1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this artist was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x0e7a74ab413c24a2a29d33651647e60eb937d0e3ac4a36639a53e77064d74f67. Chain 2 (Bitcoin): anchored in block 953408 (2026-06-12T19:28:13Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/9917046e-a2b6-4164-a1bb-8b74411be4ab.json and https://artists.proofprofile.net/proofs/artist/9917046e-a2b6-4164-a1bb-8b74411be4ab.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 1. "Vergnügte Ruh, beliebte Seelenlust"
"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 2. "Die Welt, das Sündenhaus"
"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 3. "Wie jammern mich doch die verkehrten Herzen"
"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 4. "Wer sollte sich demnach wohl hier"
"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 5. "Mir ekelt mehr zu leben"
Cantata "Ich habe genug" BWV 82: 1. Aria: Ich habe genug, ich habe den Heiland
Cantata "Ich habe genug" BWV 82: 2. Recitativo: Ich habe genug! Mein Trost ist nur allein
Cantata "Ich habe genug" BWV 82: 3. Aria: Schlummert ein, ihr matten Augen
Cantata "Ich habe genug" BWV 82: 4. Recitativo: Mein Gott! wann kommt das schöne Nun!
Cantata "Ich habe genug" BWV 82: 5. Aria: Ich freue mich auf meinen Tod
"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 1. "Sehet, wir gehn hinauf gen Jerusalem"
"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 2. "Ich folge dir nach"
"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 3. "Nun will ich mich"
"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 4. "Es ist vollbracht"
"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 5. "Jesu, deine Passion"
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 1. Aria: "Ich will den Kreuzstab gerne tragen"
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 2. Recitativo: "Mein Wandel auf der Welt"
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 3. Aria: "Endlich, endlich wird mein Joch"
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 4. Recitativo: "Ich stehe fertig und bereit"
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 5. Choral: "Komm, o Tod, du Schlafes Bruder"
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 1. Rezitativ: Schweigt stille, plaudert nicht
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 2. Arie: Hat man nicht mit seinem Kindern
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 3. Rezitativ: Du böses Kind, du loses Mädchen
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt der Coffee süße
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 5. Rezitativ: Wenn du mir nicht den Coffee läßt
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 6. Arie: Mädchen, die von harten Sinnen
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 7. Rezitativ: Nun folge, was dein Vater spricht
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 8. Arie: Heute noch, lieber Vater, tut es doch
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 9. Rezitativ: Nun geht und sucht der alte Schlendrian
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 10. Chor (Terzett): Die Katze Läßt das Mausen nicht
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 1. Ouverture
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 2. Arie (Duetto): Mer hahn en neue Oberkeet
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 3. Rezitativ: Nu, Mieke, gib dein Guschel immer her
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 4. Arie: Ach es schmeckt doch gar zu gut
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 5. Rezitativ: Der Herr ist gut: Allein der Schösser
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 6. Arie: Ach, Herr Schösser, geht nicht gar zu schlimm
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 7. Rezitativ: Es bleibt dabei, daß unser Herr der beste sei
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 8. Arie: Unser trefflicher, lieber Kammerherr
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 9. Rezitativ: Er hilft uns allen, alt und jung
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 10. Arie: Das ist galant, es spricht niemand
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 11. Rezitativ: Und unsre gnädige Frau
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 12. Arie: Fünfzig Taler bares Geld
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 13. Rezitativ: Im Ernst ein Wort
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 14. Arie: Klein-Zshocher müsse so zart und süße
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 15. Rezitativ: Das ist zu klug vor dich
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 16. Arie: Es nehme zehntausend Dukaten
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 17. Rezitativ: Das klingt zu liederlich
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 18. Arie: Gib, Schöne, viel Söhne
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 19. Rezitativ: Du hast wohl recht
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 20. Arie: Dein Wachstum sei feste
Holst: Choral Hymns From The Rig Veda; Savitri; Seven Part-Songs; The Evening Watch
Choral Hymns from the Rig Veda (third group, 1909-10) - translated from the Sanskrit by Gustav Holst: Hymn To The Dawn
Choral Hymns from the Rig Veda (third group, 1909-10) - translated from the Sanskrit by Gustav Holst: Hymn To The Waters
Choral Hymns from the Rig Veda (third group, 1909-10) - translated from the Sanskrit by Gustav Holst: Hymn To Vena
Choral Hymns from the Rig Veda (third group, 1909-10) - translated from the Sanskrit by Gustav Holst: Hymn Of The Travellers
Sāvitri, Op. 25: Sāvitri! Sāvitri! I am Death
Sāvitri, Op. 25: Like a Spectre of the Forest
Sāvitri, Op. 25: Then enter, Lord; dwell with Me
Sāvitri, Op. 25: Loneliness and Pain are ended
Seven Part Songs: Angel Spirits Of Sleep
Seven Part Songs: Love On My Heart From Heaven Fell
Seven Part Songs: Assemble All Ye Maidens
Acis and Galatea, HWV 49, Act II: Consider, Fond Shepherd
Acis and Galatea, HWV 49, Act I: Oh, the Pleasure of the Plains
Acis and Galatea, HWV 49, Act II: Cease, oh Cease, Thou Gentle Youth
Acis and Galatea, HWV 49, Act I: Ye Verdant Plains
Acis and Galatea, HWV 49, Act II: The Flocks Shall Leave the Mountains
Acis and Galatea, HWV 49, Act I: Hush, Ye Pretty Warbling Quire!
Acis and Galatea, HWV 49, Act II: Help, Galatea! Help, Ye Parent Gods!
Acis and Galatea, HWV 49, Act I: Where Shall I Seek the Charming Fair?
Acis and Galatea, HWV 49, Act II: Mourn, All Ye Muses!
Acis and Galatea, HWV 49, Act I: Stay, Shepherd, Stay!
Acis and Galatea, HWV 49, Act II: Must I My Acis Still Bemoan
Acis and Galatea, HWV 49, Act I: Shepherd, What Art Thou Pursuing?
Acis and Galatea, HWV 49, Act II: 'Tis Done: Thus I Exert My Pow'r Divine
Acis and Galatea, HWV 49, Act I: Lo! Here My Love!
Acis and Galatea, HWV 49, Act II: Heart, the Seat of Soft Delight
Acis and Galatea, HWV 49, Act I: Love in Her Eyes Sits Playing
Acis and Galatea, HWV 49, Act II: Galatea, Dry Thy Tears
Acis and Galatea, HWV 49, Act I: Oh! Didst Thou Know the Pains
Il pastor fido, HWV 8a, Act I: Pour les Chasseurs I & II
Acis and Galatea, HWV 49, Act I: As When the Dove Laments her Love
Look Down Harmonious Saint, HWV 124: Recitative: Look Down, Look Down
Acis and Galatea, HWV 49, Act I: Happy We!
Look Down Harmonious Saint, HWV 124: Aria: Sweet Accents all Your Numbers Grace
Acis and Galatea, HWV 49, Act II: Wretched Lovers!
Acis and Galatea, HWV 49, Act II: I Rage- I Melt- I Burn!
Acis and Galatea, HWV 49, Act II: O Ruddier Than the Cherry
Bacchus and Ariadne from Six English Cantatas, 1755.: Recitative: The faithless Theseus...
Acis and Galatea, HWV 49, Act II: Whither, Fairest, Art Thou Running
Bacchus and Ariadne from Six English Cantatas, 1755.: Aria: Ah Theseus, Theseus stay
Acis and Galatea, HWV 49, Act II: Cease to Beauty to be Suing
Bacchus and Ariadne from Six English Cantatas, 1755.: Recit: The jolly God who rules
Acis and Galatea, HWV 49, Act II: Would You Gain the Tender Creature
Bacchus and Ariadne from Six English Cantatas, 1755.: Aria: Cease lovely Nymph to weep
Acis and Galatea, HWV 49, Act II: His Hideous Love Provokes my Rage
Bacchus and Ariadne from Six English Cantatas, 1755.: Recitative: With soft reluctance
Acis and Galatea, HWV 49, Act II: Love Sounds Th'alarm
Bacchus and Ariadne from Six English Cantatas, 1755.: Aria: Learn hence ye fond maidens
Fair Caelia love pretented: Recit: Fair Caelia love pretented
Fair Caelia love pretented: Aria: To all the sex deceitfull
Fair Caelia love pretented: Recit: But Caelia now repenting
Fair Caelia love pretented: Aria: How engaging, how endearing
The Secular Masque, c.1746: Momus to Mars
Britten: Serenade, Nocturne & Les Illuminations
Britten: Les illuminations, Op. 18: No. 1, Fanfare
Britten: Les illuminations, Op. 18: No. 2, Villes
Britten: Les illuminations, Op. 18: No. 3a, Phrase
Britten: Les illuminations, Op. 18: No. 3b, Antique
Britten: Les illuminations, Op. 18: No. 4, Royauté
Britten: Les illuminations, Op. 18: No. 5, Marine
Britten: Les illuminations, Op. 18: No. 6, Interlude
Britten: Les illuminations, Op. 18: No. 7, Being Beauteous
Britten: Les illuminations, Op. 18: No. 8, Parade
Britten: Les illuminations, Op. 18: No. 9, Départ
Britten: Serenade, Op. 31: No. 1, Prologue
Britten: Serenade, Op. 31: No. 2, Pastoral
Britten: Serenade, Op. 31: No. 3, Nocturne
Britten: Serenade, Op. 31: No. 7, Sonnet
Britten: Serenade, Op. 31: No. 8, Epilogue
Britten: Nocturne, Op. 60: No. 1, On a Poet's Lips I Slept
Britten: Nocturne, Op. 60: No. 2, The Kraken
Britten: Nocturne, Op. 60: No. 3, Encinctured with a Twine of Leaves
Britten: Nocturne, Op. 60: No. 4, Midnight's Bell
Britten: Nocturne, Op. 60: No. 5, But That Night When on My Bed I Lay
Britten: Nocturne, Op. 60: No. 6, The Kind Ghosts
Britten: Nocturne, Op. 60: No. 7, Sleep and Poetry
Britten: Nocturne, Op. 60: No. 8, Sonnet LXIII
Weill: The Seven Deadly Sins and The Threepenny Opera - The Sony Opera House
Die sieben Todsünden (The Seven Deadly Sins): Introduction (Andante sostenuto)
Die sieben Todsünden (The Seven Deadly Sins): Sloth (Allegro vivace)
Die sieben Todsünden (The Seven Deadly Sins): Pride (Allegretto, quasi andantino - Schneller Walzer)
Die sieben Todsünden (The Seven Deadly Sins): Anger (Molto agitato)
Die sieben Todsünden (The Seven Deadly Sins): Gluttony (Largo)
Die sieben Todsünden (The Seven Deadly Sins): Lechery (Moderato)
Die sieben Todsünden (The Seven Deadly Sins): Avarice (Allegro giusto)
Die sieben Todsünden (The Seven Deadly Sins): Envy (Allegro non troppo - Alla marcia, un poco tenuto)
Die sieben Todsünden (The Seven Deadly Sins): Finaletto (Andante sostenuto)
Kleine Dreigroschenmusik (Little Threepenny Music): Overture (Maestoso)
Members Of The London Symphony Orchestra
Kleine Dreigroschenmusik (Little Threepenny Music): The Moritat of Mack The Knife (Moderato assai)
Kleine Dreigroschenmusik (Little Threepenny Music): The Instead-of Song (Moderato)
Kleine Dreigroschenmusik (Little Threepenny Music): The Ballad Of The Easy Life (Foxtrot: Molto leggiero)
Kleine Dreigroschenmusik (Little Threepenny Music): Polly's Song (Andante con moto)
Kleine Dreigroschenmusik (Little Threepenny Music): Tango-Ballad
Kleine Dreigroschenmusik (Little Threepenny Music): Cannon Song (Charleston Tempo)
Kleine Dreigroschenmusik (Little Threepenny Music): Threepenny Finale
Parsifal, WWV 111 / Act 1: "He! Ho! Waldhüter ihr"
Parsifal, WWV 111 / Act 1: "Seht dort, die wilde Reiterin"
Parsifal, WWV 111 / Act 1: "Recht so! Habt Dank! Ein wenig Rast!...Gawan! - Herr! Gawan weilte nicht!"
Parsifal, WWV 111 / Act 1: "He, du da! Was liegst du dort wie ein wildes Tier?"
Parsifal, WWV 111 / Act 1: "Das ist ein andres... O wunden-wundervollen heiliger"
Parsifal, WWV 111 / Act 1: "Titurel, der fromme Held"
Parsifal, WWV 111 / Act 1: "Vor allem nun: die Speer kehr' uns zurück"
Parsifal, WWV 111 / Act 1: "Weh! - Hoho! - Auf! - Wer ist der Frevler?"
Parsifal, WWV 111 / Act 1: "Du konntest morden, hier, im heil'gen Walde"
Parsifal, WWV 111 / Act 1: "Wo bist du her?"
Parsifal, WWV 111 / Act 1: "Den Vaterlosen gebar die Mutter"
Parsifal, WWV 111 / Act 1: "So recht! So nach des Grales Gnade"
Parsifal, WWV 111 / Act 1: "Vom Bade kehrt der König heim"
Parsifal, WWV 111 / Act 1: "Nun achte wohl und laß mich seh'n...Zum letzten Liebesmahle"
Parsifal, WWV 111 / Act 1: "Mein Sohn Amfortas, bist du am Amt?"
Parsifal, WWV 111 / Act 1: "Nein! Lasst ihn unenthüllt"
Parsifal, WWV 111 / Act 1: "Nehmet hin meinen Leib"
Parsifal, WWV 111 / Act 1: "Was stehest du noch da?"
Parsifal, WWV 111 / Act 2: "Die Zeit ist da"
Parsifal, WWV 111 / Act 2: "Erwachst du? Ha!"
Parsifal, WWV 111 / Act 2: "Jetzt schon erklimmt er die Burg"
Parsifal, WWV 111 / Act 2: "Hier war das Tosen!"
Parsifal, WWV 111 / Act 2: "Ihr schönen Kinder"
Parsifal, WWV 111 / Act 2: "Komm, holder Knabe!"
Parsifal, WWV 111 / Act 2: "Parsifal! Weile!"
Parsifal, WWV 111 / Act 2: "Ich sah das Kind an seiner Mutter Brust"
Parsifal, WWV 111 / Act 2: "Wehe! Was tat ich? Wo war ich?...Bekenntnis wird Schuld in Reue enden"
Parsifal, WWV 111 / Act 2: "Amfortas! Die Wunde!"
Parsifal, WWV 111 / Act 2: "Grausamer! Fühlst du im Herzen...Ich sah ihn...Nun such' ich ihn von Welt zu Welt"
Parsifal, WWV 111 / Act 2: "Auf Ewigkeit wärst du verdammt"
Parsifal, WWV 111 / Act 2: "Vergeh, unseliges Weib!"
Parsifal, WWV 111 / Act 2: "Halt da! Dich bann' ich mit der rechten Wehr!"
Parsifal, WWV 111 / Act 3: "Von dorther kam das Stöhnen"
Parsifal, WWV 111 / Act 3: "Du tolles Weib! Hast du kein Wort für mich?"
Parsifal, WWV 111 / Act 3: "In düstrem Waffenschmucke?"
Parsifal, WWV 111 / Act 3: "Heil mir, daß ich dich wiederfinde!"
Parsifal, WWV 111 / Act 3: "O Gnade! Höchstes Heil!"
Parsifal, WWV 111 / Act 3: "Nicht so! Die heil'ge Quelle selbst"
Parsifal, WWV 111 / Act 3: "Du wuchsest mir die Füsse"
Parsifal, WWV 111 / Act 3: "Wie dünkt mich doch die Aue heut so schön" - Karfreitagszauber
Parsifal, WWV 111 / Act 3: "Mittag. Die Stund' ist da" - Verwandlungsmusik
Parsifal, WWV 111 / Act 3: "Geleiten wir im bergenden Schrein"
Parsifal, WWV 111 / Act 3: "Ja, Wehe! Weh' über mich!"
Parsifal, WWV 111 / Act 3: "Nur eine Waffe taugt"
Béatrice et Bénédict / Act 1: Entr'acte: Sicilienne
Béatrice et Bénédict / Act 1: "Le More est en fuite. Victorie!"
Béatrice et Bénédict / Act 2: "Le vin de Syracuse"
Béatrice et Bénédict / Act 1: "Le More est en fuite!" - Danse nationale - Air
Béatrice et Bénédict / Act 2: "Non! Que viens-je d'entendre?" - "Il m'en souvient" - "Je l'aime donc?"
Béatrice et Bénédict / Act 1: "Je vais le voir"
Béatrice et Bénédict / Act 2: "Qu'as-tu donc, Béatrice?"
Béatrice et Bénédict / Act 1: "Recevez mes félicitations"
Béatrice et Bénédict / Act 2: "Je vais d'un coeur aimant"
Béatrice et Bénédict / Act 1: "Comment le dédain pourrait-il" - "Bénédict, ne partez pas"
Béatrice et Bénédict / Act 2: "On nous attend"
Béatrice et Bénédict / Act 1: "Me marier? Dieu me pardonne!" - "Par le ciel!"
Béatrice et Bénédict / Act 2: "Viens! Viens, de l'hyménée"
Béatrice et Bénédict / Act 1: "Allons! Chacun de vous"
Béatrice et Bénédict / Act 1: "Mourez, tendres époux" - "Ah! mon Dieu!" - "Un in- stant!"
Béatrice et Bénédict / Act 2: "Dieu qui guides nos bras"
Béatrice et Bénédict / Act 1: "Mourez, tendres époux"
Béatrice et Bénédict / Act 2: "Approcher, Claudio!"
Béatrice et Bénédict / Act 1: "Eh bien! Léonato"
Béatrice et Bénédict / Act 2: "Ici l'on voit Bénédict"
Béatrice et Bénédict / Act 1: "Ah! Je vais l'aimer"
Béatrice et Bénédict / Act 2: "L'amour est un flambeau"
Béatrice et Bénédict / Act 1: "Ah! Je suis gré à mon père"
Béatrice et Bénédict / Act 1: "Vous soupirez, madame?" - "Nuit paisible et sereine!"
Roméo et Juliette, Op. 17 / Part 1: Introduction
Roméo et Juliette, Op. 17, H.79 / Part 4: Scherzo: La reine Mab, où la fée des songes
Roméo et Juliette, Op. 17 / Part 1: Prologue: "D'anciennes haines endormies"
Roméo et Juliette, Op. 17 / Part 5: Convoi funèbre de Juliette: "Jetez des fleurs pour la vierge expirée!"
Roméo et Juliette, Op. 17 / Part 1: Strophe 1: "Premiers transports que nul n'oublie"
Roméo et Juliette, Op. 17 / Part 6: Roméo au tombeau des Capulets
Roméo et Juliette, Op. 17 / Part 1: Strophe 2: "Heureux enfants aux coeurs de flamme"
Roméo et Juliette, Op. 17 / Part 7: "Quoi! Roméo de retour!"
Roméo et Juliette, Op. 17 / Part 1: Récitatif et Scherzetto: "Bientôt de Roméo" - "Mab! la messagère" - "Bientôt la mort est souveraine"
Roméo et Juliette, Op. 17 / Part 7: "Pauvres enfants que je pleure - Mais notre sang rougit leur glaive"
Roméo et Juliette, Op. 17 / Part 2: Roméo seul - Tristesse - Concert et bal.
Roméo et Juliette, Op. 17 / Part 7: "Jurez donc par l'auguste symbole"
Roméo et Juliette, Op. 17 / Part 2: Grande fête chez les Capulets
Roméo et Juliette, Op. 17 / Part 3: "Ohé! Capulets! bonsoir, bonsoir!"
Roméo et Juliette, Op. 17, H.79 / Part 3: Scène d'amour
Symphony No. 2 in B-Flat Major, Op. 52, Hymn of Praise: I. Maestoso con moto - allegro
Symphony No. 2 in B-Flat Major, Op. 52, Hymn of Praise: II. Allegretto un poco agitato
Symphony No. 2 in B-Flat Major, Op. 52, Hymn of Praise: III. Adagio religioso
Symphony No. 2 in B-Flat Major, Op. 52, Hymn of Praise: IV. Chorus
Symphony No. 2 in B-Flat Major, Op. 52, Hymn of Praise: V. Recit, Saget es
Symphony No. 2 in B-Flat Major, Op. 52, Hymn of Praise: VI. Chorus, saget es
Symphony No. 2 in B-Flat Major, Op. 52, Hymn of Praise: VII. Solo Ich harrete des Herrn
Symphony No. 2 in B-Flat Major, Op. 52, Hymn of Praise: VIII. Solo
Symphony No. 2 in B-Flat Major, Op. 52, Hymn of Praise: IX. Solo, Pt. 2
Symphony No. 2 in B-Flat Major, Op. 52, Hymn of Praise: X. Chorus
Symphony No. 2 in B-Flat Major, Op. 52, Hymn of Praise: XI. Solo, Pt. 3
Symphony No. 2 in B-Flat Major, Op. 52, Hymn of Praise: XII. Chorus, Ihr Volker
The King Shall Rejoice & Other Chapel Royal Anthems
When the Son of Man shall come in all His Glory
Hippolyte et Aricie / Act 1: "Temple sacré, séjour tranquille"
Hippolyte et Aricie / Act 1: "Princesse, quels apprêts me frappent"
Hippolyte et Aricie / Act 1: Marche..."Dans ce paisible séjour"
Hippolyte et Aricie / Act 1: "Princesse, ce grand jour par des noeuds éternels"
Hippolyte et Aricie / Act 1: Prélude..."Ne vous alarmez pas d'un projet téméraire"
Hippolyte et Aricie / Act 1: Prélude.."Quoi! La terre et le ciel contre moi"
Hippolyte et Aricie / Act 1: Prélude..."Mes yeux commencent d'entrevoir"
Hippolyte et Aricie / Act 2: "Laisse-moi respirer, implacable Furie!"
Hippolyte et Aricie / Act 2: Prélude..Inexorable Roi de L'Empire infernal!"
Hippolyte et Aricie / Act 2: "Qu'à servir mon courroux tout l'enfer se prépare!"
Hippolyte et Aricie / Act 2: "Dieux! que d'infortunés gémissent"
Hippolyte et Aricie / Act 2: "Ah! qu'on daigne du moins...Puisque Pluton"
Hippolyte et Aricie / Act 2: Prélude...Neptune vous demande grâce"
Hippolyte et Aricie / Act 3: Prélude.."Cruelle mère des amours"
Hippolyte et Aricie / Act 3: "Eh bien! viendra-t-il en ces lieux"
Hippolyte et Aricie / Act 3: Marche..."Que ce rivage retentisse"
Hippolyte et Aricie / Act 3: "Quels biens! Je frémis quand j'y pense"
Hippolyte et Aricie / Act 4: Prélude..."Ah! faut-il, en un jour"
Hippolyte et Aricie / Act 4: "C'en est donc fait, cruel, rien n'arrête vos pas"
Hippolyte et Aricie / Act 4: "Faisons partout voler nos traits!"
Hippolyte et Aricie / Act 4: "Quelle plainte en ces lieux m'appelle?"
Hippolyte et Aricie / Act 5: "Grands Dieux! de quels remords je me sens dechiré!
Hippolyte et Aricie / Act 5: "Arrête!..Pour un fils quelle pitié vous presse?"
Hippolyte et Aricie / Act 5: "Où suis-je? De mes sens j'ai recouvré l'usage"
Hippolyte et Aricie / Act 5: "Descendez, brillante immortelle"
Hippolyte et Aricie / Act 5: "Peuples toujours soumis à mon obéissance"
Hippolyte et Aricie / Act 5: "Voi des Zephirs...Où suis-je transporté?"
Hippolyte et Aricie / Act 5: Marche..."Chantons sur la musette"
Hippolyte et Aricie / Act 5: "Bergers, vous allez voir combien"
Hippolyte et Aricie / Act 5: "Rossignols amoureux, répondez à nos voix"
The Indian Queen, Z. 630 - Prologue: First Music - Second Music
The Indian Queen, Z. 630 - Prologue: Overture
The Indian Queen, Z. 630 - Prologue: Wake Quivera, wake
The Indian Queen, Z. 630 - Act 2: Symphony
The Indian Queen, Z. 630 - Act 2: I come to sing great Zempoalla's story
The Indian Queen, Z. 630 - Act 3: Ye twice the hundred deities - By the croaking
The Indian Queen, Z. 630 - Act 3: Symphony - Seek not to know
The Indian Queen, Z. 630 - Act 3: Trumpet Overture
The Indian Queen, Z. 630 - Act 3: Ah, how happy are we
The Indian Queen, Z. 630 - Act 3: I attempt from Love's sickness to fly
The Indian Queen, Z. 630 - Act 4: They tell us that your mighty powers
The Indian Queen, Z. 630 - Act 5: While thus we bow
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Prelude
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Prelude
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Going to be a storm soon (Forester)
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: In the month of May (Harašta)
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Come on, old lady, and let's get the show started (Cricket, Catepillar
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Hey there, Harašta, how's it going? (
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Mummy! Mummy! What is that? (Vixen Cub, Forester)
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Little foxes running fast (Fox Cubs,
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Pantomime
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: How many children do we have? (Fox, V
The Cunning Little Vixen, Act I. Sharp-Ears at the Forester's lakeside farmyard: Interlude
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Put it down fast! Harašta, Harašta! (
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Look at how big she's grown! (Forester, Forester's Wife, Vixen, Dog)
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Interlude
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: I'm just the same too (Vixen)
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Where is old man Pásek? (Forester, In
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Look what we've got down 'ere (Pepik, Frantik, Vixen, Forester's Wife,
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Well I'm damned! (Forester, Innkeeper
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Interlude (beginning) "Ou, ou!" (Vixen)
The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Interlude
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Interlude (conclusion)
The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Spring is here at last (Forester)
The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: You should take a lesson from me! (Dog, Rooster, Hens, Chief Hen)
The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: When evening arrives, I welcome the r
The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: Sisters! Comrades! (Vixen, Hens, Rooster)
The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Hey! But I can't see the Vixen there!
The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: Come on then, don't be frightened (Chief Hen, Forester's Wife, Vixen,
The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Tha-that wasn't me (Frog)
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Prelude
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Ah! - Who's that out there screaming? (Vixen, Badger, Forest Cre
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Interlude
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: In my view parish things have got to be better! (Priest, Foreste
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Once long since, long ago (Forester, Schoolmaster, Priest, Pásek
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Home now? (Forester, Pásek)
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home : Interlude II
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Something is wrong with my equilibrium (Schoolmaster)
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Staccato! Flageoletti! (Schoolmaster)
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: So remember to be a good man! (Priest)
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Memnestho aner agathos einai (Priest, Forester, Schoolmaster)
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Interlude
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: O my God! He's so handsome! (Vixen, Fox)
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: One dark night (Vixen)
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Fox Goldenstripe (Fox, Vixen)
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Can it be that I am lovely? (Vixen, Fox)
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Let me go! I am afraid of you! (Vixen, F
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: If you had only seen what I saw just now
The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: That's how it is! (Fox, Vixen, Woodpecke
The Turn of the Screw, Op. 54 - original version: Prologue
Members of the Orchestra of the Royal Opera House
The Turn of the Screw, Op. 54 - original version - Act Two: Interlude: Variation VIII - Scene 1: Colloquy and So- lioquy
The Turn of the Screw, Op. 54 - original version - Act One: Interlude: Theme - Scene 1: The Journey
The Turn of the Screw, Op. 54 - original version - Act Two: Interlude: Variation IX - Scene 2: The Bells
The Turn of the Screw, Op. 54 - original version - Act One: Interlude: Variation I - Scene 2: The Welcome
The Turn of the Screw, Op. 54 - original version - Act Two: Interlude: Variation X - Scene 3: Miss Jessel
The Turn of the Screw, Op. 54 - original version - Act One: Interlude: Variation II - Scene 3: The Letter
The Turn of the Screw, Op. 54 - original version - Act Two: Interlude: Variation XI - Scene 4: The Bedroom
The Turn of the Screw, Op. 54 - original version - Act One: Interlude: Variation III - Scene 4: The Tower
The Turn of the Screw, Op. 54 - original version - Act Two: Interlude: Variation XII - Scene 5: Quint
The Turn of the Screw, Op. 54 - original version - Act One: Interlude: Variation IV - Scene 5: The Window
The Turn of the Screw, Op. 54 - original version - Act Two: Interlude: Variation XIII - Scene 6: The Piano
The Turn of the Screw, Op. 54 - original version - Act One: Interlude: Variation V - Scene 6: The Lesson
The Turn of the Screw, Op. 54 - original version - Act Two: Interlude: Variation XIV - Scene 7: Flora
The Turn of the Screw, Op. 54 - original version - Act One: Interlude: Variation VI - Scene 7: The Lake
The Turn of the Screw, Op. 54 - original version - Act Two: Interlude: Variation XV - Scene 8: Miles
The Turn of the Screw, Op. 54 - original version - Act One: Interlude: Variation VII - Scene 8: At Night
Handel: Solomon, HWV 67, Act 3: Sinfonia "The Arrival of the Queen of Sheba"
Mascagni: Cavalleria Rusticana: Intermezzo
Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest"
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro
Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto (Excerpt)
Bach, JS: Wachet auf, ruft uns die Stimme, BWV 140: No. 1, Chor. "Wachet auf, ruft uns die Stimme"
Bach, JS: Toccata and Fugue in D Minor, BWV 565: Toccata
Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood
Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: III. Rondo. Allegro vivace
Shostakovich / Arr. Atovmyan: The Gadfly, Suite Op. 97a: No. 8 Romance
Schubert: Deutsche Messe, D. 872: No. 5, Zum Sanctus
Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
Franck / Arr. Sandré: Mass, Op. 12, FWV 61: Panis Angelicus
Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt)
Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt)
Berlioz: L'enfance du Christ, Op. 25, H. 130, Part 2: The Shepherds' Farewell
Orchestre De La Société Des Concerts Du Conservatoire
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto - "O Freunde, nicht diese Töne!" (Ode to Joy) [Excerpt]
Grieg: Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato (Excerpt)
Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt)
Fauré: Requiem, Op. 48: VII. In Paradisum
Sibelius: Karelia Suite, Op. 11: III. Alla marcia
Khachaturian: Spartacus Suite No. 2: I. Adagio of Spartacus and Phrygia
Mozart: Vesperae solennes de confessore, K. 339: V. Laudate Dominum
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt)
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt)
Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito (Excerpt)
Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto (Excerpt)
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto
Verdi: Aïda, Act 2: "Gloria all'Egitto, ad Iside" (Chorus) - Triumphal March
Williams: Main Theme (From "Schindler's List")
Handel: Messiah, HWV 56, Pt. 3, Scene 1: Aria. "I Know That My Redeemer Liveth"
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets (Excerpt)
Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 12e, Divertissement. Dance of the Reed-Flutes
Haydn: The Creation, Hob. XXI:2, Pt. 1: Trio and Chorus. "The Heavens Are Telling" (Chorus, Gabriel, Uriel, Raphael)
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
Mozart / Compl. Beyer: Requiem in D Minor, K. 626: VIII. Lacrimosa
Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt)
Handel: Messiah, HWV 56, Pt. 2, Scene 7: Chorus. "Hallelujah"
Saint-Saëns: Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": II. (b) Maestoso - Allegro
Cantata: Splenda l'alba in oriente, HWV 166: Aria: Splenda l'alba in oriente
Cantata: Splenda l'alba in oriente, HWV 166: Recit: Tu, armonica Cecilia...Aria: La virtute è un vero nume
Cantata: Carco sempre di gloria, HWV 87: Recit: Carco sempre di gloria...Aria: Sei del Ciel dono perfetto
Cantata: Carco sempre di gloria: Aria: Sei cara, sei bella
"Tu Fedel? Tu Costante?", HWV 171: Sonata
"Tu Fedel? Tu Costante?", HWV 171: Recit: Tu fidel? Tu constante?...Aria: Cento belle ami, Fileno
"Tu Fedel? Tu Costante?", HWV 171: Recit: L'occhio nero vivace...Aria: Se Licori, Filli ed io
"Tu Fedel? Tu Costante?", HWV 171: Recit: Ma se non hai più d'un sol cuore...Aria: Se non ti piace
"Tu Fedel? Tu Costante?", HWV 171: Recit: Ma il tuo genio...Aria: Sì crudel, ti lascierò
Haydn: Mariazeller Mass; Little Organ Mass
Mass in C Major - Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 1. Kyrie
Mass in C Major - Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 2. Gloria
Mass in C Major - Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 3. Credo
Mass in C Major - Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 4. Sanctus
Mass in C Major - Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 5. Benedictus
Mass in C Major - Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: 6. Agnus Dei
Mass in B Flat Major - Missa brevis Sancti Joannis de Deo ("Kleine Orgelmesse"), Hob.XXII:7: 1. Kyrie
Mass in B Flat Major - Missa brevis Sancti Joannis de Deo ("Kleine Orgelmesse"), Hob.XXII:7: 2. Gloria
Mass in B Flat Major - Missa brevis Sancti Joannis de Deo ("Kleine Orgelmesse"), Hob.XXII:7: 3. Credo
Mass in B Flat Major - Missa brevis Sancti Joannis de Deo ("Kleine Orgelmesse"), Hob.XXII:7: 4. Sanctus
Mass in B Flat Major - Missa brevis Sancti Joannis de Deo ("Kleine Orgelmesse"), Hob.XXII:7: 5. Benedictus
Mass in B Flat Major - Missa brevis Sancti Joannis de Deo ("Kleine Orgelmesse"), Hob.XXII:7: 6. Agnus Dei
Requiem In D Minor, K.626: Requiem (Introitus)
Academy of St Martin in the Fields Chorus
Requiem in D minor, K.626: Dies irae (Sequenz)
Requiem in D minor, K.626: Tuba mirum (Sequenz)
Requiem in D minor, K.626: Rex tremendae (Sequenz)
Requiem in D minor, K.626: Recordare (Sequenz)
Requiem in D minor, K.626: Confutatis (Sequenz)
Requiem in D minor, K.626: Sequentia: Lacrimosa
Requiem in D minor, K.626: Domine Jesu (Offertorium)
Requiem in D minor, K.626: Hostias (Offertorium)
Requiem in D minor, K.626: Lux aeterna (Communio)
Haydn: Missa in tempore belli - "Paukenmesse" / M. Haydn: Ave Regina
Missa in tempore belli "Paukenmesse", Hob. XXII:9 in C: 1. Kyrie
Missa in tempore belli "Paukenmesse", Hob. XXII:9 in C: 2. Gloria
Missa in tempore belli "Paukenmesse", Hob. XXII:9 in C: 3. Credo
Missa in tempore belli "Paukenmesse", Hob. XXII:9 in C: 4. Sanctus
Missa in tempore belli "Paukenmesse", Hob. XXII:9 in C: 5. Benedictus
Missa in tempore belli "Paukenmesse", Hob. XXII:9 in C: 6. Agnus Dei
Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13: 1. Kyrie
Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13: 2. Gloria
Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13: 3. Credo
Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13: 4. Sanctus
Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13: 5. Benedictus
Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13: 6. Agnus Dei
Irlande, Op. 2, H 38: 1. Le coucher du soleil
Irlande, Op. 2, H 38: 4. La belle voyageuse
Irlande, Op. 2, H 38: 5. Chanson à boire
Irlande, Op. 2, H 38: 7. L'origine de la harpe
Irlande, Op. 2, H 38: 9. Élégie en prose
Huit scènes de Faust, Op. 1, H 33: Chant de la fête de Paques
Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981]
Royal Opera House Orchestra at Covent Garden
Alceste, Wq. 44, Act II: Parez vos fronts de fleurs nouvelles (Live)
Alceste, Wq. 44, Act I: Dieux! Rendez-nous roi, notre père (Live)
Alceste, Wq. 44, Act II: Ô Dieux! Soutenez mon courage (Live)
Alceste, Wq. 44, Act I: Ô malheureux Admète! (Live)
Alceste, Wq. 44, Act II: Bannis la erainte et les alarmes (Live)
Alceste, Wq. 44, Act I: Grands Dieux! Du destin qui m'accable (Live)
Alceste, Wq. 44, Act II: Je n'ai jamais chéri la vie (Live)
Alceste, Wq. 44, Act II: Grands Dieux! Pour mon époux (Live)
Alceste, Wq. 44, Act I: Dieu puissant, écarté du trône (Live)
Alceste, Wq. 44, Act II: Ah! Malgré moi, mon faible chœur partage (Live)
Alceste, Wq. 44, Act III: Nous ne pouvons trop répandre de larmes (Live)
Alceste, Wq. 44, Act I: Immortel Apollon! (Live)
Alceste, Wq. 44, Act III: Aprés de longs travaux (Live)
Alceste, Wq. 44, Act I: Apollon est sensible à vos gémissements (Live)
Alceste, Wq. 44, Act III: Au pouvoir de la mort je saurai la ravir (Live)
Alceste, Wq. 44, Act I: Oú suis-je? (Live)
Alceste, Wq. 44, Act III: Grands Dieux, soutenez mon courage! (Live)
Alceste, Wq. 44, Act I: Tes destins sont remplis (Live)
Alceste, Wq. 44, Act III: Ah! Divinités implacables! (Live)
Alceste, Wq. 44, Act I: Divinités du Styx (Live)
Alceste, Wq. 44, Act III: Ciel Adméte! Ô moment terrible! (Live)
Alceste, Wq. 44, Act II: Que les plus doux transports (1) [Live]
Alceste, Wq. 44, Act III: Alceste, au nom des Dieux! (Live)
Alceste, Wq. 44, Act II: Ballet. Légèrement (Live)
Alceste, Wq. 44, Act III: Caron t'appelle, entends sa voix (Live)
Alceste, Wq. 44, Act II: Ballet. Andante (Live)
Alceste, Wq. 44, Act III: Alceste! Le jour fuit (Live)
Alceste, Wq. 44, Act II: Ballet. Allegro (Live)
Alceste, Wq. 44, Act III: Ami, leur rage est vaine (Live)
Alceste, Wq. 44, Act II: Ballet. Lent (Live)
Alceste, Wq. 44, Act III: Poursuis, ô digne fils (Live)
Alceste, Wq. 44, Act II: Que les plus doux transports (2) [Live]
Alceste, Wq. 44, Act III: Reçois, Dieu bienfaisant (Live)
Alceste, Wq. 44, Act II: Ô mon roi! (Live)
Alceste, Wq. 44, Act III: Ô mes amis Alceste m'est rendue (Live)
Alceste, Wq. 44, Act II: Alceste! - Cher époux! (Live)
Alceste, Wq. 44, Act III: March in D Major (Live)
Alceste, Wq. 44, Act III: Andante in A Major (Live)
Alceste, Wq. 44, Act III: Chaconne in D Major (Live)
Dring: The Far Away Princess and Other Songs
Three Shakespeare Songs: No. 1, Under the Greenwood Tree
Three Shakespeare Songs: No. 2, Come Away, Death
Three Shakespeare Songs: No. 3, Blow, Blow, Thou Winter Wind
Five Betjeman Songs: No. 1, A Bay in Angelsey
Five Betjeman Songs: No. 2, Song of a Nightclub Proprietress
Five Betjeman Songs: No. 3, Business Girls
Five Betjeman Songs: No. 4, Undenominational
Five Betjeman Songs: No. 5, Upper Lambourne
Four Night Songs: No. 1, Holding the Night
Four Night Songs: No. 4, Through the Centuries
The Dicky Bird and the Owl – Victorian songs and ballads
Cigarette (from The Catch of the Season, 1904)
The moon hath raised her lamp above (The Lily of Killarney, Act I) (duet) [with piano]
Come into the garden, Maud - 1993 Digital Remaster
The Arab's Farewell to his Steed [with spoken intro]
Gendarmes' Duet (from Geneviève de Brabant)
Before & After Summer, Op. 16: No. 1, Childhood Among the Ferns
A Young Man's Exhortation, Op. 14: No. 1, A Young Man's Exhortation
Before & After Summer, Op. 16: No. 2, Before & Summer
A Young Man's Exhortation, Op. 14: No. 2, Ditty
Before & After Summer, Op. 16: No. 3, The Self-unseeing
A Young Man's Exhortation, Op. 14: No. 3, Budmouth Dears
Before & After Summer, Op. 16: No. 4, Overlooking the River
A Young Man's Exhortation, Op. 14: No. 4, Her Temple
Before & After Summerr, Op. 16: No. 5, Channel Firing
A Young Man's Exhortation, Op. 14: No. 5, The Comet at Yell'ham
Before & After Summer, Op. 16: No. 6, In the Mind's Eye
A Young Man's Exhortation, Op. 14: No. 6, Shortening Days
Before & After Summer, Op. 16: No. 7, The Too Short Time
A Young Man's Exhortation, Op. 14: No. 7, The Sigh
Before & After Summer, Op. 16: No. 8, Epeisodia
A Young Man's Exhortation, Op. 14: No. 8, Former Beauties
Before & After Summer, Op. 16: No. 9, Amabel
A Young Man's Exhortation, Op. 14: No. 9, Transformations
Before & After Summer, Op. 16: No. 10, He Abjures Love
A Young Man's Exhortation, Op. 14: No. 10, The Dance Continued
Till Earth Outwears, Op. 19a: No. 1, Let Me Enjoy the Earth
Earth and Air and Rain, Op. 15: No. 1, Summer Schemes
Till Earth Outwears, Op. 19a: No. 2, In Years Defaced
Earth and Air and Rain, Op. 15: No. 2, When I Set Out for Lyonesse
Till Earth Outwears, Op. 19a: No. 3, The Market Girl
Earth and Air and Rain, Op. 15: No. 3, Waiting Both
Till Earth Outwears, Op. 19a: No. 4, I Look into My Glass
Earth and Air and Rain, Op. 15: No. 4, The Phantom
Till Earth Outwears, Op. 19a: No. 5, It Never Looks like Summer Here
Earth and Air and Rain, Op. 15: No. 5, So I Have Fared
Till Earth Outwears, Op. 19a: No. 6, At a Lunar Eclipse
Earth and Air and Rain, Op. 15: No. 6, Rollicum-Rorum
Till Earth Outwears, Op. 19a: No. 7, Life Laughs Onwards
Earth and Air and Rain, Op. 15: No. 7, To Lizbie Browne
I Said to Love, Op. 19b: No. 1, I Need Not Go
Earth and Air and Rain, Op. 15: No. 8, The Clock of the Years
I Said to Love, Op. 19b: No. 2, At Middle-Field Gate in February
Earth and Air and Rain, Op. 15: No. 9, In a Churchyard
I Said to Love, Op. 19b: No. 3, Two Lips
Earth and Air and Rain, Op. 15: No. 10, Proud Songsters
I Said to Love, Op. 19b: No. 4, In Five-score Summers (Meditation)
I Said to Love, Op. 19b: No. 5, For Life I Had Never Cared Greatly
I Said to Love, Op. 19b: No. 6, I Said to Love
Mass No. 19 in D minor K626, 'Requiem': Requiem aeternam
Mass No. 19 in D minor K626, 'Requiem': Dies irae
Mass No. 19 in D minor K626, 'Requiem': Tuba mirum
Mass No. 19 in D minor K626, 'Requiem': Rex tremendae
Mass No. 19 in D minor K626, 'Requiem': Recordare
Mass No. 19 in D minor K626, 'Requiem': Confutatis
Mass No. 19 in D minor K626, 'Requiem': Lacrimosa
Mass No. 19 in D minor K626, 'Requiem': Domine Jesu
Mass No. 19 in D minor K626, 'Requiem': Hostias
Mass No. 19 in D minor K626, 'Requiem': Sanctus
Mass No. 19 in D minor K626, 'Requiem': Benedictus
Mass No. 19 in D minor K626, 'Requiem': Agnus Dei
Dyson: The Canterbury Pilgrims, At the Tabard Inn & In Honour of the City
The Canterbury Pilgrims: VIII. The Sergeant of the Law. The Franklin
The Canterbury Pilgrims: IX. The Shipman
The Canterbury Pilgrims: I. Prologue (Fig. 2)
The Canterbury Pilgrims: X. The Doctor of Physic
The Canterbury Pilgrims: XI. The Wife of Bath
The Canterbury Pilgrims: III. The Squire
The Canterbury Pilgrims: XII. The Poor Parson of a Town
The Canterbury Pilgrims: VI. The Clerk of Oxenford
The Canterbury Pilgrims: VII. The Haberdasher and his Fraternity. The Merchant
Symphony No. 5 in D Major, 'Reformation', Op. 107: I. Andante - Allegro con fuoco
Symphony No. 5 in D Major, 'Reformation', Op. 107: II. Allegro vivace
Symphony No. 5 in D Major, 'Reformation', Op. 107: III. Andate - Choral: Ein' veste Burg ist unser Gott
Die Erste Walpurgisnacht, Op. 60: Overture
Die Erste Walpurgisnacht, Op. 60: I. Es Lacht Der Mai!
Die Erste Walpurgisnacht, Op. 60: II. Könnt ihr Verwegen Handeln?
Die Erste Walpurgisnacht, Op. 60: III. Opfer Heut zu Bringen Scheut
Die Erste Walpurgisnacht, Op. 60: IV. Vertheilt Euch Hier!
Die Erste Walpurgisnacht, Op. 60: V. Recit: Diese dumpfen Kommt! Kommt!
Die Erste Walpurgisnacht, Op. 60: VI. Kommt mit Zacken
Die Erste Walpurgisnacht, Op. 60: VII. So Weit gebracht
Die Erste Walpurgisnacht, Op. 60: VIII. Hilf, ach Hilf mir
Die Erste Walpurgisnacht, Op. 60: IX. Flamme reinigt sich vom Rauch
Winterreise, D.911: 18. Der stürmische Morgen
Mass in B Minor, BWV 232 / Kyrie: Kyrie Eleison
Mass in B Minor, BWV 232 / Credo: Credo in unum Deum
Mass in B Minor, BWV 232 / Kyrie: Christe eleison
Mass in B Minor, BWV 232 / Credo: Patrem omnipotentem
Mass in B Minor, BWV 232 / Credo: Et in unum Dominum
Mass in B Minor, BWV 232 / Gloria: Gloria in excelsis Deo
Mass in B Minor, BWV 232 / Credo: Et incarnatus est
Mass in B Minor, BWV 232 / Gloria: Et in terra pax
Mass in B minor, BWV 232 / Credo: Crucifixus
Mass in B Minor, BWV 232 / Gloria: Laudamus te
Mass in B Minor, BWV 232 / Credo: Et resurrexit
Mass in B Minor, BWV 232 / Gloria: Gratias agimus tibi
Mass in B Minor, BWV 232 / Credo: Et in Spiritum Sanctum
Mass in B Minor, BWV 232 / Gloria: Domine Deus
Mass in B Minor, BWV 232 / Credo: Confiteor unum baptisma
Mass in B Minor, BWV 232 / Gloria: Qui tollis peccata mundi
Mass in B Minor, BWV 232 / Credo: Et expecto resurrectionem
Mass in B Minor, BWV 232 / Gloria: Qui sedes ad dexteram Patris
Mass in B Minor, BWV 232 / Sanctus: Sanctus
Mass in B Minor, BWV 232 / Gloria: Quoniam tu solus sanctus
Mass in B Minor, BWV 232 / Sanctus: Osanna in excelsis
Mass in B Minor, BWV 232 / Gloria: Cum Sancto Spiritu
Mass in B Minor, BWV 232 / Sanctus: Benedictus
Mass in B Minor, BWV 232 / Sanctus: Osanna in excelsis (da capo)
Mass in B Minor, BWV 232 / Agnus Dei: Agnus Dei
Mass in B Minor, BWV 232 / Agnus Dei: Dona nobis pacem
Home, Sweet Home: Victorian Songs and Ballads, Vol. 2
Wallace: Maritana, Act II: "Yes! Let Me Like a Soldier Fall!"
Clay: Lalla Rookh: Song. "I'll Sing Thee Songs of Araby"
Traditional / Arr. Moffat: The Wee Cooper o' Fife
The Dicky Bird & the Owl: Victorian Songs and Ballads
Haines: The Catch of the Season, Act II: Cigarette Song. "Come from the Box Where Your form Lies Hid"
Benedict: The Lily of Killarney, Act I: Duet. "The Moon Hath Raised Her Lamp Above"
Blockley: The Arab's Farewell to His Steed (With Spoken Introduction)
Hatton: The Lark Now Leaves His Wat'ry Nest
Braham: The Americans: The Death of Nelson. "O'er Nelson's Tomb" - "'Twas in Trafalgar Bay"
Offenbach: Geneviève de Brabant, Act II: Gendarmes' Duet. "We're Public Guardians, Bold Yet Wary"
Rosina / Act 1: "When rosy morn appearing"
Rosina / Act 1: "See, my dear Phoebe...When William, at eve"
Rosina / Act 1: "How little does Phoebe know"
Rosina / Act 1: "Hist, there's his Honour...Her mouth, which a smile"
Rosina / Act 1: "I've kissed and I've prattled"
Rosina / Act 1: "Stay and hear me...Whilst with village maids"
Rosina / Act 1: "By this fountain's flow'ry side"
Rosina / Act 2: "There is Phoebe...Henry cull'd the flow'ret's Bloom"
Rosina / Act 2: "The slut likes me still"
Rosina / Act 2: "When bidden to the wake"
Rosina / Act 2: "Do you love me...In gaudy courts"
Rosina / Act 2: "I tremble...Ere bright Rosina"
Rosina / Act 2: "Light as thistledown moving"
Rosina / Act 2: "What do I see?...For you, my sweet maid"
Rosina / Act 2: "Unveil your whole heart"
Rosina / Act 2: "To bless and to be blest"
Britten: Serenade for Tenor, Horn and Strings Op. 31
Britten: Serenade For Tenor, Horn & Strings, Op. 31 - 1. Prologue: Andante
Britten: Serenade For Tenor, Horn & Strings, Op. 31 - 2. Pastoral
Britten: Serenade For Tenor, Horn & Strings, Op. 31 - 3. Nocturne
Britten: Serenade For Tenor, Horn & Strings, Op. 31 - 4. Elegy
Britten: Serenade For Tenor, Horn & Strings, Op. 31 - 5. Dirge
Britten: Serenade For Tenor, Horn & Strings, Op. 31 - 6. Hymn
Britten: Serenade For Tenor, Horn & Strings, Op. 31 - 7. Sonnet
Britten: Serenade For Tenor, Horn & Strings, Op. 31 - 8. Epilogue: Andante
Glagolitic Mass: 2. Gospodi pomiluji (Kyrie)
Glagolitic Mass: 6. Agnece Bozij (Agnus Dei)
Glagolitic Mass: 7. Varhany solo (organ solo)
The Cunning Little Vixen - Orchestral Suite: 1. Andante
The Cunning Little Vixen - Orchestral Suite: 2. Andante
Sinfonietta, JW VI/18: I. Fanfare. Allegretto - Allegro - Maestoso
Sinfonietta, JW VI/18: II. The Castle, Brno. Andante - Allegretto
Sinfonietta, JW VI/18: III. The Queen's Monastery, Brno. Moderato
Sinfonietta, JW VI/18: IV. The Street Leading to the Castle. Allegretto
Sinfonietta, JW VI/18: V. The Town Hall, Brno. Andante con moto
Gott meine Zuversicht (Der 23. Psalm), D. 706
Chor der Engel "Christ ist erstanden", D 440
Le rossignol (The Nightingale): Scene 1 (The Forest at Dawn): Nightingale's Aria
Stravinsky: The Rite of Spring - The Nightingale
Britten: On This Island, Op. 11: IV. Nocturne. "Now Through Night's Caressing Grip"
Klassische Musik für den Sommer - Über das Meer
Lulu, Act I: Darf ich eintreten? – Mein Sohn! – Wie ist dir?
Le nozze di Figaro / Act 1: "Ah, son perduto!"
Mozart: Le Nozze di Figaro (Complete Mozart Edition)
Le nozze di Figaro / Act 1: "Cosa sento! tosto andate" - "Basilio, in traccia tosto"
Le nozze di Figaro / Act 1: "Giovani liete" - "Cos'è questa commedia?" - "Giovani liete" - "Evviva!"
Le nozze di Figaro / Act 2: "Voi signor, che giusto siete"
Lulu, Act I: Machen Sie auf! – [Interlude] Wollen Sie mir zuhaken
Purcell: Dido and Aeneas, Z. 626, Act III: Recitative. "Thy Hand, Belinda" - Song. "When I Am Laid in Earth" (Dido)
Le nozze di Figaro / Act 4: "In quegli anni in cui val poco"
Le nozze di Figaro / Act 4: "Gente, gente, all'armi"
Lulu, Act I: Eva! – Befehlen? – Ich finde, du siehst heute reizend aus
Lulu, Act I: Was tut denn Ihr Vater da? Sonata. Wenn ich ihr Mann wäre