1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe64a09fcd0936c09df0bae43e7126152de3ce6cb7598ebba48b6298097eee320. Chain 2 (Bitcoin): anchored in block 953408 (2026-06-12T19:28:13Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/737fda33-93df-4d84-95b2-8bd5b730775d.json and https://artists.proofprofile.net/proofs/artist/737fda33-93df-4d84-95b2-8bd5b730775d.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Der Kaufmann von Smyrna: Ouverture in F Major
Symphony No. 55 in C Major: I. Allegro maestoso
Symphony No. 55 in C Major: II. Andante non tanto
Symphony No. 55 in C Major: III. Presto ma non troppo
Violin Concerto in F Major: I. Allegro moderato
Violin Concerto in F Major: III. Rondeau
Sextet in B-Flat Major: I. Andante grazioso. Allegro
Günther von Schwarzburg: Sinfonia in E-Flat Major
Symphony in C Major, K. 102: I. Molto allegro (After Overture to Il re pastore, K. 208)
Symphony in C Major, K. 102: II. Andantino (After Aria "Intendo, amico" from Il re pastore, K. 208)
Symphony in C Major, K. 102: III. Presto assai
Schubert: Symphonies Nos. 5 & 7 "Unfinished"
Symphony No. 5 in B-Flat Major, D. 485: I. Allegro
Symphony No. 5 in B-Flat Major, D. 485: II. Andante con moto
Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto & Trio. Allegro molto
Symphony No. 5 in B-Flat Major, D. 485: IV. Allegro vivace
Symphony No. 7 in B Minor, D. 759 "Unfinished": I. Allegro moderato
Symphony No. 7 in B Minor, D. 759 "Unfinished": II. Andante con moto
Der Freischütz, Op. 77, Act 1: Nr. 1, Overtura
Der Freischütz, Op. 77, Act 2 Scene 4: Dialog (Samiels Stimme) & Nr. 10, "Milch des Mondes fiel auf's Kraut" (Chor)
Der Freischütz, Op. 77, Act 1 Scene 1: Aria "Allerbarmen! Herr dort oben!" (Der Eremit)
Der Freischütz, Op. 77, Act 2 Scene 5: Dialog (zwei Geister) & Melodram "Was für eine schreckliche Hitze!" (Kaspar)
Der Freischütz, Op. 77, Act 1 Scene 2: Dialog "Wo Agathe nur bleiben mag?" (Der Eremit, Agathe, Ännchen)
Der Freischütz, Op. 77, Act 2 Scene 7: Ha! Furchtbar gähnt der düst're Abgrund (Max)
Der Freischütz, Op. 77, Act 1 Scene 2: Duetto "Nimm hin des Freundes Gabe" (Der Eremit, Agathe)
Der Freischütz, Op. 77, Act 2 Scene 7 & 8: Dialog "Der Mond, der Mond verfinstert sich" (Max, Kaspar) & Melodram (Samiel)
Der Freischütz, Op. 77, Act 1 Scene 3: Chor "Viktoria! Viktoria!" (Chor der Landleute, Max)
Der Freischütz, Op. 77, Act 2 Scene 8: Ah! Zische, brause, koche auf (Samiel, Kaspar, Chor, Max)
Der Freischütz, Op. 77, Act 1 Scene 3: Lied "Schau' der Herr mich an als König!" (Kilian, Chor)
Der Freischütz, Op. 77, Act 3 Scene 1: Nr. 11, Entre-Akt
Der Freischütz, Op. 77, Act 1 Scene 4: Dialog "Was ist hier los?" (Kuno, Kilian, Max, Samiels Stimme, Kaspar)
Der Freischütz, Op. 77, Act 3 Scene 1: Dialog "Guten Morgen, Kamerad! Ausgeschlafen?" (Kaspar, Max)
Der Freischütz, Op. 77, Act 1 Scene 4: Romanze "Herr Ottokar jagte durch Heis und durch Wald" (Kuno) & Dialog
Der Freischütz, Op. 77, Act 3 Scene 2: Nr. 12, Cavatina "Und ob die Wolke" (Agathe)
Der Freischütz, Op. 77, Act 1 Scene 4 & 5: Nr. 2, Terzetto con Cori "Oh diese Sonne" (Max, Kuno, Kaspar, Chor) & Dialog
Der Freischütz, Op. 77, Act 3 Scene 3: Dialog "Na, du bist früher auf als ich!" (Agathe, Ännchen)
Der Freischütz, Op. 77, Act 1 Scene 5: Nr. 3, Scena ed Aria. Walzer
Der Freischütz, Op. 77, Act 3 Scene 3: Nr. 13, Romanza ed Aria "Einst traümte meiner sel'gen Base" (Ännchen)
Der Freischütz, Op. 77, Act 1 Scene 6: Rezitativ "Nein, länger trag' ich" & Aria "Durch die Wälder, durch die Auen" (Max, Samiels Stimme)
Der Freischütz, Op. 77, Act 3 Scene 3, 4 & 5: Dialog & Nr. 14, Volkslied "Wir winden dir den Jungfernkranz" (Agathe, Frauenchor) & Dialog
Der Freischütz, Op. 77, Act 1 Scene 7: Dialog & Nr. 4, Lied "Hier im ird'schen Jammertal" (Kaspar, Samiels Stimme, Max)
Der Freischütz, Op. 77, Act 3 Scene 5 & 6: Dialog "Mit einem lauten Schrei" (Samiels Stimme) & Dialog "Liebe Freunde" (Ottokar)
Der Freischütz, Op. 77, Act 1 Scene 7: Dialog "Agathe hat recht" (Max, Kaspar, Samiels Stimme)
Der Freischütz, Op. 77, Act 3 Scene 6: Nr. 15, Jägerchor "Was gleicht wohl auf Erden" (Chor der Jäger)
Der Freischütz, Op. 77, Act 1 Scene 7: Nr. 5, Aria "Schweig', schweig', damit dich niemand warnt!" (Kaspar)
Der Freischütz, Op. 77, Act 3 Scene 6 & 7: Dialog "Das war wirklich meisterhaft" (Ottokar, Kuno, Kaspar, Samiel, Max)
Der Freischütz, Op. 77, Act 2 Scene 1: Dialog & Nr. 6, Duetto "Schelm! Halt fest!" (Ännchen, Agathe)
Der Freischütz, Op. 77, Act 3 Scene 7: Nr. 16, Finale "Schaut, o schaut "(Chor, Ännchen, Agathe, Kaspar, Max, Samiels Stimme, Kuno, Ottokar)
Der Freischütz, Op. 77, Act 2 Scene 1: Nr. 7, Arietta "Kommt ein schlanker Bursch gegangen" (Ännchen) & Dialog
Der Freischütz, Op. 77, Act 3 Scene 7: Nur du kannst dieses Rätsel lösen (Ottokar, Max, Kuno, Agathe, Ännchen, Chor)
Der Freischütz, Op. 77, Act 2 Scene 2: Nr. 8, Scena ed Aria "Wie nahte mir der Schlummer" (Agathe)
Der Freischütz, Op. 77, Act 3 Scene 7: Wer legt auf ihn so strengen Bann? (Der Eremit, Ottokar, Chor, Max, Kuno, Ännchen)
Der Freischütz, Op. 77, Act 2 Scene 3: Dialog "Lieber Max, was ist los?" (Agathe, Max, Ännchen)
Der Freischütz, Op. 77, Act 3 Scene 7: Doch jetzt erhebt noch eure Blicke (Der Eremit, Chor, Alle)
Der Freischütz, Op. 77, Act 2 Scene 3: Nr. 9, Terzetto "Wie? Was? Entsetzen!" (Agathe, Ännchen, Max)
Il dissoluto punito ossia il Don Giovanni, K. 527, Act I, Scene 5, No. 4: Madamina, il catalogo è questo
Il dissoluto punito ossia il Don Giovanni, K. 527, Act II, Scene 3, No. 16: Deh vieni alla finestra
Il dissoluto punito ossia il Don Giovanni, K. 527, Act I, Scene 15, No. 11: Fin ch'han dal vino
Symphony No. 36 in C Major, K. 425 "Linz Symphony": IV. Presto
Le nozze di Figaro, K. 492, Act I, Scene 2, No. 3: Bravo, signor padrone!... Se vuol ballare, signor Contino
Il dissoluto punito ossia il Don Giovanni, K. 527, Act II, Scene 4, No. 17: Metà di voi qua vadano
Così fan tutte, ossia La scuola degli amanti, K. 588, Act I, Scene 11, No. 15: Non siate ritrosi
Il dissoluto punito ossia il Don Giovanni, K. 527, Act II, Scene 9, No. 20: A pietà, signori miei
Symphony No. 36 in C Major, K. 425 "Linz Symphony": II. Andante con moto
Die Zauberflöte, KV. 620, Act I, No. 2: Der Vogelfänger bin ich ja
Die Zauberflöte, KV. 620, Act II, No. 20: Ein Mädchen oder Weibchen wünscht Papageno sich
Die Zauberflöte, KV. 620, Act II, No. 21: Papagena! Papagena! Papagena!
Symphony No. 36 in C Major, K. 425 "Linz Symphony": III. Menuetto
Le nozze di Figaro, K. 492, Act IV, Scene 8, No. 27: Tutto è disposito... Aprite un po' quegli occhi
Le nozze di Figaro, K. 492, Act I, Scene 8, No. 10: Non più andrai, farfallone amoroso
Le nozze di Figaro, K. 492, Act III, Scene 4, No. 18: Hai già vinta la causa!
Così fan tutte, ossia La scuola degli amanti, K. 588, Act II, Scene 8, No. 26: Donne mie, la fate a tanti
Symphony No. 36 in C Major, K. 425 "Linz Symphony": I. Adagio - Allegro spiritoso
Così fan tutte, ossia La scuola degli amanti, K. 588, Act I, Scene 11, No. 15: Rivolgete a lui lo sguardo
Lobet Gott in seinen Reichen, BWV 11, Pt. 1: I. Chorus "Lobet Gott in seinen Reichen"
Lobet Gott in seinen Reichen, BWV 11, Pt. 1: II. Recitative "Der Herr Jesus hub seine Hände auf"
Lobet Gott in seinen Reichen, BWV 11, Pt. 1: III. Recitative "Ach, Jesu, ist dein Abschied schon so nah?"
Lobet Gott in seinen Reichen, BWV 11, Pt. 1: IV. Aria "Ach, bleibe doch, mein liebstes Leben"
Lobet Gott in seinen Reichen, BWV 11, Pt. 1: V. Recitative "Und ward aufgehoben zusehends"
Lobet Gott in seinen Reichen, BWV 11, Pt. 1: VI. Chorale "Nun lieget alles unter dir"
Lobet Gott in seinen Reichen, BWV 11, Pt. 2: I. Recitative “Und da sie ihm nachsahen gen Himmel fahren”
Lobet Gott in seinen Reichen, BWV 11, Pt. 2: II. Aria "Jesu, deine Gnadenblicke"
Lobet Gott in seinen Reichen, BWV 11, Pt. 2: III. Chorale "Wenn soll es doch geschehen"
Ich fahre auf zu meinem Vater, TWV 1:825: I. Chorus "Ich fahre auf zu meinem Vater"
Ich fahre auf zu meinem Vater, TWV 1:825: II. Recitative "Was sollt ich dieses nicht im Glauben hoffen"
Ich fahre auf zu meinem Vater, TWV 1:825: III. Aria "Ich kann getrost im Tode sein"
Ich fahre auf zu meinem Vater, TWV 1:825: IV. Recitative "Denn eben darum setzte sich mein Jesu"
Ich fahre auf zu meinem Vater, TWV 1:825: V. Aria "Mein Schifflein treibet auf den Wellen"
Ich fahre auf zu meinem Vater, TWV 1:825: VI. Recitative "Ja doch getrost, mein Herz!"
Ich fahre auf zu meinem Vater, TWV 1:825: VII. Aria "Ich will alle Stunden zählen"
Ich fahre auf zu meinem Vater, TWV 1:825: VIII. Choral "Amen, komm du schöne Freudenkrone"
Auf Christi Himmelfahrt allein, BWV 128: I. Chorus "Auf Christi Himmelfahrt allein"
Auf Christi Himmelfahrt allein, BWV 128: II. Recitative "Ich bin bereit, komm, hole mich!"
Auf Christi Himmelfahrt allein, BWV 128: III. Aria & Recitative "Auf, auf, mit hellem Schall"
Auf Christi Himmelfahrt allein, BWV 128: IV. Duetto "Sein Allmacht zu ergründen"
Auf Christi Himmelfahrt allein, BWV 128: V. Chorus "Alsdenn so wirst du mich"
Piano Concerto No. 6 in B-Flat Major, K. 238: I. Allegro aperto
Piano Concerto No. 6 in B-Flat Major, K. 238: II. Andante un poco adagio
Piano Concerto No. 6 in B-Flat Major, K. 238: III. Rondeau. Allegro
Piano Concerto No. 25 in C Major, K. 503: I. Allegro maestoso
Piano Concerto No. 25 in C Major, K. 503: II. Andante
Piano Concerto No. 25 in C Major, K. 503: III. Allegretto
Die Geschöpfe des Prometheus, Op. 43, Act I: Overture - Adagio (Arr. for Baroque ensemble by C. Teichner)
Die Geschichte, die ich euch heute erzähle
Die Geschöpfe des Prometheus, Op. 43, Act II, No. 7: Grave (Arr. for Baroque ensemble by C. Teichner)
Die Geschöpfe des Prometheus, Op. 43, Act II, No. 13: Allegro (Arr. for Baroque ensemble by C. Teichner)
Die Geschöpfe des Prometheus, Op. 43, Act II, No. 13: Comodo (Arr. for Baroque ensemble by C. Teichner)
Die Geschöpfe des Prometheus, Op. 43, Act I: Overture - Allegro molto e con brio (Arr. for Baroque ensemble by C. Teichner)
Zur selben Zeit blickte Zeus vom Olymp herab
Die Geschöpfe des Prometheus, Op. 43, Act I: Introduction. Allegro non troppo (Arr. for Baroque ensemble by C. Teichner)
Die Geschöpfe des Prometheus, Op. 43, Act I, No. 1: Poco Adagio - Allegro con brio (Arr. for Baroque ensemble by C. Teichner)
Doch leider hielt Prometheus Freude über sein Werk nicht lange an
Athene, ich habe heimlich ein Werk vollbracht
Die Geschöpfe des Prometheus, Op. 43, Act II, No. 14: Adagio (Arr. for Baroque ensemble by C. Teichner)
Die Geschöpfe des Prometheus, Op. 43, Act I, No. 11: Andante (Arr. for Baroque ensemble by C. Teichner)
Die Geschöpfe des Prometheus, Op. 43, Act II, No. 5: Adagio - Andante quasi Allegretto (Arr. for Baroque ensemble by C. Teichner)
Die Geschöpfe des Prometheus, Op. 43, Act II, No. 4: Andante (Arr. for Baroque ensemble by C. Teichner)
Die Geschöpfe des Prometheus, Op. 43, Act II, No. 10: Pastorale. Allegro (Arr. for Baroque ensemble by C. Teichner)
Die Geschöpfe des Prometheus, Op. 43, Act II, No. 15: Adagio (Arr. for Baroque ensemble by C. Teichner)
Die Geschöpfe des Prometheus, Op. 43, Act II, No. 16: Finale. Allegretto (Arr. for Baroque ensemble by C. Teichner)
Athena, I have secretly created something
Violin Concerto No. 3 in G Major, K. 216: I. Allegro
Violin Concerto No. 3 in G Major, K. 216: II. Adagio
Violin Concerto No. 3 in G Major, K. 216: III. Rondeau. Allegro
Violin Concerto No. 4 in D Major, K. 218: I. Allegro
Violin Concerto No. 4 in D Major, K. 218: II. Andante cantabile
Violin Concerto No. 4 in D Major, K. 218: III. Rondeau. Andante grazioso
Violin Concerto No. 5 in A Major, K. 219: I. Allegro aperto
Violin Concerto No. 5 in A Major, K. 219: II. Adagio
Violin Concerto No. 5 in A Major, K. 219: III. Rondeau. Tempo di Menuetto
Piano Concerto No. 9 in E-Flat Major, K. 271 "Jeunehomme": I. Allegro
Piano Concerto No. 9 in E-Flat Major, K. 271 "Jeunehomme": II. Andantino
Piano Concerto No. 9 in E-Flat Major, K. 271 "Jeunehomme": III. Rondeau. Presto
Piano Concerto No. 18 In B-Flat Major, K. 456: I. Allegro vivace
Piano Concerto No. 18 In B-Flat Major, K. 456: II. Andante un poco sostenuto
Piano Concerto No. 18 In B-Flat Major, K. 456: III. Allegro vivace
Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio
Piano Concerto No. 3 in C Minor, Op. 37: II. Largo
Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro
Piano Concerto No. 1 in C Major, Op. 15: I. Allegro con brio
Piano Concerto No. 1 in C Major, Op. 15: II. Largo
Piano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro scherzando
Telemann, Platti, Vivaldi & Geminiani: Concerti all'arrabbiata
Sinfonia in D Major for 2 Horns, Strings and Continuo, TWV 52:D2: Sinfonia in D Major for 2 Horns, Strings and Continuo, TWV 52:D2: I. Spirituoso ma non presto
Sinfonia in D Major for 2 Horns, Strings and Continuo, TWV 52:D2: Sinfonia in D Major for 2 Horns, Strings and Continuo, TWV 52:D2: II. Adagio
Sinfonia in D Major for 2 Horns, Strings and Continuo, TWV 52:D2: Sinfonia in D Major for 2 Horns, Strings and Continuo, TWV 52:D2: III. Allegro
Sinfonia in D Major for 2 Horns, Strings and Continuo, TWV 52:D2: Sinfonia in D Major for 2 Horns, Strings and Continuo, TWV 52:D2: IV. Largo
Sinfonia in D Major for 2 Horns, Strings and Continuo, TWV 52:D2: Sinfonia in D Major for 2 Horns, Strings and Continuo, TWV 52:D2: V. Allegro assai
Concerto in G Minor for Oboe, Strings and Continuo, I 47: I. Allegro
Concerto in G Minor for Oboe, Strings and Continuo, I 47: II. Largo
Concerto in G Minor for Oboe, Strings and Continuo, I 47: III. Allegro
Concerto in E-Flat Major for Bassoon, Strings and Continuo, RV 483: I. Presto
Concerto in E-Flat Major for Bassoon, Strings and Continuo, RV 483: II. Larghetto
Concerto in E-Flat Major for Bassoon, Strings and Continuo, RV 483: III. Allegro
Concerto Grosso in D Minor for 2 Violins, Cello, Strings and Continuo, "La Follia" (after Arcangelo Corelli's Sonata No. 12, Op. 5)
Sinfonia in G Major for Piccolo, Chalumeau, Double-Bass, Strings and Continuo, TWV 50:1 "Grillen-Symphonie": Sinfonia in G Major for Piccolo, Chalumeau, Double-Bass, Strings and Continuo "Gri
Sinfonia in G Major for Piccolo, Chalumeau, Double-Bass, Strings and Continuo, TWV 50:1 "Grillen-Symphonie": Sinfonia in G Major for Piccolo, Chalumeau, Double-Bass, Strings and Continuo, TWV
Beethoven: Triple Concerto, Op. 56 & Trio, Op. 36
Triple Concerto in C Major, Op. 56: I. Allegro
Triple Concerto in C Major, Op. 56: II. Largo
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1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc8de61c550bc9ba7c8bba2f879edf655b4280801f1ec6acc54f40b0fa790f14d. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6xFMiH0sL0OMAbkTkuhOFl.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6xFMiH0sL0OMAbkTkuhOFl.
Triple Concerto in C Major, Op. 56: III. Rondo alla Polacca
Trio for piano, violin and cello after the Symphony No. 2 in D Major, Op. 36: I. Adagio. Allegro con brio
Trio for piano, violin and cello after the Symphony No. 2 in D Major, Op. 36: II. Larghetto quasi andante
Trio for piano, violin and cello after the Symphony No. 2 in D Major, Op. 36: III. Scherzo. Trio
Trio for piano, violin and cello after the Symphony No. 2 in D Major, Op. 36: IV. Allegro molto
Beethoven: Symphony No. 7 - The Creatures of Prometheus
Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace
The Creatures Of Prometheus, Op. 43: Overture. Adagio - Allegro molto e con brio
Symphony No. 7 in A Major, Op. 92: II. Allegretto
The Creatures Of Prometheus, Op. 43: Introduction "La Tempesta". Allegro non troppo
Symphony No. 7 in A Major, Op. 92: III. Presto - Assai meno presto
The Creatures Of Prometheus, Op. 43: 1. Poco adagio - Allegro con brio
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio
The Creatures Of Prometheus, Op. 43: 2. Adagio - Allegro con brio
The Creatures Of Prometheus, Op. 43: 3. Allegro vivace
The Creatures Of Prometheus, Op. 43: 4. Maestoso - Andante
The Creatures Of Prometheus, Op. 43: 5. Adagio - Andante quasi allegretto
The Creatures Of Prometheus, Op. 43: 6. Un poco adagio - Allegretto
The Creatures Of Prometheus, Op. 43: 7. Grave
The Creatures Of Prometheus, Op. 43: 8. Marcia. Allegro con brio - Presto
The Creatures Of Prometheus, Op. 43: 9. Adagio - Allegro molto
The Creatures Of Prometheus, Op. 43: 10. Pastorale. Allegro
The Creatures Of Prometheus, Op. 43: 11. Coro di Gioja. Andante
The Creatures Of Prometheus, Op. 43: 12. Solo di Gioja. Maestoso - Adagio - Allegro
The Creatures Of Prometheus, Op. 43: 13. Terzettino - Grotteschi. Allegro - Comodo
The Creatures Of Prometheus, Op. 43: 14. Solo della Signora Cassentini. Andante - Adagio - Allegro - Allegretto
The Creatures Of Prometheus, Op. 43: 15. Coro e Solo di Viganò. Andantino - Adagio - Allegro
The Creatures Of Prometheus, Op. 43: 16. Finale. Allegretto - Allegro molto - Presto
Missa solemnis, Op. 123: Kyrie "Kyrie eleison" - "Christie eleison" - "Kyrie eleison"
Missa solemnis, Op. 123: Gloria "Gloria in excelsis Deo"
Missa solemnis, Op. 123: Gloria "Gratias agimus tibi propter magnam gloriam tuam"
Missa solemnis, Op. 123: Gloria "Qui tollis peccata mundi"
Missa solemnis, Op. 123: Gloria "Qui sedes ad dexteram Patris"
Missa solemnis, Op. 123: Gloria "Quoniam tu solus Sanctus"
Missa solemnis, Op. 123: Credo "Credo in umum Deum"
Missa solemnis, Op. 123: Credo "Et incarnatus est de Spiritu Sancto"
Missa solemnis, Op. 123: Credo "Et resurrexit tertia die"
Missa solemnis, Op. 123: Credo "Et vitam venturi sæculi"
Missa solemnis, Op. 123: Sanctus "Sanctus Dominus Deus Sabaoth" - "Hosanna in excelsis"
Missa solemnis, Op. 123: Sanctus. Präludium
Missa solemnis, Op. 123: Benedictus "Benedictus qui venit in nomine Domini" - "Hosanna in excelsis"
Missa solemnis, Op. 123: Agnus Dei "Agnus Dei qui tollis peccata mundi"
Missa solemnis, Op. 123: Agnus Dei "Dona nobis pacem"
Mein Herze schwimmt im Blut, BWV 199: I. Recitativo "Mein Herze schwimmt im Blut"
Mein Herze schwimmt im Blut, BWV 199: II. Aria e Recitativo "Stumme Seufzer, stille Klagen"
Mein Herze schwimmt im Blut, BWV 199: III. Recitativo "Doch Gott muß mir genädig sein"
Mein Herze schwimmt im Blut, BWV 199: IV. Aria "Tief gebückt und voller Reue"
Mein Herze schwimmt im Blut, BWV 199: V. Recitativo "Auf diese Schmerzens-Reu"
Mein Herze schwimmt im Blut, BWV 199: VI. Choral "Ich, Dein betrübtes Kind"
Mein Herze schwimmt im Blut, BWV 199: VII. Recitativo "Ich lege mich in diese Wunden"
Mein Herze schwimmt im Blut, BWV 199: VIII. Aria "Wie freudig ist mein Herz"
Piano Concerto No. 4 in G Major, Op. 58: I. Allegro moderato
Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto
Piano Concerto No. 4 in G Major, Op. 58: III. Rondo. Vivace
The Creatures Of Prometheus, Op. 43: Overture
Beethoven: Symphony No. 9 & Choral Fantasy
Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso
Fantasia in C Minor, Op. 80 "Choral Fantasy": I. Adagio
Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace
Fantasia in C Minor, Op. 80 "Choral Fantasy": II. Finale. Allegro
Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile
Fantasia in C Minor, Op. 80 "Choral Fantasy": III. Adagio, ma non troppo
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale. Presto
Fantasia in C Minor, Op. 80 "Choral Fantasy": IV. Allegro
Symphony in E-Flat Major, K. 16: I. Molto allegro
Symphony in E-Flat Major, K. 16: II. Andante
Symphony in E-Flat Major, K. 16: III. Presto
Symphony in F Major, K. Anh. 223/19a: I. Allegro assai
Symphony in F Major, K. Anh. 223/19a: II. Andante
Symphony in F Major, K. Anh. 223/19a: III. Presto
Symphony in B-Flat Major, K. 22: I. Allegro
Symphony in B-Flat Major, K. 22: II. Andante
Symphony in B-Flat Major, K. 22: III. Allegro molto
Symphony in G Major, K. Anh. 221/45a: I. Allegro maestoso
Symphony in G Major, K. Anh. 221/45a: II. Andante
Symphony in G Major, K. Anh. 221/45a: III. Molto allegro
Leonore, Op. 72a, Zweiter Aufzug, Dritter Auftritt: Nr. 12. Finale „O, welche Lust, in freier Luft" (Gefangene) (1805 version)
Leonore, Op. 72a, Erster Aufzug, Erster Auftritt: Dial. 1 „Ich liebe dich, so wie du mich" (Marzelline, Jaquino) (1805 version)
Leonore, Op. 72a, Zweiter Aufzug, Dritter Auftritt: „Nun sprecht, wie ging's?" (Leonore, Rocco) (1805 version)
Leonore, Op. 72a, Erster Aufzug, Erster Auftritt: Nr. 1. Arie „O wär' ich schon mit dir vereint" (Marzelline) (1805 version)
Leonore, Op. 72a, Zweiter Aufzug, Dritter Auftritt: „Ach, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro, Chor der Wachen) (1805 version)
Leonore, Op. 72a, Erster Aufzug, Erster Auftritt: Dial. 2 „Ich komme zu gar nichts mehr!" (Marzelline, Rocco, Jaquino) (1805 version)
Leonore, Op. 72a, Dritter Aufzug, Erster Auftritt: Nr. 13. Introduction und Arie „Gott! Welch Dunkel hier!" (Florestan) (1805 version)
Leonore, Op. 72a, Erster Aufzug, Erster Auftritt: Nr. 2. Duett „Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) (1805 version)
Leonore, Op. 72a, Dritter Aufzug, Zweiter Auftritt: Nr. 14. Melodram und Duett „Eiskalt ist es hier!" (Leonore, Rocco) (1805 version)
Leonore, Op. 72a, Erster Aufzug, Erster Auftritt - Zweiter Auftritt: Dial. 3 „Nein, nein und nochmals nein" (Marzelline, Jaquino) - „Schon wieder Krach, ihr Beiden?" (Rocco, Marzelline, Jaqui
Leonore, Op. 72a, Dritter Aufzug, Zweiter Auftritt: Dial. 15 „Er macht die Augen auf!" (Leonore, Rocco, Florestan) (1805 version)
Leonore, Op. 72a, Erster Aufzug, Zweiter Auftritt: Nr. 3. Terzett „Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline) (1805 version)
Leonore, Op. 72a, Dritter Aufzug, Zweiter Auftritt: Nr. 15. Terzett „Euch were Lohn in bessern Welten" (Florestan, Rocco, Leonore) (1805 version)
Leonore, Op. 72a, Erster Aufzug, Zweiter Auftritt - Dritter Auftritt: Dial. 4 „Ist Fidelio noch immer nicht zurück, Marzelline?" (Rocco, Jaquino, Marzelline) - „Das hat ewig gedauert" (Marzel
Leonore, Op. 72a, Dritter Aufzug, Zweiter Auftritt - Dritter Auftritt: Dial. 16 „Alles ist bereit" (Rocco, Leonore, Florestan) - „Ist alles bereit?" (Pizarro, Rocco) (1805 version)
Leonore, Op. 72a, Erster Aufzug, Dritter Auftritt: Nr. 4. Quartett „Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (1805 version)
Leonore, Op. 72a, Dritter Aufzug, Dritter Auftritt - Vierter Auftritt: Nr. 16. Quartett „Er sterbe!" (Pizarro...) - Dial. 17 „Folge mir Rocco!" (Pizarro...) - „Die Waffe hab' ich mir nehmen l
Leonore, Op. 72a, Erster Aufzug, Dritter Auftritt: Dial. 5 „Es ist klar, sie liebt mich" (Leonore, Rocco, Marzelline) (1805 version)
Leonore, Op. 72a, Dritter Aufzug, Vierter Auftritt: Nr. 17. Recitativ und Duett „Ich kann mich noch nicht fassen" (Florestan, Leonore) (1805 version)
Leonore, Op. 72a, Erster Aufzug, Dritter Auftritt: Nr. 5. Arie „Hat man nicht auch Gold beineben" (Rocco) (1805 version)
Leonore, Op. 72a, Dritter Aufzug, Vierter Auftritt: Dial. 18. „Durch welches Wunder gelang es dir" (Florestan, Leonore) (1805 version)
Leonore, Op. 72a, Erster Aufzug, Dritter Auftritt: Dial. 6 „Es ist ein mächtig Ding: Das Gold!" (Marzelline, Leonore, Rocco) (1805 version)
Leonore, Op. 72a, Dritter Aufzug, Vierter Auftritt - Letzter Auftritt: Nr. 18. Finale „Zur Rache, wir müssen ihn seh'n!" (Chor) - „Zur Rache, zur Rache!" (Chor, Rocco, Florestan, Leonore, Fer
Leonore, Op. 72a, Erster Aufzug, Dritter Auftritt: Nr. 6. Terzett „Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (1805 version)
Leonore, Op. 72a, Zweiter Aufzug: Tarpeja, WoO 2b. Alla marcha, ma non troppo presto
Leonore, Op. 72a, Zweiter Aufzug, Erster Auftritt: Dial. 8 „Hauptmann, ich will drei Schildwachen auf dem Wall" (Pizarro, Hauptmann, Rocco) (1805 version)
Leonore, Op. 72a, Zweiter Aufzug, Erster Auftritt: Nr. 8. Arie mit Chor „Ha! Welch ein Augenblick!" (Pizarro, Die Wachen) (1805 version)
Leonore, Op. 72a, Zweiter Aufzug, Erster Auftritt: Dial. 9 „Hauptmann, kommen Sie!" (Pizarro, Hauptmann, Rocco) (1805 version)
Leonore, Op. 72a, Zweiter Aufzug, Erster Auftritt: Nr. 9. Duett „Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) (1805 version)
Leonore, Op. 72a, Zweiter Aufzug, Zweiter Auftritt: Dial. 10 „Ich bin zu feige, ihr die Wahrheit zu sagen" (Leonore, Marzelline) (1805 version)
Leonore, Op. 72a, Zweiter Aufzug, Zweiter Auftritt: Nr. 10. Duett „Um in der Ehe froh zu lebe" (Marzelline, Leonore) (1805 version)
Leonore, Op. 72a, Zweiter Aufzug, Zweiter Auftritt - Dritter Auftritt: Dial. 11 „Komm Fidelio, wir gehen spazieren" (Marzelline, Leonore) - „Wie grausam, dieses liebenswürdige Mädchen" (Leono
Leonore, Op. 72a, Zweiter Aufzug, Dritter Auftritt: Nr. 11. Rezitativ und Arie „Ach, brich noch nicht, du mattes Herz!" (Leonore) (1805 version)
Mendelssohn: Piano Concerto No. 2 & Symphony No. 1
Symphony No. 1 in C Minor, Op. 11: I. Allegro di molto
Symphony No. 1 in C Minor, Op. 11: II. Andante
Symphony No. 1 in C Minor, Op. 11: III. Menuetto. Allegro molto - Trio
Symphony No. 1 in C Minor, Op. 11: IV. Allegro con fuoco - Più stretto
Piano Concerto No. 2 in D Minor, Op. 40: I. Allegro appassionato
Piano Concerto No. 2 in D Minor, Op. 40: II. Adagio. Molto sostenuto
Piano Concerto No. 2 in D Minor, Op. 40: III. Finale. Presto scherzando
Overture zum Märchen von der schönen Melusine in F Major, Op. 32: Allegro con moto
Corelli: Concerti Grossi Op. 6 Nos. 1-5 & 7; Sinfonia to Santa Beatrice d'Este
Sinfonia to Santa Beatrice d'Este in D Minor, WoO 1: I. Grave
Sinfonia to Santa Beatrice d'Este in D Minor, WoO 1: II. Allegro
Sinfonia to Santa Beatrice d'Este in D Minor, WoO 1: III. Adagio assai
Sinfonia to Santa Beatrice d'Este in D Minor, WoO 1: IV. Largo assai
Sinfonia to Santa Beatrice d'Este in D Minor, WoO 1: V. Vivace
Concerto grosso No. 1 in D Major, Op.6: I. Largo - Allegro
Concerto grosso No. 1 in D Major, Op.6: II. Largo
Concerto grosso No. 1 in D Major, Op.6: III. Allegro - Largo - Allegro
Concerto grosso No. 1 in D Major, Op.6: IV. Allegro
Concerto grosso No. 2 in F Major, Op. 6: I. Vivace - Allegro - Adagio - Vivace - Allegro - Largo - Andante
Concerto grosso No. 2 in F Major, Op. 6: II. Allegro
Concerto grosso No. 2 in F Major, Op. 6: III. Grave - Andante largo
Concerto grosso No. 2 in F Major, Op. 6: IV. Allegro
Concerto grosso No. 3 in C Minor, Op. 6: I. Largo
Concerto grosso No. 3 in C Minor, Op. 6: II. Allegro - Adagio
Concerto grosso No. 3 in C Minor, Op. 6: III. Grave
Concerto grosso No. 3 in C Minor, Op. 6: IV. Vivace
Concerto grosso No. 3 in C Minor, Op. 6: V. Allegro
Concerto grosso No. 4 in D Major, Op. 6: I. Adagio - Allegro
Concerto grosso No. 4 in D Major, Op. 6: II. Adagio
Concerto grosso No. 4 in D Major, Op. 6: III. Vivace
Concerto grosso No. 4 in D Major, Op. 6: IV. Allegro
Concerto grosso No. 5 in B-Flat Major, Op. 6: I.Adagio - Allegro
Concerto grosso No. 5 in B-Flat Major, Op. 6: II. Adagio
Concerto grosso No. 5 in B-Flat Major, Op. 6: III. Allegro - Adagio
Concerto grosso No. 5 in B-Flat Major, Op. 6: IV. Largo - Allegro
Concerto grosso No. 7 in D Major, Op. 6: I. Vivace - Allegro - Adagio - Vivace - Allegro
Concerto grosso No. 7 in D Major, Op. 6: II. Andante - Largo
Concerto grosso No. 7 in D Major, Op. 6: III. Allegro
Concerto grosso No. 7 in D Major, Op. 6: IV. Vivace
Telemann: Seliges Erwägen - Passion-Oratorium
Seliges Erwägen - Passions-Oratorium, TWV 5:2: 1. Sinfonia
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Fifth meditation: 28. Accompagnato "Ach, ach! Was hab' ich doch getan?" (Petrus)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, First meditation: 2. Choral "Schmücke dich, o liebe Seele"
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Fifth meditation: 29. Aria "Mir ist die ganze Welt zu enge" (Petrus)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, First meditation: 3. Aria "Gute Nacht, ihr meine Lieben!" (Jesus)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Fifth meditation: 30. Accompagnato ed Arioso "Ach, könnt' ich doch in Tränen-Salz zerfließen" (Petrus)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, First meditation: 4. Recitativo ed Arioso "Doch, dass ihr möget mein gedenken" (Jesus)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Fifth meditation: 31. Aria "Tränen, die der Glaube zeuget" (Der Glaube )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, First meditation: 5. Aria "Sollt ich deiner wohl vergessen?" (Die Andacht )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Fifth meditation: 32. Choral "Straf' mich nicht in deinem Zorn"
Seliges Erwägen - Passions-Oratorium, TWV 5:2, First meditation: 6. Recitativo ed Arioso "Ich will euch noch darneben" (Jesus)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Sixth meditation: 33. Recitativo ed Arioso "So rufet ihr vermaledeite Sünder" (Die Andacht )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, First meditation: 7. Choral "Dein Blut, der edle Saft"
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Sixth meditation: 34. Aria "Droht der Satan meiner Seelen" (Die Andacht )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, First meditation: 8. Recitativo "Gott Lob! Es ist das Alte nun vergangen" (Die Andacht )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Sixth meditation: 35. Recitativo ed Arioso "Wen seh ich dort an jenem Stock gebunden" (Die Andacht )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, First meditation: 9. Aria "Sollt ich deiner nicht gedenken?" (Die Andacht )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Sixth meditation: 36. Aria "Ich treff' auf deinem blut'gen Rücken" (Die Andacht )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Second meditation: 10. Recitativo "Nun werd ich bald erfahren in der Tat" (Jesus, Petrus)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Sixth meditation: 37. Choral "Haupt voll Blut und Wunden"
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Second meditation: 11. Aria "Foltern, Pech-vermischte Flammen" (Petrus)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Seventh meditation: 38. Recitativo "Nun schließ' ich bald den münden Lebens-Lauf" (Jesus)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Second meditation: 12. Recitativo "Es wird der Hahn in dieser Nacht krähen" (Jesus)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Seventh meditation: 39. Aria "Ich will kämpfen" (Jesus)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Second meditation: Seliges Erwägen - Passions-Oratorium, TWV 5:2, Second meditation: 13. Aria "Foltern, Pech-vermischte Flammen" (Petrus)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Seventh meditation: 40. Recitativo "So wirst du, Lebens-Baum" (Die Andacht)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Second meditation: 14. Recitativo "Ach, Petre! Miss dir nicht zu viel" (Die Andacht )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Seventh meditation: 41. Aria "Jesus wird ans Holz geschlagen" (Die Andacht )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Second meditation: 15. Aria "Denke nach, du arme Erde" (Die Andacht )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Eighth meditation: 42. Choral "Jesu, unter deinem Kreutz"
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Second meditation: 16. Choral "Gott, groß über alle Götter"
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Eighth meditation: 43. Arioso "Es ist vollbracht!" (Jesus)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Third meditation: 17. Arioso ed Recitativo: Vater! Vater!" (Jesus)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Eighth meditation: 44. Choral "O große Not"
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Third meditation: 18. Accompagnato "O Anblick, welcher mir das Herze nimmt!" (Die Andacht )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Eighth meditation: 45. Recitativo "Ihr Gottes-Mörder" (Zion)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Third meditation: 19. Aria "Ihr blut'gen Schweiß-Rubinen" (Die Andacht )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Eighth meditation: 46. Aria "Erstaunet, ihr Kreise" (Zion)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Third meditation: 20. Choral "Tritt her, und schau mit Fleiße"
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Eighth meditation: 47. Choral "Nun gibt mein Jesus gute Nacht"
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Fourth meditation: 21. Aria "Recht und Gerechtigkeit zu hegen" (Caiphas)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Ninth meditation: 48. Aria "Jesus spannt die Gnaden-Flügel" (Die Andacht )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Fourth meditation: 22. Recitativo "Gefangener, was hören wir?" (Caiphas)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Ninth meditation: 49. Recitativo ed Arioso "Nun endlich hat mein Jesus überwunden" (Die Andacht )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Fourth meditation: 23. Aria "Wenn die Gerichts-Posaune schallt" (Jesus)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Ninth meditation: 50. Choral "Erscheine mir zum Schilde" (Die Andacht )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Fourth meditation: 24. Recitativo "Wie? Dass doch Gott" (Die Andacht, Caiphas)
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Fourth meditation: 25. Aria "Menschen-Hände, Menschen-Lippen" (Die Andacht )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Fourth meditation: 26. Recitativo "Doch, denke nach, o Seele" (Die Andacht )
Seliges Erwägen - Passions-Oratorium, TWV 5:2, Fourth meditation: 27. Choral "Du edles Angesichte"
Concerto in F Major, HWV 334: I. Ouverture
Concerto in F Major, HWV 334: II. Allegro
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Concerto in F Major, HWV 334: III. Allegro ma non troppo
Concerto in F Major, HWV 334: IV. Adagio
Concerto in F Major, HWV 334: V. Andante larghetto
Concerto in F Major, HWV 334: VI. Allegro
Concerto in B-Flat Major, HWV 332: I. Ouverture
Concerto in B-Flat Major, HWV 332: II. Allegro ma non troppo
Concerto in B-Flat Major, HWV 332: III. Allegro
Concerto in B-Flat Major, HWV 332: IV. Largo
Concerto in B-Flat Major, HWV 332: V. A tempo ordinario
Concerto in B-Flat Major, HWV 332: VI. Alle breve moderato
Concerto in B-Flat Major, HWV 332: VII. Minuet
Concerto in F Major, HWV 333: I. Pomposo
Concerto in F Major, HWV 333: II. Allegro
Concerto in F Major, HWV 333: III. A tempo giusto
Concerto in F Major, HWV 333: V. Allegro ma non troppo
Concerto in F Major, HWV 333: VI. A tempo ordinario
Mozart: Requiem, K. 626 (Süssmayr - Dutron 2016 Completion)
Requiem in D Minor, K. 626 (Ed. Süssmayr & Dutron): I. Introitus: Requiem
Requiem in D Minor, K. 626 (Ed. Süssmayr & Dutron): II. Kyrie
Requiem in D Minor, K. 626 (Ed. Süssmayr & Dutron): III. Sequenz: No. 1: Dies irae
Requiem in D Minor, K. 626 (Ed. Süssmayr & Dutron): III. Sequenz: No. 2: Tuba mirum
Requiem in D Minor, K. 626 (Ed. Süssmayr & Dutron): III. Sequenz: No. 3: Rex tremendae
Requiem in D Minor, K. 626 (Ed. Süssmayr & Dutron): III. Sequenz: No. 4: Recordare
Requiem in D Minor, K. 626 (Ed. Süssmayr & Dutron): III. Sequenz: No. 5: Confutatis
Requiem in D Minor, K. 626 (Ed. Süssmayr & Dutron): III. Sequenz: No. 6: Lacrimosa
Requiem in D Minor, K. 626 (Ed. Süssmayr & Dutron): IV. Offertorium: No. 1: Domine Jesu Christe
Requiem in D Minor, K. 626 (Ed. Süssmayr & Dutron): IV. Offertorium: No. 2: Hostias
Requiem in D Minor, K. 626 (Ed. Süssmayr & Dutron): V. Sanctus
Requiem in D Minor, K. 626 (Ed. Süssmayr & Dutron): VI. Benedictus
Requiem in D Minor, K. 626 (Ed. Süssmayr & Dutron): VII. Agnus Dei
Requiem in D Minor, K. 626 (Ed. Süssmayr & Dutron): VIII. Communio: No. 1: Lux aeterna
Requiem in D Minor, K. 626 (Ed. Süssmayr & Dutron): VIII. Communio: No. 2: Cum sanctis tuis
Mendelssohn: Violin Concerto; Symphony No. 5 "Reformation" & The Hebrides
Violin Concerto in E Minor, Op. 64: I. Allegro molto appassionato
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Violin Concerto in E Minor, Op. 64: III. Allegretto non troppo - Allegro molto vivace
Violin Concerto in E Minor, Op. 64: III. Allegro molto vivace
Symphony No. 5 in D Minor, Op. 107, MWV N15, "Reformation": I. Andante (Allegro con fuoco)
Symphony No. 5 in D Minor, Op. 107, MWV N15, "Reformation": II. Allegro vivace
Symphony No. 5 in D Minor, Op. 107, MWV N15, "Reformation": III. Andante
Symphony No. 5 in D Minor, Op. 107, MWV N15, "Reformation": IV. Choral "Ein fest Burg" (Andante con moto - Allegro vivace - Allegro maestoso)
Ich hatte viel Bekümmernis, BWV 21: I. Sinfonia
Ich will den Kreuzstab gerne tragen, BWV 56: I. Aria. Ich will den Kreuzstab gerne tragen
Ich will den Kreuzstab gerne tragen, BWV 56: II. Recitativo. Mein Wandel auf der Welt
Ich will den Kreuzstab gerne tragen, BWV 56: III. Aria. Endlich, endlich will mein Joch
Ich will den Kreuzstab gerne tragen, BWV 56: IV. Recitativo & Aria. Ich stehe fertig
Ich will den Kreuzstab gerne tragen, BWV 56: V. Choral. Komm, o Tod, du Schlafes Bruder
Oboe d'amore Concerto in A major, BWV 1055R: I. Allegro
Oboe d'amore Concerto in A major, BWV 1055R: II. Larghetto
Oboe d'amore Concerto in A major, BWV 1055R: III. Allegro ma non tanto
Ich habe genug, BWV 82: I. Aria. Ich habe genug
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Ich habe genug, BWV 82: II. Recitativo. Ich habe genug!
Ich habe genug, BWV 82: III. Aria. Schlummert ein, ihr matten Augen
Ich habe genug, BWV 82: IV. Recitativo. Mein Gott! wenn kömmt das schöne: Nun!
Ich habe genug, BWV 82: V. Aria. Ich freue mich auf meinen Tod
Bach: Cantatas for Soprano - Nos. 152, 199 & 202
Weichet Nur, Betrübte Schatten, BWV 202: I. Aria "Weichet nur, betrübte Schatten"
Weichet Nur, Betrübte Schatten, BWV 202: II. Recitativo "Die Welt wird wieder neu"
Weichet Nur, Betrübte Schatten, BWV 202: III. Aria "Phoebus eilt mil schnellen Pferden"
Weichet Nur, Betrübte Schatten, BWV 202: IV. Recitativo "Drum sucht auch Amor sein Vergnügen"
Weichet Nur, Betrübte Schatten, BWV 202: V. Aria "Wenn die Frühlingslüfte streichen"
Weichet Nur, Betrübte Schatten, BWV 202: VI. Recitativo "Und dieses ist das Glücke"
Weichet Nur, Betrübte Schatten, BWV 202: VII. Aria "Sich üben im Lieben" (excerpt)
Weichet Nur, Betrübte Schatten, BWV 202: VIII. Recitativo "So sei das Band der keuschen Liebe"
Weichet Nur, Betrübte Schatten, BWV 202: IX. Gavotte Sehet in Zufriedenheit
Tritt auf die Glaubensbahn, BWV 152: I. Sinfonia
Tritt auf die Glaubensbahn, BWV 152: II. Aria "Tritt auf die Glaubensbahn"
Tritt auf die Glaubensbahn, BWV 152: III. Recitativo "Der Heiland ist gesetzt"
Tritt auf die Glaubensbahn, BWV 152: IV. Aria "Stein, der über alle Schätze"
Tritt auf die Glaubensbahn, BWV 152: V. Recitativo "Es ärgre sich die kluge Welt"
Tritt auf die Glaubensbahn, BWV 152: VI. Duetto "Wie soll ich dich, Liebster der Seele, umfassen?"
Mein Herze schwimmt im Blut, BWV 199: V. Recitativo "Auf diese Schmerzensreu"
Beethoven: Piano Concertos Nos. 2 & 5 "Emperor"
Piano Concerto No. 5 in E-Flat Major, Op. 73, 'Emperor': I. Allegro
Piano Concerto No. 5 in E-Flat Major, Op. 73, 'Emperor': II. Adagio un poco mosso
Piano Concerto No. 5 in E-Flat Major, Op. 73, 'Emperor': III. Rondo. Allegro
Piano Concerto No. 2 in B-Flat Major, Op. 19: I. Allegro con brio
Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio
Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto allegro
Piano Concerto No. 12 in A Major, K. 414: I. Allegro
Piano Concerto No. 12 in A Major, K. 414: II. Andante
Piano Concerto No. 12 in A Major, K. 414: III. Rondeau: Allegretto
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Piano Concerto No. 11 in F Major, K. 413: I. Allegro
Piano Concerto No. 11 in F Major, K. 413: II. Larghetto
Piano Concerto No. 11 in F Major, K. 413: III. Tempo di Menuetto
Piano Concerto No. 13 in C Major, K. 415: I. Allegro
Piano Concerto No. 13 in C Major, K. 415: II. Andante
Piano Concerto No. 13 in C Major, K. 415: III. Rondeau Allegro - Adagio
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Schumann: Cello Concerto; Piano Trio No. 1
Cello Concerto in A minor, op. 129: I. Allegro - Nicht zu Schnell
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Cello Concerto in A minor, op. 129: II. Adagio - Langsam
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Cello Concerto in A minor, op. 129: III. Finale vivace - Sehr Lebhaft
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Piano Trio No. 1 in D Minor, Op. 63: I. Mit Energie und Leidenschaft
Piano Trio No. 1 in D Minor, Op. 63: II. Lebhaft, doch nicht zu rasch - Trio
Piano Trio No. 1 in D Minor, Op. 63: III. Langsam, mit inniger Empfindung - Bewegter - Tempo I - attacca
Piano Trio No. 1 in D Minor, Op. 63: IV. Mit Feuer - Nach und nach schneller
Mendelssohn: Symphonies Nos. 3 "Scottish" & 4 "Italian"
Symphony No. 3 in A Minor, Op. 56, MWV N18 "Scottish": I. Andante con moto - Allegro un poco agitato
Symphony No. 3 in A Minor, Op. 56, MWV N18 "Scottish": II. Vivace non troppo
Symphony No. 3 in A Minor, Op. 56, MWV N18 "Scottish": III. Adagio
Symphony No. 3 in A Minor, Op. 56, MWV N18 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai
Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": I. Allegro vivace
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Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": II. Andante con moto
Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": III. Con moto moderato
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Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": IV. Saltarello (Presto)
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Concerto No. 1 in D Minor, BWV 1052: I. Allegro
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Concerto No. 3 in D Major, BWV 1054: I. (Allegro)
Concerto No. 1 in D Minor, BWV 1052: II. Adagio
Concerto No. 3 in D Major, BWV 1054: II. Adagio e piano sempre
Concerto No. 1 in D Minor, BWV 1052: III. Allegro
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Concerto No. 3 in D Major, BWV 1054: III. Allegro
Concerto No. 2 in E Major, BWV 1053: I. (Allegro)
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Concerto No. 4 in A Major, BWV 1055: I. Allegro
Concerto No. 2 in E Major, BWV 1053: II. Siciliano
Concerto No. 4 in A Major, BWV 1055: II. Larghetto
Concerto No. 2 in E Major, BWV 1053: III. Allegro
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Concerto No. 4 in A Major, BWV 1055: III. Allegro ma non troppo
Concerto No. 7 in G Minor, BWV 1058: I. Untitled
Concerto No. 5 in F Minor, BWV 1056: I. (Allegro)
Concerto No. 7 in G Minor, BWV 1058: II. Andante
Concerto No. 5 in F Minor, BWV 1056: II. Largo
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Concerto No. 7 in G Minor, BWV 1058: III. Allegro assai
Concerto No. 5 in F Minor, BWV 1056: III. Presto
Concerto No. 6 in F Major, BWV 1057: I. Allegro
Concerto No. 6 in F Major, BWV 1057: II. Andante
Concerto No. 6 in F Major, BWV 1057: III. Allegro assai
Piano Concerto in A Minor, Op. 54: Piano Concerto in A Minor, Op. 54: I. Allegro affetuoso
Piano Concerto in A Minor, Op. 54: Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso
Piano Concerto in A Minor, Op. 54: Piano Concerto in A Minor, Op. 54: III. Allegro vivace
Piano Trio No. 2 in F Major, Op. 80: Piano Trio No. 2 in F Major, Op. 80: I. Sehr lebhaft
Piano Trio No. 2 in F Major, Op. 80: Piano Trio No. 2 in F Major, Op. 80: II. Mit innigem Ausdruck
Piano Trio No. 2 in F Major, Op. 80: Piano Trio No. 2 in F Major, Op. 80: III. In mäßiger Bewegung
Piano Trio No. 2 in F Major, Op. 80: Piano Trio No. 2 in F Major, Op. 80: IV. Nicht zu rasch
Schumann: Violin Concerto; Piano Trio No. 3
Violin Concerto in D minor, WoO 23: I. In kräftigem, nicht zu schnellem Tempo
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Violin Concerto in D minor, WoO 23: II. Langsam
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Violin Concerto in D minor, WoO 23: III. Lebhaft, doch nicht schnell
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Piano Trio No. 3 in G Minor, Op. 110: I. Bewegt, doch nicht zu rasch
Piano Trio No. 3 in G Minor, Op. 110: II. Ziemlich langsam
Piano Trio No. 3 in G Minor, Op. 110: III. Rasch
Piano Trio No. 3 in G Minor, Op. 110: IV. Kräftig, mit Humor
Brandenburg Concerto No. 1 in F Major, BWV 1046: I. [Tempo giusto]
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Brandenburg Concerto No. 3 in G major, BWV 1048: I. [Ohne Satzbezeichnung] - II. Adagio
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Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio
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Brandenburg Concerto No. 3 in G major, BWV 1048: III. Allegro
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Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro
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Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro
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Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuetto - Trio I - Menuetto - Polonaise - Menuetto - Trio II - Menuetto
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Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso
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Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. [Ohne Satzbezeichnung]
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Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro
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Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto
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Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro
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Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro
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Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante
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Brandenburg Concerto No. 2 in F Major, BWV 1047: I. [Ohne Satzbezeichnung]
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Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto
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Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante
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Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai
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Symphony No. 3 in D Major, D. 200: Symphony No. 3 in D Major, D.200: I. Adagio maestoso - Allegro con brio
Symphony No. 3 in D Major, D. 200: Symphony No. 3 in D Major, D.200: II. Allegretto
Symphony No. 3 in D Major, D. 200: III. Menuetto (Vivace) - Trio
Symphony No. 3 in D Major, D. 200: Symphony No. 3 in D Major, D.200: IV. Presto vivace
Symphony No. 4 in C Minor, D. 417 "Tragic": I. Adagio molto - Allegro vivace
Symphony No. 4 in C Minor, D.417 "Tragic": II. Andante
Symphony No. 4 in C Minor, D.417 "Tragic": Symphony No. 4 in C Minor, D. 417 "Tragic": III. Menuetto (Allegro vivace) - Trio
Symphony No. 4 in C Minor, D.417 "Tragic": IV. Allegro
J.S. Bach: Complete Sacred Cantatas Vol. 10, BWV 181-200
Leichtgesinnte Flattergeister, BWV 181: I. Aria. Leichtgesinnte Flattergeister (Basso)
Leichtgesinnte Flattergeister, BWV 181: II. Recitativo. O unglückselger Stand (Alto)
Leichtgesinnte Flattergeister, BWV 181: III. Aria. Der schädlichen Dornen (Tenore)
Leichtgesinnte Flattergeister, BWV 181: IV. Recitativo. Von diesen wird die Kraft erstickt (Soprano)
Leichtgesinnte Flattergeister, BWV 181: V. Coro. Lass, Höchster, uns zu allen Zeiten
Himmelskönig, sei willkommen, BWV 182: I. Sonate (Concerto. Grave, adagio)
Himmelskönig, sei willkommen, BWV 182: II. Coro. Himmelskönig, sei willkommen
Himmelskönig, sei willkommen, BWV 182: III. Recitativo. Siehe, siehe, ich komme (Basso)
Himmelskönig, sei willkommen, BWV 182: IV. Aria. Starkes Lieben (Basso)
Himmelskönig, sei willkommen, BWV 182: V. Aria. Leget euch dem Heiland unter (Alto)
Himmelskönig, sei willkommen, BWV 182: VI. Aria. Jesu, lass durch Wohl und Weh (Tenore)
Himmelskönig, sei willkommen, BWV 182: VII. Choral. Jesu, deine Passion (Coro)
Himmelskönig, sei willkommen, BWV 182: VIII. Schlusschor. So lasset uns gehen in Salem (Coro)
Sie werden euch in den Bann tun, BWV 183: I. Recitativo. Sie werden euch in den Bann tun (Basso)
Sie werden euch in den Bann tun, BWV 183: II. Aria. Ich fürchte nicht des Todes Schrecken (Tenore)
Sie werden euch in den Bann tun, BWV 183: III. Recitativo. Ich bin bereit (Alto)
Sie werden euch in den Bann tun, BWV 183: IV. Aria. Höchster Tröster, heilger Geist (Soprano)
Sie werden euch in den Bann tun, BWV 183: V. Choral. Du bist ein Geist, der lehret (Coro)
Erwünschtes Freudenlicht, BWV 184: I. Recitativo. Erwünschtes Freudenlicht (Tenore)
Erwünschtes Freudenlicht, BWV 184: II. Aria. Gesegnete Christen (Soprano, Alto)
Erwünschtes Freudenlicht, BWV 184: III. Recitativo. So freuet euch (Tenore)
Erwünschtes Freudenlicht, BWV 184: IV. Aria. Glück und Segen sind bereit (Tenore)
Erwünschtes Freudenlicht, BWV 184: V. Choral. Herr, ich hoff je (Coro)
Erwünschtes Freudenlicht, BWV 184: VI. Coro. Guter Hirte, Trost der Deinen (Soprano, Basso)
Barmherziges Herze der ewigen Liebe, BWV 185: I. Aria. Barmherziges Herze (Soprano, Tenore)
Barmherziges Herze der ewigen Liebe, BWV 185: II. Recitativo. Ihr Herzen, die ihr euch (Alto)
Barmherziges Herze der ewigen Liebe, BWV 185: III. Aria. Sei bemüht in dieser Zeit (Alto)
Barmherziges Herze der ewigen Liebe, BWV 185: IV. Recitativo. Die Eigenliebe schmeichelt sich (Basso)
Barmherziges Herze der ewigen Liebe, BWV 185: V. Aria. Das ist der Christen Kunst (Basso)
Barmherziges Herze der ewigen Liebe, BWV 185: VI. Choral. Ich ruf' zu dir, Herr Jesu Christ (Coro)
Ärgre dich, o Seele, nicht, BWV 186, Prima Parte: I. Coro. Ärgre dich, o Seele, nicht
Ärgre dich, o Seele, nicht, BWV 186, Prima Parte: II. Recitativo. Die Knechtsgestalt, die Not (Basso)
Ärgre dich, o Seele, nicht, BWV 186, Prima Parte: III. Aria. Bist du, der mir helfen soll (Basso)
Ärgre dich, o Seele, nicht, BWV 186, Prima Parte: IV. Recitativo. Ach, dass ein Christ so sehr (Tenore)
Ärgre dich, o Seele, nicht, BWV 186, Prima Parte: V. Aria. Mein Heiland läßt sich merken (Tenore)
Ärgre dich, o Seele, nicht, BWV 186, Prima Parte: VI. Choral. Ob sichs anließ, als wollt er nicht (Coro)
Ärgre dich, o Seele, nicht, BWV 186, Seconda Parte: VII. Recitativo. Es ist die Welt die große Wüstenei (Basso)
Ärgre dich, o Seele, nicht, BWV 186, Seconda Parte: VIII. Aria. Die Armen will der Herr umarmen (Soprano)
Ärgre dich, o Seele, nicht, BWV 186, Seconda Parte: IX. Recitativo. Nun, mag die Welt (Alto)
Ärgre dich, o Seele, nicht, BWV 186, Seconda Parte: X. Aria. Lass, Seele, kein Leiden (Soprano, Alto)
Ärgre dich, o Seele, nicht, BWV 186, Seconda Parte: XI. Choral. Die Hoffnung wart' der rechten Zeit (Coro)
Es wartet alles auf dich, BWV 187, Prima Parte: I. Coro. Es wartet alles auf dich
Es wartet alles auf dich, BWV 187, Prima Parte: II. Recitativo. Was Kreaturen hält das Große (Basso)
Es wartet alles auf dich, BWV 187, Prima Parte: III. Aria. Du Herr, du krönst allein das Jahr (Alto)
Es wartet alles auf dich, BWV 187, Seconda Parte: IV. Aria. Darum sollt ihr nicht sorgen (Basso)
Es wartet alles auf dich, BWV 187, Seconda Parte: V. Aria. Gott versorget alles Leben (Soprano)
Es wartet alles auf dich, BWV 187, Seconda Parte: VI. Recitativo. Halt ich nur fest an ihm (Soprano)
Es wartet alles auf dich, BWV 187, Seconda Parte: VII. Choral. Gott hat die Erde zugericht (Coro)
Ich habe meine Zuversicht, BWV 188: I. Aria. Ich habe meine Zuversicht (Tenore)
Ich habe meine Zuversicht, BWV 188: II. Recitativo. Gott meint es gut mit jedermann (Basso)
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: I. Vivace
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Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: II. Largo ma non tanto
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Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: III. Allegro
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Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: I. Allegro
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Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: II. Adagio
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Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: III. Allegro assai
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Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: I.
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Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: II. Andante
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Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: III. Allegro assai
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Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I.
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Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: II. Adagio
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Concerto for three violins BWV 1064R: Concerto for three violins BWV 1064R: III. Allegro
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Piano Concerto No. 17 in G Major, K. 453: I. Allegro
Piano Concerto No. 17 in G Major, K. 453: II. Andante
Piano Concerto No. 17 in G Major, K. 453: III. Allegretto
Piano Concerto No. 22 in E-Flat Major, K. 482: I. Allegro
Piano Concerto No. 22 in E-Flat Major, K. 482: II. Andante
Piano Concerto No. 22 in E-Flat Major, K. 482: III. Allegretto
Introduttioni teatrali, Op. 4: No. 1 in D Major
Introduttioni teatrali, Op. 4: No. 2 in F Major
Sonata for Violin and Continuo in D Major, Op. 8, No. 2: I. Adagio
Sonata for Violin and Continuo in D Major, Op. 8, No. 2: II. Allegro
Sonata for Violin and Continuo in D Major, Op. 8, No. 2: III. Presto - Lento - Presto
Introduttioni teatrali, Op. 4: No. 3 in B-Flat Major
Introduttioni teatrali, Op. 4: No. 4 in G Major
Sonata for 2 Violins and Continuo in E Minor, Op. 5, No. 2: I. Largo - Andante
Sonata for 2 Violins and Continuo in E Minor, Op. 5, No. 2: II. Allegro
Sonata for 2 Violins and Continuo in E Minor, Op. 5, No. 2: III. Allegro
Introduttioni teatrali, Op. 4: No. 5 in D Major
Sonata for Violin and Continuo in A Major, Op. 8, No. 10: I. Cantabile
Sonata for Violin and Continuo in A Major, Op. 8, No. 10: II. Allegro
Sonata for Violin and Continuo in A Major, Op. 8, No. 10: III. Vivace
Introduttioni teatrali, Op. 4: No. 6 in C Major
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Rinaldo, HWV 7a: Atto Primo, Scena 8: Recitativo "Ch’insolito stupore" (Goffredo, Eustazio, Rinaldo)
Rinaldo, HWV 7a: Atto Terzo, Scene 1 & 2: Recitativo "Quivi par che rubelle" (Eustazio, Goffredo, Mago )
Rinaldo, HWV 7a: Atto Primo, Scena 1: Recitativo & Aria "Delle nostre fatiche" - "Sovra balze scoscese" (Goffredo)
Rinaldo, HWV 7a: Atto Primo, Scena 8: Aria "Cor ingrato" (Rinaldo)
Rinaldo, HWV 7a: Atto Terzo, Scene 1 & 2: Sinfonia
Rinaldo, HWV 7a: Atto Primo, Scena 1: Recitativo, "Signor, già dal tuo senno" (Rinaldo, Goffredo, Almirena)
Rinaldo, HWV 7a: Atto Primo, Scena 8: Recitativo "Io all’ora impugno il brando" (Rinaldo, Goffredo, Eustazio)
Rinaldo, HWV 7a: Atto Terzo, Scene 1 & 2: Recitativo & Aria e Recitativo "Qui vomita Cocito - Andate, o forti" (Mago (Goffredo, Eustazio, Mago & Aria)
Rinaldo, HWV 7a: Atto Primo, Scena 1: Aria "Combatti da forte" (Almirena)
Rinaldo, HWV 7a: Atto Primo, Scena 8: Aria "Col valor" (Eustazio)
Rinaldo, HWV 7a: Atto Terzo, Preludio - Scene 3 & 4: Recitativo "Mori svenata" (Armida, Almirena, Rinaldo, Goffredo, Eustazio)
Rinaldo, HWV 7a: Atto Primo, Scena 1: Recitativo (Eustazio, Rinaldo) & Aria "Questi saggi consigli" - "Ogn’indugio" (Rinaldo)
Rinaldo, HWV 7a: Atto Primo, Scena 9: Recitativo & Aria "Di speranza un bel raggio - Venti, turbini" (Rinaldo)
Rinaldo, HWV 7a: Atto Terzo, - Scene 3 & 4: Aria "Sorge nel petto" (Goffredo)
Rinaldo, HWV 7a: Atto Primo, Scena 2: Recitativo (Araldo, Goffredo, Eustazio) & Aria "Signor, che delle stelle- Sulla ruota di fortuna" (Eustazio)
Rinaldo, HWV 7a: Atto Secondo, Scena 1: Aria "Siam prossimi al porto" (Eustazio)
Rinaldo, HWV 7a: Atto Terzo, - Scene 3 & 4: Recitativo & Aria "Al trionfo s’affretti - E' un incendio" (Rinaldo)
Rinaldo, HWV 7a: Atto Primo, Scena 3: Aria "Sibilar gli angui" (Argante)
Rinaldo, HWV 7a: Atto Secondo, Scene 2 & 3: Recitativo "A quel sasso bramato" (Rinaldo, Goffredo, Eustazio, Donna)
Rinaldo, HWV 7a: Atto Terzo, Scene 5 & 6: Recitativo "Chiuso fra quelle mura" (Argante, Armida)
Rinaldo, HWV 7a: Atto Primo, Scena 3: Recitativo "Goffredo, se t’arrise" (Argante, Goffredo)
Rinaldo, HWV 7a: Atto Secondo, Scene 2 & 3: Aria a 2 "Il vostro maggio" (Sirene)
Rinaldo, HWV 7a: Atto Terzo, Scene 5 & 6: March
Rinaldo, HWV 7a: Atto Primo, Scena 3: Aria "No, no, che quest’alma" (Goffredo)
Rinaldo, HWV 7a: Atto Secondo, Scene 2 & 3: Recitativo 'Qual incognita forza" (Rinaldo, Goffredo, Eustazio, Donna)
Rinaldo, HWV 7a: Atto Primo, Scena 4: Recitativo & Aria "Infra dubbi di Marte - Vieni, o cara" (Argante)
Rinaldo, HWV 7a: Atto Secondo, Scene 2 & 3: Aria "Il Tricerbero umiliato" (Rinaldo)
Rinaldo: Act I, scene 5: Armida : "Furie terribili"
Rinaldo, HWV 7a: Atto Secondo, Scene 2 & 3: Recitativo & Aria "Signor, strano ardimento! - Mio cor, che mi sai dir?" (Eustazio, Goffredo)
Rinaldo, HWV 7a: Atto Primo, Scena 5: Recitativo & Accompagnato "Come a tempo giungesti" (Argante, Armida)
Rinaldo, HWV 7a: Atto Secondo, Scena 4: Sinfonia "Sonata per l’arciliuto"
Rinaldo, HWV 7a: Atto Primo, Scena 5: Aria "Molto voglio" (Armida)
Rinaldo, HWV 7a: Atto Secondo, Scena 4: Recitativo "Armida dispietata!" (Almirena, Argante)
Rinaldo, HWV 7a: Atto Primo, Scena 6: Aria "Augelletti" (Almirena)
Rinaldo: Act II, scene 4: Almirena : "Lascia ch'io pianga"
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Rinaldo, HWV 7a: Atto Primo, Scena 6: Recitativo "Adorato mio sposo" (Almirena, Rinaldo)
Rinaldo, HWV 7a: Atto Secondo, Scena 4: Recitativo "Tu, del mio cor reina" (Argante, Almirena )
Rinaldo, HWV 7a: Atto Primo, Scena 6: Duetto "Scherzano sul tuo volto" (Almirena, Rinaldo)
Rinaldo, HWV 7a: Atto Secondo, Scena 4: Aria "Basta che sol tu chieda" (Argante)
Rinaldo, HWV 7a: Atto Primo, Scena 7: Recitativo "Al valor del mio brando" (Armida, Almirena, Rinaldo & Preludio)
Rinaldo, HWV 7a: Atto Secondo, Scene 5 & 6: Recitativo "Cingetemi d’allori" (Armida, Rinaldo)
Rinaldo, HWV 7a: Atto Primo, Scena 7: Aria "Cara sposa" (Rinaldo)
Rinaldo, HWV 7a: Atto Secondo, Scene 5 & 6: Duetto "Fermati" (Armida, Rinaldo)
Rinaldo, HWV 7a: Atto Secondo, Scena 7: Recitativo “Crudel, tu ch’involasti" (Armida, Rinaldo )
Rinaldo, HWV 7a: Atto Secondo, Scena 7: Aria "Abbrucio, avvampo e fremo" (Rinaldo )
Rinaldo, HWV 7a: Atto Secondo, Scena 8: Recitativo accompagnato "Dunque i lacci d’un volto" (Armida)
Rinaldo, HWV 7a: Atto Secondo, Scena 8: Aria "Ah, crudel" (Armida)
Rinaldo, HWV 7a: Atto Secondo, Scene 9 & 10: Recitativo "Riprendiam d’Almirena" (Armida, Argante)
Rinaldo: Atto II, scena 10. Recitativo Argante: "Adorata Almirena" & Aria Armida: "Vo' far guerra"
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Idomeneo, K. 366, Atto II Scena 1: Recitativo "Siam soli" (Idomeneo, Arbace)
Idomeneo, K. 366, Atto III Scena 6: No. 23, Recitativo "Volgi intorno lo sguardo" (Gran Sacerdote, Idomeneo)
Idomeneo, K. 366, Atto I Scena 1: Recitativo "Quando avran fine omai" (Ilia)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x52bb3e698baf4eacfa53c94c14aa9a02bfde3faf71bc548780727c6f1fd3c13a. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5hdGshlYAMfT6ZlgN93jSZ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5hdGshlYAMfT6ZlgN93jSZ.
Idomeneo, K. 366, Atto II Scena 1: No. 10, Aria "Se il tuo duol" (Arbace)
Idomeneo, K. 366, Atto III Scena 6: No. 24, Coro "Oh voto tremendo!"
Idomeneo, K. 366, Atto I Scena 1: No. 1, Aria "Padre, germani, addio!" (Ilia)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa445cd5deb6534bb384f6eb608aeaa832545ea93dfecdd153f27be20daf1cc52. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2dX3Job5ePmixzaquAR46B.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2dX3Job5ePmixzaquAR46B.
Idomeneo, K. 366, Atto II Scena 2: Recitativo "Se mai pomposo apparse" (Ilia, Idomeneo)
Idomeneo, K. 366, Atto III Scena 7: No. 25, Marcia
Idomeneo: Atto I, sc.1. Recitativo Ilia "Ecco Idamante, ahimè!"
Idomeneo, K. 366, Atto II Scena 2: No. 11, Aria "Se il padre perdei" (Ilia)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb51f2d33771efb7147c78be7172ffb2e37d3c0a5eef036ba8f899015e1df6c51. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2Z088O7SZC87DBKZvChCFi.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2Z088O7SZC87DBKZvChCFi.
Idomeneo, K. 366, Atto II Scena 2: Recitativo "Radunate i Troiani, ite" (Ilia, Idamante)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x8764ed251dccb96810ff16343179f8fcd26b4060eccb99eefd654690e2b8734f. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2eJ81KRmfUNFeo5c92Y0pU.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2eJ81KRmfUNFeo5c92Y0pU.
Idomeneo, K. 366, Atto II Scena 3: Recitativo "Qual mi conturba i sensi" (Idomeneo)
Idomeneo, K. 366, Atto I Scena 2: No. 2, Aria "Non ho colpa, e mi condanni" (Idamante)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc6dbecc5b871fd5b8e4c600f73bfa7cb9e49eab068bac2132459bbd46cf17dd0. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5AsjXyg2u7KHEdFamCQmRD.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5AsjXyg2u7KHEdFamCQmRD.
Idomeneo, K. 366, Atto II Scena 3: No. 12, Aria "Fuor del mar" (Idomeneo)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x5128962ba9bc1ed602fb3bc6313c79bb50066f026feb24364cb3c93a6acdc7a1. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7CccE43122LkTlO55eS0m8.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7CccE43122LkTlO55eS0m8.
Idomeneo: Atto I, sc.2. Recitativo Ilia, Idamante "Ecco il misero resto de' Troiani"
Idomeneo, K. 366, Atto II Scena 3 - 4: Recitativo "Frettolosa e giuliva" (Idomeneo) - Recitativo "Sire, da Arbace intesi" (Elettra,Idomeneo)
Idomeneo, K. 366, Atto I Scena 3: Recitativo "Scingete le catene" (Idamante)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb5c97a4eb2bf2d0bf7592d69a49c71981614d206eba2c65c76f3ed40fa91c153. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4hhq2AjsloteINeG05gTKX.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4hhq2AjsloteINeG05gTKX.
Idomeneo, K. 366, Atto II Scena 5: Recitativo "Parto, e l'unico oggetto" (Elettra)
Idomeneo, K. 366, Atto I Scena 3: No. 3, Coro "Godiam la pace"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe31a09a9501d63717f99a11a9e7ef8923095275909a2d9b4730a5e7558cc9e5d. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7C25pO1oJAxJKpFGVPUlSS.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7C25pO1oJAxJKpFGVPUlSS.
Idomeneo, K. 366, Atto II Scena 5: No. 13, Aria "Idol mio!" (Elettra)
Idomeneo, K. 366, Atto I Scena 4 - 5: Recitativo "Prence, signor" (Elettra, Idamante) - Recitativo "Ma quel pianto che annunzia?" (Idamante, Arbace, Ilia)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1ab3e6a1c5035c1a271bb383a3f0734b8f93565b600f89333fd7d6008525a9fd. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7sSuWBYwds6LmAbxm28xyJ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7sSuWBYwds6LmAbxm28xyJ.
Idomeneo, K. 366, Atto II Scena 5: No. 14, Marcia
Idomeneo, K. 366, Atto I Scena 6: Recitativo "Estinto è Idomeneo?" (Elettra)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x29bc2000681dff52448fb060d985633c1efc41fef0c7e3d4edd217f18fdc2814. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5Sa74yCJEbYtx7XJ9wupDP.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5Sa74yCJEbYtx7XJ9wupDP.
Idomeneo, K. 366, Atto II Scena 6: Recitativo "Sidonie sponde!" (Elettra)
Idomeneo, K. 366, Atto I Scena 6: No. 4, Aria "Tutte nel cor vi sento" (Elettra)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb6f96fbb32a598afc6562a6c751a4bedead09e738ccd22507b6b3d8e20cf6594. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/08piK31mu3zIVi2p9TaiPP.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/08piK31mu3zIVi2p9TaiPP.
Idomeneo, K. 366, Atto II Scena 6: No. 15, Coro "Placido è il mar"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x36c7cb8cb342246a1b8c20912045a3210434d4a15e21abb3501f4d82ef4ef154. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/51eHFJgKMMccvM9j5YBnpN.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/51eHFJgKMMccvM9j5YBnpN.
Idomeneo, K. 366, Atto I Scena 7: No. 5, "Pietà, numi, pietà!" (Coro, Idomeneo)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x59185770a80bde90da81516248380fd8cb03bd1a22489a2c9e1dcab3f3022d5d. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4GiFwjjeEnIXWlZNRcH0Hw.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4GiFwjjeEnIXWlZNRcH0Hw.
Idomeneo: Atto II, sc.7. Recitativo Idomeneo, Idamante "Vattene prence"
Idomeneo, K. 366, Atto I Scena 8: Pantomima - Recitativo "Eccoci salvi alfin" (Idomeneo)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa3a97b8673e36dc5257ff3cd68c12176b888882737eab3e5541a7842ec17885c. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/187UnVU1GpBALk3Wxwgvlu.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/187UnVU1GpBALk3Wxwgvlu.
Idomeneo, K. 366, Atto II Scena 7: No. 16, Terzetto "Pria di partir, oh dio!" (Idamante, Elettra, Idomeneo)
Idomeneo, K. 366, Atto I Scena 9: Recitativo "Tranquillo è il mar" (Idomeneo)
Idomeneo, K. 366, Atto II Scena 7: No. 17 "Qual nuovo terrore!" (Coro)
Idomeneo, K. 366, Atto I Scena 9: No. 6, Aria "Vedrommi intorno" (Idomeneo)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x8d4e010739619dcafd28a034dc888ec15f899cbe7a5955d2a7b45bdbb05fe219. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2tTcEJ5dFLa5yK23YgM5sA.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2tTcEJ5dFLa5yK23YgM5sA.
Idomeneo, K. 366, Atto II Scena 7: Recitativo "Eccoti in me, barbaro nume!" (Idomeneo)
Idomeneo, K. 366, Atto I Scena 9 - 10: Recitativo "Cieli! che veggo?" (Idomeneo) - Recitativo "Spiagge romite" (Idamante, Idomeneo)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x456c314a6edbea4fd8dd5073e1f0aaab2799ad583ef76f2a56ed83651e26217a. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0n7oRdDC0eSd7ySuaYTQ5J.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0n7oRdDC0eSd7ySuaYTQ5J.
Idomeneo, K. 366, Atto II, Scena 7: No. 18, "Corriamo, fuggiamo" (Coro)
Idomeneo, K. 366, Atto I Scena 10: Accompagnato "Spietatissimi dèi!" ( Idomeneo, Idamante)
Idomeneo, K. 366, Atto III Scena 1: Recitativo "Solitudini amiche" (Ilia)
Idomeneo, K. 366, Atto I Scena 10: No. 7, Aria "Il padre adorato" (Idamante)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc1a2820d37bf9edb1664e09d6e47172e418d91bfef509841c2a414900c1449f8. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0Qydxk4hQJ20WRh4p3SCzV.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0Qydxk4hQJ20WRh4p3SCzV.
Idomeneo, K. 366, Atto III Scena 1: No. 19, Aria "Zeffiretti lusinghieri" (Ilia)
Idomeneo, K. 366, Atto I Scena 10: Intermezzo - No. 8, Marcia
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc2324e5a2a023989d9fb7d3a38098b84d6af2b97a8e75436469331ae1b045e53. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4XFNJhP8olShepLDGxW9xk.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4XFNJhP8olShepLDGxW9xk.
Idomeneo, K. 366, Atto III Scena 2: Recitativo "Principessa, a' tuoi sguardi" (Idamante, Ilia)
Idomeneo, K. 366, Atto I Scena 10: No. 9, Coro "Nettuno s'onori"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x16cd07f1b992cfc769059dacea00b46ae90e8efbfcc909f2618959425267a74d. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6PQQ8lAkTtyiyFyw23Vcmq.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6PQQ8lAkTtyiyFyw23Vcmq.
Idomeneo, K. 366, Atto III Scena 2: No. 20, Duetto "S'io non moro a questi accenti" (Idamante, Ilia)
Idomeneo, K. 366, Atto III Scena 3: Recitativo "Cieli! Che vedo!" (Idomeneo, Ilia, Idamante, Elettra)
Idomeneo, K. 366, Atto III Scena 3: No. 21, Quartetto "Andrò ramingo e solo" (Idamante, Ilia, Idomeneo, Elettra)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x89ddb9f41dd36947e69a4c45829ee346424950a939375bd0861d9fb3a627e267. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4odKbdChY0mBH7W70bPDws.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4odKbdChY0mBH7W70bPDws.
Idomeneo, K. 366, Atto III Scena 4: Recitativo "Sier, alla reggia tua immensa turba" (Arbace, Ilia, Idomeneo, Elettra)
Idomeneo, K. 366, Atto III Scena 5: Recitativo "Sventurata Sidon!" (Arbace)
Idomeneo, K. 366, Atto III Scena 5: No. 22, Aria "Se colà ne' fati è scritto" (Arbace)
Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xdcd2611845d377451ca439803b322b8afc756b5ee353f56b9c42be411b9d3aed. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1ZEHuv3xGfbYJwqpueKmL8.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1ZEHuv3xGfbYJwqpueKmL8.