The Orchestre de l'Opéra national de Paris is a French Symphonic Orchestra dating from 1672. Since the opening of the Opéra Bastille in 1989, the orchestra has also been called the Orchestre de l'Opér
1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → returns the Bitcoin block hash at height OTSBitcoinBlock; GET https://blockstream.info/api/block/{that hash} → its timestamp must match OTSTimestamp 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa3d51f788de7b0024e799f9111ffe57fab2b981ef82746f4d10db95db5ca76b2. Chain 2 (Bitcoin): anchored in block 953408 (2026-06-12T19:28:13Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/49d51125-24da-4242-8f16-6305c29664ec.json and https://artists.proofprofile.net/proofs/artist/49d51125-24da-4242-8f16-6305c29664ec.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Ravel: Complete Orchestral Works by Manuel Rosenthal
Danse légère et gracieuse de Daphnis - Daphnis et Chloé, M. 57 - Première partie - Remastered 2021
1. Confirm isrcCode identifies the recording in the pre-2022 source corpus and cc-db-prod record 2. GET OTSVerificationAPI → server-side canonical-record, hash, and attestation checks must pass 3. GET OTSBitcoinBlockVerifyURL → returns the Bitcoin block hash at height OTSBitcoinBlock; GET https://blockstream.info/api/block/{that hash} → its timestamp must match OTSTimestamp 4. Confirm CopyrightID is the CopyrightChains transaction hash 5. If all match: the cc-db-prod record is independently anchored on Bitcoin at OTSTimestamp
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xbc84b481f90ed7c37c4fce8d0e3d7d454662beccbf37c7ac23d58248096a3885. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/PLH492187990.
Debussy: La Mer, Images, Nocturnes & Orchestral Works
Albéniz: Iberia / De Falla: Noches en los jardines de España
Tchaikovski: Symphonie 6 "Pathétique"-Capriccio italien
Tchaikovski: Symphonie 4-Borodine: Dans les steppes de l'Asie centrale-Moussorgski: Une nuit sur le mont chauve
Symphonie Fantastique-L'apprenti sorcier
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x0a7439933fb9ff33c280b035535d7d5e8e975f3f3635f31a20a2945d0db46146. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/FRZ395701150.
Rimski-Korsakov: Schéhérazade-Le vol du bourdon-La grande Pâque russe
The Tale of Tsar Saltan: Flight of the Bumblebee
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x94cb13205eefa18f1cd7a50c0dfb732cbb0f592cf329470c9a2182ff78078ca4. Chain 2 (Bitcoin): anchored in block 957039 (2026-07-07T12:58:18Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/FRZ395900680.
Orchestre de l'Opéra National de Paris/Georges Prêtre
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x11f79906112a34aba39bd519c2a7062b1c6782391a7707b7fe9e6a9ed5f8b7d1. Chain 2 (Bitcoin): anchored in block 953515 (2026-06-13T12:53:06Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701426.
Bizet: Carmen, Act 1: "Sur la place" (Chorus, Moralès, Micaela)
Andréa Guiot/Claude Calès/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre
Orchestre du Théâtre National de l'Opéra Paris
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xeb8ce1220c41acfda97b4162dca99adc53a31b4d0cff76b021fee260c63adabc. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701428.
Bizet: Carmen, Act 2: "Halte là!" (José, Carmen, Frasquita, Mercédès, Dancaïre, Remendado)
Maria Callas/Nicolai Gedda/Nadine Sautereau/Jane Berbié/Jean-Paul Vauquelin/Jacques Pruvost/Orchestre de l'Opéra National de Paris/Georges Prêtre
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xff643e6c212a61375784073427f652e039a47eb17bcec2700d8f32b7c57661ef. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701450.
Bizet: Carmen, Act 1: "Avec la garde montante" (Children's Chorus, Moralès, José)
Nicolai Gedda/Claude Calès/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf6fbab7f01b10a7a9a332d1c37938b9e803319d88df695dfe7ffd26a7f26cbea. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701429.
Bizet: Carmen, Act 2: "Enfin c'est toi!...Tout doux, Monsieur" (Carmen, José)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xed7bd47223814d1cca4f9e068e098dc3dee43127a6ca489fd6d9e0c1b49b3981. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701451.
Bizet: Carmen, Act 1: "C'est bien là, n'est-ce pas?" (José, Zuñiga)
Nicolai Gedda/Jacques Mars/Orchestre de l'Opéra National de Paris/Georges Prêtre
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x019f7d723c3bb0620ed49c9ba31bc6dda92bb6538b413f90282ca7a5378aeb7c. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701430.
Bizet: Carmen, Act 2: "La fleur que tu m'avais jetée...Non, tu ne m'aimes pas" (Carmen, José)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x71fff8ededd59b7b644dfbefd748ebcd24d1331f0ec5f16afa56d7059ec2215c. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701452.
Bizet: Carmen, Act 1: "La cloche a sonné....Dans l'air" (Chorus)
Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc45ff96ecc330a96f352cfa30e4fe4589ad487ba9e8c4d4f1db50018191f7401. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701431.
Bizet: Carmen, Act 2: "Holà Carmen!" (Zuñiga, José, Carmen, Dancaïre, Remendado)
Maria Callas/Nicolai Gedda/Jean-Paul Vauquelin/Maurice Maievski/Jacques Mars/Orchestre de l'Opéra National de Paris/Georges Prêtre
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x5dfa085acf32986d515d2cbbeb02128dd65432918f18338391b00fdb67ca5c7e. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701454.
Bizet: Carmen, Act 1: "L'amour est un oiseau rebelle" (Habanera) [Carmen, Chorus]
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x0b74ffd0743dea882426e28ef5ab1b2ca4a93156339c4aa517ab816659ff8901. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701432.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x877133ec4c4f0278768db00128c96a7034dca29e7239884166e5847d7218f352. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701455.
Bizet: Carmen, Act 1: "Carmen! sur tes pas" (Chorus, Carmen, José)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x48fbde3577dda88b48600251078433ffb9e9297ec64e969df1888efd3258dfe5. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701433.
Bizet: Carmen, Act 3: "Ecoute, écoute, compagnon, écoute" (Chorus, Dancaïre, Remendado, José, Carmen, Mercédès, Frasquita)
Maria Callas/Nicolai Gedda/Nadine Sautereau/Jane Berbié/Jean-Paul Vauquelin/Maurice Maievski/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2c6dc4d96fcbc264fc6719c3f98d8cb5c2e75eb91e5fda82e404cf4e17380247. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701457.
Bizet: Carmen, Act 1: "Quels regardes! Quelle effronterie!" (Carmen, José)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc5575af3e02902aa2fe7143f06813ef1ae096d9a820c75b5e1f4c72b2dfd4ebb. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701434.
Bizet: Carmen, Act 3: "Reposons-nous une heure ici, mes camarades" (Dancaïre, Carmen, José)
Maria Callas/Nicolai Gedda/Jean-Paul Vauquelin/Orchestre de l'Opéra National de Paris/Georges Prêtre
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3c0589aaa33c4403ab4f3469527ad8a659bbfe01238600b9378982572f3db3de. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701458.
Bizet: Carmen, Act 1: "Parle-moi de ma mère!" (José, Micaela)
Nicolai Gedda/Andréa Guiot/Orchestre de l'Opéra National de Paris/Georges Prêtre
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x11b26a65da523bfebc8cda809f837c61d277c1b39992884e897e6313cd585d89. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701435.
Bizet: Carmen, Act 3: "Mêlons! Coupons!" (Frasquita, Mercédès, Carmen)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x244fe8f45afabe28b5f6cbf5a8e695ca92caef9257848a1e6d3a845eb70ffef2. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701459.
Bizet: Carmen, Act 1: "Reste là, maintenant, pendant que je lirai" (José, Micaela)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x84950bb1b92bc15fa783ec1c6e6c4c8bae6e60812486107b1434a5a193581e35. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701436.
Bizet: Carmen, Act 3: "Eh bien?" (Carmen, Dancaïre, Frasquita)
Maria Callas/Nadine Sautereau/Jean-Paul Vauquelin/Orchestre de l'Opéra National de Paris/Georges Prêtre
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2d95ceea352ddb4386dcfb362c96ed478f8e22549f5f91a5f34cc0a0a5b24dc3. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701460.
Bizet: Carmen, Act 1: "Que se passe-t-il donc là-bas?...Au secours!" (Zuñiga, Chorus)
Jacques Mars/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x53c8b0a5787387ad382bc06e1a97fc0af3cb7491eece476f8b70099a1e039f97. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701437.
Bizet: Carmen, Act 3: "Quant au douanier, c'est notre affaire" (Carmen, Mercédès, Frasquita)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x192df7805e379324e50b8fd71cb5c4814ce1ece622034efdbfc56251d524fa10. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701461.
Bizet: Carmen, Act 1: "Mon officier, c'était une querelle" (José, Zuñiga, Carmen)
Maria Callas/Nicolai Gedda/Jacques Mars/Orchestre de l'Opéra National de Paris/Georges Prêtre
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x39b83a6a3574340ac2a241caeb8a32beae83e11b2e1d28ced7e19c48db05e238. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701438.
Bizet: Carmen, Act 3: "C'est des contrebandiers....Je dis, que rien ne m'épouvante" (Micaëla)
Andréa Guiot/Orchestre de l'Opéra National de Paris/Georges Prêtre
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x44048915a2a432aa0e68c5a57a5ca62aca4e2e5f8a637acecf3d6ee581768c5f. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701462.
Bizet: Carmen, Act 1: Séguedille. "Près des remparts de Séville" (Carmen, José)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x267669f9e76a7d0627a51e041945f7224727924cbd03cd70ca984074b8e18a76. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701439.
Bizet: Carmen, Act 1: "Voici l'ordre; partez" (Zuñiga, Carmen)
Maria Callas/Jacques Mars/Orchestre de l'Opéra National de Paris/Georges Prêtre
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x4bc86636e97ba6897764dc5939eb6a46383ebd5010a6b5c0885c251e94a8c716. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701440.
Bizet: Carmen, Act 3: "Quelques lignes plus bas" (Escamillo, José, Carmen, Dancaïre, Micaëla, Frasquita, Mercédès, Remendado, Chorus)
Maria Callas/Nicolai Gedda/Andréa Guiot/Robert Massard/Nadine Sautereau/Jane Berbié/Jean-Paul Vauquelin/Jacques Pruvost/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêt
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xdbfdcbc270be48845c021e54df76f00485edd0b4b82a4057197f9b29b04d61a9. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701464.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xbd5ded4e4a6958d1d8515c07625bd021529c37e8318f372f7f587ea9485f58ed. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701441.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf3a82dce3b853b6c12887d7d6df72e0aa3090d8a935880490fab9c9e69607e99. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701465.
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3e9443722d88b9173357720e18ec2d1c1323ed6c6182a9d2991e788f8c0b843c. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701443.
Bizet: Carmen, Act 4: "A deux cuartos!" (Chorus, Zuñiga)
Jacques Mars/Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe7e4f0a9e06764d1438da423d796e71664e4cccd83bb3fa8a8b9c797818e4dd7. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701467.
Bizet: Carmen, Act 2: "Messieurs, Pastia me dit" (Frasquita, Zuñiga, Camen, Mercédès)
Maria Callas/Nadine Sautereau/Jane Berbié/Jacques Mars/Orchestre de l'Opéra National de Paris/Georges Prêtre
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x953fd2de2e6de5d54f61a5566659bf80bf379f63bfe0c3199bd686ece86599a5. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701444.
Bizet: Carmen, Act 4: "Les voici! voici la quadrille!" (Chorus, Escamillo, Carmen, Frasquita)
Maria Callas/Robert Massard/Nadine Sautereau/Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc6d8bfae986da0608667db663446c3ae3b5b59eb76c940e00605c9d51f37a65b. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBAYC9701468.
Bizet: Carmen, Act 2: "Vivat! vivat le Toréro!" (Chorus, Zuñiga)
Jacques Mars/Orchestre de l'Opéra National de Paris/Georges Prêtre
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Bizet: Carmen, Act 4: "C'est toi!...Viva! viva! la course est belle!" (Carmen, José, Chorus)
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Bizet: Carmen, Act 2: "Votre toast, je peux vous le rendre" (Escamillo, Chorus)
Robert Massard/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre
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Bizet: Carmen, Act 2: "La belle, un mot" (Escamillo, Carmen, Zuñiga)
Maria Callas/Robert Massard/Jacques Mars/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre
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Bizet: Carmen, Act 2: "Eh bien! vite, quelles nouvelles?.....Nous avons en tête un affaire" (Carmen, Frasquita, Mercédès, Dancaïre, Remendado, Chorus)
Maria Callas/Nadine Sautereau/Jane Berbié/Jean-Paul Vauquelin/Jacques Pruvost/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre
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Lady Macbeth of Mtsensk District / Act 1: Akh, ne spítsya ból'se, popróbuyu
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Lady Macbeth of Mtsensk District / Act 2: Opyát' usnúl - ... - [Andante] (Orchestra)
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Lady Macbeth of Mtsensk District / Act 2: Slúsay, Sergéy - ... - Tepér' sabás
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Lady Macbeth of Mtsensk District / Act 1: Ay! Ay! Ay! - Otpustíte bábu
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Lady Macbeth of Mtsensk District / Act 3: Sózdan policéyskiy - ... - Skóro
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Lady Macbeth of Mtsensk District / Act 3: Interlude
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Lady Macbeth of Mtsensk District / Act 4: Vyórstï odná za drugóy dlínnoy polzút verenícey
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Lady Macbeth Of Mtsensk District / Act 1: Kto eto - ... - Uydí tï
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Lady Macbeth of Mtsensk District / Act 2: Cto znácit stárost': Ne spítsya
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Lady Macbeth of Mtsensk District / Act 2: Proskáy - ... - Smotrí, Katerína
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Lady Macbeth of Mtsensk District / Act 4: V lesú - Znáyes' li
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Lady Macbeth of Mtsensk District / Act 2: Ustál - ... - Progolodálsya ya
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Lady Macbeth of Mtsensk District / Act 4: Vstaváy! Po mestám! Zívo!
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The Firebird (L'oiseau De Feu) - Suite (1919): Introduction
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The Firebird (L'oiseau De Feu) - Suite (1919): 3. Variation Of The Firebird
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The Firebird (L'oiseau De Feu) - Suite (1919): Round Dance Of The Princesses
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The Firebird (L'oiseau De Feu) - Suite (1919): Infernal Dance Of King Kaschei
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The Firebird (L'oiseau De Feu) - Suite (1919): Berceuse
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The Firebird (L'oiseau De Feu) - Suite (1919): Finale
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Scheherazade, Op. 35: 1. Largo e maestoso
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Scheherazade, Op. 35: 3. Andantino quasi allegretto
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Berlioz: Symphonie Fantastique; Benvenuto Cellini; Le Corsaire
Symphonie fantastique, Op. 14: 4. Marche au supplice. Allegretto non troppo
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Grands concertos français pour trompette et orchestre
Lulu, Prologue: Hereinspaziert in die Menagerie
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Lulu, Act III (Compl. Cerha): Meine Herrn und Damen! – Der Staatsanwalt bezahlt demjenigen
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Lulu, Act II: Gott sei dank, dass wir endlich – Hast oben abgeschlossen?
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Lulu, Act II: Die Matinée wird, wie ich mir denke
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Lulu, Act I: Den hab' ich mir auch ganz anders vorgestellt
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Lulu, Act I: Was tut denn Ihr Vater da? Sonata. Wenn ich ihr Mann wäre
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Lulu, Act I: Ich darf mich jetzt hier nicht sehen lassen
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Lulu, Act I: Seit ich für die Bühne arbeite Noch etwas, bitte
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Lulu, Act I: Über die liesse sich freilich – Das hättest du dir besser erspart
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Also sprach Zarathustra, Op. 30: I. Prelude. Sonnenaufgang
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Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio - Excerpt
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Toccata and Fugue in D Minor, BWV 565: I. Toccata
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Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
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Messiah, HWV 56 / Pt. 2: No. 42 "Hallelujah"
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Serenade In G, K.525 "Eine kleine Nachtmusik": 1. Allegro - Excerpt
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Piano Concerto No. 21 in C Major, K. 467: II. Andante
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Peer Gynt, Op. 23: Prelude To Act 4 (Morning Mood) - Excerpt
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An der schönen blauen Donau, Waltz, Op. 314 - Excerpt / Conclusion
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Symphony No.9 In E Minor, Op.95 "Aus der neuen Welt": IV. Finale. Allegro con fuoco - Excerpt
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Romeo and Juliet, Op. 64 / Act I: No. 13, Dance of the Knights
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12 Etudes, Op. 10: No. 3 in E Major "Tristesse"
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Herz und Mund und Tat und Leben, Cantata BWV 147 / Pt. 2: X. "Jesus bleibet meine Freude"
Solistengemeinschaft Der Bachwoche Ansbach
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Violin Concerto No. 2 in B Minor, Op. 7, MS. 48: III. Rondo à la clochette "La campanella". Allegretto moderato - Excerpt
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Concierto de Aranjuez: II. Adagio - Excerpt
Orquesta Sinfonica de la Radio Television Espanola
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Lieder ohne Worte, Op. 62: No. 6 Andante grazioso In A "Frühlingslied"
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Il trovatore, Act II: Vedi! Le fosche notturne spoglie "Anvil Chorus"
Coro dell'Accademia Nazionale Di Santa Cecilia
Orchestra dell'Accademia Nazionale di Santa Cecilia
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Requiem, K. 626: IIIf. Lacrimosa - Recorded 1975
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The Tale of Tsar Saltan: Flight of the Bumblebee (Arr. Feygin for String Orchestra)
Violin Ensemble of the Bolshoi Theatre, Moscow
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El amor brujo: Ritual Fire Dance - Excerpt
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Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 "Mondscheinsonate": I. Adagio sostenuto
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Suite bergamasque, CD 82: III. Clair de lune
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Concerto For Violin And Strings In E, Op.8 No.1, R.269 "La Primavera" / "Der Frühling": I. Allegro - Live
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Gaîté parisienne (Arr. Rosenthal): No. 23, Barcarolle (From Les contes d'Hoffmann)
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Orpheus in the Underworld: Can-Can - Live
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Carmen, WD 31, Act I: Habanera. L'amour est un oiseau rebelle
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String Quintet in E Major, G. 275: III. Menuetto
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Turandot, Act III: Nessun dorma! - Concert Ending
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21 Hungarian Dances, WoO 1: Ungarischer Tanz No.5 In G Minor
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La damnation de Faust, Op. 24, H. 111 / Pt. I: Marche hongroise
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Symphony No. 3 in F Major, Op. 90: III. Poco allegretto - Recorded 1964
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Il barbiere di Siviglia, Act I: No. 2, Aria. Largo al factotum
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Water Music Suite "Wassermusik", HV 349: Alla Hornpipe
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Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre
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Prelude & Fugue in C Major (Well-Tempered Clavier, Book I, No. 1), BWV 846: Prelude
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Prélude à l'après-midi d'un faune, CD 87a
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Wagner: Der Ring des Nibelungen - Symphonic Excerpts
Wagner: Das Rheingold: Prelude, Interludes & Entry of the Gods into Valhalla
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Wagner: Die Walküre: Ride of the Valkyries
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Poulenc-Un bal masqué-Sonate pour flute-Elegie pour cor-Trio pour piano hautbois et basson
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Otello / Act III: Dio ti giocondi, o sposo
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Otello / Act I: Capitano, v'attende la fazione ai baluardi
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Otello / Act III: Vieni; l'aula è deserta
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Otello / Act III: Il Doge ed il Senato salutano
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Otello / Act III: A terra!...si...nel livido fango
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Otello / Act III: Quell' innocente un fremito
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Otello / Act II: Se inconscia, contro te, sposo, ho peccato
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Otello / Act IV: Ave Maria, piena di grazia
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Otello / Act I: Già nella notte densa (Love Duet)
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The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas)
The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas)
Il trovatore, Act IV Scene 1: No. 12b. Aria, "D'amor sull'ali rosee vanne" (Leonora) - Live Recording, Paris, 19 December 1958
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Il barbiere di Siviglia, Act I Scene 5: No. 5. Cavatina, "Una voce poco fa" (Rosina) - Live Recording, Paris, 19 December 1958
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Wagner: Overtures, Preludes & Aria by André Cluytens
LP Pure, Vol. 21: Scherchen Conducts French Overtures
Delibes: Coppélia ou la fille aux yeux d'émail (Ballet): Prélude (Andante - Allegro marcato)
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Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (c) La prière (Andante)
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Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (d) Le travail ou la fileuse (Molto moderato)
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Delibes: Coppélia ou la fille aux yeux d'émail , Act 1: No. 3, Mazurka (Ballet)
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Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 4, Scène (Moderato)
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Delibes: Coppélia ou la fille aux yeux d'émail, Act 3: No. 20, Fête de la cloche - Divertissement, Danse de fête (Allegro) [Ballet]
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Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (i) Galop final (Moderato - Allegro vivo)
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Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 7, (b) Sortie (Ben moderato)
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Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 9, (a) Entr'acte (Allegro moderato)
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Minkus / Arr. Lanchbery: Don Quixote: No. 4, Seguidilla
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Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 10, Scène (Allegro - Andante quasi allegretto)
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Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 12, Scène (Allegretto)
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Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 13, Chanson à boire, Franz et Coppélius - Scène (Allegretto)
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Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 14, Scène et Valse de la poupée (Andante)
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Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 6, Thème slave varié (Allegretto non troppo - Variations Nos. 1-4 - Allegro non troppo)
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Milhaud-Service sacré pour le samedi matin
French Opera Arias (Kathleen Battle Edition, Vol. 4)
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Berlioz: Symphonie fantastique, Op.14 / Dutilleux: Métaboles
Saint-Saëns: Symphony No.3 "Organ" / Messiaen: L'Ascension
Rimsky-Korsakov: Scheherazade / Stravinsky: Firebird
Bizet: Carmen Suite; L'Arlésienne Suites
Carmen, WD 31 / Act 1: Prelude to Act 1 - Excerpt
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Carmen Suite (excerpts from suites nos. 1 & 2): Aragonaise
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Saint-Saëns: Samson et Dalila, Extracts (Mono Version)
Messiaen, Larsson, Hessenberg (Club 100) : L' ascension / Konzert für Saxophon / Suite
Klassik 100 Meisterwerke: Klassik die man gehört haben muss
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Samson et Dalila (2001 Digital Remaster), Act 2, Scene 3: Mon coeur s'ouvre à ta voix (Dalila/Samson)
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Les Pecheurs de Perles, WD. 13, Act I: Je crois entendre encore (Nadir)
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