1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc8d0044f2af907e55b2c4bd925a0baefbb30e43a7b19c5e3fb5f9d8b2cf53fcc. Chain 2 (Bitcoin): anchored in block 953423 (2026-06-12T21:20:00Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/f584c090-c174-4bc4-a8ee-32f8fb3206f9.json and https://artists.proofprofile.net/proofs/artist/f584c090-c174-4bc4-a8ee-32f8fb3206f9.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Falstaff, Act I Pt. 1: Falstaff! Olà! (Live)
Orchestra del Maggio Musicale Fiorentino
Falstaff, Act I Pt. 1: Sei polli, sei scellini (Live)
Falstaff, Act I Pt. 1: So che se andiam, la notte (Live)
Falstaff, Act I Pt. 1: Ma è tempo d'assottigliar l'ingegno (Live)
Falstaff, Act I Pt. 1: L'onore! Ladri! (Live)
Falstaff, Act I Pt. 2: Alice! Meg! Nannetta! (Live)
Falstaff, Act I Pt. 2: Fulgida Alice, amor t'offro (Live)
Falstaff, Act I Pt. 2: Mostro! Quell'otre! Quel tino! (Live)
Falstaff, Act I Pt. 2: Ripeti! In due parole (Live)
Falstaff, Act I Pt. 2: Pst, pst, Nannetta (Live)
Falstaff, Act I Pt. 2: Falstaff m'ha canzonata (Live)
Falstaff, Act I Pt. 2: Torno all'assalto (Live)
Falstaff, Act I Pt. 2: Udrai quanta egli sfoggia (Live)
Falstaff, Act II Pt. 1: Siam pentiti e contriti (Live)
Falstaff, Act II Pt. 1: Alice è mia! Va', vecchio John (Live)
Falstaff, Act II Pt. 1: Signore, v'assista il cielo! (Live)
Falstaff, Act II Pt. 1: C'è a Windsor, una dama (Live)
Falstaff, Act II Pt. 1: È sogno, o realtà? (Live)
Falstaff, Act II Pt. 1: Eccomi qua. Son pronto (Live)
Falstaff, Act II Pt. 2: Presenteremo un bill (Live)
Falstaff, Act II Pt. 2: Gaie comari di Windsor, è l'ora! (Live)
Falstaff, Act II Pt. 2: Alfin t'ho colto, raggiante fior! (Live)
Falstaff, Act II Pt. 2: Quand'ero paggio del Duca di Norfolk (Live)
Falstaff, Act II Pt. 2: Mia signora! (Live)
Falstaff, Act II Pt. 2: Vien qua, che chiasso! (Live)
Falstaff, Act II Pt. 2: Al ladro! Al pagliardo! (Live)
Falstaff, Act II Pt. 2: Se t'agguanto (Live)
Falstaff, Act III Pt. 1: Ehi! Taverniere! (Live)
Falstaff, Act III Pt. 1: Reverenza. La bella Alice (Live)
Falstaff, Act III Pt. 1: Quando il rintocco della mezzanotte (Live)
Falstaff, Act III Pt. 1: Brava. Quelle corna saranno la mia gioia! (Live)
Falstaff, Act III Pt. 2: Dal labbro il canto estasiato vola (Live)
Falstaff, Act III Pt. 2: Nossignore! Tu indossa questa cappa (Live)
Falstaff, Act III Pt. 2: Una, due, tre, quattro (Live)
Falstaff, Act III Pt. 2: Odo soave un passo! (Live)
Falstaff, Act III Pt. 2: Ninfe! Elfi! Silfi! (Live)
Falstaff, Act III Pt. 2: Sul fil d'un soffio etesio (Live)
Falstaff, Act III Pt. 2: Alto là! (Live)
Falstaff, Act III Pt. 2: Un poco di pausa. Son stanco (Live)
Falstaff, Act III Pt. 2: Ogni sorta di gente dozzinale (Live)
Falstaff, Act III Pt. 2: Già s'avanza la coppia degli sposi (Live)
Falstaff, Act III Pt. 2: Facciamo il parentado (Live)
Tchaikovsky: Rococo Variations, Andante cantabile, Pezzo capriccioso & Nocturne - Cello Works by Glazunov, Cui, Rimsky-Korsakov
Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Introduction. Moderato quasi andante
Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Theme. Moderato semplice
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1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9f3aab7faeec8e78bb68897cced99478b0022acee84ab9f867cb3a379b25220b. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7LMT1IUXaGXqvUx5JwFg4s.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7LMT1IUXaGXqvUx5JwFg4s.
Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation I. Tempo del tema
Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation II. Tempo del tema
Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation III. Andande sostenuto
Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation IV. Andante grazioso
Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation V. Allegro moderato
Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation VI. Andante
Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation VII. Andante sostenuto
Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation VIII and Coda. Allegro moderato con anima
Glazunov: 2 Pieces for Cello and Orchestra, Op. 20: No. 1, Mélodie
Glazunov: 2 Pieces for Cello and Orchestra, Op. 20: No. 2, Sérénade espagnole
Tchaikovsky: 6 Pieces, Op. 19: No. 4, Nocturne (Version for Cello and Orchestra)
Rimsky-Korsakov: Serenade for Cello and Orchestra, Op. 37
Tchaikovsky: Andante cantabile for Cello and Orchestra (After String Quartet No. 1, Op. 11)
Cui: 2 Pieces for Cello and Orchestra, Op. 36: No. 1, Scherzando
Cui: 2 Pieces for Cello and Orchestra Op. 36: No. 2, Cantabile
Glazunov: Chant du ménestrel, Op. 71 (Orchestral Version)
Watermusic Suite No 1 in F Major, HWV 348: I. Alla hornpipe
Watermusic Suite No 1 in F Major, HWV 348: II. Ouverture
Watermusic Suite No 1 in F Major, HWV 348: III. Adagio e staccato
Watermusic Suite No 1 in F Major, HWV 348: IV. Menuet
Watermusic Suite No 1 in F Major, HWV 348: V. Andante
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf1d5da1e691de5667d3d46dc48fe73039086b024f1a7a9acc19dbfa27cc03c8a. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7k1IMz0Sw2manlkFqI5BlR.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7k1IMz0Sw2manlkFqI5BlR.
Watermusic Suite No 1 in F Major, HWV 348: VI. Menuet (reprise)
Watermusic Suite No 1 in F Major, HWV 348: VII. Passepied
Watermusic Suite No 1 in F Major, HWV 348: VIII. Air
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3b56ff6e4be9c3cc25742699e0c5b06c478bdd15d64294d6c6477791d8a4cf0f. Chain 2 (Bitcoin): anchored in block 956889 (2026-07-06T06:56:49Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4LP23SApPV5LeDB0A1rKuB.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4LP23SApPV5LeDB0A1rKuB.
Watermusic Suite No 1 in F Major, HWV 348: IX. Menuet
Watermusic Suite No 1 in F Major, HWV 348: X. Bourrée
Watermusic Suite No 1 in F Major, HWV 348: XI. Hornpipe. Andante
Watermusic Suite No 1 in F Major, HWV 348: XII. Allegro
Water Music Suite No. 2 in D Major, HWV 349: I. Allegro
Water Music Suite No. 2 in D Major, HWV 349: II. Alla hornpipe
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x31d302ceb51aab1236d28e59b9c377d41f70d3e2ab940a2e42112648fbec2288. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4Q4LsfGXh6dX9l9tXqkjfb.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4Q4LsfGXh6dX9l9tXqkjfb.
Water Music Suite No. 2 in D Major, HWV 349: III. Menuet
Water Music Suite No. 2 in D Major, HWV 349: IV. Lentement
Water Music Suite No. 2 in D Major, HWV 349: V. Bourrée
Watermusic Suite No 3 in G Major, HWV 350: I. (Menuet)
Watermusic Suite No 3 in G Major, HWV 350: II. Rigaudon I & II
Watermusic Suite No 3 in G Major, HWV 350: III. Menuet I & II
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x628104d47f3b7f69b6b75afe413a8f296ad851985c39dcfc3da32be208a592d6. Chain 2 (Bitcoin): anchored in block 956889 (2026-07-06T06:56:49Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5m6zTlEzei0l6AAi3BAgjp.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5m6zTlEzei0l6AAi3BAgjp.
Watermusic Suite No 3 in G Major, HWV 350: IV. Gigue I & II
Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C
Scarlatti, D: Stabat Mater in C Minor: V. Sancta Mater, istud agas
Scarlatti, D: Stabat Mater in C Minor: VI. Fac me vere tecum flere
Scarlatti, D: Stabat Mater in C Minor: VII. Juxta crucem
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3ed9c833e59dc7afde66763f23202bbd43981ab1997ad364725b3add66d7284b. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7FvWL5FsNhuMxLrrsxQZxV.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7FvWL5FsNhuMxLrrsxQZxV.
Scarlatti, D: Stabat Mater in C Minor: VIII. Inflammatus
Bach, JS: Nun ist das Heil und die Kraft, BWV 50
Handel: Dixit Dominus, HWV 232: I. Dixit Dominus, Domino meo
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf8814b2c5ffa7569190d91d5477901da152331e7a0aa2b5c0e86e5bf627c0b07. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1hIb9SHUEoSWKpBPiqma6t.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1hIb9SHUEoSWKpBPiqma6t.
Handel: Dixit Dominus, HWV 232: IV. Juravit Dominus
Handel: Dixit Dominus, HWV 232: VII. De torrente in via bibet
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x5fe6dcecc79d90f41174f454ded129e3c9d7000c23791c9a9ebe9af0567ff676. Chain 2 (Bitcoin): anchored in block 957122 (2026-07-08T03:39:04Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0G5Z8w9SnhIxlXAQKW6eJ2.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0G5Z8w9SnhIxlXAQKW6eJ2.
Carissimi: Jonas: "Et imperavit Dominus pisci"
Gesualdo: Sacrarum cantionum liber primus a 5: No. 3, Ave dulcissima Maria
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe26a69316e50eee932dfef2b69ec05b50975a804855d2e59c662f396a88d1278. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/23OShGFFnKffAZCao3IhxI.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/23OShGFFnKffAZCao3IhxI.
Berlioz: L'enfance du Christ, Op. 25, H 130, Pt. 2: "Il s'en va loin de la terre" (Chœur)
Massenet: La Vierge, Pt. 4: Le dernier sommeil de la Vierge
Orchestre National de l'Opéra de Monte-Carlo
Handel: Israel in Egypt, HWV 54: Overture. Lamentations of the Israelites for the Death of Joseph
Handel: Israel in Egypt, HWV 54: Air with Chorus. "And the children of Israel"
Handel: Israel in Egypt, HWV 54: Chorus. "He sent a thick darkness"
Handel: Israel in Egypt, HWV 54: Chorus. "But as for his people"
Handel: Israel in Egypt, HWV 54: Duet. "The Lord is a man of war"
Handel: Israel in Egypt, HWV 54: Chorus. "And with the blast of thy nostrils"
Handel: Israel in Egypt, HWV 54: Air. "The enemy said, I will pursue"
Purcell: Jehova, quam multi sunt hostes, Z. 135
Bach, JS: Lobet den Herrn, alle Heiden, BWV 230
Handel: Water Music Variants, HWV 331: No. 1 in F Major
Handel: Water Music, Suite No. 1 in F Major, HWV 348: I. Overture
Handel: Water Music, Suite No. 1 in F Major, HWV 348: II. Adagio e staccato
Handel: Water Music, Suite No. 1 in F Major, HWV 348: III. (a) Allegro
Handel: Water Music, Suite No. 1 in F Major, HWV 348: III. (b) Andante
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf1d5da1e691de5667d3d46dc48fe73039086b024f1a7a9acc19dbfa27cc03c8a. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3aAd8TN8iZ6GPOcIUO6yUj.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3aAd8TN8iZ6GPOcIUO6yUj.
Handel: Water Music, Suite No. 1 in F Major, HWV 348: IV. Minuet
Handel: Water Music, Suite No. 1 in F Major, HWV 348: V. Passepied
Handel: Water Music, Suite No. 1 in F Major, HWV 348: VI. Air
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3b56ff6e4be9c3cc25742699e0c5b06c478bdd15d64294d6c6477791d8a4cf0f. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5cOLSe6pcTW695aNWJTv5o.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5cOLSe6pcTW695aNWJTv5o.
Handel: Water Music, Suite No. 1 in F Major, HWV 348: VII. Minuet
Handel: Water Music, Suite No. 1 in F Major, HWV 348: VIII. Bourrée - IX. Hornpipe
Handel: Water Music, Suite No. 1 in F Major, HWV 348: X. Allegro
Handel: Water Music Variants, HWV 331: No. 2 in F Major, Alla Hornpipe
Handel: Water Music, Suite No. 3 in G Major, HWV 350: I. (Minuet)
Handel: Water Music, Suite No. 3 in G Major, HWV 350: II. Rigaudons I & II
Handel: Water Music, Suite No. 3 in G Major, HWV 350: III. Minuets I & II
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x628104d47f3b7f69b6b75afe413a8f296ad851985c39dcfc3da32be208a592d6. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/34Q3ArxGljtUZtQwDsTwFW.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/34Q3ArxGljtUZtQwDsTwFW.
Handel: Water Music, Suite No. 3 in G Major, HWV 350: IV. Gigues I & II
Handel: Water Music, Suite No. 2 in D Major, HWV 349: I. (Allegro)
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x31d302ceb51aab1236d28e59b9c377d41f70d3e2ab940a2e42112648fbec2288. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2bKiBUL1YlwDw2TT5qHspo.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2bKiBUL1YlwDw2TT5qHspo.
Handel: Water Music, Suite No. 2 in D Major, HWV 349: III. Minuet
Handel: Water Music, Suite No. 2 in D Major, HWV 349: IV. Lentement
Handel: Water Music, Suite No. 2 in D Major, HWV 349: V. Bourrée
Purcell: King Arthur, Music for Queen Mary, Come Ye Sons of Art, Hail! Bright Cecilia, The Indian Queen, The Tempest…
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Purcell: King Arthur, Z. 628: Overture (Reprise)
Purcell: King Arthur, Z. 628, Act 1: Trio and Chorus. "Woden, First to Thee" - "To Woden, Our Defender, Thanks We Render" (Saxon Priest, Priestess, Chorus)
Purcell: King Arthur, Z. 628, Act 1: Song. "The Lot Is Cast, and Tanfan Pleas'd" (Priestess)
Purcell: King Arthur, Z. 628, Act 1: Chorus. "Brave Souls, to Be Renown'd in Story" (Chorus)
Purcell: King Arthur, Z. 628, Act 1: Song and Chorus. "I Call You All to Woden's Hall" (Priestess, Chorus)
Purcell: King Arthur, Z. 628, Act 1: Song and Chorus. "Come If You Dare" - First Act Tune (British Warrior, Chorus)
Purcell: King Arthur, Z. 628, Act 2: Song and Chorus. "Hither, This Way, This Way Bend" (Philidel, Chorus)
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Purcell: King Arthur, Z. 628, Act 2: Song. "Let Not a Moonborn Elf Mislead Ye" (Grimbald)
Purcell: King Arthur, Z. 628, Act 2: Chorus. "Hither This Way, This Way Bend" (Chorus)
Purcell: King Arthur, Z. 628, Act 2: Song and Chorus. "Come, Follow Me" (Philidel, Chorus)
Purcell: King Arthur, Z. 628, Act 2: Song and Chorus. "How Blest Are Shepherds" (Tenor, Chorus)
Purcell: King Arthur, Z. 628, Act 2: Duet. "Shepherd, Shepherd, Leave Decoying" (Shepherdesses)
Purcell: King Arthur, Z. 628, Act 2: Chorus. "Come, Shepherds, Lead up a Lively Measure" - Hornpipe (Chorus)
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Purcell: King Arthur, Z. 628, Act 2: Second Act Tune. Air
Purcell: King Arthur, Z. 628, Act 3: Song. "What Ho! Thou Genius of This Isle" (Cupid)
Purcell: King Arthur, Z. 628, Act 3: Prelude While Cold Genius Rises - Frost Scene. "What Power Art Thou" (Cold Genius)
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Purcell: King Arthur, Z. 628, Act 3: Song. "What Ho! Thou Genius of This Isle" - Song. "Thou Doting Fool" (Cupid)
Purcell: King Arthur, Z. 628, Act 3: Song. "Great Love, I Know Thee Now" (Cold Genius)
Purcell: King Arthur, Z. 628, Act 3: Song. "No Part of My Dominion" (Cupid)
Purcell: King Arthur, Z. 628, Act 3: Prelude - Chorus. "See, See, We Assemble" - Dance (Chorus)
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Purcell: King Arthur, Z. 628, Act 3: Ritornello. "Tis I That Have Warm'd Ye" - Chorus. "Tis Love That Has Warm'd Us" (Cupid, Chorus)
Purcell: King Arthur, Z. 628, Act 3: Duet. "Sound a Parley" - Ritornello - Chorus. "Tis Love That Has Warm'd Us" (Cupid, Cold Genius, Chorus)
Purcell: King Arthur, Z. 628, Act 3: Third Act Tune. Hornpipe
Purcell: King Arthur, Z. 628, Act 4: Duet. "Two Daughters of This Aged Stream Are We" (Syrens)
Purcell: King Arthur, Z. 628, Act 4: Song and Chorus. "How Happy the Lover" - Duet and Chorus. "For Love Every Creature" & Chorus Trio. "In Vain Are Our Graces" (Tenor, Sylvan, Nymphs, Chorus
Purcell: King Arthur, Z. 628, Act 4: Fourth Act Tune. Air
Purcell: King Arthur, Z. 628, Act 5: Trumpet Tune
Purcell: King Arthur, Z. 628, Act 5: Song. "Ye Blust'ring Brethren of the Skies" (Aeolus)
Purcell: King Arthur, Z. 628, Act 5: Symphony
Purcell: King Arthur, Z. 628, Act 5: Song and Chorus. "Round Thy Coast" (Nereid, Pan, Chorus)
Purcell: King Arthur, Z. 628, Act 5: Trio. "For Folded Flocks, and Fruitful Plains" (Trio)
Purcell: King Arthur, Z. 628, Act 5: Song and Chorus. "Your Hay It Is Mow'd" (Peasant, Chorus)
Purcell: King Arthur, Z. 628, Act 5: Song. "Fairest Isle" (Venus)
Purcell: King Arthur, Z. 628, Act 5: Duet. "You Say 'tis Love" (He, She)
Purcell: King Arthur, Z. 628, Act 5: Trumpet Tune. Warlike Consort
Purcell: King Arthur, Z. 628, Act 5: Song and Chorus. "Saint George" (Honour, Chorus)
Purcell: King Arthur, Z. 628, Act 5: Chaconne
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 1, Symphony
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 2, Aria and Chorus. "Come Ye Sons of Art Away"
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet"
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 4, Chorus. "Come Ye Sons of Art Away"
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 5, Ritornello. "Strike the Viol"
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 6, Aria and Chorus. "The Day That Such a Blessing Gave"
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 7, Aria. "Bid the Virtues"
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 8, Aria. "These Are the Sacred Charms"
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 9, Duet and Chorus. "See Nature Rejoicing"
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March
Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27
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Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: Canzona
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Symphony
Purcell: Timon of Athens, Z. 632: Overture
Purcell: Timon of Athens, Z. 632: Curtain Tune on a Ground
Purcell: Dioclesian, Z. 627: First Music
Purcell: Dioclesian, Z. 627: Second Music
Purcell: Dioclesian, Z. 627, Act 1: First Act Tune. Hornpipe
Purcell: Dioclesian, Z. 627, Act 2: Dance of Furies
Purcell: Dioclesian, Z. 627, Act 2: Second Act Tune
Purcell: Dioclesian, Z. 627, Act 3: The Chair Dance
Purcell: Dioclesian, Z. 627, Act 3: Third Act Tune
Purcell: Dioclesian, Z. 627, Act 4: Butterfly Dance
Purcell: The Indian Queen, Z. 630: First Music. Air I
Purcell: The Indian Queen, Z. 630: First Music. Air II
Purcell: The Indian Queen, Z. 630: Second Music. Hornpipe I
Purcell: The Indian Queen, Z. 630: Second Music. Hornpipe II
Purcell: The Indian Queen, Z. 630: Overture. Adagio
Purcell: The Indian Queen, Z. 630: Overture. Allegro
Purcell: The Indian Queen, Z. 630: Trumpet Tune
Purcell: The Indian Queen, Z. 630: Prologue. Trumpet Tune
Mozart For The Morning Commute - A Lively Bit Of Traveling Music
Monteverdi: Balli e balletti. Orfeo, Tirsi e Clori, Il ballo delle ingrate
Monteverdi: L'Orfeo, SV 318, Act 1: "Lasciate i monti"
Monteverdi: L'Orfeo, SV 318, Act 1: "Vieni Imeneo"
Monteverdi: L'Orfeo, SV 348, Act 2: "Ecco pur ch'a voi ritorno"
Monteverdi: L'Orfeo, SV 318, Act 5: Moresca
Monteverdi: Ottavo libro di madrigali "Guerrieri et amorosi", No. 22, Il ballo delle ingrate, SV 167: Ballo
Monteverdi: Ottavo libro di madrigali "Guerrieri et amorosi": No. 9, Volgendo il ciel, SV 154
Monteverdi: Settimo libro di madrigali "Concerto" No. 29, Tirsi e Clori, SV 145 "Ballo"
Monteverdi: Scherzi musicali: No. 18, De la bellezza le dovute lodi, SV 245
Britten: War Requiem; Spring Symphony; 5 Flower Songs; Hymn to St. Cecilia
War Requiem, Op. 66 / Dies Irae: Dies irae (I)
Spring Symphony, Op. 44: 1. Introduction: Shine out
War Requiem, Op. 66 / Dies Irae: Bugles sang, saddening the evening air
Spring Symphony, Op. 44: 2. The merry cuckoo
War Requiem, Op. 66 / Dies Irae: Liber scriptus proferetur
Spring Symphony, Op. 44: 3. Spring, the sweet Spring
War Requiem, Op. 66 / Dies Irae: Out there, we've walked quite friendly up to Death
Spring Symphony, Op. 44: 4. The driving boy
War Requiem, Op. 66 / Dies Irae: Recordare Jesu pie
Spring Symphony, Op. 44: 5. The morning star
War Requiem, Op. 66 / Dies Irae: Be slowly lifted up
Spring Symphony, Op. 44: 6. Welcome Maids of Honour
War Requiem, Op. 66 / Dies Irae: Dies irae (II)
Spring Symphony, Op. 44: 7. Waters above!
War Requiem, Op. 66 / Dies Irae: Lacrimosa dies illa
Spring Symphony, Op. 44: 8. Out on the lawn I lie in bed
War Requiem, Op. 66 / Dies Irae: Move him into the sun
Spring Symphony, Op. 44: 9. When will my May come
War Requiem, Op. 66 / Offertorium: Domine Jesu Christe
Spring Symphony, Op. 44: 10. Fair and fair
War Requiem, Op. 66 / Offertorium: So Abraham rose, and clave the wood
Spring Symphony, Op. 44: 11. Sound the flute!
War Requiem, Op. 66 / Sanctus: Sanctus, sanctus, sanctus
Spring Symphony, Op. 44: 12. Finale: London, to thee I do present
War Requiem, Op. 66 / Sanctus: After the blast of lightning from the East
Hymn to St. Cecilia (1942), Op. 27: In a garden shady
War Requiem, Op. 66 / Agnus Dei: One ever hangs where shelled roads part
Hymn to St. Cecilia (1942), Op. 27: I cannot grow
War Requiem, Op. 66 / Libera me: Libera me, Domine
Hymn to St. Cecilia (1942), Op. 27: O ear whose creatures
Five Flower Songs op.47: 1. To Daffodils
War Requiem, Op. 66 / Libera me: It seemed that out of battle I escaped
Five Flower Songs op.47: 2. The Succession of the Four Sweet Months
War Requiem, Op. 66 / Libera me: Let us sleep now...In paradisum
Five Flower Songs op.47: 3. Marsh Flowers
Five Flower Songs op.47: 4. The Evening Primrose
Five Flower Songs op.47: 5. Ballad of Green Broom
War Requiem, Op. 66 / Requiem aeternam: Requiem aeternam
War Requiem, Op. 66 / Requiem aeternam: What passing bells for these who die as cattle?
Rameau: Les Boréades, Act 1: "Suivez la chasse, allez" (Alphise, Sémire)
Rameau: Les Boréades, Act 1: "La chasse à mes regards n'offre plus rien d'aimable" (Alphise, Sémire, Borillée)
Rameau: Les Boréades, Act 1: Danse. "Si l'Hymen a des chaines" - Gavottes (Sémire)
Rameau: Les Boréades, Act 1: "C'est dans cet aimable séjour" (Casilis)
Rameau: Les Boréades, Act 1: Rondeau vif. "La troupe volage" - Gavottes (Sémire, Chœur)
Rameau: Les Boréades, Act 1: "Un horizon serein" (Alphise, Sémire)
Rameau: Les Boréades, Act 1: Contredanse en rondeau
Rameau: Les Boréades, Act 2: "Charmes trop dangereux" (Abaris)
Rameau: Les Boréades, Act 2: "J'aperçois ce mortel" (Adamas, Abaris)
Rameau: Les Boréades, Act 2: "Avec éclat paraissez à mes yeux" (Adamas, Abaris, Chœur, Alphise)
Rameau: Les Boréades, Act 2: "Borée, à la clarté dont brillaient mille éclairs" (Alphise, Abaris)
Rameau: Les Boréades, Act 2: "Chantez le dieu qui nous éclaire" (Abaris, Alphise, Calisis, Borilée, Chœur)
Rameau: Les Boréades, Act 2: "Nos peuples, dieu du jour, t'offrent de nouveaux jeux" (Borilée)
Rameau: Les Boréades, Act 2: Gavottes. "C'est la liberté" - Air un peu plus gai (Borilée)
Rameau: Les Boréades, Act 2: "Comme un zéphir qui vole et jamais ne s'engage" (Nymphe)
Rameau: Les Boréades, Act 2: Air gracieux. Andante
Rameau: Les Boréades, Act 2: "Écoutez l'amour qui vous presse" (Calisis, Chœur)
Rameau: Les Boréades, Act 2: Air. Andante
Rameau: Les Boréades, Act 2: "C'est des dieux qu'on doit apprendre" (Borilée, Chœur)
Rameau: Les Boréades, Act 2: Gavotte vive - Gavotte
Rameau: Les Boréades, Act 2: "Ciel, quels accords harmonieux" (Chœur)
Rameau: Les Boréades, Act 2: "Espère tout de ce trait enchanté" (L'Amour, Alphise, Calisis, Borilée, Chœur)
Rameau: Les Boréades, Act 3: "Songe affreux, image cruelle" (Alphise, Abaris)
Rameau: Les Boréades, Act 3: "Triomphe hymen, l'Amour t'appelle" (Calisis, Borilée, Alphise, Abaris, Chœur)
Rameau: Les Boréades, Act 3: "Dans ces beaux lieux" (Borilée)
Rameau: Les Boréades, Act 3: Air un peu gai. "Eh ! Pourquoi se défendre" (Calisis)
Rameau: Les Boréades, Act 3: "Jouissons de nos bons ans" (Calisis, Chœur)
Rameau: Les Boréades, Act 3: "Aimez, aimez à votre tour" - "Écoutez de ce dieu la volonté suprême" (Borilée)
Rameau: Les Boréades, Act 3: "Régnez, belle Alphise" (Chœur, Calisis, Borilée)
Rameau: Les Boréades, Act 3: "Borée en fureur" (Alphise, Abaris)
Rameau: Les Boréades, Act 3: Entracte. Suite des vents
Rameau: Les Boréades, Act 4: "Nuit redoutable" (Borilée, Abaris, Chœur)
Rameau: Les Boréades, Act 4: "Nous n'implorons que vous" (Adamas, Abaris)
Rameau: Les Boréades, Act 4: "Commandez aux tendres zéphirs" (Polymnie, Chœur)
Rameau: Les Boréades, Act 4: Gavottes pour les heures et les Zéphirs
Rameau: Les Boréades, Act 4: "Parcourez la terre" (Chœur)
Rameau: Les Boréades, Act 4: Air très gai
Rameau: Les Boréades, Act 4: "Mon pouvoir doit servir au bonheur des humains" (Abaris)
Rameau: Les Boréades, Act 4: Air pour les saisons et les zéphirs
Rameau: Les Boréades, Act 4: "Je cours fléchir un dieu sévère" (Abaris)
Rameau: Les Boréades, Act 4: "Volez, que l'amour vous seconde" (Chœur)
Rameau: Les Boréades, Act 5: "Obéissez, quittez vos cavernes obscures" (Borée, Chœur)
Rameau: Les Boréades, Act 5: "Ne suivez plus mes pas, vous irritez ma peine" (Abaris, Borée, Alphise, Calisis, Borilée)
Rameau: Les Boréades, Act 5: "Venez punir son injustice" (Borée, Alphise, Chœur)
Rameau: Les Boréades, Act 5: "Que vois-je ?" (Abaris, Chœur)
Le Comte Ory / Act 2: Introduction: "Dans ce séjour calme"/"Noble châtelaine"/"Quand tomberont sur lui"
Le Comte Ory / Act 2: "Ah! quel respect, Madame"
Le Comte Ory / Act 1: "Jouvenelles, venez vite"
Le Comte Ory / Act 1: "Que les destins prospères"
Le Comte Ory / Act 2: "Voici vos compagnes fidèles"
Le Comte Ory / Act 2: "Ah! la bonne folie"
Le Comte Ory / Act 1: "De grâce, encore un mot"
Le Comte Ory / Act 2: "Eh! mais, quelle triste observance"
Le Comte Ory / Act 1: "Je ne puis plus longtemps"
Le Comte Ory / Act 2: "Dans ce lieu solitaire"
Le Comte Ory / Act 1: "Veiller sans cesse"
Le Comte Ory / Act 1: "Vous, notre appui"
Le Comte Ory / Act 2: "Elle revient...silence!"
Le Comte Ory / Act 1: "Cette aventure fort singulière"
Le Comte Ory / Act 2: "A la faveur de cette nuit obscure"
Le Comte Ory / Act 1: "Cet ermite, ma belle enfant"
Le Comte Ory / Act 2: "J'entends d'ici le bruit des armes"
Le Comte Ory / Act 1: "Une dame de haut parage"
Le Comte Ory / Act 2: "Ecoutez ces chants de victoire"
Le Comte Ory / Act 1: "Isolier dans ces lieux"
Le Comte Ory / Act 1: "En proie à la tristesse"
Le Comte Ory / Act 1: "Vous avez entendu sa touchante prière"
Le Comte Ory / Act 1: "O bon ermite"... C'est bien, je suis content"
Le Comte Ory / Act 1: "Ciel! - O terreur, ô peine extrême"
Le Comte Ory / Act 1: "Cet écrit, noble châtelaine"
Le Comte Ory / Act 1: "Venez amis, retirons-nous"
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 1. Kyrie
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Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2a. Gloria: Gloria
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Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2b. Gloria: Laudamus te
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Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2c. Gloria: Gratias
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Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2d. Gloria: Domine
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Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2e. Gloria: Qui tollis
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Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2f. Gloria: Quoniam
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Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2g. Gloria: Jesu Christe
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Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2h. Gloria: Cum Sancto Spiritu
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Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 3a. Credo: Credo
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Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 3b. Credo: Et incarnatus est
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Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 4. Sanctus
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Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 5. Benedictus
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Iphigénie en Tauride / Act 1: Introduction et choeur. "Grands Dieux ! soyez-nous secouables"
Iphigénie en Tauride / Act 3: Récitatif. "Je cède à vos" - Air. "D'une image, hélas! trop" - Scène 2. Récitatif. "Voici ces captifs" - Scène 3. Récitatif. "O joie inattendue!"
Iphigénie en Tauride / Act 1: Récitatif. "Iphigénie, ô ciel!" - Choeur. "O songe affreux!" - Récitatif. "O race de Pélops!"
Iphigénie en Tauride / Act 3: Trio. "Je pourrais du tyran tromper la" - Scène 4. Récitatif. "O moment trop heureux!"
Iphigénie en Tauride / Act 1: Air. "O toi qui prolongeas mes jours" - Choeur. "Quand verrons-nous tarir nos pleurs?"
Iphigénie en Tauride / Act 3: Duo. "Et tu prétends encore que" - Récitatif. "Quoi! je ne vaincrai pas "
Iphigénie en Tauride / Act 1: Scène 2. Récitatif. "Dieux! le malheur en" - Air. "De noir pressentiments"
Iphigénie en Tauride / Act 3: Air. "Ah! mon ami, j'implore ta pitié" - Duo. "Pylade! - Ah! mon ami, j'implore ta pitié"
Iphigénie en Tauride / Act 1: Scène 3. Choeur. "Les Dieux apaisent" - Récitatif. "Dieux! étouffez en moi" - Scène 4. Récitatif. "Et vous, à vos Dieux" - Choeur. "Il nous fallait du sang"
Iphigénie en Tauride / Act 3: Scène 5. Récitatif. "Malgré toi, je saurai" - "Quoi? toujours à mes voeux" - Scène 6. Récitatif. "Puisque le ciel à vos jours s'intéresse"
Iphigénie en Tauride / Act 1: Ballet - Scène 5. Choeur. "Il nous fallait du sang"
Iphigénie en Tauride / Act 3: Scène 7. Air. "Divinité des grands âmes"
Iphigénie en Tauride / Act 2: Scène 1. Récitatif. "Quel silence effrayant!"
Iphigénie en Tauride / Act 4: Scène 1. Récitatif. "Non, cet affreux devoir" - Air. "Je t'implore et je tremble"
Iphigénie en Tauride / Act 2: Air. "Dieux qui me poursuivez" - Récitatif. "Quel langage accablant"
Iphigénie en Tauride / Act 4: Scène 2. Choeur. "O Diane sois-nous" - Récitatif. "La force m'abandonne"
Iphigénie en Tauride / Act 2: Air. "Unis dès la plus tendre enfance"
Iphigénie en Tauride / Act 4: Hymne. "Chaste fille de Latone"
Iphigénie en Tauride / Act 2: Scène 2. Récitatif. "Etrangers malheureux" - Scène 3. Récitatif. "Dieux protecteurs"
Iphigénie en Tauride / Act 4: Récitatif. "Quel moment! Dieux puissants" - Scène 3. Récitatif. "Tremblez! tremblez!"
Iphigénie en Tauride / Act 2: Air. "Le calme rentre dans mon coeur"
Iphigénie en Tauride / Act 4: Scène 4. Air. "De tes forfaits la trame" - Récitatif. "Qu'oses-tu proposer" - Scène 5. Récitatif. "C'est à toi de mourir!" - Scène 6. Récitatif. "Arrêtez!"
Iphigénie en Tauride / Act 2: Scène 4. Pantomime - Choeur et danse. "Vengeons et la nature et les Dieux"
Iphigénie en Tauride / Act 4: Scène 7. Récitatif. "Ta soeur! qu'ai-je entendu?" - Air. "Dans cet objet touchant" - Choeur final. "Les Dieux, longtemps en courroux"
Iphigénie en Tauride / Act 2: Scène 5. Récitatif. "Je vois toute" - Scène 6. Choeur. "Patrie infortunée"
Iphigénie en Tauride / Act 2: Air et choeur. "O malheureuse Iphigénie!"
Iphigénie en Tauride / Act 2: Récitatif. "Honorez avec moi" - Choeur. "Contemplez ces tristes apprêts" - Air. "O mon frère"
Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106: No. 1 Sonatina
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Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106: No. 2 a-d "Gottes Zeit ist die allerbeste Zeit" ... "Es ist der alte Bund"
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Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106: No. 3 a./b. "In deine Hände befehl ich meinen Geist" - "Heute wirst du mit mir"
Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106: No. 4 Chor: "Glorie, Lob, Ehr und Herrlichkeit"
O Jesu Christ, mein's Lebens Licht Motet, BWV 118
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"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 1 "Lass, Fürstin, lass noch einen Strahl"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 2 "Dein Sachsen, dein bestürztes Meißen"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 3 "Verstummt, verstummt, ihr holden Saiten"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 4 "Der Glocken bebendes Getön"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 5 "Wie starb die Heldin so vergnügt"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 6 "Ihr Leben ließ die Kunst zu Sterben"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 7 "An dir, du Fürbild großer Frauen"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 8 "Der Ewigkeit saphirnes Haus"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 9 "Was Wunder ist's?"
"Lass Fürstin, lass noch einen Strahl" Cantata, BWV 198: No. 10 "Doch, Königin! du stirbest nicht"
Bach, J.S.: Advent Cantatas BWV 61, 36 & 62
Nun komm, der Heiden Heiland, Cantata BWV 61: No. 1 "Nun komm, der Heiden Heiland"
Nun komm, der Heiden Heiland, Cantata BWV 61: No. 2 "Der Heiland ist gekommen"
Nun komm, der Heiden Heiland, Cantata BWV 61: No. 3 "Komm, Jesu, komm zu deiner Kirche"
Nun komm, der Heiden Heiland, Cantata BWV 61: No. 4 "Siehe, ich stehe vor der Tür"
Nun komm, der Heiden Heiland, Cantata BWV 61: No. 5 "Öffne dich, mein ganzes Herze"
Nun komm, der Heiden Heiland, Cantata BWV 61: No. 6 "Amen"
Schwingt freudig euch empor, Cantata BWV 36 / Part 1: No. 1 Chorus "Schwingt freudig euch empor"
Schwingt freudig euch empor, Cantata BWV 36 / Part 1: No. 2 Chorale-Duet "Nun komm, der Heiden Heiland"
Schwingt freudig euch empor, Cantata BWV 36 / Part 1: No. 3 Aria "Die Liebe zieht mit sanften Schritten"
Schwingt freudig euch empor, Cantata BWV 36 / Part 1: No. 4 Chorale "Zwingt die Saiten"
Schwingt freudig euch empor, Cantata BWV 36 / Part 2: No. 5 Aria "Willkommen, werter Schatz"
Schwingt freudig euch empor, Cantata BWV 36 / Part 2: No. 6 Chorale "Der du bist dem Vater gleich"
Schwingt freudig euch empor, Cantata BWV 36 / Part 2: No. 7 Aria "Auch mit gedämpften, schwachen Stimmen"
Schwingt freudig euch empor, Cantata BWV 36 / Part 2: No. 8 Chorale "Lob sei Gott, dem Vater"
"Nun komm, der Heiden Heiland", BWV 62: No. 1 Chorus "Nun komm, der Heiden Heiland"
"Nun komm, der Heiden Heiland", BWV 62: No. 2 Aria "Bewundert, o Menschen"
"Nun komm, der Heiden Heiland", BWV 62: No. 3 Recitative "So geht aus Gottes Herrlichkeit"
"Nun komm, der Heiden Heiland", BWV 62: 4. Aria "Streite, siege, starker Held"
"Nun komm, der Heiden Heiland", BWV 62: 5. Recitative "Wir ehren diese Herrlichkeit"
"Nun komm, der Heiden Heiland", BWV 62: 6. Chorale "Lob sei Gott, dem Vater"
Scarlatti: Stabat Mater - Clément: O Maria, vernans rosa - Gesualdo: Ave dulcissima Maria - Cavalli: Salve Regina
Scarlatti, D: Stabat Mater in C Minor: I. Stabat Mater dolorosa
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Scarlatti, D: Stabat Mater in C Minor: II. Cujus animam gementem
Scarlatti, D: Stabat Mater in C Minor: III. Quis non posset
Scarlatti, D: Stabat Mater in C Minor: IV. Eja Mater, fons amoris
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Scarlatti, D: Stabat Mater in C Minor: IX. Fac ut animae
Scarlatti, D: Stabat Mater in C Minor: X. Amen
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Wolfgang Amadeus Mozart: Schatten ung licht: Chapter 1: Wunder der Natur (1756-1765)
Wolfgang Amadeus Mozart: Schatten ung licht: Chapter 4: Im Tanzmeisterhaus (1773-1777)
Camerata Academica des Mozarteum Salzburg
Wolfgang Amadeus Mozart: Schatten ung licht: Chapter 7: Der beste Ort von der Welt (1781-1783)
Wolfgang Amadeus Mozart: Schatten ung licht: Chapter 10: Neugekronte Hoffnung (1788-1791)
Wolfgang Amadeus Mozart: Schatten ung licht: Chapter 2: Salzburgs Glanz und Wolfgangs Gloria (1765-1769)
Südwestdeutsches Kammerorchester Pforzheim
Carl Philipp Emanuel Bach Chamber Orchestra
Wolfgang Amadeus Mozart: Schatten ung licht: Chapter 5: Fort mir dir nach Paris! (1777-1779)
Wolfgang Amadeus Mozart: Schatten ung licht: Chapter 8: Amadeus, Amadeus! (1784-1786)
Piano Concerto No. 18 in B-Flat Major, K. 456: I. Allegro vivace
Wolfgang Amadeus Mozart: Schatten ung licht: Chapter 3: Cavaliere Amadeo Wolfgango (1770-1773)
Wolfgang Amadeus Mozart: Schatten ung licht: Chapter 6: Flucht aus der Sklaverei (1779-1781)
Wolfgang Amadeus Mozart: Schatten ung licht: Chapter 9: Schwarze Gedanken (1786-1788)
Piano Concerto No. 18 in B-Flat Major, K. 456: II. Andante un poco sostenuto
Piano Concerto No. 18 in B-Flat Major, K. 456: III. Allegro vivace
Piano Concerto No. 23 in A Major, K. 488: I. Allegro
Piano Concerto No. 23 in A Major, K. 488: II. Adagio
Piano Concerto No. 23 in A Major, K. 488: III. Allegro assai
Beethoven: Piano Concertos Nos.1-5; Symphony No. 2, Op. 36; Fantasy For Piano, Chorus And Orchestra, Op. 80; Choral Fantasy (two altern. improv. piano introd.); Rondo For Piano And Orchestra
Piano Concerto No. 2 in B-Flat Major, Op. 19: I. Allegro con brio (Cadenza: Levin)
Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio (Cadenza: Levin)
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": I. Allegro
Piano Concerto No. 4 in G Major, Op. 58: I. Allegro moderato (Cadenza: Levin)
Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio
Piano Concerto No. 3 in C Minor, Op. 37: II. Largo
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco moto –
Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto (Cadenza: Levin)
Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto allegro
Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro (Cadenza: Levin)
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo. Allegro ma non troppo
Piano Concerto No. 4 in G Major, Op. 58: III. Rondo. Vivace (Cadenza: Levin)
Rondo in B-Flat Major for Piano and Orchestra, WoO6
Piano Concerto No. 4 in G Major, Op. 58: I. Allegro moderato
Fantasia in C Minor, Op. 80 "Choral Fantasy": I. Adagio
Symphony No. 2 in D Major, Op. 36: I. Adagio molto – Allegro con brio
Piano Concerto No. 1 in C Major, Op. 15: I. Allegro con brio (Cadenza: Levin)
Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto
Fantasia in C Minor, Op. 80 "Choral Fantasy": II. Finale. Allegro – Allegretto, ma non troppo (quasi Andante con moto)
Symphony No. 2 in D Major, Op. 36: II. Larghetto
Piano Concerto No. 1 in C Major, Op. 15: II. Largo
Piano Concerto No. 4 in G Major, Op. 58: III. Rondo. Vivace
Fantasia in C Minor, Op. 80 "Choral Fantasy": I. Adagio. Alternative Improvised Introduction 1 (Comp. Levin)
Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro
Piano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro scherzando
Fantasia in C Minor, Op. 80 "Choral Fantasy": I. Adagio. Alternative Improvised Introduction 2 (Comp. Levin)
Symphony No. 2 in D Major, Op. 36: IV. Allegro molto
Idomeneo, re di Creta, K.366: Ouverture - Live
Idomeneo, re di Creta, K.366 / Act 2: "Frettolosa e giuliva Elettra vien" - "Chi mai del mio provò" - Live
Idomeneo, re di Creta, K.366 / Act 3: "Stupenda vittoria!" - "Qual risuona" - "Sire, il prence" - Live
Die Entführung aus dem Serail, K.384: Ouvertüre
Idomeneo, re di Creta, K.366 / Act 1: "Quando avran fine omai" - "Padre, germani, addio!" - "Ecco Idamante, ahimè!" - Live
Idomeneo, re di Creta, K.366 / Act 2: "Idol mio, se ritroso" - Live
Idomeneo, re di Creta, K.366 / Act 3: "Padre, mio caro padre" - Live
Die Entführung aus dem Serail, K.384 / Act 1: "Hier soll ich dich denn sehen" - "Aber wie soll ich in den Palast kommen?"
Idomeneo, re di Creta, K.366 / Act 1: "Radunate i Troiani" - "Non ho colpa, e mi condanni" - Live
Idomeneo, re di Creta, K.366 / Act 2: "Odo da lunge armonioso suono" - Live
Idomeneo, K. 366, Act III: Aria. No, la morte io non pavento - Live
Die Entführung aus dem Serail, K.384 / Act 1: Wer ein Liebchen hat gefunden
Idomeneo, re di Creta, K.366 / Act 1: "Ecco il misero resto de'Troiani" - "Scingete le catene" - Live
Idomeneo, re di Creta, K.366 / Act 2: "Sidonie sponde!" - Live
Idomeneo, re di Creta, K.366 / Act 3: "Ma che più tardi" - Live
Idomeneo, re di Creta, K.366 / Act 1: "Godiam la pace" - "Prence, signor" - "Ma quel pianto" - "Estinto è Idomeneo?" - "Tutte nel cor vi sento" - "Pietà! Numi, pietà!" - "Eccoci salvi alfin"
Idomeneo, re di Creta, K.366 / Act 2: "Placido è il mar" - "Soavi Zeffiri" -"Vattene prence" - "Pria di partir, oh Dio!" - "Qual nuovo terrore!" - "Eccoti in me, barbaro Nume!" - "Corriamo, f
Idomeneo, re di Creta, K.366 / Act 3: "Ferma, oh sire, che fai?" - Live
Idomeneo, re di Creta, K.366 / Act 1: "Vedrommi intorno" - "Cieli!che veggo?" - "Spiagge romite" - Live
Idomeneo, re di Creta, K.366 / Act 3: "Solitudini amiche" - Live
Idomeneo, re di Creta, K.366 / Act 3: "Ha vinto Amore" - Live
Idomeneo, K. 366, Act I: No. 7, Aria. Il padre adorato - Live
Idomeneo, re di Creta, K.366 / Act 3: "Zeffiretti lusinghieri" - "Ei stesso vien... oh Dei!" - Live
Idomeneo, re di Creta, K.366 / Act 3: "Oh ciel pietoso!" - "Oh smania! oh furie!" - "D'Oreste, d'Aiace" - Live
Idomeneo, re di Creta, K.366 / Act 1: Intermezzo: Marcia - Live
Idomeneo, re di Creta, K.366 / Act 3: "Principessa, a' tuoi sguardi" - "S'io non moro a questi accenti" - "Cieli! che vedo?" - Live
Idomeneo, re di Creta, K.366 / Act 3: "Popoli, a voi l'ultima legge" - Live
Idomeneo, re di Creta, K.366 / Act 1: "Nettuno s'onori" - Live
Idomeneo, re di Creta, K.366 / Act 3: "Dunque io me n'andrò" - "Andrò ramingo e solo" - Live
Idomeneo, re di Creta, K.366 / Act 3: "Torna la pace al core" - Live
Idomeneo, re di Creta, K.366 / Act 2: "Tutto m'è noto" - Live
Idomeneo, re di Creta, K.366 / Act 3: "Sire, alla reggia tua" - Live
Idomeneo, re di Creta, K.366 / Act 3: "Scenda Amor, scenda Imeneo" - Live
Idomeneo, re di Creta, K.366 / Act 2: "Se il tuo duol, se il mio desio" - Live
Idomeneo, re di Creta, K.366 / Act 3: "Sventurata Sidon!" - Live
Ballet Music From "Idomeneo", K.367: Chaconne - Larghetto - La chaconne, qui reprend - Largo - Allegretto, sempre piano - Più Allegro - Live
Idomeneo, re di Creta, K.366 / Act 2: "Se mai pomposo apparse" - Live
Idomeneo, re di Creta, K.366 / Act 3: "Se colà ne' fati è scritto" - Live
Idomeneo, re di Creta, K.366 / Appendix - Act 3, scena 10: "Ferma, oh sire, che fai?" - Live
Idomeneo, re di Creta, K.366 / Act 2: "Se il padre perdei" - Live
Idomeneo, re di Creta, K.366 / Act 3: "Volgi intorno lo sguardo" - Live
Idomeneo, re di Creta, K.366 / Appendix - Act 3, scena 10: "A Idomeneo perdona" - Live
Idomeneo, re di Creta, K.366 / Act 2: "Qual mi conturba i sensi" - Live
Idomeneo, re di Creta, K.366 / Act 3: "O voto tremendo" - Live
Idomeneo, re di Creta, K.366 / Appendix - Act 3, scena 10: "Ha vinto amore" - Live
Idomeneo, re di Creta, K.366 / Act 2: "Fuor del mar" - Live
Idomeneo, re di Creta, K.366 / Act 3: Marcia - Live
Idomeneo, re di Creta, K.366 / Appendix - Act 3, scena 10: "Oh ciel pietoso!" - "Oh smania! oh furie!" - Live
Idomeneo, re di Creta, K.366 / Act 3: "Accogli, o rè del mar" - Live
Idomeneo, re di Creta, K.366 / Appendix - Act 2, scena 3 (fine) - scena 4: "Frettolosa e giuliva Elettra vien" - "Sire, da Arbace intesi" - "Chi mai del mio provò" - Live
Idomeneo, re di Creta, K.366 / Act 3: "No, la morte io non pavento" - Live
Idomeneo, re di Creta, K.366 / Act 1: "Il padre adorato" - Live
Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 - Live
Vespro della Beata Vergine, SV 206: Sonata sopra Sancta Maria a 1 - Live
The Fairy Queen, Z. 629 / Act 1: Prelude (I)
The Fairy Queen, Z. 629 / Act 4: Symphony
Vespro della Beata Vergine, SV 206: II. Dixit Dominus a 6 - Live
Vespro della Beata Vergine, SV 206: Ave maris stella a 8 - Live
The Fairy Queen, Z. 629 / Act 1: Hornpipe
The Fairy Queen, Z. 629 / Act 4: Solo & Chorus "Now the night"
Vespro della Beata Vergine, SV 206: III. Nigra sum a 1 - Live
Vespro della Beata Vergine, SV 206: Magnificat I a 7 - Live
The Fairy Queen, Z. 629 / Act 4: Duet: "Let the fifes, and the Clarions"
Vespro della Beata Vergine, SV 206: IV. Laudate, pueri Dominum a 8 - Live
Vespro della Beata Vergine, SV 206: Magnificat II a 6 - Live
The Fairy Queen, Z. 629 / Act 1: Rondeau
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The Fairy Queen, Z. 629 / Act 4: Entry Of Phoebus
Vespro della Beata Vergine, SV 206: V. Pulchra es a 2 - Live
The Fairy Queen, Z. 629 / Act 1: Overture
The Fairy Queen, Z. 629 / Act 4: Song: "When a cruel long Winter"- Chorus: "Hail! Great Parent of us all"
Vespro della Beata Vergine, SV 206: VI. Laetatus sum a 6 - Live
The Fairy Queen, Z. 629 / Act 1: Song In Two Parts: "Come, come, come, let us leave"
Vespro della Beata Vergine, SV 206: VII. Duo seraphim a 3 - Live
The Fairy Queen, Z. 629 / Act 1: Scene Of The Drunken Poet: "Fill up the Bowl"
Vespro della Beata Vergine, SV 206: VIII. Nisi Dominus a 10 - Live
The Fairy Queen, Z. 629 / Act 1: First Act Tune: Jig
Vespro della Beata Vergine, SV 206: IX. Audi coelum a 8 - Live
The Fairy Queen, Z. 629 / Act 2: Prelude...Come, All Ye Songsters Of The Sky
Vespro della Beata Vergine, SV 206: X. Lauda Jerusalem a 7 - Live
The Fairy Queen, Z. 629 / Act 2: Prelude (II)
The Fairy Queen, Z. 629 / Act 2: Trio: "May the God of Wit inspire"
The Fairy Queen, Z. 629 / Act 2: Chorus: "Now Joyn your Warbling Voices all"
The Fairy Queen, Z. 629 / Act 2: A Dance Of Fairies
The Fairy Queen, Z. 629 / Act 2: Song And Chorus: "Sing while we trip it on the Green"
The Fairy Queen, Z. 629 / Act 2: "See, even Night herself is here"
The Fairy Queen, Z. 629 / Act 2: "I am come to lock all fast"
The Fairy Queen, Z. 629 / Act 2: "One charming night"
The Fairy Queen, Z. 629 / Act 2: "Hush, no more"
The Fairy Queen, Z. 629 / Act 2: Dance For The Followers Of Night
The Fairy Queen, Z. 629 / Act 2: Second Act Tune: Air
The Fairy Queen, Z. 629 / Act 3: A Song In Two Parts And Chorus: "If Love's a Sweet Passion"
The Fairy Queen, Z. 629 / Act 3: Overture: Symphony While The Swans Come Forward
The Fairy Queen, Z. 629 / Act 3: Dance For The Fairies
The Fairy Queen, Z. 629 / Act 3: Dance For The Green Men
The Fairy Queen, Z. 629 / Act 3: Song: "Ye Gentle Spirits of the Air, appear"
The Fairy Queen, Z. 629 / Act 3: Dialog: "Now the Maids and the Men"
The Fairy Queen, Z. 629 / Act 3: Song: "When I have often heard"
The Fairy Queen, Z. 629 / Act 3: A Dance Of Haymakers
The Fairy Queen, Z. 629 / Act 3: Song And Chorus: "A Thousand Thousand ways we'll find"
The Fairy Queen, Z. 629 / Act 3: Third Act Tune: Hornpipe
L'Orfeo / Act I: "In questo lieto e fortunato giorno" - "Vieni, Imeneo" - "Muse, onor di Parnasso"
L'Orfeo / Act III: "O tu ch'innanzi morte"
Exultent caeli - Trans. Denis Arnold/Edited for performance John Eliot Gardiner
L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro"
Hodie Christus natus est - Trans. Denis Arnold/Edited for performance John Eliot Gardiner: O magnum mysterium - Trans. Denis Arnold (1926/86)/Ed.for perf.J.E.Gardiner (1943-)
Motet: "Auf dem Gebirge hat man ein Geschrei gehöret" (SWV 396)
Concert: "Saul, Saul, was verfolgst du mich?" (SWV 415)
Membra Jesu Nostri, BuxWV 75: 2. Ad genua
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Dido and Aeneas / Act 2: Prelude for the Witches - "Wayward sisters"
Dido and Aeneas / Act 3: "Thy hand, Belinda...When I am laid in earth"
Gloria, R. 589: Et in terra pax hominibus
Matthäus-Passion, BWV 244 / Erster Teil: No. 1 "Kommt, ihr Töchter, helft mir klagen"
Matthäus-Passion, BWV 244 / Erster Teil: No. 3 "Herzliebster Jesu, was hast du verbrochen"
Matthäus-Passion, BWV 244 / Erster Teil: No. 8 "Blute nur, du liebes Herz"
Matthäus-Passion, BWV 244 / Erster Teil: No. 15 "Erkenne mich, mein Hüter"
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas: No. 1 Chorus: "Jauchzet, frohlocket"
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas: No. 5 Choral: "Wie soll ich dich empfangen"
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas: No. 8 Aria: "Großer Herr, o starker König"
St. John Passion, BWV 245 / Part One: No.1 Chorus: "Herr, unser Herrscher"
St. John Passion, BWV 245 / Part Two: No.39 Chorus: "Ruht wohl, ihr heiligen Gebeine"
Mass in B Minor, BWV 232 / Gloria: Gloria in excelsis Deo
Jauchzet Gott in allen Landen Cantata, BWV 51: Aria: "Jauchzet Gott in allen Landen"
Ich habe genug, Cantata BWV 82: No. 1 Aria: Ich habe genug, ich habe den Heiland
Wachet auf, ruft uns die Stimme, Cantata BWV 140: I. Chorus. Wachet auf, ruft uns die Stimme
Herz und Mund und Tat und Leben, Cantata BWV 147, Pt. 2: X. Chorale. Jesus bleibet meine Freude
Solomon HWV 67 / Act 1: "May no rash intruder"
Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba
Saul, HWV 53 / Act 1: Symphony..."Already see the daughters...Welcome, welcome mighty King!" - Live
Saul, HWV 53 / Act 1: "What do I hear?... David his ten thousands slew...To him ten thousands!" - Live
Saul, HWV 53 / Act 3: "Gird on thy sword" - Live
Messiah, HWV 56, Pt. 1: No. 2, Recit. Comfort Ye, My People (Tenor)
Messiah, HWV 56, Pt. 1: No. 4, Chorus. And the Glory of the Lord Shall Be Revealed
Messiah, HWV 56, Pt. 1: No. 12, Chorus. For Unto Us a Child Is Born
Messiah, HWV 56, Pt. 2: No. 38, Aria. How Beautiful Are the Feet of Them That Preach (Soprano)
Dixit Dominus, HWV 232: Die Torrente in via bibet
Coronation Anthem No. 1, HWV 258 "Zadok the Priest”
Schubert: Voices in the Night - Choral Works
Gesang der Geister über den Wassern, D. 714
Solomon, HWV 67, Act III: The Arrival of the Queen of Sheba
Canon & Gigue in D Major, P. 37 (Orch. Seiffert)
6 Concerts transcrits en sextuor / 6e concert: I. La poule - Live
Orfeo ed Euridice, Wq. 30 / Acte III: Air: J'ai perdu mon Euridice - Live
The Four Seasons, Winter, Violin Concerto in F Minor, RV 297, Op. 8 No. 4: I. Allegro non molto
Te Deum for Soloists, Chorus and Orchestra, H. 146: I. Prélude. Rondeau
Sonatas For Harpsichord (Miscellaneous): Sonata in G Major, K. 348: Prestissimo
Concerto in F Major, Op. 4, No. 12: 2. Largo
Ich habe genug, BWV 82: I. Aria. Ich habe genug, ich habe den Heiland (Bass)
Sinfonia in D, Wq 183 No. 1: 1. Allegro di molto
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro]
Sonata con tre violini (XXI from Canzoni et Sonate, 1615)
Musikalische Schlittenfahrt: 10. Schlittenfahrt
Suite No. 3 in D Major, BWV 1068: Air on the G String
Léonin / Pérotin: Magnus Liber / Feast of St. Stephen: Etenim sederunt principes (à 1) (Introit)
Exsultate, jubilate, K. 165: IV. Alleluja. Allegro
Symphony No. 48 in C Major, Hob. I:48 "Maria Theresia": I. Allegro
Premier Livre de pieces de clavecin / Suite in D Minor-major 1724: 9. Tambourin
Music Of The Gothic Era - Ars nova: Zelus familie
Piano Concerto No. 21 in C Major, K. 467: II. Andante
Les Élémens, Simphonie Nouvelle: 1. Le cahos
Dreams In The Pleasure Garden - Chansons: De toutes flours
Concerto in B-Flat Major for 3 Oboes, 3 Violins and Basso Continuo: III. Allegro
St. Matthew Passion, BWV 244 / Part Two: No. 39 Aria (Alto): "Erbarme dich"
Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
Missa "Hodie Christus natus est": 2. Gloria
Concerto Grosso in G Minor, Op. 6, No. 8, "Fatto per la Notte di Natale": IV. Allegro - Pastorale (Largo)
Violen-Ensemble Der Schola Cantorum Basiliensis
Violin Concerto No. 1 in A Minor, BWV 1041: I. Allegro moderato
Polyhymnia Caduceatrix et Panegyrica: XXXIV. In dulci jubilo
Water Music Suite No. 1 in F, HWV 348: 9. Hornpipe
L'incoronazione di Poppea / Act 3: "Scendiam, scendiam" / "Pur ti miro"
Magnificat in D Major, BWV 243: I. Chorus: "Magnificat"
Missa Salisburgensis, C App. 101: I. Kyrie
Concerto for Strings and Continuo in G Minor, RV 156: I. Allegro
Gloria in D Major, RV 589: I. Gloria in excelsis Deo
Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6
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St. John Passion, BWV 245 / Part Two: No.21 Evangelist, Pilatus, Jesus, Chorus: " Und die Kriegsknechte flochten "
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St. John Passion, BWV 245 / Part One: No. 2 Evangelista,Jesus,Chorus: "Jesus ging mit seinen Jüngern" - "Jesum von Nazareth" - "Jesus spricht zu ihnen" - "Jesum von Nazareth" - "Jesus antwort
St. John Passion, BWV 245 / Part Two: No.22 Choral: "Durch dein Gefängnis, Gottes Sohn"
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St. John Passion, BWV 245 / Part One: No.3 Choral: "O große Lieb, o Lieb ohn' alle Maße"
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St. John Passion, BWV 245 / Part Two: No.23 Evangelist, Pilatus, Chorus: " Die Juden aber schrieen und sprachen "
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St. John Passion, BWV 245 / Part One: No.4 Evangelist, Jesus: "Auf daß das Wort erfüllet würde"
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St. John Passion, BWV 245 / Part Two: No.24 Aria (Baß) - Chor: "Eilt ihr angefochtnen Seelen"
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St. John Passion, BWV 245 / Part One: No.5 Choral: "Dein Will gescheh, Herr Gott zugleich"
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St. John Passion, BWV 245 / Part Two: No.25 Evangelist, Chorus, Pilatus: " Allda kreuzigten sie ihn "
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St. John Passion, BWV 245 / Part One: No. 6 Evangelist:" Die Schar aber"
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St. John Passion, BWV 245 / Part Two: No.26 Choral: "In meines Herzens Grunde"
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St. John Passion, BWV 245 / Part One: No.7 Aria (Alt): "Von den Stricken meiner Sünden"
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St. John Passion, BWV 245 / Part Two: No.27 Evangelist, Chorus, Evangelist: " Die Kriegsknechte aber "
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St. John Passion, BWV 245 / Part One: No.8 Evangelist: "Simon Petrus aber folgete Jesu nach"
St. John Passion, BWV 245 / Part Two: No.28 Choral: " Er nahm alles wohl in acht"
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St. John Passion, BWV 245 / Part One: No.9 Aria(Sopran): Ich folge dir gleichfalls"
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St. John Passion, BWV 245 / Part Two: No.29 Evangelist, Jesus: " Und von Stund an "
Johannes-Passion, BWV 245, Pt. 1: No. 10, Recit. Derselbige Jünger (Evangelist, Maid, Peter, Jesus, Servant)
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St. John Passion, BWV 245 / Part Two: No.30 Aria (Alt): " Es ist vollbracht "
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St. John Passion, BWV 245 / Part One: No.11 Choral: "Wer hat dich so geschlagen"
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St. John Passion, BWV 245 / Part Two: No.31 Evangelist: " Und neigte das Haupt und verschied "
Johannes-Passion, BWV 245, Pt. 1: No. 12, Recit. Und Hannas sandte ihn gebunden (Evangelist, Servant, Peter)
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St. John Passion, BWV 245 / Part Two: No.32 Aria (baß) - Chorus: " Mein teurer Heiland "
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St. John Passion, BWV 245 / Pt. 1: No. 13 Aria (Tenor): "Ach mein Sinn"
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St. John Passion, BWV 245 / Part Two: No.33 Evangelist: " Und siehe da "
St. John Passion, BWV 245 / Part One: No.14 Choral: "Petrus, der nicht denkt zurück"
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St. John Passion, BWV 245 / Part Two: No.34 Arioso (Tenor): " Mein Herz, indem die ganze Welt "
St. John Passion, BWV 245 / Part Two: No.15 Choral: "Christus, der uns selig macht"
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St. John Passion, BWV 245 / Part Two: No.35 Aria (soprano): " Zerfließe, mein Herz "
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St. John Passion, BWV 245 / Part Two: No.16 Evangelist, Pilatus, Chorus: " Da führeten sie Jesum "
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St. John Passion, BWV 245 / Part Two: No.36 Evangelist: "Die Juden aber"
St. John Passion, BWV 245 / Part Two: No.17 Choral: "Ach großer König, groß zu allen Zeiten"
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St. John Passion, BWV 245 / Part Two: No.37 Choral:" O hilf, Christe, Gottes Sohn"
St. John Passion, BWV 245 / Part Two: No.18 Evangelist, Pilatus, Jesus, Chorus, Evangelist: "Da sprach Pilatus zu ihnen"
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St. John Passion, BWV 245 / Part Two: No.38 Evangelist: "Darnach bat Pilatum"
St. John Passion, BWV 245 / Part Two: No.19 Arioso (Baß): "Betrachte, meine Seele"
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St. John Passion, BWV 245 / Part Two: No.20 Aria (Tenor): " Erwäge, wie sein blutgefärbter Rücken"
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St. John Passion, BWV 245 / Part Two: No.40 Choral: "Ach Herr, laß dein lieb Engelein"
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Stravinsky: Oedipus Rex & Apollon musagète
Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…"
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Oedipus Rex, Act I: "Voici Creon, beau-frere d'Oedipe…"
Oedipus Rex, Act I: "Oedipe interroge la fontaine de verite…"
Oedipus Rex, Act II: "Gloria, gloria, gloria!"
Oedipus Rex, Act II: "Le temoin du meurtre sort de l'ombre…"
Oedipus Rex, Act II: "Et maintenant, vous allez entendre…"
Apollon musagète: I. Premier Tableau, Naissance d'Apollon
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Apollon musagète: II. Second Tableau, Variation d'Apollon
Apollon musagète: IV. Variation de Calliope
Apollon musagète: V. Variation de Polymnie
Apollon musagète: VI. Variation de Terpsichore
Apollon musagète: VII. Variation d'Apollon
Praetorius, Michael : Es ist ein Ros Entsprungen
Tchaikovsky: Suite from the Nutcracker, Op. 71a: I. Overture
Tchaikovsky: Suite from the Nutcracker, Op. 71a: II. March
Tchaikovsky: Suite from the Nutcracker, Op. 71a: III. Dance of the Sugar-Plum Fairy
Tchaikovsky: Suite from the Nutcracker, Op. 71a: IV. Russian Dance
Tchaikovsky: Suite from the Nutcracker, Op. 71a: V. Arabian Dance
Tchaikovsky: Suite from the Nutcracker, Op. 71a: VI. Chinese Dance
Tchaikovsky: Suite from the Nutcracker, Op. 71a: VII. Dance of the Reed-Flutes
Berlioz: L'enfance du Christ, Op. 25, H. 130, Part 2: "Il s'en va loin de la terre" (Choeur)
Charpentier: Messe de minuit pour noël, H. 9: I. Kyrie eleison
Charpentier: Noëls sur les instruments, H. 534: No. 6, Une jeune pucelle
Martin, Nicolas : "Nouvelles, nouvelles"
Vivaldi: Violin Concerto in E Major, RV 270 "Il riposo, per il Santissimo Natale": I. Allegro
Vivaldi: Violin Concerto in E Major, RV 270 "Il riposo, per il Santissimo Natale": II. Adagio
Vivaldi: Violin Concerto in E Major, RV 270 "Il riposo, per il Santissimo Natale": III. Allegro
Passereau / Bonfons : "Près Bethleem dans une estable"
Messiaen: La Nativité du Seigneur: I. La Vierge et l'Enfant
Certon / Daniel : Chantons Noël, menons joyeuse vie
Daquin: Nouveau livre de noëls: No. 6, Sur les jeux d'anches, sans tremblant et en duo
Bach: Musicalisches Gesang-Buch: O Jesulein Süss, BWV 493
Schütz: Historia der Geburt Jesu Christi, SWV 435 "Weihnachtshistorie": Rezitativ - Beschluss
Handel: Messiah, HWV 56, Pt. 1: Pastoral Symphony "Pifa"
Handel: Messiah, HWV 56, Pt. 1: Recitative. "There Were Shepherds Abiding in the Field"
Handel: Messiah, HWV 56, Pt. 1: Chorus. "Glory to God"
Corelli: Concerto grosso in G Minor, Op. 6 No. 8, 'Fatto per la notte di Natale': V. Allegro
Corelli: Concerto grosso in G Minor, Op. 6 No. 8, 'Fatto per la notte di Natale': VI. Pastorale
Handel: Messiah, HWV 56, Pt. 2: Chorus. "Hallelujah"
Trad / Arr Carter : I Wonder as I Wander
Traditional: Go, Tell It on the Mountain (Arr. Pasatieri)
Traditional / Arr. Cullen: I Saw Three Ships
Trad / Arr Schifrin : What Child Is This?
Trad / Arr Vaughan Williams : This is the Truth Sent from Above
Traditional: O Little Town of Bethlehem (Arr. Cullen)
Trad / Arr Praetorius & Bach, JS : In dulci jubilo, BWV 729
Traditional / Arr. Cullen: The Holly and the Ivy
Anonymous / Arr. Cullen: Good King Wenceslas (After "Tempus adest floridum" from Piae cantiones)
Trad / Arr Bold, Kirkpatrick : A Lullaby & Away in a Manger
Trad / Arr Willcocks : "Quelle est cette odeur agréable"
Gruber / Arr Pasatieri : "Stille Nacht, heilige Nacht"
Holst / Arr. Jennings & Woodgate: 3 Hymns for the English Hymnal: No. 1, In the Bleak Mid-Winter
Cornelius & Nicolai / Arr. Atkins: The Three Kings
Handel: Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: I. Vivace
Handel: Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: II. Largo
Handel: Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: III. Allegro
Handel: Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: IV. Menuet
Handel: Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: V. Gavotte
Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Accompagnato. "Hence loathed Melancholy"
Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air. "Come, rather, goddess"
Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air. "Haste thee, nymph"
Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air and Chorus. "Or let the merry bells" - "And young and old come"
Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 2: Air. "Orpheus' self may heave his head"
Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 3: Duet. "As steals the morn upon the night"
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Handel: Funeral Anthem for Queen Caroline, HWV 264 "The Ways of Zion Do Mourn": IV. Soli and Chorus. "When the ear heard her"
Handel: Funeral Anthem for Queen Caroline, HWV 264 "The Ways of Zion Do Mourn": V. Chorus. "How are the mighty fall'n"
Handel: Funeral Anthem for Queen Caroline, HWV 264 "The Ways of Zion Do Mourn": VI. Chorus. "She deliver'd the poor that cried"
Handel: Funeral Anthem for Queen Caroline, HWV 264 "The Ways of Zion Do Mourn": VII. Chorus. "How are the mighty fall'n"
Handel: Funeral Anthem for Queen Caroline, HWV 264 "The Ways of Zion Do Mourn": VIII. Soli and Chorus. "The righteous shall be had in everlasting"
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Handel: Tamerlano, HWV 18, Act 1: Aria. "Forte e lieto a morte andrei" (Bajazet)
Handel: Tamerlano, HWV 18, Act 1: Aria. "Se non mi vuol amar" (Asteria)
Handel: Tamerlano, HWV 18, Act 2: Aria. "Cor di padre, e cor d'amante" (Asteria)
Handel: Il pastor fido, HWV 8b, Prologue "Terpsicore": I. Prelude - Chaconne
Handel: Il pastor fido, HWV 8b, Prologue "Terpsicore": II. Sarabande
Handel: Il pastor fido, HWV 8b, Prologue "Terpsicore": III. Gigue
Handel: Il pastor fido, HWV 8b, Prologue "Terpsicore": IV. Air
Handel: Il pastor fido, HWV 8b, Prologue "Terpsicore": V. Ballo
Handel: Dixit Dominus, HWV 232: III. Tecum principium
Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: I. Andante - Allegro - Adagio
Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: II. Andante
Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: III. Allegro
Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: IV. Minuetto alternativo
Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest"
Handel: Semele, HWV 58, Act 1: Air. "Endless pleasure, endless love" (Semele)
Handel: Semele, HWV 58, Act 1: Chorus. "Endless pleasure, endless love" (Priests and Augurs)
Concerto A 5 in D Major, Op. 7, No. 6 for Oboe, Strings and Continuo: 1. Allegro
Herz und Mund und Tat und Leben, Cantata BWV 147: No. 10 Jesu, Joy of Man's Desiring (Arr. by Guillermo Figueroa)
Harp Concerto in B-Flat Major, Op. 4 No. 6, HWV 294: I. Andante – Allegro
Concerto Grosso In F Minor, Op. 1, No. 8 "Christmas Concerto": 7. Pastorale (Largo andante)
Sonata prima for Trumpet and Continuo: IV. (Allegro)
Sonata prima for Trumpet and Continuo: V. (Adagio)
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No. 10 Sinfonia
Sonata In A Major For 2 Oboe D'Amore And Basso Continuo - Arr. H.G. Renner: Allegro
Sonata In A Major For 2 Oboe D'Amore And Basso Continuo - Arr. H.G. Renner: Larghetto
Sonata in A Major for 2 Oboe D'amore and Basso Continuo: Siziliano (Arr. H.G. Renner)
Brass Ensemble of the Berlin Philharmonic Orchestra
Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro
Concerto For 2 Trumpets, Strings And Continuo in C Major, RV 537: III. Allegro
Music for the Royal Fireworks: Suite HWV 351: III. La paix
Concerto for Recorder, Flute, Strings and Continuo in E Minor: 2. Allegro
Concerto in C, Op. 3, No. 12 -"Christmas Concerto": 1. Largo (Pastorale per il Santissimo Natale)
Trumpet Concerto - attr. to Torelli; published in Anthology of Estienne Roger: I. Allegro
The Four Seasons, Winter, Violin Concerto in F Minor, RV 297, Op. 8 No. 4: II. Largo
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x8d9aeb10e33c5b48a3670d28e47e471235b798523306e281081edb09468ca45f. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7BT7c1KefrsxhNC24O9SwO.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7BT7c1KefrsxhNC24O9SwO.
The Four Seasons, Winter, Violin Concerto in F Minor, RV 297, Op. 8 No. 4: III. Allegro
Purcell Edition Volume 3 : Odes, Anthems & Ceremonial Music
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Chorus. "Hail! Bright Cecilia"
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Duet. "Hark Each Tree"
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Aria. "'Tis Nature's Voice"
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Chorus. "Soul of the World"
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Aria. "Thou Tun'st This World"
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Trio. "With That Sublime Celestial Lay"
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Aria. "Wondrous Machine"
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Aria. "The Airy Violin"
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Duet. "In Vain the Am'rous Flute"
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Aria. "The Fife and All the Harmony of War"
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Duet. "Let These Amongst Themselves Contest"
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Final Chorus. "Hail! Bright Cecilia"
Purcell: Welcome, Vicegerent of the Mighty King, Z. 340
Purcell: O dive custos Auriacae domus, Z. 504
Purcell: Incassum Lesbia, incassum rogas, Z. 383
Purcell: Young Thyrsis' Fate the Hills and Groves Deplore, Z. 473
Purcell: Why, Why Are All the Muses Mute, Z. 343
Purcell: Rejoice in the Lord Alway, Z. 49 "The Bell Anthem"
Purcell: Blow Up the Trumpet in Sion, Z. 10
Purcell: Remember Not, Lord, Our Offences, Z. 50
Purcell: Praise the Lord, O My Soul, Z. 48
Purcell: O God, Thou Hast Cast Us Out, Z. 36
Purcell: Funeral Sentences: In the Midst of Life, Z. 17A
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: Canzona (Reprise)
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March (Reprise)
Purcell: Saul and the Witch of Endor, Z. 134: Trio. "In Guilty Night"
Purcell: Upon a Quiet Conscience, Z. 184: "Close Thine Eyes and Sleep Secure"
Messager: Fortunio, Act 1: "Très bien, très bien !" (Landry, Chœur)
Messager: Fortunio, Act 1: "C'est le notaire" (Landry, Chœur)
Messager: Fortunio, Act 1: "Fortunio, écoute moi" (Maître Subtil, Fortunio, Landry)
Messager: Fortunio, Act 1: "Je suis très tendre et très farouche" (Fortunio, Landry)
Messager: Fortunio, Act 1: "Chasse cette crainte importune" (Fortunio, Landry)
Messager: Fortunio, Act 1: "Et moi je ne veux pas entrer chez ce notaire" (Fortunio, Landry, Chœur)
Messager: Fortunio, Act 1: "Or çà ! Nous sommes entre gens de guerre" (Clavaroche, de Verbois, d'Azincourt)
Messager: Fortunio, Act 1: "Ce serment était excellent" (Maître André, Jacqueline)
Messager: Fortunio, Act 1: "Vous l'avez dit, morceau de roi" (Clavaroche, d'Azincourt, Jacqueline)
Messager: Fortunio, Act 1: "Monsieur, je suis toute confuse" (Jacqueline, Clavaroche)
Messager: Fortunio, Act 1: "Vous voilà donc enfin" (Maître André, Jacqueline, Clavaroche)
Messager: Fortunio, Act 1: "Que dites-vous du nom de Clavaroche" (Maître André, Jacqueline, Clavaroche)
Messager: Fortunio, Act 1: "Ah ! Ciel ! Que cette dame est belle" (Fortunio, Landry, Maître Subtil, Maître André)
Messager: Fortunio, Act 1: "Place, place !" (Chœur)
Messager: Fortunio, Act 2: "Hola ! Jacqueline" (Maître André, Jacqueline)
Messager: Fortunio, Act 2: "Hélas ! Rien qu'un mot, vous ne m'aimez plus !" (Maître André, Jacqueline)
Messager: Fortunio, Act 2: "Ah ! Quelle affaire" (Jacqueline, Clavaroche)
Messager: Fortunio, Act 2: "Adieu ! Quand tout sourit à notre flamme" (Clavaroche, Jacqueline)
Messager: Fortunio, Act 2: "C'est un garçon de bonne mine" (Clavaroche, Jacqueline)
Messager: Fortunio, Act 2: "Ah ! La singulière aventure" (Jacqueline, Clavaroche)
Messager: Fortunio, Act 2: "Madelon, viens m'apprêter" (Madelon, Gertrude, Jacqueline)
Messager: Fortunio, Act 2: "Madame, c'est l'habitude de tous les clercs" (Jacqueline, Chœur)
Messager: Fortunio, Act 2: "Lorsque la dame du notaire" (Landry, Jacqueline, Chœur)
Messager: Fortunio, Act 2: "Monsieur, vous voyez une femme" (Jacqueline, Fortunio)
Messager: Fortunio, Act 2: "J'aimais la vieille maison grise" (Fortunio, Jacqueline)
Messager: Fortunio, Act 2: "Il s'agit d'une amie à moi" (Jacqueline, Fortunio)
Messager: Fortunio, Act 3: "Ah ! Si j'étais femme aimable et jolie" (Landry, Fortunio, Guillaume)
Messager: Fortunio, Act 3: "Tous nos guerriers sont de pareils modèles" (Fortunio, Landry, Guillaume)
Messager: Fortunio, Act 3: "Par la Saint-Sambreguoi" (Clavaroche)
Messager: Fortunio, Act 3: "Enfin vous voilà, ma charmante" (Clavaroche, Jacqueline)
Messager: Fortunio, Act 3: "Capitaine je vous salue" (Maître André, Clavaroche, Jacqueline, Fortunio)
Messager: Fortunio, Act 3: "Côteaux brûlants !" (Maître André, Clavaroche, Fortunio, Jacqueline)
Messager: Fortunio, Act 3: "Si vous croyez que je vais dire" (Fortunio, Maître André, Clavaroche, Jacqueline)
Messager: Fortunio, Act 3: "Fortunio, sommes-nous seuls ?" (Jacqueline, Fortunio)
Messager: Fortunio, Act 3: "Les cloches avaient l'air de sonner" (Fortunio, Jacqueline)
Messager: Fortunio, Act 3: "Elle m'aime !" (Fortunio)
Messager: Fortunio, Act 3: "C'est elle !" (Fortunio, Clavaroche, Jacqueline)
Messager: Fortunio, Act 4: "Je ne vois rien" (Jacqueline)
Messager: Fortunio, Act 4: "Lorsque je n'étais qu'une enfant" (Jacqueline)
Messager: Fortunio, Act 4: "Ah ! C'est toi Madeleine" (Jacqueline, Madelon)
Messager: Fortunio, Act 4: "Mais pourquoi donc être venu ?" (Jacqueline, Fortunio)
Messager: Fortunio, Act 4: "Parce que votre main frissonnait dans la mienne" (Fortunio, Jacqueline)
Messager: Fortunio, Act 4: "Eh bien, toi qui sais tout" (Jacqueline, Fortunio)
Messager: Fortunio, Act 4: "C'est moi" (Maître André, Jacqueline, Clavaroche)
Messager: Fortunio, Act 4: "Allons, bonsoir ma mie" (Maître André, Clavaroche, Jacqueline, Fortunio)
Monteverdi: Il ritorno d'Ulisse in patria, SV 325
Il ritorno d'Ulisse in patria, SV 325, Act I: Prologue. Mortal cosa son io
Il ritorno d'Ulisse in patria, SV 325, Act II: Sinfonia
Il ritorno d'Ulisse in patria, SV 325, Act III: O dolor, o martir che l'alma attrista
Il ritorno d'Ulisse in patria, SV 325, Act I: Di misera Regina
Il ritorno d'Ulisse in patria, SV 325, Act II: Lieto cammino
Il ritorno d'Ulisse in patria, SV 325, Act III: Forza d'occulto affetto
Il ritorno d'Ulisse in patria, SV 325, Act I: Duri, e penosi
Il ritorno d'Ulisse in patria, SV 325, Act II: O gran figlio d'Ulisse
Il ritorno d'Ulisse in patria, SV 325, Act III: È saggio Eumete, è saggio!
Il ritorno d'Ulisse in patria, SV 325, Act I: Superbo è l'uom
Il ritorno d'Ulisse in patria, SV 325, Act II: Che veggio, ohimè, che miro?
Il ritorno d'Ulisse in patria, SV 325, Act III: Fiamma è l'ira, o gran Dea
Il ritorno d'Ulisse in patria, SV 325, Act I: In questo basso mondo
Il ritorno d'Ulisse in patria, SV 325, Act II: Eurimaco, la donna
Il ritorno d'Ulisse in patria, SV 325, Act III: Gran Giove
Il ritorno d'Ulisse in patria, SV 325, Act I: Dormo ancora, o son desto?
Il ritorno d'Ulisse in patria, SV 325, Act II: Sono l'altre Regine
Il ritorno d'Ulisse in patria, SV 325, Act III: Ericlea, che vuoi far?
Il ritorno d'Ulisse in patria, SV 325, Act I: Cara e lieta gioventù
Il ritorno d'Ulisse in patria, SV 325, Act II: All'allegrezze dunque
Il ritorno d'Ulisse in patria, SV 325, Act III: Ogni vostra ragion sen porta 'l vento
Il ritorno d'Ulisse in patria, SV 325, Act I: Tu d'Aretusa al fonte intanto vanne
Il ritorno d'Ulisse in patria, SV 325, Act II: Apportator d'alte novelle vengo
Il ritorno d'Ulisse in patria, SV 325, Act III: O delle mie fatiche
Il ritorno d'Ulisse in patria, SV 325, Act I: Donate un giorno, o Dei
Il ritorno d'Ulisse in patria, SV 325, Act II: Compagni, udiste?
Il ritorno d'Ulisse in patria, SV 325, Act I: Come mal si salva un regio ammanto
Il ritorno d'Ulisse in patria, SV 325, Act II: Perir non può chi tien per scorta il Cielo
Il ritorno d'Ulisse in patria, SV 325, Act I: Pastor d'armento può
Il ritorno d'Ulisse in patria, SV 325, Act II: Io vidi, o pelegrin, de' Proci amanti
Il ritorno d'Ulisse in patria, SV 325, Act I: Ulisse generoso
Il ritorno d'Ulisse in patria, SV 325, Act II: Del mio lungo viaggio i torti errori
Il ritorno d'Ulisse in patria, SV 325, Act II: Sempre, villano Eumete
Semele, HWV 58, Act III: Sinfonia (Live)
Semele, HWV 58, Act II Scene 1: Iris, Impatient of Thy Stay (Live)
Semele, HWV 58, Act III Scene 1: Somnus, Awake (Live)
Semele, HWV 58, Act II Scene 1: There, from Mortal Cares Retiring (Live)
Semele, HWV 58, Act III Scene 1: Leave Me, Loathsome Light (Live)
Semele, HWV 58, Act I Scene 1: Behold! Auspicious Flashes Rise (Live)
Semele, HWV 58, Act II Scene 1: Awake, Saturnia, from Thy Lethargy! (Live)
Semele, HWV 58, Act III Scene 1: Dull God, Canst Thou Attend the Water's Fall (Live)
Semele, HWV 58, Act I Scene 1: Lucky Omens Bless Our Rites (Live)
Semele, HWV 58, Act II Scene 1: Hence, Iris, Hence Away (Live)
Semele, HWV 58, Act III Scene 1: More Sweet Is That Name (Live)
Semele, HWV 58, Act I Scene 1: Daughter, Obey (Live)
Semele, HWV 58, Act II Scene 2: Come, Zephyrs, Come, While Cupid Sings (Live)
Semele, HWV 58, Act III Scene 1: My Will Obey (Live)
Semele, HWV 58, Act I Scene 1: Ah Me! (Live)
Semele, HWV 58, Act II Scene 2: O Sleep, Why Dost Thou Leave Me (Live)
Semele, HWV 58, Act III Scene 1: Obey My Will, Thy Rod Resign (Live)
Semele, HWV 58, Act I Scene 1: O Jove! In Pity Teach Me Which to Choose (Live)
Semele, HWV 58, Act II Scene 3: Let Me Not Another Moment (Live)
Semele, HWV 58, Act III Scene 2: My Racking Thoughts by No Kind Slumbers Freed (Live)
Semele, HWV 58, Act I Scene 1: Alas! She Yields (Live)
Semele, HWV 58, Act II Scene 3: Lay Your Doubts and Fears Aside (Live)
Semele, HWV 58, Act III Scene 3: Thus Shap'd Like Ino (Live)
Semele, HWV 58, Act I Scene 1: Why Dost Thou Thus Untimely Grieve (Live)
Semele, HWV 58, Act II Scene 3: You Are Mortal and Require (Live)
Semele, HWV 58, Act III Scene 3: Myself I Shall Adore (Live)
Semele, HWV 58, Act I Scene 1: Avert These Omens, All Ye Pow'rs (Live)
Semele, HWV 58, Act II Scene 3: With Fond Desiring (Live)
Semele, HWV 58, Act I Scene 1: Again Auspicious Flashes Rise (Live)
Semele, HWV 58, Act II Scene 3: How Engaging, How Endearing (Live)
Semele, HWV 58, Act I Scene 1: Cease, Cease Your Vows, 'Tis Impious to Proceed (Live)
Semele, HWV 58, Act II Scene 3: Ah, Me! (Live)
Semele, HWV 58, Act I Scene 2: Turn, Hopeless Lover, Turn Thy Eyes (Live)
Semele, HWV 58, Act II Scene 3: I Must with Speed Amuse Her (Live)
Semele, HWV 58, Act I Scene 2: Your Tuneful Voice My Tale Would Tell (Live)
Semele, HWV 58, Act II Scene 3: Now Love That Everlasting Boy Invites (Live)
Semele, HWV 58, Act I Scene 2: Too Well I See (Live)
Semele, HWV 58, Act II Scene 3: By My Command (Live)
Semele, HWV 58, Act I Scene 2: You've Undone Me (Live)
Semele, HWV 58, Act II Scene 3: Where'er You Walk, Cool Gales Shall Fan the Glade (Live)
Semele, HWV 58, Act I Scene 3: Ah! Wretched Prince (Live)
Semele, HWV 58, Act II Scene 4: Dear Sister, How Was Your Passage Hither? (Live)
Semele, HWV 58, Act I Scene 4: Hail Cadmus, Hail! (Live)
Semele, HWV 58, Act II Scene 4: But Hark! The Heav'nly Sphere Turns Round (Live)
Semele, HWV 58, Act I Scene 4: Endless Pleasure, Endless Love (Live)
Semele, HWV 58, Act II Scene 4: Prepare Then, Ye Immortal Choir (Live)
Semele, HWV 58, Act II Scene 4: Bless the Glad Earth with Heav'nly Lays (Live)
Leclair: Scylla et Glaucus, Op. 11: Ouverture
Leclair: Scylla et Glaucus, Op. 11, Prologue: "Reine de la nature" (Chœur, Chef des peuples)
Leclair: Scylla et Glaucus, Op. 11, Prologue: Sarabande
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux
Leclair: Scylla et Glaucus, Op. 11, Prologue: Prélude - "Quel bruit soudain !" (Chef des peuples)
Leclair: Scylla et Glaucus, Op. 11, Prologue: "Ciel ! Quels attentats furieux !" (Chef des peuples, Chœur, Les Propétides)
Leclair: Scylla et Glaucus, Op. 11, Prologue: "Redoutable Vénus" (Chef des peuples)
Leclair: Scylla et Glaucus, Op. 11, Prologue: "Quel tonnerre !" (Chef des peuples)
Leclair: Scylla et Glaucus, Op. 11, Prologue: Symphonie pour la descente de Vénus
Leclair: Scylla et Glaucus, Op. 11, Prologue: "Cessez de braver ma puissance" (Vénus)
Leclair: Scylla et Glaucus, Op. 11, Prologue: Symphonie
Leclair: Scylla et Glaucus, Op. 11, Prologue: "Pour vous dont je reçois et l'encens et les vœux" (Vénus, Chœur)
Leclair: Scylla et Glaucus, Op. 11, Prologue: "Des nations il triomphe" (Chef des peuples)
Leclair: Scylla et Glaucus, Op. 11, Prologue: Récitatif. "Dans un auguste fils" - Trio. "Que digne fils du plus grand des vainqueurs" (Vénus, Amour, Chef des peuples)
Leclair: Scylla et Glaucus, Op. 11, Prologue: Gigue - "Venez, qu'Amour vous couronne" (Amour)
Leclair: Scylla et Glaucus, Op. 11, Prologue: Passepied - "Votre zèle pour moi brille assez dans vos jeux" (Vénus)
Leclair: Scylla et Glaucus, Op. 11, Prologue: Ouverture (Reprise)
Leclair: Scylla et Glaucus, Op. 11, Act 1: "Non je ne cesserai jamais de fuir tes dangereuses chaînes" (Scylla)
Leclair: Scylla et Glaucus, Op. 11, Act 1: "Que votre empressement" (Scylla, Témire)
Leclair: Scylla et Glaucus, Op. 11, Act 1: "Quand on craint d'avoir le cœur tendre" (Témire)
Leclair: Scylla et Glaucus, Op. 11, Act 1: "En vain ces deux amants" (Scylla, Témire)
Leclair: Scylla et Glaucus, Op. 11, Act 1: Annonce de la fête - "Nos bergers, nos silvains approchent de ces lieux" (Scylla)
Leclair: Scylla et Glaucus, Op. 11, Act 1: Marche de bergers et de silvains - "Aimez, nymphe charmante" (Chœur)
Leclair: Scylla et Glaucus, Op. 11, Act 1: "Une beauté sévère nous condamne à souffrir" (Un berger, Un silvain)
Leclair: Scylla et Glaucus, Op. 11, Act 1: Air des sylvains
Leclair: Scylla et Glaucus, Op. 11, Act 1: Musette - "Loin de nos retraites" (Une bergère, Chœur)
Leclair: Scylla et Glaucus, Op. 11, Act 1: "Nos bois savent taire" (Une driade, Un silvain, Chœur)
Leclair: Scylla et Glaucus, Op. 11, Act 1: Premier menuet pour la musette
Leclair: Scylla et Glaucus, Op. 11, Act 1: Deuxième menuet pour la musette
Leclair: Scylla et Glaucus, Op. 11, Act 1: "Chantons, que ces retraites" (Chœur)
Leclair: Scylla et Glaucus, Op. 11, Act 1: "Perdez une vaine espérance" (Scylla)
Leclair: Scylla et Glaucus, Op. 11, Act 1: "Allons, chère Témire" (Scylla, Témire)
Leclair: Scylla et Glaucus, Op. 11, Act 1: "Nymphe, tout sur ces bords célèbre vos appâts" (Glaucus)
Leclair: Scylla et Glaucus, Op. 11, Act 1: Air. "L'Amour n'offre qu'un bien trompeur" (Scylla)
Leclair: Scylla et Glaucus, Op. 11, Act 1: "Croirai-je que les chants que vous venez d'entendre" (Glaucus, Scylla)
Leclair: Scylla et Glaucus, Op. 11, Act 1: Air. "Quand je ne vous vois pas, je languis, je soupire" (Glaucus)
Leclair: Scylla et Glaucus, Op. 11, Act 1: "Ciel, dans ces mêmes yeux je lis votre colère" (Glaucus, Scylla)
Leclair: Scylla et Glaucus, Op. 11, Act 1: "Ne faut-il que l'aimer" (Glaucus)
Leclair: Scylla et Glaucus, Op. 11, Act 2: Prélude - "Oui, je dois craindre encore les amoureuses peines" - Air. "Mille troubles secrets" (Circé, Dorine)
Leclair: Scylla et Glaucus, Op. 11, Act 2: "Mon cœur est fait pour s'enflammer" (Circé)
Leclair: Scylla et Glaucus, Op. 11, Act 2: "Apprends ce qu'aujourd'hui mon art m'a fait connaître" (Circé, Dorine)
Leclair: Scylla et Glaucus, Op. 11, Act 2: "Fille du Dieu brillant" (Glaucus, Circé)
Leclair: Scylla et Glaucus, Op. 11, Act 2: "Vous pouvez d'un seul mot, par vos enchantements" (Glaucus)
Leclair: Scylla et Glaucus, Op. 11, Act 2: "Circé, sensible à vos alarmes, s'intéresse à votre bonheur" (Circé)
Leclair: Scylla et Glaucus, Op. 11, Act 2: "Aux champs siciliens captivant tous les cœurs" (Glaucus)
Leclair: Scylla et Glaucus, Op. 11, Act 2: "Ah, loin de vous piquer d'une constance vaine" (Circé)
Leclair: Scylla et Glaucus, Op. 11, Act 2: "Ministres de mon art" (Circé)
Leclair: Scylla et Glaucus, Op. 11, Act 2: Passacaille - "Amants dont le prix n'est qu'un fier mépris" (Chœur)
Leclair: Scylla et Glaucus, Op. 11, Act 2: "Quel espoir séduisant" (Glaucus, Circé)
Leclair: Scylla et Glaucus, Op. 11, Act 2: Prélude - "Quelle secrète puissance retient Glaucus dans ce palais" (Licas, Glaucus)
Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 1, Jauchzet, frohlocket, auf, preiset die Tage
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x64ba89f230aaf8f2ef3f6103b5f881f542a41c6c4838dc091a74432738a3e285. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4CzG2vBcvm1ys7qs9Z1MBW.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4CzG2vBcvm1ys7qs9Z1MBW.
Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 2, Es begab sich aber zu der Zeit
Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 3, Nun wird mein liebster Bräutigam
Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 4, Bereite dich, Zion, mit zärtlichen Trieben
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Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 5, Wie soll ich dich empfangen
Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 6, Und sie gebar ihren ersten Sohn
Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 7, Er ist auf Erden kommen arm
Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 8, Großer Herr, o starker König
Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 9, Ach, mein herzliebes Jesulein
Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 10, Sinfonia
Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 11, Und es waren Hirten in derselben Gegend
Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 12, Brich an, o schönes Morgenlicht
Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 13, Und der Engel sprach zu ihnen
Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 14, Was Gott dem Abraham verheißen
Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 15, Frohe Hirten, eilt, ach eilet
Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 16, Und das habt zum Zeichen
Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 17, Schaut hin, dort liegt im finstern Stall
Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 18, So geht denn hin
Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 19, Schlafe, mein Liebster, genieße der Ruh
Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 20, Und alsobald war da bei dem Engel
Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 21, Ehre sei Gott in der Höhe
Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 22, So recht, ihr Engel, jauchzt und singet
Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 23, Wir singen dir in deinem Heer
Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 24, Herrscher des Himmels, erhöre das Lallen
Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 25, Und da die Engel von ihnen gen Himmel fuhren
Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 26, Lasset uns nun gehen gen Bethlehem
Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 27, Er hat sein Volk getröst
Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 28, Dies hat er alles uns getan
Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 29, Herr, dein Mitleid, dein Erbarmen
Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 30, Und sie kamen eilend
Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 31, Schließe, mein Herze, dies selige Wunde
Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 32, Ja, ja, mein Herz soll es bewahren
Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 33, Ich will dich mit Fleiß bewahren
Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 34, Und die Hirten kehrten wieder um
Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 35, Seid froh dieweil
Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": Recap No. 24, da capo: Herrscher des Himmels, erhöre das Lallen
Christmas Oratorio, BWV 248, Pt. 4 "For the Feast of the Circumcision": No. 36, Fallt mit Danken, fallt mit Loben
Christmas Oratorio, BWV 248, Pt. 4 "For the Feast of the Circumcision": No. 37, Und da acht Tage um waren
Christmas Oratorio, BWV 248, Pt. 4 "For the Feast of the Circumcision": No. 38, Immanuel, o süßes Wort
Christmas Oratorio, BWV 248, Pt. 4 "For the Feast of the Circumcision": No. 39, Flößt, mein Heiland, flößt dein Namen
Christmas Oratorio, BWV 248, Pt. 4 "For the Feast of the Circumcision": No. 40, Wohlan, dein Name soll allein
Christmas Oratorio, BWV 248, Pt. 4 "For the Feast of the Circumcision": No. 41, Ich will nur dir zu Ehren leben
Christmas Oratorio, BWV 248, Pt. 4 "For the Feast of the Circumcision": No. 42, Jesus richte mein Beginnen
Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 43, Ehre sei dir, Gott, gesungen
Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 44, Da Jesus geboren war zu Bethlehem
Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 45, Wo ist der neugeborne König der Jüden
Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 46, Dein Glanz all Finsternis verzehrt
Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 47, Erleucht auch meine finstre Sinnen
Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 48, Da das der König Herodes hörte
Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 49, Warum wollt ihr erschrecken?
Johannes-Passion, BWV 245 / Part One: No. 1 "Herr, unser Herrscher"
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Johannes-Passion, BWV 245 / Part One: No. 2 "Jesus ging mit seinen Jüngern"
Johannes-Passion, BWV 245 / Part One: No. 3 "O große Lieb, o Lieb ohn' alle Maße"
Johannes-Passion, BWV 245 / Part One: No. 4 "Auf daß das Wort erfüllet würde"
Johannes-Passion, BWV 245 / Part One: No. 5 "Dein Will gescheh, Herr Gott, zugleich"
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Johannes-Passion, BWV 245 / Part One: No. 6 "Die Schar aber und der Oberhauptmann"
Johannes-Passion, BWV 245 / Part One: No. 7 "Von den Stricken meiner Sünden"
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Johannes-Passion, BWV 245 / Part One: No. 8 "Simon Petrus aber folgete Jesu nach"
Johannes-Passion, BWV 245 / Part One: No. 9 "Ich folge dir gleichfalls"
Johannes-Passion, BWV 245 / Part One: No. 10 "Derselbige Jünger war dem Hohenpriester bekannt"
Johannes-Passion, BWV 245 / Part One: No. 11 "Wer hat dich so geschlagen"
Johannes-Passion, BWV 245 / Part One: No. 12 "Und Hannas sandte ihn gebunden"
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Johannes-Passion, BWV 245 / Part One: No. 13 "Ach mein Sinn"
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Johannes-Passion, BWV 245 / Part One: No. 14 "Petrus, der nicht denkt zurück"
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Johannes-Passion, BWV 245 / Part Two: No. 15 "Christus, der uns selig macht"
Johannes-Passion, BWV 245 / Part Two: No. 16 "Da führeten sie Jesum"
Johannes-Passion, BWV 245 / Part Two: No. 17 "Ach großer König, groß zu allen Zeiten"
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Johannes-Passion, BWV 245 / Part Two: No. 18 "Da sprach Pilatus zu ihm"
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Johannes-Passion, BWV 245 / Part Two: No. 19 "Betrachte, meine Seele"
Johannes-Passion, BWV 245 / Part Two: No. 20 "Erwäge, wie sein blutgefärbter Rücken"
Johannes-Passion, BWV 245 / Part Two: No. 21 "Und die Kriegsknechte flochten eine Krone von Dornen"
Johannes-Passion, BWV 245 / Part Two: No. 22 "Durch dein Gefängnis, Gottes Sohn"
Johannes-Passion, BWV 245 / Part Two: No. 23 "Die Jüden aber schrieen und sprachen"
Johannes-Passion, BWV 245 / Part Two: No. 24 "Eilt, ihr angefochtnen Seelen"
Johannes-Passion, BWV 245 / Part Two: No. 25 "Allda kreuzigten sie ihn"
Johannes-Passion, BWV 245 / Part Two: No. 26 "In meines Herzens Grunde"
Johannes-Passion, BWV 245 / Part Two: No. 27 "Die Kriegsknechte aber"
Johannes-Passion, BWV 245 / Part Two: No. 28 "Er nahm alles wohl in Acht"
Johannes-Passion, BWV 245 / Part Two: No. 29 "Und von Stund an nahm sie der Jünger zu sich"
Johannes-Passion, BWV 245 / Part Two: No. 30 "Es ist vollbracht!"
Johannes-Passion, BWV 245 / Part Two: No. 31 "Und neiget das Haupt und verschied"
Johannes-Passion, BWV 245 / Part Two: No. 32 "Mein teurer Heiland, lass dich fragen"
Johannes-Passion, BWV 245 / Part Two: No. 33 "Und siehe da, der Vorhang im Tempel"
Johannes-Passion, BWV 245 / Part Two: No. 34 "Mein Herz, in dem die ganze Welt"
Johannes-Passion, BWV 245 / Part Two: No. 35 "Zerfließe, mein Herze, in Fluten der Zähren"
Johannes-Passion, BWV 245 / Part Two: No. 36 "Die Juden aber"
Johannes-Passion, BWV 245 / Part Two: No. 37 "O hilf, Christe, Gottes Sohn"
Johannes-Passion, BWV 245 / Part Two: No. 38 "Darnach bat Pilatum Joseph von Arimathia"
Johannes-Passion, BWV 245 / Part Two: No. 39 "Ruht wohl, ihr heiligen Gebeine"
Johannes-Passion, BWV 245 / Part Two: No. 40 "Ach Herr, laß dein lieb Engelein"
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3 Geistliche Gesänge, Op. 69: No. 3, Abendlied
And They Said One to Another - Verily the Lord Is Risen
Die ganze Welt, Herr Jesu Christ - Surrexit Christus hodie - Hilariter
Peter Saith, I Go A-Fishing (After J. Tisserand)
Bach: Magnificat in E-Flat Major & Missa in F Major
Missa in F Major, BWV 233: I. Kyrie eleison
Missa in F Major, BWV 233: II. Gloria in excelsis Deo
Missa in F Major, BWV 233: III. Domine Deus
Missa in F Major, BWV 233: IV. Qui tollis peccata mundi
Missa in F Major, BWV 233: V. Quoniam to solus sanctus
Missa in F Major, BWV 233: VI. Cum Sancto Spiritu
Süßer Trost, mein Jesus kömmt, BWV 151: I. Süßer Trost, mein Jesus kömmt
Süßer Trost, mein Jesus kömmt, BWV 151: II. Erfreue dich, mein Herz
Süßer Trost, mein Jesus kömmt, BWV 151: III. In Jesu Demut kann ich Trost
Süßer Trost, mein Jesus kömmt, BWV 151: IV. Du teurer Gottessohn
Süßer Trost, mein Jesus kömmt, BWV 151: V. Heut schleußt er wieder auf die Tür
Magnificat in E-Flat Major, BWV 243a: Magnificat anima mea Dominum
Magnificat in E-Flat Major, BWV 243a: Et exultavit
Magnificat in E-Flat Major, BWV 243a: Vom Himmel hoch
Magnificat in E-Flat Major, BWV 243a: Quia respexit
Magnificat in E-Flat Major, BWV 243a: Omnes generationes
Magnificat in E-Flat Major, BWV 243a: Quia fecit mihi magna
Magnificat in E-Flat Major, BWV 243a: Freut euch und jubiliert
Magnificat in E-Flat Major, BWV 243a: Et misericordia
Magnificat in E-Flat Major, BWV 243a: Fecit potentiam
Magnificat in E-Flat Major, BWV 243a: Gloria in excelsis Deo
Magnificat in E-Flat Major, BWV 243a: Deposuit potentes
Magnificat in E-Flat Major, BWV 243a: Esurientes implevit bonis
Magnificat in E-Flat Major, BWV 243a: Virga Jesse floruit
Magnificat in E-Flat Major, BWV 243a: Suscepit Israel
Magnificat in E-Flat Major, BWV 243a: Sicut locutus est
Magnificat in E-Flat Major, BWV 243a: Gloria Patri
Symphony No. 2, Op. 52 "Lobgesang": I. Sinfonia. Maestoso con moto
Symphony No. 2, Op. 52 "Lobgesang": I. Sinfonia. Allegretto un poco agitato
Symphony No. 2, Op. 52 "Lobgesang": I. Sinfonia. Adagio religioso
Symphony No. 2, Op. 52 "Lobgesang": II. Allegro moderato maestoso "Alles, was Odem hat, lobe den Herrn"
Symphony No. 2, Op. 52 "Lobgesang": II. Molto più moderato ma con fuoco "Lobe den Herrn, meine Seele"
Symphony No. 2, Op. 52 "Lobgesang": III. Recitativo "Saget es, die ihr erlöst seid durch den Herrn"
Symphony No. 2, Op. 52 "Lobgesang": III. Allegro moderato "Er zählet unsre Tränen"
Symphony No. 2, Op. 52 "Lobgesang": IV. Chor. A tempo moderato "Sagt es, die ihr erlöst seid"
Symphony No. 2, Op. 52 "Lobgesang": V. Andante "Ich harrete des Herrn"
Symphony No. 2, Op. 52 "Lobgesang": VI. Allegro un poco agitato "Stricke des Todes hatten uns umfangen"
Symphony No. 2, Op. 52 "Lobgesang": VII. Allegro maestoso e molto vivace "Die Nacht ist vergangen"
Symphony No. 2, Op. 52 "Lobgesang": VIII. Choral. Andante con moto "Nun danket alle Gott"
Symphony No. 2, Op. 52 "Lobgesang": VIII. Un poco più animato "Lob, Ehr und Preis sei Gott"
Symphony No. 2, Op. 52 "Lobgesang": IX. Andante sostenuto assai "Drum sing' ich mit meinem Liede ewig dein Lob"
Symphony No. 2, Op. 52 "Lobgesang": X. Schlusschor. Allegro non troppo "Ihr Völker! bringet her dem Herrn"
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto
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Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo
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A Midsummer Night's Dream, Incidental Music, Op. 61: "Ay Me! For Aught That I Could Ever Read"
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A Midsummer Night's Dream, Incidental Music, Op. 61: No. 1, Scherzo
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A Midsummer Night's Dream, Incidental Music, Op. 61: No. 2, L'istesso tempo
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A Midsummer Night's Dream, Incidental Music, Op. 61: No. 2a, Allegro vivace
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A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3, Lied mit Chor
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A Midsummer Night's Dream, Incidental Music, Op. 61: No. 4, Andante
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A Midsummer Night's Dream, Incidental Music, Op. 61: No. 5, Allegro appassionato
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A Midsummer Night's Dream, Incidental Music, Op. 61: No. 7, Nocturne. Con moto tranquillo
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A Midsummer Night's Dream, Incidental Music, Op. 61: No. 8, Andante
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A Midsummer Night's Dream, Incidental Music, Op. 61: No. 9, Hochzeitmarsch "Wedding March" - No. 12, Allegro vivace come primo
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A Midsummer Night's Dream, Incidental Music, Op. 61: Finale. Allegro di molto
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Mass in B Minor, BWV 232: Credo in unum Deum
Mass in B Minor, BWV 232: Christe eleison
Mass in B Minor, BWV 232: Et in unum Dominum
Mass in B Minor, BWV 232: Kyrie eleison II
Mass in B Minor, BWV 232: Et incarnatus est
Mass in B Minor, BWV 232: Gloria in excelsis Deo
Mass in B Minor, BWV 232: Gratias agimus tibi
Mass in B Minor, BWV 232: Et in Spiritum Sanctum Dominum
Mass in B Minor, BWV 232: Confiteor unum baptisma
Mass in B Minor, BWV 232: Qui tollis peccata mundi
Mass in B Minor, BWV 232: Et expecto resurrectionem mortuorum
Mass in B Minor, BWV 232: Qui sedes ad dextram Patris
Mass in B Minor, BWV 232: Quoniam tu solus Sanctus
Mass in B Minor, BWV 232: Cum Sancto Spiritu
Mass in B Minor, BWV 232: Osanna (Da capo)
Mass in B Minor, BWV 232: Dona nobis pacem
John Eliot Gardiner - The Blossoming Conductor
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Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Rigaudon
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Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air. "Hence vain deluding joys"
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Handel: Concerto grosso in B-Flat Major, Op. 3 No. 1, HWV 312: III. Allegro
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Ritournelle gaye
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Purcell: The Indian Queen, Z. 630, Act 2: Air. "What Flattering Noise Is This?" (Envy, Two Followers)
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Petit chœur. "Le charmant art d'Eglé" (Chœur, Mercure)
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Purcell: The Tempest, Z. 631, Act 3: Song. "Kind Fortune Smiles" (Ariel)
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Musette en rondeau (Reprise)
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Gluck: Don Juan, Wq. 52: I. Sinfonia - Allegro
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Couperin, F: L'apothéose de Lully: VIII. Accüeil entre-doux et agard, fait à Lulli par Corelli, et par les muses italiénes
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Handel: Concerto grosso in D Minor, Op. 3 No. 5, HWV 316: II. Allegro
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Massenet: Suite d'orchestre No. 4 "Scènes pittoresques": II. Air de ballet
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Tambourin en rondeau
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Purcell: The Indian Queen, Z. 630, Act 3: "We the Spirits of the Air" (Third Aerial Spirit, Fourth Aerial Spirit, Chorus)
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Massenet: Suite d'orchestre No. 6 "Scènes de féerie": IV. Bacchanale
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Handel: Israel in Egypt, HWV 54: Chorus. "He smote all the first-born of Egypt"
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Handel: Israel in Egypt, HWV 54: Air. "Their land brought forth frogs"
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Purcell: The Indian Queen, Z. 630, Act 2: Symphony. Adagio
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Massenet: Suite d'orchestre No. 4 "Scènes pittoresques": I. Marche
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Gluck: Don Juan, Wq. 52: XXXI. Allegro non troppo
Purcell: The Tempest, Z. 631, Act 5: Duet and Chorus. "No Stars Again Shall Hurt You" (Amphitrite, Neptune, Chorus)
Massenet: Suite d'orchestre No. 6 "Scènes de féerie": I. Cortège
Bizet: L'Arlésienne, Op. 23, WD 28, Act 1: No. 1, Prélude
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Gluck : Iphigénie en Aulide : Overture to Act 1
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Handel: Semele, HWV 58, Act 1: Chorus. "Lucky omens bless our rites" - Recitative, Air and Duet. "Daughter obey" (Priests, Cadmus, Athamas)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Kommt, ihr Töchter, helft mir klagen (Chorus)
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St. Matthew Passion, BWV 244, Pt. 2: Part II: Recitative and Chorus: Petrus aber saß draußen im Palast (Evangelist, Petrus, Ancilla, Chorus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Recitative: Da Jesus diese Rede vollendet hatte (Evangelist, Jesus)
St. Matthew Passion, BWV 244, Pt. 2: Part II: Aria: Erbarme dich (Alto)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Chorale: Herzliebster Jesu, was hast du verbrochen (Chorus)
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St. Matthew Passion, BWV 244, Pt. 2: Part II: Chorale: Bin ich gleich von dir gewichen (Chorus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Recitative: Da versammleten sich die Hohenpriester (Evangelist, Chorus, Jesus)
St. Matthew Passion, BWV 244, Pt. 2: Part II: Recitative and Chorus: Des Morgens aber hielten alle Hohepriester (Evangelist, Judas, Chorus, Pontifices)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Recitative: Du lieber Heiland du (Alto)
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St. Matthew Passion, BWV 244, Pt. 2: Part II: Aria: Gebt mir meinen Jesum wieder (Bass)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Aria: Buß und Reu (Alto)
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St. Matthew Passion, BWV 244, Pt. 2: Part II: Recitative: Sie hielten aber einen Rat (Evangelist, Pilatus, Jesus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Recitative: Da ging hin der Zwölfen einer (Evangelist, Judas)
St. Matthew Passion, BWV 244, Pt. 2: Part II: Chorale: Befiehl du deine Wege (Chorus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Blute nur, du liebes Herz (Soprano)
St. Matthew Passion, BWV 244, Pt. 2: Part II: Recitative and Chorus: Auf das Fest aber hatte der Landpfleger (Evangelist, Pilatus, Uxor Pilati, Chorus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Recitative and Chorus: Aber am ersten Tage der süßen Brot (Evangelist, Chorus, Jesus)
St. Matthew Passion, BWV 244, Pt. 2: Part II: Chorale: Wie wunderbarlich ist doch diese Strafe (Chorus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Chorale: Ich bin's, ich sollte büßen (Chorus)
St. Matthew Passion, BWV 244, Pt. 2: Part II: Recitative: Der Landpfleger sagte (Evangelist, Pilatus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Recitative: Er antwortete und sprach (Evangelist, Jesus, Judas)
St. Matthew Passion, BWV 244, Pt. 2: Part II: Recitative: Er hat uns allen wohlgetan (Soprano)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Recitative: Wiewohl mein Herz in Tränen schwimmt (Soprano)
St. Matthew Passion, BWV 244, Pt. 2: Part II: Aria: Aus Liebe will mein Heiland sterben (Soprano)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Aria: Ich will dir mein Herze schenken (Soprano)
St. Matthew Passion, BWV 244, Pt. 2: Part II: Recitative and Chorus: Sie schrieen aber noch mehr (Evangelist, Chorus, Pilatus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Recitative: Und da sie den Lobgesang gesprochen hatten (Evangelist, Jesus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Chorale: Erkenne mich, mein Hüter (Chorus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Recitative: Petrus aber antwortete (Petrus, Evangelist, Jesus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Chorale: Ich will hier bei dir stehen (Chorus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Recitative: Da kam Jesus mit ihnen zu einem Hofe (Evangelist, Jesus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Recitative and Chorale: O Schmerz, hier zittert das gequälte Herz (Tenor, Chorus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Aria and Chorus: Ich will bei meinem Jesu wachen (Tenor, Chorus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Recitative: Und ging hin ein wenig (Evangelist, Jesus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Recitative: Der Heiland fällt vor seinem Vater nieder (Bass)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Aria: Gerne will ich mich bequemen (Bass)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Recitative: Und er kam zu seinen Jüngern (Evangelist, Jesus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Chorale: Was mein Gott will, das g'scheh allzeit (Chorus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Recitative: Und er kam und fand sie aber schlafend (Evangelist, Jesus, Judas)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Aria and Chorus: So ist mein Jesus nun gefangen (Alto, Soprano, Chorus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Recitative: Und siehe, einer aus denen (Evangelist, Jesus)
St. Matthew Passion, BWV 244, Pt. 1: Part I: Chorale: O Mensch, bewein dein Sünde groß (Chorus)
St. Matthew Passion, BWV 244, Pt. 2: Part II: Aria and Chorus: Ach! Nun ist mein Jesus hin (Alto, Chorus)
St. Matthew Passion, BWV 244, Pt. 2: Part II: Recitative: Die aber Jesum gegriffen hatten (Evangelist)
St. Matthew Passion, BWV 244, Pt. 2: Part II: Chorale: Mir hat die Welt trüglich gericht' (Chorus)
St. Matthew Passion, BWV 244, Pt. 2: Part II: Recitative: Und wiewohl viel falsche Zeugen herzutraten (Evangelist, Testis, Pontifex)
St. Matthew Passion, BWV 244, Pt. 2: Part II: Recitative: Mein Jesus schweigt zu falschen Lügen stille (Tenor)
St. Matthew Passion, BWV 244, Pt. 2: Part II: Aria: Geduld! (Tenor)
St. Matthew Passion, BWV 244, Pt. 2: Part II: Recitative and Chorus: Und der Hohepriester antwortete (Evangelist, Pontifex, Jesus, Chorus)
St. Matthew Passion, BWV 244, Pt. 2: Part II: Chorale: Wer hat dich so geschlagen (Chorus)
Sospiri, Op. 70 - Adagio For Strings, Harp And Organ, Op. 70
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante)
Variations on an Original Theme, Op. 36 "Enigma": 1. C.A.E. (L'istesso tempo)
Variations on an Original Theme, Op. 36 "Enigma": 2. H.D.S.-P. (Allegro)
Variations on an Original Theme, Op. 36 "Enigma": 3. R.B.T. (Allegretto)
Variations on an Original Theme, Op. 36 "Enigma": 4. W.M.B. (Allegro di molto)
Variations on an Original Theme, Op. 36 "Enigma": 5. R.P.A. (Moderato)
Variations on an Original Theme, Op. 36 "Enigma": 6. Ysobel (Andantino)
Variations on an Original Theme, Op. 36 "Enigma": 7. Troyte (Presto)
Variations on an Original Theme, Op. 36 "Enigma": 8. W.N. (Allegretto)
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio)
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Variations on an Original Theme, Op. 36 "Enigma": 10. Intermezzo: Dorabella (Allegretto)
Variations on an Original Theme, Op. 36 "Enigma": 11. G.R.S. (Allegro di molto)
Variations on an Original Theme, Op. 36 "Enigma": 12. B.G.N. (Andante)
Variations on an Original Theme, Op. 36 "Enigma": 13. Romanza *** (Moderato)
Variations on an Original Theme, Op. 36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto)
In The South (Alassio) - Concert Overture, Op. 50
Introduction And Allegro For Strings, Op. 47
Bach: Motets, BWV 225 - 231, Cantatas, BWV 50 & 118
Bach, JS: Notebook for Anna Magdalena Bach: No. 39, Choral. "Dir, dir, Jehova, will ich singen", BWV 299
Bach, JS: O Jesu Christ, meins Lebens Licht, BWV 118
Bach, JS: Der Geist hilft unser Schwachheit auf, BWV 226
Bach, JS: Sei Lob und Preis mit Ehren, BWV 231
Bach, JS: Der Gerechte kömmt um, BWV deest.
Bach, JS: Fürchte dich nicht, ich bin bei dir, BWV 228
Bach, JS: Singet dem Herrn ein neues Lied, BWV 225
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
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Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavottes I & II
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: V. Gigue
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise & Double
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet
Bach, JS: Orchestral Suite No. 4 in D Major, BWV 1069: I. Ouverture
Bach, JS: Orchestral Suite No. 4 in D Major, BWV 1069: II. Bourrées I & II
Bach, JS: Orchestral Suite No. 4 in D Major, BWV 1069: III. Gavotte
Bach, JS: Orchestral Suite No. 4 in D Major, BWV 1069: IV. Menuets I & II
Bach, JS: Orchestral Suite No. 4 in D Major, BWV 1069: V. Réjouissance
Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: I. Ouverture
Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: II. Courante
Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavottes I & II
Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane
Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets I & II
Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées I & II
Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: VII. Passepieds I & II
Carissimi: Jephte, Jonas & Judicium extremum
Carissimi: Judicium extremum: "Aspiciebam in visione noctis"
Carissimi: Judicium extremum : "Tunc, horribili sonitu"
Carissimi: Judicium extremum: "Tunc, apertis caelis"
Carissimi: Judicium extremum: "Quam magna, quam amara"
Carissimi: Jonas: "Cum repleta esset Ninive"
Carissimi: Jonas: "Jonas autem interioribus navis"
Carissimi: Jephte: "Cum vocasset in proelium"
Carissimi: Jephte: "Cum autem victor Jephte"
Carissimi: Jephte: "Cum vidisset Jephte"
Carissmini: Jephte: "Plorate, filii Israel"
Bach: Cantatas BWV 82 "Ich habe genug" & 83 "Erfreute Zeit in neuem Bunde"
Ich habe genug, Cantata BWV 82: No. 2 Recitativo: Ich habe genug! Mein Trost ist nur allein
Ich habe genug, Cantata BWV 82: No. 3 Aria: Schlummert ein, ihr matten Augen
Ich habe genug, Cantata BWV 82: No. 4 Recitativo: Mein Gott! wann kommt das schöne Nun!
Ich habe genug, Cantata BWV 82: No. 5 Aria: Ich freue mich auf meinen Tod
Erfreute Zeit im neuen Bunde, Cantata BWV 83: No. 1 Aria: "Erfreute Zeit im neuen Bunde"
Erfreute Zeit im neuen Bunde, Cantata BWV 83: No. 2 Intonation and Recitative: "Herr, nun lässest du"
Erfreute Zeit im neuen Bunde, Cantata BWV 83: No. 3 Aria: "Eile, Herz, voll Freudigkeit"
Erfreute Zeit im neuen Bunde, Cantata BWV 83: No. 4 Recitative: "Ja, merkt dein Glaube noch viel Finsternis"
Erfreute Zeit im neuen Bunde, Cantata BWV 83: No. 5 Chorale: "Er ist das Heil und selig Licht"
Bach: Orchestral Suites, BWV 1066 - 1069
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Rameau: Dardanus, Prologue: Marche pour les différentes nations
Rameau: Dardanus, Prologue: Menuet tendre en rondeau
Rameau: Dardanus, Prologue: Tambourins I & II
Rameau: Dardanus, Act 1: Entrée pour les guerriers
Rameau: Dardanus, Act 1: Rigaudons I & II
Rameau: Dardanus, Act 2: Ritournelle vive - Entrée d'Isménor
Rameau: Dardanus, Act 3: Entrée d'Iphise
Rameau: Dardanus, Act 3: Tambourins I & II
Rameau: Dardanus, Act 3: Tambourins I & II (Version 1744)
Rameau: Dardanus, Act 4: Entrée des songes
Rameau: Dardanus, Act 4: Sommeil. Rondeau tendre
Rameau: Dardanus, Act 4: Air tendre. Calme des sens
Rameau: Dardanus, Act 4: Passepieds I & II
Rameau: Dardanus, Act 4: Air de triomphe
Rameau: Dardanus, Act 4: Entr'acte. Bruit de guerre
Rameau: Dardanus, Act 5: Entrée de Vénus
Rameau: Dardanus, Act 5: Gavottes I & II
Rameau: La Danse, extrait des Fêtes d'Hébé
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Récit. "Que de plaisirs" (Mercure)
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Air. "Tu veux avoir la préférence" (Mercure)
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Récitatif et petits airs. "Mais il fuit" - Duo. "Non, je n'aimerai que vous" (Mercure, Eglé)
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Entrée des bergers. "On vient" - Air. "L'amour règne en ces bois" (Mercure, Eglé, Une bergère, Chœur)
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Musette en rondeau
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Air. "C'est pour l'amour" (Eglé)
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Gavottes en rondeau
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Prélude
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Récit. "Mais par les soins" (Mercure)
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Entrée de Terpsichore, de ses nymphes, des faunes et des sylvains
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Loure grave
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Menuets
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Air. "Contre l'Amour, jeunes beautés" (Mercure)
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Seconde musette en rondeau
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Chœur en rondeau. "Suivez les lois" (Chœur, Une bergère, Mercure)
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Tambourin en rondeau (Reprise)
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Récit. "Eglé me tient" (Mercure)
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Passepieds
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Ariette vive. "L'objet qui règne" (Mercure)
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Air gay et gracieux. "Je fais mon bien suprême" (Mercure)
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Chœur. "Non, non dans nos retraites" (Chœur)
Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Contredanse
Symphony No. 1 in B-Flat Major, Op. 38: I. Andante un poco maestoso - Allegro molto vivace
Symphony No. 1 in B-Flat Major, Op. 38: II. Larghetto
Symphony No. 1 in B-Flat Major, Op. 38: III. Scherzo: Molto vivace - Trio I. Molto più vivace - Trio II - Coda. Come sopra ma un poco più lento - Quasi presto - Meno presto
Symphony No. 1 in B-Flat Major, Op. 38: IV. Allegro animato e grazioso
Symphonie No. 3 in E-Flat Major, Op. 97: I. Lebhaft
Symphonie No. 3 in E-Flat Major, Op. 97: II. Scherzo. Sehr mäßig
Symphonie No. 3 in E-Flat Major, Op. 97: III. Nicht schnell
Symphonie No. 3 in E-Flat Major, Op. 97: IV. Feierlich
Symphonie No. 3 in E-Flat Major, Op. 97: V. Lebhaft
Scarlatti: Stabat Mater - Campra: Requiem
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Campra: Messe de requiem: IV. Offertoire
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Campra: Messe de requiem: VII. Post-communion
Violin Concerto in A Minor, BWV 1041: I. Allegro
Violin Concerto in A Minor, BWV 1041: II. Andante
Violin Concerto in A Minor, BWV 1041: III. Allegro assai
Harpsichord Concerto No. 2 in E Major, BWV 1053 (Arr. K. Debretzeni for Violin & Orchestra): I. Allegro
Harpsichord Concerto No. 2 in E Major, BWV 1053 (Arr. K. Debretzeni for Violin & Orchestra): II. Siciliano
Harpsichord Concerto No. 2 in E Major, BWV 1053 (Arr. K. Debretzeni for Violin & Orchestra): III. Allegro
Violin Concerto in E Major, BWV 1042: I. Allegro
Violin Concerto in E Major, BWV 1042: II. Adagio
Violin Concerto in E Major, BWV 1042: III. Allegro assai
Harpsichord Concerto No. 1 in D Minor, BWV 1052 (Arr. W. Fischer for Violin & Orchestra): I. Allegro
Harpsichord Concerto No. 1 in D Minor, BWV 1052 (Arr. W. Fischer for Violin & Orchestra): II. Adagio
Harpsichord Concerto No. 1 in D Minor, BWV 1052 (Arr. W. Fischer for Violin & Orchestra): III. Allegro
Symphony No. 4 in D Minor, Op. 120: I. Andante con moto - Allegro di molto (1841 Version)
Symphony No. 4 in D Minor, Op. 120: II. Romanza. Andante (1841 Version)
Symphony No. 4 in D Minor, Op. 120: III. Scherzo. Presto (1841 Version)
Symphony No. 4 in D Minor, Op. 120: IV. Largo - Finale. Allegro vivace (1841 Version)
Symphony No. 2 in C Major, Op. 61: I. Sostenuto assai - Allegro, ma non troppo
Symphony No. 2 in C Major, Op. 61: II. Scherzo. Allegro vivace
Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo
Symphony No. 2 in C Major, Op. 61: IV. Allegro molto vivace
Mendelssohn: Symphonies Nos 1-5, Overtures, A Midsummer Night's Dream
Symphony No. 1 in C Minor, Op. 11: Symphony No. 1 in C Minor, Op. 11: I. Allegro di molto
Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": I. Allegro vivace
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Symphony No. 1 in C Minor, Op. 11: Symphony No. 1 in C Minor, Op. 11: II. Andante
Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": II. Andante con moto
Symphony No. 1 in C Minor, Op. 11: Symphony No. 1 in C Minor, Op. 11: III. Scherzo. Sempre pianissimo e leggiero (1829 London Version)
Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": III. Menuetto. Con moto moderato
Symphony No. 1 in C Minor, Op. 11: Symphony No. 1 in C Minor, Op. 11: III. Menuetto. Allegro molto (1824 Original Version)
Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": IV. Finale (Saltarello). Presto
Symphony No. 1 in C Minor, Op. 11: Symphony No. 1 in C Minor, Op. 11: IV. Allegro con fuoco
Overture Calm Sea and Prosperous Voyage, Op. 27
Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": I. Sinfonia a) Maestoso con moto
Symphony No. 5, Op. 107 "The Reformation": Symphony No. 5, Op. 107 "The Reformation": I. Andante - Allegro con fuoco
Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": I. Sinfonia b) Allegretto un poco agitato
Symphony No. 5, Op. 107 "The Reformation": Symphony No. 5, Op. 107 "The Reformation": II. Allegro vivace
Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": I. Sinfonia c) Adagio religioso
Symphony No. 5, Op. 107 "The Reformation": Symphony No. 5, Op. 107 "The Reformation": III. Andante
Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": II. a) Allegro moderato maestoso "Alles, was Odem hat, lobe den Herrn"
Symphony No. 5, Op. 107 "The Reformation": Symphony No. 5, Op. 107 "The Reformation": IV. Choral "Ein' feste Burg ist unser Gott" (Andante con moto - Allegro vivace - Allegro maestoso)
Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": II. b) Molto più moderato ma con fuoco "Lobe den Herrn, meine Seele"
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Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": III. a) Recitativo "Saget es, die ihr erlöst seid durch den Herrn"
Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": III. b) Allegro moderato "Er zählet unsre Tränen"
Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": IV. Chor. A tempo moderato "Sagt es, die ihr erlöst seid"
A Midsummer Night's Dream, Incidental Music, Op. 61: A Midsummer Night's Dream, Incidental Music, Op. 61: "Ay Me! For Aught That I Could Ever Read"
Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": V. Andante "Ich harrete des Herrn"
A Midsummer Night's Dream, Incidental Music, Op. 61: A Midsummer Night's Dream, Incidental Music, Op. 61: No. 1, Scherzo
Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": VI. Allegro un poco agitato "Stricke des Todes hatten uns umfangen"
A Midsummer Night's Dream, Incidental Music, Op. 61: A Midsummer Night's Dream, Incidental Music, Op. 61: No. 2, L'istesso tempo
Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": VII. Allegro maestoso e molto vivace "Die Nacht ist vergangen"
A Midsummer Night's Dream, Incidental Music, Op. 61: A Midsummer Night's Dream, Incidental Music, Op. 61: No. 2a, Allegro vivace
Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": VIII. a) Choral. Andante con moto "Nun danket alle Gott"
A Midsummer Night's Dream, Incidental Music, Op. 61: A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3, Lied mit Chor
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Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": VIII. b) Un poco più animato "Lob, Ehr und Preis sei Gott"
A Midsummer Night's Dream, Incidental Music, Op. 61: A Midsummer Night's Dream, Incidental Music, Op. 61: No. 4, Andante
Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": IX. Andante sostenuto assai "Drum sing' ich mit meinem Liede ewig dein Lob"
A Midsummer Night's Dream, Incidental Music, Op. 61: A Midsummer Night's Dream, Incidental Music, Op. 61: No. 5, Allegro appassionato
Symphony No. 2, Op. 52 "Lobgesang": Symphony No. 2, Op. 52 "Lobgesang": X. Schlusschor. Allegro non troppo "Ihr Völker! bringet her dem Herrn"
A Midsummer Night's Dream, Incidental Music, Op. 61: A Midsummer Night's Dream, Incidental Music, Op. 61: No. 7, Nocturne. Con moto tranquillo
Overture Ruy Blas, Op. 95: Overture Ruy Blas, Op. 95
A Midsummer Night's Dream, Incidental Music, Op. 61: A Midsummer Night's Dream, Incidental Music, Op. 61: No. 8, Andante
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato
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A Midsummer Night's Dream, Incidental Music, Op. 61: A Midsummer Night's Dream, Incidental Music, Op. 61: No. 9, Hochzeitmarsch "Wedding March" - No. 12, Allegro vivace come primo
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": II. Vivace non troppo
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A Midsummer Night's Dream, Incidental Music, Op. 61: A Midsummer Night's Dream, Incidental Music, Op. 61: Finale. Allegro di molto
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": III. Adagio
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Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai
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Schubert: Symphony No. 5, D. 485 - Brahms: Serenade No. 2, Op. 16 (Live)
Symphony No. 5 in B-Flat Major, D. 485: I. Allegro (Live)
Symphony No. 5 in B-Flat Major, D. 485: II. Andante con moto (Live)
Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto. Allegro molto (Live)
Symphony No. 5 in B-Flat Major, D. 485: IV. Allegro vivace (Live)
Serenade No. 2 in A Major, Op. 16: I. Allegro moderato (Live)
Serenade No. 2 in A Major, Op. 16: II. Scherzo. Vivace (Live)
Serenade No. 2 in A Major, Op. 16: III. Adagio non troppo (Live)
Serenade No. 2 in A Major, Op. 16: IV. Quasi menuetto (Live)
Serenade No. 2 in A Major, Op. 16: V. Rondo. Allegro (Live)
J.S. Bach: Flute Sonatas - C.P.E. Bach: Flute Concerto
Flute Sonata in B Minor, BWV 1030: I. Andante
Flute Sonata in B Minor, BWV 1030: II. Largo e dolce
Flute Sonata in B Minor, BWV 1030: III. Presto
Flute Sonata in E-Flat Major, BWV 1031: I. Allegro moderato
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano
Flute Sonata in E-Flat Major, BWV 1031: III. Allegro
Flute Sonata in A Major, BWV 1032: II. Largo e dolce
Flute Sonata in A Major, BWV 1032: III. Allegro
Flute Concerto in D Minor, Wq. 22, H. 425: I. Allegro
Flute Concerto in D Minor, Wq. 22, H. 425: II. Un poco andante
Flute Concerto in D Minor, Wq. 22, H. 425: III. Allegro di molto
Lute Partita in C Minor, BWV 997 (Arr. for Flute & Harpsichord): I. Prelude
Lute Partita in C Minor, BWV 997 (Arr. for Flute & Harpsichord): II. Fugue
Lute Partita in C Minor, BWV 997 (Arr. for Flute & Harpsichord): III. Sarabande
Lute Partita in C Minor, BWV 997 (Arr. for Flute & Harpsichord): IV. Gigue - V. Double
Mendelssohn: Symphony No. 1, Symphony No. 4 "Italian"
Symphony No. 1 in C Minor, Op. 11: I. Allegro di molto
Symphony No. 1 in C Minor, Op. 11: II. Andante
Symphony No. 1 in C Minor, Op. 11: III. Scherzo. Sempre pianissimo e leggiero (1829 London Version)
Symphony No. 1 in C Minor, Op. 11: III. Menuetto. Allegro molto (1824 Original Version)
Symphony No. 1 in C Minor, Op. 11: IV. Allegro con fuoco
Symphony No. 4 in A Major, Op. 90 "Italian": I. Allegro vivace
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Symphony No. 4 in A Major, Op. 90 "Italian": II. Andante con moto
Symphony No. 4 in A Major, Op. 90 "Italian": III. Menuetto. Con moto moderato
Symphony No. 4 in A Major, Op. 90 "Italian": IV. Finale (Saltarello). Presto
Best of Classical - Die 50 größten Werke der Klassik
Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod"
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Music for the Royal Fireworks: Suite HWV 351: 2. Bourrée
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