Triumphans, RV 644, pars altera: Aria (Holopherne) "Nox obscura tenebrosa"
Juditha Triumphans, RV 644, pars prior: Aria (Holopherne) "Nil arma, nil bella"
Juditha Triumphans, RV 644, pars altera: Récitatif (Holopherne, Judith) "Belligeræe meæ sorti"
Juditha Triumphans, RV 644, pars prior: Récitatif (Vagaus, Holopherne) "Mi Dux, Domine mi"
Juditha Triumphans, RV 644, pars altera: Aria (Judith) "Transit ætas, volant anni"
Juditha Triumphans, RV 644, pars prior: Aria (Vagaus) "Matrona inimica"
Juditha Triumphans, RV 644, pars altera: Récitatif (Holopherne, Judith) "Hæc in crastinum serva"
Juditha Triumphans, RV 644, pars prior: Récitatif (Holopherne, Vagaus) "Huc accedat Matrona"
Juditha Triumphans, RV 644, pars altera: Aria (Holopherne) "Noli, o cara, te adorantis"
Juditha Triumphans, RV 644, pars prior: Aria (Judith) "Quo cum Patriæ"
Juditha Triumphans, RV 644, pars altera: Récitatif (Judith, Holopherne) "Tibi dona salutis"
Juditha Triumphans, RV 644, pars prior: Récitatif (Abra) "Ne timeas non"
Juditha Triumphans, RV 644, pars altera: Chœur des soldats ivres "Plena nectare non mero"
Juditha Triumphans, RV 644, pars prior: Aria (Abra) "Vultus tui vago splendori"
Juditha Triumphans, RV 644, pars altera: Récitatif (Holopherne) "Tormenta mentis tuæ"
Juditha Triumphans, RV 644, pars prior: Récitatif (Abra, Judith) "Vide, humilis prostrata"
Juditha Triumphans, RV 644, pars altera: Aria (Judith) "Vivat in pace"
Juditha Triumphans, RV 644, pars prior: Aria (Vagaus) & Chœur des soldats assyriens "O quam vaga, venusta"
Juditha Triumphans, RV 644, pars altera: Récitatif (Judith) "Sic in Pace inter hostes"
Juditha Triumphans, RV 644, pars prior: Récitatif (Vagaus) "Quem vides prope"
Juditha Triumphans, RV 644, pars altera: Aria (Vagaus) "Umbræ caræ"
Juditha Triumphans, RV 644, pars prior: Aria (Vagaus) "Quamvis ferro, et ense gravis"
Juditha Triumphans, RV 644, pars altera: Récitatif (Vagaus, Judith, Abra) "Quae fortunata es tu"
Juditha Triumphans, RV 644, pars prior: Récitatif (Holopherne, Judith) "Quid cerno! Oculi mei"
Juditha Triumphans, RV 644, pars altera: Aria (Abra) "Non ita reducem"
Juditha Triumphans, RV 644, pars prior: Aria (Judith) "Quanto magis generosa"
Juditha Triumphans, RV 644, pars altera: Récitatif (Abra) "Jam pergo, postes claudo"
Juditha Triumphans, RV 644, pars prior: Récitatif (Holopherne, Judith) "Magna, o fœmina petis"
Juditha Triumphans, RV 644, pars altera: Recitativo accompagnato (Judith) "Summe Astrorum Creator"
Juditha Triumphans, RV 644, pars prior: Aria (Holopherne) "Sede, o cara, dilecta speciosa"
Juditha Triumphans, RV 644, pars altera: Aria (Judith) "In somno profundo"
Juditha Triumphans, RV 644, pars prior: Récitatif (Judith, Holopherne) "Tu Judex es"
Juditha Triumphans, RV 644, pars altera: Recitativo accompagnato (Judith) "Impii, indigni Tiranni"
Juditha Triumphans, RV 644, pars prior: Aria (Judith) "Agitata infido flatu"
Juditha Triumphans, RV 644, pars altera: Récitatif (Judith, Abra) "Abra, Abra accipe munus"
Juditha Triumphans, RV 644, pars prior: Récitatif (Holopherne) "In tentorio supernæ"
Juditha Triumphans, RV 644, pars prior: Aria (Vagaus) & Chœur des serviteurs "O servi volate"
Juditha Triumphans, RV 644, pars prior: Récitatif (Vagaus, Abra) "Tu quoque hebraica ancilla"
Juditha Triumphans, RV 644, pars prior: Aria (Judith) "Veni, veni, me sequere fida"
Juditha Triumphans, RV 644, pars prior: Récitatif (Abra) "Venio, Juditha, venio"
Juditha Triumphans, RV 644, pars prior: Aria (Abra) "Fulgeat sol frontis decoræ"
Juditha Triumphans, RV 644, pars prior: Récitatif (Abra) "In Urbe interim pia"
Juditha Triumphans, RV 644, pars prior: Chœur des femmes de Béthulie "Mundi Rector de Cælo"
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: I. Ouverture
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: II. Première partie, scène première "Que nos soupirs, Seigneur"
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: III. Première partie, scène seconde "Régnez, calme profond"
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: IV. Première partie, scène 3e "Célestes compagnons"
Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: V. Première partie, scène 4e "Gloire dans les hauts lieux"
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: VI. Seconde partie, scène 5e "Pasteurs, éveillez-vous !"
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: VII. Seconde partie, scène 6e "Joignons nos flûtes et nos voix"
In Nativitatem Domini Canticum, H. 416: Nuit (interlude Instrumental pour cordes)
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Messe de Minuit, H. 9: IV. Offertoire "Laissez paître vos bêtes"
Don Juan ou le Festin de pierre, Wq. 52: Sinfonia
Don Juan ou le Festin de pierre, Wq. 52: 1. Andante grazioso
Don Juan ou le Festin de pierre, Wq. 52: 2. Andante
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Don Juan ou le Festin de pierre, Wq. 52: 3. Allegro maestoso
Don Juan ou le Festin de pierre, Wq. 52: 4. Allegro furioso. Adagio
Don Juan ou le Festin de pierre, Wq. 52: 5. Allegro forte risoluto. Andante. Allegretto
Don Juan ou le Festin de pierre, Wq. 52: 6. Risoluto moderato
Don Juan ou le Festin de pierre, Wq. 52: 7. Gavotte
Don Juan ou le Festin de pierre, Wq. 52: 8. Brillante
Don Juan ou le Festin de pierre, Wq. 52: 9. Allegretto
Don Juan ou le Festin de pierre, Wq. 52: 10. Moderato
Don Juan ou le Festin de pierre, Wq. 52: 11. Giusto
Don Juan ou le Festin de pierre, Wq. 52: 12. Allegro. Presto
Don Juan ou le Festin de pierre, Wq. 52: 13. Andante grazioso
Don Juan ou le Festin de pierre, Wq. 52: 14. Andante
Don Juan ou le Festin de pierre, Wq. 52: 15. Presto
Don Juan ou le Festin de pierre, Wq. 52: 16. Allegretto. Presto. Andante
Don Juan ou le Festin de pierre, Wq. 52: 17. Andante
Don Juan ou le Festin de pierre, Wq. 52: 18. Allegro giusto
Don Juan ou le Festin de pierre, Wq. 52: 19. Moderato
Don Juan ou le Festin de pierre, Wq. 52: 20. Andante
Don Juan ou le Festin de pierre, Wq. 52: 21. Grazioso
Don Juan ou le Festin de pierre, Wq. 52: 22. Allegretto
Don Juan ou le Festin de pierre, Wq. 52: 23. Moderato. Presto
Don Juan ou le Festin de pierre, Wq. 52: 24. Risoluto e moderato
Don Juan ou le Festin de pierre, Wq. 52: 25. Allegro. Allegro giusto
Don Juan ou le Festin de pierre, Wq. 52: 26. Andante staccato
Don Juan ou le Festin de pierre, Wq. 52: 27. Allegro
Don Juan ou le Festin de pierre, Wq. 52: 28. Allegretto
Don Juan ou le Festin de pierre, Wq. 52: 29. Andante staccato
Don Juan ou le Festin de pierre, Wq. 52: 30. Larghetto
Don Juan ou le Festin de pierre, Wq. 52: 31. Allegro non troppo
Semiramis, Wq. Anh. C/1: 4. Moderato. Grazioso
Semiramis, Wq. Anh. C/1: 8. Maestoso. Presto
Semiramis, Wq. Anh. C/1: 10. Adagio. Più Adagio
Semiramis, Wq. Anh. C/1: 13. Allegro maestoso
Semiramis, Wq. Anh. C/1: 14. Adagio. Allegro. Tempo primo
Semiramis, Wq. Anh. C/1: 15. Allegro assai
Markus Passion, BWV 247: Chor "Geh, Jesu, geh zu deiner Pein!" (aus BWV 198)
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Markus Passion, BWV 247: Aria (Tenore) "Mein Tröster ist nicht mehr bei mir" (aus BWV 198)
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Markus Passion, BWV 247: Recitativo (Evangelista) "Und nach zween Tagen war Ostern" (aus BWV 244)
Markus Passion, BWV 247: Recitativo (Evangelista) "Und sie führeten Jesum zu dem Hohenpriester" (aus BWV 244)
Markus Passion, BWV 247: Chor "Ja nicht auf das Fest" (aus BWV 244)
Markus Passion, BWV 247: Recitativo (Testis) "Wir haben gehöret, daß er sagete" (aus BWV 244)
Markus Passion, BWV 247: Recitativo (Evangelista) "Aber ihr Zeugnis stimmete noch nicht überein"
Markus Passion, BWV 247: Recitativo (Evangelista) "Und da er zu Bethanien war"
Markus Passion, BWV 247: Choral "Was Menschen Kraft und Witz anfäht" (aus BWV 258)
Markus Passion, BWV 247: Chor "Was soll doch dieser Unrat?" (aus BWV 244)
Markus Passion, BWV 247: Recitativo (Evangelista, Pontifex) "Und der Hohepriester stund auf unter sie" (aus BWV 244)
Markus Passion, BWV 247: Choral "Sie stellen uns wie Ketzern nach" (aus BWV 258)
Markus Passion, BWV 247: Choral "Befiehl du deine Wege" (aus BWV 244)
Markus Passion, BWV 247: Recitativo (Evangelista, Jesus) "Und murreten über sie" (aus BWV 244)
Markus Passion, BWV 247: Recitativo (Evangelista, Pontifex, Jesus) "Da fragte ihn der Hohepriester abermal" (aus BWV 244)
Markus Passion, BWV 247: Choral "Mir hat die Welt trüglich gericht’" (aus BWV 244)
Markus Passion, BWV 247: Chor "Weissage uns" (aus BWV 244)
Markus Passion, BWV 247: Recitativo (Evangelista) "Und am ersten Tage der süssen Brote" (aus BWV 244)
Markus Passion, BWV 247: Recitativo (Evangelista) "Und die Knechte schlugen ihn ins Angesicht
Markus Passion, BWV 247: Chor "Wo willst du, daß wir hingehen" (aus BWV 244)
Markus Passion, BWV 247: Choral "Du edles Angesichte" (aus BWV 244)
Markus Passion, BWV 247: Recitativo (Evangelista, Jesus) "Und er sandte seiner Jünger zween" (aus BWV 244)
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Markus Passion, BWV 247: Recitativo (Evangelista, Ancilla, Petrus) "Und Petrus war danieden im Pallast" (aus BWV 244)
Markus Passion, BWV 247: Chor "Bin ich's?" (aus BWV 244)
Markus Passion, BWV 247: Chor "Wahrlich, du bist der einer" (aus BWV 244)
Markus Passion, BWV 247: Recitativo (Evangelista, Judas) "Und der andere"
Markus Passion, BWV 247: Recitativo (Evangelista, Petrus) "Er aber fing an"
Markus Passion, BWV 247: Choral "Ich, ich und meine Sünden" (aus BWV 245)
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Markus Passion, BWV 247: Choral "Herr, ich habe mißgehandelt" (aus BWV 331)
Markus Passion, BWV 247: Recitativo (Evangelista, Jesus) "Er antwortete, und sprach zu ihnen" (aus BWV 244)
Markus Passion, BWV 247: Recitativo (Evangelista, Jesus, Pilatus) "Und bald am Morgen" (aus BWV 244)
Markus Passion, BWV 247: Aria (Alto) "Mein Heiland, dich vergeß ich nicht Ode Funèbre" (aus BWV 198)
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Markus Passion, BWV 247: Aria (Alto) "Will ich doch gar gerne schweigen" (aus BWV 173)
Markus Passion, BWV 247: Recitativo (Evangelista, Jesus) "Und da sie den Lobgesang gesprochen hatten" (aus BWV 244)
Markus Passion, BWV 247: Recitativo (Evangelista, Pilatus) "Er pflegte aber, ihnen auf das Osterfest" (aus BWV 244)
Markus Passion, BWV 247: Choral "Wach auf, o Mensch, vom Sündenschlaf" (aus BWV 20/7)
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Markus Passion, BWV 247: Recitativo (Evangelista, Jesus, Pierre) "Petrus aber saget zu ihm" (aus BWV 244)
Markus Passion, BWV 247: Aria (Tenore) "Ich lasse dich, mein Jesus, nicht Passion selon saint Jean" (aus BWV 245)
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Markus Passion, BWV 247: Recitativo (Evangelista, Jesus) "Desselben gleichen sagten sie alle" (aus BWV 244)
Markus Passion, BWV 247: Choral "Betrübtes Herz sei wohlgemut" (aus BWV 429)
Markus Passion, BWV 247: Recitativo (Evangelista, Jesus) "Und ging ein wenig fürbaß" (aus BWV 244)
Markus Passion, BWV 247: Choral "Machs mit mir Gott, nach deiner Güt" (aus BWV 245)
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Markus Passion, BWV 247: Recitativo (Evangelista, Jesus) "Und kam, und fand sie schlafend" (aus BWV 244)
Markus Passion, BWV 247: Aria (Soprano) "Er kommt, er ist vorhanden!" (aus BWV 198)
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Markus Passion, BWV 247: Recitativo (Evangelista, Judas) "Und alsbald, da er noch redete" (aus BWV 244)
Markus Passion, BWV 247: Aria (Alto) "Falsche Welt, dein schmeichelnd Küssen" (aus BWV 54
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Markus Passion, BWV 247: Recitativo (Evangelista, Jesus) "Die aber legten ihre Hände an ihn" (aus BWV 244)
Markus Passion, BWV 247: Choral "Jesu, ohne Missetat, im Garten vorhanden" (aus BWV 245)
Markus Passion, BWV 247: Recitativo (Evangelista) "Und die Jünger verliessen ihn alle, und flohen"
Markus Passion, BWV 247: Choral "Ich will hier bei dir stehen" (aus BWV 135)
A Midsummer Night's Dream, Op. 21 (1826): I. Ouverture (Allegro di molto)
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A Midsummer Night's Dream, Op. 61 (1843): II. Scherzo (Allegro vivace)
A Midsummer Night's Dream, Op. 61 (1843): III. Melodram Recitations and Music. How now, spirit!
A Midsummer Night's Dream, Op. 61 (1843): IV. March Of The Elves and Recitations. (Allegro vivace)
A Midsummer Night's Dream, Op. 61 (1843): V. Lied mit Chor Music and Recitations. You spotted snakes
A Midsummer Night's Dream, Op. 61 (1843): VI. Melodram Recitations and Music. What thou seest
A Midsummer Night's Dream, Op. 61 (1843): VII. Intermezzo (Allegro appasionato-Allegro molto comodo)
A Midsummer Night's Dream, Op. 61 (1843): VIII. Melodram Recitations and Music. Are we all met?
A Midsummer Night's Dream, Op. 61 (1843): IX. Notturno (Andante tranquillo)
A Midsummer Night's Dream, Op. 61 (1843): X. Melodram Recitations and Music. Welcome, good Robin
A Midsummer Night's Dream, Op. 61 (1843): XI. Wedding March (Allegro vivace)
A Midsummer Night's Dream, Op. 61 (1843): XII. Melodram Recitations and Music. Say, what abridgement
A Midsummer Night's Dream, Op. 61 (1843): XIII. Marcia Funebre Recitations and Music.
A Midsummer Night's Dream, Op. 61 (1843): XIV. Ein Tanz von Rüpeln (Allegro di molto)
A Midsummer Night's Dream, Op. 61 (1843): XV. Melodram Recitations and Music. Now the hungry lion
A Midsummer Night's Dream, Op. 61 (1843): XVI. Finale Music and Recitations. (Allegro di molto) Through the house
Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Assai sostenuto
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Missa solemnis in D Major, Op. 123: I. Kyrie: Christe eleison. Andante assai ben marcato
Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Tempo primo
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Missa solemnis in D major, Op. 123: II. Gloria: in excelsis Deo. Allegro vivace Gloria
Missa solemnis in D major, Op. 123: II. Gloria: Gratias agimus tibi. Meno allegro
Missa solemnis in D major, Op. 123: II. Gloria: Qui tollis peccata mundi. Larghetto
Missa solemnis in D major, Op. 123: II. Gloria: Quoniam tu solus sanctus. Allegro maestoso
Missa solemnis in D major, Op. 123: II. Gloria:In gloria Dei patris. Allegro, ma non troppo e ben marcato
Missa solemnis in D major, Op. 123: II. Gloria: Amen. Poco più allegro
Missa solemnis in D major, Op. 123: II. Gloria: Gloria in excelsis Deo. Presto
Missa solemnis in D major, Op. 123: III. Credo: Credo in unum Deum. Allegro ma non troppo
Missa solemnis in D major, Op. 123: III. Credo: Et incarnatus est. Adagio
Missa solemnis in D major, Op. 123: III. Credo: Crucifixus etiam pro nobis. Adagio espressivo
Missa solemnis in D major, Op. 123: III. Credo: Et resurrexit. Allegro molto
Missa solemnis in D major, Op. 123: III. Credo: Credo in spiritum sanctum. Allegro ma non troppo un poco maestoso
Missa solemnis in D major, Op. 123: III. Credo: Et vitam venturi seculi. Allegretto ma non troppo
Missa solemnis in D major, Op. 123: III. Credo: Amen. Grave
Missa solemnis in D major, Op. 123: IV. Sanctus: Sanctus. Adagio
Missa solemnis in D major, Op. 123: IV. Sanctus: Pleni sunt coeli. Allegro pesante
Missa solemnis in D major, Op. 123: IV. Sanctus: Osanna. Presto
Missa solemnis in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto ma non troppo
Missa solemnis in D major, Op. 123: IV. Sanctus: Benedictus. Andante molto cantabile e non troppo mosso
Missa solemnis in D major, Op. 123: V. Agnus Dei: Agnus Dei. Adagio
Missa solemnis in D major, Op. 123: V. Agnus Dei: Dona nobis pacem. Allegretto vivace
Missa solemnis in D major, Op. 123: V. Agnus Dei: Agnus Dei qui tollis peccata mundi. Allegro assai
Missa solemnis in D major, Op. 123: V. Agnus Dei: Dona nobis pacem. Tempo primo
Missa solemnis in D major, Op. 123: V. Agnus Dei: Agnus Dei dona pacem. Presto
Symphony No. 8 in B Minor, D. 759 'Unfinished': I. Allegro moderato
Symphony No. 8 in B Minor, D. 759 'Unfinished': II. Andante con moto
Symphony No. 9 in C Major D. 944 'The Great': I. Andante · Allegro ma non troppo - Più mosso
Symphony No. 9 in C Major D. 944 'The Great': II. Andante con moto
Symphony No. 9 in C Major D. 944 'The Great': III. Allegro vivace - Trio - Scherzo da capo
Symphony No. 9 in C Major D. 944 'The Great': IV. Allegro vivace
Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Angenehme, heitere Empfindungen, welche bei der Ankunft auf dem Lande im Menschen erwachen. Allegro ma non troppo
Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace
Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo e un poco maestoso
Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto moto
Symphony No. 7 in A Major, Op. 92: II. Allegretto
Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace
Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro
Symphony No. 7 in A Major, Op. 92: III. Presto - Assai meno presto
Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile
Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Donner, Sturm. Allegro
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto - Allegro Assai
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Wohltätige, mit Dank an die Gottheit verbundene Gefühle nach dem Sturm. Allegretto
Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio
Symphony No. 9 in D Minor, Op. 125 "Choral": V. Presto - Recitativo
Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
Symphony No. 9 in D Minor, Op. 125 "Choral": V. Allegro assai vivace alla marcia
Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto
Symphony No. 9 in D Minor, Op. 125 "Choral": V. Allegro ma non tanto
Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace
Die Schöpfung, Hob. XXI:2, Teil I: Präludium: Die Vorstellung des Chaos
Die Schöpfung, Hob. XXI:2, Teil II, Tag 6: Und Gott sprach, Es bringe die Erde hervor (Raphael)
Die Schöpfung, Hob. XXI:2, Teil I, Tag 1: Im Anfange schuf Gott Himmel und Erde (Raphael, Uriel)
Die Schöpfung, Hob. XXI:2, Teil II, Tag 6: Gleich öffnet sich der Erde Schoß (Raphael)
Die Schöpfung, Hob. XXI:2, Teil I, Tag 1: Und der Geist Gottes schwebte auf der Fläche der Wasser (Chor)
Die Schöpfung, Hob. XXI:2, Teil II, Tag 6: Nun scheint in vollem Glanze der Himmel (Raphael)
Die Schöpfung, Hob. XXI:2, Teil I, Tag 1: Nun schwanden vor dem heiligen Strahle (Uriel, Chor)
Die Schöpfung, Hob. XXI:2, Teil II, Tag 6: Und Gott schuf den Menschen nach seinem Ebenbilde (Uriel)
Die Schöpfung, Hob. XXI:2, Teil I, Tag 2: Und Gott machte das Firmament (Raphael)
Die Schöpfung, Hob. XXI:2, Teil II, Tag 6: Mit Würd’ und Hoheit angetan (Uriel)
Die Schöpfung, Hob. XXI:2, Teil I, Tag 2: Mit Staunen sieht das Wunderwerk (Gabriel, Chor)
Die Schöpfung, Hob. XXI:2, Teil II, Tag 6: Und Gott sah jedes Ding, was er gemacht hatte (Raphael)
Die Schöpfung, Hob. XXI:2, Teil I, Tag 3: Und Gott sprach: Es sammle sich das Wasser under dem Himmel (Raphael)
Die Schöpfung, Hob. XXI:2, Teil II, Tag 6: Vollendet ist das große Werk (Gabriel, Uriel, Raphael, Chor)
Die Schöpfung, Hob. XXI:2, Teil I, Tag 3: Rollend in schäumenden Wellen (Raphael)
Die Schöpfung, Hob. XXI:2, Teil III: Aus Rosenwolken bricht, geweckt durch süßen Klang, der Morgen (Uriel)
Die Schöpfung, Hob. XXI:2, Teil I, Tag 3: Und Gott sprach, Es bringe die Erde Gras hervor (Gabriel)
Die Schöpfung, Hob. XXI:2, Teil III: Von deiner Güt’, o Herr und Gott (Eva, Adam, Chor)
Die Schöpfung, Hob. XXI:2, Teil I, Tag 3: Nun beut die Flur das frische Grün (Gabriel)
Die Schöpfung, Hob. XXI:2, Teil III: Nun ist die erste Pflicht erfüllt (Adam, Eva)
Die Schöpfung, Hob. XXI:2, Teil I, Tag 3: Und die himmlischen Heerscharen verkündigten den dritten Tag (Uriel)
Die Schöpfung, Hob. XXI:2, Teil III: Holde Gattin! Dir zur Seite (Adam, Eva)
Die Schöpfung, Hob. XXI:2, Teil I, Tag 3: Stimmt an die Saiten, ergreift die Leier (Chor)
Die Schöpfung, Hob. XXI:2, Teil III: O glücklich Paar, und glücklich immerfort (Uriel)
Die Schöpfung, Hob. XXI:2, Teil I, Tag 4: Und Gott sprach, Es sei’n Lichter an der Feste (Uriel)
Die Schöpfung, Hob. XXI:2, Teil III: Singt dem Herren alle Stimmen! (Chor)
Die Schöpfung, Hob. XXI:2, Teil I, Tag 4: In vollem Glanze steiget jetzt die Sonne (Uriel)
Die Schöpfung, Hob. XXI:2, Teil I, Tag 4: Die Himmel erzählen die Ehre Gottes (Gabriel, Uriel, Raphael)
Die Schöpfung, Hob. XXI:2, Teil II, Tag 5: Und Gott sprach: Es bringe das Wasser (Gabriel)
Die Schöpfung, Hob. XXI:2, Teil II, Tag 5: Auf starkem Fittiche schwinget sich (Gabriel)
Die Schöpfung, Hob. XXI:2, Teil II, Tag 5: Und Gott schuf große Walfische (Raphael, Chor)
Die Schöpfung, Hob. XXI:2, Teil II, Tag 5: In holder Anmut stehn’n mit jungem (Gabriel, Uriel, Raphael)
Die Schöpfung, Hob. XXI:2, Teil II, Tag 5: Der Herr ist groß in seiner Macht (Gabriel, Uriel, Raphael, Chor)
I. TEIL - Jauchzet, frohlocket, auf, preiset die Tage - 1. Chor
IV TEIL - Fallt mit Danken, fallt mit Loben - 36. Chor
Evangelist: Es begab sich aber zu der Zeit
Rezitativ (Alt): Nun wird mein liebster Braütigam
Rezitativ (Bass): Immanuel, o süßes Wort! - Choral und Arioso (Sopran, Bass) - Rezitativ (Bass)
Arie (Alt): Bereite dich, Zion, mit zärtlichen Trieben
Arie (Sopran, Echo-Sopran): Flößt, mein Heiland, flößt dein Namen
Rezitativ (Bass): mit Choral (Sopran) Wohlan, dein Name soll allein - Jesu, meine Freund und Wonne
Evangelist: Und sie gebar ihren ersten Sohn
Arie (Tenor): Ich will nur dir zu Ehren leben
Choral (Sopran), Rezitativ (Bass): Er ist auf Erden kommen arm
Arie (Bass): Großer Herr, o starker König
V. TEIL - Ehre sei dir, Gott, gesungen - 43. Chor
Evangelist: Da Jesus geboren war zu Bethlehem
II. TEIL - Und es waren Hirten in derselben Gegend - 10. Sinfonia
Chor mit Rezitativ (Alt): Wo ist der neugeborne König der Jüden?
Evangelist: Und es waren Hirten in derselben
Choral: Dein Glanz all Finsternis verzehrt
Arie (Bass): Erleucht auch meine finstre Sinnen
Evangelist: Der Engel Und der Engel sprach zu ihnen
Evangelist: Da das der König Herodes hörte
Rezitativ (Bass): Was Gott dem Abraham verheissen
Rezitativ (Alt): Warum wollt ihr erschrecke?
Arie (Tenor): Frohe Hirten, eilt, ach eilet
Choral: Schaut hin, dort liegt im finstern Stall
Rezitativ (Bass): So geht denn hin, ihr Hirten, geht
Arie (Alt): Schlafe, mein Liebster, genieße der Ruh
Evangelist: Und alsobald war da bei dem Engel
Rezitativ (Bass): So recht, ihr Engel, jauchzt und singet
III. TEIL - Herrscher des Himmels, erhîre das Lallen - 24. Chor
Evangelist: Und da die Engel von ihnen gen Himmel fuhren
Chor: Lasset uns nun gehen gen Bethlehem
Rezitativ (Bass): Er hat sein Volk getröste
Duett (Sopran, Bass): Herr, dein Mitleid, dein Erbarmen
Evangelist: Und sie kamen eilend und funden beide
Arie (Alt): Schließe, mein Herze, dies selige Wunder
Rezitativ (Alt): Ja, ja, mein Herz soll es bewahren
Choral: Ich will dich mit Fleiß bewahren
Evangelist: Und die Hirten kehrten wieder um
(Da Capo) 24. Chor: Herrscher des Himmels, erhöre das Lallen
Alcione, Acte II Scène 1: Prélude - "Le Roi dans ces lieux va se rendre"
Alcione, Prologue: "Apollon et le Dieu des bois"
Alcione, Acte II Scène 2: Prélude lentement - "Dieux cruels, punissez ma rage et mes murmures"
Alcione, Prologue: Air des Faunes et des Driades
Alcione, Acte II Scène 2: "L’injuste Ciel à mes maux m’abandonne"
Alcione, Prologue: "Fuyez, fuyez, mortels, fuyez"
Alcione, Acte II Scène 2: "Vous, dont les mystères affreux"
Alcione, Prologue: Ritournelle: "Aimable paix, c’est toi que célèbrent mes chants!"
Alcione, Acte II Scène 3: "Éprouvez notre ardeur fidèle"
Alcione, Prologue: "Règne, règne, fille du ciel, mets la discorde aux fers"
Alcione, Acte II Scène 3: Premier Air des Magiciens
Alcione, Prologue: Prélude - "A l’éclat de vos chants"
Alcione, Acte II Scène 3: "Sévère fille de Cérès"
Alcione, Prologue: Marche (pour les Bergers et les Bergères)
Alcione, Acte II Scène 3: Symphonie - "Fleuves affreux qui, par vos noirs torrents"
Alcione, Prologue: 1er Menuet (pour les mêmes) - "Le doux Printemps ne paraît point sans Flore"
Alcione, Acte II Scène 3: Premier Air des Magiciens - "Nos vœux sont écoutés dans les royaumes sombres"
Alcione, Prologue: Bourrée (pour les mêmes)
Alcione, Acte II Scène 3: Deuxième Air des Magiciens
Alcione, Prologue: Premier et deuxième Passepieds (pour les mêmes)
Alcione, Acte II Scène 3: Symphonie - "Une fureur soudaine a saisi mes esprits"
Alcione, Prologue: "Qu’un spectacle charmant signale ma victoire"
Alcione, Acte II Scène 3: "Qu’entends-je ! Quel funeste oracle!" - Deuxième Air des Magiciens
Alcione, Prologue: Entr’acte (Reprise de l’Ouverture)
Alcione, Acte III Scène 1: Prélude - "Ô Mer, dont le calme infidèle"
Alcione, Acte I Scène 1 : "Vous voyez le palais où l’hymen d’Alcione"
Alcione, Acte III Scène 2: Prélude gay - "L’amour vient de vous faire une faveur nouvelle"
Alcione, Acte I Scène 1 : "Trop malheureux Pelée, hélas ! Quelle est ta peine?"
Alcione, Acte III Scène 3: Marche - "Contraignez-vous, on vient"
Alcione, Acte I Scène 1 : "J’oserai plus pour vous, seigneur, que vous n’osez"
Alcione, Acte III Scène 3: Marche pour les Matelots et Matelotes
Alcione, Acte I Scène 2: "Aimez-vous sans alarmes"
Alcione, Acte III Scène 3: "Régnez, Zéphirs, régnez sur la liquide plaine"
Alcione, Acte I Scène 2: "Partage, cher amie, les transports de mon âme"
Alcione, Acte I Scène 2: "Du plus ardent amour mon cœur est enflammé"
Alcione, Acte I Scène 2: "Ah ! Que ton cœur n’est-il plus tendre"
Alcione, Acte I Scène 2: "Que rien ne trouble plus une flamme si belle"
Alcione, Acte I Scène 2 : "Chantez, chantez, faites entendre"
Alcione, Acte I Scène 2: "Que rien ne trouble plus une flamme si belle" (II)
Alcione, Acte I Scène 2: Air gravement et piqué
Alcione, Acte I Scène 2: Sarabande et deuxième air "Que vos désirs puissent toujours renaître!"
Alcione, Acte I Scène 2: Menuet - "Dans ces lieux, amour, tu nous ramènes"
Alcione, Acte I Scène 3: "On approche : cessez, et qu’un profond silence"
Alcione, Acte I Scène 3: "Le flambeau de l’amour n’a fait naître en votre âme"
Alcione, Acte I Scène 3: "Écoutez nos serments, arbitres des humains"
Alcione, Acte I Scène 3: Tempête - "Quel bruit ! Quels terribles éclats!"
Alcione, Acte I Scène 3: "Ce n’est point mon palais qu’il faut réduire en poudre"
Alcione, Acte I Scène 3: "Quel embrasement ! Quel ravage!"
Dominica in ramis palmarum: Introductio. Unus ex discipulus
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Feria sexta in passione Domini: Ad matutinum. Introductio "Ecce quomodo"
Dominica in ramis palmarum: Antiphona. Hosanna filio David
Feria sexta in passione Domini: In primo nocturno. Antiphona "Astiterunt reges terrae"
Dominica in ramis palmarum: Antiphona. Pueri Hebræorum
Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio prima "Heth"
Dominica in ramis palmarum: Passio secundum Mathæum
Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio prima "Jerusalem, convertere ad Dominum"
Dominica in ramis palmarum: In elevatione Domini. O Domine Jesu Christe
Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio secunda "Lamed. Matribus suis dixerunt"
Feria quinta in coena domini: Ad matutinum. Introductio "Eram quasi agnus"
Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio secunda "Mem. Cui comparabo te?"
Feria quinta in coena domini: In primo nocturno. Antiphon. Zelus domus tuæ. Versiculum "Avertantur retrorsum"
Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio secunda "Jerusalem, convertere ad Dominum"
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio prima "Incipit Lamentatio Jeremiæ Prophetæ"
Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio tertia "Aleph. Ego vir videns"
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio prima "Aleph. Quomodo sedet"
Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio tertia "Aleph. Meminavit"
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio prima "Beth. Plorans ploravit"
Feria sexta in passione Domini: Lamentatio Jeremiae Prophetae. Lectio tertia "Jerusalem, convertere ad Dominum"
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio prima "Jerusalem, convertere ad Dominum"
Feria sexta in passione Domini: In secundo notturno. Introductio "Eram quasi agnus"
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio secunda "Vau. Et egressus est"
Feria sexta in passione Domini: In secundo notturno. Antiphona "Vim faciebant"
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio secunda "Zain"
Feria sexta in passione Domini: In secundo notturno. Versiculum "Insurrexerunt in me"
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio secunda "Antiphona. Recordata est Jerusalem"
Feria sexta in passione Domini: Sex tenebrae responsoria. Quartum Responsorium "Tanquam ad latronem"
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio secunda
Feria sexta in passione Domini: Sex tenebrae responsoria. Quintum Responsorium "Tenebrae factae sunt"
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio secunda "Jerusalem, convertere ad Dominum"
Feria sexta in passione Domini: Sex tenebrae responsoria. Sextum Responsorium "Animam meam dilectam"
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio tertia "Introductio"
Feria sexta in passione Domini: In tertio notturno. Versiculum "Locuti sunt adversum me lingua"
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio tertia "Jod. Manum suam"
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio tertia "Caph. Omnis populus"
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio tertia "Jerusalem, convertere ad Dominum"
Feria quinta in coena domini: In secundo notturno. Introductio "Tenebrae factae sunt"
Feria quinta in coena domini: In secundo notturno. Versiculum "Deus meus eripe me"
Feria quinta in coena domini: Sex tenebrae responsoria. Quartum Responsorium "Amicus meus"
Feria quinta in coena domini: Sex tenebrae responsoria. Quintum Responsorium "Judas mercator pessimus"
Feria quinta in coena domini: Sex tenebrae responsoria. Sextum Responsorium "Unus ex discipulis"
Feria quinta in coena domini: In tertio notturno. Versiculum "Exsurge Domine"
Feria quinta in coena domini: In tertio notturno. Septimum Responsorium "Eram quasi agnus"
Feria quinta in coena domini: In tertio notturno. Octavum Responsorium "Una hora"
Feria quinta in coena domini: In tertio notturno. Nonum Responsorium "Seniores populi"
Feria quinta in coena domini: Ad laudes. Introductio "Amicus meus"
Feria quinta in coena domini: Ad laudes. Canticum Zachariæ "Benedictus Dominus"
Feria quinta in coena domini: Ad laudes. Psalmus 50 "Miserere mei"
Feria quinta in coena domini: In elevatione corporis christi. In Missa Tantum ergo. Hymnus "Pange Lingua"
Symphonie No. 1 en Ut majeur, Op. 21: I. Adagio molto - Allegro con brio
Symphonie No. 3 en Mi bémol majeur, Op. 55 "Eroica": I. Allegro con brio
Symphonie No. 4 en Si bémol majeur, Op. 60: I. Adagio - Allegro vivace
Symphonie No. 1 en Ut majeur, Op. 21: II. Andante cantabile con moto
Symphonie No. 3 en Mi bémol majeur, Op. 55 "Eroica": II. Marcia Funebre Adagio assai - Maggiore
Symphonie No. 4 en Si bémol majeur, Op. 60: II. Adagio
Symphonie No. 1 en Ut majeur, Op. 21: III. Menuetto Allegro molto e vivace - Trio
Symphonie No. 3 en Mi bémol majeur, Op. 55 "Eroica": III. Scherzo Allegro vivace - Trio - Alla breve - Coda
Symphonie No. 4 en Si bémol majeur, Op. 60: III. Allegro molto e vivace - Trio Un poco meno allegro - Tempo I - Un poco m
Symphonie No. 1 en Ut majeur, Op. 21: IV. Finale Adagio - Allegro molto e vivace
Symphonie No. 3 en Mi bémol majeur, Op. 55 "Eroica": IV. Finale Allegro molto - Poco Andante - Presto
Symphonie No. 4 en Si bémol majeur, Op. 60: IV. Allegro ma non troppo
Symphonie No. 2 en Ré majeur, Op. 36: I. Adagio - Allegro con brio
Symphonie No. 5 en Do mineur, Op. 67: I. Allegro con brio
Symphonie No. 2 en Ré majeur, Op. 36: II. Larghetto
Symphonie No. 5 en Do mineur, Op. 67: II. Andante con moto - Pió moto - Tempo I
Symphonie No. 2 en Ré majeur, Op. 36: III. Scherzo Allegro - Trio
Symphonie No. 5 en Do mineur, Op. 67: III. Allegro
Symphonie No. 2 en Ré majeur, Op. 36: IV. Allegro molto
Symphonie No. 5 en Do mineur, Op. 67: IV. Allegro - Tempo I - Allegro - Presto
The Messiah, HWV 56, Part II: Recitative Accompagnato "All They That See Him, Laugh Him to Scorn"
The Messiah, HWV 56, Part I: Sinfony Overture Grave. Allegro moderato
The Messiah, HWV 56, Part II: Chorus "He Trusted in God"
The Messiah, HWV 56, Part I: Recitative Accompagnato "Comfort ye My People"
The Messiah, HWV 56, Part II: Recitative Accompagnato "Thy Rebuke Hath Broken His Heart"
The Messiah, HWV 56, Part I: Air "Ev’ry Valley Shall Be Exalted"
The Messiah, HWV 56, Part II: Air "Behold, And See if There Be Any Sorrow"
The Messiah, HWV 56, Part I: Chorus "And the Glory of The Lord"
The Messiah, HWV 56, Part II: Recitative Accompagnato "He Was Cut Off Out of the Land of the Living"
The Messiah, HWV 56, Part I: Recitative Accompagnato: Thus Saith The Lord
The Messiah, HWV 56, Part II: Air "But Thou Didst Not Leave His Soul in Hell"
The Messiah, HWV 56, Part I: Air "But Who May Abide the Day of His Coming?
The Messiah, HWV 56, Part II: Chorus "Lift Up Your Heads, O ye Gates"
The Messiah, HWV 56, Part I: Chorus "And He Shall Purify"
The Messiah, HWV 56, Part II: Recitative: Unto Which of the Angels Said He at Any Time"
The Messiah, HWV 56, Part I: Recitative "Behold, A Virgin Shall Conceive"
The Messiah, HWV 56, Part II: Chorus "Let All the Angels of God Worship Him"
The Messiah, HWV 56, Part I: Air & Chorus "O Thou That Tellest Good Tidings to Zion"
The Messiah, HWV 56, Part II: Air "Thou Art Gone Up on High"
The Messiah, HWV 56, Part I: Recitative Accompagnato "For, Behold, Darkness Shall Cover the Earth"
The Messiah, HWV 56, Part II: Chorus "The Lord Gave the Word"
The Messiah, HWV 56, Part I: Air "The People That Walked in Darkness"
The Messiah, HWV 56, Part I: Chorus "For Unto Us a Child Is Born"
The Messiah, HWV 56, Part II: Air "How Beautiful Are the Feet"
The Messiah, HWV 56, Part I: Pifa "Pastoral Symphony"
The Messiah, HWV 56, Part II: Chorus "Their Sound Is Gone Out"
The Messiah, HWV 56, Part I: Recitative "There Were Shepherds Abiding in the Field"
The Messiah, HWV 56, Part II: Air "Why Do the Nations So Furiously Rage Together?"
The Messiah, HWV 56, Part I: Recitative Accompagnato "And, lo, The Angel of the Lord Came Upon Them"
The Messiah, HWV 56, Part II: Chorus "Let Us Break Their Bonds Asunder"
The Messiah, HWV 56, Part I: Recitative "And the Angel Said Unto Them"
The Messiah, HWV 56, Part II: Recitative "He That Dwelleth in Heaven"
The Messiah, HWV 56, Part I: Chorus "Glory to God"
The Messiah, HWV 56, Part II: Air "Thou Shalt Break Them"
The Messiah, HWV 56, Part I: Air "Rejoice Greatly, O Daughter of Zion"
The Messiah, HWV 56, Part II: Chorus "Hallelujah"
The Messiah, HWV 56, Part I: Recitative "Then Shall the Eyes of the Blind"
The Messiah, HWV 56, Part III: Air "I Know That My Redeemer Liveth"
The Messiah, HWV 56, Part I: Air "He Shall Feed His Flock"
The Messiah, HWV 56, Part III: Chorus "Since By Man Came Death"
The Messiah, HWV 56, Part I: Chorus "His Yoke Is Easy"
The Messiah, HWV 56, Part III: Recitative Accompagnato "Behold, I Tell You a Mystery"
The Messiah, HWV 56, Part II: Chorus "Behold the Lamb of God"
The Messiah, HWV 56, Part III: Air "The Trumpet Shall Sound"
The Messiah, HWV 56, Part II: Air "He Was Despised"
The Messiah, HWV 56, Part III: Recitative "Then Shall Be Bought to Pass"
The Messiah, HWV 56, Part II: Chorus "Surely He Hath Borne Our Griefs"
The Messiah, HWV 56, Part III: Duet "O Death, Where Is Thy Sting?"
The Messiah, HWV 56, Part II: Chorus "And With His Stripes We Are Healed"
The Messiah, HWV 56, Part II: Chorus "All We Like Sheep Have Gone Astray"
Symphony No. 39 in E-Flat Major, K. 543: I. Adagio – Allegro
Symphony No. 39 in E-Flat Major, K. 543: II. Andante con moto
Symphony No. 39 in E-Flat Major, K. 543: III. Menuetto : Allegretto - Trio
Symphony No. 39 in E-Flat Major, K. 543: IV. Allegro
Symphony No. 40 in G Minor, K. 550: I. Molto allegro
Symphony No. 40 in G Minor, K. 550: II. Andante
Symphony No. 40 in G Minor, K. 550: III. Menuetto : Allegretto - Trio
Symphony No. 40 in G Minor, K. 550: IV. Allegro assai
Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro vivace
Symphony No. 41 in C Major, K. 551 "Jupiter": II. Andante cantabile
Symphony No. 41 in C Major, K. 551 "Jupiter": III. Menuetto : Allegretto - Trio
Symphony No. 41 in C Major, K. 551 "Jupiter": IV. Molto allegro
Marin Marais: Alcione (Suite des airs à joüer)
Première suite, Airs pour les driades et les bergers: I. Ouverture
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Première suite, Airs pour les driades et les bergers: II. Marche pour les bergers et les bergères
Première suite, Airs pour les driades et les bergers: III. Air pour les faunes et les driades
Première suite, Airs pour les driades et les bergers: IV. Menuet pour les bergers et les bergères
Première suite, Airs pour les driades et les bergers: V. Menuet pour les mêmes
Première suite, Airs pour les driades et les bergers: VI. Bourée pour les bergers et les bergères
Première suite, Airs pour les driades et les bergers: VII. Passepied I & II pour les mêmes
Deuxième suite, Airs pour les eoliens et les eoliennes: I. Air
Deuxième suite, Airs pour les eoliens et les eoliennes: II. Menuet
Deuxième suite, Airs pour les eoliens et les eoliennes: III. Air
Deuxième suite, Airs pour les eoliens et les eoliennes: IV. Menuet da capo
Deuxième suite, Airs pour les eoliens et les eoliennes: V. Sarabandes
Deuxième suite, Airs pour les eoliens et les eoliennes: VI. Gigue
Troisième suite, Airs pour les prêtresse et les magiciens: I. Prélude de l’acte second
Troisième suite, Airs pour les prêtresse et les magiciens: II. Sarabande pour les prêtresses de Junon
Troisième suite, Airs pour les prêtresse et les magiciens: III. Prélude pour la prêtresse de Junon
Troisième suite, Airs pour les prêtresse et les magiciens: IV. Gigues pour les mêmes
Troisième suite, Airs pour les prêtresse et les magiciens: V. Airs I & II pour les magiciens
Quatrième suite, Airs pour les matelots et les tritons: I. Prélude de l’acte Troisième
Quatrième suite, Airs pour les matelots et les tritons: II. Marche pour les matelots
Quatrième suite, Airs pour les matelots et les tritons: III. Air pour les mêmes
Quatrième suite, Airs pour les matelots et les tritons: IV. Air «tambourin» pour les mêmes
Quatrième suite, Airs pour les matelots et les tritons: V. Symphonie pour le sommeil
Quatrième suite, Airs pour les matelots et les tritons: VI. Tempête
Quatrième suite, Airs pour les matelots et les tritons: VII. Ritournelle
Quatrième suite, Airs pour les matelots et les tritons: VIII. Entract’ menuet
Quatrième suite, Airs pour les matelots et les tritons: IX. Chaconne pour les tritons
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Les Indes Galantes - Air des Incas pour la dévotion du Soleil
Les Indes Galantes - Air pour les amants qui suivent Bellone
Les Indes Galantes - Air pour les guerriers portant les Drapeaux
Les Indes Galantes - Menuets pour les Guerriers et Amazones I & II
Les Indes Galantes - Air pour les esclaves africains
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Les Indes Galantes - Air pour Borée et la Rose
Les Indes Galantes - 2ème Air pour les Zephirs
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Zoroastre - Air des Esprits Infernaux II
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Les Boréades - Gavotte I & II pour les heures et les Zephirs
Mozart: Serenate Notturne / Eine Kleine Nachtmusik
Serenade in D, Serenata Notturna, K. 239: Marcia (Maestoso)
Serenade in D, Serenata Notturna, K. 239: Menuetto - Trio
Serenade in D, Serenata Notturna, K. 239: Rondeau (Allegretto - Adagio - Allegro)
Serenade in G, Eine Kleine Nachtmusik, K. 525: Allegro
Serenade in G, Eine Kleine Nachtmusik, K. 525: Romance (Andante)
Serenade in G, Eine Kleine Nachtmusik, K. 525: Menuetto (Allegretto) - Trio
Serenade in G, Eine Kleine Nachtmusik, K. 525: Rondo (Allegro)
Notturno in D Für Vier Orchester, K. 286: Andante
Notturno in D Für Vier Orchester, K. 286: Allegretto Grazioso
Notturno in D Für Vier Orchester, K. 286: Menuetto - Trio
Ein Musikalicher Spaß, K. 522: Menuetto (Maestoso) - Trio
Ein Musikalicher Spaß, K. 522: Adagio Cantabile
Luigi Boccherini: Fandango, Sinfonie & La Musica Notturna Di Madrid
Quintetto No. 4 in Re Maggiore "Fandango" per Corda e Chitarra, G. 448: Pastorale
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Quintetto No. 4 in Re Maggiore "Fandango" per Corda e Chitarra, G. 448: Allegro Maestoso
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Quintetto No. 4 in Re Maggiore "Fandango" per Corda e Chitarra, G. 448: Grave Assai - Fandango
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Sinfonia in Re Minore A Più Strumenti Obbligati Op. 37, No. 3, G. 517 "Grande": Allegro Moderato
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Sinfonia in Re Minore A Più Strumenti Obbligati Op. 37, No. 3, G. 517 "Grande": Minuetto Con Moto - Trio
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Sinfonia in Re Minore A Più Strumenti Obbligati Op. 37, No. 3, G. 517 "Grande": Andante Amoroso
Sinfonia in Re Minore A Più Strumenti Obbligati Op. 37, No. 3, G. 517 "Grande": Finale - Allegro Vivo, Ma Non Tanto Presto
Sinfonia in La Maggiore Op. 35, No. 3, G. 511: Allegro Giusto
Sinfonia in La Maggiore Op. 35, No. 3, G. 511: Andante
Sinfonia in La Maggiore Op. 35, No. 3, G. 511: Allegro Ma Non Presto
Quintetto in Do Maggiore La Musica Notturna Delle Strade Di Madrid Op. 30, No. 6, G. 324: Le Campane di L'Ave Maria
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Quintetto in Do Maggiore La Musica Notturna Delle Strade Di Madrid Op. 30, No. 6, G. 324: Il Tamburo Dei Soldati
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Quintetto in Do Maggiore La Musica Notturna Delle Strade Di Madrid Op. 30, No. 6, G. 324: Minuetto Dei Ciechi
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Quintetto in Do Maggiore La Musica Notturna Delle Strade Di Madrid Op. 30, No. 6, G. 324: Il Rosario - Largo Assai - Allegro - Largo Come Prima
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Quintetto in Do Maggiore La Musica Notturna Delle Strade Di Madrid Op. 30, No. 6, G. 324: Passa Calle - Allegro Vivo
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Quintetto in Do Maggiore La Musica Notturna Delle Strade Di Madrid Op. 30, No. 6, G. 324: Il Tamburo
Quintetto in Do Maggiore La Musica Notturna Delle Strade Di Madrid Op. 30, No. 6, G. 324: Ritirata - Maestoso
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François Couperin: Les Concerts Royaux, 1722
Premier Concert: Prélude - Gravement (Couperin)
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Premier Concert: Allemande - Légèrement (Couperin)
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Premier Concert: Sarabande - Mesuré (Couperin)
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Premier Concert: Gavotte - Notes Égales Et Coulées (Couperin)
Premier Concert: Gigue - Légèrement (Couperin)
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Premier Concert: Menuet En Trio (Couperin)
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Second Concert: Prélude - Gracieusement (Couperin)
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Second Concert: Allemande Fuguée - Gayement (Couperin)
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Second Concert: Air Contre Fugué - Vivement (Couperin)
Second Concert: Echos - Tendrement (Couperin)
Troisième Concert: Prélude - Lentement (Couperin)
Troisième Concert: Allemande - Légèrement (Couperin)
Troisième Concert: Sarabande - Grave (Couperin)
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Troisième Concert: Muzette - Naïvement (Couperin)
Troisième Concert: Chaconne Légère (Couperin)
Quatrième Concert: Prélude - Gravement (Couperin)
Quatrième Concert: Allemande - Légèrement (Couperin)
Quatrième Concert: Courante Françoise (Couperin)
Quatrième Concert: Courante À L'Italiene (Couperin)
Quatrième Concert: Sarabande - Très Tendrement (Couperin)
Quatrième Concert: Rigaudon - Légèrement Et Marqué (Couperin)
Quatrième Concert: Forlane. Rondeau - Gayement (Couperin)
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Musice De L'Enfance Du Dauphin: Pavane Pour La Petitte Guaire, Fait Pour Les Cornetz En 1601 (Philidor)
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Musice De L'Enfance Du Dauphin: Gaillarde, En Suitte (Philidor)
Musice De L'Enfance Du Dauphin: Muzette "Ma Mignone" (Philidor)
Musice De L'Enfance Du Dauphin: Pavane Fait Au Mariage De Mr. Vandosme En 1609 (Philidor)
Musice De L'Enfance Du Dauphin: Branle En Faubourdon (Philidor)
Musice De L'Enfance Du Dauphin: Gaillarde En Suitte (Philidor)
Musiques Pour Le Sacre Du Roy Faites Le 17 Octobre 1610: Pavane Pour Les Hautbois Fait Au Sacre Du Roy (Philidor)
Musiques Pour Le Sacre Du Roy Faites Le 17 Octobre 1610: 2e Air En Suitte (Philidor)
Musiques Pour Le Sacre Du Roy Faites Le 17 Octobre 1610: 3e Air En Suitte (Philidor)
Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: Pavane Du Mariage De Louis XIII (Philidor)
Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: Bourée D'Avignonez (Philidor)
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Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: Ballet A Cheval Pour Le Grand Carousel. Joué Par Les Grands Hautbois (Philidor)
Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: 2e Air En Suitte (Philidor)
Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: 3e Air En Suitte (Philidor)
Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: 4e Air En Suitte (Philidor)
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Ombres (Philidor)
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: 2e Air Pour Les Mesmes (Philidor)
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Charivaris Pour Les Hautbois (Philidor)
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Gavotte En Suitte (Philidor)
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Suisses. Air Pour Les Viollons (Philidor)
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Suissesses (Philidor)
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Gacons (Philidor)
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Entrée De Mr. De Liancourt (Philidor)
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Vallets De La Faiste (Philidor)
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Nimphes De La Grenouillere (Philidor)
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Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Bergers (Philidor)
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Ameriquains (Philidor)
Les Musiques Royales De 1643 À 1650: Fanfare (Philidor)
Les Musiques Royales De 1643 À 1650: Intrada - Gavotte - Sarabande (Philidor)
Les Musiques Royales De 1643 À 1650: Charivaris Pour Les Hautbois 1648 (Philidor)
Les Musiques Royales De 1643 À 1650: Courante De La Reine D'Angleterre 1634 (Philidor)
Les Musiques Royales De 1643 À 1650: Gavotte (Philidor)
Les Musiques Royales De 1643 À 1650: Fantaisie "Les Pleurs D'Orphée" (Philidor)
Les Musiques Royales De 1643 À 1650: Libertas (Philidor)
Les Musiques Royales De 1643 À 1650: Sarabandes & Tambourin (Philidor)
Les Musiques Royales De 1643 À 1650: "A L'Impero D'Amore" (Sarabande) (Philidor)
Mendelssohn: A Midsummer Night's Dream, Op. 61 (1843): II. Scherzo
Mendelssohn: A Midsummer Night's Dream, Op. 61 (1843): XI. Wedding March (Allegro vivace)
Le Concert Spirituel au temps de Louis XV
Concerto Grosso in D Major, Op. 6 No. 4: I . Adagio
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Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro
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Concerto Grosso in D Major, Op. 6 No. 4: III. Adagio
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Concerto Grosso in D Major, Op. 6 No. 4: IV. Vivace
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Concerto Grosso in D Major, Op. 6 No. 4: V. Allegro
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Concerto Grosso in D Major, Op. 6 No. 4: VI. Allegro
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Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: I . Ouverture
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Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: II. La Trompette
Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: III. Sarabande
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Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: IV. Rondeau
Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: V. Bourrée
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Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: VI. Courante - Double
Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: VII. Gigue
Concerto in A Minor for Flauto Dolce, Viola di Gamba, Strings e Fondamento TWV 52/a1: I . Grave
Concerto in A Minor for Flauto Dolce, Viola di Gamba, Strings e Fondamento TWV 52/a1: II. Allegro
Concerto in A Minor for Flauto Dolce, Viola di Gamba, Strings e Fondamento TWV 52/a1: III. Dolce
Concerto in A Minor for Flauto Dolce, Viola di Gamba, Strings e Fondamento TWV 52/a1: IV. Allegro
Overture & Suite in E Minor "Tafelmusik" for 2 flutes and strings, TWV 55/e1: I . Ouverture: Lentement - Vite - Lentement
Overture & Suite in E Minor "Tafelmusik" for 2 flutes and strings, TWV 55/e1: II. Réjouissance
Overture & Suite in E Minor "Tafelmusik" for 2 flutes and strings, TWV 55/e1: III. Rondeau
Overture & Suite in E Minor "Tafelmusik" for 2 flutes and strings, TWV 55/e1: IV. Loure
Overture & Suite in E Minor "Tafelmusik" for 2 flutes and strings, TWV 55/e1: V. Passepied
Overture & Suite in E Minor "Tafelmusik" for 2 flutes and strings, TWV 55/e1: VI. Air; un peu vivement
Overture & Suite in E Minor "Tafelmusik" for 2 flutes and strings, TWV 55/e1: VII. Gigue
Les Indes Galantes - Suites des airs à Jouer (Sinfonies): I . Air pour les guerriers portans les Drapeaux
Les Indes Galantes - Suites des airs à Jouer (Sinfonies): II. Air pour les Amants qui suivent Bellone (Lent, tendrement)
Les Indes Galantes - Suites des airs à Jouer (Sinfonies): III. Orage
Les Indes Galantes - Suites des airs à Jouer (Sinfonies): IV. Air pour les Esclaves Africains
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Les Indes Galantes - Suites des airs à Jouer (Sinfonies): V. Air pour Borée et la Rose (Très vite)
Les Indes Galantes - Suites des airs à Jouer (Sinfonies): VI. 2eme. Air pour Zéphire
Les Indes Galantes - Suites des airs à Jouer (Sinfonies): VII. Tambourins I et II