1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x17d5635200100a2917c860d88bfc1c903f21e3fd617bb6dedfa883f1a7008a20. Chain 2 (Bitcoin): anchored in block 953408 (2026-06-12T19:28:13Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/e761f1d6-a44a-49a0-ac96-fb55223315c1.json and https://artists.proofprofile.net/proofs/artist/e761f1d6-a44a-49a0-ac96-fb55223315c1.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages)
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1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xfee9c274a3a4f959f51b7a55aa1793bea0e57489ef9d85fe256ae653907659e0. Chain 2 (Bitcoin): anchored in block 956349 (2026-07-02T11:34:59Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4BUCWKW7KN7F9Dhn65hock.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4BUCWKW7KN7F9Dhn65hock.
Schumann: Waldszenen, Op. 82: No. 3, Einsame Blumen
Dvořák: From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9461d15a9f8eb9d8accafe88155568c7e6b17018417a9d296cb48f4942a7ecc1. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6TKu9ffmn7mlMZNs7mI2Q1.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6TKu9ffmn7mlMZNs7mI2Q1.
Grieg: Lyric Pieces, Book X, Op. 71: No. 4, Peace of the Woods
Rutter: 8 Christmas Carols: No. 6, Down in Yon Forest
Ligeti: Mátraszentimrei dalok: No. 4, Erdőbe, erdőbe
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x147338ad06635dcfc05e73ce8e118d1ff6a670704decd1ba54147a65f116e326. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0efDg2xJ2287j9dgpRd5T9.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0efDg2xJ2287j9dgpRd5T9.
Chabrier: Suite pastorale: III. Sous-bois
Fauré: 3 Mélodies, Op. 85: No. 1, Dans la forêt de septembre
Strauss II, J: Geschichten aus dem Wienerwald, Op. 325
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x54c72c0761891a4222275c5f2e3cc8d1989e6434b9c676de8fd6bb8a9e4afd26. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6PCnfIEjj51ZuYfVhPLm19.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6PCnfIEjj51ZuYfVhPLm19.
Bartók: For Children, Sz. 42, Book IV "Slovakian Folk Songs": No. 66, The Pine Forest. Poco Andante
Wagner: Siegfried, Act 2: Forest Murmurs
Liszt: 2 Études de concert, S. 145: No. 1, Waldesrauschen
Rossini: Guillaume Tell, Act 2: "Sombre forêt" (Mathilde)
Roussel: Symphony No. 1 in D Minor, Op. 7, "Le poème de la forêt": II. Renouveau
Debussy: Pelléas et Mélisande, CD 93, L. 88, Act 1: Introduction
Orchestre De La Société Des Concerts Du Conservatoire
Dutilleux: Le Loup: Troisième tableau. La forêt d'hiver - Danse d'amour - Danse de mort
Verdi: Don Carlo, Act 1: "Fontainebleau! Foresta immensa e solitaria!" (Don Carlo)
Orchestra of the Royal Opera House, Covent Garden
MacDowell: New England Idyls, Op. 62: V. In Deep Woods
Gluck: Orphée et Eurydice, Wq. 41, Act 1: Chœur. "Ah ! Dans ce bois tranquille et sombre" (Nymphes, Bergers, Orphée)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x8e2dfc78c4e81b22cc0ad681d89951a983fdf1e34138e521602c875cc08d4f01. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1V3vZwZLPJuQslkioYOgZe.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1V3vZwZLPJuQslkioYOgZe.
Fauré: La bonne chanson, Op. 61: No. 3, La lune blanche luit dans les bois (Version for Voice, Piano and String Quintet)
Villa-Lobos: Floresta do Amazonas, W551: Melodia Sentimental (Arr. Barbosa-Lima for Guitar)
Brahms: 15 Neue Liebeslieder, Op. 65: No. 12, Schwazer Wald
Magnard: Promenades, Op. 7: II. Bois de Boulogne
Airs de cour, Livre premier: No. 27, En ce bois si beau
Delibes: Sylvia, Act 1: No. 3, Fanfare. Les chasseresses
Lehár: Die lustige Witwe, Act 2: Vilja-Lied. "Es lebt' eine Vilja, ein Waldmägdelein" (Hanna)
Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 2: No. 8, The Forest of Fir Trees in Winter. Journey Through the Snow
Charpentier: Sans frayeur dans ce bois, H. 467
Strauss, R: An Alpine Symphony, Op. 64: IV. Entering the Forest
Le Camus: Airs à 2 et 3 parties: No. 14, Forêts solitaires et sombres
Vivaldi: Catone in Utica, RV 705: "Nella foresta"
Ronald: Cycle of Life: No. 2, Spring. Down in the Forest
Tchaikovsky: La pucelle d'Orléans, Act I: "Adieu, forêts !"
Shostakovich: The Song of the Forests, Op. 81: II. We Will Clothe Our Homeland with Forests (Live)
Britten: Paul Bunyan, Op. 17: Introduction - Prologue. "Since the birth of the earth" (Trees, Wild Geese)
Schumann: Liederkreis, Op. 39: No. 3, Waldesgespräch
Smetana: Má Vlast: IV. From Bohemian Woods and Fields
Quilter: Suite from Where the Rainbow Ends: IV. Goblin Forest
Schubert: Im Walde, D. 708 "Waldesnacht"
Janáček: On an Overgrown Path, Book I: No. 6, Words Fail!
Strauss, R: 8 Lieder, Op. 49: No. 1, Waldseligkeit
Debussy: Ariettes oubliées, CD 63b, L. 60: No. 3, L'ombre des arbres (Second Version)
Elgar: Caractacus, Op. 35, Scene 3: Woodland Interlude
MacDowell: 10 Woodland Sketches, Op. 51: No. 1, To a Wild Rose
Delius: Songs of Sunset: No. 6, See How the Trees and the Osiers Lithe
Britten: Folksong Arrangements, Book 1 "British Isles": No. 5, The Trees They Grow So High
Stolz: Im Prater blüh'n wieder die Bäume, Op. 247 "Wiener Lied" (Version with Orchestra)
Mendelssohn: 3 Lieder, Op. 84: No. 1, Da lieg' ich unter den Bäumen, MWV K69
Debussy: Clair de lune and Other Masterpieces
Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto
Debussy: Petite suite, CD 71, L. 65: I. En bateau (Orch. Büsser)
Orchestre de chambre Jean-François Paillard
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x0b2412278ab35316db87d61b3eca73ff5203cf3ceedfd42d1daed34e678d96cb. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7BaXm7JTQi4ALh7FnUBWK0.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7BaXm7JTQi4ALh7FnUBWK0.
Debussy: Suite bergamasque, CD 82, L. 75: III. Clair de lune
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xffaaa9c1bfa519e1728bb0a277b0a6989c333a962ef5c12943efe0b00962ab4f. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/261cfSoLVKtDu7hJmevhEs.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/261cfSoLVKtDu7hJmevhEs.
Debussy: Piano Trio in G Major, CD 5, L. 5: III. Andante espressivo
Debussy: String Quartet in G Minor, Op. 10, CD 91, L. 85: II. Assez vif et bien rythmé
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x64344f3eade43fb89f86899f385699b156c01a19f0138492429e2e54a08709ce. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0NTysXSj7S78lo9de1ToC8.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0NTysXSj7S78lo9de1ToC8.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x5787738ac79ef2ba3d43fb20f18f65e7577c66020e29f7fcc632dba6847236e4. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2gEgjyRvas8qHKm43BPyYL.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2gEgjyRvas8qHKm43BPyYL.
Debussy: Images, Livre I, CD 105, L. 110: No. 2, Hommage à Rameau
Debussy: La Mer, CD 111, L. 109: II. Jeux de vagues
Debussy: Cello Sonata in D Minor, CD 144, L. 135: III. Final. Animé, léger et nerveux
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xdfd70d8c0d7e63ac50e5e0ed787dcffc1b5e9ad2df769d3d3d148cfafa2a4ef5. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0xZSyoA8lPx2RDusiZAmDj.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0xZSyoA8lPx2RDusiZAmDj.
Debussy: Pour le piano, L. 95: III. Toccata
Debussy: Fantaisie for Piano and Orchestra, CD 72, L. 73: I. Andante - Allegro
Orchestre National Du Capitole De Toulouse
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x76e0f9a15d3f8c92f9a0d6b8a6d353ac6f481f99cfd89d9248f6f1f9e0167b47. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6BhHO1TrnPbaDF7H6rhe1C.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6BhHO1TrnPbaDF7H6rhe1C.
Debussy: Estampes, CD 108, L. 100: No. 3, Jardins sous la pluie
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc8e2d05f4ee321d78e7ce526f9e720c6af2a3dbced52832cdecb28d008b7a167. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/73zxN9oKY6otqLeL7UBe54.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/73zxN9oKY6otqLeL7UBe54.
Debussy: Fêtes galantes, Livre I, CD 86, L. 80: I. En sourdine
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xba814f223f28d45f98159cc73d6f76ceb543b71359f7b85af1a0b8c325d9a9f0. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1KHHrt4rbuNYPMoOh78uNZ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1KHHrt4rbuNYPMoOh78uNZ.
Debussy: Images, Livre I, CD 105, L. 110: No. 1, Reflets dans l'eau
Debussy: Pelléas et Mélisande, CD 93, L. 88, Act 3: "Mes longs cheveux descendent" (Mélisande)
Debussy: Première rapsodie in B-Flat Major, CD 124, L. 116 (Orchestral Version)
Debussy: Children's Corner, CD 119, L. 113: No. 6, Golliwog's Cake Walk
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xfd5274ae985043b9e04704f50f4059934bcfa9609dfe6ce4b72f5950b16d7522. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7LC1ZmWwpNE8WtnIOqeKwu.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7LC1ZmWwpNE8WtnIOqeKwu.
Debussy / Orch. Stokowski: Suite bergamasque, CD 82, L. 75: III. Clair de lune
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xba8f64f089846b8da7df6b614a6d063332b2afcdba288f7dbff760b3ff8b0804. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3Wrae7E5zFsV4mG5cejdfC.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3Wrae7E5zFsV4mG5cejdfC.
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x38b1fdfb4548ad11a3ed571bf249693e9166f6072b75185acbe4cc97c0643699. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5LQTOnGWq0FrqYhExzzqWh.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5LQTOnGWq0FrqYhExzzqWh.
Debussy: Danses pour harpe et cordes, CD 113, L. 103: No. 1, Danse sacrée
Debussy: Nocturnes, CD 98, L. 91: No. 3, Sirènes
Debussy: Sonata for Flute, Viola and Harp, CD 145, L. 137: I. Pastorale. Lento, dolce rubato
Debussy: Suite bergamasque, CD 82, L. 75: IV. Passepied
Debussy: 3 Chansons de Bilitis, CD 97 L. 90: No. 1, La flûte de Pan
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x8eb9d8ffce0816de00e76df7a3a0b6d66dd4133bac787d4cdc46c9504ab261aa. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0AczJoH8uXxzASsjlh8nWh.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0AczJoH8uXxzASsjlh8nWh.
Debussy: 12 Études, CD 143, L. 136: No. 11, Pour les arpèges composés
Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86
Debussy: Épigraphes antiques, CD 139, L. 131: No. 1, Pour invoquer Pan, dieu du vent d'été (Arr. Lenski for Flute and Piano)
Debussy: Petite suite, CD 71, L. 65: II. Cortège
Debussy: La plus que lente, CD 128, L. 121
Debussy: Préludes, Livre I, CD 125, L. 117: No. 7, Ce qu'a vu le vent d'ouest
Debussy: Violin Sonata in G Minor, CD 148, L. 140: I. Allegro vivo
Debussy: Beau soir, CD 84, L. 6 (Arr. Heifetz for Violin and Piano)
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Debussy / Transcr. Rondeau: Children's Corner, CD. 119, L. 113: I. Doctor Gradus ad Parnassum
Debussy: En blanc et noir, pour deux pianos, CD 142, L. 134: I. Avec emportement
Debussy: Noël des enfants qui n'ont plus de maison, CD 147, L. 139
Debussy: Images pour orchestre, CD 118, L. 122, Pt. 2 "Iberia": No. 3, Le matin d'un jour de fête
Debussy: Nocturnes, CD 98, L. 91: No. 1, Nuages
Debussy: 3 Chansons de Charles d'Orléans, CD 99, L. 92: No. 1, Dieu ! Qu'il la fait bon regarder !
Debussy: L'enfant prodigue, CD 61, L. 57: "L'année en vain chasse l'année" - Air. "Azaël ! Pourquoi m'as-tu quittée ?"
Debussy / Orch. Caplet: La boîte à joujoux, CD 136, L. 128: II. Le magasin de jouets
Debussy / Orch. Koechlin: Khamma, CD 132, L. 125
Symphony No. 4 in G Major: I. Bedächtig, nicht eilen
Symphony No. 4 in G Major: II. In gemächlicher Bewegung, ohne Hast
Symphony No. 4 in G Major: III. Ruhevoll, poco adagio
Symphony No. 4 in G Major: IV. Wir geniessen die himmlischen Freuden. Sehr behaglich
Mozart: Mitridate, rè di Ponto, K. 87, Act 1: Overture
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Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Vieni, signor” (Arbate, Sifare)
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Mozart: Mitriate, rè di Ponto, K. 87, Act 1: "Se a me s'unisce Arbate" (Sifare, Aspasia)
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Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Al destin, che la minaccia" (Aspasia)
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Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Qual tumulto nell'alma" (Sifare)
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Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Soffre il mio cor con pace" (Sifare)
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Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Sin a quando, o regina" (Sifare, Farnace, Aspasia, Arbate)
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Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "L'odio nel cor frenate" (Arbate)
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Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Principe, che facemmo!" (Farnace, Sifare, Aspasia)
Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Nel sen mi palpita" (Aspasia)
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Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Un tale addio, germano" (Farnace, Sifare)
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Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Eccovi in un momento" (Farnace, Marzio)
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Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Venga pur, minacci e frema" (Farnace)
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Mozart: Mitridate, rè di Ponto, K. 87, Act 1: Marcia
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Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Se di lauri il crine adorno" (Mitridate)
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Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Tu mi rivedi, Arbate" (Mitridate, Ismene, Arbate)
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Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Sulla temuta destra" (Sifare, Mitridate, Farnace, Ismene)
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Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "In faccia all'oggetto" (Ismene)
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Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Teme Ismene a ragion" (Mitridate, Arbate)
Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Respira alfin, respira" (Mitridate)
Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Quel ribelle, e quell'ingrato" (Mitridate)
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Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Questo è l'amor, Farnace" (Ismene, Farnace)
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Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Va', l'error mio palesa" (Farnace)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd7b08be5bb8c244dbd24309a8347d32dbf019ceb942956332b9417b95cf20d9c. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4PQc245SnKIE2Tk1jpzN29.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4PQc245SnKIE2Tk1jpzN29.
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Perfido, ascolta" (Ismene, Mitridate)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa73ced05255cc4f47dfc1a609b80eb85eea77a3522769d1aa48eff4e033a6df3. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/51JMSLvcMzpHpLBjdHzIrc.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/51JMSLvcMzpHpLBjdHzIrc.
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Eccomi a' cenni tuoi" (Aspasia, Mitridate)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd8ee47af1155f9806a4cc58d88bb280a8ad206b7f4767334ad634e52d0b6c59b. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/37jxfJCAZUneAnlyyNua4p.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/37jxfJCAZUneAnlyyNua4p.
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Dille, che tema" (Mitridate)
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Tu, che fedel" (Mitridate)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1b51695c7595f51d240aa3c1eb8cf940282c61acbadf39166bd5efca0a8cf6d4. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/34if8GAhYbYiSj6ztdxeHN.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/34if8GAhYbYiSj6ztdxeHN.
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Che dirò? Che ascoltai?" (Sifare, Aspasia)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd6f3aa54aa334ce08119bce1d794147974ebe69ae4e46e35fef75ad502f1988c. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5gWPIcnCY2kiZ6g7dtEN33.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5gWPIcnCY2kiZ6g7dtEN33.
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Oh giorno di dolore" (Aspasia, Sifare)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x8c6e1f1b6216641558999d096df6abb56ae11f485dab165b6e55d11c12372fbf. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4ysjRDBkVg3M2c8wfvjsOE.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4ysjRDBkVg3M2c8wfvjsOE.
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Non più regina" (Sifare)
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Lungi da te, mio bene" (Sifare)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2de467285eeb6b83fa13126f0139a31fc6fc660958d4c96bc438fd046f9cc7a4. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/20dAcxlkiYmmC7JDsICMCw.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/20dAcxlkiYmmC7JDsICMCw.
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Grazie ai numi partì" (Aspasia)
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Nel grave tormento" (Aspasia)
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Qui, dove la vendetta" (Mitridate, Sifare, Farnace)
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Signor, son io" (Marzio, Mitridate, Sifare)
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Ah, giacché son tradito" (Farnace)
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Son reo; l'error confesso" (Farnace)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x5ce9ce4647ef57f4d56d973e9e114fa56cb2b806b07e5cc999e8c9dbf04a2e6d. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4IKZNF6GpsOdINgPdETw7L.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4IKZNF6GpsOdINgPdETw7L.
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "E crederai, signor" (Sifare, Mitridate, Aspasia)
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Già di pietà mi spoglio" (Mitridate)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x5fa053578ae9fe91947964a76e0252f5f7d4207f3919fc9047286962486f8407. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6REOWZYLSkzW2ad1azOCMx.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6REOWZYLSkzW2ad1azOCMx.
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Ah mia regina" (Sifare, Aspasia)
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Io sposa di quel mostro" (Aspasia, Sifare)
Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Se viver non degg'io" (Sifare, Aspasia)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9036aba0cad46156ce8d8c7c2ca1879b0e0a78a57f3863ce6c97d2f7e97fd942. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5EuZUDKuEKxOb7ezpMM7WH.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5EuZUDKuEKxOb7ezpMM7WH.
Mozart: Mitridate, rè di Ponto, K. 87, Act 3: "Pera omai chi m'oltraggia" (Mitridate, Ismene)
Mozart: Mitridate, rè di Ponto, K. 87, Act 3: "So quanto a te dispiace" (Ismene)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3f98f44f8f5d26eb80532dbdc152cfec536c7cee1c85bf59c8ac8897454f16d1. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3CmudHNFXjRekhiHpYNbq2.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3CmudHNFXjRekhiHpYNbq2.
Mozart: Mitridate, rè di Ponto, K. 87, Act 3: "Il tuo furore" (Aspasia, Mitridate)
Mozart: Mitridate, rè di Ponto, K. 87, Act 3: "Mio re, t'affretta" (Arbate, Mitridate)
Mozart: Mitridate, rè di Ponto, K. 87, Act 3: "Vado incontro al fato estremo" (Mitridate)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x30abfa5b2e2b280dc20ecdd17e485f3f9d06b8293db8494b0986c31c843106c4. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7sIPkwDpGDKv2uLyzEzVQD.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7sIPkwDpGDKv2uLyzEzVQD.
Mozart: Mitridate, rè di Ponto, K. 87, Act 3: "Lagrime intempestive" (Aspasia)
Mozart: Mitridate, rè di Ponto, K. 87, Act 3: "Ah ben ne fui presaga" (Aspasia)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x5ad96908f87101451f2dacf1d6f9fbd18de6fbcb150ddaefc145fc1e85c83ce0. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5VXil0dCmDA46VmqZd0DFL.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5VXil0dCmDA46VmqZd0DFL.
Mozart: Mitridate, rè di Ponto, K. 87, Act 3: "Che fai, regina?" (Sifare, Aspasia)
Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Se di lauri il crine adorno"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x946ea6b78b51314738e609750d9f2138b995d1a17e4ee882d5e83a09cdca6c69. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6uwYKl9oKOS5Oq8L6iatJP.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6uwYKl9oKOS5Oq8L6iatJP.
Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Al destin, che la minaccia"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3b520121e4babb0e145e60c211c5b139127e0ebe7d01a6cb1e4375059b53d1bb. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4L4HUU9eQhlSuXU5B6Yf1x.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4L4HUU9eQhlSuXU5B6Yf1x.
Matthäus-Passion, BWV 244, Prima parte: Nr.1. Chorus I & II "Kommt, ihr Töchter, helft mir klagen"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf2eb4c3439e7f9256e03aa115e8d59444aeabb16d785a00cc3d29c0759da15ee. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/69A6vsXzFvieB79iSI0atB.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/69A6vsXzFvieB79iSI0atB.
Matthäus-Passion, BWV 244, Seconda parte: Nr.30. Aria "Ach! nun ist mein Jesus hin"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x813f39270872202a1bbb8882b0d42118adb025ea716eb640493829cc95a3e878. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3EF9pfTjy2N0rK9vexJiGO.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3EF9pfTjy2N0rK9vexJiGO.
Matthäus-Passion, BWV 244, Prima parte: Nr.2. Da Jesus diese Rede vollendet hatte (Evangelista, Jesus)
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Matthäus-Passion, BWV 244, Seconda parte: Nr.31. Die aber Jesum gegriffen hatten (Evangelista)
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Matthäus-Passion, BWV 244, Prima parte: Nr.3. Choral "Herzliebster Jesu, was hast du verbrochen"
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Matthäus-Passion, BWV 244, Seconda parte: Nr.32. Choral "Mir hat die Welt trüglich gericht' "
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Matthäus-Passion, BWV 244, Prima parte: Nr.4. Da versammleten sich die Hohenpriester (Evangelista)
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Matthäus-Passion, BWV 244, Seconda parte: Nr.33. Und wiewohl viel falsche Zeugen herzutraten (Evangelista, Testis I & II, Pontifex)
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Matthäus-Passion, BWV 244, Prima parte: Nr.5. Recitativo "Du lieber Heiland du"
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Matthäus-Passion, BWV 244, Seconda parte: Nr.34. Recitativo "Mein Jesus schweigt zu falschen Lügen stille"
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Matthäus-Passion, BWV 244, Prima parte: Nr.6. Aria "Buß und Reu"
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Matthäus-Passion, BWV 244, Seconda parte: Nr.35. Aria "Geduld, Geduld!"
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Matthäus-Passion, BWV 244, Prima parte: Nr.7. Da ging hin der Zwölfen einer (Evangelista, Judas)
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Matthäus-Passion, BWV 244, Seconda parte: Nr.36. Und der Hohepriester antwortete (Evangelista, Pontifex, Jesus)
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Matthäus-Passion, BWV 244, Prima parte: Nr.8. Aria "Blute nur, du liebes Herz"
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Matthäus-Passion, BWV 244, Seconda parte: Nr.37. Choral "Wer hat dich so geschlagen"
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Matthäus-Passion, BWV 244, Prima parte: Nr.9. Aber am ersten Tag der süßen Brot (Evangelista)
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Matthäus-Passion, BWV 244, Seconda parte: Nr.38. Petrus aber saß draußen im Palast (Evangelista, Ancilla I & II, Petrus)
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Matthäus-Passion, BWV 244, Prima parte: Nr.10. Choral "Ich bin's, ich sollte büßen"
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Matthäus-Passion, BWV 244, Seconda parte: Nr.39. Aria "Erbarme dich"
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Matthäus-Passion, BWV 244, Prima parte: Nr.11. Er antwortete und sprach (Evangelista, Jesus, Judas)
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Matthäus-Passion, BWV 244, Seconda parte: Nr.40. Choral "Bin ich gleich von dir gewichen"
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Matthäus-Passion, BWV 244, Prima parte: Nr.12. Recitativo "Wiewohl mein Herz in Tränen schwimmt"
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Matthäus-Passion, BWV 244, Seconda parte: Nr.41. Des Morgens aber hielten alle Hohenpriester (Evangelista, Judas)
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Matthäus-Passion, BWV 244, Prima parte: Nr.13. Aria "Ich will dir mein Herze schenken"
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Matthäus-Passion, BWV 244, Seconda parte: Nr.42. Aria "Gebt mir meinen Jesum wieder"
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Matthäus-Passion, BWV 244, Prima parte: Nr.14. Und da sie den Lobgesang gesprochen hatten (Evangelista, Jesus)
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Matthäus-Passion, BWV 244, Seconda parte: Nr.43. Sie hielten aber einen Rat (Evangelista, Pilatus, Jesus)
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Matthäus-Passion, BWV 244, Prima parte: Nr.15. Choral "Erkenne mich, mein Hüter"
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Matthäus-Passion, BWV 244, Seconda parte: Nr.44. Choral "Befiehl du deine Wege"
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Matthäus-Passion, BWV 244, Prima parte: Nr.16. Petrus aber antwortete (Evangelista, Petrus, Jesus)
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Matthäus-Passion, BWV 244, Seconda parte: Nr.45. Auf das Fest aber hatte der Landpfleger (Evangelista, Pilatus, Uxor Pilatus, Chorus I & II)
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Matthäus-Passion, BWV 244, Prima parte: Nr.17. Choral "Ich will hier bei dir stehen"
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Matthäus-Passion, BWV 244, Seconda parte: Nr.46. Choral "Wie wunderbarlich ist doch diese Strafe"
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Matthäus-Passion, BWV 244, Prima parte: Nr.18. Da kam Jesus mit ihnen zu einem Hofe (Evangelista, Jesus)
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Matthäus-Passion, BWV 244, Seconda parte: Nr.47. Der Landpfleger sagte (Evangelista, Pilatus)
Matthäus-Passion, BWV 244, Prima parte: Nr.19. Recitativo a doi Cori "O Schmerz! hier zittert das gequälte Herz"
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Matthäus-Passion, BWV 244, Seconda parte: Nr.48. Recitativo "Er hat uns allen wohlgetan"
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Matthäus-Passion, BWV 244, Prima parte: Nr.20. Aria a doi Cori "Ich will bei meinem Jesu wachen"
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Matthäus-Passion, BWV 244, Seconda parte: Nr.49. Aria "Aus Liebe will mein Heiland sterben"
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Matthäus-Passion, BWV 244, Prima parte: Nr.21. Und ging hin ein wenig (Evangelista, Jesus)
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Matthäus-Passion, BWV 244, Seconda parte: Nr.50. Sie schrieen aber noch mehr (Evangelista)
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Matthäus-Passion, BWV 244, Prima parte: Nr.22. Recitativo "Der Heiland fällt vor seinem Vater nieder"
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Matthäus-Passion, BWV 244, Prima parte: Nr.23. Aria "Gerne will ich mich bequemen"
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Matthäus-Passion, BWV 244, Prima parte: Nr.24. Und er kam zu seinen Jüngern (Evangelista, Jesus)
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Matthäus-Passion, BWV 244, Prima parte: Nr.25. Choral "Was mein Gott will, das g'scheh' allzeit"
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Matthäus-Passion, BWV 244, Prima parte: Nr.26. Und er kam und fand sie aber schlafend (Evangelista, Jesus, Judas)
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Matthäus-Passion, BWV 244, Prima parte: Nr.27. Aria a doi Cori "So ist mein Jesus nun gefangen"
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Matthäus-Passion, BWV 244, Prima parte: Nr.28. Und siehe, einer aus denen (Evangelista, Jesus)
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Matthäus-Passion, BWV 244, Prima parte: Nr.29. Choral " O Mensch, bewein' dein Sünde groß"
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J. S. Bach: Matthäus-Passion, BWV 244: No. 65. Aria "Mache dich, mein Herze, rein"
Matthäus-Passion, BWV 244, Seconda parte: Nr.65. Aria "Mache dich, mein Herze, rein"
J. S. Bach: Matthäus-Passion, BWV 244: No. 49. Aria "Aus Liebe will mein Heiland sterben"
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J. S. Bach: Matthäus-Passion, BWV 244: No. 68. Chorus I & II "Wir setzen uns mit Tränen nieder"
Matthäus-Passion, BWV 244, Seconda parte: Nr.68. Chorus I & II "Wir setzen uns mit Tränen nieder"
J. S. Bach: Matthäus-Passion, BWV 244: No. 39. Aria "Erbarme dich"
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Mozart: Komm, liebe Zither, komm, K. 351
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Strauss, R: 8 Gedichte aus "Letzte Blätter", Op. 10: No. 3, Die Nacht
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Strauss, R: 8 Gedichte aus "Letzte Blätter", Op. 10: No. 2, Nichts
Strauss, R: 6 Lieder, Op. 17: No. 2, Ständchen
Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde
Strauss, Richard: 4 Lieder, Op. 27: No. 4, Morgen (Version with Violin)
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Mozart: Oiseaux, si tous les ans, K. 307
Strauss, R: 3 Lieder, Op. 29: No. 2, Schlagende Herzen
Strauss, R: Brentano Lieder, Op. 68: No. 5, Amor
Strauss, R: Mädchenblumen, Op. 22: No. 1, Kornblumen
Strauss, R: Mädchenblumen, Op. 22: No. 2, Mohnblumen
Strauss, R: Mädchenblumen, Op. 22: No. 3, Epheu
Strauss, R: Mädchenblumen, Op. 22: No. 4, Wasserrose
Strauss, R: 8 Gedichte aus "Letzte Blätter", Op. 10: No. 8, Allerseelen
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe
Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe
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Strauss, R: 5 Lieder, Op. 48: No. 3, Kling
Die Königin der Nacht: Mozart-Arien aus Die Zauberflöte u.a.
Die Zauberflöte, K. 620, Act II: March of the Priests
Die Zauberflöte, K. 620, Act II: Aria. Der Hölle Rache (Königin der Nacht)
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5 Solfeggios, K. 393: No. 2 in F Major. Adagio
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Popoli di Tessaglia... Io non chiedo, eterni dei, K. 316
Thamos, König in Aegypten, K. 345: No. 5, Entr'acte
Mass in C minor, K. 427: III. Credo. Et incarnatus est
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Music to a Pantomime (Pantalon und Colombine), K. 446: IV. Adagio
Rameau: Achante et Céphise, Act 1: Ritournelle
Rameau: Achante et Céphise, Act 1: "Céphise !" (Achante, Céphise)
Rameau: Achante et Céphise, Act 1: "Tendres amants, consolez-vous" (Zirphile)
Rameau: Achante et Céphise, Act 1: "Quel espoir peut nous consoler ?" (Zirphile, Céphise)
Rameau: Achante et Céphise, Act 1: "Des dieux la sagesse profonde" (Zirphile, Choeur)
Les Chantres du Centre de Musique Baroque de Versailles
Rameau: Achante et Céphise, Act 1: "Vaine espérance, hélas !" (Céphise, Zirphile)
Rameau: Achante et Céphise, Act 1: "Par le pouvoir secret de cet anneau magique" (Zirphile, Achante, Céphise)
Rameau: Achante et Céphise, Act 1: Air gracieux
Rameau: Achante et Céphise, Act 1: "Que la sympathie a d'attraits !" (Une Fée)
Rameau: Achante et Céphise, Act 1: Première et deuxième gavotte
Rameau: Achante et Céphise, Act 1: "Adieu, conservez bien ce gage" (Zirphile, Achante, Céphise, Choeur)
Rameau: Achante et Céphise, Act 1: "Non, je ne serai point impunément jaloux !" (Le Génie, Céphise)
Rameau: Achante et Céphise, Act 1: "Triomphez belle Céphise" (Deux Coryphées, Choeur)
Rameau: Achante et Céphise, Act 1: Entrée des Suivants du Génie
Rameau: Achante et Céphise, Act 1: "L'inconstance renouvelle" (Premier Coryphée)
Rameau: Achante et Céphise, Act 1: Loure
Rameau: Achante et Céphise, Act 1: "D'une jeunesse éternelle" (Deuxième Coryphée)
Rameau: Achante et Céphise, Act 1: Premier et deuxième air en mouvement de chaconne vive
Rameau: Achante et Céphise, Act 1: Premier et deuxième tambourin
Rameau: Achante et Céphise, Act 1: "Un immortel vous cède la victoire" (Deux Coryphées)
Rameau: Achante et Céphise, Act 1: "De l’amant qui vous adore" (Premier Coryphée)
Rameau: Achante et Céphise, Act 1: "Un immortel vous cède la victoire" (Choeur)
Rameau: Achante et Céphise, Act 1: "A sa voix, les vents en fureur" (Deux Coryphées)
Rameau: Achante et Céphise, Act 1: "Un immortel vous cède la victoire" (Choeur) [Reprise]
Rameau: Achante et Céphise, Act 1: "Achante, où sommes-nous ?" (Céphise, le Génie)
Rameau: Achante et Céphise, Act 1: "Ah que mes sens sont soulagés !" (Céphise, Achante, le Génie)
Rameau: Achante et Céphise, Act 1: "Le temple de l'Amour est voisin de ces lieux" (Achante, Céphise)
Rameau: Achante et Céphise, Act 2: Prélude vivement
Rameau: Achante et Céphise, Act 2: "Amour, je ne viens point au pied de ton autel" (Le Génie)
Rameau: Achante et Céphise, Act 2: "Amour, écoutez nos vœux" (Choeur)
Rameau: Achante et Céphise, Act 2: "Au culte du dieu du bonheur" (La Grande Prêtresse, Prêtresses, choeur)
Rameau: Achante et Céphise, Act 2: "Tout rend hommage" (La Deuxième Prêtresse, Prêtresses, choeur)
Rameau: Achante et Céphise, Act 2: "Vous voyez deux tendres amants" (Achante, la Grande Prêtresse)
Rameau: Achante et Céphise, Act 2: "Notre arrêt va se prononcer" (Céphise, Achante)
Rameau: Achante et Céphise, Act 2: "Le jour où tous les cœurs rendront grâce à l'amour" (La Grande Prêtresse)
Rameau: Achante et Céphise, Act 2: "Le jour où tous les cœurs rendront grâce à l'amour" (Céphise, Achante)
Rameau: Achante et Céphise, Act 2: "Non, il n'est point de coeurs contents" (Choeur)
Rameau: Achante et Céphise, Act 2: "Achante, quels accents !" (Céphise, Achante)
Rameau: Achante et Céphise, Act 2: "Amants qui vous fuyez, cessez de vous contraindre" (Céphise)
Rameau: Achante et Céphise, Act 2: "Avant de se réunir" (Achante)
Rameau: Achante et Céphise, Act 2: "Pourquoi fuir ainsi les pas" (Achante, Délie, Céphise)
Rameau: Achante et Céphise, Act 2: "Dois-je regretter un volage" (Délie)
Rameau: Achante et Céphise, Act 2: "Est-ce un crime que d’enflammer" (Achante)
Rameau: Achante et Céphise, Act 2: "Laissez-vous entraîner" (Achante, Délie, Choeur)
Rameau: Achante et Céphise, Act 2: Musette
Rameau: Achante et Céphise, Act 2: Premier et deuxième menuet I
Rameau: Achante et Céphise, Act 2: "Chassons de nos plaisirs tranquilles" (Une Bergère)
Rameau: Achante et Céphise, Act 2: Première et deuxième gavotte
Rameau: Achante et Céphise, Act 2: "Ne puis-je inspirer que l'effroi ?" (Le Génie, Céphise, Achante)
Bach, JS: Schemellis Musicalisches Gesang-Buch: Mein Jesu! Was vor Seelenweh, BWV 487
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Bach, JS: Wir müssen durch viel Trübsal, BWV 146: No. 1, Sinfonia
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Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 1, Rezitativ. "Mein Herze schwimmt im Blut"
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Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 2, Aria. "Stumme Seufzer, stille Klagen"
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Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 3, Rezitativ. "Doch Gott muss mir genädig sein"
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Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 4, Aria. "Tief gebückt und voller Reue"
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Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 5, Rezitativ. "Auf diese Schmerzensreu"
Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 6, Choral. "Ich, dein betrübtes Kind"
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Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 7, Rezitativ. "Ich lege mich in diese Wunden"
Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 8, Aria. "Wie freudig ist mein Herz"
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Handel: Brockes-Passion, HWV 48: No. 40a, Recitativ. "Ach Gott! mein Sohn wird fortgeschleppt" (Maria)
Handel: Brockes-Passion, HWV 48: No. 40b, Duet. "Soll mein Kind, mein Leben sterben" - "Ja, Ich sterbe dir zu gut" (Maria, Jesus)
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Handel: Giulio Cesare in Egitto, HWV 17, Act II: "Che sento? O dio!" (Cleopatra)
Handel: Giulio Cesare in Egitto, HWV 17, Act II: "Se pietà di me non senti" (Cleopatra)
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Handel: Brockes-Passion, HWV 48: No. 42b, Aria. "Hier erstarrt mein Herz und Blut" (Gläubige Seele)
Handel: Brockes-Passion, HWV 48: No. 42c, Recitativ. "O Anblick, o entsetzliches Gesicht" (Gläubige Seele)
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra)
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Handel: Il Trionfo del Tempo e del Disinganno, HWV 46a: "Pure del cielo intelligenze eterne" (Bellezza)
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Handel: Il Trionfo del Tempo e del Disinganno, HWV 46a: "Tu del ciel ministro eletto" (Bellezza)
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Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 1, Aria. "Jauchzet Gott in allen Landen"
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Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 2, Rezitativ. "Wir beten zu dem Tempel an"
Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 3, Aria. "Höchster, mach deine Güte"
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Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 4, Choral. "Sei Lob und Preis mit Ehren"
Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 5, Aria. "Alleluja!"
Fauré: 3 Mélodies, Op. 23: No. 2, Notre amour
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Fauré: 3 Songs, Op. 8: No. 1, Au bord de l'eau
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Poulenc: Banalités, FP 107: No. 4, Voyage à Paris
Poulenc: 2 poèmes de Louis Aragon, FP 122: No. 1, C
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Poulenc: 2 poèmes de Louis Aragon, FP 122: No. 2, Fêtes galantes
Ravel: 5 Mélodies populaires grecques, M. A 9: No. 1, Chanson de la mariée
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Ravel: 5 Mélodies populaires grecques, M. A 10: No. 2, Là-bas, vers l'église
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Ravel: 5 Mélodies populaires grecques, M. A 4: No. 3, Quel galant m'est comparable
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Ravel: 5 Mélodies populaires grecques, M. A 5: No. 4, Chanson des cueilleuses de lentisques
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Ravel: 5 Mélodies populaires grecques, M. A 11: No. 5, Tout gai!
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Ravel: 3 Chansons, M. 69: No. 2, Trois beaux oiseaux du paradis
Poulenc: Banalités, FP 107: No. 2, Hôtel
Fauré: 2 Songs, Op. 27: No. 1, Chanson d'amour
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Debussy: 2 Romances, CD 65, L. 79: No. 1, L'âme évaporée et souffrante
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Ravel: Chants populaires, M. A 17: No. 2, Chanson française
Fauré: 3 Mélodies, Op. 23: No. 1, Les berceaux
Debussy: Ariettes oubliées, CD 63b, L. 60: No. 1, C'est l'extase langoureuse (Second Version)
Debussy: Ariettes oubliées, CD 63b, L. 60: No. 2, Il pleure dans mon coeur (Second Version)
Debussy: Ariettes oubliées, CD 63b, L. 60: No. 4, Paysages belges. Chevaux de bois (Second Version)
Debussy: Ariettes oubliées, CD 63b, L. 60: No. 5, Aquarelles I. Green (Second Version)
Debussy: Ariettes oubliées, CD 63b, L. 60: No. 6, Aquarelles II. Spleen (Second Version)
Ravel: Ballade de la reine morte d'aimer, M. 4
Poulenc: Léocadia, FP 106: Les chemins de l'amour
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Deux Stèles orientées for voice and flute: I. Mon amante a les vertus de l'eau
Deux Stèles orientées for voice and flute: II. On me dit…
Une flûte invisible for voice, flute and piano
Trois odelettes anacréontiques for voice, flute and piano, Op. 13: I. Au Printemps
Trois odelettes anacréontiques for voice, flute and piano, Op. 13: II. À la Cigale
Trois odelettes anacréontiques for voice, flute and piano, Op. 13: III. À la Rose
Corbeille de fruits for voice and flute: I. Écoute, mon cœur
Asie for voice, flute and piano: II. La flûte enchantée
Sonate pour deux flutes, Op. 75: I. Assez lent
Sonate pour deux flutes, Op. 75: II. Allegretto scherzando
Sonate pour deux flutes, Op. 75: III. Final
Deux poèmes de Ronsard for voice and flute, Op. 26: I. Rossignol, mon mignon
Deux poèmes de Ronsard for voice and flute, Op. 26: II. Ciel, aer et vens
Les Joueurs de flûte for flute and piano, Op. 27: I. Pan
Les Joueurs de flûte for flute and piano, Op. 27: II. Tityre
Les Joueurs de flûte for flute and piano, Op. 27: III. Krishna
Les Joueurs de flûte for flute and piano, Op. 27: IV. Monsieur de la Péjaudie
Hommage à Roussel for voice, flute and piano
Poèmes d'Automne, Op. 13: III. Le Nénuphar
Chansons lointaines: IV. Soir Païen for voice, flute and piano
Der Schauspieldirektor, K. 486: Ouverture
Lo sposo deluso, K. 430, Act I, scene 1: Ah che ridere! (Pulcherio, Bocconio, Bettina, Don Asdrubale)
Lo sposo deluso, K. 430, Act I, scene 4: Dove mai trovar qual ciglio?
Io ti lascio, o cara, addio, K. Anh. 245
Il barbiere di Siviglia, R 1.64, Act I, scene 6: Saper bramate
Der Schauspieldirektor, K. 486, Act I, scene 7: Da schlägt des Abschieds Stunde (Frau Herz)
La scuola de' gelosi, Act I, scene 22: Con mille smanie al core (Blasio, Lumaca)
La scuola de' gelosi, Act I, Finale 1: Son le donne sopraffine (I tre pazzi, Le tre pazze)
L'oca del Cairo, K. 422, Act I, scene 6: Ogni momento dicon le donne (Chichibio)
Lo sposo deluso, Act I, scene 9: Ah che accidenti! (Bocconio, Don Asdrubale, Eugenia,)
Più non si trovano, K. 549 (Fiordiligi, Dorabella, Ferrando, Guglielmo)
Idomeneo, re di Creta, K. 366, Act III, scene 2: Spiegarti non poss'io, K. 489
Thamos, König in Ägypten, K. 345: Ouverture. Maestoso
Una cosa rara, o sia Bellezza ed onestà, Act I, scene 18: O quanto un sì bel giubilo! (La regina, Lilla, Ghita, Tito, Lubino)
Nascoso è il mio sol, K. 557 (Donna Elvira, Donna Anna, Don Ottavio, Masetto)
Per pietà, non ricercate, K. 420 (Il conte)
No, che non sei capace, K. 419 (Clorinda)
L'oca del Cairo, K. 422, Act I, scene 15: Corpo di Satanasso!
Thamos, König in Ägypten, K. 345: Ne pulvis et cinis, K. Anh 122
Thamos, König in Ägypten, K. 345, Act V, scene 7: Entracte
Handel: Aminta e Fillide, HWV 83: "Arresta, arresta il passo" (Aminta)
Handel: Aminta e Fillide, HWV 83: "Fermati, non fuggir!" (Aminta)
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Handel: Aminta e Fillide, HWV 83: "Questa sol volta almeno" (Aminta, Fillide)
Handel: Aminta e Fillide, HWV 83: "Fiamma bella ch'al ciel s'invia" (Fillide)
Handel: Aminta e Fillide, HWV 83: "Credi a' miei detti, Aminta" (Fillide, Aminta)
Handel: Aminta e Fillide, HWV 83: "Forse ch'un giorno" (Aminta)
Handel: Aminta e Fillide, HWV 83: "Invano, invan presumi" (Fillide, Aminta)
Handel: Aminta e Fillide, HWV 83: "Fu scherzo, fu gioco" (Fillide)
Handel: Aminta e Fillide, HWV 83: "Libero piè fugga dal laccio" (Fillide, Aminta)
Handel: Aminta e Fillide, HWV 83: "Se vago rio fra sassi" (Aminta)
Handel: Aminta e Fillide, HWV 83: "D'un incognito foco gìa sento" (Fillide)
Handel: Aminta e Fillide, HWV 83: "Sento ch'il Dio bambin" (Fillide)
Handel: Aminta e Fillide, HWV 83: "Felicissimo punto" (Aminta)
Handel: Aminta e Fillide, HWV 83: "A dispetto di sorte crudele" (Aminta)
Handel: Aminta e Fillide, HWV 83: "Vincesti, Aminta" (Fillide)
Handel: Aminta e Fillide, HWV 83: "È un foco quel d'amore" (Fillide)
Handel: Aminta e Fillide, HWV 83: "Gloria bella di Aminta" (Aminta, Fillide)
Handel: Aminta e Fillide, HWV 83: "Chi ben ama non paventi" (Aminta)
Handel: Aminta e Fillide, HWV 83: "E pur, Filli vezzosa" (Aminta, Fillide)
Handel: Aminta e Fillide, HWV 83: "Non si può dar un cor sì felice in amor" (Fillide)
Handel: Aminta e Fillide, HWV 83: "O felice in amor dolce tormento" (Aminta, Fillide)
Handel: Aminta e Fillide, HWV 83: "Per abbatter il rigore" (Aminta, Fillide)
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Handel: Armida abbandonata, HWV 105: "Dietro l'orme fugaci" (Armida)
Handel: Armida abbandonata, HWV 105: "Ah crudele! E pur ten' vai" (Armida)
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Handel: Armida abbandonata, HWV 105: "Per te mi struggo, infido" (Armida)
Handel: Armida abbandonata, HWV 105: "O voi, dell'incostante e procelloso mare orridi mostri" (Armida)
Handel: Armida abbandonata, HWV 105: "Venti, fermate" (Armida)
Handel: Armida abbandonata, HWV 105: "Ma che parlo, che dico?" (Armida)
Handel: Armida abbandonata, HWV 105: "In tanti affanni miei" (Armida)
Handel: Trio Sonata in B Minor, Op. 2/1, HWV 386b: I. Andante
Handel: Trio Sonata in B Minor, Op. 2/1, HWV 386b: II. Allegro
Handel: Trio Sonata in B Minor, Op. 2/1, HWV 386b: III. Largo
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Handel: Trio Sonata in B Minor, Op. 2/1, HWV 386b: IV. Allegro
Handel: Lucrezia, HWV 145: "O numi eterni!" (Lucrezia)
Handel: Lucrezia, HWV 145: "Già superbo del mio affanno" (Lucrezia)
Handel: Lucrezia, HWV 145: "Ma voi forse nel cielo" (Lucrezia)
Handel: Lucrezia, HWV 145: "Il suol che preme" (Lucrezia)
Handel: Lucrezia, HWV 145: "Ah! che ancor nell'abisso" (Lucrezia)
Handel: Lucrezia, HWV 145: "Questi la disperata anima mia" (Lucrezia)
Handel: Lucrezia, HWV 145: "Alla salma infedel" (Lucrezia)
Handel: Lucrezia, HWV 145: "A voi, Padre, consorte" (Lucrezia)
Handel: Lucrezia, HWV 145: "Già nel seno comincia a compir questo ferro i duri uffizii" (Lucrezia)
Handel: Lucrezia, HWV 145: "Ma se qui non m'è dato" (Lucrezia)
Messager: Madame Chrysanthème, Act 3: "Le jour sous le soleil béni" (Madame Chrysanthème)
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Debussy: Pelléas et Mélisande, L. 88, Act 3: "Mes longs cheveux descendent" (Mélisande)
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Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé)
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Delibes: Lakmé, Act 1: Duo des fleurs. "Viens, Mallika" (Lakmé, Mallika)
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Stravinsky: Le Rossignol, Act II: Chanson du rossignol. "Ah, joie, emplis mon coeur"
Thomas: Hamlet, Act 4: "À vos jeux, mes amis" (Ophélie)
Berlioz: Tristia, Op. 18, H. 119: II. La Mort d'Ophélie, H. 92a
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La Charmeuse, Crobyle, Myrtale)
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Koechlin: Shéhérazade, Op. 84, Book 2: II. Le voyage
Delibes: Lakmé, Act 3: "Tu m'as donné le plus doux rêve" (Lakmé)
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Mozart: Les petits riens, K. 299b: Overture
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Mozart: 12 Variations on "Ah, vous dirai-je maman" in C Major, K. 265 (Excerpt)
Mozart: Musik for the Pantomime Pantalon and Columbine, K. 446: Adagio
Mozart: "Alcandro, lo confesso... Non so d'onde viene", K. 294
Mozart: "Vorrei spiegarvi, o Dio", K. 418
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Mozart: "Nehmt meinen Dank, ihr holden Gönner", K. 383
Mozart: Adagio for Two Basset Horns and Bassoon in F Major, K. 410
Mozart: "Schon lacht der holde Frühling", K. 580
Mozart: Die Zauberflöte, K. 620, Act 2: "Der Hölle Rache kocht in meinem Herzen" (Königin)
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Mozart: Thamos, König in Aegypten, K. 345: No. 5 Entr'acte
Mozart: Die Zauberflöte, Act 2, K. 620: March of the Priests
Mozart: 5 Solfeggios, K. 393: No. 2 in F Major, Adagio
Mozart: Mass in C minor, K. 427: "Et incarnatus est"
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Rameau: Les Paladins: Est-il beau? (Nérine)
Rameau: Les Fêtes de l'Hymen et de l'Amour: Contredanse
Rameau: Les Indes Galantes: "Viens, Hymen" (Phani)
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Rameau: Naïs: "Je ne sais quel ennui me presse"
Rameau: Les Boréades: "Un horizon serein" (Alphise)
Rameau: Les Boréades: Contredanse en rondeau
Les Paladins : Pour voltiger (Nérine, Atis)
Rameau: Anacréon: "Tendre Amour" (Chloé)
Rameau: Les Indes Galantes: Scène finale de l'entrée des Incas
Rameau: Zaïs: "Coulez mes pleurs" (Zélidie)
Rameau: Les Indes Galantes: "Vaste empire des mers" (Emilie)
Rameau: Zoroastre (Air tendre en rondeau)
Rameau: Castor et Pollux: "Tristes apprêts" (Télaïre)
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Rameau: Platée, Act 2: "Aux langueurs d'Apollon"
Rameau: Les Indes Galantes: "Régnez" (Zima)
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Mahler: Symphony No. 4: IV. Wir geniessen die himmlischen Freuden. Sehr behaglich
Siete canciones populares españolas: IV. jota
Siete canciones populares españolas: V. nana
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Suite pour violoncelle seul: I. prelude-fantasia
Suite pour violoncelle seul: II. sardana-danza
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Suite pour violoncelle seul: III. intermezzo e danza finale
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Mia and Sebastian's Theme (From "La La Land")
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Mouvement perpétuel (From "Les Palmes de M. Schutz")
Main Theme (From "Les choses de la vie")
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Valzer del commiato (From "Il Gattopardo")
The Windmills of Your Mind (From "The Thomas Crown Affair")
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Ballade de l'éléphant (From "Un éléphant ça trompe énormément")
Concerto pour la fin d'un amour - Final (From "Un homme qui me plaît")
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L’Illusionista (From "Le notti di Cabiria")
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La chanson d'Hélène (From "Les choses de la vie")
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His Eyes, Her Eyes (From "The Thomas Crown Affair")
Chère Marylin (From "Un éléphant ça trompe énormément")
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Sirba (From "Le Grand blond avec une chaussure noire")
Le Grisbi (From "Touchez pas au grisbi")
Concerto (From "Les Demoiselles de Rochefort")
Main Theme (From "Merry Christmas Mr. Lawrence")
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Emmanuelle’s Theme (From "Emmanuelle 2")
Tendre comme le souvenir (From "Montparnasse-Pondichéry")
Il colore dei suoi occhi (From "La Disubbidienza")
Hymne des fraternisés (From "Joyeux Noël")
Main Theme (From "Lettres d'amour en Somalie")
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Bach, JS: The Well-Tempered Clavier, Book I: Prelude and Fugue No. 1 in C Major, BWV 846: Prelude
Bach, JS: The Well-Tempered Clavier, Book I, Prelude and Fugue No. 6 in D Minor, BWV 851: Prelude
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Bach, JS: Goldberg Variations, BWV 988: Aria
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Bach, JS: Goldberg Variations, BWV 988: Variation I
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
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Bach, JS: Keyboard Concerto in D Minor, BWV 974: II. Adagio (After Marcello's Oboe Concerto)
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Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
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Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: I. —
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"
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Bach, JS / Arr. Kempff: Flute Sonata No. 2 in E-Flat Major, BWV 1031: II. Siciliano
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Bach, JS: Herz und Mund und Tat und Leben, BWV 147: Choral. "Jesus bleibet meine Freude, Meines Herzen Lust und Saft"
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Bach, JS: Cello Suite No. 1 in G Major, BWV 1007: I. Prelude
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Bach, JS: Cello Suite No. 1 in G Major, BWV 1007: V. Menuets I & II
Bach, JS: Concerto for 2 Pianos in C Minor, BWV 1060: II. Adagio
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Bach, JS: Well-Tempered Clavier, Book 2, Prelude and Fugue No. 11 in F Major, BWV 880: I. Prelude
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Bach, JS: Well-Tempered Clavier, Book 2, Prelude and Fugue No. 17 in A-Flat Major, BWV 886: I. Prelude
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Bach, JS: Sonata for Solo Violin No. 2 in A Minor, BWV 1003: III. Andante
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Bach, JS: Goldberg Variations, BWV 988: Variation X. Fughetta
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Bach, JS: Goldberg Variations, BWV 988: Variation XXVIII
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Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto
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Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (Arr. Yang for Guitar)
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Bach, JS: Violin Sonata No. 4 in C Minor, BWV 1017: I. Siciliano. Largo
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chor. "Kommt, ihr Töchter helft mir klagen"
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 6, Aria. "Buß und Reu"
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 30, Aria mit Chor. "Ach, nun ist mein Jesus hin!"
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria. "Erbarme dich"
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 52, Aria. "Können Tränen meinen Wangen"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 68, Chor. "Wir setzen uns mit Tränen nieder"
Bach: Arioso (Arr. Cortot After Harpsichord Concerto No. 5 in F Minor, BWV 1056)
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Bach: Adagio (After Violin Concerto No. 2, BWV 1042)
Bach, JS: Sonata for Solo Violin No. 1 in G Minor, BWV 1001: II. Fuga
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: I. Allegro
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Bach, JS: Goldberg Variations, BWV 988: Variation IV
Bach, JS: Piano Concerto No. 5 in F Minor, BWV 1056: II. Largo
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Bach, JS: St John Passion, BWV 245, Pt. 1: No. 1, Chor. "Herr, unser Herrscher"
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Bach, JS: St John Passion, BWV 245, Pt. 2: No. 35, Arie. "Zerfliesse, mein Herze"
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Bach, JS: St John Passion, BWV 245, Pt. 2: No. 39, Chor. "Ruht wohl, ihr heiligen Gebeine"
Bach, JS: Wachet auf, ruft uns die Stimme, BWV 140: I. Wachet auf, ruft uns die Stimme (Transcr. Garcia for Guitar)
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Bach, JS: Sonata for Solo Violin No. 3 in C Major, BWV 1005: I. Adagio
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Bach, JS: Keyboard Partita No. 6 in E Minor, BWV 830: III. Courante
Bach, JS: Concerto for Four Pianos in A Minor, BWV 1065: II. Largo
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Bach, JS: English Suite No. 1 in A Major, BWV 806: II. Allemande
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Bach, JS: Mass in B Minor, BWV 232: Kyrie eleison I
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Bach, JS: Mass in B Minor, BWV 232: Gloria in excelsis - Et in terra pax
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Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris
Bach, JS: Mass in B Minor, BWV 232: Cum Sancto Spiritu
Rameau: Premier livre de pièces de clavecin, RCT 1: I. Prélude
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Rameau: Second livre de pièces de clavecin, Suite en mi: V. Le rappel des oiseaux
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De Visée / Transcr. Tharaud: Livre de pièces pour la guitare, Suite No. 9 in D Minor: IV. Sarabande
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Rameau: Second livre de pièces de clavecin, Suite en mi: VIII. Tambourin
Royer: Premier livre de pièces de clavecin: VI. L'aimable
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Rameau: Nouvelles suites de pièces de clavecin, Suite en la, RCT 5: VII. Gavotte et six doubles
D'Anglebert: Pièces de clavecin: Sarabande "Dieu des Enfers" (After Lully's La naissance de Vénus)
Royer: Premier livre de pièces de clavecin: XIV. La marche des Scythes
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Rameau: Les Indes galantes, RCT 44, Act 1: "Viens, Hymen" (Phani)
Royer: Premier livre de pièces de clavecin: IV. Premier et deuxième Tambourins
Couperin, F: Quatrième livre de pièces de clavecin, Vingt-cinquième Ordre: V. Les Ombres errantes
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Duphly: Quatrième livre de pièces de clavecin: V. La Pothouïn
Rameau / Arr. Roques: Nouvelles suites de pièces de clavecin, Suite en sol: XIV. Les sauvages
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D'Anglebert: Pièces de clavecin: Ouverture de Cadmus et Hermione de Lully
Couperin, F: Second livre de pièces de clavecin, Huitième Ordre: IX. Passacaille
D'Anglebert: Pièces de clavecin: Fugue grave
Duphly: Troisième livre de pièces de clavecin: VIII. La de Belombre
Lully / Transc Tharaud: Le bourgeois gentilhomme, LWV 43: Marche pour la cérémonie des Turcs
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Balbastre: Premier livre de pièces de clavecin: XII. La Suzanne
D'Anglebert: Variations sur les folies d'Espagne
Handel: Sarabande, Hallelujah and Other Masterpieces
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande
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Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena)
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Handel: Solomon, HWV 67, Act 3: Sinfonia "The Arrival of the Queen of Sheba"
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe
Handel: Imeneo, HWV 41, Act 1: "Se potessero i sospir' miei" (Tirinto)
Handel: Water Music, Suite No. 1 in F Major, HWV 348: III. Allegro
Handel: Messiah, HWV 56, Pt. 2, Scene 7: Chorus. "Hallelujah"
Handel: Giulio Cesare in Egitto, HWV 17, Act 2: Aria. "V'adoro, pupille" (Cleopatra)
Handel: Giulio Cesare in Egitto, HWV 17, Act 3: "Piangerò la sorte mia" (Cleopatra)
Handel: Giulio Cesare in Egitto, HWV 17, Act 3: Duetto. "Caro! Bella!" (Cleopatra, Cesare)
Handel: Dixit Dominus, HWV 232: VII. De torrente in via bibet
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Handel: Water Music, Suite No. 1 in F Major, HWV 348: III. (b) Andante
Handel: Water Music, Suite No. 1 in F Major, HWV 348: VI. Air
Handel: Water Music, Suite No. 3 in G Major, HWV 350: III. Minuets I & II
Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: II. Andante
Handel: Dixit Dominus, HWV 232: I. Dixit Dominus, Domino meo
Handel: Ariodante, HWV 33, Act 2: Aria. "Scherza infida!" (Ariodante)
Handel: Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse)
Handel: Alcina, HWV 34, Act 1: Aria. "Tornami a vagheggiar" (Morgana) [Live]
Handel: Messiah, HWV 56, Pt. 1, Scene 5: Aria. "Rejoice Greatly, O Daughter of Zion"
Handel: Messiah, HWV 56, Pt. 1, Scene 3: Chorus. "For Unto Us a Child Is Born"
Handel: Messiah, HWV 56, Pt. 1, Scene 1: Aria. "Ev'ry Valley Shall Be Exalted"
Handel: Recorder Sonata in F Major, Op. 1 No. 11, HWV 369: III. Alla siciliana
Handel: Recorder Sonata in F Major, Op. 1 No. 11, HWV 369: IV. Allegro
Handel: Semele, HWV 58, Act 2: Air. "Where'er your walk, cool gales shall fan the glade" (Jupiter)
Handel: Organ Concerto No. 13 in F Major, HWV 295 "The Cuckoo and the Nightingale": IV. Allegro
Handel: Organ Concerto No. 13 in F Major, HWV 295 "The Cuckoo and the Nightingale": II. Allegro
Handel: Organ Concerto No. 13 in F Major, HWV 295 "The Cuckoo and the Nightingale": III. Larghetto
Handel: Keyboard Suite in D Minor, HWV 437: IV. Saraband - Variations I & II
Traditional / Orch. Pasatieri: Joy to the World
Handel: Il trionfo del Tempo e del Disinganno, HWV 46a: "Lascia la spina, cogli la rosa" (Piacere)
Handel: Il trionfo del Tempo e del Disinganno, HWV 46a, Pt. 1: Aria. "Un leggiadro giovinetto" (Piacere)
Handel: Keyboard Suite in E Major, HWV 430: IV. Air "The Harmonious Blacksmith"
Handel: Suite in D Major, HWV 341 "Water Piece": II. Gigue. Allegro
Württembergisches Kammerorchester Heilbronn
Handel: Keyboard Suite in E Major, HWV 430: IV. Air and Variations "The Harmonious Blacksmith"
Handel: Harp Concerto in B-Flat Major, Op. 4 No. 6, HWV 294: I. Andante - Allegro
Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest"
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Handel: Tolomeo, re d'Egitto, HWV 25, Act 3: "Stille amare" (Tolomeo)
Handel: Riccardo primo, re d'Inghilterra, HWV 23, Act 1: "Agitato da fiere tempeste" (Riccardo)
Blumenduett - Klassik die man gehört haben muss
Orchestre Du Theatre National De L'Opera Comique
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Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen
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Bei Männern, welche Liebe fühlen - Die Zauberflöte
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Per abbatter il rigore - Aminta e Fillide
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Rigoletto, Act III: La donna è mobile (Duke)
Gianni Schicchi: O mio babbino caro (Gianni Schicchi)
Turandot, Act III Scene 1: Nessun dorma (Calaf)
Carmen, WD 31, Act I: L'amour est un oiseau rebelle (Carmen, Chorus) [Habanera]
Roméo et Juliette. CG 9, Act I: Je Veux Vivre
La traviata, Act I: Libiamo ne' lieti calici (Alfredo, Violetta, Chorus)
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Die Zauberflöte, K. 620, Act II: Der Hölle Rache "Queen of the Night Aria"
Il Trovatore, Act II: Vedi! le fosche notturne spoglie (Anvil Chorus) (Gypsies)
Die Walküre, WWV 86B, Act III: Ride of the Valkyries
Serse, HWV 40, Act I: Frondi tenere... Ombra mai fu (Serse)
Orfeo ed Euridice, Wq. 30, Act III: Che farò senza Euridice (Orfeo)
Les Contes d'Hoffmann, Act II: Les oiseaux dans la charmille (Olympia)
Le nozze di Figaro, K. 492, Act II: Porgi amor (Contessa)
Orchestre national de Montpellier Occitanie
Le nozze di Figaro, K. 492, Act II: Voi che sapete (Cherubino)
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Cendrillon, Act II: Allez, laissez-moi seul... Coeur sans amour, printemps sans roses (Le Prince Charmant)
Les Troyens, Op. 29, Act V: Vallon sonore (Hylas, Sentinelles)
Andrea Chénier, Act III: La mamma morta (Maddalena)
Les Indes Galantes, RCT 44: Forêts paisibles (Les sauvages)
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Dido & Aeneas, Z. 626, Act III: When I am laid in earth (Dido)
Madama Butterfly, Act II: Un bel di vedremo (Butterfly)
Rinaldo, HWV 7b, Act I: Venti turbini (Rinaldo)
Siegfried, WWv 86c, Act II: Heil dir, Sonne! (Brünnhilde/Siegfried)
Cavalleria rusticana: Voi lo sapete, o mamma (Santuzza, Mamma Lucia)
Werther, Act III: Pourquoi me réveiller (Werther)
Les pêcheurs de perles, WD 13, Act I: Au fond du temple saint (Nadir, Zurga)
La bohème, Act I: Sì. mi chiamano Mimì (Mimì, Rodolfo)
La Bohème: Act II: Quando m'en vo soletta
Giustino, RV 717: Vedro con mio diletto (Anastasio)
Faust, CG 4, Act III: Les grands seigneurs ... Ah ! je ris de me voir si belle (Marguerite)
I Puritani, Act III: Finì! Me lassa! (Arturo)
La Gioconda, Op. 9, Act IV: Suicidio! (Gioconda)
Il barbiere di Siviglia, Act I: Una voce poco fa (Rosina)
Il barbiere di Siviglia, Act II: "Contro un chor che accende amore" (Rosina, Count Almaviva)
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Castor et Pollux, RCT 32, Acte III, Scène 4: Entrée d'Hébé et de sa suite (Pollux, Hébé, une Suivante d'Hébé, Plaisirs célestes, Suite d'Hébé)
Castor et Pollux, RCT 32, Acte I, Scène 1: "L'hymen couronne votre sœur" (Cléone, Phébé)
Castor et Pollux, RCT 32, Acte III, Scène 4: Chœur des Plaisirs célestes : "Pouvez-vous nous méconnaître ?"
Castor et Pollux, RCT 32, Acte I, Scène 2: "Éclatez mes justes regrets" (Télaïre)
Castor et Pollux, Acte III, Scène 4: "Tout l'éclat de l'Olympe" (Pollux)
Castor et Pollux, RCT 32, Acte I, Scène 3: "Ah ! Je mourrai content" (Télaïre, Castor)
Castor et Pollux, RCT 32, Acte III, Scène 4: "Qu'Hébé, de fleurs toujours nouvelles" (Petit chœur des Suivantes d'Hébé)
Castor et Pollux, RCT 32, Acte I, Scène 4 & 5: "Non, demeure, Castor" (Pollux, Télaïre, Castor. Pollux), "Ces apprêts m'étaient destinés" (Pollux, Télaïre, Castor, Spartiates)
Castor et Pollux, RCT 32, Acte III, Scène 4: Sarabande pour Hébé et sa Suite
Castor et Pollux, RCT 32, Acte I, Scène 5: "Chantons l'éclatante victoire" (Chœur de Spartiates)
Castor et Pollux, RCT 32, Acte III, Scène 4: "Voici des dieux" (Une Suivante d'Hébé)
Castor et Pollux, RCT 32, Acte I, Scène 5: Air pour les Spartiates
Castor et Pollux, Acte III, Scène 4: "Ah ! Sans le trouble où je me vois" (Pollux)
Castor et Pollux, RCT 32, Acte I, Scène 5: Premier et deuxième Menuets pour deux Spartiates
Castor et Pollux, RCT 32, Acte III, Scène 4: Air pour Hébé, "Que nos jeux" (Une Suivante d'Hébé)
Castor et Pollux, RCT 32, Acte I, Scène 5: "Quel bonheur règne dans mon âme" (Castor)
Castor et Pollux, RCT 32, Acte III, Scène 4: Première et deuxième gavottes pour Hébé
Castor et Pollux, RCT 32, Acte I, Scène 5: Première et deuxième gavottes pour les Spartiates
Castor et Pollux, RCT 32, Acte III, Scène 4: Récit, "Quand je romps vos aimables chaînes"
Castor et Pollux, RCT 32, Acte I, Scène 5: Premier et deuxième tambourins pour les Spartiates
Castor et Pollux, RCT 32, Acte IV, Scène 1: [Esprits, Puissances magiques]"Esprits soutiens de mon pouvoir" (Phébé, Chœurs)
Castor et Pollux, RCT 32, Acte I, Scène 6: Prélude, "Quittez ces jeux, courez aux armes" (Un Spartiate, Pollux, Castor, Télaïre, Spartiates)
Castor et Pollux, Acte IV, Scène 1: Descente de Mercure
Castor et Pollux, RCT 32, Acte I, Scène 6: Combat, "Castor, hélas !" (Une voix)
Castor et Pollux, RCT 32, Acte IV, Scène 2: "Phébé, tu fais de vains efforts" (Mercure, Phébé, Pollux)
Castor et Pollux, RCT 32, Acte I, Entracte: Bruit de guerre
Castor et Pollux, RCT 32, Acte IV, Scène 3: "Rentrez, rentrez dans l'esclavage" (Mercure, Phébé, Pollux, Démons, Monstres et Furies)
Castor et Pollux, RCT 32, Acte II, Scène 1: "Que tout gémisse" (Spartiates)
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Castor et Pollux, RCT 32, Acte IV, Scène 3: Danse des Démons et des Furies
Castor et Pollux, RCT 32, Acte II, Scène 2: "Tristes apprêts, pâles flambeaux" (Télaïre)
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Castor et Pollux, RCT 32, Acte IV, Scène 3: Premier air pour les Démons et les Furies
Castor et Pollux, RCT 32, Acte II, Scène 3: "Cruelle, en quels lieux venez-vous ?" (Phébé, Télaïre)
Castor et Pollux, RCT 32, Acte IV, Scène 3: "Brisons tous nos fers" (Chœur des Démons)
Castor et Pollux, Acte II, Scène 3: "Triomphe, vengeance" (Chœur)
Castor et Pollux, RCT 32, Acte IV, Scène 3: Deuxième Air pour les Démons et les Furies
Castor et Pollux, RCT 32, Acte II, Scène 4: Marche pour les Spartiates, les Athlètes et les Combattants (Pollux, Télaïre, Spartiates, Athlètes, Combattants)
Castor et Pollux, Acte II, Scène 4: "Peuples, cessez de soupirer" (Pollux)
Castor et Pollux, RCT 32, Acte II, Scène 4: "Que l'enfer applaudisse" (Chœur des Spartiates, des Athlètes et des Combattants)
Castor et Pollux, RCT 32, Acte II, Scène 5: "Princesse, une telle victoire" (Pollux, Télaïre, Spartiates, Athlètes, Combattants)
Castor et Pollux, RCT 32, Acte II, Scène 5: Premier Air pour quatre Athlètes
Castor et Pollux, RCT 32, Acte II, Scène 5: Deuxième Air pour deux femmes Spartiates et deux Athlètes
Castor et Pollux, RCT 32, Acte II, Scène 5: "Éclatez, fières trompettes" (Un Athlète)
Castor et Pollux, RCT 32, Acte II, Scène 5: Premier et deuxième Airs pour une Spartiate
Castor et Pollux, RCT 32, Acte III, Scène 1: "Présent des dieux" (Pollux)
Castor et Pollux, Acte III, Scène 1: "Mais le temple est ouvert" (Pollux)
Castor et Pollux, RCT 32, Acte III, Scène 2: "Le souverain des dieux" (Pollux, le Grand Prêtre de Jupiter, Prêtres de Jupiter, Spartiates)
Castor et Pollux, RCT 32, Acte III, Scène 3: Descente de Jupiter (Jupiter, Pollux)
Castor et Pollux, RCT 32, Acte III, Scène 3: "Ma voix, puissant maître du monde" (Pollux)
Castor et Pollux, RCT 32, Acte III, Scène 3: "J'ai voulu te cacher le sort qui te menace" (Jupiter)
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Berlioz: La Damnation de Faust, Op. 24, H 111, Pt. 1: Marche hongroise
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Orchestra dell'Accademia Nazionale di Santa Cecilia
Rimsky-Korsakov / Arr. Rachmaninov for Piano: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee
Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano)
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Schubert / Arr. Liszt: Auf dem Wasser zu singen, Op. 72, D. 774
Gershwin: Porgy and Bess, Act 1: "Summertime" (Orch. Behrisch)
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Vivaldi: Giustino, RV 717, Act 1: "Vedrò con mio diletto" (Anastasio)
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Mozart: Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto (Cadenza by Joachim)
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto - "O Freunde, nicht diese Töne!" (Ode to Joy) [Excerpt]
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Rachmaninov: Suite No. 1 in G Minor, Op. 5 "Fantaisie-tableaux": I. Barcarolle
Villa-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar)
Bach & Gounod: Ave Maria (Meditation After Bach's Prelude and Fugue in C Major, BWV 846)
Piazzolla: Libertango (Arr. Milone for Trumpet and Orchestra)
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Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto
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Ravel: Pavane pour une infante défunte, M. 19
Mendelssohn: String Quartet No. 2 in A Minor, Op. 13, MWV R22: III. Intermezzo
Mozart: Die Zauberflöte, K. 620: Overture
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Dance of the Blessed Spirits (Transcr. Kreisler & Moreau for Cello and Piano)
Dvořák: 8 Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor
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Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino)
Chopin: Piano Sonata No. 3 in B Minor, Op. 58: IV. Finale. Presto non tanto - Agitato
Mozart: Die Zauberflöte, K. 620, Act 2: Queen of the Night Aria. "Der Hölle Rache kocht in meinem Herzen" (Königin)
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Schubert: Schwanengesang, D. 957: No. 4, Ständchen
Bach, JS: Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo
Ravel: Violin Sonata No. 2 in G Major, M. 77: II. Blues. Moderato
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: X. Jesu Joy of Man's Desiring (Arr. Hess for Piano)
Chopin: Mazurka No. 13 in A Minor, Op. 17 No. 4
Le Hautbois de Gabriel (du film "Mission")
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Rossini: Soirées musicales: No. 8, La danza (Version for Trumpet & Orchestra)
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco
Pergolesi: Stabat Mater: I. Stabat mater dolorosa
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht zu schnell
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise
Bach, JS: Flute Sonata in E-Flat Major, BVW 1031: II. Siciliano
Handel: Amadigi di Gaula, HWV 11, Act 2: "Pena tiranna" (Dardano)
Liszt: 6 Consolations, S. 172: No. 3 in D-Flat Major
Mendelssohn: 3 Fantaisies, Op. 16: No. 3, Andante, MWV U72
Ravel: String Quartet, M. 35: II. Assez vif - Très rythmé
Fauré: Requiem, Op. 48: I. Introït et Kyrie
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Fauré: Requiem, Op. 48: VII. In Paradisum
Fauré: 4 Mélodies, Op. 39: No. 4, Les roses d'Ispahan
Fauré: Pavane, Op. 50 (Version with Chorus)
Fauré: 3 Mélodies, Op. 18: No. 3, Automne
Fauré: Masques et bergamasques, Op. 112: III. Madrigal, Op. 35
Fauré: 2 Motets, Op. 65: No. 1, Ave verum
Fauré: 2 Motets, Op. 65: No. 2, Tantum ergo
Fauré: La bonne chanson, Op. 61: No. 1, Une sainte en son auréole (Version for Voice, Piano and String Quintet)
Fauré: La bonne chanson, Op. 61: No. 2, Puisque l'arbre grandit (Version for Voice, Piano and String Quintet)
Fauré: La bonne chanson, Op. 61: No. 4, J'allais par des chemins perfides (Version for Voice, Piano and String Quintet)
Fauré: La bonne chanson, Op. 61: No. 5, J'ai presque peur, en vérité (Version for Voice, Piano and String Quintet)
Fauré: La bonne chanson, Op. 61: No. 6, Avant que tu ne t'en ailles (Version for Voice, Piano and String Quintet)
Fauré: La bonne chanson, Op. 61: No. 7, Donc, ce sera par un clair jour d'été (Version for Voice, Piano and String Quintet)
Fauré: La bonne chanson, Op. 61: No. 8, N'est-ce pas ? (Version for Voice, Piano and String Quintet)
Fauré: La bonne chanson, Op. 61: No. 9, L'hiver a cessé (Version for Voice, Piano and String Quintet)
Fauré: 2 Duos, Op. 10: No. 1, Puisqu'ici-bas
Fauré: 2 Duos, Op. 10: No. 2, Tarentelle
Fauré: 2 Mélodies, Op. 1: No. 1, Le papillon et la fleur
Fauré: 4 Mélodies, Op. 39: No. 3, Le pays des rêves
Fauré: 4 Mélodies, Op. 51: No. 3, Spleen
Fauré: 2 Motets, Op. 47: No. 2, Maria, Mater gratiae
Fauré: 2 Mélodies, Op. 4: No. 1, Chanson du pêcheur
Fauré: Caligula, Op. 52: Prologue. "Nous sommes les heures guerrières"
Fauré: Caligula, Op. 52: Chœur. "L'Hyver s'enfuit"
Fauré: Caligula, Op. 52: Mélodrame et Chœur. "De roses vermeilles"
Fauré: Caligula, Op. 52: Mélodrame et Chœur. "César a fermé la paupière"
Fauré: La chanson d'Ève, Op. 95: No. 1, Paradis
Fauré: La chanson d'Ève, Op. 95: No. 2, Prima verba
Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato
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Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto
Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando
Rachmaninov: Morceaux de fantaisie, Op. 3: No. 1, Élégie
Rachmaninov: 5 morceaux de fantaisie, Op. 3: No. 2, Prélude
Rachmaninov: 5 morceaux de fantaisie, Op. 3: No. 3, Mélodie
Rachmaninov: 5 morceaux de fantaisie, Op. 3: No. 4, Polichinelle
Rachmaninov: 5 morceaux de fantaisie, Op. 3: No. 5, Sérénade
Rachmaninov: 2 Pieces for Piano Six-Hands: No. 2, Romance
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Rachmaninov: 2 Pieces for Piano Six-Hands: No. 1, Waltz
Berlioz: Overture "Waverley", Op. 1, H. 26
Berlioz: Overture "Le Roi Lear", Op. 4, H. 53
Berlioz: Overture "Intrata di Rob-Roy MacGregor", H. 54
Berlioz: Le Carnaval romain, Op. 9, H 95: I. Allegro assai con fuoco
Berlioz: Le Carnaval romain, Op. 9, H 95: II. Andante sostenuto
Berlioz: Le Carnaval romain, Op. 9, H 95: III. Allegro vivace
Berlioz: Les Troyens, Op. 29, H. 133, Act 1: No. 11, Marche troyenne
Berlioz: Symphonie fantastique, Op. 14, H 48: I. Rêveries - Passions. Largo - Allegro agitato e appassionato assai
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo
Berlioz: Symphonie fantastique, Op. 14, H 48: III. Scène aux champs. Adagio
Berlioz: Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice. Allegretto non troppo
Berlioz: Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro
Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: I. "Dieu ! Je vis encore" (Lélio)
Berlioz: Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: II. "L'onde frémit" (Horatio)
Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: III. "Étrange persistance" (Lélio)
Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: IV. "Froid de la mort" (Chorus)
Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: V. "Ô Shakespeare !" (Lélio)
Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: VI. "J'aurais cent ans" (Le Capitaine, Chorus)
Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: VII. "Comme mon esprit flotte incertain !" (Lélio)
Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: VIII. "Ô mon bonheur" (Voix imaginaire de Lélio)
Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: IX. "Oh ! que ne puis-je la trouver" (Lélio)
Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: X. La harpe éolienne - Souvenirs
Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: XI. "Mais pourquoi m'abandonner" (Lélio)
Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: XII. "Miranda !" (Chorus)
Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: XIII. "Assez pour aujourd'hui !" (Lélio)
Berlioz: Harold en Italie, Op. 16, H. 68: I. Adagio - Allegro ma non troppo (Harold aux montagnes)
Berlioz: Harold en Italie, Op. 16, H. 68: II. Allegretto (Marche des pèlerins chantant la prière du soir)
Berlioz: Harold en Italie, Op. 16, H. 68: III. Allegro assai - Allegretto (Sérénade d'un montagnard des Abruzzes à sa maîtresse)
Berlioz: Harold en Italie, Op. 16, H. 68: IV. Allegro frenetico (Orgie de brigands. Souvenirs des scènes précédentes)
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 1: Introduction - Combats, tumulte, intervention du Prince
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 1: "D'anciennes haines endormies" (Chorus, Mezzo-Soprano)
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 1: "Premiers transports que nul n'oublie" (Mezzo-Soprano)
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 1: "Bientôt de Roméo la pâle rêverie ... Mab la messagère ... Bientôt la mort est souveraine" (Tenor, Chorus)
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 2: Roméo seul, tristesse, bruits de concert et de bal
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 2: Grande fête chez Capulet
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 3: "Ohé ! Capulets, bonsoir, bonsoir" (Chorus)
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 3: Scène d'amour
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 3: La Reine Mab, ou la fée des songes
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 4: "Jetez des fleurs" (Chorus)
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 4: Roméo au tombeau des Capulets
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 4: Invocation
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 4: Réveil de Juliette
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 4: Joie délirante
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 4: Dernières angoisses et mort des deux amants
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 4: "Quoi ! Roméo de retour ... Je vais dévoiler le mystère" (Chorus, Frère Laurence)
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 4: "Pauvres enfants que je pleure" (Frère Laurence, Chorus)
Berlioz: Roméo et Juliette, Op. 17, H. 79, Pt. 4: "Jurez donc par l´auguste symbole" (Frère Laurence, Chorus)
Berlioz: Grande symphonie funèbre et triomphale, Op. 15, H. 80b: I. Marche funèbre
Lakmé, Act I: Dôme épais le jasmin à la rose s'assemble (Lakmé, Mallika)
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Les Contes d’Hoffmann, Act III: Barcarolle: Belle nuit, ô nuit d’amour
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Turandot, SC 91, Act III: Nessun dorma! (Calaf, Chorus)
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Il Giustino, RV 717, Act I: Vedrò con mio diletto (Anastasio)
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L'Elisir d'amore, Act II: Una furtiva lagrima (Nemorino)
Rinaldo, HWV 7a, Act II: Lascia ch'io pianga (Almirena)
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Don Giovanni, K. 527, Act II: Non mir dir (Donna Anna)
Tosca, Act III: E lucevan le stelle (Cavaradossi)
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Il Barbiere di Siviglia, Act I: Largo al factotum
Carmen, WD 31, Act I: L'amour est un oiseau rebelle (Habanera) [Carmen]
Orchestre national de la radiodiffusion française
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Il trovatore, Act III: "Di quella pira l'orrendo foco" (Manrico, Ruiz, Chorus)
Tolomeo, re d'Egitto, HWV 25, Act III: Stille amare (Tolomeo)
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Orphée et Eurydice, Wq. 41, Act III Scène 1: Air: "J'ai perdu mon Eurydice" (Orphée)
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Le Nozze di Figaro, K. 492, Act II: "Voi, che sapete" (Cherubino)
Die Zauberflöte, K. 620, Act I: Der Vogelfänger bin ich ja (Papageno)
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Il Trionfo del Tempo a del Disinganno, HWV. 46a, Part II: Lasci la spina (Piacere)
Le nozze di Figaro, K. 492, Act I: Non so più (Cherubino)
Turandot, SC 91, Act III: Nessun dorma (Arr. Jérôme Ducros)
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Le nuove musiche: VIII. Amarilli, mia bella
Lakmé, Act I: Viens, Mallika (Lakmé, Mallika)
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Carmen, WD 31, Act I: "Avec la garde montante" (Chorus)
La Vida breve, G. 35, Act I: Vivan los que rien! (Salud)
Roméo et Juliette, CG 9, Act II: L'amour! l'amour!...Ah! lève-toi, soleil! (Roméo)
Tannhäuser, WWV 70, Act II: Dich, teure Halle, grüss' ich wieder
Roméo et Juliette, CG 9, Act I: Ah! Je veux vivre dans le rêve (Juliette)
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Amadigi di Gaula, HWV 11, Act II: Pena tiranna
La Bohème, SC 67, Act I: Sì. Mi chiamano Mimì (Mimì, Rodolfo)
Coro e Orchestra del Teatro alla Scala, Milano
Rigoletto, Act III: La donna è mobile (The Duke of Mantua, Sparafucile, Rigoletto)
Die Zauberflöte, K. 620, Act II: Der Hölle Rache (Königin der Nacht)
La Périchole: Act I: Vous a-t-on dit souvent [Piquillo, La Périchole]
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Les Troyens, H. 133, Act V: Adieu, fière cité (Didon)
Tristan und Isolde, WWV 90, Act II: So starben wir, um ungetrennt (Isolde, Tristan, Brangäne)
Cavalleria Rusticana, Act I: Voi lo sapete, o mamma (Santuzza, Mamma Lucia)
Le Nozze di Figaro, K. 492, Act II: Porgi, amor
La traviata, Act I: Libiamo ne' lieti calici (Alfredo, Violetta)
Orchestre du Theatre National de IOpera-Comique
Don Carlos, Act I: Nel giardin del bello' (Eboli, Tebaldo, Dame)
La Wally, Act I: Ebben? ne andrò lontana
Les Contes d'Hoffmann, Act III: Belle nuit, ô nuit d'amour (Une voix, Giulietta, Choeurs)
Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre à ta voix (Dalila, Samson)
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3 Liebesträume, S. 541: No. 3 in A-Flat Major
6 Piano Pieces, Op. 118: II. Intermezzo in A Major. Andante teneramente
Prelude and Fugue in C Major, BWV 846: I. Prelude
Nocturnes, Op. 15: No. 1 in F Major. Andante cantabile
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano in G Minor (Arr. François-René Duchâble)
Cello Sonata in G Minor, Op. 65: III. Largo
Suite bergamasque, L. 82: III. Clair de lune
Three Songs, Op. 3: 2. Now sleeps the crimson petal (arr. Hough)
Suite in D Minor, HWV 437: III. Sarabande
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
5 Stücke im Volkston, Op. 102: II. Langsam
Oboe Concerto No. 2 in D Minor, Op. 9: II. Adagio
Serenade in E Minor, Op. 20: I. Allegro piacevole
Keyboard Concerto in F Minor, BWV 1056: II. Adagio
Miroirs, M. 43: V. La Vallée des cloches
On an Overgrown Path, Book 1: No. 7, Good Night!
7 Fantasien, Op. 116: V. Intermezzo. Andante con grazia ed intimisso sentimento
Piano Concerto No. 21 in C Major, K. 467: II. Andante "Elvira Madigan"
Goldberg Variations, BWV 988: No. 1, Aria
Impromptus, D. 899: No. 3, Andante in G-Flat Major
Preludes, Book 1, L. 117: VIII. La fille aux cheveux de lin
Rameau: Dardanus: "Guerriers, suivez l'amour" (Phrygiennes, Phrygien, Chœur) [Live]
Rameau: Dardanus: "Il est temps de courir aux armes" (Phrygienne, Arcas, Anténor, Teucer, Chœur) [Live]
Rameau: Dardanus: Bruit de guerre (Live)
Rameau: Dardanus: "Lieux funestes" (Dardanus) [Live]
Rameau: Les Indes galantes: "La nuit couvre les cieux" - "Vaste empire des mers" - "Ciel ! De plus d’une mort nous redoutons les coups !" - "Que ces cris agitent mes sens !" - "Que nous sert
Rameau: Les Indes galantes: "Viens Hymen" (Phani) [Live]
Campra: Idoménée: "Vous des tendres amours" - "Nous obéissons à ta voix" - "Signalons notre barbarie" - "D’un amour qui s’éteint" - "Que les soupçons, que les alarmes" - "Au cœur d’Idoménée"
Rameau: Hippolyte et Aricie: "Pour l'auteur de mes jours" - "Quels biens !" - "Puissant maître des flots" - "Hippolyte m’a fait le plus sanglant outrage" - "Mais de courroux l'onde s'agite" (
Rameau: Castor et Pollux: "Brillez, brillez, astres nouveaux" (Une panète) [Live]
Rameau: Dardanus: "Voici les tristes lieux" - "Monstre affreux" (Anténor) [Live]
Campra: Idoménée: "Ô Neptune, reçois nos vœux" (Idoménée, Chœur) [Live]
Campra: Idoménée: "Embarquons-nous" - Rigaudon I - Rigaudon II (Chœur) [Live]
Purcell: Dido and Aeneas, Z. 626: "Thy Hand, Belinda" - "When I Am Laid in Earth" (Dido) [Live]
Rameau: Les Boréades, Suite: Ouverture (Live)
Rameau: Les Boréades, Suite: Menuet (Live)
Rameau: Les Boréades, Suite: Allegro (Live)
Rameau: Les Boréades, Suite: Rondeau vif (Live)
Rameau: Les Boréades, Suite: Gavottes vives (Live)
Rameau: Les Boréades, Suite: Contredanse en rondeau (Live)
Rameau: Les Boréades, Suite: Air andante et gracieux pour Orithie et ses compagnes (Live)
Rameau: Les Boréades, Suite: Entracte, suite des vents (Live)
Rameau: Les Boréades, Suite: Entrée de Polymnie (Live)
Rameau: Les Boréades, Suite: Contredanses vives (Live)
Purcell: The Fairy-Queen, Z. 629: "Now the Night" (Attendant, Chœur) [Live]
Handel: Tamerlano, HWV 18: "A dispetto d'un volto ingrato" (Tamerlano) [Live]
Handel: Il trionfo del Tempo e del Disinganno, HWV 46a: "Urne voi" (Tempo) [Live]
Vivaldi: Juditha triumphans, RV 644: "Armatae face et angibus" (Vagaus) [Live]
Handel: Aci, Galatea e Polifemo, HWV 72: "Fra l'ombre e gl'orrori" (Polifemo) [Live]
Handel: Il trionfo del Tempo e del Disinganno, HWV 46a: "Un pensiero nemico di pace" (Bellezza) [Live]
Handel: Alcina, HWV 34: "M'inganna, me n'avveggo" - "Un momento di contento" (Oronte) [Live]
Handel: Alcina, HWV 34: "Ah! Ruggiero crudel" - "Ombre pallide" (Alcina) [Live]
Handel: Il trionfo del Tempo e del Disinganno, HWV 46a: "È un ostinato errore" - "È ben folle quel nocchier" (Tempo) [Live]
Handel: Theodora, HWV 68: "O Though, Bright Sun" - "With Darkness Deep as Is My Woe" (Theodora) [Live]
Handel: Giulio Cesare in Egitto, HWV 17: "L'aure che spira" (Sesto) [Live]
Handel: Ariodante, HWV 33: "Del mio sol vezzosi rai" (Lurcanio) [Live]
Handel: Rinaldo, HWV 7a: "Dunque i lacci d'un volto" - "Ah! crudel il pianto mio" (Armida) [Live]
Handel: Rinaldo, HWV 7b: "Sibilar gli angui d’Aletto" (Argante) [Live]
Handel: Poro, re dell'Indie, HWV 28: "Caro/Dolce amico amplesso" (Cleofide, Poro) [Live]
Handel: Il trionfo del Tempo e del Disinganno, HWV 46a: "Voglio Tempo per risolvere" (Bellezza, Piacere, Disinganno, Tempo) [Live]
Handel: Il trionfo del Tempo e del Disinganno, HWV 46a: "Tu del ciel ministro eletto" (Bellezza) [Live]
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Aminta e Fillide, HWV 83: XVIII. Duo. Per abbatter il rigore (Aminta, Fillide)
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