1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xacdc8cb4aa8260316fe93d0cd6284eb603057911f32f16bf47b4f2e7589ce48a. Chain 2 (Bitcoin): anchored in block 954513 (2026-06-20T06:31:18Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/9e21c9b0-79ae-466d-a3d6-598a2d9c6082.json and https://artists.proofprofile.net/proofs/artist/9e21c9b0-79ae-466d-a3d6-598a2d9c6082.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
I Love A Piano / Alexander's Ragtime Band
John Eaton Presents The American Popular Song: Richard Rodgers - One Man And His Lyricists
Commentary On Rodgers’ Contrasting Musical Styles
Commentary On Rodgers’ Musical Relationship With His Lyricists
Discussion Contrasting The Lyrics Of Hart And Hammerstein
Discussion Of Rodgers’ Musical Risk-taking
John And Jay Role-Play As Rodgers And Hammerstein
Commentary On Some Enchanted Evening And The Song’s Rich Image
Commentary Contrasting My Romance And Some Enchanted Evening
Discussion Of Jazz Musicians And Rodgers’ Music
John Eaton presents the American Popular Song, Volume Two: Harold Arlen - the Wonderful Wizard of Song
Commentary on Improv of Arlen's Compositions
Last Night When We Were Young & A Sleepin' Bee
Discussion of Capote and the Jewish Influence on Arlen and Jazz
Let's Fall in Love and Outro to First Half
Commentary On Arlen's Incorporation of the Blues
Discussion of Harmony and Songs For The Wizard Oz
Over the Rainbow & Ding-Dong! The Witch is Dead
John Eaton presents the American Popular Song, Volume Three: Blowin' in the Wind - The '60s Music Revolution
John's Opening Comments: '60s Changed Popular Music Forever
Michelle, Here, There, and Everywhere, and Norwegian Wood
John and Jay Discuss Bill Danoff and John Denver
'60s Music Dealt With Sexually Free Topics
John Eaton Presents The American Popular Song, Volume Four: The Jazz Connection
John Explains The Meaning Of The Jazz Connection
Commentary: Jazz Improvisation And Waller As A Naturally...
Medley: Black And Blue, Blue Turning Grey Over You, Keepin'...
Commentary: How Waller's Chord Structures Invite Improvisation
Discussion: Differences Between Waller's And Carmichael's...
Discussion: Jubilee And Johnny Mercer's Praise Of Carmichael...
Discussion: Durability Of Georgia On My Mind
Discussion: Introduction Of Honeysuckle Rose
John Eaton: Mass - Blind Man's Cry - Concert Music for Solo Clarinet
John Eaton presents The American Popular Song, Volume Five: The Music of Harry Warren- Hooray for Hollywood
I Only Have Eyes for You (feat. Jay Leonhart)
Intro and discussion (feat. Jay Leonhart)
Medly; Shadow Waltz-September in the Rain-There Will Never Be Another You-Jeepers Creepers (feat. Jay Leonhart)
Rose of the Rio Grande (feat. Jay Leonhart)
You Must Have Been a Beautiful Baby (feat. Jay Leonhart)
Mid-point break (feat.Steve Ember & Jay Leonhart)
Introduction; medly At Last-You'll Never Know-Would You Like to Take a Walk?-On the Atchison Topeka and the Sante Fe (feat. Jay Leonhart)
Lulu's Back in Town (feat. Jay Leonhart)
Intro to Lullaby of Broadway (feat. Jay Leonhart)
Lullaby of Broadway (feat. Jay Leonhart)
Program close with credits (feat. Steve Ember & Jay Leonhart)
Two Sides -Jazz Duets from the Great American Song Book (John Eaton Presents The American Popular Song) [feat. Jay Leonhart & Tommy Cecil]
Medley: Last Night When We Were Young-Sleeping Bee
Danton and Robespierre: Act III, Scene 1
Danton and Robespierre: Act III, Scene 2
Danton and Robespierre: Act III, Scene 3
Danton and Robespierre: Act III, Scene 4
Danton and Robespierre: Act III, Scene 5
Danton and Robespierre: Act III, Scene 6
Danton and Robespierre: Act III, Scene 7
John Eaton Presents the American Popular Song, Vol. 7: The Music of Irving Berlin
John Talks About His Introduction to Berlin's Music
John Discusses His Early Exposure To "Say It With Music"
Alexander's Ragtime Band (feat. Jay Leonhart)
John Introduces Jay and Discusses the Difficulty of Writing a Song (feat. Jay Leonhart)
The Best Thing for You (feat. Jay Leonhart)
Discussion of How Berlin Stayed Contemporary Throughout His Career (feat. Jay Leonhart)
Medley One: What'll I Do?/ Always / A Pretty Girl Is Like a Melody / Blue Skies (feat. Jay Leonhart)
Discussion of the Medley (feat. Jay Leonhart)
Discussion of the 32 Bar Format (feat. Jay Leonhart)
Medley: They Say It's Wonderful / I Got the Sun in the Morning / Moonshine Lullaby / Doin' What Comes Natur'lly (feat. Jay Leonhart)
Discussion of the Songs in the Medley (feat. Jay Leonhart)
Concluding Discussion and Remarks (feat. Jay Leonhart)
Vaughan Williams: Mass in G Minor: IV. Sanctus - Benedictus
A Classical Coronation. Music for a Royal Celebration
Vaughan Williams: Mass in G Minor: Kyrie