1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x763d1f971c6b0b162ef20c2e3e84f702ef5c26c5525b8aaf2bd617c2aedcecad. Chain 2 (Bitcoin): anchored in block 953408 (2026-06-12T19:28:13Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/1fa8c081-ce5d-43e4-9be9-e87fe23c5e6e.json and https://artists.proofprofile.net/proofs/artist/1fa8c081-ce5d-43e4-9be9-e87fe23c5e6e.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Elijah, Op. 70, MWV A 25, Pt. 1: Introduction. As God the Lord of Israel Liveth
Elijah, Op. 70, MWV A 25, Pt. 1: Overture
Elijah, Op. 70, MWV A 25, Pt. 1: No. 1a, Help Lord!
Elijah, Op. 70, MWV A 25, Pt. 1: No. 1b, The Deep Affords No Water
Elijah, Op. 70, MWV A 25, Pt. 1: No. 2, Zion Spreadeth Her Hands for Aid
Elijah, Op. 70, MWV A 25, Pt. 1: No. 3, Ye People, Rend Your Hearts
Elijah, Op. 70, MWV A 25, Pt. 1: No. 4, If with All Your Hearts
Elijah, Op. 70, MWV A 25, Pt. 1: No. 5, Yet Doth the Lord See It Not
Elijah, Op. 70, MWV A 25, Pt. 1: No. 6, Elijah! Get Thee Hence
Elijah, Op. 70, MWV A 25, Pt. 1: No. 7a, For He Shall Give His Angels
Elijah, Op. 70, MWV A 25, Pt. 1: No. 7b, Now Cherith's Brook Is Dried Up
Elijah, Op. 70, MWV A 25, Pt. 1: No. 8, What Have I to Do with Thee? - Give Me Thy Son!
Elijah, Op. 70, MWV A 25, Pt. 1: No. 9, Blessed Are All They That Fear Him
Elijah, Op. 70, MWV A 25, Pt. 1: No. 10, As God the Lord of Sabaoth Liveth
Elijah, Op. 70, MWV A 25, Pt. 1: No. 11, Baal, Answer Us
Elijah, Op. 70, MWV A 25, Pt. 1: No. 12, Call Him Louder, for He Is a God!
Elijah, Op. 70, MWV A 25, Pt. 1: No. 13, Call Him Louder! He Heareth Not
Elijah, Op. 70, MWV A 25, Pt. 1: No. 14, Lord God of Abraham, Isaac and Israel
Elijah, Op. 70, MWV A 25, Pt. 1: No. 15, Cast Thy Burden upon the Lord
Elijah, Op. 70, MWV A 25, Pt. 1: No. 16, O Thou, Who Makest Thine Angels Spirits
Elijah, Op. 70, MWV A 25, Pt. 1: No. 17, Is Not His Word Like a Fire?
Elijah, Op. 70, MWV A 25, Pt. 1: No. 18, Woe unto Them Who Forsake Him!
Elijah, Op. 70, MWV A 25, Pt. 1: No. 19, O Man of God, Help Thy People!
Elijah, Op. 70, MWV A 25, Pt. 1: No. 20, Thanks Be to God!
Elijah, Op. 70, MWV A 25, Pt. 2: No. 21, Hear Ye, Israel!
Elijah, Op. 70, MWV A 25, Pt. 2: No. 22, Be Not Afraid
Elijah, Op. 70, MWV A 25, Pt. 2: No. 23, The Lord Hath Exalted Thee
Elijah, Op. 70, MWV A 25, Pt. 2: No. 24, Woe to Him!
Elijah, Op. 70, MWV A 25, Pt. 2: No. 25, Man of God, Now Let My Words Be Precious
Elijah, Op. 70, MWV A 25, Pt. 2: No. 26, It Is Enough, O Lord
Elijah, Op. 70, MWV A 25, Pt. 2: No. 27, See, Now He Sleepeth
Elijah, Op. 70, MWV A 25, Pt. 2: No. 28, Lift Thine Eyes
Elijah, Op. 70, MWV A 25, Pt. 2: No. 29, He, Watching Over Israel
Elijah, Op. 70, MWV A 25, Pt. 2: No. 30, Arise, Elijah
Elijah, Op. 70, MWV A 25, Pt. 2: No. 31, O Rest in the Lord
Elijah, Op. 70, MWV A 25, Pt. 2: No. 32, He That Shall Endure to the End
Elijah, Op. 70, MWV A 25, Pt. 2: No. 33, Night Falleth 'Round Me
Elijah, Op. 70, MWV A 25, Pt. 2: No. 34, Behold, God the Lord Passed By!
Elijah, Op. 70, MWV A 25, Pt. 2: No. 35, Above Him Stood the Seraphim
Elijah, Op. 70, MWV A 25, Pt. 2: No. 36, Go, Return upon Thy Way - I Go on My Way
Elijah, Op. 70, MWV A 25, Pt. 2: No. 37, For the Mountains Shall Depart
Elijah, Op. 70, MWV A 25, Pt. 2: No. 38, Thus Did Elijah the Prophet Break Forth
Elijah, Op. 70, MWV A 25, Pt. 2: No. 39, Then Shall the Righteous Shine Forth
Elijah, Op. 70, MWV A 25, Pt. 2: No. 40, For God Sent His People the Prophet Elijah
Elijah, Op. 70, MWV A 25, Pt. 2: No. 41a, Thus Saith the Lord
Elijah, Op. 70, MWV A 25, Pt. 2: No. 41b, O Come, Everyone That Thirsteth
Elijah, Op. 70, MWV A 25, Pt. 2: No. 42, And Then Shall Your Light Break Forth
Ein deutsches Requiem, Op. 45: I. Chorus. Selig sind, die da Leid tragen
Ein deutsches Requiem, Op. 45: II. Chorus. Denn alles Fleisch, es ist wie Gras
Ein deutsches Requiem, Op. 45: III. Solo Baritone and Chorus. Herr, lehre doch mich
Ein deutsches Requiem, Op. 45: IV. Chorus. Wie lieblich sind deine Wohnungen
Ein deutsches Requiem, Op. 45: V. Solo Soprano and Chorus. Ihr habt nun Traurigkeit
Ein deutsches Requiem, Op. 45: VI. Solo Baritone and Chorus. Denn wir haben hie keine bleibende Statt
Ein deutsches Requiem, Op. 45: VII. Chorus. Selig sind die Toten
Schubert: Mass In G Major, D. 167; Tantum Ergo In E Flat Major, D. 962; The 23. Psalm In A Flat Major, D. 706, Op. Posth. 132 / Schumann: Requiem For Mignon, Op. 98b
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1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2236dca2d4c482f620cf7abc1ce20ed1ca47f559c8ddd36ef45a96505a5c8354. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2GgPLTfB0dKPvTaDS330Yw.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2GgPLTfB0dKPvTaDS330Yw.
Mass No. 2 in G Major, D. 167: II. Gloria
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Mass No. 2 in G Major, D. 167: III. Credo
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Mass No. 2 in G Major, D. 167: IV. Sanctus
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf99d299a06ca1b1335c356a5a3a53e4069a14d9ef0285999d28e90bee578bcde. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5AHor6WdYVXf1gkacDzcec.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5AHor6WdYVXf1gkacDzcec.
Mass No. 2 in G Major, D. 167: V. Benedictus
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Mass No. 2 in G Major, D. 167: VI. Agnus Dei
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Requiem für Mignon, Op. 98b: I. Langsam feierlich
Requiem für Mignon, Op. 98b: II. Etwas bewegter
Requiem für Mignon, Op. 98b: III. Lebhaft
Requiem für Mignon, Op. 98b: IV. Feierlich, doch nicht zu langsam
Requiem für Mignon, Op. 98b: V. Die Viertel wie vorher die Halben
Requiem für Mignon, Op. 98b: VI. Lebhaft
Schubert: Trout Quintet & Arpeggione Sonata & Die Forelle
Piano Quintet in A Major, D. 667, Op. 114 "Trout": I. Allegro vivace
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xafc4df1e1a224a245ff7be3bf59367f6e9f7c1a80b81d3ffc75d9479ce17ba16. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3ek4GseW0r9Vb6rWitboiv.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3ek4GseW0r9Vb6rWitboiv.
Piano Quintet in A Major, D. 667, Op. 114 "Trout": II. Andante
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Piano Quintet in A Major, D. 667, Op. 114 "Trout": III. Scherzo
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x22380606089b0ca7c332a1f4569eecf75e981e2a7813bf6cf97525b70aa42813. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5VjLe6TMMqWGCZqisGCrh3.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5VjLe6TMMqWGCZqisGCrh3.
Piano Quintet in A Major, D. 667, Op. 114 "Trout": IV. Tema con variazioni
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb9a87fe6e3dcb13e3a98bc38a2ff6c542690938c0c63b7cf09cb1366decb30e6. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6pb4RjrdM3ck93YI8GRttV.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6pb4RjrdM3ck93YI8GRttV.
Piano Quintet in A Major, D. 667, Op. 114 "Trout": V. Finale. Allegro giusto
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Arpeggione Sonata in A Minor, D. 821: I. Allegro moderato
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Arpeggione Sonata in A Minor, D. 821: II. Adagio
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x18ef38c63d12b7790cf8abc9c6648261b9b51ae54eb5b91a01d51274c2857d5f. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2YK161PQM1HT0FzKpSzbCR.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2YK161PQM1HT0FzKpSzbCR.
Arpeggione Sonata in A Minor, D. 821: III. Allegretto
Street Scene, Act I: No. 1a, Introduction
Street Scene, Act I: No. 14a, Duet. Remember That I Care
Street Scene, Act I: No. 1b, Ain't it Awful, the Heat?
Street Scene, Act I: No. 2, Blues. I Got a Marble and a Star
Street Scene, Act II: No. 15a, Introduction
Street Scene, Act I: No. 3a, Scene. Come in, Come in
Street Scene, Act II: No. 15b, Children's Game. Catch Me if You Can
Street Scene, Act I: No. 3b, Trio. Get a Load of That
Street Scene, Act II: No. 16, Scene and Trio. There'll Be Trouble
Street Scene, Act I: No. 4, Arietta. When a Woman Has a Baby
Street Scene, Act II: No. 17, Song. A Boy Like You
Street Scene, Act II: No. 18a, Duet. We'll Go Away Together
Street Scene, Act I: No. 5b, Aria. Somehow I Never Could Believe
Street Scene, Act II: No. 19a, Choral Scene and Lament. The Woman Who Lived Up
Street Scene, Act II: No. 19b, Interlude
Street Scene, Act II: No. 20, Lullaby. Sleep, Baby Dear
Street Scene, Act I: No. 7, Ice-Cream Sextet
Street Scene, Act I: No. 8, Aria. Let Things Be Like They Always Was
Street Scene, Act II: No. 22a, Ensemble. I Loved Her Too
Street Scene, Act I: No. 9a, Scene and Song. Hail to the School
Street Scene, Act II: No. 22b, Duet. Remember That I Care
Street Scene, Act I: No. 9b, Ensemble. Wrapped in a Ribbon
Street Scene, Act II: No. 22c, Ain't it Awful, the Heat?"
Street Scene, Act I: No. 10, Arioso. Lonely House"
Street Scene, Act I: No. 11, Scene and Song. Wouldn't You Like to Be
Street Scene, Act I: No. 12, Cavatina and Scene. What Good Would the Moon Be
Street Scene, Act I: No. 13, Song, Scene and Dance. Moon-faced, Starry Eyed
Richard Strauss: Der Rosenkavalier, Op. 59, TrV 227 (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act II: Introduction (Live)
Orchestra of the Royal Opera House, Covent Garden
Der Rosenkavalier, Op. 59 TrV 227, Act III: Introduction and Pantomime (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Introduction (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act II: Ein ernster Tag, ein grosser Tag! (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act III: Haben Euer Gnaden noch weitre Befehle? (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Wie du warst! Wie du bist! (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act II: In dieser feierlichen Stunde der Prüfung (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act III: Nein, nein, nein, nein! I trink' kein Wein (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Du bist mein Bub', du bist mein Schatz! (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act II: Mir ist die Ehre widerfahren (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act III: Ach, lass Sie schon einmal das fade Wort! (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Der Feldmarschall sitzt im krowatischen Wald (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act II: Ich kenn Ihn schon recht wohl, mon Cousin! (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act III: Die schöne Musi! (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Quinquin, es ist mein Mann! (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act II: Jetzt aber kommt mein Herr Zukünftiger (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act III: Wie die Stund' hingeht, wie der Wind verweht (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Selbstverständlich empfängt mich Ihro Gnaden (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act II: Brav, Faninal, Er weiss, was sich gehört (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act III: Oh weh, was maken wir? (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Hat Sie schon einmal (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act II: Wird kommen über Nacht (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act III: Sind desto eher im klaren (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Macht das einen lahmen Esel aus mir? (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act II: Hab' nichts dawider (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act III: Muss jetzt partout zu ihr (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Geben mir Euer Gnaden den Grasaff' da (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act II: Was Sie ist...Mit Ihren Augen voll Tränen (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act III: Ist halt vorbei (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Wollen Euer Gnaden leicht den Jungen Herrn da (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: I komm' glei! (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act II: Herr Baron von Lerchenau! (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act III: Mein Gott, es war nicht mehr als eine Farce! (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Dírigori armato il seno (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act II: Er muss mich pardonieren (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act III: Heut oder morgen oder den übernächsten Tag (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Als Morgengabe. Ganz separatim jedoch (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act II: Da lieg'ich! (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act III: Marie Theres'!… Hab' mir's gelobt (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Mein lieber Hippolyte (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act II: Herr Kavalier! Den morgigen Abend hätt' i frei (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act III: Ist ein Traum, kann nicht wirklich sein (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Da geht er hin (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act III: Ist ein Traum (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Ah, du bist wieder da! (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Die Zeit, die ist ein sonderbar Ding (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Mein schöner Schatz (Live)
Der Rosenkavalier, Op. 59 TrV 227, Act I: Ich werd' jetzt (Live)
Songs from "Des Knaben Wunderhorn": Der Schildwache Nachtlied
Songs from "Des Knaben Wunderhorn": Wer hat dies Liedlein erdacht?
Songs from "Des Knaben Wunderhorn": Der Tamboursg'sell
Songs from "Des Knaben Wunderhorn": Das irdische Leben
Songs from "Des Knaben Wunderhorn": Verlor'ne Müh
Songs from "Des Knaben Wunderhorn": Des Antonius von Padua Fischpredigt
Songs from "Des Knaben Wunderhorn": Urlicht
Songs from "Des Knaben Wunderhorn": Revelge
Songs from "Des Knaben Wunderhorn": Rheinlegendchen
Songs from "Des Knaben Wunderhorn": Lob des hohen Verstandes
Songs from "Des Knaben Wunderhorn": Trost im Unglück
Songs from "Des Knaben Wunderhorn": Wo die schönen Trompeten blasen
Songs from "Des Knaben Wunderhorn": Lied des Verfolgten im Turm
Songs from "Des Knaben Wunderhorn": Das himmlische Leben
First Booke Of Songes, 1597: 17. Come again: sweet love doth now invite
First Booke of Songes, 1597: 4. If my complaints could passions move
First Booke of Songes, 1597: 21. Away with these self-loving lads
Second Booke of Songes, 1600: 2. Flow my tears
O Lord, how vain are all our frail delights
If music be the food of love (First setting: 1692)
The Fairy Queen / Part 3: The Sweet Passion: O let me weep, for ever weep
King Arthur, or The British Worthy (1691) / Act 5: Fairest Isle (Venus)
Dido and Aeneas / Act 3: "Thy Hand, Belinda...When I Am Laid In Earth"
J.S. Bach: Secular Cantatas Nos. 211 "Coffee" & 213
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": 1. Recit: "Schweigt stille"
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": 2. Aria: "Hat man nicht mit seinen Kindern"
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": 3. Recit: "Du böses Kind"
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": 4. Aria: "Ei! Wie schmeckt Kaffee süße"
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": 5. Recit: "Wenn du mir nicht den Kaffee lässt"
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": 6. Aria: "Mädchen, die von harten Sinnen"
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": 7. Recit: "Nun folge, was dein Vater spricht"
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": 8. Aria: "Heute noch, lieber Vater, tut es doch"
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": 9. Recit: "Nun geht und sucht der alte Schlendrian"
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": 10. Trio: "Die Katze lässt das Mausen nicht"
Lasst uns sorgen, lasst uns wachen, Cantata BWV 213: 1. Chorus: "Lasst uns sorgen, lasst uns wachen"
Lasst uns sorgen, lasst uns wachen, Cantata BWV 213: 2. Recit: "Und wo? Wo ist die rechte Bahn"
Lasst uns sorgen, lasst uns wachen, Cantata BWV 213: 3. Aria: "Schlafe, mein Liebster"
Lasst uns sorgen, lasst uns wachen, Cantata BWV 213: 4. Duet Recit: "Auf! Folge meiner Bahn"
Lasst uns sorgen, lasst uns wachen, Cantata BWV 213: 5. Aria: "Treues Echo"
Lasst uns sorgen, lasst uns wachen, Cantata BWV 213: 6. Recit: "Mein hoffnungsvoller Held!"
Lasst uns sorgen, lasst uns wachen, Cantata BWV 213: 7. Aria: "Auf meinen Flügeln sollst du schweben"
Lasst uns sorgen, lasst uns wachen, Cantata BWV 213: 8. Recit: "Die weiche Wollust locket zwar"
Lasst uns sorgen, lasst uns wachen, Cantata BWV 213: 9. Aria: "Ich will dich nicht hören"
Lasst uns sorgen, lasst uns wachen, Cantata BWV 213: 10. Duet Recit: "Geliebte Tugend"
Lasst uns sorgen, lasst uns wachen, Cantata BWV 213: 11. Duet Aria: "Ich bin deine"
Lasst uns sorgen, lasst uns wachen, Cantata BWV 213: 12. Recit: "Schaut, Götter, dieses ist dein Bild"
Lasst uns sorgen, lasst uns wachen, Cantata BWV 213: 13. Chorus: "Lust der Völker"
La clemenza di Tito / Act 2: "Sesto, come tu credi"
La clemenza di Tito / Act 1: "Ma che? sempre l'istesso"
La clemenza di Tito / Act 2: "Torna di Tito a lato"
La clemenza di Tito / Act 1: "Come ti piace imponi"
La clemenza di Tito / Act 2: "Partir deggio, o restar?" - "Sesto! - Che chiedi?"
La clemenza di Tito / Act 1: "Amico, il passo affretta"
La clemenza di Tito / Act 2: Sesto!...Che chiedi?
La clemenza di Tito / Act 1: "Deh se piacer mi vuol"
La clemenza di Tito / Act 2: "Se al volto mai ti senti"
La clemenza di Tito / Act 1: "Amico, ecco il momento"
La clemenza di Tito / Act 2: "Ah grazie si rendano"
La clemenza di Tito / Act 1: "Deh prendi un dolce amplesso"
La clemenza di Tito / Act 2: "Già de' pubblici giuochi"
La clemenza di Tito / Act 2: "Tardi s'avvede"
La clemenza di Tito / Act 1: "Serbate, oh Dei custodi"
La clemenza di Tito / Act 2: "No, così scellerato"
La clemenza di Tito / Act 1: Tu della patria il Padre
La clemenza di Tito / Act 2: "Tu fosti tradito"
La clemenza di Tito / Act 1: Marcia (II)
La clemenza di Tito / Act 2: Che orror! che tradimento!
La clemenza di Tito / Act 1: "Adesso, oh Sesto, parla per me"
La clemenza di Tito / Act 2: Ma, Publio, ancora Sesto non viene?
La clemenza di Tito / Act 1: "Del più sublime soglio"
La clemenza di Tito / Act 2: "Quello di Tito è il volto!"
La clemenza di Tito / Act 1: "Non ci pentiam"
La clemenza di Tito / Act 2: E pur mi fa pietà
La clemenza di Tito / Act 1: "Ah perdona al primo affetto"
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La clemenza di Tito / Act 2: "Deh per questo istante solo"
La clemenza di Tito / Act 1: Che mi rechi in quel foglio?
La clemenza di Tito / Act 2: "Dove s'intese mai più contumace infedeltà?" - "Publio. - Cesare."
La clemenza di Tito / Act 1: Di Tito al piè
La clemenza di Tito / Act 2: Publio!...Cesare!
La clemenza di Tito / Act 1: "Ah, se fosse intorno al trono"
La clemenza di Tito / Act 2: "Se all'impero"
La clemenza di Tito / Act 2: Publio, ascolta!
La clemenza di Tito / Act 1: Ancora mi schernisce?
La clemenza di Tito / Act 2: "Non giova lusingarsi"
La clemenza di Tito / Act 1: "Parto, ma tu ben mio"
La clemenza di Tito / Act 2: "S'altro che lagrime"
La clemenza di Tito / Act 1: "Vedrai, Tito, vedrai"
La clemenza di Tito / Act 2: "Ecco il punto, oh Vitellia" - "Non più di fiori"
La clemenza di Tito / Act 1: "Vengo... aspettate... Sesto!..."
La clemenza di Tito / Act 2: "Non più di fiori"
La clemenza di Tito / Act 1: "Oh Dei, che smania è questa"
La clemenza di Tito / Act 2: "Che del ciel, che degli Dei"
La clemenza di Tito / Act 1: Dei conservate, oh Dei
La clemenza di Tito / Act 2: Pria che principio
The Drottningholm Court Theatre Orchestra
Die Zauberflöte, K.620 / Act 2: Dialog "Eine schreckliche Nacht"
Die Zauberflöte, K.620 / Act 1: "Zu Hilfe! Zu Hilfe!" - Dialog "Wo bin ich?"
Die Zauberflöte, K.620 / Act 2: "Bewahret euch vor Weibertücken"
Die Zauberflöte, K.620 / Act 1: "Der Vogelfänger bin ich ja"
Die Zauberflöte, K.620 / Act 2: "Wie? Wie? Wie?"
Die Zauberflöte, K.620 / Act 1: "Dies Bildnis ist bezaubernd schön"
Die Zauberflöte, K.620 / Act 2: "Alles fühlt der Liebe Freuden"
Die Zauberflöte, K.620 / Act 1: "O zittre nicht" - Dialog "Betäuben mich meine Sinne?"
Die Zauberflöte, K.620 / Act 2: "Der Hölle Rache kocht in meinem Herze"
Die Zauberflöte, K.620 / Act 1: "Hm! hm! hm! hm!"
Die Zauberflöte, K.620 / Act 2: "In diesen heil'gen Hallen"
Die Zauberflöte, K.620 / Act 1: Du feines Täubchen - Dialog: Mutter! Mutter! Bin ich
Die Zauberflöte, K.620 / Act 2: "Seid uns zum zweiten Mal willkommen"
Die Zauberflöte, K.620 / Act 1: "Bei Männern, welche Liebe fühlen"
Die Zauberflöte, K.620 / Act 2: "Ach, ich fühl's"
Die Zauberflöte, K.620 / Act 1: "Zum Ziele führt dich diese Bahn"
Die Zauberflöte, K.620 / Act 2: "O Isis und Osiris, welche Wonne!"
Die Zauberflöte, K.620 / Act 1: "Die Weisheitslehre dieser Knaben"
Die Zauberflöte, K.620 / Act 2: "Soll ich dich, Teurer, nicht mehr sehn?"
Die Zauberflöte, K.620 / Act 1: "Wo willst du kühner Fremdling hin?"
Die Zauberflöte, K.620 / Act 2: "Ein Mädchen oder Weibchen"
Die Zauberflöte, K.620 / Act 1: "Wie stark ist nicht dein Zauberton"
Die Zauberflöte, K.620 / Act 2: "Bald prangt, den Morgen zu verkünden"
Die Zauberflöte, K.620 / Act 1: "Schnelle Füße, rascher Mut"
Die Zauberflöte, K.620 / Act 2: "Bald prangt, den Morgen zu verkünden" - "Du also bist mein Bräutigam"
Die Zauberflöte, K.620 / Act 1: "Es lebe Sarastro! Sarastro lebe!"
Die Zauberflöte, K.620 / Act 2: "Der, welcher wandelt diese Straße voll Beschwerden"
Die Zauberflöte, K.620 / Act 1: "Herr, ich bin zwar Verbrecherin"
Die Zauberflöte, K.620 / Act 2: "Tamino mein, o welch ein Glück"
Die Zauberflöte, K.620 / Act 2: Marsch der Priester
Die Zauberflöte, K.620 / Act 2: "Wir wandelten durch Feuersgluten"
Die Zauberflöte, K.620 / Act 2: "O Isis und Osiris"
Die Zauberflöte, K.620 / Act 2: "Papagena! Papagena!"
Die Zauberflöte, K.620 / Act 2: "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!"
Die Zauberflöte, K.620 / Act 2: Nur stille, stille, stille
Die Zauberflöte, K.620 / Act 2: "Die Strahlen der Sonne" - "Heil sei euch"
Ehetanzlied und andere Gesänge op.10: 1. Ehetanzlied
Lieder op.2 / Book 1: 2. Der Himmel hat keine Sterne
Ehetanzlied und andere Gesänge op.10: 2. Selige Stunde
Lieder op.2 / Book 1: 3. Geflüster der Nacht
Ehetanzlied und andere Gesänge op.10: 3. Vöglein Schwermut
Ehetanzlied und andere Gesänge op.10: 4. Meine Braut führ ich heim
Ehetanzlied und andere Gesänge op.10: 5. Klopfet, so wird euch aufgetan
Ehetanzlied und andere Gesänge op.10: 6. Kirchweih
Lieder op.2 / Book 2: 2. Altdeutsches Minnelied ("Des Knaben Wunderhorn")
Schlummerlied (without op, no.) Schlaf mein Kind, der Abendwind weht
6 Songs Op. 13: 2. Die Mädchen mit den verbundenen Augen
Lieder op.2 / Book 2: 5. Das verlassene Mädchen
6 Songs Op. 13: 4. Als ihr Geliebter schied
Gesänge op.5 / Book 1: 1. Schlaf nur ein!
6 Songs Op. 13: 5. Und kehrt er einst heim
6 Songs Op. 13: 6. Sie kam zum Schloss gegangen
Gesänge op.5 / Book 1: 3. O Blätter, dürre Blätter
Sechs Lieder op.22: 1. Auf braunen Sammetschuhen
Gesänge op.5 / Book 1: 4. O Sterne, goldene Sterne
Sechs Lieder op.22: 2. Abendkelch voll Sonnenlicht
Gesänge op.5 / Book 2: 1. Unter blühenden Bäumen
Sechs Lieder op.22: 3. Feiger Gedanken bängliches Schwanken
Gesänge op.5 / Book 2: 2. Tiefe Sehnsucht
Gesänge op.5 / Book 2: 3. Nach dem Gewitter
Walzer Gesänge nach toskanischen Volksliedern v.Ferd.Gregorovius op. 6 (Waltz-songs on Tuscan Folk Lyrics by F.Gregorovius,op.6): 1. Liebe Schwalbe
Walzer Gesänge nach toskanischen Volksliedern v.Ferd.Gregorovius op. 6 (Waltz-songs on Tuscan Folk Lyrics by F.Gregorovius,op.6): 2. Klagen ist der Mond gekommen
Walzer Gesänge nach toskanischen Volksliedern v.Ferd.Gregorovius op. 6 (Waltz-songs on Tuscan Folk Lyrics by F.Gregorovius,op.6): 3. Fensterlein, nachts bist du zu
Walzer Gesänge nach toskanischen Volksliedern v.Ferd.Gregorovius op. 6 (Waltz-songs on Tuscan Folk Lyrics by F.Gregorovius,op.6): 4. Ich gehe des Nachts
Walzer Gesänge nach toskanischen Volksliedern v.Ferd.Gregorovius op. 6 (Waltz-songs on Tuscan Folk Lyrics by F.Gregorovius,op.6): 5. Blaues Sternlein
Walzer Gesänge nach toskanischen Volksliedern v.Ferd.Gregorovius op. 6 (Waltz-songs on Tuscan Folk Lyrics by F.Gregorovius,op.6): 6. Briefchen schrieb ich
Irmelin Rose und andere Gesänge op.7: 1. Da waren zwei Kinder
Irmelin Rose und andere Gesänge op.7: 2. Entbietung
Irmelin Rose und andere Gesänge op.7: 3. Meeraugen
Irmelin Rose und andere Gesänge op.7: 4. Irmelin Rose
Irmelin Rose und andere Gesänge op.7: 5. Sonntag
Turmwächterlied und andere Gesänge op.8: 1. Turnwächterlied
Turmwächterlied und andere Gesänge op.8: 2. Und hat der Tag all seine Qual
Turmwächterlied und andere Gesänge op.8: 3. Mit Trommeln und Pfeifen
Turmwächterlied und andere Gesänge op.8: 4. Tod in Ähren
Die lustige Witwe / Act I: "Camille, ich muß mit Ihnen sprechen"
Die lustige Witwe / Act I: "So kommen Sie! 's ist niemand hier!"
Die lustige Witwe / Act I: "Nun, Njegus, haben Sie meine Botschaft überbracht?"
Die lustige Witwe / Act I: "Was hat das zu bedeuten?" - "Bitte meine Herr'n" - "Hab' in Paris mich noch nicht ganz so akklimasiert"
Die lustige Witwe / Act I: "Camille!" - "Ja?"
Die lustige Witwe / Act I: "Also Njegus, hier bin ich und wo ist das Vaterland?" - "O Vaterland"
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Die lustige Witwe / Act I: "Habe schon die vierte Nacht nicht geschlafen!"
Die lustige Witwe / Act I: "Ich bitte Sie.." - "Ja, was?" - Ein trautes Zimmerlein
Die lustige Witwe / Act I: "Also, lieber Graf.." - "Damenwahl! Hört man rufen rings im Saal!"
Die lustige Witwe / Act II: "Ich bitte, hier jetzt zu verweilen" - "Es lebt' eine Vilja"
Die lustige Witwe / Act II: "Gospodina, dieses vaterländische Fest..."
Die lustige Witwe / Act II: "Heia, Mädel, aufgeschaut"
Die lustige Witwe / Act II: "Wir werden uns noch schlagen um die Witwe" - "Wie die Weiber man behandelt"
Die lustige Witwe / Act II: "Mein tapferer Reitersmann" - "So wie die Dinge sich entwickeln"
Die lustige Witwe / Act II: "Nein, nein, nein" - "Mein Freund! Vernunft!" - "Wie eine Rosenknospe"
Die lustige Witwe / Act II: "Ah, die Baronin und der Herr Rosillon"
Die lustige Witwe / Act II: "Ha!Ha!" - "Wir fragen, was man von uns will!"
Die lustige Witwe / Act III: "Also, also, also"
Die lustige Witwe / Act III: "Graf Dailowitsch.." - "Ja, wir sind es, die Grisetten"
Die lustige Witwe / Act III: "Exzellenz, Exzellenz, Graf, eine Expreßdepesche!"
Die lustige Witwe / Act III: "Aber dort bin ich zu Hause.." Lippen schweigen
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Die lustige Witwe / Act III: "Exzellenz! Exzellenz! Diesen Fächer hat man im Pavillon gefunden!"
Die lustige Witwe / Act III: "Ja, das Studium der Weiber ist schwer"
Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" - Live
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Carmina Burana / Fortuna Imperatrix Mundi: "Fortune plango vulnera"
Carmina Burana / 1. Primo vere: "Veris leta facies"
Carmina Burana / 1. Primo vere: "Omnia Sol temperat"
Carmina Burana / 1. Primo vere: "Ecce gratum"
Carmina Burana / Uf dem Anger: "Floret silva nobilis"
Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir"
Carmina Burana / Uf dem Anger: "Swaz hie gat umbe" - "Chume, chum geselle min"
Carmina Burana / Uf dem Anger: "Were diu werlt alle min"
Carmina Burana / 2. In Taberna: "Estuans interius"
Carmina Burana / 2. In Taberna: "Olim lacus colueram"
Carmina Burana / 2. In Taberna: "Ego sum abbas"
Carmina Burana / 2. In Taberna: "In taberna quando sumus"
Carmina Burana / 3. Cour d'amours: "Amor volat undique"
Carmina Burana / 3. Cour d'amours: "Dies, nox et omnia"
Carmina Burana / 3. Cour d'amours: "Stetit puella"
Carmina Burana / 3. Cour d'amours: "Circa mea pectora"
Carmina Burana / 3. Cour d'amours: "Si puer cum puellula"
Carmina Burana / 3. Cour d'amours: "Veni, veni, venias"
Carmina Burana / 3. Cour d'amours: "In trutina"
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Carmina Burana / 3. Cour d'amours: "Tempus est iocundum"
Carmina Burana / 3. Cour d'amours: "Dulcissime"
Carmina Burana / Blanziflor et Helena: "Ave formosissima"
Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna"
Barbara Bonney - The Radiant Voice of Barbara Bonney
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Exsultate, jubilate, K. 165: IV. Alleluja. Allegro
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Vesperae solennes de Confessore, K. 339: V. Laudate Dominum
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Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar"
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L'elisir d'amore / Act 1: "Chiedi all'aura lusinghiera"
Orchestra del Maggio Musicale Fiorentino
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Peer Gynt, Op. 23 - Incidental Music: No. 19 Solveig's Song
Var det en drom? (Was it a dream?), Op. 37, No. 4
Flickan kom ifran sin äsklings möte (The Tryst), Op. 37, No. 5
Der Rosenkavalier, Op. 59 / Act 2: "Mir ist die Ehre widerfahren"
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Mozart: Coronation Mass ; Exsultate, jubilate; Vesperae Solennes
Mass in C Major, K. 317 "Coronation Mass": I. Kyrie
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Mass in C Major, K. 317 "Coronation Mass": II. Gloria
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Mass in C Major, K. 317 "Coronation Mass": III. Credo
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Mass in C Major, K. 317 "Coronation Mass": IV. Sanctus
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Mass in C Major, K. 317 "Coronation Mass": V. Benedictus
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Mass in C Major, K. 317 "Coronation Mass": VI. Agnus Dei
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Exsultate, jubilate, K. 165: I. Exsultate, jubilate. Allegro
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Exsultate, jubilate, K. 165: II. Recit. Fulget amica dies
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Exsultate, jubilate, K. 165: III. Tu virginum corona
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Vesperae solennes de Confessore, K. 339: I. Dixit Dominus
Vesperae solennes de Confessore, K. 339: II. Confitebor tibi
Vesperae solennes de Confessore, K. 339: III. Beatus vir
Vesperae solennes de Confessore, K. 339: IV. Laudate pueri
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Vesperae solennes de Confessore, K. 339: VI. Magnificat anima mea
Mozart: Don Giovanni, K. 527, Act 1: "Or sai chi l'onore" (Donna Anna)
Mozart: Don Giovanni, K. 527, Act 2: "Deh! vieni alla finestra" (Don Giovanni)
Mozart: Don Giovanni, K. 527, Act 2: "Vedrai, carino" (Zerlina)
Mozart: Le nozze di Figaro, K. 492, Act 1: "Non più andrai" (Figaro)
Mozart: Le nozze di Figaro, K. 492, Act 2: "Porgi, amor" (Contessa)
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete" (Cherubino)
Mozart: Die Zauberflöte, K. 620, Act 1: "Dies Bildnis ist bezaubernd schön" (Tamino)
Mozart: Die Zauberflöte, K. 620, Act 2: "Der Hölle Rache kocht in meinem Herzen" (Königin der Nacht)
Mozart : Così fan tutte : Act 1 "Un' aura amorosa" [Ferrando]
Mozart: Die Entführung aus dem Serail, Act 2: "Martern aller Arten" (Konstanze)
Mozart: Idomeneo, K. 366, Act 2: Aria. "Fuor del mar" (Idomeneo)
Mozart : La clemenza di Tito : Act 1 "Parto, ma tu ben mio" [Sesto]
Mozart : La clemenza di Tito : Act 2 "Se all'impero, amici Dei" [Tito]
Philip Langridge, Nikolaus Harnoncourt & Zürich Opera Orchestra
Mozart : La clemenza di Tito : Act 2 "Non, più di fiori" [Vitellia]
Mozart : Lucio Silla : Act 1 "Il tenero momento" [Cecilio]
Three Dickinson Songs: 1. As Imperceptibly as Grief
Three Dickinson Songs: 2. Will There Really Be a Morning
Three Dickinson Songs: 3. Good Morning Midnight
Der Rosenkavalier, Op. 59 / Act 1: "Da geht er hin"
Der Rosenkavalier, Op. 59 / Act 1: "Ach! Du bist wieder da!"
Der Rosenkavalier, Op. 59 / Act 1: "Die Zeit, die ist ein sonderbar Ding"
Der Rosenkavalier, Op. 59 / Act 1: "Ich hab' ihn nicht einmal geküßt
Der Rosenkavalier, Op. 59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben"
Der Rosenkavalier, Op. 59 / Act 3: "Ist ein Traum, kann nicht wirklich sein"
Arabella, Lyrische Komödie in drei Aufzügen / Act 1: Ich danke, Fräulein
Capriccio, Op. 85 / Letzte Szene: Andante con moto (Mondscheinmusik)
Capriccio, Op. 85 / Letzte Szene: Wo ist mein Bruder?
Seven Elizabethan Lyrics: Weep You No More
Seven Elizabethan Lyrics: My life's delight
Seven Elizabethan Lyrics: The faithless shepherdess
Seven Elizabethan Lyrics: Brown is my Love
Seven Elizabethan Lyrics: By a fountainside
Seven Elizabethan Lyrics: Fair house of Joy
Griffes - Three Poems of Fiona Macleod: The Lament of Ian the Proud
Griffes - Three Poems of Fiona Macleod: Thy dark eyes to mine
Griffes - Three Poems of Fiona Macleod: The rose of the night
Copland - Four early songs: A summer vacation
Copland - Four early songs: My heart is in the East
Britten - On this Island: Let the florid music praise!
Britten - On this Island: Now the leaves are falling fast
Britten - On this Island: As it is, plenty
Bernstein - I hate music!: My name is Barbara
Bernstein - I hate music!: Jupiter has seven moons
Bernstein - I hate music!: I hate music!
Bernstein - I hate music!: A big Indian and a little Indian
Bernstein - I hate music!: I'm a person too
Barber - Four songs, op. 13: A nun takes the veil
Barber - Four songs, op. 13: The secrets of the old
Barber - Four songs, op. 13: Sure on this shining night
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Mozart, André Previn & R. Strauss: Songs & Arias (Live)
Die ihr des unermesslichen Weltalls, K. 619 (Live)
Sehnsucht nach dem Frühlinge, K. 596 (Live)
Ridente la calma, K. 152 (After J. Mysliveček) [Live]
Sallie Chisum Remembers Billy the Kid (Live)
4 Lieder, Op. 27, TrV 170: No. 1, Ruhe, meine Seele! (Live)
4 Lieder, Op. 27, TrV 170: No. 4, Morgen (Live)
4 Lieder, Op. 36, TrV 186: No. 1, Das Rosenband (Live)
5 Lieder, Op. 41, TrV 195: No. 1, Wiegenlied (Live)
4 Letzte Lieder, TrV 296: No. 2, September (Live)
8 Gedichte aus Letzte Blätter, Op. 10, TrV 141: No. 1, Zueignung (Live)
Sinfonia op.3, No. 3: 2. Andante, sempre piano
Sinfonia op.3, No. 3: 3. Menuet - Presto - Menuet
Salve Regina A-dur(in a-major): 1. A tempo giusto "Salve Regina"
Salve Regina A-dur(in a-major): 2. Adagio "Ad te clamamus"
Salve Regina A-dur(in a-major): 3. Adagio - Allegro "Eja ergo"
Salve Regina in A Major: 4. Andante - Adagio "Et Jesum benedictum"
Sinfonia F-dur op.3, No. 5: 1. Allegro assai
Sinfonia F-dur op.3, No. 5: 2. Andante ma sempre piano
Sinfonia F-dur op.3, No. 5: 3. Allegro e con spirito
Motette "Chori angelici laetantes": 1. Allegro man non troppo "Chori angelici laetantes" laetant
Motette "Chori angelici laetantes": 2.Moderato assai - Allegro "Mundi neglecta pompa et vanitate"
Motette "Chori angelici laetantes": 3.Moderato assai - Andante "Bone Jesu, te quaerendo"
Motette "Chori angelici laetantes": 4. Allegro "Alleluja"
Fuga & Grave g-moll (in G minor) - attrib. Franz Xaver Richter: Fuga. A la breve
Fuga & Grave g-moll (in G minor) - attrib. Franz Xaver Richter: Grave - Fuga
Salve Regina In E Flat Major: 1. Andantino "Salve Regina"
Salve Regina In E Flat Major: 2. Largo "Ad te clamamus"
Salve Regina In E Flat Major: 3. Allegretto "Eja ergo"
Salve Regina In E Flat Major: 4. Andante, ma non troppo "Et Jesum benedictum"
Sechs Lieder: Der Schmetterling auf einem Vergissmeinnicht
In der Väter Hallen ruht, Op. 12 (Romanze)
Acht Deutsche Lieder (1810): Die Einsamkeit
Acht Deutsche Lieder (1810): Das Klavier
Acht Deutsche Lieder (1810): Der Vergnügsame
Acht Deutsche Lieder (1810): Aus den Griechischen
Acht Deutsche Lieder (1810): Todtengräberlied
Acht Deutsche Lieder (1810): Mein Mädchen
Acht Deutsche Lieder (1810): Das Geheimniss
An Emma (Weit in nebelgraue Ferne), Op. 24
Sechs Lieder, Op. 21: Aus dem Französischen des J.J.Rousseau
Drei Deutsche Lieder, Op. 27: An den Abendstern
Drei Deutsche Lieder, Op. 27: Das Finden
Drei Deutsche Lieder, Op. 27: Bertha's Lied in der Nacht
Lieder (Duette), Op. 63: I. Ich wollt, meine Liebe ergösse sich
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Lieder (Duette), Op. 63: II. Abschiedslied der Zugvögel
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Lieder (Duette), Op. 63: VI. Maiglöckchen und die Blümelein
3 Duette auf Texte von Heinrich Heine: II. Aus meinen Tränen sprießen
3 Duette auf Texte von Heinrich Heine: III. Im wunderschönen Monat Mai
3 Duette auf Texte von Heinrich Heine: I. Wenn ich in deine Augen sehe
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Mährische Duette, Op. 32: Ich schwimm dir davon
Mährische Duette, Op. 32: Fliege, Vöglein
Mährische Duette, Op. 32: Wenn die Sense scharf geschliffen wäre
Mährische Duette, Op. 32: Freundlich lass uns scheiden
Mährische Duette, Op. 32: Der kleine Acker
Mährische Duette, Op. 32: Die Taube auf dem Ahorn
Mährische Duette, Op. 32: Wasser und Weinen
Mährische Duette, Op. 32: Die Bescheidene
Mährische Duette, Op. 32: Grüne, du Gras
Die Dubarry - operetta: Ich schenk mein Herz
Der Vogelhändler - operetta in 3 Acts: Ich bin die Christel von der Post
Der Favorit: Du sollst der Kaiser meiner Seele sein
Der Vogelhändler - operetta in 3 Acts: Als geblüht der Kirschenbaum
Die Tänzerin Fanny Elssler: Draussen in Sievering
Eine Nacht in Venedig - operetta in 3 Acts: Schwips Lied
Die Fledermaus / Act 2: "Mein Herr Marquis"
Im weissen Rössl (The White Horse Inn): Es muß was Wunderbares sein, von dir geliebt zu werden
Im weissen Rössl (The White Horse Inn): Im Salzkammergut
Die Vielgeliebte: Du nur bist das Glück meines Lebens
Der Vetter aus Dingsada: Strahlender Mond
The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied: Nun lasst uns aber wie daheim...Es lebt'
Friederike - a play with music in 3 Acts: Sah ein Knab ein Röslein stehn
Der Zarewitsch, Operetta in 3 Acts / Act 1: Einer wird kommen
Giuditta / Act 4: Meine Lippen, die küssen so heiss
Im Rhein, im schönen Strome (2nd version)
"Oh, quand je dors" S 282 - German text "O komm im Traum": Peter Cornelius
Dichterliebe, Op. 48: 1. Im wunderschönen Monat Mai
Dichterliebe, Op. 48: 2. Aus meinen Tränen sprießen
Dichterliebe, Op. 48: 3. Die Rose, die Lilie, die Taube, die Sonne
Dichterliebe, Op. 48: 4. Wenn ich in deine Augen seh'
Dichterliebe, Op. 48: 5. Ich will meine Seele tauchen
Dichterliebe, Op. 48: 6. Im Rhein, im heiligen Strome
Dichterliebe, Op. 48: 7. Ich grolle nicht
Dichterliebe, Op. 48: 8. Und wüßten's die Blumen, die kleinen
Dichterliebe, Op. 48: 9. Das ist ein Flöten und Geigen
Dichterliebe, Op. 48: 10. Hör' ich das Liedchen klingen
Dichterliebe, Op. 48: 11. Ein Jüngling liebt ein Mädchen
Dichterliebe, Op. 48: 12. Am leuchtenden Sommermorgen
Dichterliebe, Op. 48: 13. Ich hab' im Traum geweinet
Dichterliebe, Op. 48: 14. Allnächtlich im Traume seh' ich dich
Dichterliebe, Op. 48: 15. Aus alten Märchen winkt es
Dichterliebe, Op. 48: 16 Die alten, bösen Lieder
Mass in B Minor, BWV 232: Kyrie: I. Kyrie eleison (Chorus)
Mass in B Minor, BWV 232: Credo: I. Credo in unum Deum (Chorus)
Mass in B Minor, BWV 232: Kyrie: II. Christe eleison (Soprano I, II)
Mass in B Minor, BWV 232: Credo: II. Patrem omnipotentem (Chorus)
Mass in B Minor, BWV 232: Kyrie: III. Kyrie eleison (Chorus)
Mass in B Minor, BWV 232: Credo: III. Et in unum Dominum (Duet)
Mass in B Minor, BWV 232: Gloria: I. Gloria in excelsis Deo (Chorus)
Mass in B Minor, BWV 232: Credo: IV. Et incarnatus est (Chorus)
Mass in B Minor, BWV 232: Gloria: II. Et in terra pax hominibus (Chorus)
Mass in B Minor, BWV 232: Credo: V. Crucifixus etiam pro nobis (Chorus)
Mass in B Minor, BWV 232: Gloria: III. Laudamus te (Soprano II)
Mass in B Minor, BWV 232: Credo: VI. Et resurrexit tertia die (Chorus)
Mass in B Minor, BWV 232: Gloria: IV. Gratias agimus tibi (Chorus)
Mass in B Minor, BWV 232: Credo: VII. Et in Spiritum Sanctum (Aria)
Mass in B Minor, BWV 232: Gloria: V. Domine Deus (Soprano I, Tenor)
Mass in B Minor, BWV 232: Credo: VIII. Confiteor unum baptisma (Chorus)
Mass in B Minor, BWV 232: Gloria: VI. Qui tollis peccata mundi (Chorus)
Mass in B Minor, BWV 232: Credo: IX. Et exspecto resurrectionem (Chorus)
Mass in B Minor, BWV 232: Gloria: VII. Qui sedes ad dexteram Patris (Alto)
Mass in B Minor, BWV 232: Sanctus: I. Sanctus, Domine Deus (Chorus)
Mass in B Minor, BWV 232: Gloria: VIII. Quoniam tu solus sanctus (Bass)
Mass in B Minor, BWV 232: Sanctus: II. Osanna in excelsis (Chorus)
Mass in B Minor, BWV 232: Gloria: IX. Cum Sancto Spiritu (Chorus)
Mass in B Minor, BWV 232: Benedictus: I. Benedictus qui venit (Tenor)
Mass in B Minor, BWV 232: Benedictus: II. Osanna in excelsis (Chorus)
Mass in B Minor, BWV 232: Agnus Dei: I. Agnus Dei (Aria)
Mass in B Minor, BWV 232: Agnus Dei: II. Dona nobis pacem (Chorus)
Symphony No. 4 in G: 1. Bedächtig. Nicht eilen
Symphony No. 4 in G: 2. In gemächlicher Bewegung. Ohne Hast
Jeg elsker dig (I love thee), Op. 5, No. 3
Med en Vandilje (With a waterlily), Op. 25, No. 4
Fra Monte Pincio (From Monte Pincio), Op. 39, No. 1
Sechs Lieder, Op. 48: Gruß, Op. 48, No. 1
Sechs Lieder, Op. 48: Dereinst, Gedanke mein, Op. 48, No. 2
Sechs Lieder, Op. 48: Lauf der Welt, Op. 48, No. 3
Sechs Lieder, Op. 48: Die verschwiegene Nachtigall, Op. 48/4
Sechs Lieder, Op. 48: Zur Rosenzeit, Op. 48, No. 5
Sechs Lieder, Op. 48: Ein Traum, Op. 48, No. 6
Diamanten på Marssnön (Diamond in the snow), Op. 36, No. 6
Flickan kom ifrån sin älsklings möte (The Tryst), Op. 4b, No. 1
Skogen sover (The forest sleeps), Op. 28, No. 6
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Vier letzte Lieder - Piano version: Frühling
Vier letzte Lieder - Piano version: September
Vier letzte Lieder - Piano version: Beim Schlafengehen
Vier letzte Lieder - Piano version: Im Abendrot
Pergolesi: Stabat Mater; Salve Regina in F minor; Salve Regina in A minor
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Salve Regina in F Minor, P. 78 (Alto Version of C Minor, P. 79): I. Salve Regina
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Salve Regina in F Minor, P. 78 (Alto Version of C Minor, P. 79): II. Ad te clamamus
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Salve Regina in F Minor, P. 78 (Alto Version of C Minor, P. 79): III. Eia ergo
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Salve Regina in F Minor, P. 78 (Alto Version of C Minor, P. 79): IV. Et Jesum benedictum
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Salve Regina in F Minor, P. 78 (Alto Version of C Minor, P. 79): V. O clemens, o pia
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Salve Regina in A minor - Edited by Robert King: 1. Salve Regina
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Salve Regina in A minor - Edited by Robert King: 2. Ad te clamamus
Salve Regina in A minor - Edited by Robert King: 3. Eia ergo, advocata nostra
Salve Regina in A minor - Edited by Robert King: 4. O clemens
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Robert & Clara Schumann Lieder - Frauenliebe und -Leben
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Myrthen, Op. 25: No. 9, Lied der Suleika
3 Lieder, Op. 12: 1. Er is gekommen in Sturm und Regen
3 Lieder, Op. 12: 2. Liebst du um Schonheit
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Frauenliebe und -leben Op. 42: 1. Seit ich ihn gesehen
Frauenliebe und -leben Op. 42: 2. Er, der Herrlichste von allen
Frauenliebe und -leben Op. 42: 3. Ich kann's nicht fassen, nicht glauben
Frauenliebe und -leben Op. 42: 4. Du Ring an meinem Finger
Frauenliebe und -leben Op. 42: 5. Helft mir, ihr Schwestern
Frauenliebe und -leben Op. 42: 6. Süsser Freund, du blickest mich verwundert an
Frauenliebe und -leben Op. 42: 7. An meinem Herzen, an meiner Brust
Frauenliebe und -leben Op. 42: 8. Nun hast du mir den ersten Schmerz getan
Six Lieder, Op. 13: 1. Ich stand in dunklen Träumen
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Six Lieder, Op. 13: 2. Sie liebten sich beide
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Six Lieder, Op. 13: 4. Der Mond kommt still gegangen
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Six Lieder, Op. 13: 5. Ich hab 'in deinem Auge
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Six Lieder, Op. 13: 6. Die stille Lotosblume
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Lieder-Album für die Jugend, Op. 79: 23. Er ist's
Lieder und Gesange II, Op. 51: 1. Sehnsucht
Minnespiel, Op. 101: 4. Mein schöner Stern!
Lieder-Album für die Jugend, Op. 79: 28. Mignon
Twelve Poems of Emily Dickinson: 1. Nature, the gentlest mother
Twelve Poems of Emily Dickinson: 2. There came a wind like a bugle
Twelve Poems of Emily Dickinson: 3. Why do they shut me out of Heaven?
Twelve Poems of Emily Dickinson: 4. The world feels dusty
Twelve Poems of Emily Dickinson: 5. Heart, we will forget him
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Twelve Poems of Emily Dickinson: 6. Dear March, come in!
Twelve Poems of Emily Dickinson: 7. Sleep is supposed to be
Twelve Poems of Emily Dickinson: 8. When they come back
Twelve Poems of Emily Dickinson: 9. I felt a funeral in my brain
Twelve Poems of Emily Dickinson: 10. I've heard an organ talk sometimes
Twelve Poems of Emily Dickinson: 11. Going to Heaven!
Twelve Poems of Emily Dickinson: 12. The Chariot
Six Elizabethan Songs: 1. Spring (Thomas Nash)
Six Elizabethan Songs: 2. Sleep (Samuel Daniel)
Six Elizabethan Songs: 3. Winter (Shakespeare)
Six Elizabethan Songs: 4. Dirge (Shakespeare)
Six Elizabethan Songs: 5. Diaphenia (Henry Constable)
Six Elizabethan Songs: 6. Hymn (Ben Jonson)
Hermit Songs Op. 29: 1. At Saint Patrick's Purgatory
Hermit Songs Op. 29: 2. Church Bell at Night
Hermit Songs Op. 29: 3. St. Ita's Vision
Hermit Songs Op. 29: 4. The Heavenly Banquet
Hermit Songs Op. 29: 8. The Monk and His Cat
Hermit Songs Op. 29: 9. The Praises of God
Hermit Songs Op. 29: 10. The Desire for Hermitage
18 Liebeslieder Op. 52: Rede, Mädchen, allzu liebes
Brahms: Liebeslieder Waltzes, Op. 52: II. Am Gesteine rauscht die Flut
18 Liebeslieder Op. 52: Wie des Abends schöne Rote
18 Liebeslieder Op. 52: Die grüne Hopfenranke
Brahms: Liebeslieder Waltzes, Op. 52: VI. Ein kleiner, hübscher Vogel
18 Liebeslieder Op. 52: Wohl schön bewandt war es
Brahms: Liebeslieder Waltzes, Op. 52: VIII. Wenn so lind dein Auge mir
Brahms: 18 Liebeslieder, Op. 52: No. 9, Am Donaustrande
Brahms: Liebeslieder Waltzes, Op. 52: X. O wie sanft die Quelle
18 Liebeslieder Op. 52: Nein, es ist nicht Auszukommen
18 Liebeslieder Op. 52: Vögelein durchrauscht die Luft
18 Liebeslieder Op. 52: Sieh, wie ist die Welle klar
18 Liebeslieder Op. 52: Nachtigall, sie singt so schön
Brahms: Liebeslieder Waltzes, Op. 52: XVI. Ein dunkeler Schacht ist Liebe
Brahms: Liebeslieder Waltzes, Op. 52: XVII. Nicht wandle, mein Licht
18 Liebeslieder Op. 52: Es bebt das Gesträuche
Schumann: Spanische Liebeslieder, Op. 138: No. 1, Vorspiel
Schumann: Spanische Liebeslieder, Op. 138: No. 2, Lied. "Tief im Herzen trag ich Pein"
Schumann: Spanische Liebeslieder, Op. 138: No. 3, Lied. "O wie lieblich ist das Mädchen"
Schumann: Spanische Liebeslieder, Op. 138: No. 4, Duett. "Bedeckt mich mit Blumen"
Schumann: Spanische Liebeslieder, Op. 138: No. 5, Romanze. "Flutenreicher Ebro"
Schumann: Spanische Liebeslieder, Op. 138: No. 6, Intermezzo
Schumann: Spanische Liebeslieder, Op. 138: No. 7, Lied. "Weh, wie zornig ist das Mädchen"
Schumann: Spanische Liebeslieder, Op. 138: No. 8, Lied. "Hoch, hoch sind die Berge"
Schumann: Spanische Liebeslieder, Op. 138: No. 9, Duett. "Blaue Augen hat das Mädchen"
Schumann: Spanische Liebeslieder, Op. 138: No. 10, Quartett. "Dunkler Lichtglanz"
15 Neue Liebeslieder Op. 65: I. Verzicht, O Herz (Türkisch)
Brahms: 15 Neue Liebeslieder, Op. 65: No. 2, Finstere Schatten der Nacht
15 Neue Liebeslieder Op. 65: III. An jeder Hand die Finger (Lettisch- Litauisch)
15 Neue Liebeslieder Op. 65: IV. Ihr schwarzen Augen (Sizilianisch)
15 Neue Liebeslieder Op. 65: V. Wahre, wahre deinen Sohn (Russisch)
15 Neue Liebeslieder Op. 65: VI. Rosen steckt mir an die Mutter (Spanisch)
15 Neue Liebeslieder Op. 65: VII. Vom Gebirge. Well auf Well (Russisch-Polnisches Tanzlied)
15 Neue Liebeslieder Op. 65: VIII. Weiche Gräser in Revier (Russisch-Polnisches Tanzlied)
15 Neue Liebeslieder Op. 65: IX. Nagen am Herzen (Polnisch)
15 Neue Liebeslieder Op. 65: X. Ich kose süss (Malayisch)
15 Neue Liebeslieder Op. 65: XI. Alles, alles in den Wind (Polnisch)
Brahms: 15 Neue Liebeslieder, Op. 65: No. 12, Schwazer Wald
15 Neue Liebeslieder Op. 65: XIII. Nein, Geliebter, setze dich (Russisch)
15 Neue Liebeslieder Op. 65: XIV. Fammenauge, dunkles Haar (Russisch)
15 Neue Liebeslieder Op. 65: XV. Zum Schluss: Nun ihr Musen, genug! (Goethe)
A. Söderman: Jungfrun av Orléans (The Maid of Orléans): Overture
J. Haydn: Die Schöpfung (The Creation), Hob. XXI: 2: Aria: Auf starkem Fittige (Soprano)
W. A. Mozart: Die Zauberflöte (The Magic Flute), K. 620, Act II: Ach ich fühl's, es ist entschwunden (Pamina)
S. Prokofjev: Symphony No. 1 in D major, Op. 25, "Classical" : I. Allegro
S. Prokofjev: Symphony No. 1 in D major, Op. 25, "Classical" : II. Larghetto
S. Prokofjev: Symphony No. 1 in D major, Op. 25, "Classical" : III. Gavotta: Non Troppo Allegro
S. Prokofjev: Symphony No. 1 in D major, Op. 25, "Classical" : IV. Final: Molto Vivace
F. Schubert: Der Hirt auf dem Felsen (The Shepherd on the Rock), Op. 129, D. 965
F. Berwald: Modehandlerskan (The Dressmaker): Ouverture
H. Alfvén: 7 Dikter, Op. 28: VI. Skogen sover (The Forest Sleeps)
H. Alfvén: Bergakungen (The Mountain King) Suite, Op. 37: Vallflickans dans (Herdmaiden's Dance)
F. Léhar: Die lustige Witwe (The Marry Widow): Act II: Vilja-Lied
R. Strauss: Vier Lieder, Op. 27: IV. Morgen! (Tomorrow!)
Purcell: The Fairy Queen, Z. 629: First Music. Prelude - Hornpipe
Purcell: The Fairy Queen, Z. 629: Second Music. Air - Rondeau
Purcell: The Fairy Queen, Z. 629: Overture
Purcell: The Fairy Queen, Z. 629, Act I: Duet. "Come, Let Us Leave the Town"
Purcell: The Fairy Queen, Z. 629, Act I: Scene of the Drunken Poet. "Fill up the Bowl"
Purcell: The Fairy Queen, Z. 629, Act I: First Act Tune. Jig
Purcell: The Fairy Queen, Z. 629, Act II. Song. "Come All Ye Songsters of the Sky"
Purcell: The Fairy Queen, Z. 629, Act II: Trio. "May the God of Wit Inspire"
Purcell: The Fairy Queen, Z. 629, Act II: Chorus. "Now Join Your Warbling Voices All"
Purcell: The Fairy Queen, Z. 629, Act II: Song and Chorus. "Sing While We Trip It"
Purcell: The Fairy Queen, Z. 629, Act II. Song. "See, Even Night Herself Is Here" - Song. "I Am Come to Lock All Fast" - Song. "One Charming Night" & Song and Chorus. "Hush, no More"
Purcell: The Fairy Queen, Z. 629, Act II: Second Act Tune. Air
Purcell: The Fairy Queen, Z. 629, Act III. Song and Chorus. "If Love's a Sweet Passion"
Purcell: The Fairy Queen, Z. 629, Act III. Symphony While the Swans Come Forward
Purcell: The Fairy Queen, Z. 629, Act III: Dance for the Fairies
Purcell: The Fairy Queen, Z. 629, Act III: Dance for the Green Men
Purcell: The Fairy Queen, Z. 629, Act III: Song. "Ye Gentle Spirits of the Air"
Purcell: The Fairy Queen, Z. 629, Act III: Dialogue. "Now the Maids and the Men" - Dance for the Haymakers
Purcell: The Fairy Queen, Z. 629, Act III. Song. "When I Have Often Heard"
Purcell: The Fairy Queen, Z. 629, Act III: Duet. "A Thousand, Thousand Ways"
Purcell: The Fairy Queen, Z. 629, Act III: Third Act Tune. Hornpipe
Purcell: The Fairy Queen, Z. 629, Act IV: Symphony
Purcell: The Fairy Queen, Z. 629, Act IV: Song and Chorus. "Now the Night Is Chased Away"
Purcell: The Fairy Queen, Z. 629, Act IV: Duet. "Let the Fifes and the Clarions"
Purcell: The Fairy Queen, Z. 629, Act IV: Song and Chorus. "When a Cruel Long Winter"
Purcell: The Fairy Queen, Z. 629, Act IV: Chorus."Hail! Great Parent of Us All" - Song. "Thus the Ever Grateful Spring" - Song. "Here's the Summer" - Song. "See, See" & Song. "Now Winter Come
Purcell: The Fairy Queen, Z. 629, Act V. Prelude - Epithalamium. "Thrice Happy Lovers"
Purcell: The Fairy Queen, Z. 629, Act V: The Plaint. "O Let Me Ever, Ever Weep"
Purcell: The Fairy Queen, Z. 629, Act V: Entry Dance - Symphony - Song. "Thus the Gloomy World" - Song and Chorus. "Thus Happy and Free" & Song. "Yes, Daphne"
Purcell: The Fairy Queen, Z. 629, Act V: Monkey's Dance
Purcell: The Fairy Queen, Z. 629, Act V: Song. "Hark! How All Things" - Song. "Hark! The Echoing Air"
Purcell: The Fairy Queen, Z. 629, Act V: Duet and Chorus. "Sure the Dull God" - Prelude - Song. "See, I Obey" - Duet. "Turn Then Thine Eyes" & Song. "My Torch Indeed"
Purcell: The Fairy Queen, Z. 629, Act V: Chaconne
Purcell: The Fairy Queen, Z. 629, Act V: Trio and Chorus. "They Shall Be as Happy as They're Fair"
Bach, J.S.: Magnificat in D Major; Mass in A Major; Mass in F Major; Mass in G Minor; Mass in G Major
Magnificat in D Major, BWV 243: Chorus: "Magnificat"
Carl Philipp Emanuel Bach Chamber Orchestra
Magnificat in D Major, BWV 243: Aria: "Et exsultavit spiritus meus"
Magnificat in D Major, BWV 243: Aria: "Quia respexit humilitatem"
Magnificat in D Major, BWV 243: Chorus: "Omnes generationes"
Magnificat in D Major, BWV 243: Aria: "Quia fecit mihi magna"
Magnificat in D Major, BWV 243: Aria (Duet): "Et misericordia"
Magnificat in D Major, BWV 243: Chorus: "Fecit potentiam"
Magnificat in D Major, BWV 243: Aria: "Deposuit potentes"
Magnificat in D Major, BWV 243: Aria: "Esurientes implevit bonis"
Magnificat in D Major, BWV 243: Aria (Terzetto): "Suscepit Israel"
Magnificat in D Major, BWV 243: Chorus: "Sicut locutus est"
Magnificat in D Major, BWV 243: Chorus: "Gloria Patri"
Mass in A Major, BWV 234: 3. Domine Deus
Mass in A Major, BWV 234: 4. Qui tollis peccata mundi
Mass in A Major, BWV 234: 5. Quoniam tu solus
Mass in A Major, BWV 234: 6. Cum Sancto Spiritu
Mass in F Major, BWV 233: 2. Gloria in excelcis
Mass in F Major, BWV 233: 3. Domine Deus
Mass in F Major, BWV 233: 4. Qui tollis peccata
Mass in F Major, BWV 233: 5. Quoniam tu solus sanctus
Mass in F Major, BWV 233: 6. Cum sancto Spiritu
Mass in G Minor, BWV 235: 3a. Gratias agimus tibi
Mass in G Minor, BWV 235: 3b. Domine fili unigenite
Mass in G Minor, BWV 235: 4. Qui tollis peccata mundi
Mass in G Minor, BWV 235: 5. Cum Sancto Spiritu
Mass in G Major, BWV 236: 3. Domine Deus
Mass in G Major, BWV 236: 4. Qui tollis peccata mundi
Mass in G Major, BWV 236: 5. Quoniam tu solus
Mass In G Major, BWV 236: 6. Cum Sancto Spiritu
Schubert: Ave Maria, Op. 52 No. 6, D. 839
Schubert: 3 Lieder, Op. 19: No. 3, Ganymed, D. 544
Schubert: Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 2, Lied der Mignon I
Schubert: Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 3, Lied der Mignon II
Schubert: Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 4, Lied der Mignon III
Schubert: Liebhaber in allen Gestalten, D. 558
Schubert: Heidenröslein, Op. 3 No. 3, D. 257
Schubert: 5 Lieder, Op. 5: No. 2, Nähe des Geliebten, D. 162
Schubert: Auf dem Wasser zu singen, Op. 72, D. 774
Schubert: Du bist die Ruh, Op. 59 No. 3, D. 776
Schubert: Gretchen am Spinnrade, Op. 2, D. 118
Schubert: Gretchen im Zwinger, D. 564 "Gretchens Bitte"
Schubert: Der Hirt auf dem Felsen, Op. Posth. 129, D. 965
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Overture (Symphony)
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Introduction. Larghetto (Musette from Concerto grosso, Op. 6/6)
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: O beglückter Schäferstand
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Largo (Introduction from Concerto grosso, Op. 6/7)
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Du grünes Feld, bebuschter Hügel – Still, du kleiner Wipfelchor
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Arme Hirten!
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Wo such' ich sie, die holde Nymph?
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Ich ras, ich schmelz, ich brenne! – Du röter als die Kirsche
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Bleib', Schäfer, bleib! – Schäfer, was suchst du so ängstlich
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Schönste, was eilst du von hinnen – Fleh nicht mehr zur stolzen Schönheit!
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Ach, Schäferin, wend, Galatea – Lieb in ihr Aug verkrochen
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Strebst du nach der zarten Schönen
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: O fühltest du die Qualen – Wie's Täubchen klagt
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Das Ungeheu'r weckt meine Wut – Die Liebe ruft
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Wohl uns, wohl uns!
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Bedenk' doch, o Schäfer
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Lass ab, Geliebtester – Eh' lässt den Berg die Herde
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Hilf, Galatea! – Trau'rt, all ihr Musen! – So ist mein Acis denn dahin – Lass, Galatea, lass den Schmerz!
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Wohlan! So nütz' ich meine Göttermacht – Herz, du Sitz verliebten Grams
Acis and Galatea, HWV 49b (Arr. Mozart as K. 566), Act I: Galatea, klag' nicht mehr
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Mozart : "Oiseaux, si tous les ans" K307
Mozart: 2 Sacred Songs, K. 343: No. 1, O Gottes Lamm
Mozart: "Komm, liebe Zither, komm", K. 351
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Mozart: Sehnsucht nach dem Frühling, K. 596
Mozart: Warnung, K. 433 "Männer suchen stets zu naschen"
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": "O Freunde, nicht diese Töne!" (Ode to Joy)
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Mendelssohn: 6 Gesänge, Op. 19a: No. 3, Winterlied, MWV K72
Tannhäuser - Paris version / Act 1: "Frau Holda kam aus dem Berg hervor"
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Tannhäuser - Paris version / Act 2: "Ha, der Verruchte! Fliehet ihn!"
Chorus of the Royal Opera House, Covent Garden
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Scenes from Goethe's Faust for Solo Voices, Chorus and Orchestra: Overture