1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x80389c7afc2cd8ad883732e2376987217f986c12b55d0c701e67f129fe1c4e0b. Chain 2 (Bitcoin): anchored in block 953407 (2026-06-12T19:24:56Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/d1a40b8a-9cd7-4613-a82a-b9ba4d36f258.json and https://artists.proofprofile.net/proofs/artist/d1a40b8a-9cd7-4613-a82a-b9ba4d36f258.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Boccherini: Cello Concertos, Stabat Mater & Quintet
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro
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1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x133ceb7c94a8407aba5fd396d6412c74fa8004bd4d4a922640c643387b3b0223. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/10Q4DBMixWUU91twAazLmg.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/10Q4DBMixWUU91twAazLmg.
Concerto pour violoncelle No. 6 en ré majeur, G. 479: II. Adagio
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf55076c3019714c00b769aac02b4ca45653399eb72598abba14e79fcb2673170. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0vLcyCoUteI8t9rm0yfpAR.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0vLcyCoUteI8t9rm0yfpAR.
Concerto pour violoncelle No. 6 en ré majeur, G. 479: III. Allegro
Symphonie No. 6 en Ré Mineur, G. 506 "La Casa del Diavolo": I. andante sostenuto - Allegro assai
Symphonie No. 6 en Ré Mineur, G. 506 "La Casa del Diavolo": II. Andante con moto
Symphonie No. 6 en Ré Mineur, G. 506 "La Casa del Diavolo": III. Andante sostenuto - Allegro con moto
Concerto pour violoncelle No. 9 en Si-Bémol Majeur, G. 482: I. Allegro moderato
Concerto pour violoncelle No. 9 en Si-Bémol Majeur, G. 482: II. Andantino grazioso
Concerto pour violoncelle No. 9 en Si-Bémol Majeur, G. 482: III. Rondo allegro
Quintette à cordes No. 6 en Ut Majeur, G. 324, Op. 30 "La Musica Notturna delle Strade di Madrid": I. Ave Maria delle Parrochie
Quintette à cordes No. 6 en Ut Majeur, G. 324, Op. 30 "La Musica Notturna delle Strade di Madrid": II. Il tamburo dei soldati
Quintette à cordes No. 6 en Ut Majeur, G. 324, Op. 30 "La Musica Notturna delle Strade di Madrid": III. Minuetto dei ciechi
Quintette à cordes No. 6 en Ut Majeur, G. 324, Op. 30 "La Musica Notturna delle Strade di Madrid": IV. Il rosario. Largo assai
Quintette à cordes No. 6 en Ut Majeur, G. 324, Op. 30 "La Musica Notturna delle Strade di Madrid": V. Los Manolos (Passa calle). Allegro vivo
Quintette à cordes No. 6 en Ut Majeur, G. 324, Op. 30 "La Musica Notturna delle Strade di Madrid": VI. Il tamburo
Quintette à cordes No. 6 en Ut Majeur, G. 324, Op. 30 "La Musica Notturna delle Strade di Madrid": VII. Il ritirata di Madrid. Tempo di marcia
Stabat Mater, G. 532: I. Stabat Mater dolorosa. Grave assai
Stabat Mater, G. 532: II. Cujus animam gementem. Allegro
Stabat Mater, G. 532: III. Quae moerebat et dolebat. Allegretto con moto
Stabat Mater, G. 532: IV. Quis est homo. Adagio assai - Recitativo
Stabat Mater, G. 532: V. Pro peccatis suae gentis. Allegretto
Stabat Mater, G. 532: VI. Eja Mater, fons amoris. Larghetto non tanto
Stabat Mater, G. 532: VII. Tui nati vulnerati. Allegro vivo
Stabat Mater, G. 532: VIII. Virgo virginum praeclara. Andantino
Stabat Mater, G. 532: IX. Fac ut portem Christi mortem. Larghetto
Stabat Mater, G. 532: X. Fac me plagis vulnerati. Allegro comodo
Stabat Mater, G. 532: XI. Quando corpus morietur. Andante lento
Sonate pour violoncelle et pianoforte No.2 en Ut Mineur, G. 2: I. Adagio
Sonate pour violoncelle et pianoforte No.2 en Ut Mineur, G. 2: II. Allegro
Sonate pour violoncelle et pianoforte No.2 en Ut Mineur, G. 2: III. Allegretto
Symphony-Overture in D Major, G. 521: Allegro con molto spirito - Andantino - Allegro come prima
Petite messe solennelle: I. Kyrie. Kyrie eleison
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd3c3de622f47aa8732dcf1bcff0fa84b858af8e7b50516c8f8bb2d59f2342517. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2AlgKk82uOLl2gKFZWpVjJ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2AlgKk82uOLl2gKFZWpVjJ.
Petite messe solennelle: II. Kyrie. Christe eleison
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Petite messe solennelle: III. Kyrie. Kyrie eleison
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Petite messe solennelle: IV. Gloria. Gloria in excelsis Deo
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Petite messe solennelle: V. Gloria. Et in terra pax hominibus
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Petite messe solennelle: VI. Gloria. Gratias
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Petite messe solennelle: VII. Gloria. Domine Deus
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9a4192ac7409ff070e4746132f53e618403bd623cdab154076967a58a1f5e92b. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2XeRpbu2FFAI6SxyDCwYsn.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2XeRpbu2FFAI6SxyDCwYsn.
Petite messe solennelle: VIII. Gloria. Qui tollis
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Petite messe solennelle: IX. Gloria. Quoniam
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Petite messe solennelle: X. Gloria. Cum Sancto Spiritu
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Petite messe solennelle: XI. Credo. Credo in unum Deum
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Petite messe solennelle: XII. Credo. Crucifixus
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Petite messe solennelle: XIII. Credo. Et resurrexit
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Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi
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Petite messe solennelle: XV. Prélude religieux pendant l’Offertoire
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Petite messe solennelle: XVII. O salutaris
Petite messe solennelle: XVIII. Agnus Dei
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Les illuminations, Op. 18: IIIb. Antique
Les illuminations, Op. 18: VI. Interlude
Les illuminations, Op. 18: VII. Being Beauteous
3 Songs for "Les illuminations" (Orch. C. Matthews): I. Phrase
3 Songs for "Les illuminations" (Orch. C. Matthews): II. Aube
3 Songs for "Les illuminations" (Orch. C. Matthews): III. À une raison
Rondo concertante (Completed by C. Matthews): I. Allegro molto
Rondo concertante (Completed by C. Matthews): II. Lento
In Memoriam Dennis Brain (Completed by C. Matthews): I. Introduction
In Memoriam Dennis Brain (Completed by C. Matthews): II. Allegro
Variations for Piano (1965): I. Like an Improvisation
Variations for Piano (1965): III. Quick & Light
Movements for a Clarinet Concerto: I. Molto allegro (Completed by C. Matthews)
Movements for a Clarinet Concerto: II. Vivace (After "Mazurka elegiaca") [Arr. C. Matthews]
Movements for a Clarinet Concerto: III. Passacaglia (After Fragment of "Sonata for Orchestra") [Arr. C. Matthews]
Sonate en la mineur pour arpeggione et piano: I. Allegro moderato
Sonate en la mineur pour arpeggione et piano: II. Adagio
Sonate en la mineur pour arpeggione et piano: III. Allegretto
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Ich schleiche bang und still herum (romanze der Helene)
"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: I. "Gott, wie dein Name, so ist auch dein Ruhm" (Chorus)
"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: II. "Herr, so weit die Wolken gehen, gehet deines Namens Ruhm" (Aria)
"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: III. "Du süsser Jesus Name du" (Recitative)
"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: IV. "Jesus soll mein erstes Wort in dem neuen Jahre heissen" (Aria)
"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: V. "Und da du, Herr, gesagt" (Recitative)
"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: VI. "Lass uns das Jahr vollbringen zu Lob dem Namen dein" (Chorale)
"Jesu, nun sei gepreiset", BWV 41: I. "Jesu, nun sei gepreiset" (Chorus)
"Jesu, nun sei gepreiset", BWV 41: II. "Laß uns, o höchster Gott" (Aria)
"Jesu, nun sei gepreiset", BWV 41: "Ach! define Hand, dein Segen muß allein" (Recitative)
"Jesu, nun sei gepreiset", BWV 41: "Woferne du den edlen Frieden" (Aria)
"Jesu, nun sei gepreiset", BWV 41: "Doch weil der Feind Bei Tag und Nacht" (Recitative)
"Jesu, nun sei gepreiset", BWV 41: "Den ist allein die Ehre" (Chorale)
"Gottlob, nun geht das Jahr zu Ende" BWV 28: I. "Gottlob, nun geht das Jahr zu Ende" (Aria)
"Gottlob, nun geht das Jahr zu Ende" BWV 28: II. "Nun lob, mein Seel, den Herren" (Chorus)
"Gottlob, nun geht das Jahr zu Ende" BWV 28: III. "So spricht der Herr" (recitative - Arioso)
"Gottlob, nun geht das Jahr zu Ende" BWV 28: IV. "Gott ist ein Quell, wo Lauter Güte fleußt" (Recitative)
"Gottlob, nun geht das Jahr zu Ende" BWV 28: V. "Gott hat uns im heurigan Jahr gesegnet" (Aria)
"Gottlob, nun geht das Jahr zu Ende" BWV 28: VI. "All solch dein Güt wir preisen" (Chorale)
"Herr Gott, dich loben wir" BWV 16: I. "Herr Gott, dich loben wir" (Chorale)
"Herr Gott, dich loben wir" BWV 16: II. "So Stimmen wir bei dieser frohe Zeit" (Recitative)
"Herr Gott, dich loben wir" BWV 16: III. "Lasst uns jauchzen" (Aria)
"Herr Gott, dich loben wir" BWV 16: IV. "Ach treuer Hort, Beschütz auch ferner hin" (Recitative)
"Herr Gott, dich loben wir" BWV 16: V. "Geliebter Jesu, du allein" (Recitative)
"Herr Gott, dich loben wir" BWV 16: VI. "All solch dein Güt dein preisen" (Chorale)
Betulia liberata, K. 118, Parte prima: Overtura
Betulia liberata, K. 118, Parte prima: Recitativo "Popoli di Betulia, ah qual v'ingombra" (Ozia)
Betulia liberata, K. 118, Parte prima: Aria "D'Ogni colpa la colpa maggiore" (Ozia)
Betulia liberata, K. 118, Parte prima: Recitativo "E in che sperar?" (Cabri, Amital)
Betulia liberata, K. 118, Parte prima: Aria "Ma qual virtù non cede" (Cabri)
Betulia liberata, K. 118, Parte prima: Recitativo "Già le memorie antiche" (Ozia, Cabri, Amital)
Betulia liberata, K. 118, Parte prima: Aria "Non hai cor, se in mezzo a questi" (Amital)
Betulia liberata, K. 118, Parte prima: Recitativo "E qual pace sperate" (Ozia, Amital, Coro)
Betulia liberata, K. 118, Parte prima: Aria "Pietà, se irato sei" (Ozia, Coro)
Betulia liberata, K. 118, Parte prima: Recitativo "Chi è costei, che qual sorgente aurora" (Cabri, Amital, Ozia, Giuditta)
Betulia liberata, K. 118, Parte prima: Aria "Del pari infeconda" (Giuditta)
Betulia liberata, K. 118, Parte prima: Recitativo "Oh saggia, oh santa, oh eccelsa donna!" (Ozia, Cabri, Giuditta)
Betulia liberata, K. 118, Parte prima: Recitativo "Oh saggia, oh santa, oh eccelsa donna!" (Cabri, Amital, Ozia, Carmi)
Betulia liberata, K. 118, Parte prima: Aria " Terribile d'aspetto" (Achior)
Betulia liberata, K. 118, Parte prima: Recitativo "Ti consola, Achior" (Ozia)
Betulia liberata, K. 118, Parte prima: Aria "Parto inerme, e non pavento" (Giuditta)
Betulia liberata, K. 118, Parte prima: "Oh prodigio! Oh stupor!" (Coro)
Betulia liberata, K. 118, Parte seconda: Recitativo "Troppo mal corrisponde" (Achior, Ozia)
Betulia liberata, K. 118, Parte seconda: Aria "Se Dio veder tu vuoi" (Ozia)
Betulia liberata, K. 118, Parte seconda: Recitativo "Confuso io son" (Ozia, Achior, Amital)
Betulia liberata, K. 118, Parte seconda: Aria "Quel nocchier che in gran procella" (Amital)
Betulia liberata, K. 118, Parte seconda: Recitativo "Lungamente non dura" (Ozia, Amital, Cabri, Coro)
Betulia liberata, K. 118, Parte seconda: Aria "Prigionier che fa ritorno" (Giuditta)
Betulia liberata, K. 118, Parte seconda: Recitativo "io cedo" (Achior, Giuditta, Ozìa, Popoli, Amici)
Betulia liberata, K. 118, Parte seconda: Aria "Te solo adoro" ( Achior)
Betulia liberata, K. 118, Parte seconda: Recitativo "Dia tua vittoria un glorioso effetto" ( Ozia, Amital)
Betulia liberata, K. 118, Parte seconda: Aria "Con troppa rea viltà" (Amital)
Betulia liberata, K. 118, Parte seconda: Recitativo "Quanta cura hai di noi, Bonta Divina!" (Cabri, Carmi, Ozia)
Betulia liberata, K. 118, Parte seconda: Aria "Quei moti che senti" (Carmi)
Betulia liberata, K. 118, Parte seconda: Recitativo "Seguansi, o Carmi, i fuggitivi" (Ozia, Amital, Cabri, Giuditta)
Betulia liberata, K. 118, Parte seconda: "Lodi al gran Dio che oppresse" (Coro)
Stabat Mater in F Minor, P. 77: I. Stabat Mater dolorosa
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Stabat Mater in F Minor, P. 77: II. Cujus animam gementem
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Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat
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Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat
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Stabat Mater in F Minor, P. 77: V. Quis est homo qui non fleret
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Stabat Mater in F Minor, P. 77: VI. Vidit suum dulcem natum
Stabat Mater in F Minor, P. 77: VII. Eia Mater fons amoris
Stabat Mater in F Minor, P. 77: VIII. Fac ut ardeat cor meum
Stabat Mater in F Minor, P. 77: IX. Sancta Mater istud agas
Stabat Mater in F Minor, P. 77: X. Fac ut portem Christi mortem
Stabat Mater in F Minor, P. 77: XI. Inflammatus et accensus
Stabat Mater in F Minor, P. 77: XII. Quando corpus morietur
Salve Regina in G Major: I. Salve Regina
Salve Regina in G Major: II. Ad te clamamus
Salve Regina in G Major: III. Ad te suspiramus
Beatus vir qui timet in F Major: I. Beatus vir
Beatus vir qui timet in F Major: II. Exortum est
Beatus vir qui timet in F Major: III. Misericors
Beatus vir qui timet in F Major: IV. Iucundus homo
Beatus vir qui timet in F Major: V. Dispersit
Beatus vir qui timet in F Major: VI. Gloria
Beatus vir qui timet in F Major: VII. Sicut era
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Zaïs, Acte II, Scène 1: Charme des cœurs ambitieux (Zaïs)
Zaïs, Prologue, Scène 1: Éveillez-vous, troupe immortelle (Oromazès )
Zaïs, Acte II, Scène 2: Zélidie est tendre et fidèle (Zaïs, Cindor)
Zaïs, Prologue, Scène 1: Éveillez-vous, quittez pour jamais le repos (Chœur des Génies, Oromazès)
Zaïs, Acte II, Scène 2: D'un pouvoir enchanteur flatte son espérance (Zaïs)
Zaïs, Prologue, Scène 2: La naissante Aurore (Petit chœur des Sylphides, Chœur des Génies, Oromazès)
Zaïs, Acte II, Scène 3: Venez aimable Zélidie (Cindor, Zélidie)
Zaïs, Prologue, Scène 2: Les torrents s'ouvrent un passage (Oromazès)
Zaïs, Acte II, Scène 3: De ce séjour brillent ornements insensibles (Cindor)
Zaïs, Prologue, Scène 2: Chantez oiseaux, chantez votre aimable ramage (Une Sylphide)
Zaïs, Prologue, Scène 2: Terre, séjour délicieux (Chœur des Génies, des Sylphes et Sylphides, Oromazès)
Zaïs, Acte II, Scène 4: C'est l'Amour qui veille (Chœur des génies élémentaire et des empires, Sylphes et Sylphides)
Zaïs, Prologue, Scène 3: Connaissez le dieu du bonheur (Amour)
Zaïs, Acte II, Scène 4: Première et deuxième gavottes pour les Statues
Zaïs, Prologue, Scène 3: Entrée en sarabande pour les Jeux et les Plaisirs
Zaïs, Acte II, Scène 4: Un amant doit promettre (Une Sylphide)
Zaïs, Prologue, Scène 3: Première et deuxième gavottes pour les Jeux et les Plaisirs
Zaïs, Acte II, Scène 4: Tout ce que le soleil éclaire (Cindor, Zélidie)
Zaïs, Prologue, Scène 3: Que l'Amour soit votre maître (Amour)
Zaïs, Acte II, Scène 4: Aquilons rompez votre chaîne (Cindor, Chœur des Génies élémentaires et des empires)
Zaïs, Prologue, Scène 3: Premier et deuxième menuets pour les Jeux et les Plaisirs
Zaïs, Acte II, Scène 4: Tonnerre - Ciel ! quels éclats ! quelle terreur soudaine ! (Zélidie)
Zaïs, Prologue, Scène 3: Aimez, jouissez sans cesse (Chœur des Génies des Sylphes et des Sylphides, Amour)
Zaïs, Acte II, Scène 4: Zéphyrs, calmez la terre et l'onde (Cindor, Chœur des Génies élémentaires et des Empires, Sylphes et Sylphides)
Zaïs, Acte II, Scène 4: Premier air pour les Statues - mouvement de chaconne
Zaïs, Acte I, Scène 1: Génie égal aux dieux (Cindor, Zaïs)
Zaïs, Acte II, Scène 4: Pour le mortels les plus heureux (Cindor)
Zaïs, Acte I, Scène 2: Aimable Zélidie, un solennel oracle (Zaïs, Zélidie)
Zaïs, Acte II, Scène 4: Gigue pour les Statues
Zaïs, Acte I, Scène 2: Ce que je vois m'offre sans cesse (Zélidie, Zaïs)
Zaïs, Acte II, Scène 4: Pour les mortels les plus heureux (Cindor, Chœur des Génies élémentaires et des empires, Sylphes et Sylphides)
Zaïs, Acte I, Scène 3: Entrée pour les Bergers et les Bergères
Zaïs, Acte II, Scène 5: C'est à la suprême grandeur (Cindor, Zélidie)
Zaïs, Acte I, Scène 3: Accourons tous, que tout s'empresse (Chœur des Bergers et Bergères, Zaïs, Zélidie)
Zaïs, Acte II, Scène 6: Ô Ciel ! croirai-je ses discours (Zélidie)
Zaïs, Acte I, Scène 3: Entrée pour les Pâtres
Zaïs, Acte II, Scène 7: Ciel ! est-ce vous ? En croirai-je mes yeux (Zélidie, Zaïs)
Zaïs, Acte I, Scène 4: Unissez vos chants et vos vœux (La grande Prêtresse, Chœur des Prêtresses, Bergers et Bergères)
Zaïs, Acte II: EntrActe (Première gavotte pour les Statues)
Zaïs, Acte I, Scène 4: Air pour les Bergers et les Bergères
Zaïs, Acte III, Scène 1: Vous êtes obéi… par des alarmes vaines (Zaïs, Cindor)
Zaïs, Acte I, Scène 4: Dieu, souverain des dieux que l'Univers encense (La grande Prêtresse)
Zaïs, Acte I, Scène 4: Musette pour les Bergers et les Bergères
Zaïs, Acte I, Scène 4: Première et deuxième gavottes pour les Bergers et les Bergères
Zaïs, Acte I, Scène 4: Tous les biens qu'offre la fortune (Zélidie, La grande Prêtresse)
Zaïs, Acte I, Scène 4: Ces sons harmonieux m'annoncent sa présence (La grande Prêtresse, Zélidie, Zaïs, Chœur des Bergers)
Zaïs, Acte I, Scène 5: Ma puissance prépare à l'empire amoureux (Amour)
Vivaldi: In furore, laudate pueri e concerti sacri
In furore iustissimae irae, RV 626: I. Allegro
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In furore iustissimae irae, RV 626: II. Recitativo
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In furore iustissimae irae, RV 626: III. Largo
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In furore iustissimae irae, RV 626: IV. Allegro
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Sinfonia al santo sepolcro in B Minor, RV 169: I. Adagio molto
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Sinfonia al santo sepolcro in B Minor, RV 169: II. Allegro ma poco
Laudate pueri in G Major, RV 601 "Salmo 112": I. Laudate, pueri (Allegro non molto)
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Laudate pueri in G Major, RV 601 "Salmo 112": II. Sit nomen Domini (Allegro)
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Laudate pueri in G Major, RV 601 "Salmo 112": III. A solis ortu (Andante)
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Laudate pueri in G Major, RV 601 "Salmo 112": IV. Excelsus super omnes (Larghetto)
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Laudate pueri in G Major, RV 601 "Salmo 112": V. Suscitans a terra (Allegro molto)
Laudate pueri in G Major, RV 601 "Salmo 112": VI. Ut collecet eum (Allegro)
Laudate pueri in G Major, RV 601 "Salmo 112": VII. Gloria Patri e Filio (Largo)
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Laudate pueri in G Major, RV 601 "Salmo 112": VIII. Sicut erat in principio (Allegro non molto)
Laudate pueri in G Major, RV 601 "Salmo 112": IX. Amen (Allegro)
Concerto for Violin and Organ in D Minor, RV 541: I. Allegro
Concerto for Violin and Organ in D Minor, RV 541: II. Grave
Concerto for Violin and Organ in D Minor, RV 541: III. Allegro
Violin Concerto in F Major, RV 286 "Per la Solenità di San Lorenzo": I. Largo molto e spiccato - Andante molto
Violin Concerto in F Major, RV 286 "Per la Solenità di San Lorenzo": II. Largo
Violin Concerto in F Major, RV 286 "Per la Solenità di San Lorenzo": III. Allegro non molto
Les nuits d'été, H 81: No. 2, Le spectre de la rose
4 Poèmes d'Edmond Haraucourt, Op. 7: No. 2, Pleine eau
4 Poèmes d'Edmond Haraucourt, Op. 7: No. 4, Aux temps des fées
Suite bergamasque, L. 75: No. 3, Clair de lune
3 Poèmes de Stéphane Mallarmé, M. 64: No. 1, Soupir
3 Poèmes de Stéphane Mallarmé, M. 64: No. 2, Placet futile
3 Poèmes de Stéphane Mallarmé, M. 64: No. 3, Surgi de la croupe et du bond
6 Épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin
Quatre chansons françaises: No. 1, Nuits de juin
Quatre chansons françaises: No. 2, Sagesse
Quatre chansons françaises: No. 3, L'enfance
Quatre chansons françaises: No. 4, Chanson d'automne
R. Hahn - Le ruban dénoué - 12 valses à deux pianos et une mélodie: I - Décrets indolents du hasard - Moderato
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R. Hahn - Le ruban dénoué - 12 valses à deux pianos et une mélodie: II - Les soirs d'Albi - Vif et leste
R. Hahn - Le ruban dénoué - 12 valses à deux pianos et une mélodie: III - Souvenir ... Avenir ... - Mouvement de valse lente
R. Hahn - Le ruban dénoué - 12 valses à deux pianos et une mélodie: IV - Danse de l'amour et du chagrin - Même mouvement que la précédente
R. Hahn - Le ruban dénoué - 12 valses à deux pianos et une mélodie: V - Le demi-sommeil embaumé - Plus lent (Très capricieux, mais sans jamais presser)
R. Hahn - Le ruban dénoué - 12 valses à deux pianos et une mélodie: VI - L'anneau perdu - Molto vivo
R. Hahn - Le ruban dénoué - 12 valses à deux pianos et une mélodie: VII - Danse du doute et de l'espérance - Moderato
R. Hahn - Le ruban dénoué - 12 valses à deux pianos et une mélodie: VIII - La cage ouverte - Molto animato
R. Hahn - Le ruban dénoué - 12 valses à deux pianos et une mélodie: IX - Soir d'orage - Misterioso, non troppo lento
R. Hahn - Le ruban dénoué - 12 valses à deux pianos et une mélodie: X - Les baisers - Appassionato, non troppo presto
R. Hahn - Le ruban dénoué - 12 valses à deux pianos et une mélodie: XI - Il sorriso - Stesso tempo, mais très calme
R. Hahn - Le ruban dénoué - 12 valses à deux pianos et une mélodie: XII - Le seul amour - Presque lent, très senti
R. Hahn - Le ruban dénoué - 12 valses à deux pianos et une mélodie: R. Hahn - Puisque j'ai mis ma lèvre - Mélodie sur une poésie de Victor Hugo - Lent
E. Chabrier - Trois valses romantiques pour deux pianos: N°1 - Très vite et impétueusement
E. Chabrier - Trois valses romantiques pour deux pianos: N°2 - Mouvement modéré de valse
E. Chabrier - Trois valses romantiques pour deux pianos: N°3 - Animé
R. Hahn - Caprice Mélancolique pour deux pianos - Andantino poétique (presque allegretto) - Rêveusement, sans beaucoup de nuances
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R. Hahn - Pour bercer un convalescent pour deux pianos: I - Andantino sans lenteur
R. Hahn - Pour bercer un convalescent pour deux pianos: II - Andantino non lento
R. Hahn - Pour bercer un convalescent pour deux pianos: III - Andantino espressivo
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Trattado de Glosas: Recercadas ottava y quarta sobre 'La Folia'
Folias echa para mi Señora Doña Tarolilla de Carallenos
Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Preludio
Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Altra sarabanda
Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Scaramuccia
Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Giga
Il primo libro di Canzone (Arr. for Violoncello Piccolo): La suave melodia
Lamentación segunda del Jueves Santo: Nun. Tempo giusto
Il primo libro di Canzone (Arr. for Violoncello Piccolo): Su corrente
Lamentación segunda del Jueves Santo: Samech. Cantabile
Lamentación segunda del Jueves Santo: Lamed. Adagio
Cello Sonata No. 1 in D Minor: II. Allegro
Concerto No. 2 in G Minor: I. Affettuoso
Cello Sonata No. 1 in D Minor: III. Largo
Cello Sonata No. 1 in D Minor: IV. A tempo giusto
Cello Sonata No. 1 in D Major: I. Amoroso
San Ermenegildo: "Saprò ben con tanto piangere"
Cello Sonata No. 1 in D Major: II. Allegro
Cello Concerto No. 1 in F Major: I. Presto
Cello Sonata No. 1 in D Major: III. Menuet
Cello Concerto No. 1 in F Major: II. Allegro
Cello Concerto in D Minor, L. 60: I. Andante grazioso
Cello Concerto No. 1 in F Major: III. Largo
Cello Concerto in D Minor, L. 60: II. Con spirito
Cello Concerto No. 1 in F Major: IV. Allegro
Cello Concerto in D Minor, L. 60: III. Amoroso
L'isola disabitata: "Non turbar quand'io mi lagno"
Cello Concerto in D Minor, L. 60: IV. Allegro
Sonata intitolata Arlecchino, Arlecchinessa, Rosetta e Pulcinella (Arr. for Violoncello Piccolo): I. Arlecchinessa
Ifigenia in Aulide: "Tu, spietato, non farai"
Sonata intitolata Arlecchino, Arlecchinessa, Rosetta e Pulcinella (Arr. for Violoncello Piccolo): II. Arlecchino solo. Allegro staccato
Cello Sonata No. 7 in G Major, Op. 1: III. Largo
Sonata intitolata Arlecchino, Arlecchinessa, Rosetta e Pulcinella (Arr. for Violoncello Piccolo): III. Ninna Nanna
Cello Sonata No. 7 in G Major, Op. 1: II. Rondeau. Andante
Sonata intitolata Arlecchino, Arlecchinessa, Rosetta e Pulcinella (Arr. for Violoncello Piccolo): IV. Minuetto del pazzo
Temistocle: "Fiero il ciel balena intorno"
Sonata intitolata Arlecchino, Arlecchinessa, Rosetta e Pulcinella (Arr. for Violoncello Piccolo): V. Rosetta, Arlecchino, Arlecchinessa, e Pulcinella
Violin Concerto in B-Flat Major (Arr. for Violoncello Piccolo): II. Largo
Tarentella 'La vallubrella' (Arr. for Violoncello Piccolo)
3 Lieder aus Schillers "Wilhelm Tell", S. 292: No. 1, Der Fischerknabe (Es lächelt der See)
Mörike-Lieder: No. 23, Auf ein altes Bild
4 Gesänge aus 'Wilhelm Meister', D. 877: No. 3, Lied der Mignon [II]. Nicht zu langsam
4 Gesänge aus 'Wilhelm Meister', D. 877: No. 2, Lied der Mignon [I]. Langsam
6 Lieder, Op. 13: No. 2, Sie liebten sich beide
Clairières dans le ciel: No. 6, Si tout ceci n'est qu'un pauvre rêve
5 Poèmes de Baudelaire, CD 70: No. 4, Recueillement
Clairières dans le ciel: No. 8, Vous m'avez regardé avec toute votre âme
5 Poèmes de Baudelaire, CD 70: No. 3, Le jet d'eau
5 Poèmes de Baudelaire, CD 70: No. 5, La mort des amants
4 Gesänge aus 'Wilhelm Meister', D. 877: No. 4, Lied der Mignon [III]. Langsam
Mozart: Die verstellte Gärtnerin, K. 196 (Sung in German) [Live]
Die verstellte Gärtnerin, K. 196 (Sung in German): Overture [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Diesmal entkommst du mir nicht [Live]
Die verstellte Gärtnerin, K. 196, Act III (Sung in German): Vorhin im Wald [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Welches Vergnügen, welch frohe Tage [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Um deine Straf' zu fühlen [Live]
Die verstellte Gärtnerin, K. 196, Act III (Sung in German): Seht dort, wie Mund und Sonne sich balgen [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Es lebe meine reizende Gärtnerin [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Das ist keine Dame [Live]
Die verstellte Gärtnerin, K. 196, Act III (Sung in German): Ich habe genug von all dem Unfug [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Die Lerche, die von Maschen sich einmal freigewunden [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Nach der welchen Art und Weise [Live]
Die verstellte Gärtnerin, K. 196, Act III (Sung in German): Nun, mein Herr, ich wollte sagen [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Sperpetta! Beeilung [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Das Spiel gefällt mir [Live]
Die verstellte Gärtnerin, K. 196, Act III (Sung in German): Ramiro! Ich verstehe es nicht [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): In meiner Brust erschallet [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Lass mich die Reize [Live]
Die verstellte Gärtnerin, K. 196, Act III (Sung in German): Wenn du mich auch verlässest [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Grausames Schicksal [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Der küsst mir einfach die Hand [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Wir armen, guten Mädchen [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Es ertönt und spricht ganz leise [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Verdammt, meine Herrin will abreisen [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Ich bin ein Dummkopf [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Der Hammer zwingt das Eisen [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Wie, was, ein Fräulein und meine Nichte [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Arminda, liebste Nichte [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Arminda, so hören Sie doch [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Welche Pracht! [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Ach, schmeichelhafte Hoffnung [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Arminda, meine bezaubernde Braut [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Liebe Nichte! [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Wenn die Männer sich verlieben [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Verbleibe doch und höremich [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Nun, lieber Graf [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Wo steckt bloß meine Herrin? [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Hier vom Osten bis zum Westen [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Wer will die Welt genießen [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Könige, Kaiser? [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Ach, haltet, Barbaren [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Das Vergnügen in dem Eh'stand [1] [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Ach, vor Tränen, Schluchzen, Seufzen [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): So, so, Serpetta [Live]
Die verstellte Gärtnerin, K. 196, Act II (Sung in German): Hier in diesen Finsternissen [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Das Vergnügen in dem Eh'stand [2] [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Gut gekontert [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Sobald sie mich sehen [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Seufzend beklagt as Täubchen [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Ah, das ist wohl die Gärtnerin [Live]
Die verstellte Gärtnerin, K. 196, Act I (Sung in German): Himmel! Welch selt'ner Zufall [Live]
Ariane dans l'isle de Naxos: Scene. "Mais Thésée est absent…"
La Clemenza di Scipione, Op. 14: Duo "Me infelice che intendo…"
La Clemenza di Tito, Wq. 16: Aria. "Se mai senti…"
Alceste, Wq. 44: Aria. "Divinités du Styx…"
Fanny Morna, ou l'Écossaise: Aria. "Ô divinité tutélaire…"
L'Embarras des richesses: Aria. "Dès notre enfance unis tous deux…"
Renaud: Aria. "Barbare Amour, tyran des cœurs…"
Aucassin et Nicolette, ou Les mœurs du bon vieux tems: Aria. "Cher objet de ma pensée…"
Camille, ou Le souterrain: Duo. "Ciel protecteur des malheureux…"
Les Paladins, RCT 51, Act II Scene 1: Ritournelle
Les Paladins, RCT 51, Ouverture: Très vive
Les Paladins, RCT 51, Act II Scene 1: Récit. Mon cœur, tu n’as que peu d’instants (Anselme)
Les Paladins, RCT 51, Act II Scene 2: Récits. Mais quel bruit ! (Orcan, Anselme)
Les Paladins, RCT 51, Act II Scene 3: Récit. La, la, la (Argie, Anselme)
Les Paladins, RCT 51, Act I Scene 1: Air. Triste séjour, solitude ennuyeuse (Argie)
Les Paladins, RCT 51, Act II Scene 3: Air. Vous méditiez, perfide (Anselme)
Les Paladins, RCT 51, Act I Scene 1: Récits & Air. L’hymen qu’on vous prépare (Argie, Nérine)
Les Paladins, RCT 51, Act II Scene 3: Récit. Nommez l’auteur de ce dessein (Argie, Anselme)
Les Paladins, RCT 51, Act I Scene 1: Ariette vive. L’amant peu sensible et volage (Nérine)
Les Paladins, RCT 51, Act II Scene 4: Air. C’est ce poignard, perfide (Anselme)
Les Paladins, RCT 51, Act I Scenes 1 & 2: Récits & Trio. Argie, holà, Nérine (Argie, Nérine, Orcan)
Les Paladins, RCT 51, Act II Scene 5: Récit. Approche, Orcan (Orcan, Anselme)
Les Paladins, RCT 51, Act I Scene 3: Récit & Airs. Seras-tu toujours inflexible (Nérine, Orcan)
Les Paladins, RCT 51, Act I Scene 3: Air. Ma voix deviendrait plus sonore (Orcan)
Les Paladins, RCT 51, Act II Scene 6: Lent & Récit. Je puis donc me venger moi-même (Orcan)
Les Paladins, RCT 51, Act I Scene 3: Air. Ecoute, Orcan, écoute (Nérine)
Les Paladins, RCT 51, Act II Scene 7: Ariette. C’est trop soupirer (Nérine)
Les Paladins, RCT 51, Act I Scene 3: Récit & Duo vif. Tais-toi, tais-toi (Nérine, Orcan)
Les Paladins, RCT 51, Act II Scene 7: Récit. Le voilà cet amant (Nérine, Orcan)
Les Paladins, RCT 51, Act I Scenes 3 & 4: Annonces & Récits. Quels concerts insolents (Argie, Nérine, Orcan)
Les Paladins, RCT 51, Act II Scene 7: Duo & Récit. Non, non, je ne puis dire (Nérine, Orcan)
Les Paladins, RCT 51, Act I Scene 4: Air. Est-il beau comme le jour (Nérine)
Les Paladins, RCT 51, Act II Scene 8: Air de furie & Récit. Vengez l’innocence (Orcan, Atis)
Les Paladins, RCT 51, Act I Scene 4: Récit. Orcan veille de ce côté (Argie, Nérine)
Les Paladins, RCT 51, Act II Scene 8: Récit & Chœur. Démons, frappez (Atis, Orcan, Chœur)
Les Paladins, RCT 51, Act I Scene 5: Entrée de pèlerins
Les Paladins, RCT 51, Act II Scene 8: Air très vif. Je suis la furie (un Démon)
Les Paladins, RCT 51, Act I Scene 5: Ariette vive et gaie. Accourez, amants (Atis)
Les Paladins, RCT 51, Act II Scene 9: Récits. Monstre, vois la beauté (Argie, Atis, Orcan)
Les Paladins, RCT 51, Act I Scene 5: Gavotte gaie
Les Paladins, RCT 51, Act II Scene 10: Entrée de Paladines et ensuite Paladins
Les Paladins, RCT 51, Act I Scene 5: Air, Récits & Chœur. L’espoir nous mène au bout du monde (Argie, Atis, Chœur)
Les Paladins, RCT 51, Act II Scene 10: Récit. Vengeurs des beautés qu’on outrage (Atis)
Les Paladins, RCT 51, Act I Scene 5: Air. Quand sous l’amoureuse loi (Atis)
Les Paladins, RCT 51, Act II Scene 10: Air & Chœur. Formez les noeuds les plus charmants
Les Paladins, RCT 51, Act I Scene 5: Récit & Duo. C’est une fée enchanteresse (Argie, Atis)
Les Paladins, RCT 51, Act I Scene 5: Première gavotte gaie & deuxième gavotte
Les Paladins, RCT 51, Act I Scene 5: Air gai
Les Paladins, RCT 51, Act I Scene 6: Bruit de guerre & Récit. Fuyez le sort qui vous menace (Nérine, Atis, Orcan)
Les Paladins, RCT 51, Act I Scene 6: Air, Récit & Duo très vif. Je meurs de peur (Orcan, Atis)
Les Paladins, RCT 51, Act I Scene 6: Gay, Récits & Chœur. Belle Argie, obtenez ma grâce (Orcan, Nérine, Atis, Chœur)
Les Paladins, RCT 51, Act I Scene 6: Air gay
Les Paladins, RCT 51, Act I Scene 6: Chœur. Le joli, le gentil pèlerin (Argie, Nérine, Atis, Chœur)
Les Paladins, RCT 51, Act I Scene 6: Loure
Les Paladins, RCT 51, Act I Scene 6: Pantomime
Les Paladins, RCT 51, Act I Scene 6: Contredanse
Les Paladins, RCT 51, Act I Scene 6: Galop, Récit & Chœurs. Qu’ai-je entendu (Argie, Nérine, Atis, Orcan, Chœur)
Lotario, HWV 26: Aria "Scherza in mar la navicella"
Rinaldo, HWV 7a : Aria "Il vostro maggio"
Giulio Cesare In Egitto, HWV 17: Aria "Da tempeste"
Concerto Grosso No. 4 in A Minor, Op. 6: I. Larghetto affetuoso
Giulio Cesare In Egitto, HWV 17: Recitativo "E pur così"
Giulio Cesare In Egitto, HWV 17: Aria "Piangerò la sorte mia"
Concerto Grosso No. 4 in A Minor, Op. 6: II. Allegro
Lucrezia, HWV 45 : Aria "Alla salma infedel"
Amadigi Di Gaulo, HWV 11 : Aria "Desterò dall'empia Dite"
Concerto Grosso No. 6 in G Minor, Op. 6: I. Larghetto e affettuoso
Alcina, HWV 34: Aria "Tornami a vagheggiar"
Alcina, HWV 34: Aria "Lascia ch'io pianga"
Sieben Früher Lieder: III. Die Nachtigall
Vier Letzte Lieder: III. Beim Schlafengehen
Symphony No. 35 in B-Flat Major, Hob.I:35: I. Allegro di molto
Symphony No. 35 in B-Flat Major, Hob.I:35: II. Andante
Symphony No. 35 in B-Flat Major, Hob.I:35: III. Menuet. Un poco allegretto - Trio
Symphony No. 35 in B-Flat Major, Hob.I:35: IV. Finale. Presto
Symphony No. 45 in F-Sharp Minor, Hob.I:45 'Farewell': I. Allegro assai
Symphony No. 45 in F-Sharp Minor, Hob.I:45 'Farewell': II. Adagio
Symphony No. 45 in F-Sharp Minor, Hob.I:45 'Farewell': III. Menuet. Allegretto - Trio
Symphony No. 45 in F-Sharp Minor, Hob.I:45 'Farewell': IV. Finale. Presto
Symphony No. 45 in F-Sharp Minor, Hob.I:45 'Farewell': V. Adagio
Scena di Berenice, Hob.XXIVa:10: Recitativo 'Berenice, che fai?'
Scena di Berenice, Hob.XXIVa:10: 'Non partir... Me infelice'
Scena di Berenice, Hob.XXIVa:10: [Aria] 'Perché, se tanti siete'
Symphony No. 15 in D Major, Hob.I:15: I. Adagio - Presto - Adagio
Symphony No. 15 in D Major, Hob.I:15: II. Menuet - Trio
Symphony No. 15 in D Major, Hob.I:15: III. Andante
Symphony No. 15 in D Major, Hob.I:15: IV. Finale. Presto
Album pour mes petits amis, Op. 14: Chanson d'autrefois
Trois mélodies, Op. 11: Beaux papillons blancs
Spanisches Liederspiel, Op. 74: In der Nacht
3 Romances, Op. 11: II. Andante - Allegro passionato - Andante
3 Zweistimmige Lieder, Op. 43: Wenn ich ein Vöglein wär
Myrthen, Op. 25: XV. Aus Den Hebräischen Gesängen (Mein Herz I=st Schwer)
Dichterliebe, Op. 48: I. Im wunderschönen Monat Mai
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Dichterliebe, Op. 48: II. Aus meinen Tränen sprießen
Dichterliebe, Op. 48: III. Die Rose, die Lilie
Dichterliebe, Op. 48: IV. Wenn ich in deine Augen seh'
Dichterliebe, Op. 48: V. Ich will meine Seele tauchen
Dichterliebe, Op. 48: VI. Im Rhein, im heiligen Strome
Dichterliebe, Op. 48: VII. Ich grolle nicht
Dichterliebe, Op. 48: VIII. Und wüssten's die Blumen
Dichterliebe, Op. 48: IX. Das ist ein Flöten und Geigen
Dichterliebe, Op. 48: X. Hör' ich das Liedchen klingen
Dichterliebe, Op. 48: XI. Ein Jüngling liebt ein Mädchen
Dichterliebe, Op. 48: XII. Am leuchtenden Sommermorgen
Dichterliebe, Op. 48: XIII. Ich hab' im Traum geweinet
Dichterliebe, Op. 48: XIV. Allnächtlich im Traume
Dichterliebe, Op. 48: XV. Aus alten Märchen winkt es
Dichterliebe, Op. 48: XVI. Die alten, bösen Lieder
Sechs frühe Lieder Op. Post. (WoO 21): Kurzes Erwachen
5 Lieder und Gesänge, Op. 127: I. Sängers Trost
4 Gesänge, Op. 142: IV. Mein Wagen rollet langsam
Lieder und Balladen, 9 Gesänge aus Goethe's "Faust", erster Teil: I. Ach neige, du Schmerzenreiche
Lieder und Gesänge aus "Wilhelm Meister", Op. 98a: I. Mignon "Kennst du das Land?"
Lieder und Gesänge, Op. 127: II. Dein Angesicht
Fêtes Galantes I, CD 86: III. Clair de lune
Mörike Lieder: 7. Das verlassene Mägdlein
Banalités, FP 107: I. Chanson d’Orkenise
Banalités, FP 107: III. Fagnes de Wallonie
Despite and Still, Op. 41: IV. Solitary Hotel
Métamorphoses, FP 121: II. C’est ainsi que tu es
Three Dickinson Songs: I. As Imperceptibly as Grief
Three Dickinson Songs: II. Will There Really Be a Morning?
Three Dickinson Songs: III. Good Morning Midnight
Symphonie No. 4 en Ut Mineur, Op. 12, No. 4: I. Allegro assai
Symphonie No. 4 en Ut Mineur, Op. 12, No. 4: II. Largo non troppo
Symphonie No. 4 en Ut Mineur, Op. 12, No. 4: III. Allegro spiritoso
Didone abbandonata: "Io d'amore oh Dio mi moro" (Selena)
Endimione, W.G 15: "Semplicetto, ancor non sai" (Diana)
Symphonie No. 85 en Si Bémol Majeur, Hob I:85 "La Reine de France": I. Adagio. Vivace cantabile
Symphonie No. 85 en Si Bémol Majeur, Hob I:85 "La Reine de France": II. Romanza. Allegretto
Symphonie No. 85 en Si Bémol Majeur, Hob I:85 "La Reine de France": III. Menuetto. Allegretto
Symphonie No. 85 en Si Bémol Majeur, Hob I:85 "La Reine de France": IV. Finale. Presto
Violoncelles de l’Orchestre National de France
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Bachianas Brasileiras No. 1, W246: I. Introdução. Embolada
Bachianas Brasileiras No. 1, W246: II. Prelúdio. Modinha
Bachianas Brasileiras No. 1, W246: III. Fuga. Conversa
Bachianas Brasileiras No. 5, W389: I. Ária
Bachianas Brasileiras No. 5, W389: II. Dança
Le nozze di Figaro K. 492, Act IV: L'ho perduta, me meschina
Don Giovanni K. 527, Act II: Crudele ?... Non mi dir
La finta giardiniera K. 196, Act I: Geme la tortorella
Mitridate, re di Ponto K. 87, Act III: Ah ben ne fui presaga… pallid'ombre
Le nozze di Figaro K. 492, Act IV: giunse alfin il momento… deh vieni non tardar
La finta giardiniera K. 196, Act II: Crudeli, oh dio! Fermate… ah dal pianto
Idomeneo, K. 366, Act II: Se il padre perdei
Lucio Silla, K. 135, Act III: Sposo, mia vita… frà i pensieri
Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen - Arr. for choir and piano
Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras - Arr. for choir and piano
Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich - Arr. for choir and piano
Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind Deine Wohnungen - Arr. for choir and piano
Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit - Arr. for choir and piano
Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt - Arr. for choir and piano
Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten, die in dem Herren sterben - Arr. for choir and piano
L'Amant Jaloux, Act II, scena I: Air de Léonore "Je romps la chaîne qui m'engage"
Acis et Galatée, Act III, scena VIII: Air de Galat "Enfin, j'ai dissipé la crainte"
Anacréon, scena V: Air de l'Amour « l'Amour est le dieu de la paix »
Idoménée, Act IV, scena I: Air d'Ilione "Espoir des malheureux"
Scanderberg, Act III, scena VIII : Air de Galatée "Tout est prêt"
David et Jonathas: Act IV, scena III: Air de Jonathas "A-t-on jamais souffert"
Les Fêtes de Ramire, scena VII: Sarabande, 2 gavottes, 2 tambourins
Les Paladins, Act II, scena IX: Air d'Argie "Je vole, amour"
La Bohémienne, Act II, scena VII: Air de Nise "Pauvre Nise !"
Renaud, Act III, scena X: Air d'une Coryphée "Que l'éclat de la victoire se répande sur vos jours"
Les Indes Galantes, Act II, scena II: Air de Phani "Viens, hymen"
Poro, Re delle Indie, HWV 28 (Da metastasio): Ouverture
Poro, Re delle Indie HWV 28 (da metastasio): Duetto - "Caro! Dolce! Amico amplesso"
Orlando, HWV 31 (Da ariosto): Acte III, scène 8 - Recitativo
Orlando, HWV 31 (Da ariosto): Duetto - "Finchè prendi ancora il sangue"
Radamisto, HWV 12a (Haym): Acte II scène 13 - Recitativo
Radamisto, HWV 12a (Haym): Duetto "Se teco vive il cor"
Flavio, Re dei Longobardi, HWV 16 (Haym): Acte II scène 11 - Recitativo
Flavio, Re dei Longobardi, HWV 16 (Haym): "Mà chi punir desio"
Tamerlano, HWV 18 (Haym): Acte II scène 8 - Recitativo
Tamerlano, HWV 18 (Haym): "Più di una tigre altero"
Tamerlano, HWV 18 (Haym): Duetto - "Vivo in te"
Ezio, HWV 29 (Metastasio): Acte III scène 12 - Recitativo
Ezio, HWV 29 (Metastasio): "Ah! non son io che parlo"
Rinaldo, HWV 7a (Rossi): Acte I scène 6 - Recitativo
Rinaldo, HWV 7a (Rossi): Duetto - "Scherzano sul tuo volto"
Alessandro, HWV 21 (Rolli): Acte I scène 6 - Recitativo
Alessandro, HWV 21 (Rolli): "No, più soffrir non voglio"
Alessandro, HWV 21 (Rolli): Acte I scène 9 - Recitativo
Alessandro, HWV 21 (Rolli): "Da un breve riposo"
Amadigi di gaula, HWV 11 (Haym): Acte II scène 5 - Recitativo
Amadigi di gaula, HWV 11 (Haym): "Pena tiranna"
Ottone, Re di Germania, HWV 15 (Haym): Recitativo
Ottone, Re di Germania, HWV 15 (Haym): Duetto - "A' tenri affetti"
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Dans La Forêt Du Charme Et De L'enchantement Opus
La Candace RV 704: Atto I scena10 - "Certo timor ch'o in petto"
La Silvia RV 734: Atto II scena 9 - "E barbaro quel cor"
La Verità in cimento RV739: Atto I scena I - "Mi fe reo l'amor d'un figlio"
La Candace RV 704: Atto II Scena 9 - "Anima del cor moi"
La Candace RV 704: Atto III scena 1 - "Usiglio che piqngete"
La Verita in cimento RV 739: Atto III scena 3 - "Quando serve alla ragione"
La Silvia RV 734: Atto II scena 1 - "Quell'augellin"
La Silvia RV 734: Atto I scena 14 - "Mio cor s'io ti credessi"
Tito Manlio RV738-A: Atto II scena 9 - "Dar la morte a te mia vita"
Tieteberga RV 737: Atto III scena 11 - "L'inncocenza sfortunata"
Medea e Giasone RV 749.13: Se fido rivedro
La Silvia RV 734: Atto III scena 2 - "Sei tiranna se un ben fedel"
Tito Manlio RV 738-A: Atto II scena 2 - "D'improvviso riede il riso"
La Candace RV 704: Atto III scena 3 - "Chi s'oppone e miei voleri"
La Candace RV 704: Atto III scena 11 - "Io son fra l'onde"
Schoenberg, Berg, Webern,Quatuor Diotima
String Quartet n°2 in f sharp minor Op.10 (Massig)
String Quartet n°2 in f sharp minor Op.10 (Sehr Rasch)
String Quartet n°2 in f sharp minor Op.10 (Langsam, Litanei)
String Quartet n°2 in f sharp minor Op.10 (Sehr Langsam, Entrückung)
Six bagatelles for string quartet, op.9 (Massig)
Six bagatelles for string quartet, op.9 (Leight bewegt)
Six bagatelles for string quartet, op.9 (Ziemlich fliessend)
Six bagatelles for string quartet, op.9 (Sehr langsam)
Six bagatelles for string quartet, op.9 (Ausserst Langsam)
Six bagatelles for string quartet, op.9 (Fliessend)
Six bagatelles for string quartet, op.9 (Langsam. Schmerz immer, Blick nach oben)
Lyric suite, for string quartet , with voice (Allegro gioviale)
Lyric suite, for string quartet , with voice (Andante amorosoe)
Lyric suite, for string quartet , with voice (Allegro misterioso, Trio estatico)
Lyric suite, for string quartet , with voice (Adagio appassionato)
Lyric suite, for string quartet , with voice (Presto delirandoato)
Lyric suite, for string quartet , with voice (Largo desolato. De Profundis Clamavi)
Acte 2, sc 1: "Mercè del Vincitor…" (Ernando, Lelio)
Acte 3, sc 1: "Miseri affetti miei!…" (Scipione, Lelio, Ernando)
Acte 1, sc 1: "Abbiam vinto…" (Scipione aria)
Acte 2, sc 1: "Braccio si valoroso…" (Ernando aria)
Acte 3, sc 1: "Tutta rea la vita umana…" (Ernando aria)
Acte 1, sc 1: "A Tiberio…" (Scipione, Lelio, Berenice, Armira)
Acte 2, sc 2: "Tutta raccolta ancor…" (Berenice)
Acte 1, sc 1: "Scaccia, Oh Bella..." (Scipione)
Acte 2, sc 2: "Di libertade il dono…" (Scipione, Berenice)
Acte 3, sc 1: "Il poter quel che brami…" (Scipione aria)
Acte 1, sc 1: "Oh Lucejo!…" (Berenice, Lelio, Armira)
Acte 2, sc 2: "Pensa, Oh Bella…" (Scipione aria)
Acte 3, sc 2: "In questo luogo…" (Lelio, Berenice, Lucejo)
Acte 1, sc 1: "Un caro amante…" (Berenice aria)
Acte 2, sc 3: "Ecco, Oh Prence…" (Lelio, Lucejo, Berenice)
Acte 3, sc 2: "Se mormora…" (Lucejo aria)
Acte 2, sc 3: "Parto, fuggo…" (Lucejo aria)
Acte 3, sc 2: "Più resister non posso…" (Lelio)
Acte 1, sc 2: "Lamentandomi corro…" (Lucejo aria)
Acte 2, sc 3: "Seguilo, O Duce!…" (Berenice, Lelio)
Acte 3, sc 2: "Ah! Scipione…" (Berenice aria)
Acte 1, sc 3: "Oh quante grazie Amore…" (Scipione, Lelio)
Acte 2, sc 3: "Com'onda incalza…" (Berenice aria)
Acte 1, sc 4: "Libera chi non é…" (Armira)
Acte 2, sc 4: "Importuno tu sei…" (Armira Lelio)
Acte 1, sc 4: "Indeqna é…" (Lelio, Berenice)
Acte 2, sc 4: "Temo che lunsinghiero…" (Lelio aria)
Acte 1, sc 5: "No, non si teme…" (Lelio aria)
Acte 2, sc 4: "Lunsingarlo mi giova…" (Armira)
Acte 1, sc 5: "Oh! Sventurati…" (Berenice)
Acte 2, sc 4: "Voglio contenta allor…" (Armira aria)
Acte 1, sc 5: "Dolci aurette…" (Berenice aria)
Acte 2, sc 5: "Qui torno e qui…" (Armira aria)
Acte 1, sc 6: "Dimmi, carra…" (Lucejo aria)
Acte 2, sc 6: "Oh Bella!…" (Berenice, Lucejo, Armira)
Acte 1, sc 6: "Ah! T'ascondi…" (Berenice, Lucejo, Scipione)
Acte 2, sc 7: "Tanto s'arisce ancora…" (Scipione, Lucejo, Berenice)
Acte 2, sc 8: "Numi, lo difendete!…" (Berenice, Scipione, Lelio, Lucejo)
Acte 1, sc 8: "Giunsi a tempo…" (Lelio, Lucejo, Scipione)
Acte 2, sc 8: "Cedo a Roma…" (Lucejo aria)
Acte 1, sc 8: "Figlia di reo timor…" (Lucejo aria)
Acte 2, sc 8: "Signor, del tuo fisso…" (Berenice, Scipione)
Acte 2, sc 8: "Scoglio d'immora fronte…" (Berenice aria)
Antonio Lucio Vivaldi: Airs d'opéra et musique sacrée (Extraits de La fida ninfa, Atenaide, La Silvia...)
La fida ninfa RV 714: Aria Alma oppressa da sorte
In Furore iustissimae irae RV 626: Aria In Furore
La fida ninfa RV 714: Aria Dalla gioia e
La fida ninfa RV 714: Aria Il mio cor, a chi la
Laudate Pueri RV 601: Gloria Patri et Filio
La Candace RV 704: Aria Usignoli che piangete
La Candace RV 704: Aria Certo timor chho in petto
La Candace RV 704: Quartetto Anima del cor moi
La fida ninfa RV 714: Quartetto Cosi, su glocchi
In Furore iustissimae irae RV 626: Aria Tunc meus
In Furore iustissimae irae RV 626: Aria Alleluia
Atenaide RV 702-B: Aria Son colpevole a tuoi lumi
La fida ninfa RV 714: Trio Segli è ver, che la
La Resurrezione, HWV 47 - Arie 'Disserratevi, o porte d'Averno'
Theodora, HWV 68 - Recitativo 'O Though bright Sun'
Theodora, HWV 68 - Aria 'With darkness deep as in my woe'
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A Song for St Cecilia's Day, HWV 76 - Aria 'What passion cannot Music raise and quell'
Messiah, HWV 56 - Aria 'Rejoice greatly'
Alexander Balus, HWV 65 - Aria 'O take me from this hateful light'
Alexander Balus, HWV 65 - Recitative 'Forgive, O queen'
Alexander Balus, HWV 65 - Accompagnato 'Calm Thou my soul'
Alexander Balus, HWV 65 - Aria 'Convey me to some peaceful shore'
Joseph and His Brethren, HWV 59 - Recitative 'Art thou not Zaphnath? Is not Egypt sa
Joseph and His Brethren, HWV 59 - Aria 'Prophetic raptures swell my breast'
L'Allegro, Il Penseroso, Ed Il Moderato, HWV 55 - Duet 'As steals the morn upon the night'
Solomon, HWV 67 - Symphony ('The Arrival of the Queen of Sheba')
L'Allegro, Il Penseroso, Ed Il Moderato, HWV 55 - Accompagnato 'First and chief on golden wing'
L'Allegro, Il Pensero, Ed Moderato, HWV 55 - Aria 'Sweet bird'
Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313 - Largo
Samson, HWV 57 - Aria 'Let the bright seraphims'
Il Trionfo del Tempo e del Disinganno, HWV 46a - Accompagnato 'Pure del cielo'
Il Trionfo del Tempo e del Disinganno, HWV 46a - Aria 'Tu del Ciel ministro eletto'
Preise, Jerusalem, den Herrn BWV 119: I. Chorus, "Preise, Jerusalem, den Herrn"
Preise, Jerusalem, den Herrn BWV 119: II. Recitative, "Gesegnet Land!"
Preise, Jerusalem, den Herrn BWV 119: III. Aria, "Wohl dir, du Volk der Linden"
Preise, Jerusalem, den Herrn BWV 119: IV. Recitative, "So herrlich stehst du, lieve Stadt!"
Preise, Jerusalem, den Herrn BWV 119: V. Aria, "Die Obrigkeit ist Gottes Gabe"
Preise, Jerusalem, den Herrn BWV 119: VI. Recitative, "Nun! wir erkennen es und bringen dir"
Preise, Jerusalem, den Herrn BWV 119: VII. Chorus, "Der Herr hat Guts an uns getan"
Preise, Jerusalem, den Herrn BWV 119: VIII. Recitative, "Zuletzt!"
Preise, Jerusalem, den Herrn BWV 119: IX. Chorale, "Hilf deinem Volk, Herr Jesu Christ"
Gott, man lobet dich in der Stille, BWV 120: I. Aria, "Gott man lobet dich in der Stille"
Gott, man lobet dich in der Stille, BWV 120: II. Chorus, "Jauchzet, ihr erfreuten"
Gott, man lobet dich in der Stille, BWV 120: III. Recitative, "Auf! du geliebte Lindenstadt"
Gott, man lobet dich in der Stille, BWV 120: IV. Aria, "Heil und Segen soll und muß"
Gott, man lobet dich in der Stille, BWV 120: V. Recitative, "Nun, Herr, so weihe selbst das Regiment"
Gott, man lobet dich in der Stille, BWV 120: VI. Chorale, "Nun hilf uns, Herr, den Dienern dein"
Lobe den Herrn, meine Seele, BWV 69: I. Chorus, "Lobe den Herrn, meine Seele"
Lobe den Herrn, meine Seele, BWV 69: II. Recitative, "Wie groß ist Gottes Güte doch!"
Lobe den Herrn, meine Seele, BWV 69: III. Aria, "Meine Seele, auf! erzähle"
Lobe den Herrn, meine Seele, BWV 69: IV. Recitative, "Der Herr hat große Ding an ans getan"
Lobe den Herrn, meine Seele, BWV 69: V. Aria, "Mein Erlöser und Erhalter"
Lobe den Herrn, meine Seele, BWV 69: VI. Chorale, "Es danke, Gott, und lobe dich"
Poro, Re delle indie, HWV 28: (Da metastasio)
Poro, Re delle indie, HWV 28: (Da metastasio) Duetto
Orlando, HWV 31: (Da ariosto) Recitativo (III, 8)
Orlando, HWV 31: (Da ariosto) Duetto Angelica
Radamisto, HWV 12a: (Haym) Recitativo (II, 13)
Radamisto, HWV 12a: (Haym) Duetto Radamisto e Zenobia
Flavio, Re dei longobardi, HWV 16: (Haym) Recitativo
Flavio, Re dei longobardi, HWV 16: (Haym) Aria
Tamerlano, HWV 18: (Haym) Recitativo (II, 8)
Tamerlano, HWV 18: (Haym) Aria Andronico
Tamerlano, HWV 18: (Haym) Duetto Asteria e Andronico
Ezio, HWV 29: (Metastasio) Recitativo (III, 12)
Rinaldo, HWV 7a: (Rossi) Recitativo (I, 6)
Rinaldo, HWV 7a: (Rossi) Duetto Almirena e Rinaldo
Alessandro, HWV 21: (Rolli) Recitativo (I, 6)
Alessandro, HWV 21: (Rolli) Aria Lisaura
Alessandro, HWV 21: (Rolli) Recitativo (I, 9)
Alessandro, HWV 21: (Rolli) Aria Alessandro
Amadigi di gaula, HWV 11: (Haym) Recitativo (II, 5)
Amadigi di gaula, HWV 11: (Haym) Aria Dardano
Ottone, Re di germania, HWV 15: (Haym) Recitativo
The Creation, Hob. XXI:2, Pt. 1: Introduction. The Representation of Chaos - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 3: No. 29, Orchestral Introduction – Recit. Rosy Mantle Now Appears - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 1: No. 1, Recit. In the Beginning God Created the Heaven and the Earth – and the Spirit of God - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 3: No. 30, Duet & Chorus. By Thee with Bliss, O Bounteous Lord - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 1: No. 2. Aria. Now Vanish Before The Holy Beams – Despairing, Cursing Rage - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 3: No. 31, Recit. Our Duty Have We Now Perform'd - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 1: No. 3, Recit. And God Made The Firmament - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 3: No. 32, Duet. Graceful Consort! - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 1: No. 4, Solo. The Glorious Heav'nly Hierarchy - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 3: No. 33, Recit. O Happy Pair - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 1: No. 5, Recit. And God Said: Let the Waters Under the Heaven Be Gathered Together - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 3: No. 34, Final Chorus. Praise The Lord, Uplift Your Voices - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 1: No. 6, Aria. Rolling in Foaming Billows - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 1: No. 7, Recit. And God Said: Let the Earth Bring Forth Grass - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 1: No. 8, Aria. With Verdure Clad the Fields Appear - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 1: No. 9, Recit. And the Heavenly Host the Third Day Proclaimed - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 1: No. 10, Chorus. Awake the Harp, the Lyre Awake - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 1: No. 11, Recit. And God Said: Let There Be Lights in the Firmament of Heaven - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 1: No. 12, Recit. In Brightest Splendour Rises Now the Sun - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 1: No. 13, Chorus. The Heavens Are Telling the Glory of God - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 2: No. 14, Recit. And God Said: Let the Waters Bring Forth Abundantly - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 2: No. 15, Aria. On Mighty Pens Uplifted Soars the Eagle - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 2: No. 16, Recit. And God Created Great Whales - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 2: No. 17, Recit. And The Angels Struck Their Immortal Harps - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 2: No. 18, Trio. Most Beautiful Appear – No. 19, Trio & Chorus. The Lord Is Great - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 2: No. 20, Recit. And God Said: Let the Earth Bring Forth the Living Creature - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 2: No. 21, Recit. Straight Opening Her Fertile Womb - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 2: No. 22, Aria. Now Heaven in Fullest Glory Shines - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 2: No. 23, Recit. And God Created Man - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 2: No. 24, Aria. In Native Worth and Honour Clad - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 2: No. 25, Recit. And God Saw Ev'rything That He Had Made - English Text, Ed. McCreesh
The Creation, Hob. XXI:2, Pt. 2: No. 26, 27, 28, Achieved Is the Glorious Work - English Text, Ed. McCreesh
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Sept chansons pour Gladys Op.151: I. M'a Dit Amour
Sept chansons pour Gladys Op.151: II. Tu Croyais le Tenir
Sept chansons pour Gladys Op.151: III. Prise au Piège
Sept chansons pour Gladys Op.151: IV. La Naïade
Sept chansons pour Gladys Op.151: V. Le Cyclone
Sept chansons pour Gladys Op.151: VI. La Colombe
Sept chansons pour Gladys Op.151: VII. Fatum
Vier Lieder Op.2: II. Schenk mir deinen goldenen Kamm
Caplet: Conte fantastique, septuor, les prières
Deux sonnets: I. "Quand reverrai-je, hélas !…"
Septuor "à cordes vocales et instrumentales"
Offenbach: La Grande Duchesse de Gerolstein
La Grande Duchess de Gerolstein, Acte II (suite et fin): No 10: Duetto 'Oui Général quelqu'un vous aime' (Duchesse/Fritz)
Offenbach: La Grande-Duchesse de Gérolstein, Act 1: Overture
Offenbach: La Grande-Duchesse de Gérolstein, Act 2: "Dites lui qu'on l'a remarqué" (Duchesse, Fritz)
La Grande Duchess de Gerolstein, Acte I: No 1: Allegro 'En attendant que l'heure sonne' (Choeur)
La Grande Duchess de Gerolstein, Acte II (suite et fin): Récit: 'Altesse...qui vient?' (Nepomuc/Duchesse/Fritz/Boum)
La Grande Duchess de Gerolstein, Acte I: No 1: Maestoso 'O Mon Fritz...' (Wanda/Fritz)
La Grande Duchess de Gerolstein, Acte II (suite et fin): Mélodrame: 'Faites entrer ces messieurs' (Duchesse/Boum/Puck/Paul)
La Grande Duchess de Gerolstein, Acte I: No 1: Chanson et Valse 'Allez jeunes filles, valsez et tournez...' (Fritz/Choeur/Wanda)
La Grande Duchess de Gerolstein, Acte II (suite et fin): No 12: Final 'Toute la ville est pavoisée' (Choeur/Tous)
La Grande Duchess de Gerolstein, Acte I: No 1: Allegro 'Des femmes, dans nos camps!' (Boum/Fritz)
La Grande Duchess de Gerolstein, Acte II (suite et fin): No 12: Final 'Voila la Notaire' (Tous)
Offenbach: La Grande-Duchesse de Gérolstein, Act 1: "A cheval sur la discipline ... " (Boum, Chorus, Fritz)
La Grande Duchess de Gerolstein, Acte II (suite et fin): No 12: Final couplets de la Plume 'Elle n'a rien écrit encore' (Duchesse/Choeur)
La Grande Duchess de Gerolstein, Acte I: Récit: 'Vive le général Boum...' (Choeur/Boum/Fritz/Népomuc)
La Grande Duchess de Gerolstein, Acte II (suite et fin): No 12: Final Allegro 'Oui j'entend, je comprend' (Fritz/Wanda/Paul/Nepomuc/Puck/Boum/Duchesse)
Offenbach: La Grande-Duchesse de Gérolstein, Act 1: "Et Pif, Paf, Pouf" (Chorus, Fritz, Boum)
La Grande Duchess de Gerolstein, Acte I: No 2: Duo 'Me voici! Me voici!' (Wanda/Fritz)
Offenbach: La Grande-Duchesse de Gérolstein, Act 2: "Le carillon de ma grand-mére" (Duchesse, All)
La Grande Duchess de Gerolstein, Acte I: Récit: 'Ah! tu es pris...' (Boum/Wanda/Fritz/Puck/Nepomuc)
La Grande Duchess de Gerolstein, Acte III (Tableau 1): No 13: Entracte
La Grande Duchess de Gerolstein, Acte I: No 3a: 'Portez armes...' (Choeur)
La Grande Duchess de Gerolstein, Acte III (Tableau 1): Récit: 'La voici donc la chambre' (Duchesse)
La Grande-duchesse de Gérolstein, Act 1: "Vouz aimez le danger" (Duchesse)
La Grande Duchess de Gerolstein, Acte III (Tableau 1): No 13 bis: Méditation 'Les voici donc ces murs' (Duchesse)
Offenbach: La Grande-Duchesse de Gérolstein, Act 1: "Ah! que j'aime les militaires" (Duchesse, Fritz, Puck, Boum, Chorus)
La Grande Duchess de Gerolstein, Acte III (Tableau 1): Récit: 'Ah! Le signal' (Duchesse/Boum)
La Grande Duchess de Gerolstein, Acte I: Récit: 'Vive la Grande Duchesse' (l'armée/Duchesse/Boum/Fritz/Puck)
La Grande Duchess de Gerolstein, Acte III (Tableau 1): No 14 bis: Duetto 'O grandes leçons du passé' (Duchesse/Boum)
Offenbach: La Grande-Duchesse de Gérolstein, Act 1: "Ah! C'est un fameux regiment" (Duchesse, Chorus, All)
La Grande Duchess de Gerolstein, Acte III (Tableau 1): Récit: 'Bien Général, ou sont vos soldats?' (Duchesse/Boum/Puck/Paul/Grog/Nepomuc)
La Grande Duchess de Gerolstein, Acte I: Récit: 'Madame...madame!' (Nepomuc/Duchesse/Boum)
La Grande Duchess de Gerolstein, Acte III (Tableau 1): No 15: Scéne et choeur de la Conspiration 'Sortez, sortez de ce couloir' (Choeur/Boum/Puck/Paul/Grog/Nepomuc)
La Grande Duchess de Gerolstein, Acte I: No 4 bis: Chouer de sortie 'Sonnez donc la trompette....' (Choeur)
La Grande Duchess de Gerolstein, Acte I: Récit: 'Mon Dieu...vous avez vu?' (Duchesse/Paul)
La Grande Duchess de Gerolstein, Acte I: No 5: Chronique de la gazette Hollande 'Pour épouser une Princesse' (Paul/Duchesse)
La Grande Duchess de Gerolstein, Acte I: Récit: 'Et voila!' (Fritz/Duchesse/Paul/Boum/Puck)
La Grande Duchess de Gerolstein, Acte I: No 6: Allegro Marziale 'Ils vont tous partir pour la guerre' (Choeur/Tous)
Offenbach: La Grande-Duchesse de Gérolstein, Act 1: "Voici le sabre de mon père" (Duchesse, All)
La Grande Duchess de Gerolstein, Acte I: No 6: Final 'Vous pouvez sans terreur...' (Fritz/Tous)
La Grande Duchess de Gerolstein, Acte I: No 6: Marche militaire 'Adieu, adieu, tu pars...' (Tous)
La Grande Duchess de Gerolstein, Acte II: No 7: Entracte
La Grande Duchess de Gerolstein, Acte II: No 8: Choeur et couplets 'Enfin la guerre est terminée' (Choeur des demoiselles d'honneur)
La Grande Duchess de Gerolstein, Acte II: Récit et No 8 bis: 'Mesdemoiselles, mesdemoiselles, bonjour' (Paul/Demoiselles d'honneur/Nepomuc)
La Grande Duchess de Gerolstein, Acte II: Récit: 'Ah! Messieurs! Grog je le vois' (Paul/Puck/Boum)
La Grande Duchess de Gerolstein, Acte II: No 11: Trio bouffe et Ballade 'Ne devinez vous pas, c'est une sombre histoire' (Boum/Puck/Paul)
La Grande Duchess de Gerolstein, Acte II: Récit: 'Donc, c'est d'accord' (Paul/Puck/Boum)
La Grande Duchess de Gerolstein, Acte II: No 9: Retour de la guerre 'Apres la victoire' (Choeur/Fritz/Duchesse)
La Grande Duchess de Gerolstein, Acte II: No 9: Rondo de Fritz 'En trés bon ordre nous partîmes' (Fritz)
La Grande Duchess de Gerolstein, Acte II: Récit et Choeur de sorite No 9 bis: 'Magnifique! Vous parlez comme vous combattez' (Fritz/Duchesse)
La Grande Duchess de Gerolstein, Acte II: Récit: 'Plus personne! Seuls!' (Duchesse/Fritz)
Morte di Lucretia: Ferma, ferma Tarquinio il passo
Morte di Lucretia: Dove vai, crudo spietato
Morte di Lucretia: Ma folle! e che vaneggi
Morte di Lucretia: Trionfo, ben che morta
Il martirio dei santi Vito, Modesto e Crescenzia: Sinfonia
Lucretia Romana (Lasciato havea l'adultero superbo), H. 377: Lasciato havea
Lucretia Romana (Lasciato havea l'adultero superbo), H. 377: Barbaro, hai vinto
Lucretia Romana (Lasciato havea l'adultero superbo), H. 377: Ma crudel, dove n'andrai
Lucretia Romana (Lasciato havea l'adultero superbo), H. 377: Voi genitor, voi consorte
Lucretia Romana (Lasciato havea l'adultero superbo), H. 377: Dove quel ferro istesso
Lucretia Romana (Lasciato havea l'adultero superbo), H. 377: Sò ch'il mondo dirà che s'io volea farmi
Lucretia Romana (Lasciato havea l'adultero superbo), H. 377: Si, si, corri alla morte
Concerto a Cinque in F Minor, Op. 1 No. 7, S.C792: I. Adagio e staccato
Concerto a Cinque in F Minor, Op. 1 No. 7, S.C792: II. Allegro – Largo
Concerto a Cinque in F Minor, Op. 1 No. 7, S.C792: III. Adagio
Concerto a Cinque in F Minor, Op. 1 No. 7, S.C792: IV. Presto
Lucrezia, HWV 145: Gia superbo del mio affanno
Lucrezia, HWV 145: Ma voi forse nel cielo
Lucrezia, S.169: E s'al ciel giunger saprai
Lucrezia, S.169: Voi, genitor, voi, consorte
La Candace, RV 704: Certo timor ch'o in petto
La verità in cimento, RV 739: Mi fe reo l'amor d'un figlio
La Candace, RV 704: Usiglio che piqngete
La verita in cimento, RV 739: Quando serve alla ragione
La Silvia, RV 734: Mio cor s'io ti credessi
Tito Manlio, RV 738: Dar la morte a te mia vita
Tieteberga, RV 737: L'inncocenza sfortunata
Medea e Giasone, RV 749.13: Se fido rivedro
La Silvia, RV 734: Sei tiranna se un ben fedel
Tito Manlio, RV 738: D'improvviso riede il riso
La Candace, RV 704: Chi s'oppone e miei voleri
Requiem in D Minor, K. 626: I. Requiem æternam (Introitus)
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Requiem in D Minor, K. 626: IV. Domine Jesu Christe (Offertorium)
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Requiem in D Minor, K. 626: III. Tuba mirum (Sequenz)
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Mozart: Vesperae solennes de confessore, K. 339: V. Laudate Dominum
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa7719bf55193618a46fea1ac4bc98d94fd9bfce4f6880f2b56ee159796b1bb1c. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/45lWwqRF0t2fsjqQYsxbrC.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/45lWwqRF0t2fsjqQYsxbrC.
Herr Gott, dich loben wir BWV 16: Aria and Chorus: Laßt uns jauchzen
Requiem in D Minor, K. 626: III. Recordare (Sequenz)
Requiem in D Minor, K. 626: V. Benedictus (Sanctus)
Requiem in D Minor, K. 626: VII. Lux æterna (Communio)
Ich habe genung BWV 82: Aria: Ich habe genung
Herr, deine Augen sehen nach dem Glauben BWV 102: Chorale: Heut lebst du, heut bekehre dich - Seconda parte