1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe9a240b31b34706029806ce87adde79ae3ce98a952aefed626fc7a9c56711f1d. Chain 2 (Bitcoin): anchored in block 953423 (2026-06-12T21:20:00Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/aaacb57a-e818-43b8-980b-8cd2242f6edf.json and https://artists.proofprofile.net/proofs/artist/aaacb57a-e818-43b8-980b-8cd2242f6edf.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
A Classical Coronation. Music for a Royal Celebration
Anonymous: English National Anthem "God Save the King"
Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest"
Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 1 in D Major
Clarke: Suite in D Major IV. Prince of Denmark's March "Trumpet Voluntary" (Arr. Antonsen and Marshall for Trumpet and Organ)
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1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
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Cambridge University Musical Society Chorus
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Elgar: Coronation Ode, Op. 44: Finale. "Land of Hope and Glory"
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Locke: Music for his Majesty's Sagbutts and Cornetts
Vaughan Williams: Mass in G Minor: IV. Sanctus - Benedictus
Bourgeois: All People That on Earth Do Dwell "Old 100th" (Arr. Vaughan Williams and Douglas for Choir, Brass and Organ)
Handel: Messiah, HWV 56, Pt. 2, Scene 7: Chorus. "Hallelujah"
Walton: Crown Imperial, a Coronation March
Lully: Thésée, LWV 51, Act 1: Marche royale
Cherubini: Messe solennelle pour le sacre de Louis XVIII: IV. Sanctus - O salutaris
Debussy: Le Roi Lear, CD 116, L. 107: I. Fanfare
Giroust: Messe du sacre de Louis XVI: I. Kyrie
Francœur: Symphonies pour le festin royal du comte d'Artois, Suite en sol mineur: VII. Contredanse
Handel: Solomon, HWV 67, Act 3: Sinfonia. "The Arrival of the Queen of Sheba"
Monteverdi: L'Incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Poppea, Nerone)
Mozart: Mass No. 15 in C Major, K. 317 "Coronation": V. Benedictus
Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": I. Kyrie
Mussorgsky: Boris Godunov, Prologue: Coronation Scene. "Da zdravstvuet tsar Boris Fedorovich!" (Shuisky, Chorus)
Berlioz: Les Troyens, Op. 29, H. 133, Act 4: Marche pour l'entrée de la reine
Handel: Music for the Royal Fireworks, HWV 351: IV. La réjouissance
De Lalande: Symphonies pour les soupers du roi, Suite No. 4 "Concert de trompettes pour les fêtes sur le canal de Versailles": Troisième air "Chaconne en écho"
Orchestre de chambre Jean-François Paillard
Raison: Livre d'orgue: Offerte du cinquième ton "Le Vive le Roy des Parisiens"
Clérambault: Domine salvum fac regem, C. 157
Lesueur: Marche au couronnement de l'Empereur Napoleon
Wolf: 6 Gedichte von Scheffel, Mörike, Goethe and Kerner: No. 2, Der König bei der Krönung
Charpentier: Te Deum, H. 146: I. Prélude
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. Poco adagio, cantabile
Mozart: Piano Concerto No. 26 in D Major, K. 537 "Coronation": III. Allegretto
Cherubini: Mass for the Coronation of Charles X: Agnus Dei
Elgar: Coronation Offertory, Op. 64 "O Hearken Thou"
Strauss, Johann II: Kaiser-Walzer, Op. 437
Britten: Suite from Gloriana, Op. 53a: IV. Gloriana moritura
Handel: Water Music, Suite No. 1 in F Major, HWV 348: V. Air
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto
Mozart: 3 German Dances, K. 605: No. 3 in C Major "Die Schlittenfahrt"
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Debussy: Children's Corner, CD 119, L. 113: No. 4, The Snow Is Dancing
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Purcell: King Arthur, Z. 628, Act 3: Prelude While Cold Genius Rises - Song. "What Power Art Thou"
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Glazunov: The Seasons, Op. 67, Pt. 1 "Winter": No. 3, Frost Variation
Schubert: Winterreise, Op. 89, D. 911: No. 1, Gute Nacht
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Chopin: 12 Études, Op. 25: No. 11 in A Minor "Winter Wind"
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Mendelssohn: 6 Gesänge, Op. 19a: No. 3, Winterlied, MWV K72
Schumann: Album für die Jugend, Op. 68: No. 38, Winterzeit I
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MacDowell: New England Idyls, Op. 62: III. Mid-Winter
Haydn: The Seasons, Hob. XXI:3, Winter: No. 39, Lied mit Chor. "Ein Mädchen, das auf Ehre hielt" (Hanne, Chorus)
Jarre: The Engadiner Suite for Piano Trio: III. Winter
Wolf: 6 Lieder für eine Frauenstimme: No. 5, Wiegenlied im Winter
Prokofiev: Cinderella, Op. 87, Act 1: No. 16, Winter Fairy
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Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe
Delius: 3 Small Tone Poems: No. 2, Sleigh Ride
Tveitt: 50 Folk-Tunes from Hardanger, Op. 150: No. 37, The Long, Long Winter Night
Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto
Shor: Four Seasons of Manhattan: III. Winter
Say: Art of Piano, Op. 66: III. Winter Morning in Istanbul
Lully: Isis, LWV 54: Prélude - Chœur. "L'hiver qui nous tourmente" - Récit. "Laissez-moi, cruelle Furie !" - Chœur. "Ah, quelle peine de trembler" (Chœur, Io, La Furie)
Ravel: Piano Trio in A Minor, M. 67: I. Modéré
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Hahn: Le rossignol éperdu: No. 52, Hivernale
Massenet: Année passée, Livre III "Soirs d'hiver": III. On valsait. Mouvement de valse
Piazzolla: Estaciones porteñas: IV. Invierno porteño (Arr. Assad for Guitar)
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Verdi: I vespri siciliani, Act 3: Ballabile. L'inverno
Orchestra Del Teatro Alla Scala Di Milan
Lutosławski: 5 Songs on Texts of Kazimiera Iłłakowicz: No. 3, Winter
Polish National Radio Symphony Orchestra
Tchaikovsky: Symphony No. 1, Op. 13 "Winter Daydreams": III. Scherzo. Allegro scherzando giocoso
Rimsky-Korsakov: The Snow Maiden, Act 3: Dance of the Tumblers
Elgar: 2 Part Songs, Op. 26: No. 1, The Snow
Poulenc: 7 Chansons, FP 81: No. 1, La blanche neige
Violin Concerto No. 2 "The American Four Seasons": Movement IV
Liszt: 12 Études d'exécution transcendante, S. 139: No. 12, Chasse-neige. Andante con moto
Korngold: 6 Einfache Lieder, Op. 9: No. 1, Schneeglöckchen
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 2: No. 10, Sinfonia
Charpentier: Dispute de bergers, H. 484 "Il faut rire et chanter": II. Brouillards, glaçons, neige, frimas
Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto
Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: Air and Chorus. "Or let the merry bells" - "And young and old come"
Bonds: Songs of the Seasons: No. 2, Winter Moon
Holst: 3 Hymns for the English Hymnal: No. 1, In the Bleak Mid-Winter
Vaughan Williams: Hodie: III. Song. "It Was the Winter Wild"
Grieg: Morning Mood - Albinoni: Adagio - Gluck: Dance of the Blessed Spirits - Bach: Jesu, Joy of Man's Desiring & Badinerie - Charpentier: Te Deum - Bizet: Les toréadors & Other Classical Hi
Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood
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Gluck: Orphée et Eurydice, Wq. 41, Act 2: Danse des ombres heureuses
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Fauré: Pavane, Op. 50 (Instrumental Version)
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Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro
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Mozart: Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": I. Allegro
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Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra)
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Pachelbel: Canon and Gigue in D Major: Canon
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Mozart: Piano Concerto No. 19 in F Major, K. 459: I. Allegro
Tchaikovsky: String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Arr. Marriner for String Orchestra)
Godard: Jocelyn, Op. 100, Act 1: Berceuse. "Oh ! Ne t'éveille pas encore" (Instrumental Version)
Radio-Sinfonieorchester Stuttgart des SWR
Offenbach: Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (Instrumental Version)
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Mozart: Die Entführung aus dem Serail, K. 384: Overture
Mozart: Violin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio
Mozart: Horn Concerto No. 2 in E-Flat Major, K. 417: III. Rondo
Handel: Solomon, HWV 67, Act 3: Sinfonia "The Arrival of the Queen of Sheba"
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
Mozart: Symphony No. 25 in G Minor, K. 183: I. Allegro con brio
Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo
Academy Chorus of St Martin in the Fields
Academy of St Martin in the Fields Chorus
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Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe
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Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
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Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"
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Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro vivace
Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter": IV. Molto allegro
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto
Bizet: Carmen Suite No. 1: VI. Les toréadors (Orch. Guiraud)
Rimsky-Korsakov: The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee
Mozart: Le nozze di Figaro, K. 492: Overture
Mozart: Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: III. Rondo. Allegro vivace
Grieg: Holberg Suite, Op. 40: I. Praeludium
Bach, JS: Piano Concerto No. 5 in F Minor, BWV 1056: II. Largo
Handel: Der Messias, HWV 56, Pt. 2: Chor. "Hallelujah"
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro
Bach, JS / Orch. Marriner: Herz und Mund und Tat und Leben, BWV 147: X. Chorale. "Jesu, Joy of Man's Desiring"
Pachelbel: Canon - Albinoni: Adagio - Bach: Air on G String - Mozart: Eine kleine Nachtmusik - Fauré: Pavane - Handel: Hallelujah from the Messiah & Other Classical Hits
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Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: I. —
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Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo
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Mozart: Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante
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Mozart: Sinfonia concertante for Violin and Viola in E-Flat Major, K. 364: I. Allegro maestoso
Mozart: Horn Concerto No. 2 in E-Flat Major, K. 417: II. Andante
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Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. "Jesus bleibet meine Freude" (Instrumental Version)
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Grieg: Piano Concerto in A Minor, Op. 16: II. Adagio
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Pulling Out the Stops! Popular Pieces for Trumpet and Organ
Martini: Toccata in D Major for Organ (Arr. Alain for Trumpet and Organ)
Charpentier: Te Deum, H. 146: I. Prelude (Arr. Antonsen and Marshall for Trumpet and Organ)
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. "Jesus bleibet meine Freude" (Arr. Alain for Trumpet and Organ)
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie (Arr. Antonsen and Marshall for Trumpet and Organ)
Bach, JS: Schübler Chorale: No. 1, Wachet auf, ruft uns die Stimme, BWV 645 (Arr. Antonsen and Marshall for Trumpet and Organ)
Telemann: 12 Marches héroïques: No. 1, La majesté, TWV 50:31 (Arr. Alain for Trumpet and Organ)
Telemann: 12 Marches héroïques: No. 2, La grâce TWV 50:32 (Arr. Alain for Trumpet and Organ)
Telemann: 12 Marches héroïques: No. 3, La vaillance, TWV 50:33 (Arr. Alain for Trumpet and Organ)
Telemann: 12 Marches héroïques: No. 4, La tranquillité, TWV 50:34 (Arr. Alain for Trumpet and Organ)
Telemann: 12 Marches héroïques: No. 5, L'armement, TWV 30:35 (Arr. Alain for Trumpet and Organ)
Telemann: 12 Marches héroïques: No. 6, L'amour, TWV 50:36 (Arr. Alain for Trumpet and Organ)
Telemann: 12 Marches héroïques: No. 7, La vigilance, TWV 50:37 (Arr. Alain for Trumpet and Organ)
Telemann: 12 Marches héroïques: No. 8, La gaillardise, TWV 50:38 (Arr. Alain for Trumpet and Organ)
Telemann: 12 Marches héroïques: No. 9, La douceur, TWV 50:39 (Arr. Alain for Trumpet and Organ)
Telemann: 12 Marches héroïques: No. 10, La générosité, TWV 50:40 (Arr. Alain for Trumpet and Organ)
Telemann: 12 Marches héroïques: No. 11, L'espérance, TWV 50:41 (Arr. Alain for Trumpet and Organ)
Telemann: 12 Marches héroïques: No. 12, La réjouissance, TWV 50:42 (Arr. Alain for Trumpet and Organ)
Bach, JS: 18 Chorale Preludes "Leipzig Chorals": No. 9, Nun komm der Heiden Heiland, BWV 659 (Arr. Antonsen and Marshall for Trumpet and Organ)
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (Arr. Antonsen and Marshall for Trumpet and Organ)
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Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Arr. Antonsen and Marshall for Trumpet and Organ)
Grieg: 2 Elegiac Melodies, Op. 34: No. 2, Last Spring (Arr. Antonsen and Marshall for Trumpet and Organ)
Grieg: 25 Norwegian Folk Songs and Dances, Op. 17: No. 22, Cattle Call (Arr. Antonsen and Marshall for Trumpet and Organ)
Traditional: Wedding March from Nordmøre (Arr. Antonsen and Marshall for Trumpet and Organ)
Sparre Olsen: 3 Love Songs, Op. 36: No. 1, Canto amoroso
Purcell: Now Does the Glorious Day Appear, Z. 332 "Ode for Queen Mary's Birthday": No. 7, Aria. "By Beauteous Softness"
Handel: Admeto, HWV 22, Act 1: Aria. "Se l'arco avessi e i strali" (Trasimede)
Handel: Admeto, HWV 22, Act 2: Aria. "Da te più tosto partir vogl'io" (Trasimede)
Handel: Admeto, HWV 22, Act 2: Aria. "Chi è nato alle sventure" (Trasimede)
Handel: Admeto, HWV 22, Act 3: Aria. "Armati, oh core, di cieco sdegno!" (Trasimede)
Bernstein: Chichester Psalms: II. Psalm XXIII. "Adonai ro-i, lo ehsar" - Psalm II. "Lamah rag'shu goyim" (Version for Choir, Organ, Harp and Percussion)
Charpentier: Messe de minuit pour Noël, H. 9: II. Gloria
Charpentier: Messe de minuit pour Noël, H. 9: VI. Agnus Dei
Handel: Messiah, HWV 56, Pt. 2: Aria. "He Was Despised and Rejected of Men"
Handel: Messiah, HWV 56, Pt. 3: Duet. "O Death, Where Is Thy Sting?"
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 52, Aria. "Können Tränen meinen Wangen"
Orff: Carmina Burana, Pt. 2 "In taberna": Olim lacus colueram
Purcell: O God, Thou Hast Cast Us Out, Z. 36
Britten: Rejoice in the Lamb, Op. 30: III. For the Mouse Is a Creature of Great Personal Valour
Handel: The Choice of Hercules, HWV 69: Air. "Yet Can I Hear That Dulcet Lay" (Hercules)
Handel: The Choice of Hercules, HWV 69: Air. "Lead, Goddess, Lead the Way" (Hercules)
Frescobaldi: Primo libro d'arie musicali: No. 15, Se l'aura spira
Handel: Messiah, HWV 56, Pt. 1, Scene 5: Aria with Choir. "He Shall Feed His Flock"
Handel: Messiah, HWV 56, Pt. 2, Scene 5: Aria. "Thou Art Gone up on High"
Britten: A Midsummer Night's Dream, Op. 64, Act 3: "Now the Hungry Lion Roars" (Fairies, Puck, Oberon, Tytania)
Purcell: Love's Goddess Sure, Z. 331 "Ode for Queen Mary's Birthday": No. 7, Duet. "Many Such Days May She Behold"
Purcell: Love's Goddess Sure, Z. 331 "Ode for Queen Mary's Birthday": No. 9, Verse with Chorus. "As Much as We Below Shall Mourn"
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 5, Ritornello. "Strike the Viol"
Del Encina: Triste España sin ventura (No. 317 from Cancionero de Palacio)
Dowland: First Book of Songs: No. 6, Now, O Now I Needs Must Part
Purcell: Rejoice in the Lord Alway, Z. 49 "The Bell Anthem"
Purcell: Blow Up the Trumpet in Sion, Z. 10
French Baroque Music: Leclair, Lalande, Couperin, Rameau...
Leclair: Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro
Leclair: Violin Concerto in D Minor, Op. 7 No. 1: II. Aria
Leclair: Violin Concerto in D Minor, Op. 7 No. 1: III. Vivace
Leclair: Violin Concerto in D Major, Op. 7 No. 2: I. Adagio - Allegro ma non troppo
Leclair: Violin Concerto in D Major, Op. 7 No. 2: II. Adagio
Leclair: Violin Concerto in D Major, Op. 7 No. 2: III. Allegro
Leclair: Flute Concerto in C Major, Op. 7 No. 3: I. Allegro
Leclair: Flute Concerto in C Major, Op. 7 No. 3: II. Adagio
Leclair: Flute Concerto in C Major, Op. 7 No. 3: III. Allegro assai
Leclair: Violin Concerto in F Major, Op. 7 No. 4: I. Allegro moderato
Leclair: Violin Concerto in F Major, Op. 7 No. 4: II. Adagio
Leclair: Violin Concerto in F Major, Op. 7 No. 4: III. Allegro
Leclair: Violin Concerto in A Minor, Op. 7 No. 5: I. Vivace
Leclair: Violin Concerto in A Minor, Op. 7 No. 5: II. Largo
Leclair: Violin Concerto in A Minor, Op. 7 No. 5: III. Allegro assai
Leclair: Violin Concerto in A Major, Op. 7 No. 6: I. Allegro ma non troppo
Leclair: Violin Concerto in A Major, Op. 7 No. 6: II. Aria. Grazioso
Leclair: Violin Concerto in A Major, Op. 7 No. 6: III. Giga. Allegro
Leclair: Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro
Leclair: Violin Concerto in B-Flat Major, Op. 10 No. 1: II. Andante
Leclair: Violin Concerto in B-Flat Major, Op. 10 No. 1: III. Giga. Allegro ma non troppo
Leclair: Violin Concerto in A Major, Op. 10 No. 2: I. Allegro ma non troppo
Leclair: Violin Concerto in A Major, Op. 10 No. 2: II. Adagio
Leclair: Violin Concerto in A Major, Op. 10 No. 2: III. Allegro ma non troppo
Leclair: Violin Concerto in D Major, Op. 10 No. 3: I. Allegro moderato
Leclair: Violin Concerto in D Major, Op. 10 No. 3: II. Andante
Leclair: Violin Concerto in D Major, Op. 10 No. 3: III. Allegro ma non troppo
Leclair: Violin Concerto in F Major, Op. 10 No. 4: I. Allegro ma poco
Leclair: Violin Concerto in F Major, Op. 10 No. 4: II. Aria. Grazioso, andante
Leclair: Violin Concerto in F Major, Op. 10 No. 4: III. Allegro
Leclair: Violin Concerto in E Minor, Op. 10 No. 5: I. Allegro ma poco
Leclair: Violin Concerto in E Minor, Op. 10 No. 5: II. Largo
Leclair: Violin Concerto in E Minor, Op. 10 No. 5: III. Allegro
Leclair: Violin Concerto in G Minor, Op. 10 No. 6: I. Allegro ma non troppo
Leclair: Violin Concerto in G Minor, Op. 10 No. 6: II. Aria. Grazioso
Leclair: Violin Concerto in G Minor, Op. 10 No. 6: III. Allegro
Corrette: Flute Concerto in E Minor, Op. 4 No. 6: I. Allegro
Corrette: Flute Concerto in E Minor, Op. 4 No. 6: II. Largo
Corrette: Flute Concerto in E Minor, Op. 4 No. 6: III. Allegro
Blavet: Flute Concerto in A Minor: I. Allegro
Blavet: Flute Concerto in A Minor: II. Gavottes I & II
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Blavet: Flute Concerto in A Minor: III. Allegro
Naudot: Flute Concerto in C Major, Op. 17 No. 3: I. Gaiement
Naudot: Flute Concerto in C Major, Op. 17 No. 3: II. Lentement
Naudot: Flute Concerto in C Major, Op. 17 No. 3: III. Légèrement
Couperin: Les Nations, Premier ordre "La Françoise": I. Sonade
Couperin: Les Nations, Premier ordre "La Françoise": II. Allemande
Couperin: Les Nations, Premier ordre "La Françoise": III. Première courante
Couperin: Les Nations, Premier ordre "La Françoise": IV. Seconde courante
Couperin: Les Nations, Premier ordre "La Françoise": V. Sarabande
Médée, H. 491, Prologue: Air et chœur. "Louis est triomphant"
Médée, H. 491, Act II: Récit. "Il est temps de parler sans feindre"
Médée, H. 491, Act II: Récit accompagné. "Pour le guérir de ses alarmes"
Médée, H. 491, Prologue: Trio et chœur. "Paraissez, charmante victoire"
Médée, H. 491, Act II: Récit et duo. "Sans m'étonner j'écoute mon arrêt"
Médée, H. 491, Prologue: Air et trio. "Le ciel dans vos vœux s'intéresse"
Médée, H. 491, Act II: Récit. "Par une lâcheté, voulez-vous qu'il ternisse"
Médée, H. 491, Prologue: Air et chœur. "Le bruit des tambours, des trompettes"
Médée, H. 491, Act II: Récit accompagné. "Vos reproches, seigneur"
Médée, H. 491, Act II: Récit. "En vain sur ce héros vous rejetez la haine"
Médée, H. 491, Act II: Air. "Faisons taire les mécontents"
Médée, H. 491, Prologue: Air. "Dans le bel âge"
Médée, H. 491, Act II: Récit accompagné. "Princesse, c'est sur vous"
Médée, H. 491, Prologue: Menuet en rondeau
Médée, H. 491, Act II: Récit. "Enfin à ton amour tout espoir est permis"
Médée, H. 491, Prologue: Duo. "Voir nos moutons dans la verte prairie"
Médée, H. 491, Act II: Air. "L'amour sur tous les cœurs remporte la victoire"
Médée, H. 491, Act II: Récit. "D'Oronte par ce choix"
Médée, H. 491, Prologue: Chœur. "Le bruit des tambours, des trompettes"
Médée, H. 491, Act II: Récit. "Prince, venez apprendre"
Médée, H. 491, Prologue: Ouverture (Reprise)
Médée, H. 491, Act I: Ritournelle et récit. "Pour flatter mes ennuis"
Médée, H. 491, Act I: Récit accompagné. "Un dragon assoupi, de fiers taureaux domptés"
Médée, H. 491, Act I: Duo et ritournelle. "Forcez vos ennuis au silence"
Médée, H. 491, Act I: Récit. "D'où vous vient cet air sombre"
Médée, H. 491, Act I: Duo et récit. "Que de tristes soucis, malgré tous ses appas"
Médée, H. 491, Act I: Air. "Quittez ces détours superflus"
Médée, H. 491, Act I: Récit. "Non, Jason, cherchez à lui plaire"
Médée, H. 491, Act I: Air. "Que je serais heureux, si j'étais moins aimé"
Médée, H. 491, Act I: Récit. "Si vous l'abandonnez, songez-vous à la rage"
Médée, H. 491, Act I: Air. "Que me peut demander la gloire"
Médée, H. 491, Act I: Chœur. "Disparaissez, inquiètes larmes"
Médée, H. 491, Act I: Récit. "L'allégresse en ces lieux"
Médée, H. 491, Act I: Récit et air. "Seigneur, la Thessalie attaquant vos états"
Médée, H. 491, Act I: Récit. "Prince, je sais que l'amour a des charmes"
Médée, H. 491, Act I: Air et chœur. "Courez aux Champs de Mars"
Médée, H. 491, Act I: Air et chœur. "Courons, volons, d'un courage intrépide"
Médée, H. 491, Act I: Trio et chœur. "Que d'épais bataillons" (I)
Médée, H. 491, Act I: Rondeau pour les Corinthiens
Médée, H. 491, Act I: Second air pour les Argiens
Médée, H. 491, Act I: Duo et sarabande. "Quel bonheur suit la tendresse !"
Médée, H. 491, Act I: Trio et chœur. "Que d'épais bataillons" (II)
Peaceful Christmas - Warming Tunes for the Festive Season
Traditional: In dulci jubilo (Arr. Pearsall)
Reger / Orch. Ekdahl: Schlichte Weisen, Op. 76: No. 52, Mariä Wiegenlied
Traditional: Lullay, Thou Tiny Little Child
Britten: A Ceremony of Carols, Op. 28: IV. (b) Balulalow
Traditional / Arr. Shaw & Parker: Away in a Manger
Traditional / Arr. Gevaert: Entre le bœuf et l'âne gris
Maîtrise Saint-Pierre-aux-Liens de Bulle
Charpentier: Messe de minuit pour noël, H. 9: IX. Agnus Dei
Cererols: Serafín, que con dulce harmonía
Traditional / Arr. Rutter: Noël nouvelet
Traditional: El noi de la mare (Arr. Llobet for Guitar)
Anonymous: Adeste fideles (Also Attributed to Wade)
Trad / Arr. Harvey: Infant Holy, Infant Lowly
Schütz: Geistliche Chormusik, Op. 11: No. 16, Ein Kind ist uns geboren, SWV 384
Charpentier: Messe de Minuit - In Nativitatem Domini Canticum
In Nativitatem Domini Canticum, H. 416: Praeludium. Usquequo avertis faciem tuam
In Nativitatem Domini Canticum, H. 416: Nuit - Réveil des bergers - Cæli aperti sunt
In Nativitate Domini N[ost]ri Jesu Christi Canticum, H. 421
Noël sur les instruments, H. 534: Joseph est bien marié
Noël sur les instruments, H. 531: Laissez paître vos bêtes
M.A. Charpentier: Cæcilia Virgo et Martyr, H.413 - Filius prodigus, H.399 - Magnificat, H.73
M.A. Charpentier: Actéon & Intermèdes nouveaux du Mariage forcé
Actéon, H. 481, Scene I: Allons, marchons, courons
Actéon, H. 481, Scene I: Déesse par qui je respire
Actéon, H. 481, Scene I: Vos vœux sont exaucés
Actéon, H. 481, Scene II: Nymphes, retirons-nous dans ce charmant bocage
Actéon, H. 481, Scene II: Loin de ces lieux tout cœur profane
Actéon, H. 481, Scene II: Ah ! Qu'on évite de langueurs
Actéon, H. 481, Scene III: Amis, les ombres raccourcies
Actéon, H. 481, Scene III: Agréable vallon, paisible solitude
Actéon, H. 481, Scene III: Nymphes, dans ce buisson quel bruit viens-je d'entendre ?
Actéon, H. 481, Scene III: Vante-toi maintenant, profane
Actéon, H. 481, Scene IV: Mon cœur autrefois intrépide
Actéon, H. 481, Scene V: Jamais troupe de chasseurs
Actéon, H. 481, Scene VI: Chasseurs, n'appelez plus qui ne vous peut entendre
Actéon, H. 481, Scene VI: Hélas, est-il possible
Intermèdes nouveaux du Mariage forcé, H. 494
Charpentier: Te Deum, Beatus vir, Tenebrae factae sunt & Seniores populi
Charpentier: Te Deum, H. 146: I. Prélude. Rondeau
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Charpentier / Transcr. Lambert: Te Deum, H. 146: II. Te Deum laudamus
Charpentier / Transcr. Lambert: Te Deum, H. 146: III. Te aeternum Patrem
Charpentier / Transcr. Lambert: Te Deum, H. 146: IV. Te per orbem terrarum
Charpentier / Transcr. Lambert: Te Deum, H. 146: V. Tu devicto mortis aculeo
Charpentier / Transcr. Lambert: Te Deum, H. 146: VI. Te ergo quaesumus
Charpentier / Transcr. Lambert: Te Deum, H. 146: VII. Aeterna fac cum Sanctis tuis
Charpentier / Transcr. Lambert: Te Deum, H. 146: VIII. Dignare, Domine, die isto
Charpentier / Transcr. Lambert: Te Deum, H. 146: IX. Fiat misericordia tua, Domine, super nos
Charpentier / Transcr. Lambert: Te Deum, H. 146: X. In te, Domine, speravi
Charpentier: Beatus vir, H. 224: I. Prélude
Charpentier: Beatus vir, H. 224: II. Beatus vir
Charpentier: Beatus vir, H. 224: III. Potens in terra
Charpentier: Beatus vir, H. 224: IV. Exortum est in tenebris
Charpentier: Beatus vir, H. 224: V. In memoria aeterna
Charpentier: Beatus vir, H. 224: VI. Dispersit, dedit pauperibus
Charpentier: Beatus vir, H. 224: VII. Peccator videbit
Charpentier: Beatus vir, H. 224: VIII. Gloria Patri
Charpentier: Tenebrae factae sunt, H. 129
Charpentier: In nativitatem Domini canticum, H. 416: III. Nuit
Charpentier: Le jugement dernier, Salve Regina & Miserere des Jésuites
Charpentier: Miserere des Jésuites, H. 193: I. Prélude
Charpentier: Miserere des Jésuites, H. 193: II. Miserere mei Deus
Charpentier: Miserere des Jésuites, H. 193: III. Amplius lava me
Charpentier: Miserere des Jésuites, H. 193: IV. Ecce enim
Charpentier: Miserere des Jésuites, H. 193: V. Asperges me hysopo
Charpentier: Miserere des Jésuites, H. 193: VI. Auditui meo dabis gaudium
Charpentier: Miserere des Jésuites, H. 193: VII. Averte faciem tuam a peccatis meis
Charpentier: Miserere des Jésuites, H. 193: VIII. Ne projicias me a facie tua
Charpentier: Miserere des Jésuites, H. 193: IX. Docedo iniquos vias tuas
Charpentier: Miserere des Jésuites, H. 193: X. Libera me de sanguinibus Deus
Charpentier: Miserere des Jésuites, H. 193: XI. Sacrificium Deo spiritus contribulatus
Charpentier: Miserere des Jésuites, H. 193: XII. Benigne fac Domine
Charpentier: Miserere des Jésuites, H. 193: XIII. Tunc acceptabilis sacrificium iusititiae oblationes
Charpentier: Extremum Dei judicium, H. 401: I. Récit de Dieu. "Audite coeli quae loquor"
Charpentier: Extremum Dei judicium, H. 401: II. Chorus hominum. "O pavor, o tremor, o portentum"
Charpentier: Extremum Dei judicium, H. 401: III. Bruit de trompettes
Charpentier: Extremum Dei judicium, H. 401: IV. Duo des anges. "Adeste omnes gentes"
Charpentier: Extremum Dei judicium, H. 401: V. Bruit de trompettes
Charpentier: Extremum Dei judicium, H. 401: VI. Chœur des hommes. "Et factus est subito sonus"
Charpentier: Extremum Dei judicium, H. 401: VII. Récit de Dieu. "Venite benedicti"
Charpentier: Extremum Dei judicium, H. 401: VIII. Récit de Dieu. "Et vos maledicti"
Charpentier: Extremum Dei judicium, H. 401: IX. Chœur des damnés. "O justa punitio"
Charpentier: Extremum Dei judicium, H. 401: X. Duo des anges. "Vos autem electi"
Charpentier: Extremum Dei judicium, H. 401: XI. Chœur des élus. "Hymnum dicamus Domine nostro"
Charpentier / Transc Lambert: Salve Regina, H. 24
Charpentier: Messe pour les trépassés, H. 2 & Motet pour les trépassés, H. 311
Charpentier: Messe pour les trépassés, H. 2: I. Symphonie - Kyrie
Charpentier: Dies irae, H. 12 "Prose des morts": I. Dies irae, dies illa
Charpentier: Dies irae, H. 12 "Prose des morts": II. Liber scriptus
Charpentier: Dies irae, H. 12 "Prose des morts": III. Juste sudex
Charpentier: Dies irae, H. 12 "Prose des morts": IV. Oro supplex
Charpentier: Motet pour les trépassés, H. 311: I. Prélude - Miseremini mei
Charpentier: Motet pour les trépassés, H. 311: II. Hei, hei, mihi Domine
Charpentier: Motet pour les trépassés, H. 311: III. Ritornelle - Ah, ah, poenis crucior
Charpentier: Motet pour les trépassés, H. 311: IV. Prélude - Miseremini mei (Reprise)
Charpentier: Messe pour les trépassés, H. 2: II. Symphonie - Sanctus
Charpentier: Messe pour les trépassés, H. 2: III. Pie Jesu
Charpentier: Messe pour les trépassés, H. 2: IV. Benedictus
Charpentier: Messe pour les trépassés, H. 2: V. Symphonie - Agnus Dei
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Méditations pour le Carême in C Major, H.380: I. Desolatione desolata est (Arr. for Harps)
Méditations pour le Carême in C Major, H.380: II. Sicut pullus hirundinis (Arr. for Harps)
Méditations pour le Carême in C Major, H.380: III. Tristis est anima mea (Arr. for Harps)
Méditations pour le Carême in C Major, H.380: IV. Ecce Judas (Arr. for Harps)
Méditations pour le Carême in C Major, H.380: V. Cum cenasset Jesus (Arr. for Harps)
Méditations pour le Carême in C Major, H.380: VI. Quaerebat Pilatus dimittere Jesum (Arr. for Harps)
Méditations pour le Carême in C Major, H.380: VII. Tenebrae factae sunt (Arr. for Harps)
Méditations pour le Carême in C Major, H.380: VIII. Stabat mater dolorosa (Arr. for Harps)
Méditations pour le Carême in C Major, H.380: IX. Sola vivebat in antris (Arr. for Harps)
Méditations pour le Carême in C Major, H.380: X. Tentavit Deus Abraham (Arr. for Harps)
David et Jonathas in D Major, H.490: I. Marche triomphante
David et Jonathas in D Major, H.490: II. Rigaudon & Bourée
David et Jonathas in D Major, H.490: III. Menuet
David et Jonathas in D Major, H.490: IV. Gigue
David et Jonathas in D Major, H.490: V. Prélude
Le malade imaginaire in F Major, H.495: I. Prologue
Le malade imaginaire in F Major, H.495: II. Eglogue
Le malade imaginaire in F Major, H.495: III. Entrée de ballet
Le malade imaginaire in F Major, H.495: IV. Combat
Charpentier: Is Est Valde Romam Deformem
David et Jonathas in D Major, H.490: I. Marche triomphante (Arr. for Orchestra)
David et Jonathas in D Major, H.490: II. Rigaudon & Bourée (Arr. for Orchestra)
David et Jonathas in D Major, H.490: III. Menuet (Arr. for Orchestra)
David et Jonathas in D Major, H.490: IV. Gigue (Arr. for Orchestra)
David et Jonathas in D Major, H.490: V. Prélude (Arr. for Orchestra)
Extremum Dei judicium in C Major, H.401: I. Bruit de Trompettes (Arr. for Orchestra)
Médée in C Major, H.491: I. Ouverture (Arr. for Orchestra)
Miserere in C Major, H.157 (Arr. for Orchestra)
Te Deum in D Major, H.146: I. Prelude (Arr. for Orchestra)
Méditations pour le Carême in C Major: Desolatione desolata est, H.380 (Arr. for Piano Solo)
Méditations pour le Carême in C Major: Sicut pullus hirundinis, H.381 (Arr. for Piano Solo)
Méditations pour le Carême in C Major: Tristis est anima mea, H.382 (Arr. for Piano Solo)
Méditations pour le Carême in C Major: Ecce Judas, H.383 (Arr. for Piano Solo)
Méditations pour le Carême in C Major: Cum cenasset Jesus, H.384 (Arr. for Piano Solo)
Méditations pour le Carême in C Major: Quaerebat Pilatus dimittere Jesum, H.385 (Arr. for Piano Solo)
Méditations pour le Carême in C Major: Tenebrae factae sunt, H.386 (Arr. for Piano Solo)
Méditations pour le Carême in C Major: Stabat mater dolorosa, H.387 (Arr. for Piano Solo)
Méditations pour le Carême in C Major: Sola vivebat in antris, H.388 (Arr. for Piano Solo)
Méditations pour le Carême in C Major: Tentavit Deus Abraham, H.389 (Arr. for Piano Solo)
Le malade imaginaire in F Major, H.495: No. 1 Prologue (Arr. for Mixed Ensemble)
Le malade imaginaire in F Major, H.495: No. 2 Eglogue (Arr. for Mixed Ensemble)
Le malade imaginaire in F Major, H.495: No. 3 Entrée de ballet (Arr. for Mixed Ensemble)
Le malade imaginaire in F Major, H.495: No. 4 Combat (Arr. for Mixed Ensemble)
Le malade imaginaire in F Major, H.495: No. 5 Duo Cléante Angélique (Arr. for Mixed Ensemble)
Le malade imaginaire in F Major, H.495: No. 6 Intermède à quatre voix (Arr. for Mixed Ensemble)
Le malade imaginaire in F Major, H.49: No. 7 Troisième intermède (Arr. for Mixed Ensemble)
Le malade imaginaire in F Major, H.495: No. 8 Second aire pour les tapissiers (Arr. for Mixed Ensemble)
Le malade imaginaire in F Major, H.495: No. 9 Bene, bene respondere (Arr. for Mixed Ensemble)
Le malade imaginaire in F Major, H.495: No. 10 Air des révérences (Arr. for Mixed Ensemble)
Charpentier: Messe pour Monsieur Mauroy, H. 6
Messe pour Monsieur Mauroy, H. 6: Introit
Messe pour Monsieur Mauroy, H. 6: Ia. Kyrie
Messe pour Monsieur Mauroy, H. 6: Ib. Kyrie
Messe pour Monsieur Mauroy, H. 6: Ic. Kyrie
Messe pour Monsieur Mauroy, H. 6: II. Gloria
Messe pour Monsieur Mauroy, H. 6: IIIa. Credo
Messe pour Monsieur Mauroy, H. 6: IIIb. Offertoire
Messe pour Monsieur Mauroy, H. 6: IVa. Sanctus No. 1
Messe pour Monsieur Mauroy, H. 6: IVb. Sanctus No. 2
Messe pour Monsieur Mauroy, H. 6: IVc. Sanctus No. 3
Messe pour Monsieur Mauroy, H. 6: IVd. Élèvation
Messe pour Monsieur Mauroy, H. 6: IVe. Benedictus
Messe pour Monsieur Mauroy, H. 6: Va. Agnus Dei No. 1
Messe pour Monsieur Mauroy, H. 6: Vb. Agnus Dei No. 2
Messe pour Monsieur Mauroy, H. 6: Vc. Agnus Dei No. 3
Messe pour Monsieur Mauroy, H. 6: Vd. Domine Salvum
Messe pour Monsieur Mauroy, H. 6: Ve. Envoi
Orphée descendant aux enfers, H. 471: Prélude
Orphée descendant aux enfers, H. 471: "Récit d'Orphée, violon lentement"
Orphée descendant aux enfers, H. 471: "Effroyable enfers, où je conduis mes pas"
Orphée descendant aux enfers, H. 471: "Quelle douce harmonie a frappé mon oreille ?"
Orphée descendant aux enfers, H. 471: "Vos plus grands criminels rongés par des vautours"
Orphée descendant aux enfers, H. 471: "Ne cherchons plus d'où vient cette tendresse"
La descente d'Orphée aux enfers, H. 488: Ouverture
La descente d'Orphée aux enfers, H. 488: "Inventons mille jeux divers"
La descente d'Orphée aux enfers, H. 488: "Compagnes fidèles"
La descente d'Orphée aux enfers, H. 488: "Soutiens-moi, chère Énone"
La descente d'Orphée aux enfers, H. 488: "Qu'ai-je entendu ? Que vois-je ?"
La descente d'Orphée aux enfers, H. 488: "Ah ! Bergers c'en est fait"
La descente d'Orphée aux enfers, H. 488: Entrée de Nymphes et de Bergers désespérés
La descente d'Orphée aux enfers, H. 488: "Lâche amant, pourrais-tu survivre"
La descente d'Orphée aux enfers, H. 488: "Ne tourne point, mon fils"
La descente d'Orphée aux enfers, H. 488: "Que d'un frivole espoir"
La descente d'Orphée aux enfers, H. 488: "Affreux tourments, gênes cruelles"
La descente d'Orphée aux enfers, H. 488: "Cessez, cessez fameux coupables"
La descente d'Orphée aux enfers, H. 488: "Quelle touchante voix"
La descente d'Orphée aux enfers, H. 488: "Je ne refuse point ce secours"
La descente d'Orphée aux enfers, H. 488: "Il n'est rien aux Enfers"
La descente d'Orphée aux enfers, H. 488: Entrée des Fantômes
La descente d'Orphée aux enfers, H. 488: "Que cherche en mon palais ce mortel téméraire ?"
La descente d'Orphée aux enfers, H. 488: "Je ne vis point ici, Monarque des Enfers"
La descente d'Orphée aux enfers, H. 488: "Pauvre amant, quel cœur de rocher"
La descente d'Orphée aux enfers, H. 488: "Eurydice n'est plus, et mon feu dure encore"
La descente d'Orphée aux enfers, H. 488: "Le destin est contraire à ce que tu souhaites"
La descente d'Orphée aux enfers, H. 488: "Tu ne la perdras point, hélas, pour me la rendre"
La descente d'Orphée aux enfers, H. 488: "Quel charme impérieux m'incite à la tendresse ?"
La descente d'Orphée aux enfers, H. 488: "Souviens toi du larcin que tu fis à Cérès"
La descente d'Orphée aux enfers, H. 488: "Je cède, je me rends, aimable Prosperine"
La descente d'Orphée aux enfers, H. 488: "Vous partez donc, Orphée ?"
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
Les plaisirs de Versailles, H. 480: Overture
Boston Early Music Festival Chamber Ensemble
Les plaisirs de Versailles, H. 480, Scene 1: Que tout cede aux douceurs
Boston Early Music Festival Vocal Ensemble
Les plaisirs de Versailles, H. 480, Scene 2: Quel objet importun
Les plaisirs de Versailles, H. 480, Scene 2: Ah! Que cette chute
Les plaisirs de Versailles, H. 480, Scene 2: Qu'elle finisse donc
Les plaisirs de Versailles, H. 480, Scene 3: Venez, dieu des festins
Les plaisirs de Versailles, H. 480, Scene 3: D'un vin délicieux
Les plaisirs de Versailles, H. 480, Scene 3: J'ai des confitures liquides
Les plaisirs de Versailles, H. 480, Scene 4: Si les cartes
Les plaisirs de Versailles, H. 480, Scene 4: Pour vous apaiser donc
Les plaisirs de Versailles, H. 480, Scene 4: Déesse des discours
Les plaisirs de Versailles, H. 480, Scene 4: Ah, que ce chocolat foisonne
Les plaisirs de Versailles, H. 480, Scene 4: Déesse un peu trop chatouilleuse
Les arts florissants, H. 487, Scene 1: Que mes divins concerts
Les arts florissants, H. 487, Scene 1: Amour du ciel (1)
Les arts florissants, H. 487, Scene 1: Dans la noble ardeur
Les arts florissants, H. 487, Scene 1: Mon pinceau, mes couleurs
Les arts florissants, H. 487, Scene 1: Amour du ciel (2)
Les arts florissants, H. 487, Scene 2: Bruit effroyable
Les arts florissants, H. 487, Scene 2: Renversons le ciel
Les arts florissants, H. 487, Scene 2: Sa gloire est un supplice
Les arts florissants, H. 487, Scene 3: Fille de la nuit éternelle
Les arts florissants, H. 487, Scene 3: Souffres-tu, monarque des dieux
Les arts florissants, H. 487, Scene 4: Parais dans ta beauté première
Les arts florissants, H. 487, Scene 5: Charmante paix
Les arts florissants, H. 487, Scene 5: O paix si longtemps desiree (1)
Les arts florissants, H. 487, Scene 5: O paix si longtemps desiree (2)
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia)
Mors Saülis et Jonathæ, H. 403: Rumor bellicus
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Nullus audit, nullus videt (Valerianus, Cæcilia) - Et aquis lustratibus (Chorus fidelium)
Mors Saülis et Jonathæ, H. 403, Première partie: Cum essent congregata (Chorus)
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Acceptis autem ab Angelo flosculis (Historicus, Cæcilia, Valerianus, Tiburtius)
Mors Saülis et Jonathæ, H. 403, Première partie: O mulier, suscita mihi (Saül, Maga)
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: O Christi fidem profitentium (Tutti)
Mors Saülis et Jonathæ, H. 403, Première partie: Première symphonie [de l'enchantement] - Æther umbrosus nigro velamine (Maga) Per hanc virgam in terram trahentem (Maga) - [Seconde] symphonie
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Præludium
Mors Saülis et Jonathæ, H. 403, Première partie: Cumque Samuel volente Deo (Duo ex choro)
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Cum autem Valeriani et Tiburtii (Historicus, Almachius, Cæcilia)
Mors Saülis et Jonathæ, H. 403, Première partie: Surge Saül et responde mihi ! (Samuel, Saül)
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Ecce, ecce mihi Jesu (Cæcilia)
Mors Saülis et Jonathæ, H. 403, Seconde partie: Cecidit repente Saül (Chorus)
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Heu, heu, nos dolentes (Chorus fidelium, Angeli)
Mors Saülis et Jonathæ, H. 403, Seconde partie: Tolle, quæso, tolle (Saül, Miles)
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Cur ploratis fideles (Angeli, Chorus fidelium)
Mors Saülis et Jonathæ, H. 403, Seconde partie: Age cito (Saül, chorus)
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Guay - Nolite flere fideles (Angeli, Chorus fidelium, tutti)
Mors Saülis et Jonathæ, H. 403, Seconde partie: Cumque miles invitus (Tres ex choro)
Motet pour les trépassés à 8, H. 311: Prélude - Miseremini mei
Mors Saülis et Jonathæ, H. 403, Seconde partie: Quisnam es tu ? (David, Miles)
Motet pour les trépassés à 8, H. 311: Heu, mihi Domine
Mors Saülis et Jonathæ, H. 403, Seconde partie: O sors ! (Chorus sans violons)
Motet pour les trépassés à 8, H. 311: Ritournelle - Ah, ah pœnis crucior
Mors Saülis et Jonathæ, H. 403, Seconde partie: Sed tu, unde scis quod Saül (David, Miles)
Dialogus inter Magdalenam et Jesum, H. 423: Hei, hei mihi infelix Magdalena
Mors Saülis et Jonathæ, H. 403, Seconde partie: Doleo super te (David)
Judith, sive Bethulia liberata, H. 391, Première partie: Stabat Holofernes super montes (Chorus Assyriorum)
Mors Saülis et Jonathæ, H. 403, Seconde partie: David autem conversus (Duo ex choro, David)
Judith, sive Bethulia liberata, H. 391, Première partie: Filii Israel (Tres duces Assyrii)
Mors Saülis et Jonathæ, H. 403, Seconde partie: Montes Gelboe (Chorus ultimus)
Judith, sive Bethulia liberata, H. 391, Première partie: Et placuerunt (Historicus ex Assyriis, Historicus ex filiis Israel, Tres viri Israelitæ, Historicus ex Israel)
Prelude pour Mementote peccatores, H. 425a
Judith, sive Bethulia liberata, H. 391, Première partie: Peccavimus, Domine (Filii Israel)
Dialogus inter Christum et peccatores, H. 425: Mementote peccatores (Christus)
Judith, sive Bethulia liberata, H. 391, Première partie: Et, cum his clamoribus (Historicus ex filiis Israel, Ozias)
Judith, sive Bethulia liberata, H. 391, Première partie: Quod cum audisset (Historici ex filiis Israel)
Judith, sive Bethulia liberata, H. 391, Première partie: Quod est hoc verbum (Judith)
Judith, sive Bethulia liberata, H. 391, Première partie: Vera sunt omnia (Ozias, Judith, Chorus ex Israel, trois voix seules)
Judith, sive Bethulia liberata, H. 391, Première partie: Nocte autem sequetem (Historicus ex Israel, Judith)
Judith, sive Bethulia liberata, H. 391, Première partie: Post hæc Judith deposuit (Historicus ex Israel)
Judith, sive Bethulia liberata, H. 391, Première partie: La nuict
Judith, sive Bethulia liberata, H. 391, Seconde partie: Cum autem Judith descenderat montem (Ancilla, Duo exploratores ex Assyriis, Judith, Chorus Assyriorum)
Judith, sive Bethulia liberata, H. 391, Seconde partie: Æquo animo esto (Holofernes, Judith)
Judith, sive Bethulia liberata, H. 391, Seconde partie: Et ingressa Judith (Historici ex Assyriis)
Judith, sive Bethulia liberata, H. 391, Seconde partie: Ut autem sero factum est (Ancilla)
Judith, sive Bethulia liberata, H. 391, Seconde partie: Aperite portas, custodes fideles (Judith)
Judith, sive Bethulia liberata, H. 391, Seconde partie: Et cum audissent filii Israel (Chorus filiorum Israel)
Judith, sive Bethulia liberata, H. 391, Seconde partie: Laudate Dominum Deum nostrum (Judith, Chœur)
Charpentier: Leçons de ténèbres, Litanies & Magnificat
Litanies de la vierge, H. 83: I. Kyrie eleison
Litanies de la vierge, H. 83: II. Speculum iustitiae
Litanies de la vierge, H. 83: III. Salus infirmorum
Litanies de la vierge, H. 83: IV. Agnus Dei
Ouverture pour le sacre d'un évêque, H. 536
Première leçon de ténèbres du Mercredi saint, H. 120: I. Prelude
Première leçon de ténèbres du Mercredi saint, H. 120: II. Incipit lamentatio Jeremiae prophetae
Première leçon de ténèbres du Mercredi saint, H. 120: III. Quomodo sedet sola civitas plena populo
Première leçon de ténèbres du Mercredi saint, H. 120: IV. Plorans ploravit in nocte
Première leçon de ténèbres du Mercredi saint, H. 120: V. Migravit Juda propter afflictionem
Première leçon de ténèbres du Mercredi saint, H. 120: VI. Viae Sion lugent
Première leçon de ténèbres du Mercredi saint, H. 120: VII. Facti sunt hostes eius in capite
Première leçon de ténèbres du Mercredi saint, H. 120: VIII. Jerusalem, Jerusalem, convertere ad Dominum Deum tuum
Seconde leçon de ténèbres du Mercredi saint, H. 138: I. Vau. Et egressus est a filia –
Seconde leçon de ténèbres du Mercredi saint, H. 138: II. Zain. Recordata est Jerusalem dierum afflictionis suae
Seconde leçon de ténèbres du Mercredi saint, H. 138: III. Peccatum peccavit Jerusalem –
Seconde leçon de ténèbres du Mercredi saint, H. 138: IV. Teth. Sordes eius in pedibus eius
Seconde leçon de ténèbres du Mercredi saint, H. 138: V. Jerusalem, Jerusalem, convertere ad Dominum Deum tuum
Troisième leçon de ténèbres du Mercredi saint, H. 123: I. Prelude
Troisième leçon de ténèbres du Mercredi saint, H. 123: II. Jod
Troisième leçon de ténèbres du Mercredi saint, H. 123: III. Manum suam misit hostis
Troisième leçon de ténèbres du Mercredi saint, H. 123: IV. Omnis populus eius gemens
Troisième leçon de ténèbres du Mercredi saint, H. 123: V. Lamed
Troisième leçon de ténèbres du Mercredi saint, H. 123: VI. O vos omnes qui transitis per viam
Troisième leçon de ténèbres du Mercredi saint, H. 123: VII. Mem
Troisième leçon de ténèbres du Mercredi saint, H. 123: VIII. De excelso misit ignem in ossibus meis
Troisième leçon de ténèbres du Mercredi saint, H. 123: IX. Nun
Troisième leçon de ténèbres du Mercredi saint, H. 123: X. Vigilavit iugum iniquitatum mearum
Troisième leçon de ténèbres du Mercredi saint, H. 123: XI. Jerusalem, Jerusalem, convertere ad Dominum Deum tuum
Charpentier: La descente d'Orphée aux enfers, H. 488
La descente d'Orphée aux enfers, H. 488: Overture
La descente d'Orphée aux enfers, H. 488, Act I: Inventons mille jeux divers
La descente d'Orphée aux enfers, H. 488, Act I: Ruisseau qui dans ce beau séjour
La descente d'Orphée aux enfers, H. 488, Act I: Compagnes fidèles
La descente d'Orphée aux enfers, H. 488, Act I: Qu'il se croira fortuné
La descente d'Orphée aux enfers, H. 488, Act I: Soutiens moi, chère Œnone - Qu'ai-je entendu, que vois-je?
La descente d'Orphée aux enfers, H. 488, Act I: Ah! Bergers, c'en est fait
La descente d'Orphée aux enfers, H. 488, Act I: Entrée de nymphes et de bergers désespérés
La descente d'Orphée aux enfers, H. 488, Act I: Lâche amant
La descente d'Orphée aux enfers, H. 488, Act I: Ne tourne point, mon fils
La descente d'Orphée aux enfers, H. 488, Act I: Que d'un frivole espoir - Juste sujet de pleurs
La descente d'Orphée aux enfers, H. 488, Act II: Prélude - Affreux tourments
La descente d'Orphée aux enfers, H. 488, Act II: Prélude - Cessez, fameux coupables
La descente d'Orphée aux enfers, H. 488, Act II: Quelle touchante voix
La descente d'Orphée aux enfers, H. 488, Act II: Je ne refuse point le secours - Il n'est rien aux enfers
La descente d'Orphée aux enfers, H. 488, Act II: Entrée de fantômes
La descente d'Orphée aux enfers, H. 488, Act II: Prélude - Que cherche en mon palais
La descente d'Orphée aux enfers, H. 488, Act II: Je ne viens point ici - Pauvre amant
La descente d'Orphée aux enfers, H. 488, Act II: Euridice n'est plus
La descente d'Orphée aux enfers, H. 488, Act II: Le destin est contraire - Ah! Puisqu'avant le temps
La descente d'Orphée aux enfers, H. 488, Act II: Tu ne la perdras point, hélas!
La descente d'Orphée aux enfers, H. 488, Act II: Quel charme impérieux - Courage Orphée
La descente d'Orphée aux enfers, H. 488, Act II: Souviens-toi du larcin
La descente d'Orphée aux enfers, H. 488, Act II: Je cède, je me rends - Amour, brûlant amour
La descente d'Orphée aux enfers, H. 488, Act II: Vous partez donc, Orphée
Marc-Antoine Charpentier: La descente d'Orphée aux enfers
La Descente d'Orphée aux Enfers, H. 488, Act I: Ouverture
La Descente d'Orphée aux Enfers, H. 488, Act I Scène 1: "Inventons mille jeux divers"
La Descente d'Orphée aux Enfers, H. 488, Act I Scène 1: "Compagnes fidèles"
La Descente d'Orphée aux Enfers, H. 488, Act I Scène 1: "Soutiens-moi, chère Œnone"
La Descente d'Orphée aux Enfers, H. 488, Act I Scène 2: "Ah! Bergers, c'en est fait"
La Descente d'Orphée aux Enfers, H. 488, Act I Scène 2: Entrée de Nymphes et de Bergers désespérés
La Descente d'Orphée aux Enfers, H. 488, Act I Scène 2: "Lâche amant"
La Descente d'Orphée aux Enfers, H. 488, Act I Scène 3: "Ne tourne point, mon fils"
La Descente d'Orphée aux Enfers, H. 488, Act I Scène 3: "Que d'un frivole espoir"
La Descente d'Orphée aux Enfers, H. 488, Act II Scène 1: "Affreux tourments"
La Descente d'Orphée aux Enfers, H. 488, Act II. L'Enfer Scène 2: "Cessez, cessez fameux coupables"
La Descente d'Orphée aux Enfers, H. 488, Act II Scène 2: "Quelle touchante voix"
La Descente d'Orphée aux Enfers, H. 488, Act II. L'Enfer Scène 2: "Je ne refuse point"
La Descente d'Orphée aux Enfers, H. 488, Act II. L'Enfer Scène 2: "Il n'est rien aux Enfers"
La Descente d'Orphée aux Enfers, H. 488, Act II Scène 2: "Entrée des Fantômes"
La Descente d'Orphée aux Enfers, H. 488, Act II Scène 3: "Que cherche en mon palais"
La Descente d'Orphée aux Enfers, H. 488, Act II. L'Enfer Scène 3: "Je ne viens point ici"
La Descente d'Orphée aux Enfers, H. 488, Act II. L'Enfer Scène 3: "Pauvre amant"
La Descente d'Orphée aux Enfers, H. 488, Act II. L'Enfer Scène 3: "Eurydice n'est plus"
La Descente d'Orphée aux Enfers, H. 488, Act II. L'Enfer Scène 3: "Le destin est contraire"
La Descente d'Orphée aux Enfers, H. 488, Act II. L'Enfer Scène 3: "Tu ne la perdras point"
La Descente d'Orphée aux Enfers, H. 488, Act II. L'Enfer Scène 3: "Quel charme impérieux"
La Descente d'Orphée aux Enfers, H. 488, Act II. L'Enfer Scène 3: "Souviens-toi du larcin"
La Descente d'Orphée aux Enfers, H. 488, Act II. L'Enfer Scène 3: "Je cède, je me rends"
La Descente d'Orphée aux Enfers, H. 488, Act II. L'Enfer Scène 4: "Vous partez donc"
La Descente d'Orphée aux Enfers, H. 488, Act II. L'Enfer Scène 4: Entrée des Fantômes
Leçons des Ténèbres: I. Incipit. Lamentatio Jeremiae prophetae
Leçons des Ténèbres: II. Troisième leçon de Ténèbres du Mercredi Saint
Leçons des Ténèbres: III. Répons. Eram quasi Agnus innocens
Leçons des Ténèbres: IV. Troisième leçon de Ténèbres du Jeudi Saint
Leçons des Ténèbres: VI. Troisième leçon de Ténèbres du Vendredi Saint
Leçons des Ténèbres: VII. Répons. O vos omnes
Charpentier: Pastorale de Noël – Grandes Antiennes O de l’Avent
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Première Partie: Ouverture (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Première Partie, Scène 1: Que nos soupirs, Seigneur, réveille tes bontés (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Première Partie, Scène 1: Il est temps Seigneur que tu paraisses (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Première Partie, Scène 1: Ecoutez-moi, peuple fidèle (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Première Partie, Scène 1: Cieux, répandez notre rosée (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Première Partie, Scène 1: Simphonie de la Nuit (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Première Partie, Scène 2: Régnez, calme profond (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Première Partie, Scène 2: Dans ces lieux écartez (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Première Partie, Scène 2: De l'univers entier, apprenez le bonheur (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Première Partie, Scène 3: Célestes compagnons (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Première Partie, Scène 4: Gloire dans les hauts lieux (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Première Partie, Scène 4: Paix en terre (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Seconde Partie, Scène 5: Pasteurs, éveillez-vous (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Seconde Partie, Scène 5: Hélas, cette brebis si chère (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Seconde Partie, Scène 5: Heureuse, mille et mille fois (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Seconde Partie, Scène 6: Joignons nos flûtes (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Seconde Partie, Scène 6: Sont-ce pas nos bergers ? (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Seconde Partie, Scène 6: Cette nuit d'une vierge aussi pure que belle (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Seconde Partie, Scène 6: Oui le loup infernal (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Seconde Partie, Scène 6: Ritournelle (Première version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483, Seconde Partie, Scène 6: C'est de l'homme aujourd'hui (Première version)
Grandes Antiennes O de l'Avent, H. 36-43: O Salutaris
Grandes Antiennes O de l'Avent, H. 36-43: O Sapienta
Grandes Antiennes O de l'Avent, H. 36-43: O Adonai
Grandes Antiennes O de l'Avent, H. 36-43: O Radix Jesse
Grandes Antiennes O de l'Avent, H. 36-43: Or nous dites Marie (Noël instrumental)
Grandes Antiennes O de l'Avent, H. 36-43: O Clavis David
Grandes Antiennes O de l'Avent, H. 36-43: O Oriens
Grandes Antiennes O de l'Avent, H. 36-43: O Rex Gentium
Grandes Antiennes O de l'Avent, H. 36-43: O Emmanuel
Grandes Antiennes O de l'Avent, H. 36-43: Or nous dites Marie (Ballard)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ , H. 483a, Seconde Partie, Scène 5 & 6: Heureux bergers (Deuxieme version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483a, Seconde Partie, Scène 6: Mais qui ne serait pas touché (Deuxieme version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483a, Seconde Partie, Scène 6: Non, l'haleine secourable (Deuxieme version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ , H. 483a, Seconde Partie, Scène 7: Votre tendresse est équitable (Deuxieme version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ , H. 483a, Seconde Partie, Scène 7: Chantez donc à l'envie (Deuxieme version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ , H. 483a, Seconde Partie, Scène 7: Faisons de nos joyeux cantiques (Deuxieme version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ , H. 483a, Seconde Partie, Scène 7: Menuet de la Bergère (Deuxieme version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ , H. 483a, Seconde Partie, Scène 7: Ne laissons point sans louanges (Deuxieme version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483b, Seconde Partie, Scène 7: Le Soleil recommence à dorer nos montagnes (Troisième version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483b, Seconde Partie, Scène 7: Belle mais imparfaite figure (Troisième version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483b, Seconde Partie, Scène 7: Oui Seigneur (Troisième version)
Pastorale sur la Naissance de Notre Seigneur Jésus-Christ, H. 483b, Seconde Partie, Scène 7: Source de lumière et de grâce (Troisième version)
Charpentier: Grands motets à double chœur
Les Pages du Centre de Musique Baroque de Versailles
Les Chantres du Centre de Musique Baroque de Versailles
Super flumina Babylonis, H. 171: Hymnum cantate nobis
Super flumina Babylonis, H. 171: Memor esto
Quam dilecta, H. 167: Et ibunt de virtute
Quam dilecta, H. 167: Domine Deus virtutum
Quam dilecta, H. 167: Elegi abjectus esse
Quam dilecta, H. 167: Non privabit bonis
Quare fremuerunt gentes, H. 168: Astiterunt reges terrae
Quare fremuerunt gentes, H. 168: Qui habitat in caelis
Quare fremuerunt gentes, H. 168: Ego autem constitutus sum rex
Quare fremuerunt gentes, H. 168: Reges eos in virga ferrea
Quare fremuerunt gentes, H. 168: Servite Domino in timore
Quare fremuerunt gentes, H. 168: Cum exarserit in brevi ira ejus
Magnificat à 8 voix et 8 instruments, H. 74: Quia fecit mihi magna
Magnificat à 8 voix et 8 instruments, H. 74: Et misericordia
Magnificat à 8 voix et 8 instruments, H. 74: Suscepit Israel
Magnificat à 8 voix et 8 instruments, H. 74: Sicut locutus est
Magnificat à 8 voix et 8 instruments, H. 74: Gloria
Charpentier: Miserere & Other Sacred Works
Antiphona in honorem Beatae Virginis, H. 25
Marc-Antoine Charpentier: Orphée descendant aux enfers, Trio des grotesques & Trio des rieurs (Mono Version)
Orphée descendant aux enfers, H. 471: Effroyables enfers (Orphée)
Orphée descendant aux enfers, H. 471: Quelle douce harmonie (Ixion, Tantale)
Orphée descendant aux enfers, H. 471: Vos plus grands criminels (Orphée)
Orphée descendant aux enfers, H. 471: Ne cherchons plus (Ixion, Tantale)
Orphée descendant aux enfers, H. 471: Hélas! Rien n'est égal au bonheur des amants (Orphée, Ixion, Tantale)
La Comtesse d'Escarbagnas, H. 494: La, la, la, la, bonjour ("Trio des grotesques")
Les fous divertissants, H. 500: Toutes les fois que Georgette ("Trio des rieurs")
Marc-Antoine Charpentier: Messe des morts (Arr. for Guitar)
Messe des morts, H. 7: Kyrie No. 1 - Arr. for Guitar
Messe des morts, H. 7: Christe - Arr. for Guitar
Messe des morts, H. 7: Kyrie No. 2 - Arr. for Guitar
Messe des morts, H. 7: Sanctus - Arr. for Guitar
Messe des morts, H. 7: Benedictus - Arr. for Guitar
Messe des morts, H. 7: Agnus Dei - Arr. for Guitar
Messe des morts, H. 7: De profundis, Pt. 1 - Arr. for Guitar
Messe des morts, H. 7: De profundis, Pt. 2 - Arr. for Guitar
Marc-Antoine Charpentier: Works (Arr. for Guitar)
Ave maris stella, H. 67, Pt. 1 - Arr. for Guitar
Ave maris stella, H. 67, Pt. 2 - Arr. for Guitar
Dixit Dominus, H. 197: Prélude - Arr. for Guitar
Dixit Dominus, H. 197: Psalmus David 109us, Pt. 1 - Arr. for Guitar
Dixit Dominus, H. 197: Psalmus David 109us, Pt. 2 - Arr. for Guitar
Nisi Dominus, H. 160: Prélude - Arr. for Guitar
Pour la Vierge, H. 360 - Arr. for Guitar
Motet pour les trépassés, H. 311 - Arr. for Guitar
Charpentier à la chapelle royale de Versailles
Canticum in honorem Beate Virginis Mariae inter homines et angelos, H. 400
Missa assumpta est Maria, H. 11a: I. Sinfonie devant le Kyrie 1
Symphonie devant Regina Coeli. Prélude à trois voix, H. 509
Missa assumpta est Maria, H. 11a: II. Kyrie 1
Missa assumpta est Maria, H. 11a: III. Sinfonie devant le Christe
Missa assumpta est Maria, H. 11a: IV. Christe
Missa assumpta est Maria, H. 11a: V. Sinfonie devant le Kyrie 2
Salve Regina à trois voix pareilles, H. 23
Missa assumpta est Maria, H. 11a: VI. Kyrie 2
Missa assumpta est Maria, H. 11a: VII. Gloria
Prélude pour le Magnificat à quatre voix, H. 533
Missa assumpta est Maria, H. 11a: VIII. Et in terra pax hominibus
Missa assumpta est Maria, H. 11a: IX. Laudamus Te
Stabat Mater pour les religieuses, H. 15
Missa assumpta est Maria, H. 11a: X. Domine Deus, Rex caelestis
Litanies de la Vierge à six voix et deux dessus de violes, H. 83
Missa assumpta est Maria, H. 11a: XI. Qui tollis
Missa assumpta est Maria, H. 11a: XII. Quoniam tu solus sanctus
Missa assumpta est Maria, H. 11a: XIII. Credo in unum Deum
Missa assumpta est Maria, H. 11a: XIV. Patrem omnipotentem
Missa assumpta est Maria, H. 11a: XV. Et in unum Dominum Jesum Christum filium Dei
Missa assumpta est Maria, H. 11a: XVI. Et incarnatus
Missa assumpta est Maria, H. 11a: XVII. Crucifixus
Missa assumpta est Maria, H. 11a: XVIII. Et resurrexit
Missa assumpta est Maria, H. 11a: XIX. Et in spiritum sanctum Dominum
Missa assumpta est Maria, H. 11a: XX. Confiteor unum Baptisma in remissionem peccatorum
Missa assumpta est Maria, H. 11a: XXI. Et vitam venturi saeculi. Amen
Missa assumpta est Maria, H. 11a: XXII. Sinfonie devant le Sanctus
Missa assumpta est Maria, H. 11a: XXIII. Sanctus
Missa assumpta est Maria, H. 11a: XXIV. Sinfonie derrière le Sanctus
Missa assumpta est Maria, H. 11a: XXV. Sinfonie devant l'Agnus
Missa assumpta est Maria, H. 11a: XXVI. Agnus Dei
Missa assumpta est Maria, H. 11a: XXVII. Sinfonie derrière l'Agnus
Missa assumpta est Maria, H. 11a / Domine Salvum fac regem, H. 303
Concert pour quatre parties de violes, H. 545: I. Prélude
Concert pour quatre parties de violes, H. 545: II. Allemande
Concert pour quatre parties de violes, H. 545: III. Sarabande. Rondeau
Concert pour quatre parties de violes, H. 545: IV. Gigue anglaise
Concert pour quatre parties de violes, H. 545: V. Gigue française
Concert pour quatre parties de violes, H. 545: VI. Passacaille
In nativitatem domini canticum, H. 416: Nuit
Charpentier: Messe Des Morts / Psalmus Davidis / Salve Regina
Velum templi, H. 128: Second Repons apres la Seconde Lecon du premier Nocturne du Jeudi Saint: Velum templi, H. 128
Messe des morts a 4 voix et symphonie, H. 10: Kyrie eleison
Messe des morts a 4 voix et symphonie, H. 10: Christie eleison
Messe des morts a 4 voix et symphonie, H. 10: Dies irae
Messe des morts a 4 voix et symphonie, H. 10: Tuba mirum
Messe des morts a 4 voix et symphonie, H. 10: Quid sum miser tunc dicturus
Messe des morts a 4 voix et symphonie, H. 10: Quaerens me
Messe des morts a 4 voix et symphonie, H. 10: Oro supplex et acclinis - Pie Jesu
Messe des morts a 4 voix et symphonie, H. 10: Sanctus
Messe des morts a 4 voix et symphonie, H. 10: Elevation: Pie Jesu, H. 269
Messe des morts a 4 voix et symphonie, H. 10: Benedictus
Messe des morts a 4 voix et symphonie, H. 10: Agnus Dei
In nativitatem Domini canticum, H. 416, "Usquequo avertis faciem tuam Domine": Praeludium
In nativitatem Domini canticum, H. 416, "Usquequo avertis faciem tuam Domine": La Nuit - I. —
In nativitatem Domini canticum, H. 416, "Usquequo avertis faciem tuam Domine": II. —
In nativitatem Domini canticum, H. 416, "Usquequo avertis faciem tuam Domine": III. —
Psalm 87, H. 207, "Domine Deus salutis meae": Domine Deus salutis meae
Psalm 87, H. 207, "Domine Deus salutis meae": Posuerunt me
Psalm 87, H. 207, "Domine Deus salutis meae": Et ego ad te Dominine, clamavi
Salve Regina a 3 choeurs, H. 24: Ad te clamamus
Salve Regina a 3 choeurs, H. 24: Eja ergo, advocata nostra
Charpentier: Messe A 8 Voix Et 8 Violons Et Flutes / Miseremini Mei
Messe a 8 voix et 8 violons et flutes, H. 3: Kyrie. Kyrie eleison - La Malade imaginaire, H. 495
Messe a 8 voix et 8 violons et flutes, H. 3: Kyrie. Christe eleison
Messe a 8 voix et 8 violons et flutes, H. 3: Kyrie. Kyrie eleison - Le Malade imaginaire, H. 495
Messe a 8 voix et 8 violons et flutes, H. 3: Gloria. Gloria in excelsis Deo
Messe a 8 voix et 8 violons et flutes, H. 3: Gloria. Et in terra pax
Messe a 8 voix et 8 violons et flutes, H. 3: Gloria. Domine Deus
Messe a 8 voix et 8 violons et flutes, H. 3: Gloria. Qui tollis peccata mundi
Messe a 8 voix et 8 violons et flutes, H. 3: Gloria. Quoniam tu solus Sanctus
Messe a 8 voix et 8 violons et flutes, H. 3: Credo. Patrem omnipotentem
Messe a 8 voix et 8 violons et flutes, H. 3: Credo. Crucifixus
Messe a 8 voix et 8 violons et flutes, H. 3: Credo. Et resurrexit
Messe a 8 voix et 8 violons et flutes, H. 3: Credo. Cujus regni non erit finis
Messe a 8 voix et 8 violons et flutes, H. 3: Credo. Et in Spiritum Sanctum
Messe a 8 voix et 8 violons et flutes, H. 3: Offertory. Le Malade imaginaire, H. 495
Messe a 8 voix et 8 violons et flutes, H. 3: Sanctus: Premier Sanctus
Messe a 8 voix et 8 violons et flutes, H. 3: Sanctus: Second Sanctus
Messe a 8 voix et 8 violons et flutes, H. 3: Sanctus: Troisieme Sanctus
Messe a 8 voix et 8 violons et flutes, H. 3: Sanctus: Pleni sunt coeli
Messe a 8 voix et 8 violons et flutes, H. 3: Elevation: O Salutaris hostia, H. 236
Messe a 8 voix et 8 violons et flutes, H. 3: Elevation: Benedictus
Messe a 8 voix et 8 violons et flutes, H. 3: Agnus Dei: Premier Agnus Dei
Messe a 8 voix et 8 violons et flutes, H. 3: Agnus Dei: Second Agnus Dei
Messe a 8 voix et 8 violons et flutes, H. 3: Agnus Dei: Troisieme Agnus Dei
Messe a 8 voix et 8 violons et flutes, H. 3: Agnus Dei: Domine Salvum fac regem, H. 282
Motet pour les trépassés à 8, H. 311, "Miseremini mei": Prelude pour Miseremini
Motet pour les trépassés à 8, H. 311, "Miseremini mei": Miseremini mei
Motet pour les trépassés à 8, H. 311, "Miseremini mei": Heu mihi Domine
Motet pour les trépassés à 8, H. 311, "Miseremini mei": Ah poenis crucior
Charpentier, M.-A.: Messe Pour Mr Mauroy / 5 Tenebrae Responsories
Messe pour Mr Mauroy, H. 6: Kyrie. Kyrie eleison
Messe pour Mr Mauroy, H. 6: Kyrie. Christe eleison
Messe pour Mr Mauroy, H. 6: Gloria. Et in terra pax
Messe pour Mr Mauroy, H. 6: Gloria. Gratias agimus tibi
Messe pour Mr Mauroy, H. 6: Gloria. Qui tollis peccata mundi
Messe pour Mr Mauroy, H. 6: Gloria. Quoniam tu solus sanctus
Messe pour Mr Mauroy, H. 6: Gloria. Cum Sancto Spiritu
Messe pour Mr Mauroy, H. 6: Credo. Patrem omnipotem
Messe pour Mr Mauroy, H. 6: Credo. Genitum, non factum
Messe pour Mr Mauroy, H. 6: Credo. Crucifixus
Messe pour Mr Mauroy, H. 6: Credo. Et resurrexit
Messe pour Mr Mauroy, H. 6: Credo. Cujus regni non erit finis
Messe pour Mr Mauroy, H. 6: Credo. Et in Spiritum Sanctum
Messe pour Mr Mauroy, H. 6: Offertoire: Antienne, H. 525
Messe pour Mr Mauroy, H. 6: Sanctus: Sanctus
Messe pour Mr Mauroy, H. 6: Sanctus: Benedictus
Messe pour Mr Mauroy, H. 6: Domine Salvum fac regem, H. 299
Jerusalem surge, H. 130: Jerusalem, surge, H. 130
Charpentier: La couronne de fleurs - La descente d'Orphée aux enfers
La couronne de fleurs, H. 486, Scene 1: Renaissez, paraissez (Flore)
La couronne de fleurs, H. 486, Scene 1: Marche des Bergers
La couronne de fleurs, H. 486, Scene 2: Puisque Flore en ces lieux nous convie (Roselie, Bergeres)
La couronne de fleurs, H. 486, Scene 2: Trio. Trop indiscrets Zephirs - Et vous, fontaines et ruisseaux (Sylvandre) [Un Berger]
La couronne de fleurs, H. 486, Scene 2: Prélude pour animer les bergers au combat
La couronne de fleurs, H. 486, Scene 2: Recitative. Lorsqu'un torrent enfle par un soudain orage (Amaranthe, All)
La couronne de fleurs, H. 486, Scene 2: Recitative. La foudre menaçant qui perce avec fureur (Forestan, All)
La couronne de fleurs, H. 486, Scene 2: Menuet
La couronne de fleurs, H. 486, Scene 2: Recitative. Des héros fabuleux que la Grèce a chantes (Hyacinthe, All)
La couronne de fleurs, H. 486, Scene 2: Recitative. Louis fait a nos temps, par ses faits inouis (Mirtil, All)
La couronne de fleurs, H. 486, Scene 3: Quittez, quittez Bergers, ce dessein temeraire (Pan, All)
La couronne de fleurs, H. 486, Scene 3: Nous nous taisons. Pan nous l'ordonne (Roselie)
La couronne de fleurs, H. 486, Scene 3: Bien que, pour etaler les Vertus immortelles (Flore, Pan)
La couronne de fleurs, H. 486, Scene 3: Ballet. Bergers et Bergeres
La couronne de fleurs, H. 486, Scene 3: Belles fleurs, tous les ans (Roselie, Amaranthe, All)
La descente d'Orphée aux enfers, H. 488, Act I Scene 1: Inventons mille jeux divers (Daphnee, Chorus)
La descente d'Orphée aux enfers, H. 488, Act I Scene 1: Ruisseau qui dans ce beau sejour (Enone, Arethuze)
La descente d'Orphée aux enfers, H. 488, Act I Scene 1: Compagnes fideles (Euridice)
La descente d'Orphée aux enfers, H. 488, Act I Scene 1: Qu'il se croira fortune – Recitative. L'on ne goûte point de plaisirs sans douleurs (Daphne, Euridice, Chorus) [Enone]
La descente d'Orphée aux enfers, H. 488, Act I Scene 1: Recitative. Soutiens-moi, chère Enone - Orphée, adieu, je meurs (Euridice, Orphée, Chorus) [Euridice]
La descente d'Orphée aux enfers, H. 488, Act I Scene 2: Ah! Bergers, c'en est fait (Orphée, Chorus)
La descente d'Orphée aux enfers, H. 488, Act I Scene 2: Entrée de nymphes et de bergers desespères
La descente d'Orphée aux enfers, H. 488, Act I Scene 2: Recitative. Lache amant, pourrais-tu survivre (Orphée)
La descente d'Orphée aux enfers, H. 488, Act I Scene 3: Recitative. Ne tourne point, mon fils (Apollon, Orphée)
La descente d'Orphée aux enfers, H. 488, Act I Scene 3: Recitative. Que d'un frivole espoir - Juste sujet de pleurs (Orphée) [Chorus]
La descente d'Orphée aux enfers, H. 488, Act II Scene 1: Affreux tourments (Ixion, Tantale, Titye)
La descente d'Orphée aux enfers, H. 488, Act II Scene 2: Cessez, cessez, fameux coupables (Orphée)
La descente d'Orphée aux enfers, H. 488, Act II Scene 2: Quelle touchante voix, quelle douce harmonie (Ixion, Tantale, Titye)
La descente d'Orphée aux enfers, H. 488, Act II Scene 2: Je ne refuse point le secours - Il n'est rien aux Enfers (Orphée) [Chorus]
La descente d'Orphée aux enfers, H. 488, Act II Scene 2: Les fantomes
La descente d'Orphée aux enfers, H. 488, Act II Scene 3: Prelude - Recitative. Que cherche en mon palais (Pluton)
La descente d'Orphée aux enfers, H. 488, Act II Scene 3: Je ne viens point ici - Pauvre amant (Orphée) [Proserpine, Chorus]
La descente d'Orphée aux enfers, H. 488, Act II Scene 3: Euridice n'est plus (Orphée)
La descente d'Orphée aux enfers, H. 488, Act II Scene 3: Recitative. Le destin est contraire - Permets qu'elle revive (Pluton, Proserpine) [Ombres Heureuses]
La descente d'Orphée aux enfers, H. 488, Act II Scene 3: Tu ne la perdras point, hélàs (Orphée)
La descente d'Orphée aux enfers, H. 488, Act II Scene 3: Recitative. Quel charme imperieux - Courage Orphée (Pluton, Proserpine) [Chorus]
La descente d'Orphée aux enfers, H. 488, Act II Scene 3: Souviens-toi du larcin (Orphée)
La descente d'Orphée aux enfers, H. 488, Act II Scene 3: Recitative. Je cede, je me rends - Recitative. Amour, brulant Amour (Pluton) [Orphée]
La descente d'Orphée aux enfers, H. 488, Act II Scene 4: Vous partez donc, Orphée - Entrée des Fantomes (Chorus, Ixion, Tantale, Titye)
Charpentier: Pour un reposoir, Noëls sur les instruments & Sonate à huit
Pour un reposoir, H. 508: II. Tantum ergo
Pour un reposoir, H. 508: III. Tantum ergo (Gregorian)
Pour un reposoir, H. 508: V. Genitori (Gregorian)
Pour un reposoir, H. 508: VII. Allemande grave
Noëls sur les instruments, H. 531, 534: Les Bourgeois de Châtre (H. 534/1)
Noëls sur les instruments, H. 531, 534: Ô créateur (H. 531/1)
Noëls sur les instruments, H. 531, 534: Vous qui désirez sans fin (H. 531/3)
Noëls sur les instruments, H. 531, 534: Laissez paîtres vos bêtes (H. 531/2)
Noëls sur les instruments, H. 531, 534: Or nous dites Marie (H. 534/4)
Noëls sur les instruments, H. 531, 534: Á la venue de Noël (H. 534/5)
Noëls sur les instruments, H. 531, 534: Une jeune pucelle (H. 534/6)
Noëls sur les instruments, H. 531, 534: Joseph est bien marié (H. 534/3)
Noëls sur les instruments, H. 531, 534: Où s'en vont ces gais bergers (H. 534/2)
Noëls sur les instruments, H. 531, 534: Les bourgeois de Châtre (H. 534/7)
Sonate à huit, H. 548: II. Récit de la viole seule - Sarabande
Sonate à huit, H. 548: III. Récit de la basse de violon - Bourrée
Sonate à huit, H. 548: IV. Gavotte - Gigue - Passacaille - Chaconne
"Marche de triomphe et Second air de trompette" in D Major: I. Marche de triomphe
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"Messe pour plusieurs instruments au lieu des orgues", H. 513: Kyrie
"Messe pour plusieurs instruments au lieu des orgues", H. 513: Gloria
"Messe pour plusieurs instruments au lieu des orgues", H. 513: Offerte
"Messe pour plusieurs instruments au lieu des orgues", H. 513: Sanctus
Offerte pour l'orgue et pour les violons, flûtes et hautbois, H. 514
Suite pour un reposoir, H. 508: Ouverture
Suite pour un reposoir, H. 508: Tantum ergo
Suite pour un reposoir, H. 508: Quand les prêtres auront chanté Tantum ergo
Suite pour un reposoir, H. 508: Quand les prêtes auront chanté Genitori Amen
Suite pour un reposoir, H. 508: Allemande grave
Symphonies pour un reposoir, H. 515: I. Ouverture dès qu'on voit la bannière
Symphonies pour un reposoir, H. 515: II. Pange lingua à 4 parties de violons
Symphonies pour un reposoir, H. 515: III. In supremae pour le petit choeur
Symphonies pour un reposoir, H. 515: IV. Tantum ergo pour les violons - Amen pour les violons
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Suite pour quatre parties de violes, H. 545: I. Prelude
Suite pour quatre parties de violes, H. 545: II. Allemande
Suite pour quatre parties de violes, H. 545: III. Sarabande
Suite pour quatre parties de violes, H. 545: IV. Gigue angloise
Suite pour quatre parties de violes, H. 545: V. Gigue francoise
Suite pour quatre parties de violes, H. 545: VI. Passecaille
Pour un reposoir: Ouverture dès que la procession parâit, H.523
"Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette
Leçons de ténèbres: 3e leçon du Mercredi Saint H.92
Leçons de ténèbres: 2eme leçon du Jeudi Saint H.107
Leçons de ténèbres: 3eme leçon du Jeudi Saint H.104
Leçons de ténèbres: Motet "O Doctor Optime" H.307
Charpentier : Le Jugement de Salomon Cantique en l'honneur de Saint-Xavier
Judicium Salomonis, H. 422: Premier récitant Le Peuple
Judicium Salomonis, H. 422: Trois du peuple
Judicium Salomonis, H. 422: Salomon et le peuple
Judicium Salomonis, H. 422: Deuxième récitant Dieu Salomon
Judicium Salomonis, H. 422: La vraie mère La fausse mère Salomon
In honorem sancti xaverii canticum, H. 355: Prélude
In honorem sancti xaverii canticum, H. 355: Premier dessus
In honorem sancti xaverii canticum, H. 355: Second dessus
In honorem sancti xaverii canticum, H. 355: Tous
In honorem sancti xaverii canticum, H. 355: Xavier
Charpentier: Motets pour la Semaine Sainte et Messes à 4 choeurs
Psalm 70, H. 228, "In te Domine speravi": Psalmus David 70us, 3ème psaume du 1ère nocturne du Mercredi Saint (Ps LXXI)
Psalm 26, H. 229, "Dominus illuminatio mea": Psalmus David 26us, 3ème psaume du 1ère nocturne du Jeudi Sain (Ps XXVII)
Psalm 15, H. 230, "Conserva me, Domine": Psalmus David 15us, 3ème psaume du 1ère nocturne du Vendredi Saint (Ps XVI)
Messe à quatre choeurs, H. 4: II. Gloria
Messe à quatre choeurs, H. 4: III. Credo
Messe à quatre choeurs, H. 4: IV. Sanctus
Messe à quatre choeurs, H. 4: V. Agnus dei
Charpentier: Auprès du feu l'on fait l'amour. Serious Airs & Drinking Songs
Celle qui fait tout mon tourment, H. 450
Rentrez, trop indiscrets soupirs, H. 464
Quoi ! Rien ne peut vous arrêter, H. 462
Ruisseau qui nourrit dans ce bois, H. 466
Tristes déserts, sombre retraite, H. 469
Consolez-vous, chers enfants de Bacchus, H. 451
Ah ! Qu'on est malheureux d'avoir eu des désirs, H. 443
Il faut aimer, c'est un mal nécessaire, H. 454bis
De profundis, H. 189: II. De profundis clamavi
De profundis, H. 189: III. Fiant aures tuæ
De profundis, H. 189: V. A custodia matutina
De profundis, H. 189: VI. Et ipse redimet
De profundis, H. 189: VII. Requiem æternam
Magnificat, H. 79: VII. Sicut locutus est
Te Deum, H. 146: XI. In te, Domine, speravi
Les Arts Florissans, H. 487, Scene 1: Ouverture
Les Arts Florissans, H. 487, Scene 1: Que mes divins concerts (La musique)
Les Arts Florissans, H. 487, Scene 1: Amour du ciel et de la terre [I] (Chœur des Guerriers)
Les Arts Florissans, H. 487, Scene 1: Air de violes, Guerriers (I)
Les Arts Florissans, H. 487, Scene 1: Dans la noble ardeur qui m'enflamme (La poésie)
Les Arts Florissans, H. 487, Scene 1: Il vaut mieux manquer de les dire, que de les dire foiblement (Chœur)
Les Arts Florissans, H. 487, Scene 1: Mon pinceau, mes couleurs ne perdent point courage (La peinture, l'architecture)
Les Arts Florissans, H. 487, Scene 1: Amour du ciel et de la terre [II] (Chœur des Guerriers)
Les Arts Florissans, H. 487, Scene 1: Air de violes, Guerriers (II)
Les Arts Florissans, H. 487, Scene 2: Quel bruit épouvantable (La musique, Chœur des Arts et des Guerriers)
Les Arts Florissans, H. 487, Scene 2: Renversons le ciel, la terre et l'onde (La Discorde, Chœur des Furies)
Les Arts Florissans, H. 487, Scene 2: Entrée des Furies (I)
Les Arts Florissans, H. 487, Scene 2: Sa gloire est un supplice à ma jalouse haine (La Discorde, Chœur des Furies)
Les Arts Florissans, H. 487, Scene 2: Entrée des Furies (II)
Les Arts Florissans, H. 487, Scene 3: Fille de la nuit (La Paix)
Les Arts Florissans, H. 487, Scene 3: Débats, séditions (La Discorde, Chœur des Furies)
Les Arts Florissans, H. 487, Scene 3: Souffres-tu monarque des Dieux (La Paix, la Discorde)
Les Arts Florissans, H. 487, Scene 4: Parois dans ta beauté premiere (La Paix)
Les Arts Florissans, H. 487, Scene 4: Menuet pour les violes et flûtes (I)
Les Arts Florissans, H. 487, Scene 4: Reviens agréable harmonie (La Paix)
Les Arts Florissans, H. 487, Scene 4: Menuet pour les violes et flûtes (II)
Les Arts Florissans, H. 487, Scene 5: Charmante paix du ciel à propos descendue (La musique, la poésie, la peinture, l'architecture, Chœur)
Les Arts Florissans, H. 487, Scene 5: Ô paix si longtemps désirée (La musique, la poésie, un Guerrier)
Les Arts Florissans, H. 487, Scene 5: Sarabande en rondeau, Loin du bruit des armes (La Paix)
Les Arts Florissans, H. 487, Scene 5: Ô paix si longtemps désirée (Chœur des Arts et des Guerriers)
La Couronne de Fleurs, H. 486, Scene 1: Ouverture
La Couronne de Fleurs, H. 486, Scene 1: Renaissez, paroissez tendres fleurs sur l'herbette (Flore)
La Couronne de Fleurs, H. 486, Scene 1: Bergères et bergers, accourez à ma voix (Flore)
La Couronne de Fleurs, H. 486, Scene 2: Puisque Flore en ces lieux nous convie (Roselie, Amaranthe, Hyacinthe)
La Couronne de Fleurs, H. 486, Scene 3: Bergers et bergères
La Couronne de Fleurs, H. 486, Scene 4: Belles fleurs tous les ans nous vous voyons paroitre (Roselie, Amaranthe, Chœur)
Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. —
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Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante
Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai
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Handel: Messiah, HWV 56, Pt. 1: Aria. "The People That Walked in Darkness"
Handel: Messiah, HWV 56, Pt. 2: Aria. "But Thou Didst Not Leave His Soul"
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Handel: Messiah, HWV 56, Pt. 2: Aria. "Why Do the Nations"
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Handel: Messiah, HWV 56, Pt. 2: Chorus. "Hallelujah"
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Handel: Messiah, HWV 56, Pt. 3: Chorus. "But Thanks Be to God"
Bach, JS: The Well-Tempered Clavier, Book I, Prelude and Fugue No. 1 in C Major, BWV 846: Prelude
Bach, JS: The Well-Tempered Clavier, Book I, Prelude and Fugue No. 1 in C Major, BWV 846: Fugue
Purcell: The Fairy Queen, Z. 629: First Music. Hornpipe
Purcell: The Fairy Queen, Z. 629: Second Music. Rondeau
Purcell: The Fairy Queen, Z. 629, Act I: Duet. "Come, Let Us Leave the Town"
Purcell: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night"
Purcell: The Fairy Queen, Z. 629, Act IV: Song. "See, See My Many Colour'd Fields"
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Purcell: The Fairy Queen, Z. 629, Act V: Song and Chorus. "Thus Happy and Free"
Bach, JS: An Wasserflüssen Babylon, BWV 267
Bach, CPE: Oboe Sonata in G Minor, Wq. 135: I. Adagio
Bach, CPE: Oboe Sonata in G Minor, Wq. 135: II. Allegro
Bach, CPE: Oboe Sonata in G Minor, Wq. 135: III. (a) Vivace con variazioni
Bach, CPE: Oboe Sonata in G Minor, Wq. 135: III. (b) Vivace, da capo
Mozart: Divertimento in D Major, K. 136 "Salzburg Symphony No. 1": I. Allegro
Mozart: Divertimento in D Major, K. 136 "Salzburg Symphony No. 1": II. Andante
Mozart: Divertimento in D Major, K. 136 "Salzburg Symphony No. 1": III. Presto
Bach, JS: Goldberg Variations, BWV 988: Aria
Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: I. Allegro
Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: II. Adagio
Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: III. Allegro assai
Bach, JS: French Suite No. 1 in D Minor, BWV 812: I. Allemande
Bach, JS: French Suite No. 1 in D Minor, BWV 812: II. Courante
Bach, JS: French Suite No. 1 in D Minor, BWV 812: III. Sarabande
Bach, JS: French Suite No. 1 in D Minor, BWV 812: IV. Menuet I
Bach, JS: French Suite No. 1 in D Minor, BWV 812: V. Menuet II
Bach, JS: French Suite No. 1 in D Minor, BWV 812: VI. Gigue
Handel: Concerto grosso in G Major, Op. 6 No. 1, HWV 319: I. Atempo giusto
Handel: Concerto grosso in G Major, Op. 6 No. 1, HWV 319: II. Allegro
Handel: Concerto grosso in G Major, Op. 6 No. 1, HWV 319: III. Adagio
Handel: Concerto grosso in G Major, Op. 6 No. 1, HWV 319: IV. Allegro
Handel: Concerto grosso in G Major, Op. 6 No. 1, HWV 319: V. Allegro
Charpentier: Praeludium Michaelis Archangeli factum in coelo cum dracone, H. 410
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro "La caccia"
Bach, JS: Clavier-Übung III: Wir glauben all an einen Gott, BWV 680
Buxtehude: Membra Jesu nostri, BuxWV 75: II. Ad genua. "Ad ubera portabimini"
Buxtehude: Membra Jesu nostri, BuxWV 75: III. Ad manus. "Quid sunt plagae istae"
Buxtehude: Membra Jesu nostri, BuxWV 75: VI. Ad cor. "Vulnerasti cor meum"
Bach: Magnificat, BWV 243: I. Chorus. "Magnificat anima mea Dominum"
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Bach: Magnificat, BWV 243: IX. Aria. "Esurientes implevit bonis"
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Psalm 15, H. 230, "Conserva me, Domine": Conserva me, Domine
Psalm 15, H. 230, "Conserva me, Domine": Dominus pars haereditatis meae
Psalm 15, H. 230, "Conserva me, Domine": Notas mihi fecisti
Caecilia virgo et martyr octo vocibus, H. 397, "Est secretum, Valeriane": Pt. I. Praeludium
Caecilia virgo et martyr octo vocibus, H. 397, "Est secretum, Valeriane": Pt. I. Est secretum Valeriane quod tibi volo dicere (Caecilia, Valerianus)
Caecilia virgo et martyr octo vocibus, H. 397, "Est secretum, Valeriane": Pt. I. Et aquis lustralibus initiatus (Chori Fidelium)
Caecilia virgo et martyr octo vocibus, H. 397, "Est secretum, Valeriane": Pt. I. Acceptis autem ab angelo flosculis (Historicus I, Caecilia, Valerianus, Tiburtius)
Caecilia virgo et martyr octo vocibus, H. 397, "Est secretum, Valeriane": Pt. I. O Christi fidem profitentium caelestis harmonia! (Chorus)
Caecilia virgo et martyr octo vocibus, H. 397, "Est secretum, Valeriane": Pt. II. Praeludium
Caecilia virgo et martyr octo vocibus, H. 397, "Est secretum, Valeriane": Pt. II. Cum autem Valeriani et Tiburtii (Historicus II, Almachius, Caecilia)
Caecilia virgo et martyr octo vocibus, H. 397, "Est secretum, Valeriane": Pt. II. In his dabit mihi Christus dulce refrigerium (Caecilia, Almachius)
Caecilia virgo et martyr octo vocibus, H. 397, "Est secretum, Valeriane": Pt. II. Heu, nos dolentes! (Chorus, 2 Angels)
Caecilia virgo et martyr octo vocibus, H. 397, "Est secretum, Valeriane": Pt. II. Nolite flere fideles (Angels)
Caecilia virgo et martyr octo vocibus, H. 397, "Est secretum, Valeriane": Pt. II. Eya ergo Caecilidae, cantemus, jubilemus, et exultemus in victoria Caeciliae! (Chorus)
De profundis, H. 189: De profundis clamavi
De profundis, H. 189: A custodia matutina
Fifty Years Of Great Operatic Singing, Vol. 5
Louise: Act 3 - Depuis Le Jour (Since The Day)
Le Damnation De Faust: Act 4 - D'amour L'arente Flamme (Love's Ardent Flame)
Aleceste: Act 1 - Divinits Du Styx (Divinities Of The Styx)
Les Contes d'Hoffmann: Act 2 - Allez! (Yes, Go!) / Scintille Diamant (As Jewels Divine)
Le Tableau Parlant: Vous Etiez, Ce Que Vous N'etes plus (You Were What You Are No More)
Norma: Act 1 - Sediziose voci (So Ye Attempt Seditions!) / Casta Diva (Queen Of Heaven)
Il Trovatore: Act 4 - Se M'ami Ancor (If Thou Hast Lov'd) / Ai Nostri Monti (Home To Our Mountains)
La Traviata: Act 1 - Ah! Dite Alla Giovine (Say To Your Daughter)
Turandot: Act 3 - Nessun Dorma (None Shall Sleep)
Le Nozze Di Figaro: Act 1 - Non So Piu Cosa Son (I Know Not What I Am Doing)
Lucia Di Lammermoor: Act 3 - Tombe Degl' Avi Miei (Tomb Scene) (Tombs Of My Ancestors) / Fra Poco A Me Ricovero (Wild Flowers Soon)
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Bach, JS: Magnificat in D Major, BWV 243: I. Chorus. "Magnificat anima mea Dominum"
Vivaldi: Credo in E Minor, RV 591: I. Credo in unum Deum
Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa
Vivaldi: Gloria in D Major, RV 588: I. Gloria
Fauré: Requiem, Op. 48: VII. In Paradisum
Bach, JS: Lass, Fürstin, lass noch einen Strahl, BWV 198 "Trauer-Ode": No. 4, Rezitativ. "Der Glocken bebendes Getön"
Vivaldi: O qui coeli terraeque serenitas, RV 631: II. Fac ut sordescat tellus
Carissimi: Jephte: "Et percussit Jephte" (Historicus)
Handel: Suite from Rodrigo, HWV 5: VII. Menuet
Monteverdi: L'Orfeo, SV 318, Act A: "Rosa del ciel, vita del mondo" (Orfeo)
Gabrieli, G: Sacrae symphoniae, Liber I: No. 1, Cantate Domino, C. 6
Monteverdi: Mass for 4 Voices, SV 190: IV. Sanctus
Schubert: Stabat Mater in F Minor, D. 383: No. 1, Chor. "Jesus Christus schwebt am Kreuzel"
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Vivaldi: Nisi Dominus in G Minor, RV 608: I. Nisi Dominus
Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa
Mozart: Requiem in D Minor, K. 626: I. Introitus
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Suppé: Requiem in D Minor: VIII. Domine, Jesu Christe
Mendelssohn: 3 Hymns, Op. 96, MWV A19: No. 1, Andante. "Lass, o Herr, mich Hülfe finden"
Bach, JC: Keyboard Concerto in C Major, Op. 7 No. 1: II. Menuetto
Bach, JS: Piano Concerto No. 4 in A Major, BWV 1055: III. Allegro ma non tanto
Poulenc: Gloria, FP 177: III. Domine Deus
Vivaldi: Kyrie in G Minor, RV 587: I. Kyrie eleison
Beethoven: Mass in C Major, Op. 86: I. Kyrie
Bach, JS: Mass in F Major, BWV 233: I. Kyrie
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Mendelssohn: Paulus, Op. 36, MWV A14: Overture
Beethoven: Meeresstille und glückliche Fahrt, Op. 112
Fauré: Requiem, Op. 48: I. Introït et Kyrie
Bach, JS: Piano Concerto No. 1 in D Minor, BWV 1052: I. Allegro
Bach, JS: Mass in B Minor, BWV 232: Kyrie eleison I
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Satie: Menus propos enfantins: No. 3, Valse du chocolat aux amandes
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Charpentier: Messe de minuit pour noël, H. 9: III. Kyrie eleison
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Tournemire: L'orgue mystique, Cycle de Noël, Op. 55: Office No. 4 "De Dominica infra Octavam Nativitatis": III. Élévation
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Traditional: Go, Tell It on the Mountain (Arr. Pasatieri)
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Charpentier: Noëls sur les instruments, H. 534: No. 6, Une jeune pucelle
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Corelli: Concerto grosso in G Minor, Op. 6 No. 8 "Fatto per la notte di Natale": I. Vivace - Grave
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Traditional: We Wish You a Merry Christmas (Arr. Cullen)
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Britten: A Ceremony of Carols, Op. 28: II. Wolcum Yole!
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Charpentier: Messe de minuit pour noël, H. 9: I. Kyrie eleison
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Tournemire: L'orgue mystique, Cycle de Noël, Op. 55: Office No. 4 "De Dominica infra Octavam Nativitatis": I. Prélude à l'introït
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Manfredini: Concerto grosso in C Major, Op. 3 No. 12 "Con una pastorale per il Santissimo Natale': II. Largo
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Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 3: No. 24, Chor. "Herrscher des Himmels, erhöre das Lallen"
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Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 3: No. 24, Chor. "Herrscher des Himmels, erhöre das Lallen" (Reprise)
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Debussy: Noël des enfants qui n'ont plus de maison, CD 147, L. 139
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Dandrieu: Livre de noëls: No. 17, Noël de Saintonge "Nos bergers"
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Tchaikovsky: The Nutcracker, Op. 71, Act 1: No. 2, March
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Mozart: Great Mass in C Minor, K. 427: V. Domine Deus
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Corelli: Concerto grosso in G Minor, Op. 6 No. 8 "Fatto per la notte di Natale": III. Adagio - Allegro - Adagio
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Charpentier: In nativitatem Domini canticum, H. 416: I. Prélude. "Usquequo avertis faciem tuam"
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Tchaikovsky: The Nutcracker, Op. 71, Act 2: No. 14c, Pas de deux. Variation II "Dance of the Sugar Plum Fairy"
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Palestrina: Collegio Romano MS 2852: Alma redemptoris
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Tchaikovsky: The Nutcracker, Op. 71, Act 2: No. 12e, Divertissement. Dance of the Reed-Flutes
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Traditional: O Little Town of Bethlehem (Arr. Cullen)
Tchaikovsky: The Nutcracker, Op. 71: Miniature Overture
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 6: No. 64, Choral. "Nun seid ihr wohl gerochen"
Manfredini: Concerto grosso in C Major, Op. 3 No. 12 "Con una pastorale per il Santissimo Natale': I. Largo
Berlin: White Christmas (Arr. Pasatieri)
Daquin: Nouveau Livre de noëls: No. 12, Noël suisse
Adam: Cantique de Noël "Minuit, chrétiens"
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Vaughan Williams: Hodie, a Christmas Cantata: I. Prologue. "Nowell! Nowell!"
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Pierné: 6 Pièces posthumes: No. 1, Prélude sur le nom de Paul Dukas, pour son tombeau
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Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C (First Verse)
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Duruflé: Requiem, Op. 9: VIII. Lux æterna
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Schubert: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. (b) Variation I
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Walton: Henry V: Passacaglia "Death of Falstaff"
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Schuman: Carols of Death: No. 3, To All, to Each
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Debussy: 6 Épigraphes antiques, CD 139b, L. 131: No. 2, Pour un tombeau sans nom
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Brossard: Troisième leçon des morts: IV. Symphonia. "Memento, quaeso"
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Satie: 3 Mélodies de 1886: No. 2, Élégie
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Ockeghem: Missa pro defunctis: I. Requiem aeternam
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Biber: Requiem a 15 in A Major: VI. Agnus Dei
Beethoven: Piano Sonata No. 12 in A-Flat Major, Op. 26: III. Marcia funebre sulla morte d'un eroe. Maestoso andante
Vivaldi: Concerto funebre in B-Flat Major, RV 579: I. Largo
Cardoso: Liber primus missarum, Missa No. 4 "Pro defunctis": VI. Agnus Dei
Philidor: Marche des pompes funèbres pour les grandes cérémonies
Bartók: 14 Bagatelles, Op. 6, Sz. 38: No. 13, Elle est morte. Lento funèbre
Grieg: Peer Gynt, Op. 23, Act 3: No. 12, The Death of Åse
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Janáček: Piano Sonata "1. X. 1905, From the Street": II. Death
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Sibelius: Pelléas et Mélisande Suite, Op. 46: IX. The Death of Mélisande
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: Andantino
Berlioz: La Mort d'Orphée, H. 25: V. Tableau musical
Verdelot: Il primo libro de madrigali: No. 15, Si liet'e grata morte
Schumann: Requiem, Op. 148: I. Requiem aeternam
Chor des Städtischen Musikvereins zu Düsseldorf
Landi: Il Sant'Alessio, Act 2: "O Morte gradita" (Sant'Alessio)
Ravel: 2 Mélodies hébraïques, M. A 22: No. 1, Kaddish (Transcr. Siloti for Piano)
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Visée: Pièces de théorbe, Suite No. 10 en ut mineur: Allemande, tombeau des Mesdemoiselles de Visée "La plainte"
Handel: Israel in Egypt, HWV 54, Pt. 1: Chorus. "The Merciful Goodness of the Lord"
Strauss, R: Don Quixote, Op. 35: Finale. Death of Don Quixote
Marais: Pièces de viole, Livre I: No. 83, Tombeau de Monsieur Meliton
Des Prez: La déploration de Jehan Ockeghem "Nymphes des bois / Requiem"
Howells: Hymnus Paradisi: V. I Heard a Voice from Heaven
Prokofiev: Suite No. 3 from Romeo and Juliet, Op. 101: VI. The Death of Juliet
Bach, JS: St John Passion, BWV 245, Pt. 2: No. 39, Chor. "Ruht wohl, ihr heiligen Gebeine"
Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: III. Adagio
D'Anglebert: Pièces de clavecin, Suite No. 4 en ré majeur: Tombeau de Monsieur de Chambonnières
Chopin: Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March": III. Marche funèbre. Lento
Rachmaninov: Vespers, Op. 37: IV. Svete tikhiy
Dvořák: Requiem, Op. 89, B. 165: XII. Pie Jesu
Nouvel Orchestre Philharmonique de Radio France
Couperin, L: Tombeau de Monsieur de Blancrocher
H 403, Rumor Bellicus "Cum Essent Congregata"
H 403, "O Mulier, Suscita Mihi In Pythone"
H 403, 1e Symphonie de l'enchantement - Aether umbrosus nigro velamine
H 403, 2e Symphonie de l'enchantement - Ecquid ad surdos nunc spargo..
H 403, "Cumque Samuel Volente Deo Apparuisset"
H 403, "Cecidit Repente Saül Porrectus In Terram"
H 403, "Cumque Miles Invitus Praecibus Regis...
H 403, "Montes Gelboe Nec Pluvia Nec Ros"
H 402, "Cum Centum Esset Annorum Abraham"
H 402, "Et Octavo Die Circumcidit Filium Suum"
H 402, "Et Reversus Abraham Ad Pueros Suos"
H 406, "Xenia Pastores Christo Portanda Parastis"
H 406, "Linquite Oves Intactas Et Puras"
Charpentier: Missa Assumpta est Maria, H. 11: XVII. Et in Spiritum sanctum
Missa Assumpta est Maria, H. 11: XVII. Et in Spiritum sanctum
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Charpentier: Te Deum, H. 146 & Magnificat, H. 74
Charpentier: Te Deum, H. 146: II. Te Deum laudamus
Charpentier: Te Deum, H. 146: III. Te aeternum Patrem
Charpentier: Te Deum, H. 146: IV. Pleni sunt coeli e terra
Charpentier: Te Deum, H. 146: V. Te per orbem terrarum
Charpentier: Te Deum, H. 146: VI. Tu devicto mortis aculeo
Charpentier: Te Deum, H. 146: VII. Judex crederis
Charpentier: Te Deum, H. 146: VIII. Te ergo quaesumus
Charpentier: Te Deum, H. 146: IX. Aeterna fac cum sanctis
Charpentier: Te Deum, H. 146: X. Dignare Domine
Charpentier: Te Deum, H. 146: XI. Fiat misericordia
Charpentier: Te Deum, H. 146: XII. In Te Domine speravi
Charpentier: Magnificat, H. 74: I. Sinfonia
Charpentier: Magnificat, H. 74: II. Magnificat anima mea
Charpentier: Magnificat, H. 74: III. Quia fecit mihi magna
Charpentier: Magnificat, H. 74: IV. Et misericordia
Charpentier: Magnificat, H. 74: V. Fecit potentiam
Charpentier: Magnificat, H. 74: VI. Esurientes
Charpentier: Magnificat, H. 74: VII. Suscepit Israel
Charpentier: Magnificat, H. 74: VIII. Sicus locutus es
Charpentier: Magnificat, H. 74: IX. Gloria Patri
David et Jonathas, H. 490, Prologue: Déclamation
David et Jonathas, H. 490, Acte III: Déclamation
David et Jonathas, H. 490, Prologue: Ouverture
David et Jonathas, H. 490, Acte III: Symphonie d'ouverture
David et Jonathas, H. 490, Prologue Scène 1: Où suis-je ? qu'ai-je fait ? (Saül)
David et Jonathas, H. 490, Acte III Scène 1: Ah ! je dois assurer et ma vie et l'empire (Saül, Achis)
David et Jonathas, H. 490, Prologue Scène 2: Dois-je enfin éprouver le secours de vos charmes ? (Saül, la Pythonisse)
David et Jonathas, H. 490, Acte III Scène 2: Objet d'une implacable haine (Saül)
David et Jonathas, H. 490, Prologue Scène 3: Retirez-vous, affreux tonnerre (la Pythonisse)
David et Jonathas, H. 490, Acte III Scène 3: David peut-il attendre un retour favorable ? (Jonathas, David, Saül, troupes)
David et Jonathas, H. 490, Prologue Scène 3: Ombre, c'est moi qui vous appelle (la Pythonisse)
David et Jonathas, H. 490, Acte III Scène 3: Ah ! plutôt dès ce jour venge-moi d'un perfide (Jonathas, David, Saül, troupes)
David et Jonathas, H. 490, Prologue Scène 3: Quoi ! je parle, et l'enfer autrefois si fidèle (la Pythonisse)
David et Jonathas, H. 490, Acte III Scène 4: Achevons ; mon bonheur passe mon espérance (Joabel, chœur)
David et Jonathas, H. 490, Prologue Scène 4: Quelle importune voix vient troubler mon repos ? (l'Ombre de Samuel, Saül)
David et Jonathas, H. 490, Acte III: Gigue
David et Jonathas, H. 490, Prologue Scène 5: Est-ce assez ? ai-je enfin épuisé ta colère ? (Saül, la Pythonisse) - reprise de l'ouverture
David et Jonathas, H. 490, Acte IV: Déclamation
David et Jonathas, H. 490, Acte I: Marche triomphante
David et Jonathas, H. 490, Acte IV: Prélude
David et Jonathas, H. 490, Acte I Scène 1: Du plus grand des héros, publions les exploits (troupes de guerriers, de pasteurs et de captifs)
David et Jonathas, H. 490, Acte IV Scène 1: Souverain juge des mortels (David)
David et Jonathas, H. 490, Acte I Scène 1: Le ciel dans nos bois le fit naître (troupes de guerriers, de pasteurs et de captifs)
David et Jonathas, H. 490, Acte IV Scène 2: Vous me fuyez ! (Jonathas, David)
David et Jonathas, H. 490, Acte I Scène 1: Jeune et terrible dans la guerre (troupes de guerriers, de pasteurs et de captifs)
David et Jonathas, H. 490, Acte IV Scène 3: A-t-on jamais souffert une plus rude peine ? (Jonathas, chœur)
David et Jonathas, H. 490, Acte I Scène 2: Allez, le ciel jaloux attend de tous vos vœux un légitime hommage (David, troupes)
David et Jonathas, H. 490, Acte IV Scène 3: Courons, courons : cherchons dans les combats (chœur)
David et Jonathas, H. 490, Acte I Scène 3: Ciel ! quel triste combat en ces lieux me rappelle ? (David)
David et Jonathas, H. 490, Acte IV Scène 4: Venez, Seigneur, venez : Saül va vous attendre (Saül, Achis)
David et Jonathas, H. 490, Acte I Scène 4: Le ciel enfin favorable à mes vœux (Achis, David, troupes)
David et Jonathas, H. 490, Acte IV Scène 5: Enfin vous m'écoutez, Seigneur ? et la victoire (Joabel)
David et Jonathas, H. 490, Acte I Scène 4: Après les fureurs de l'orage (captifs, chœur)
David et Jonathas, H. 490, Acte IV Scène 5: Courons, courons : cherchons dans les combats (Achis, chœurs)
David et Jonathas, H. 490, Acte I: Menuet
David et Jonathas, H. 490, Acte IV: Rigaudon
David et Jonathas, H. 490, Acte II: Déclamation
David et Jonathas, H. 490, Acte IV: Bourrée
David et Jonathas, H. 490, Acte II: Prélude
David et Jonathas, H. 490, Acte V: Déclamation
David et Jonathas, H. 490, Acte II Scène 1: Quel inutile soin en ces lieux vous arrête ? (Joabel, David)
David et Jonathas, H. 490, Acte V: Bruit d'armes
David et Jonathas, H. 490, Acte II Scène 1: Dépit jaloux, haine cruelle (Joabel, chœurs)
David et Jonathas, H. 490, Acte V Scène 1: Courez ; Saül attend un secours nécessaire (Jonathas)
David et Jonathas, H. 490, Acte II Scène 1: David au comble de la gloire (Joabel)
David et Jonathas, H. 490, Acte V Scène 2: Que vois-je ? Quoi ! je perds (Saül, Jonathas, troupes)
David et Jonathas, H. 490, Acte II Scène 1: C'est trop; à mes fureurs il faut que tout réponde (Joabel)
David et Jonathas, H. 490, Acte V Scène 2: Qu'entends-je ? il va périr ! quelle fureur m'anime ? (Saül, Jonathas, troupes)
David et Jonathas, H. 490, Acte II Scène 1: À votre bras vainqueur rien ne peut résister (David, Jonathas, troupes)
David et Jonathas, H. 490, Acte II Scène 1: Goûtons, goûtons les charmes (David, Jonathas, troupes)
Missa Assumpta est Maria, H. 11: I. Kyrie
Missa Assumpta est Maria, H. 11: II. Couplet d'orgue
Missa Assumpta est Maria, H. 11: III. Christe Eleison
Missa Assumpta est Maria, H. 11: IV. Kyrie (Reprise)
Missa Assumpta est Maria, H. 11: V. Gloria
Missa Assumpta est Maria, H. 11: VI. Et in terra pax
Missa Assumpta est Maria, H. 11: VII. Domine Deus
Missa Assumpta est Maria, H. 11: VIII. Credo
Missa Assumpta est Maria, H. 11: IX. Patrem omnipotentem
Missa Assumpta est Maria, H. 11: X. Et in unum Dominum
Missa Assumpta est Maria, H. 11: XI. Qui propter nos homines
Missa Assumpta est Maria, H. 11: XII. Et incarnatus
Missa Assumpta est Maria, H. 11: XIII. Crucifixus etiam
Missa Assumpta est Maria, H. 11: XIV. Et resurrexit
Missa Assumpta est Maria, H. 11: XV. Et iterum
Missa Assumpta est Maria, H. 11: XVI. Cujus regni non erit finis
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Missa Assumpta est Maria, H. 11: XVIII. Confiteor
Missa Assumpta est Maria, H. 11: XIX. Et vitam venturi saeculi
Concert pour quatre parties de violes, H. 545: III. Sarabande
Missa Assumpta est Maria, H. 11: XX. Sanctus
Missa Assumpta est Maria, H. 11: XXI. Agnus Dei
Motet pour une longue offrande, H. 434: I. Prelude
Motet pour une longue offrande, H. 434: II. Paravit Dominus
Motet pour une longue offrande, H. 434: III. Prelude
Motet pour une longue offrande, H. 434: IV. Pluet super peccatores
Motet pour une longue offrande, H. 434: V. Vidi impium
Motet pour une longue offrande, H. 434: VI. Pluet super peccatores (Reprise)
Motet pour une longue offrande, H. 434: VII. Simphonie, Deus Justus
Motet pour une longue offrande, H. 434: VIII. Simphonie, Justus es Domine
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Albinoni: Adagio in G Minor: Pt. 1 (Arr. Giazotto)
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Albinoni: Adagio in G Minor: Pt. 2 (Arr. Giazotto)
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Albinoni: Adagio in G Minor: Pt. 3 (Arr. Giazotto)
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Albinoni: Adagio in G Minor: Pt. 4 (Arr. Giazotto)
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Albinoni: Adagio in G Minor: Pt. 5 (Arr. Giazotto)
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Albinoni: Adagio in G Minor: Pt. 6 (Arr. Giazotto)
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Albinoni: Adagio in G Minor: Pt. 7 (Arr. Giazotto)
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Albinoni: Adagio in G Minor: Pt. 8 (Arr. Giazotto)
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Albinoni: Adagio in G Minor: Pt. 9 (Arr. Giazotto)
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Bach, JS: Keyboard Partita No. 1 in B-Flat Major, BWV 825: I. Praeludium
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Bach, JS: Keyboard Partita No. 1 in B-Flat Major, BWV 825: VII. Gigue
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Lully / Transc Tharaud: Le bourgeois gentilhomme, LWV 43: Marche pour la cérémonie des Turcs
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Scarlatti, D: Keyboard Sonata in D Minor, Kk. 9 "Pastorale"
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Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon
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Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Gigue
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Purcell: Dido and Aeneas, Z. 626: Overture
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Monteverdi: L'Orfeo, SV 318, Prologue: Toccata
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Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau
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Pergolesi: Stabat Mater: I. Stabat mater dolorosa
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Bach, JS: Well-Tempered Clavier, Book 2, Prelude and Fugue No. 1 in C Major, BWV 870: II. Fugue
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Bach, JS: Well-Tempered Clavier, Book 2, Prelude and Fugue No. 12 in F Minor, BWV 881: I. Prelude
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Bach, JS: Well-Tempered Clavier, Book 2, Prelude and Fugue No. 17 in A-Flat Major, BWV 886: I. Prelude
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Rameau: Second livre de pièces de clavecin, Suite en mi: V. Le rappel des oiseaux
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Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro
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Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre
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Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Allegro
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Bach, JS: Magnificat in D Major, BWV 243: III. Aria. "Quia respexit humilitatem"
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Bach, JS: Magnificat in D Major, BWV 243: IV. Chorus. "Omnes generationes"
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Bach, JS: Toccata and Fugue in D Minor, BWV 565: Toccata
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Bach, JS: Toccata and Fugue in D Minor, BWV 565: Fugue
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Albinoni: Trattenimenti armonici, Op. 6: Trumpet Concerto No. 11 in B-Flat Major "San Marco": I. Grave
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Albinoni: Trattenimenti armonici, Op. 6: Trumpet Concerto No. 11 in B-Flat Major "San Marco": II. Allegro
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Albinoni: Trattenimenti armonici, Op. 6: Trumpet Concerto No. 11 in B-Flat Major "San Marco": III. Andante
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Albinoni: Trattenimenti armonici, Op. 6: Trumpet Concerto No. 11 in B-Flat Major "San Marco": IV. Allegro
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Royer: Premier livre de pièces de clavecin: VI. L'aimable
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Royer: Premier livre de pièces de clavecin: XIV. La marche des Scythes
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Clarke: Suite in D Major: Prince of Denmark's March "Trumpet Voluntary"
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Handel: Serse, HWV 40, Act 1: Arioso. "Ombra mai fù" (Serse)
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Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: I. Yod
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Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non molto
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Bach, JS: Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: I. Ouverture
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: II. Première partie, scène première "Que nos soupirs, Seigneur"
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: III. Première partie, scène seconde "Régnez, calme profond"
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: IV. Première partie, scène 3e "Célestes compagnons"
Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: V. Première partie, scène 4e "Gloire dans les hauts lieux"
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: VI. Seconde partie, scène 5e "Pasteurs, éveillez-vous !"
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Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: VII. Seconde partie, scène 6e "Joignons nos flûtes et nos voix"
In Nativitatem Domini Canticum, H. 416: Nuit (interlude Instrumental pour cordes)
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Messe de Minuit, H. 9: IV. Offertoire "Laissez paître vos bêtes"
Charpentier: Les Arts Florissants, H. 487
Les Arts Florissants, H. 487, Scène 1: Air. Que mes divins concerts — Chœur. Amour du ciel — Air des Guerriers. Airs de La Poésie, de La Peinture, et de L'Architecture — Reprises. Amour du ci
Les Arts Florissants, H. 487, Scène 2: Récitatif. Quel bruit épouvantable—Fuite des Arts—Air et Chœur. Renversons le ciel—Entrée de Furies—Air. Sa gloire est un supplice—Reprises. Renversons
Les Arts Florissants, H. 487, Scène 3: Prélude et Air. Fille de la nuit éternelle—Récitatif. Lâche déesse—Air et Chœur. Débats, seditions—Récitatif et Air. Souffre-tu, monarque des Dieux (La
Les Arts Florissants, H. 487, Scène 4: Menuet et Air. Parois dans ta beauté première (La Paix)
Les Arts Florissants, H. 487, Scène 5: Chaconne, Air et Chœur. Charmante Paix — Sarabande et Air. Loin du bruit des armes — Finale. O Paix si longtemps désirée (Les Arts, La Paix, Arts et Gue
Sonata à 8, H. 548: II. Récit de la viole seule
Sonata à 8, H. 548: IV. Récit de la basse de violon
David & Jonathas, H. 490, Act III: Ouverture
David & Jonathas, H. 490, Ouverture Scene 1: Où suis-je ? qu’ai-je fait ? (Saül)
David & Jonathas, H. 490, Act III Scene 1: Ah ! Je dois assurer et ma vie et l’Empire (Saül, Achis)
David & Jonathas, H. 490, Ouverture Scene 2: Dois-je enfin éprouver le secours de vos charmes ? (Saül, La Pythonisse)
David & Jonathas, H. 490, Act III Scene 2: Objet d’une implacable haine (Saül)
David & Jonathas, H. 490, Ouverture Scene 3: Retirez-vous affreux Tonnerre (La Pythonisse)
David & Jonathas, H. 490, Act III Scene 3: David peut-il attendre (Jonathas, Saül, David)
David & Jonathas, H. 490, Ouverture Scene 4: Quelle importune voix vient troubler mon repos ? (L'Ombre de Samuel)
David & Jonathas, H. 490, Act III Scene 4: Achevons mon bonheur (Joabel)
David & Jonathas, H. 490, Ouverture Scene 5: Est-ce assez ? (Saül, La Pythonisse)
David & Jonathas, H. 490, Act III Scene 4: Gigue
David & Jonathas, H. 490, Act I Scene 1: Marche triomphante
David & Jonathas, H. 490, Act IV: Ouverture
David & Jonathas, H. 490, Act I Scene 1: Du plus grand des Héros publions les exploits (Un Guerrier, Chœur)
David & Jonathas, H. 490, Act IV Scene 1: Souverain juge des Mortels (David)
David & Jonathas, H. 490, Act I Scene 1: Le Ciel dans nos bois le fit naitre (Trois Bergers)
David & Jonathas, H. 490, Act IV Scene 2: Vous me fuyez ! (Jonathas, David)
David & Jonathas, H. 490, Act I Scene 1: Jeune, et terrible dans la Guerre (Un Guerrier, Chœur)
David & Jonathas, H. 490, Act IV Scene 3: A-t-on jamais souffert (Jonathas, Chœur)
David & Jonathas, H. 490, Act I Scene 1: Cédons ; rien ne peut se défendre (Deux Captifs)
David & Jonathas, H. 490, Act IV Scene 4: Venez, Seigneur (Saül, Achis)
David & Jonathas, H. 490, Act I Scene 1: Le Dieu qui lance le Tonnerre (Un Guerrier)
David & Jonathas, H. 490, Act IV Scene 5: Enfin vous m’écoutez, Seigneur ? (Joabel)
David & Jonathas, H. 490, Act I Scene 2: Allez, le Ciel attend un légitime hommage (David)
David & Jonathas, H. 490, Act IV Scene 5: Courons, courons (Achis, Chœur)
David & Jonathas, H. 490, Act I Scene 3: Ciel ! quel triste combat (David)
David & Jonathas, H. 490, Act IV Scene 5: Rigaudon
David & Jonathas, H. 490, Act I Scene 4: Le Ciel enfin favorable à mes voeux (Achis, David)
David & Jonathas, H. 490, Act IV Scene 5: Bourrée
David & Jonathas, H. 490, Act I Scene 4: Ah ! D'un faible secours (Achis, David, Chœur)
David & Jonathas, H. 490, Act V Scene 1: Bruit d'armes
David & Jonathas, H. 490, Act I Scene 4: Après les Fureurs de l’Orage (Deux Captifs)
David & Jonathas, H. 490, Act V Scene 1: Courez (Jonathas)
David & Jonathas, H. 490, Act I Scene 4: Menuet
David & Jonathas, H. 490, Act V Scene 2: Que vois-je ? (Saül, Jonathas, Chœur)
David & Jonathas, H. 490, Act II: Ouverture
David & Jonathas, H. 490, Act V Scene 3: Chœur. Victoire ! Victoire !
David & Jonathas, H. 490, Act II Scene 1: Quel inutile soin (Joabel)
David & Jonathas, H. 490, Act V Scene 4: Qu’on sauve Jonathas (David, Jonathas)
David & Jonathas, H. 490, Act II Scene 1: Entre la Paix et la Victoire (David, Chœur de la suite de Jonathas)
David & Jonathas, H. 490, Act V Scene 4: Jamais Amour (David, Chœur)
David & Jonathas, H. 490, Act II Scene 2: Dépit jaloux, haine cruelle (Joabel)
David & Jonathas, H. 490, Act V Scene 5: Vois, traître (Saül, David)
David & Jonathas, H. 490, Act II Scene 2: Chœur. Tout suit vos voeux
David & Jonathas, H. 490, Act V Final scene: Marche triomphante
David & Jonathas, H. 490, Act II Scene 2: David au comble de la Gloire (Joabel)
David & Jonathas, H. 490, Act V Final scene: Joignez à vos exploits l’honneur du diadème (Achis, David)
David & Jonathas, H. 490, Act II Scene 3: À votre bras Vainqueur, Chaconne (Jonathas, David, Trois Bergers, Chœur)
David & Jonathas, H. 490, Act V Final scene: Chœur. Du plus grand des Héros chantons la gloire
Canticum in nativitatem Domini, 'Frigidae noctis umbra': Marche
Andrew Parrott/Taverner Players/Jeremy White
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Charpentier: Sans frayeur dans ce bois, H. 467
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Charpentier: Auprès du feu l'on fait l'amour, H. 446
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Charpentier: Celle qui fait tout mon tourment, H. 450
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Orchestra of the Gulbenkian Foundation, Lisbon
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