1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2301734cf22d557ac6a08c16664b806e37ea55c2d1a8d1d0ac00392045462ebd. Chain 2 (Bitcoin): anchored in block 953408 (2026-06-12T19:28:13Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/a3130964-7f57-4d80-a690-ba2f74912fbb.json and https://artists.proofprofile.net/proofs/artist/a3130964-7f57-4d80-a690-ba2f74912fbb.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Purcell: The Fairy Queen; Songs And Arias
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: Symphony
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: "Now the Night Is Chas'd Away"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: "Let the Fifes and the Clarions....Dance"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: "When a Cruel Long Winter"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: "Hail! Great Parent Of Us All" (Reprise)
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: "Thus the Ever Grateful Spring"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: "Here's the Summer, Sprightly Gay"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: "See, My Many-Coloured Fields"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: "Next, Winter Comes Slowly, Pale"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: "Hail! Great Parent Of Us All"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 2: Prelude..."Come, All Ye Songsters Of the Sky"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 2: "The Songsters...May the God Of Wit Inspire"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 2: "Echo...Now Join Your Warbling Voices All"
The Fairy Queen, Z. 629, Act II: Fill Up the Bowl (Ed. Britten, Holst, Pears)
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 2: "See, Even Night Herself Is Here"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 2: "I Am Come To Lock All Fast"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 2: "One Charming Night"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 2: "Hush, No More"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 2: Dance For the Followers Of Night
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 3: Overture
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 3: "If Love's a Sweet Passion...I Press Her Hand"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 3: "O Let Me Weep, For Ever Weep"
{"copyright_id":"0x304bbfe93fb333c040fdc598241b1764ddd0a1d3a4d69d5b4c41d41f6981305d","isrc":"GBF077041022","name":"The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 3: \"O Let Me Weep, For Ever Weep\"","registered_at":"2026-06-24T09:52:17Z","spotify_id":"737a7nucv5Fu2DdhBUJiE4","type":"track"}
1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x304bbfe93fb333c040fdc598241b1764ddd0a1d3a4d69d5b4c41d41f6981305d. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/737a7nucv5Fu2DdhBUJiE4.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/737a7nucv5Fu2DdhBUJiE4.
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 3: "Now the Maids and the Men Are Making Of Hay"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 3: A Dance Of Haymakers
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 3: "A Thousand, Thousand Ways"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 3: Hornpipe and Rondeau
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 4: Symphony
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 4: "Hark! Hark the Echoing Air"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 4: "Sure the Dull God Of Marriage"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 4: "See, I Obey"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 4: "Turn Then Thine Eyes"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 4: "My Torch Indeed...They Shall Be As Happy"
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 4: Chaconne
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 4: "They Shall Be As Happy"
The Tempest, Z.631: "Arise ye subterranean winds"
The Tempest, Z.631: "Aeolus, you must appear"
The Tempest, Z.631: "Your awful voice I hear"
The Tempest, Z.631: "See, see the heavens smile"
Sonata for Trumpet & Strings, Z.850 - ed. Thurston Dart & Michael Tilmouth
The Virtuous Wife, Z.611: March (Hornpipe) - Minuet I - Minuet II
Ciaccona in G Minor, Z.730 - Ed. Thurston Dart
Bach, JS: Mass in B Minor, BWV 232: Kyrie eleison I
Sinfonie-Orchester Des Bayerischen Rundfunks
Bach, JS: Mass in B Minor, BWV 232: Credo in unum Deum
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chor. "Kommt, ihr Töchter helft mir klagen"
Theo Altmeyer/Franz Crass/Teresa Zylis-Gara/Julia Hamari/Nicolai Gedda/Hermann Prey/Hans Sotin/Süddeutscher Madrigalchor/Consortium Musicum/Wolfgang Gönnenwein
Bach, JS: Mass in B Minor, BWV 232: Christe eleison
Bach, JS: Mass in B Minor, BWV 232: Patrem omnipotentem
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 2, Rezitativ. "Da Jesus diese Rede vollendet hatte"
Bach, JS: Mass in B Minor, BWV 232: Kyrie eleison II
Bach, JS: Mass in B Minor, BWV 232: Et in unum Dominum
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 3, Choral. "Herzliebster Jesu, was hast du verbrochen"
Bach, JS: Mass in B Minor, BWV 232: Gloria in excelsis
Bach, JS: Mass in B Minor, BWV 232: Et incarnatus est
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4a, Rezitativ. "Da versammleten sich die Hohenpriester"
Bach, JS: Mass in B Minor, BWV 232: Et in terra pax
Bach, JS: Mass in B Minor, BWV 232: Crucifixus
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4b, Chor. "Ja nicht auf das Fest"
Bach, JS: Mass in B Minor, BWV 232: Laudamus te
Bach, JS: Mass in B Minor, BWV 232: Et resurrexit
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4c, Rezitativ. "Da nun Jesus war zu Bethanien"
Bach, JS: Mass in B Minor, BWV 232: Gratias agimus tibi
Bach, JS: Mass in B Minor, BWV 232: Et in Spiritum Sanctum
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4d, Chor. "Wozu dienet dieser Unrat"
Bach, JS: Mass in B Minor, BWV 232: Domine Deus
Bach, JS: Mass in B Minor, BWV 232: Confiteor
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4e, Rezitativ. "Da das Jesus merkete"
Bach, JS: Mass in B Minor, BWV 232: Qui tollis peccata mundi
Bach, JS: Mass in B Minor, BWV 232: Et expecto
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 5, Rezitativ. "Du lieber Heiland du"
Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris
Bach, JS: Mass in B Minor, BWV 232: Sanctus
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 6, Aria. "Buß und Reu"
Bach, JS: Mass in B Minor, BWV 232: Quoniam tu solus sanctus
Bach, JS: Mass in B Minor, BWV 232: Osanna in excelsis
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 7, Rezitativ. "Da ging hin der Zwölfen einer"
Bach, JS: Mass in B Minor, BWV 232: Cum Sancto Spiritu
Bach, JS: Mass in B Minor, BWV 232: Benedictus
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 8, Aria. "Blute nur, du liebes Herz!"
Bach, JS: Mass in B Minor, BWV 232: Osanna repetatur
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9a, Rezitativ. "Aber am ersten Tage der süßen Brot"
Bach, JS: Mass in B Minor, BWV 232: Agnus Dei
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9b, Chor. "Wo willst du, dass wir dir bereiten"
Bach, JS: Mass in B Minor, BWV 232: Dona nobis pacem
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9c, Rezitativ. "Er sprach; Gehet hin in die Stadt"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9d, Rezitativ. "Und sie wurden sehr betrübt"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9e, Chor. "Herr, bin ichs?"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 10, Choral. "Ich bin's, ich sollte büßen"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 11, Rezitativ. "Er antwortete und sprach"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 12, Rezitativ. "Wiewohl mein Herz in Tränen schwimmt"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 13, Aria. "Ich will dir mein Herz schenken"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 14, Rezitativ. "Und da sie den Lobgesang gesprochen hatten"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 15, Choral. "Erkenne mich, mein Hüter"
Lloyd Webber: Music of William Lloyd Webber
Sonatina for viola and piano (1952): 1. Allegro comodo
Sonatina for viola and piano (1952): 2.Larghetto e molto sostenuto -
Sonatina for viola and piano (1952): 3. Vivo
Missa Sanctae Mariae Magdalenae (1979): Kyrie
Missa Sanctae Mariae Magdalenae (1979): Gloria
Missa Sanctae Mariae Magdalenae (1979): Sanctus
Missa Sanctae Mariae Magdalenae (1979): Agnus Dei
Missa Sanctae Mariae Magdalenae (1979): Ite missa est
2 Pieces for cello and piano: 1. In the half-light - A soliloquy
2 Pieces for cello and piano: 2. Air varie (adapted from Tantum Ergo by Cesar Franck)
7 Pieces for piano: 2. Song without words
7 Pieces for piano: 3. Scherzo in G minor
7 Pieces for piano: 5. Presto for Perseus
5 Songs for tenor and piano: 1. A rent for love
5 Songs for tenor and piano: 3. Over the bridge
5 Songs for tenor and piano: 4. The pretty washer-maiden
5 Songs for tenor and piano: 5. So lovely the rose
"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 1. "Vergnügte Ruh, beliebte Seelenlust"
"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 2. "Die Welt, das Sündenhaus"
"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 3. "Wie jammern mich doch die verkehrten Herzen"
"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 4. "Wer sollte sich demnach wohl hier"
"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 5. "Mir ekelt mehr zu leben"
Cantata "Ich habe genug" BWV 82: 1. Aria: Ich habe genug, ich habe den Heiland
Cantata "Ich habe genug" BWV 82: 2. Recitativo: Ich habe genug! Mein Trost ist nur allein
Cantata "Ich habe genug" BWV 82: 3. Aria: Schlummert ein, ihr matten Augen
Cantata "Ich habe genug" BWV 82: 4. Recitativo: Mein Gott! wann kommt das schöne Nun!
Cantata "Ich habe genug" BWV 82: 5. Aria: Ich freue mich auf meinen Tod
"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 1. "Sehet, wir gehn hinauf gen Jerusalem"
"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 2. "Ich folge dir nach"
"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 3. "Nun will ich mich"
"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 4. "Es ist vollbracht"
"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 5. "Jesu, deine Passion"
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 1. Aria: "Ich will den Kreuzstab gerne tragen"
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 2. Recitativo: "Mein Wandel auf der Welt"
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 3. Aria: "Endlich, endlich wird mein Joch"
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 4. Recitativo: "Ich stehe fertig und bereit"
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 5. Choral: "Komm, o Tod, du Schlafes Bruder"
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 1. Rezitativ: Schweigt stille, plaudert nicht
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 2. Arie: Hat man nicht mit seinem Kindern
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 3. Rezitativ: Du böses Kind, du loses Mädchen
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt der Coffee süße
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 5. Rezitativ: Wenn du mir nicht den Coffee läßt
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 6. Arie: Mädchen, die von harten Sinnen
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 7. Rezitativ: Nun folge, was dein Vater spricht
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 8. Arie: Heute noch, lieber Vater, tut es doch
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 9. Rezitativ: Nun geht und sucht der alte Schlendrian
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 10. Chor (Terzett): Die Katze Läßt das Mausen nicht
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 1. Ouverture
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 2. Arie (Duetto): Mer hahn en neue Oberkeet
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 3. Rezitativ: Nu, Mieke, gib dein Guschel immer her
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 4. Arie: Ach es schmeckt doch gar zu gut
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 5. Rezitativ: Der Herr ist gut: Allein der Schösser
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 6. Arie: Ach, Herr Schösser, geht nicht gar zu schlimm
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 7. Rezitativ: Es bleibt dabei, daß unser Herr der beste sei
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 8. Arie: Unser trefflicher, lieber Kammerherr
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 9. Rezitativ: Er hilft uns allen, alt und jung
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 10. Arie: Das ist galant, es spricht niemand
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 11. Rezitativ: Und unsre gnädige Frau
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 12. Arie: Fünfzig Taler bares Geld
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 13. Rezitativ: Im Ernst ein Wort
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 14. Arie: Klein-Zshocher müsse so zart und süße
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 15. Rezitativ: Das ist zu klug vor dich
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 16. Arie: Es nehme zehntausend Dukaten
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 17. Rezitativ: Das klingt zu liederlich
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 18. Arie: Gib, Schöne, viel Söhne
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 19. Rezitativ: Du hast wohl recht
Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 20. Arie: Dein Wachstum sei feste
Bassoon Concerto No. 1 in B flat Major - "La Notte", RV 501: 1. Largo - Andante molto
Bassoon Concerto No. 1 in B flat Major - "La Notte", RV 501: 2. I Fantasmi (Presto)
Bassoon Concerto No. 1 in B flat Major - "La Notte", RV 501: 3. Il Sonno (Andante molto)
Bassoon Concerto No. 1 in B flat Major - "La Notte", RV 501: 4. Sorge l'Aurora (Allegro)
Bassoon Concerto No. 13 in C Major, RV 477: 1. Allegro
Bassoon Concerto No. 13 in C Major, RV 477: 2. Largo
Bassoon Concerto No. 13 in C Major, RV 477: 3. Allegro
Bassoon Concerto No. 21 in C Major, RV 475: 1. Allegro non molto
Bassoon Concerto No. 21 in C Major, RV 475: 2. Adagio
Bassoon Concerto No. 21 in C Major, RV 475: 3. Allegro non molto
Bassoon Concerto No. 11 in G Minor, RV 496: 1. Allegro
Bassoon Concerto No. 11 in G Minor, RV 496: 2. Largo
Bassoon Concerto No. 11 in G Minor, RV 496: 3. Allegro
Bassoon Concerto No. 32 in F Major, RV 490: 1. Allegro
Bassoon Concerto No. 32 in F Major, RV 490: 2. Larghetto
Bassoon Concerto No. 32 in F Major, RV 490: 3. Allegro
Bassoon Concerto No.23 in G Minor, RV 495: 1. Presto
Bassoon Concerto No.23 in G Minor, RV 495: 2. Largo
Bassoon Concerto No.23 in G Minor, RV 495: 3. Allegro
Bassoon Concerto No. 34 in C Major , RV 471: 1. Allegro molto
Bassoon Concerto No. 34 in C Major , RV 471: 2. Larghetto
Bassoon Concerto No. 34 in C Major , RV 471: 3. Allegro
Bassoon Concerto No. 31 in C Major, RV 476: 1: Allegro
Bassoon Concerto No. 31 in C Major, RV 476: 2: Largo
Bassoon Concerto No. 31 in C Major, RV 476: 3: Allegro molto
Bassoon Concerto No. 16 in C Major, RV 469: 1: Allegro
Bassoon Concerto No. 16 in C Major, RV 469: 2: Largo
Bassoon Concerto No. 16 in C Major, RV 469: 3: Allegro
Bassoon Concerto No. 37 in G Major, RV 494: 1: Allegro
Bassoon Concerto No. 37 in G Major, RV 494: 2: Largo
Bassoon Concerto No. 37 in G Major, RV 494: 3: Allegro
Bassoon Concerto No. 33 in C Major, RV 470: 1: Allegro
Bassoon Concerto No. 33 in C Major, RV 470: 2: Larghetto
Bassoon Concerto No. 33 in C Major, RV 470: 3: Allegro
Bassoon Concerto No. 19 in F Major, RV 488: 1: Allegro non molto
Bassoon Concerto No. 19 in F Major, RV 488: 2: Largo
Bassoon Concerto No. 19 in F Major, RV 488: 3: Allegro
Bassoon Concerto No. 17 in C Major. RV 472: 1: Allegro non molto
Bassoon Concerto No. 17 in C Major. RV 472: 2: Andante molto
Bassoon Concerto No. 17 in C Major. RV 472: 3: Allegro
Bassoon Concerto No. 5 in D Minor, RV 481: 1: Allegro
Bassoon Concerto No. 5 in D Minor, RV 481: 2: Larghetto
Bassoon Concerto No. 5 in D Minor, RV 481: 3: Allegro molto
Bassoon Concerto No. 26 in C Major, RV 479: 1: Allegro
Bassoon Concerto No. 26 in C Major, RV 479: 2: Largo
Bassoon Concerto No. 26 in C Major, RV 479: 3: Allegro
Bassoon Concerto No. 18 in C Major, RV 467: 1: Allegro
Bassoon Concerto No. 18 in C Major, RV 467: 2: Andante
Bassoon Concerto No. 18 in C Major, RV 467: 3: Allegro
Bassoon Concerto No. 25 in F Major, RV 491: 1: Allegro molto
Bassoon Concerto No. 25 in F Major, RV 491: 2: Largo
Bassoon Concerto No. 25 in F Major, RV 491: 3: Allegro
Bassoon Concerto No. 10 in A Minor, RV 500: 1: Allegro
Bassoon Concerto No. 10 in A Minor, RV 500: 2: Largo
Bassoon Concerto No. 10 in A Minor, RV 500: 3: Allegro
Bassoon Concerto No. 12 in A Minor, RV 499: 1: Allegro
Bassoon Concerto No. 12 in A Minor, RV 499: 2: Largo
Bassoon Concerto No. 12 in A Minor, RV 499: 3: Allegro
Bassoon Concerto No. 28 in C Major, RV 466: 1: Allegro
Bassoon Concerto No. 28 in C Major, RV 466: 2: Largo
Bassoon Concerto No. 28 in C Major, RV 466: 3: Allegro
Bassoon Concerto No. 22 in F Major, RV 486: 1: Allegro non molto
Bassoon Concerto No. 22 in F Major, RV 486: 2: Largo
Bassoon Concerto No. 22 in F Major, RV 486: 3: Allegro
Bassoon Concerto No. 4 in C Major, RV 474: 1: Allegro
Bassoon Concerto No. 4 in C Major, RV 474: 2: Largo
Bassoon Concerto No. 4 in C Major, RV 474: 3: Allegro
Bassoon Concerto No. 15 in F Major, RV 487: 1: Allegro
Bassoon Concerto No. 15 in F Major, RV 487: 2: Largo
Bassoon Concerto No. 15 in F Major, RV 487: 3: Allegro
Hadley: The Hills - Delius: To Be Sung of a Summer Night on the Water
Hadley: The Hills: Prologue. Along the Old Manchester Coach Road
Cambridge University Musical Society Chorus
Hadley: The Hills: I. (a) The Hills in Spring. "We Are the Hills"
Hadley: The Hills: I. (b) The Hills in Spring. "From Chinley Churn and Rushup Ridge"
Hadley: The Hills: I. (c) The Hills in Spring. "Now Climb, Climb on Aloft"
Hadley: The Hills: II. Interlude. In Taxal Woods
Hadley: The Hills: III. (a) Wedding. "Clatter Poo, Billy Bally"
Hadley: The Hills: III. (b) Wedding. "Hail the Bride and Bridegroom, and Farewell!"
Hadley: The Hills: III. (c) Wedding. "Do I Wake or Dream?"
Hadley: The Hills: Epilogue. The Hills by Moonlight
Delius: To Be Sung of a Summer Night on the Water: I. Slow, But Not Dragging
Delius: To Be Sung of a Summer Night on the Water: II. Gaily But Not Quick
Martin: Orchestral, Choral & Vocal Works.
Martin: Petite symphonie concertante for Harp, Harpsichord, Piano and Strings: I. Adagio
Martin: 6 Monologe aus "Jedermann" von Hugo von Hofmannsthal: I. Ist alls zu End das Freudenmahl
Martin: Petite symphonie concertante for Harp, Harpsichord, Piano and Strings: II. Allegro con moto
Martin: 6 Monologe aus "Jedermann" von Hugo von Hofmannsthal: II. Ach Gott, wie graust mir vor dem Tod
Martin: Petite symphonie concertante for Harp, Harpsichord, Piano and Strings: III. Adagio
Martin: 6 Monologe aus "Jedermann" von Hugo von Hofmannsthal: III. Ist als wenn eins gerufen hätt
Martin: Petite symphonie concertante for Harp, Harpsichord, Piano and Strings: IV. Allegretto alla marcia
Martin: 6 Monologe aus "Jedermann" von Hugo von Hofmannsthal: IV. So wollt ich ganz zernichtet sein
Martin: Polyptyque for Violin and 2 Small String Orchestras: I. Image des Rameaux
Martin: 6 Monologe aus "Jedermann" von Hugo von Hofmannsthal: V. Ja! Ich glaub, solches hat er vollbracht
Martin: Polyptyque for Violin and 2 Small String Orchestras: II. Image de la Chambre haute
Martin: 6 Monologe aus "Jedermann" von Hugo von Hofmannsthal: VI. O ewiger Gott! O göttliches Gesicht!
Martin: Polyptyque for Violin and 2 Small String Orchestras: III. Image de Juda
Martin: Songs of Ariel from Shakespeare's "The Tempest": I. Come unto these yellow sands
Martin: Polyptyque for Violin and 2 Small String Orchestras: IV. Image de Gethsémani
Martin: Songs of Ariel from Shakespeare's "The Tempest": II. Full fathom five thy father lies
Martin: Polyptyque for Violin and 2 Small String Orchestras: V. Image de jugement
Martin: Songs of Ariel from Shakespeare's "The Tempest": III. Before you can say, "Come" and "Go"
Martin: Polyptyque for Violin and 2 Small String Orchestras: VI. Image de la glorification
Martin: Songs of Ariel from Shakespeare's "The Tempest": IV. You are three men of sin, whom Destiny
Martin: Ballade for Flute, Piano and String Orchestra
Aurèle Nicolet/Werner Bärtschi/Das Zürcher Kammerorchester/Edmond de Stoutz
Martin: Songs of Ariel from Shakespeare's "The Tempest": V. Where the bee sucks there
Martin: Ballade for Viola, Winds, Harp, Harpsichord, Timpani and Percussion
Martin: Mass for Unaccompanied Double Choir: I. Kyrie
Martin: Mass for Unaccompanied Double Choir: II. Gloria
Martin: Mass for Unaccompanied Double Choir: III. Credo
Martin: Mass for Unaccompanied Double Choir: IV. Sanctus - Benedictus
Martin: Mass for Unaccompanied Double Choir: V. Agnus Dei
Martin: Quatre pièces brèves, for Guitar: II. Air (Lent et bien rythmé)
Martin: Quatre pièces brèves, for Guitar: III. Plainte (Sans lenteur)
Martin: Quatre pièces brèves, for Guitar: IV. Comme une gigue (Con moto)
Dring: The Far Away Princess and Other Songs
Three Shakespeare Songs: No. 1, Under the Greenwood Tree
Three Shakespeare Songs: No. 2, Come Away, Death
Three Shakespeare Songs: No. 3, Blow, Blow, Thou Winter Wind
Five Betjeman Songs: No. 1, A Bay in Angelsey
Five Betjeman Songs: No. 2, Song of a Nightclub Proprietress
Five Betjeman Songs: No. 3, Business Girls
Five Betjeman Songs: No. 4, Undenominational
Five Betjeman Songs: No. 5, Upper Lambourne
Four Night Songs: No. 1, Holding the Night
Four Night Songs: No. 4, Through the Centuries
Winterreise, D.911: 18. Der stürmische Morgen
Charpentier: Te Deum, H. 146 & Magnificat, H. 74
Charpentier: Te Deum, H. 146: Te Deum laudamus
Charpentier: Te Deum, H. 146: Te aeternum Patrem
Charpentier: Te Deum, H. 146: Pleni sunt coeli e terra
{"copyright_id":"0xb93b065371aca14c9208d6fbff4999289cf68ab2a8ccd280d396a85ab29a3541","isrc":"GBAYC1902574","name":"Charpentier: Te Deum, H. 146: Pleni sunt coeli e terra","registered_at":"2026-06-20T22:26:39Z","spotify_id":"6fuFGTSZlImSapa0F3yTkp","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb93b065371aca14c9208d6fbff4999289cf68ab2a8ccd280d396a85ab29a3541. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6fuFGTSZlImSapa0F3yTkp.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6fuFGTSZlImSapa0F3yTkp.
Charpentier: Te Deum, H. 146: Te per orbem terrarum
Charpentier: Te Deum, H. 146: Tu devicto mortis aculeo
Charpentier: Te Deum, H. 146: Judex crederis
Charpentier: Te Deum, H. 146: Te ergo quaesumus
Charpentier: Te Deum, H. 146: Aeterna fac cum sanctis
Charpentier: Te Deum, H. 146: Dignare Domine
Charpentier: Te Deum, H. 146: Fiat misericordia
Charpentier: Te Deum, H. 146: In Te Domine speravi
Charpentier: Magnificat, H. 74: Magnificat anima mea
Charpentier: Magnificat, H. 74: Quia fecit mihi magna
Charpentier: Magnificat, H. 74: Et misericordia
Charpentier: Magnificat, H. 74: Fecit potentiam
Charpentier: Magnificat, H. 74: Suscepit Israel
Charpentier: Magnificat, H. 74: Sicus locutus es
Charpentier: Magnificat, H. 74: Gloria Patri
Te Deum, H.146 (1989 Digital Remaster): Prélude
{"copyright_id":"0x937ae65e28c2c6e7d0c63fd1aca646cfe849e4e77f4a9fbd39cf3dfbf8609e1a","isrc":"GBAYC8901081","name":"Te Deum, H.146 (1989 Digital Remaster): Prélude","registered_at":"2026-06-23T00:02:20Z","spotify_id":"0sOkD2FMADLBXru63Oih88","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x937ae65e28c2c6e7d0c63fd1aca646cfe849e4e77f4a9fbd39cf3dfbf8609e1a. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0sOkD2FMADLBXru63Oih88.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0sOkD2FMADLBXru63Oih88.
Te Deum H146 (1989 Digital Remaster): Te Deum laudamus
Te Deum H146 (1989 Digital Remaster): Te aeternum Patrem
Te Deum H146 (1989 Digital Remaster): Pleni sunt coeli et terra
Te Deum H146 (1989 Digital Remaster): Te per orbem terrarum
Te Deum H146 (1989 Digital Remaster): Tu devicto mortis aculeo
Te Deum H146 (1989 Digital Remaster): Judex crederis
Te Deum H146 (1989 Digital Remaster): Te ergo quaesumus
Te Deum H146 (1989 Digital Remaster): Aeterna fac cum sanctis
Te Deum H146 (1989 Digital Remaster): Dignare Domine
Te Deum H146 (1989 Digital Remaster): Fiat misericordia
Te Deum H146 (1989 Digital Remaster): In te Domine speravi
Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702): Kyrie
Charpentier: Messe de minuit pour Noël, H. 9: II. Gloria
Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702) (1989 Digital Remaster): Credo
Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702) (1989 Digital Remaster): Offertoire (Laissez paître vos bestes)
Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702) (1989 Digital Remaster): Sanctus
Charpentier: Messe de minuit pour Noël, H. 9: VI. Agnus Dei
The Linden Tree Carol (Arr. Stephen Cleobury)
Ding! dong! merrily on high (Arr. Charles Wood) [1963]
God Rest You Merry, Gentlemen (Arr. David Willcocks): God rest you merry, gentlemen (Arr. David Willcocks)
Sussex Carol (Arr. David Willcocks) [1963]
O come, all ye faithful (Arr. David Willcocks) [1963]
In dulci jubilo (Arr. Robert L. de Pearsall, Ed. Reginald Jacques) [1980]
We three kings of Orient are (Arr. Martin Neary)
Unto us is born a Son (Arr. David Willcocks) [1980]
Hark! the herald angels sing (arr. Philip Ledger) [1978]
The holly and the ivy (Arr. Henry Walford Davies) [1994]
I saw three ships (Arr. Simon Preston) [1994]
Love came down at Christmas (Arr. Stephen Cleobury)
O Come, All Ye Faithful (Arr. David Willcocks)
Hark! the Herald Angels Sing (Desc. Stephen Cleobury): Hark! The herald angels sing (Desc. Stephen Cleobury)
This Endernight [2016 – Premiere Recording]
Carol Eliseus [2017 – Premiere Recording]
Once in royal David's city (Desc. Stephen Cleobury) [2017]
A Festival of Lessons & Carols from King's
Gauntlett / Arr. Mann & Ledger: Irby "Once in Royal David's City"
Gallus: Opus musicum, Liber I: Resonet in laudibus
Vaughan Williams & Leather: 12 Traditional Carols from Herefordshire: No. 4, Joseph and Mary
Traditional / Arr. Carter: A Maiden Most Gentle
Traditional / Arr. Ledger: Chester Carol
Master over the Choristers of King's College
Traditional / Arr. Ledger: Angels from the Realm of Glory
{"copyright_id":"0x9740cd1c6e20f800122304a771ca1e10650184ae4a62f25d914da7c833340895","isrc":"GBAYC1902233","name":"Traditional / Arr. Ledger: Angels from the Realm of Glory","registered_at":"2026-06-24T11:24:32Z","spotify_id":"6OWLJMwh3aRy56uAb64dPC","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9740cd1c6e20f800122304a771ca1e10650184ae4a62f25d914da7c833340895. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6OWLJMwh3aRy56uAb64dPC.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6OWLJMwh3aRy56uAb64dPC.
Anonymous / Arr. Ledger: O Come, All Ye Faithful (Also Attributed to Wade)
The Collect for Christmas Eve and the Blessing
Cummings & Mendelssohn: Hark! The Herald Angels Sing (After Mendelssohn's Gutenberg Cantata, WoO 9, MWV D4)
Chorfantasie / Choral Fantasia (Inspiration)
Beethoven: Choral Fantasy in C Minor, Op. 80
Schubert: Gesang der Geister über den Wassern, Op. Posth. 167, D. 714
Elgar: Coronation Ode, Op. 44: Finale. "Land of Hope and Glory"
Choeur du Théatre National de l'Opéra de Paris
Fauré: Pavane, Op. 50 (Version with Chorus)
Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49
Coro dell'Accademia Nazionale Di Santa Cecilia
Orchestra dell'Accademia Nazionale di Santa Cecilia
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "O Freunde, nicht diese Töne!" (Excerpt)
{"copyright_id":"0x2c7123069d496335124101c27886c72aab254e0ebe16b694142730cc6729fb30","isrc":"GBAYC8802231","name":"Beethoven: Symphony No. 9 in D Minor, Op. 125 \"Choral\": IV. Presto \"O Freunde, nicht diese Töne!\" (Excerpt)","registered_at":"2026-06-05T11:59:10Z","spotify_id":"6Hp0DWQQQwj7qyssElkit0","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2c7123069d496335124101c27886c72aab254e0ebe16b694142730cc6729fb30. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6Hp0DWQQQwj7qyssElkit0.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6Hp0DWQQQwj7qyssElkit0.
Quintet in A Minor for Piano and String Quartet, Op. 84: I. Moderato - Allegro
Quintet in A Minor for Piano and String Quartet, Op. 84: II. Adagio
Quintet in A Minor for Piano and String Quartet, Op. 84: III. Andante - Allegro
Piano Quintet No. 2 in A Major, Op. 81, B. 155: I. Allegro, ma non tanto
Piano Quintet No. 2 in A Major, Op. 81, B. 155: II. Dumka - Andante con moto
Piano Quintet No. 2 in A Major, Op. 81, B. 155: III. Scherzo (Furiant) - molto vivace
Piano Quintet No. 2 in A Major, Op. 81, B. 155: IV: Finale Allegro
Handel: Alexander's Feast, HWV 75, Pt. 1: Overture
Handel: Alexander's Feast, HWV 75, Pt. 2: Air and Chorus. "Thais Led the Way" - "The Princes Applaud with a Furious Joy"
Handel: Alexander's Feast, HWV 75, Pt. 1: Recitative. "T'was at the Royal Feast, for Persia Won by Philip's Warlike Son"
Handel: Alexander's Feast, HWV 75, Pt. 2: Accompagnato and Chorus. "Thus, Long Ago, Ere Heaving Bellows" - "At Last Divine Cecilia Came"
Handel: Alexander's Feast, HWV 75, Pt. 1: Air and Chorus. "Happy Pair !"
Handel: Alexander's Feast, HWV 75, Pt. 2: Recitative and Duet. "Let Old Timotheus Yield the Prize"
Handel: Alexander's Feast, HWV 75, Pt. 1: Recitative. "Timotheus, Plac'd on High"
Handel: Alexander's Feast, HWV 75, Pt. 2: Recitative, Air and Chorus. "Let Old Timotheus Yield the Prize"
Handel: Alexander's Feast, HWV 75, Pt. 1: Accompagnato. "The Song Began from Jove"
Handel: Alexander's Feast, HWV 75, Pt. 2: Chorus. "Your Voices Tune"
Handel: Alexander's Feast, HWV 75, Pt. 1: Chorus. "The List'ning Crowd Admire the Lofty Sound"
Handel: Alexander's Feast, HWV 75, Pt. 2: Duet. "Let's Imitate Her Notes Above"
Handel: Alexander's Feast, HWV 75, Pt. 1: Air. "With Ravish'd Ears the Monarch Hears"
Handel: Alexander's Feast, HWV 75, Pt. 2: Chorus. "Your Voices Tune and Raise"
Handel: Alexander's Feast, HWV 75, Pt. 1: Recitative. "The Praise of Bacchus Then the Sweet Musician Sung"
Handel: The Choice of Hercules, HWV 69: Symphony
Handel: Alexander's Feast, HWV 75, Pt. 1: Air and Chorus. "Bacchus, ever Fair and Young" - "Bacchus' Blessings are a Treasure"
Handel: The Choice of Hercules, HWV 69: Accompagnato. "See, Hercules! how smiles yon myrtle plain" (Pleasure)
Handel: Alexander's Feast, HWV 75, Pt. 1: Recitative. "Sooth'd with the Sound"
Handel: The Choice of Hercules, HWV 69: Air. "Come, Blooming Boy" (Pleasure)
Handel: Alexander's Feast, HWV 75, Pt. 1: Accompagnato. "He Choose a Mournful Muse"
Handel: The Choice of Hercules, HWV 69: Air. "There the brisk sparkling nectar drain" (Pleasure)
Handel: Alexander's Feast, HWV 75, Pt. 1: Air. "He Sung Darius, Great and Good"
Handel: The Choice of Hercules, HWV 69: Solo and Chorus. "While for thy arms that Beauty glows" (Pleasure, Chorus)
Handel: Alexander's Feast, HWV 75, Pt. 1: Accompagnato. "With Downcast Looks the Joyless Victor Sate"
Handel: The Choice of Hercules, HWV 69: Recitative. "Away, mistaken wretch, away" (Virtue)
Handel: Alexander's Feast, HWV 75, Pt. 1: Chorus. "Behold Darius Great and Good"
Handel: The Choice of Hercules, HWV 69: Air. "This manly youth's exalted mind" (Virtue)
Handel: Alexander's Feast, HWV 75, Pt. 1: Recitative. "The Mighty Master Smiled to See"
Handel: The Choice of Hercules, HWV 69: Recitative. "Rise, youth! exalt thyself and me" (Virtue)
Handel: Alexander's Feast, HWV 75, Pt. 1: Air. "Softly Sweet in Lydian Measures"
Handel: The Choice of Hercules, HWV 69: Air. "Go, assert thy heav'nly race" (Virtue)
Handel: Alexander's Feast, HWV 75, Pt. 1: Air. "War, He Sung, Is Toil and Trouble"
Handel: The Choice of Hercules, HWV 69: Recitative. "In peace, in war" (Virtue)
Handel: Alexander's Feast, HWV 75, Pt. 1: Chorus. "The Many Rend the Skies with Loud Applause"
Handel: The Choice of Hercules, HWV 69: Solo and Chorus. "So Shalt Thou Gain Immortal Praise" (Virtue, Chorus)
Handel: Alexander's Feast, HWV 75, Pt. 1: Air. "The Prince, Unable to Conceal His Pain"
Handel: The Choice of Hercules, HWV 69: Recitative. "Hearst thou, what dangers" (Pleasure)
Handel: Alexander's Feast, HWV 75, Pt. 1: Chorus da capo. "The Many Rend the Skies with Loud Applause"
Handel: The Choice of Hercules, HWV 69: Solo and Chorus. "Turn thee, youth, to joy and love" (Pleasure, Chorus)
Handel: Alexander's Feast, HWV 75, Pt. 2: Accompagnato and Chorus. "Now Strike the Golden Lyre Again" - "Break His Bonds of Sleep Asunder" - "Hark, Hark !"
Handel: The Choice of Hercules, HWV 69: Recitative. "Short is my way" (Pleasure, Hercules)
Handel: Alexander's Feast, HWV 75, Pt. 2: Air. "Revenge, Timotheus Cries"
Handel: The Choice of Hercules, HWV 69: Air. "Yet Can I Hear That Dulcet Lay" (Hercules)
Handel: Alexander's Feast, HWV 75, Pt. 2: Accompagnato. "Give the Vengeance Due to the Valiant Crew"
Handel: The Choice of Hercules, HWV 69: Air. "Enjoy the sweet Elysian grove" (Attendant)
Handel: Alexander's Feast, HWV 75, Pt. 2: Air. "The Princes Applaud with a Furious Joy"
Handel: The Choice of Hercules, HWV 69: Recitative. "Oh! wither, Reason, dost thou fly?" (Hercules)
Handel: The Choice of Hercules, HWV 69: Trio. "Where shall I go?" (Pleasure, Virtue, Hercules)
Handel: The Choice of Hercules, HWV 69: Recitative. "Mount, mount the steep ascent!" (Virtue)
More Organ Favourites from King's College, Cambridge
The Prince of Denmark's March 'Trumpet Voluntary'
Variations on 'Mein junges Leben hat ein End'
Bach, JS: Schübler Chorale: No. 1, Wachet auf, ruft uns die Stimme, BWV 645
Bach, JS: Das Orgel-Büchlein: No. 43, Wenn wir in höchsten Nöten sein, BWV 641
Brahms: 11 Chorale Preludes, Op. 122: "Schmucke dich, o liebe Seele"
Six Short Preludes and Postludes - Set 1, Op.101: 2. Postlude in G Minor
24 Pièces en style libre, Op.31: Berceuse
Le Tombeau de Titelouze, Op.38: Placare Christe servulis
Vaughan Williams: 3 Preludes Founded on Welsh Hymn Tunes: No. 2, Rhosymedre
Franck: 3 Chorales: No. 3 in A Minor, FWV 40
Brahms: 11 Chorale Preludes, Op. 122: "Es ist ein Ros' entsprungen"
Organ Symphony No. 5 in F Minor, Op.42 (1988 - Remaster): V. Toccata (Allegro)
Palestrina: Missarum liber sextus: No. 5, Missa "Ave Maria": I. Kyrie
{"copyright_id":"0x75da0e0a777128797eba824641982dfd097a9ee5deb67a2fab76a18b31912eb9","isrc":"GBAYC0801471","name":"Palestrina: Missarum liber sextus: No. 5, Missa \"Ave Maria\": I. Kyrie","registered_at":"2026-06-25T17:01:02Z","spotify_id":"1CZkRzy0PlBdR49eqnh24S","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x75da0e0a777128797eba824641982dfd097a9ee5deb67a2fab76a18b31912eb9. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1CZkRzy0PlBdR49eqnh24S.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1CZkRzy0PlBdR49eqnh24S.
Palestrina: Offertoria totius anni: No. 4, Ave Maria
Palestrina: Offertoria totius anni: No. 5, Tui sunt caeli
Motet: Jubilate Deo - 1991 Remastered Version
Palestrina: Liber primus motettorum: No. 28, O magnum mysterium
Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": I. Kyrie
Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": II. Gloria
{"copyright_id":"0x386c56c2838b9429b7bbb88d61134f408c7fe0052db3e1580b2681d540108394","isrc":"GBAYC0801456","name":"Palestrina: Missarum liber secundus: No. 7, Missa \"Papae Marcelli\": II. Gloria","registered_at":"2026-06-27T05:36:20Z","spotify_id":"3U12SeRVSoKny3gaZfI1Kz","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x386c56c2838b9429b7bbb88d61134f408c7fe0052db3e1580b2681d540108394. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3U12SeRVSoKny3gaZfI1Kz.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3U12SeRVSoKny3gaZfI1Kz.
Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": III. Credo
Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": IV. Sanctus - Hosanna
Palestrina: Missae quattuor octonis vocibus concinendae: No. 2, Missa "Hodie Christus natus est": I. Kyrie
Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": V. Benedictus
Palestrina: Missae quattuor octonis vocibus concinendae: No. 2, Missa "Hodie Christus natus est": II. Gloria
Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": VI. Agnus Dei I
Palestrina: Missae quattuor octonis vocibus concinendae: No. 2, Missa "Hodie Christus natus est": III. Credo
Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": VII. Agnus Dei II
{"copyright_id":"0x6aae6d8b7393c16bd3709b70b18e8fbd6ed111404978f3ca2eafc45e1391a73f","isrc":"GBAYC0801461","name":"Palestrina: Missarum liber secundus: No. 7, Missa \"Papae Marcelli\": VII. Agnus Dei II","registered_at":"2026-06-23T00:02:00Z","spotify_id":"6yZ8BmBx4F8AillG0IK98o","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6aae6d8b7393c16bd3709b70b18e8fbd6ed111404978f3ca2eafc45e1391a73f. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6yZ8BmBx4F8AillG0IK98o.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6yZ8BmBx4F8AillG0IK98o.
Palestrina: Missae quattuor octonis vocibus concinendae: No. 2, Missa "Hodie Christus natus est": IV. Sanctus
Palestrina: Missae quattuor octonis vocibus concinendae: No. 2, Missa "Hodie Christus natus est": V. Benedictus
Palestrina: Missae quattuor octonis vocibus concinendae: No. 2, Missa "Hodie Christus natus est": VI. Agnus Dei
Motet: Hodie Christus natus est - 1991 Remastered Version
Palestrina: Motettorum liber secundus: No. 11, Canite tuba
Missa Brevis (2008 - Remaster): Benedictus
Missa Brevis (2008 - Remaster): Agnus Dei I
Missa Brevis (2008 - Remaster): Agnus Dei II
Bliss: Meditations on a Theme by John Blow
Music for Strings: I. Allegro moderato, energico
Music for Strings: II. Andante molto, sostenuto
Music for Strings: III. Allegro molto-Andante moderato
Meditations on a Theme by John Blow: Introduction
Meditations on a Theme by John Blow: Meditation I
Meditations on a Theme by John Blow: Meditation II
Meditations on a Theme by John Blow: Meditation III
Meditations on a Theme by John Blow: Meditation IV
Meditations on a Theme by John Blow: Meditation V
Meditations on a Theme by John Blow: Interlude
Meditations on a Theme by John Blow: Finale
Divine Harmony - Telemann: Sacred Cantatas
Georg Philipp Telemann: Harmonischer Gottes-Dienst: Weg mit Sodoms gift'gen Früchten
Georg Philipp Telemann: Harmonischer Gottes-Dienst: Wie sollt' ich da
Georg Philipp Telemann: Harmonischer Gottes-Dienst: Gewünschtes Fest der süßen Brote
Georg Philipp Telemann: Harmonischer Gottes-Dienst: Glaubet, hoffet, leidet, duldet
Georg Philipp Telemann: Harmonischer Gottes-Dienst: Ach, freilich kommt die Zeit
Georg Philipp Telemann: Harmonischer Gottes-Dienst: Brich auf, o starker Herr der Scharen!
Georg Philipp Telemann: Harmonischer Gottes-Dienst: Stille die Tränen des winselnden Armen
Georg Philipp Telemann: Harmonischer Gottes-Dienst: Ist's möglich, unbarmherzige Gemüter
Georg Philipp Telemann: Harmonischer Gottes-Dienst: Ja, ja, sammle nur bei meinen Garben
Georg Philipp Telemann: Harmonischer Gottes-Dienst: Ergeuß dich zur Salbung der schmachtenden Seele
Georg Philipp Telemann: Harmonischer Gottes-Dienst: Samaria empfing den heilgen Geist
Georg Philipp Telemann: Harmonischer Gottes-Dienst: Schwarzer Geist der Dunkelheit
Georg Philipp Telemann: Trio for 2 Flutes in D Major: I. Menuet
Georg Philipp Telemann: Trio for 2 Flutes in D Major: II. Gavotte
Georg Philipp Telemann: Trio for 2 Flutes in D Major: III. Sommeil
Georg Philipp Telemann: Trio for 2 Flutes in D Major: IV. Gigue
Georg Philipp Telemann: Der Geduldige Socrates - Scena 12: Halt!
Georg Philipp Telemann: Der Geduldige Socrates - Scena 12: hegt dein Herze Kein Erbarmen
Georg Philipp Telemann: Der Geduldige Socrates - Scena 12: Erwäge sein Verdienst!
Georg Philipp Telemann: Der Geduldige Socrates - Scena 12: Meine Triebe zu erzählen
Fauré: Requiem, Messe basse . Poulenc: Mass in G
Fauré: Requiem, Op. 48: I. Introït et Kyrie
Fauré: Requiem, Op. 48: VII. In Paradisum
Poulenc: Mass in G Major, FP 89: Sanctus
Poulenc: Mass in G Major, FP 89: Benedictus
Poulenc: Mass in G Major, FP 89: Agnus Dei
Te Deum, H.146: Pleni sunt coeli et terra
Te Deum, H.146: Tu devicto mortis aculeo
Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702): Gloria
Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702): Credo
Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702): Offertoire (Laissez paître vos bestes)
Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702): Sanctus
Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702): Agnus Dei
Love Lost and Found - Handel: Arias & Italian Solo Cantatas
George Frederick Handel: Orlando, HWV 31: Fammi Combattere
George Frederick Handel: Lungi da voi, che siete poli, HWV 126c: Lungi da voi, che siete poli
George Frederick Handel: Lungi da voi, che siete poli, HWV 126c: Un affanno più tiranno
George Frederick Handel: Lungi da voi, che siete poli, HWV 126c: Ah! languide pupille
George Frederick Handel: Lungi da voi, che siete poli, HWV 126c: Chi sa? vi rivedrò, chi sa?
George Frederick Handel: Aci, Galatea e Polifemo, HWV 72: Ah! crude stelle
George Frederick Handel: Aci, Galatea e Polifemo, HWV 72: Qui l'augel di pianta in pianta
George Frederick Handel: Figli del mesto cor, HWV 112: Figli del mesto cor
George Frederick Handel: Figli del mesto cor, HWV 112: Son pur le larcrime
George Frederick Handel: Figli del mesto cor, HWV 112: Così mia dura sorte
George Frederick Handel: Figli del mesto cor, HWV 112: Cruda legge d'un alma costante
George Frederick Handel: Figli del mesto cor, HWV 112: Volea seguir, quand'ecco
George Frederick Handel: Fra pensieri quel pensiero, HWV 115: Fra pensieri quel pensiero
George Frederick Handel: Fra pensieri quel pensiero, HWV 115: E se fia che volando
George Frederick Handel: Fra pensieri quel pensiero, HWV 115: Pronti l'ale dispiegate
George Frederick Handel: Mi palpita il cor, HWV 132c: Mi palpita il cor
George Frederick Handel: Mi palpita il cor, HWV 132c: Agitata è l'alma mia
George Frederick Handel: Mi palpita il cor, HWV 132c: Tormento e gelosia
George Frederick Handel: Mi palpita il cor, HWV 132c: Ho tanti affanni in petto
George Frederick Handel: Mi palpita il cor, HWV 132c: Clori di te mi lagno
George Frederick Handel: Mi palpita il cor, HWV 132c: Se un di m'adora la mia crudele
George Frederick Handel: Alcina, HWV 34: Verdi Prati
Britten - The Little Sweep; Rejoice in the Lamb
Britten: Rejoice in the Lamb, Op. 30: I. Rejoice in God, O Ye Tongues
Britten: Rejoice in the Lamb, Op. 30: II. For I Will Consider My Cat Jeoffry
Britten: Rejoice in the Lamb, Op. 30: III. For the Mouse Is a Creature of Great Personal Valour
Britten: Rejoice in the Lamb, Op. 30: IV. For the Flowers Are Great Blessings
Britten: Rejoice in the Lamb, Op. 30: V. For I Am Under the Same Accusation with My Saviour
Britten: Rejoice in the Lamb, Op. 30: VI. For H Is a Spirit and Therefore He Is God & VII. For the Instruments Are by Their Rhimes
Britten: Rejoice in the Lamb, Op. 30: VIII. Hallelujah from the Heart of God
Britten: The Little Sweep, Op. 45, Scene 1: Audience Song I. The Sweep's Song. "Sweep! Sweep!" (Audience, Clem, Black Bob)
Robert Lloyd/Robert Tear/Sam Monck/Dame Heather Begg/Catherine Benson/Cato Fordham/Catherine Wearing/Mary Wells/David Glick/Colin Huehns/Katherine Willis/Finchley Children's Music Group/Chora
Britten: The Little Sweep, Op. 45, Scene 1: Quartet. "Sweep the Chimney!" (Miss Baggott, Rowan, Clem, Black Bob)
Britten: The Little Sweep, Op. 45, Scene 1: Duet. "Now, Little White Boy!" (Clem, Black Bob)
Britten: The Little Sweep, Op. 45, Scene 1: Hide and Seek. "Juliet! Juliet!" (Children)
Britten: The Little Sweep, Op. 45, Scene 1: Shanty. "Pull the Rope Gently" (Children)
Britten: The Little Sweep, Op. 45, Scene 1: Ensemble. "Is He Wounded?" (Sam, Children)
Britten: The Little Sweep, Op. 45, Scene 1: Marching Song. "Sooty Tracks Upon the Sheet" (Children, Miss Baggott, Black Bob,Clem)
Britten: The Little Sweep, Op. 45, Scene 1: Trio. "Sam! Sam!" (Black Bob, Clem, Miss Baggott)
Britten: The Little Sweep, Op. 45, Scene 1: Aria. "Run, Poor Sweepboy" (Rowan, Children)
Britten: The Little Sweep, Op. 45, Scene 1: Audience Song II. Sammy's Bath. "The Kettles Are Singing" (Audience, Rowan, Sam)
Britten: The Little Sweep, Op. 45, Scene 2: Ensemble. "O Why Do You Weep" (Rowan, Sam, Children)
Britten: The Little Sweep, Op. 45, Scene 2: Pantomime
Britten: The Little Sweep, Op. 45, Scene 2: Scena. "Ah! Blackguards!" (Miss Baggott)
Britten: The Little Sweep, Op. 45, Scene 2: Finale. "Help! Help! She's collapsed!" (Miss Baggott, Rowan, Children)
Britten: The Little Sweep, Op. 45, Scene 2: Audience Song III. The Night Song. "The Owl, Wide-Winging" (Audience)
Britten: The Little Sweep, Op. 45, Scene 3: Aria. "Soon the Coach Will Carry You Away" (Juliet)
Britten: The Little Sweep, Op. 45, Scene 3: Ensemble. "Morning, Sammy" (Children, Sammy)
Britten: The Little Sweep, Op. 45, Scene 3: Trio and Ensemble. "Ready, Alfred?" (Tom, Alfred, Miss Baggott, Rowan, Children)
Britten: The Little Sweep, Op. 45, Scene 3: Audience Song IV. Coaching Song. "The Horses Are Champing" (Omnes, Audience)
Tallis: Mass "Puer natus est nobis" a 7: Gloria
Tallis: Mass "Puer natus est nobis" a 7: Sanctus
Tallis: Mass "Puer natus est nobis" a 7: Benedictus
Tallis: Mass "Puer natus est nobis" a 7: Agnus Dei
Mass for five voices (1995 Digital Remaster): Kyrie
Mass for five voices (1995 Digital Remaster): Gloria
Mass for five voices (1995 Digital Remaster): Credo
Mass for five voices (1995 Digital Remaster): Sanctus
Mass for five voices (1995 Digital Remaster): Benedictus
Mass for five voices (1995 Digital Remaster): Agnus Dei
Tallis: Lamentations of Jeremiah, First Lesson: Incipit. "Incipit lamentatio Jeremiae prophetae"
Tallis: Lamentations of Jeremiah, First Lesson: Aleph. "Quomodo sedet sola civitas"
Tallis: Lamentations of Jeremiah, First Lesson: Beth. "Plorans ploravit in nocte"
Tallis: Lamentations of Jeremiah, Second Lesson: Incipit. "De lamentatione Jeremiae prophetae"
Tallis: Lamentations of Jeremiah, Second Lesson: Ghimel. "Migravit Juda propter afflictionem"
Tallis: Lamentations of Jeremiah, Second Lesson: Daleth. "Omens persecutores eius apprehenderunt"
Tallis: Lamentations of Jeremiah, Second Lesson: Heth. "Facti sunt hostes"
Tallis: Cantiones quae ab argumento sacrae vocantur: No. 8, O nata lux
Tallis: Cantiones quae ab argumento sacrae vocantur: No. 1, Salvator mundi I
{"copyright_id":"0x00aa80a540bc9f7a417f0a79e312edcb9e566d2344064d6d8d318f3b5b336d66","isrc":"GBAYD8100159","name":"Tallis: If Ye Love Me","registered_at":"2026-06-24T14:51:29Z","spotify_id":"4AefvEhXOc1WTRVQVol1Df","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x00aa80a540bc9f7a417f0a79e312edcb9e566d2344064d6d8d318f3b5b336d66. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4AefvEhXOc1WTRVQVol1Df.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4AefvEhXOc1WTRVQVol1Df.
Anonymous: When I Survey the Wondrous Cross, Hymn
Anonymous: Jesus Christ Is Risen Today (from J. B. Walsh's "Lyra Davidica, or a Collection of Divine Songs and Hymns, 1708")
Anonymous: This joyful Eastertide (Arr. Charles Wood)
Sheppard: Haec dies quam fecit Dominus, a 6
Leighton: Let All The World In Every Corner Sing
Lotti: Crucifixus a 8 in C Minor : "Crucifixus etiam pro nobis"
Victoria: Caligaverunt oculi mei, "Tenebrae Responsory No. 6 for Good Friday" (No. 24 from "Officium Hebdomadae Sanctae"): II. Videte omnes populi
Gibbons: Drop, drop, slow tears, Hymn a 4
Bach: Orchestral Suites Nos. 1 - 3, BWV 1066 - 1068
Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: I. Ouverture
Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: II. Courante
Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavottes I & II
Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane
Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets I & II
Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées I & II
Bach, JS: Orchestral Suite No. 1 in C Major, BWV 1066: VII. Passepieds I & II
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise & Double
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
{"copyright_id":"0x7148963558593daa3d1477c0fefe24ef4b97f520753e2ae3ed5716c4ad310f06","isrc":"GBAYC8801650","name":"Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air","registered_at":"2026-06-27T15:00:58Z","spotify_id":"3EeCDr52Jn9yxjHQn1nbLA","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7148963558593daa3d1477c0fefe24ef4b97f520753e2ae3ed5716c4ad310f06. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3EeCDr52Jn9yxjHQn1nbLA.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3EeCDr52Jn9yxjHQn1nbLA.
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavottes I & II
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: V. Gigue
Elgar: The Kingdom, Op. 51: IV. The Sign of Healing. "Then They That Gladly Received His Word"
Elgar: The Kingdom, Op. 51: I. In the Upper Room. "Seek First the Kingdom of God"
Elgar: The Kingdom, Op. 51: IV. The Sign of Healing. "And as They Spake" - "The Sun Goeth Down"
Elgar: The Kingdom, Op. 51: I. In the Upper Room. "Men and Brethren"
Elgar: The Kingdom, Op. 51: V. The Upper Room. "The Voice of Joy"
Elgar: The Kingdom, Op. 51: I. In the Upper Room. "O Ye Priests!"
Elgar: The Kingdom, Op. 51: V. The Upper Room. "Thou, Almighty Lord"
Elgar: The Kingdom, Op. 51: II. At the Beautiful Gate. "The Singers Are Before the Altar"
Elgar: The Kingdom, Op. 51: V. The Upper Room. "Our Father"
Elgar: The Kingdom, Op. 51: III. Pentecost. "And When the Day of Pentecost"
Elgar: Coronation Ode, Op. 44: Introduction. "Crown the King"
The Band of the Royal Military School of Music, Kneller Hall
Elgar: The Kingdom, Op. 51: III. Pentecost. "And Suddenly There Came from Heaven"
Elgar: Coronation Ode, Op. 44: Chorus. "The Queen"
Elgar: The Kingdom, Op. 51: III. Pentecost. "Repent and Be Baptised"
Elgar: Coronation Ode, Op. 44: Chorus. "Daughter of Ancient Kings"
Elgar: Coronation Ode, Op. 44: Song and Chorus. "Britain, Ask of Thyself"
Elgar: Coronation Ode, Op. 44: Quartet and Chorus. "Hark, Upon the Hallowed Air" - "Only Let the Heart Be Pure"
Elgar: Coronation Ode, Op. 44: Quartet and Chorus. "Peace, Gentle Peace"
{"copyright_id":"0x0a2aac0e26ad5ca7febd86c408261ee37a14427bfced6557cf2cc570fe20cc14","isrc":"GBAYD8700642","name":"Elgar: Coronation Ode, Op. 44: Finale. \"Land of Hope and Glory\"","registered_at":"2026-06-26T18:25:27Z","spotify_id":"3pl7RmUywWwMSupTUlDqeo","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x0a2aac0e26ad5ca7febd86c408261ee37a14427bfced6557cf2cc570fe20cc14. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3pl7RmUywWwMSupTUlDqeo.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3pl7RmUywWwMSupTUlDqeo.
A Festival of Lessons and Carols from King's
Gauntlett: Once in Royal David's City (from "Hymns and Carols of Christmas", Harmonisation by A. H. Mann)
Jacobus Handl: Resonet in laudibus (Arr. Philip Ledger)
Anonymous: Sussex Carol (Christmas Traditional, Arr. Philip Ledger)
Traditional / Arr. Carter: "A maiden most gentle"
Gruber: Stille Nacht, heilige Nacht (Arr. Philip Ledger)
Anonymous: Chester Carol (Arr. Philip Ledger)
Anonymous: Angels from the Realms of Glory (French Christmas Traditional, Arr. Philip Ledger)
Service, 7. Sixth Lesson (St. Matthew 2)
Anonymous: O Come, All Ye Faithful (Adeste Fideles)
Service, 9. Collect for Christmas Eve and the Blessing
Cummings & Mendelssohn: Hark! the Herald Angels Sing (After Mendelssohn's Gutenberg Cantata, WoO 9, MWV D4)
J. S. Bach: Brandenburg Concertos Nos. 1, 2 & 3
Brandenburg Concerto No. 1 in F Major, BWV 1046: I. Allegro
Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio
Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro
Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuetto
Brandenburg Concerto No. 1 in F Major, BWV 1046: V. Trio
Brandenburg Concerto No. 1 in F Major, BWV 1046: VI. Menuetto
Brandenburg Concerto No. 1 in F Major, BWV 1046: VII. Polonaise
Brandenburg Concerto No. 1 in F Major, BWV 1046: VIII. Menuetto
Brandenburg Concerto No. 1 in F Major, BWV 1046: IX. Trio
Brandenburg Concerto No. 1 in F Major, BWV 1046: X. Menuetto
Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro
Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante
Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro
Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio
Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro
Bach: Brandenburg Concertos Nos. 4, 5 & 6
Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro
Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante
Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto
Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro
Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso
Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. Moderato
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro
Full Anthem: Almighty and Everlasting God
Short [First] Service 4vv 1641: Magnificat (Short Service)
Short [First] Service 4vv 1641: Nunc Dimittis (Short Service)
Now Shall the Praises of the Lord be Sung
Verse Anthem: This is the Record of John
Verse Anthem: See, See, the Word is Incarnate
Full Anthem: Hosanna to the Son of David
Vivaldi: Four Bassoon Concertos, La Tempesta di Mare & Il Piacere
Bassoon Concerto in B-Flat Major, RV 504: I. Allegro ma poco
Bassoon Concerto in B-Flat Major, RV 504: II. Larghetto
Bassoon Concerto in B-Flat Major, RV 504: III. Allegro
Bassoon Concerto in A Minor, RV 498: I. Allegro
Bassoon Concerto in A Minor, RV 498: II. Larghetto
Bassoon Concerto in A Minor, RV 498: III. Allegro
Bassoon Concerto in C Major, RV 472: I. Allegro con molto
Bassoon Concerto in C Major, RV 472: II. Andante molto
Bassoon Concerto in C Major, RV 472: III. Allegro
Bassoon Concerto in C Minor, RV 480: I. Allegro
Bassoon Concerto in C Minor, RV 480: II. Andantino, quasi minuetto
Bassoon Concerto in C Minor, RV 480: III. Allegro
Violin Concerto in E-Flat Major, Op. 8 No. 5, RV253, "La Tempesta di Mare": I. Presto
Violin Concerto in E-Flat Major, Op. 8 No. 5, RV253, "La Tempesta di Mare": II. Largo
Violin Concerto in E-Flat Major, Op. 8 No. 5, RV253, "La Tempesta di Mare": III. Presto
Violin Concerto in C Major, Op. 8 No. 6, RV 180, "Il Piacere": I. Allegro
Violin Concerto in C Major, Op. 8 No. 6, RV 180, "Il Piacere": II. Largo e cantible
Violin Concerto in C Major, Op. 8 No. 6, RV 180, "Il Piacere": III. Allegro
Purcell: Funeral Music for Queen Mary & Anthems
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March
{"copyright_id":"0xcfe594f22222cc000e38ba339ba518df7b0da4339df7330fb0f3226445f6a059","isrc":"GBAYC9103804","name":"Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March","registered_at":"2026-06-20T07:21:19Z","spotify_id":"5v5qMJU4htFKGFurZ9l9ZT","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xcfe594f22222cc000e38ba339ba518df7b0da4339df7330fb0f3226445f6a059. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5v5qMJU4htFKGFurZ9l9ZT.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5v5qMJU4htFKGFurZ9l9ZT.
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: Canzona
{"copyright_id":"0x82e8d38338541a364ff2285e3754a3a8f25692f497a3e08d491da5114dd7ee39","isrc":"GBAYC9103805","name":"Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: Canzona","registered_at":"2026-06-24T14:49:46Z","spotify_id":"4NMUUHtHKWHzItIkAy4PcQ","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x82e8d38338541a364ff2285e3754a3a8f25692f497a3e08d491da5114dd7ee39. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4NMUUHtHKWHzItIkAy4PcQ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4NMUUHtHKWHzItIkAy4PcQ.
Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27
{"copyright_id":"0x092630ceb9efaab8dcec252881b68c414b809172c1648278a36aa9f51bf21cee","isrc":"GBAYC9103806","name":"Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27","registered_at":"2026-06-17T22:49:02Z","spotify_id":"4tVcwrl3JZBvbdGfWXraCj","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x092630ceb9efaab8dcec252881b68c414b809172c1648278a36aa9f51bf21cee. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4tVcwrl3JZBvbdGfWXraCj.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4tVcwrl3JZBvbdGfWXraCj.
Purcell: Funeral Sentences: In the Midst of Life, Z. 17A
{"copyright_id":"0x9d36f050538e78d047e89ec40ddf99db60ca19cf0c70a2382f95cf4fc38eb26b","isrc":"GBAYC9103807","name":"Purcell: Funeral Sentences: In the Midst of Life, Z. 17A","registered_at":"2026-06-24T14:49:22Z","spotify_id":"28UV8RXDxEIf0ZBCGVcwuH","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9d36f050538e78d047e89ec40ddf99db60ca19cf0c70a2382f95cf4fc38eb26b. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/28UV8RXDxEIf0ZBCGVcwuH.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/28UV8RXDxEIf0ZBCGVcwuH.
Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C (First Verse)
{"copyright_id":"0x5a00d8a7a75ce5a988e3d084d7df4826ea174742760262362fed3bf3e887cd05","isrc":"GBAYC9103808","name":"Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C (First Verse)","registered_at":"2026-06-19T08:59:09Z","spotify_id":"5JikgpiZrAAviO3PGMWgxJ","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x5a00d8a7a75ce5a988e3d084d7df4826ea174742760262362fed3bf3e887cd05. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5JikgpiZrAAviO3PGMWgxJ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5JikgpiZrAAviO3PGMWgxJ.
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March (Reprise)
Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C (Second Verse)
{"copyright_id":"0x28af32f08a586596abd6f08cc5e961bedbfc4017347980a2e5fd0fad4351856f","isrc":"GBAYC9103810","name":"Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C (Second Verse)","registered_at":"2026-06-20T22:25:27Z","spotify_id":"0WDHrD1GDzGv30U24ppZxL","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x28af32f08a586596abd6f08cc5e961bedbfc4017347980a2e5fd0fad4351856f. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0WDHrD1GDzGv30U24ppZxL.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0WDHrD1GDzGv30U24ppZxL.
{"copyright_id":"0x341748608345c455411dc236590d83fff9a5eac4a39aa5dea882ef9fde21d77b","isrc":"GBAYC9102764","name":"Purcell: Hear My Prayer, O Lord, Z. 15","registered_at":"2026-06-20T03:40:38Z","spotify_id":"4Lz4MgZJAnhTrO2LhQXGGb","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x341748608345c455411dc236590d83fff9a5eac4a39aa5dea882ef9fde21d77b. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4Lz4MgZJAnhTrO2LhQXGGb.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4Lz4MgZJAnhTrO2LhQXGGb.
Purcell: Remember Not, Lord, Our Offences, Z. 50
Purcell: Rejoice in the Lord Alway, Z. 49
{"copyright_id":"0x4d27bfdf40fda1a83ee7d36677f6b34c76a63f7cfc4d8853b543d25574bd5177","isrc":"GBAYC9102761","name":"Purcell: Rejoice in the Lord Alway, Z. 49","registered_at":"2026-06-24T14:50:24Z","spotify_id":"3fWus5Le8xTE49zgZDUdkJ","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x4d27bfdf40fda1a83ee7d36677f6b34c76a63f7cfc4d8853b543d25574bd5177. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3fWus5Le8xTE49zgZDUdkJ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3fWus5Le8xTE49zgZDUdkJ.
Purcell: Blessed Are They That Fear the Lord, Z. 5
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 1: No. 1, Chor. "Jauchzet, frohlocket, auf, preiset die Tage"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 3: No. 34, Rezitativ. "Und die Hirten kehrten wieder um"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 1: No. 2, Rezitativ. "Es begab sich aber zu der Zeit"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 3: No. 35, Choral. "Seid froh dieweil"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 1: No. 3, Rezitativ. "Nun wird mein liebster Bräutigam"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 3: No. 24, Chor. "Herrscher des Himmels, erhöre das Lallen" (Reprise)
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben"
{"copyright_id":"0x43155bf1e8d27e47cb06f409053c5cf5258f2e20d72226bc7aaf7797c658adf5","isrc":"GBAYC9601282","name":"Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. \"Bereite dich, Zion, mit zärtlichen Trieben\"","registered_at":"2026-06-25T18:27:25Z","spotify_id":"1iJOkwCpscIjIRVDqVWWMj","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x43155bf1e8d27e47cb06f409053c5cf5258f2e20d72226bc7aaf7797c658adf5. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1iJOkwCpscIjIRVDqVWWMj.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1iJOkwCpscIjIRVDqVWWMj.
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 4: No. 36, Chor. "Fallt mit Danken, fallt mit Loben"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 1: No. 5, Choral. "Wie soll ich dich empfangen"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 4: No. 37, Rezitativ. "Und da acht Tage um waren"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 1: No. 6, Rezitativ. "Und sie gebar ihren ersten Sohn"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 4: No. 38, Rezitativ und Arioso-Choral. "Immanuel, o süßes Wort"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 1: No. 7, Choral. "Er ist auf Erden kommen arm"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 4: No. 39, Aria. "Flößt, mein Heiland"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 1: No. 8, Aria. "Großer Herr, o starker König"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 4: No. 40, Rezitativ und Arioso-Choral. "Wohlan, dein Name soll allein"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 1: No. 9, Choral. "Ach mein herzliebes Jesulein"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 4: No. 41, Aria. "Ich will nur dir zu Ehren leben"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 2: No. 10, Sinfonia
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 4: No. 42, Choral. "Jesus richte mein Beginnen"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 2: No. 11, Rezitativ. "Und es waren Hirten in derselben Gegend"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 5: No. 43, Chor. "Ehre sei dir, Gott, gesungen"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 2: No. 12, Choral. "Brich an, o schönes Morgenlicht"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 5: No. 44, Rezitativ. "Da Jesus geboren war zu Bethlehem"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 2: No. 13, Rezitativ. "Und der Engel sprach zu ihnen"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 5: No. 45, Chor und Rezitativ. "Wo ist der neugeborne König der Jüden"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 2: No. 14, Rezitativ. "Was Gott dem Abraham verheißen"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 5: No. 46, Choral. "Dein Glanz all Finsternis verzehrt"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 2: No. 15, Aria. "Frohe Hirten, eilt, ach eilet"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 5: No. 47, Aria. "Erleucht auch meine finstre Sinnen"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 2: No. 16, Rezitativ. "Und das habt zum Zeichen"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 5: No. 48, Rezitativ. "Da das der König Herodes hörte"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 2: No. 17, Choral. "Schaut hin, dort liegt im finstern Stall"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 5: No. 49, Rezitativ. "Warum wollt ihr erschrecken"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 2: No. 18, Rezitaitv. "So geht denn hin"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 2: No. 19, Aria. "Schlafe, mein Liebster"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 2: No. 20, Rezitativ. "Und alsobald war da bei dem Engel"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 2: No. 21, Chor. "Ehre sei Gott in der Höhe"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 2: No. 22, Rezitativ. "So recht, ihr Engel"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 2: No. 23, Choral. "Wir singen dir in deinem Heer"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 3: No. 24, Chor. "Herrscher des Himmels, erhöre das Lallen"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 3: No. 25, Rezitativ. "Und da die Engel von ihnen gen Himmel führen"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 3: No. 26, Chor. "Lasset uns nun gehen gen Bethlehem"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 3: No. 27, Rezitativ. "Er hat sein Volk getröst"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 3: No. 28, Choral. "Dies hat er alles uns getan"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 3: No. 29, Duett. "Herr, dein Mitleid, dein Erbarmen"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 3: No. 30, Rezitativ. "Und sie kamen eilend"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 3: No. 31, Aria. "Schließe, mein Herze, dies selige Wunder"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 3: No. 32, Rezitativ. "Ja, ja, mein Herz"
Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 3: No. 33, Choral. "Ich will dich mit Fleiß bewahren"
Schubert: Gebet, Op. Posth. 139 No. 1, D. 815: Du Urquell aller Güte
Schubert: Gebet, Op. Posth. 139 No. 1, D. 815: Du siehst in dies mein Herze
Schubert: Gebet, Op. Posth. 139 No. 1, D. 815: Bereit bin ich zu sterben
Schubert: Gebet, Op. Posth. 139 No. 1, D. 815: Kann es sich mild gestalten
Schubert: Gebet, Op. Posth. 139 No. 1, D. 815: Wohin du mich willst haben
Schubert: Psalm XXIII, Op. Posth. 132, D. 706 "Der Herr ist mein Hirt"
Schubert: Gott im Ungewitter, Op. Posth. 112 No. 1, D. 985: Du Schrecklicher, wer kann vor dir
Schubert: Gott im Ungewitter, Op. Posth. 112 No. 1, D. 985: Wer schützt mich Sterblichen, mich Staub
Schubert: Chor der Engel, D. 440 "Christ ist erstanden!"
Brahms: Es ist das Heil uns kommen her, Op. 29 No. 1: Chorale
Brahms: Es ist das Heil uns kommen her, Op. 29 No. 1: Fugue
Brahms: Schaffe in mir, Gott, ein reines Herz, Op. 29 No. 2: I. Schaffe in mir, Gott, ein reines Herz
Brahms: Schaffe in mir, Gott, ein reines Herz, Op. 29 No. 2: II. Verwirf mich nicht von deinem Angesicht
Brahms: Schaffe in mir, Gott, ein reines Herz, Op. 29 No. 2: III. Tröste mich wieder mit deiner Hilfe
Brahms: Warum ist das Licht gegeben dem Mühseligen, Op. 74 No. 1: I. Warum ist das Licht gegeben dem Mühseligen?
Brahms: Warum ist das Licht gegeben dem Mühseligen, Op. 74 No. 1: II. Lasset uns unser Herz
Brahms: Warum ist das Licht gegeben dem Mühseligen, Op. 74 No. 1: III. (a) Siehe, wir preisen selig
Brahms: Warum ist das Licht gegeben dem Mühseligen, Op. 74 No. 1: III. (b) Die Geduld Hiob habt ihr gehört
Brahms: Warum ist das Licht gegeben dem Mühseligen, Op. 74 No. 1: IV. Chorale. "Mit Fried und Freud ich fahr dahin"
Traditional: In dulci jubilo (Arr. Pearsall)
{"copyright_id":"0x3a43dfcbdce8ef265bde6e92eac3e1909a608c2fc53aa0da00d04bc03a9b985c","isrc":"GBAYD9700350","name":"Traditional: In dulci jubilo (Arr. Pearsall)","registered_at":"2026-06-09T16:21:48Z","spotify_id":"0ctFpoyjVokzT891reP7G6","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3a43dfcbdce8ef265bde6e92eac3e1909a608c2fc53aa0da00d04bc03a9b985c. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0ctFpoyjVokzT891reP7G6.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0ctFpoyjVokzT891reP7G6.
Britten: On This Island, Op. 11: IV. Nocturne. "Now Through Night's Caressing Grip"
Klassische Musik für den Sommer - Über das Meer
Klassik 100 Meisterwerke: Klassik die man gehört haben muss
{"copyright_id":"0x937ae65e28c2c6e7d0c63fd1aca646cfe849e4e77f4a9fbd39cf3dfbf8609e1a","isrc":"GBAYC8901081","name":"Te Deum - Eurovisionsmelodie","registered_at":"2026-06-23T00:02:20Z","spotify_id":"4WxnDVvGqBXwfFaxcdutBT","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x937ae65e28c2c6e7d0c63fd1aca646cfe849e4e77f4a9fbd39cf3dfbf8609e1a. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4WxnDVvGqBXwfFaxcdutBT.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4WxnDVvGqBXwfFaxcdutBT.
{"copyright_id":"0x7148963558593daa3d1477c0fefe24ef4b97f520753e2ae3ed5716c4ad310f06","isrc":"GBAYC8801650","name":"Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air","registered_at":"2026-06-27T15:00:58Z","spotify_id":"1r21rZAeT4dEZkmtIOwxGG","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7148963558593daa3d1477c0fefe24ef4b97f520753e2ae3ed5716c4ad310f06. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1r21rZAeT4dEZkmtIOwxGG.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1r21rZAeT4dEZkmtIOwxGG.
Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: 1. (Allegro)
Palestrina - Twilight of the Italian Renaissance
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
{"copyright_id":"0x7148963558593daa3d1477c0fefe24ef4b97f520753e2ae3ed5716c4ad310f06","isrc":"GBAYC8801650","name":"Orchestral Suite No. 3 in D Major, BWV 1068: II. Air","registered_at":"2026-06-27T15:00:58Z","spotify_id":"1mmjwS5sUuRHojchE0hx8O","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7148963558593daa3d1477c0fefe24ef4b97f520753e2ae3ed5716c4ad310f06. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1mmjwS5sUuRHojchE0hx8O.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1mmjwS5sUuRHojchE0hx8O.
Orchestral Suite No. 3 in D Major, BWV. 1068: II. Air
{"copyright_id":"0x7148963558593daa3d1477c0fefe24ef4b97f520753e2ae3ed5716c4ad310f06","isrc":"GBAYC8801650","name":"Orchestral Suite No. 3 in D Major, BWV. 1068: II. Air","registered_at":"2026-06-27T15:00:58Z","spotify_id":"6vi5iZ0lMewd7E9KUg4BIp","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7148963558593daa3d1477c0fefe24ef4b97f520753e2ae3ed5716c4ad310f06. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6vi5iZ0lMewd7E9KUg4BIp.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6vi5iZ0lMewd7E9KUg4BIp.
Baring-Gould / Arr. Pettman: Gabriel's Message (Basque Carol)
A Classical Coronation. Music for a Royal Celebration
{"copyright_id":"0xd419c8a21c12bae1e4742f9f80959aeb5ac57a7188157afafb676008e2e3e2cb","isrc":"GBAYD8800505","name":"Parry: I Was Glad","registered_at":"2026-06-26T18:29:29Z","spotify_id":"6zifozrOrU1K1RadkzY8yW","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd419c8a21c12bae1e4742f9f80959aeb5ac57a7188157afafb676008e2e3e2cb. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6zifozrOrU1K1RadkzY8yW.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6zifozrOrU1K1RadkzY8yW.
Traditional: Angels from the Realms of Glory (Arr. Ledger)
{"copyright_id":"0xf08c38c60bed9388bf64a100b51081793d1256a18b58783461b650f5aaa66ec8","isrc":"GBAYD9700347","name":"Traditional: Angels from the Realms of Glory (Arr. Ledger)","registered_at":"2026-06-08T12:40:29Z","spotify_id":"2FxpGASHolL5gxl1sspEyA","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf08c38c60bed9388bf64a100b51081793d1256a18b58783461b650f5aaa66ec8. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2FxpGASHolL5gxl1sspEyA.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2FxpGASHolL5gxl1sspEyA.
{"copyright_id":"0xeb77c66c4761c123168b64cfa64ffc9f5ec54f080f12239bb0012627a1a2b18c","isrc":"GBAYD9700348","name":"Ord: Adam Lay Ybounden","registered_at":"2026-06-24T14:36:17Z","spotify_id":"5Mk70fNBIvY4hTqZ95udoA","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xeb77c66c4761c123168b64cfa64ffc9f5ec54f080f12239bb0012627a1a2b18c. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5Mk70fNBIvY4hTqZ95udoA.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5Mk70fNBIvY4hTqZ95udoA.
Niles / Arr. Carter: "I wonder as I wander"
Traditional / Arr. Willcocks: The Cherry Tree Carol