1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x05fed380f7fc5a0f503483eded14eaba704cd21e6efc9e769854163df324034c. Chain 2 (Bitcoin): anchored in block 953407 (2026-06-12T19:24:56Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/d2cd7616-d1ff-4b27-bcd5-b3d0b7a9ec2c.json and https://artists.proofprofile.net/proofs/artist/d2cd7616-d1ff-4b27-bcd5-b3d0b7a9ec2c.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
But Rome and All Her Legions (Caractacus)
Now Your Days of Philandering Are Over (Marriage of Figaro)
Piano Trio No.2 in E flat Op.100: I. Allegro
Piano Trio No.2 in E flat Op.100: II. Andate con moto
Piano Trio No.2 in E flat Op.100: III. Scherzo (Allegro moderato - Trio)
Piano Trio No.2 in E flat Op.100: IV. Allegro moderato
String Quartet No.14 in D Minor (Death and the Maiden): I. Allegro
String Quartet No.14 in D Minor (Death and the Maiden): II. Andante con Moto
String Quartet No.14 in D Minor (Death and the Maiden): III. Scherzo (Allegro molto)
String Quartet No.14 in D Minor (Death and the Maiden): IV. Presto
Mussorgsky: Pictures at an Exhibition, Dawn on the Moskva River
Pictures at an Exhibition: III. Promenade
Pictures at an Exhibition: IV. The Old Castle
Pictures at an Exhibition: VI. Tuileries
Pictures at an Exhibition: VIII. Promenade
Pictures at an Exhibition: IX. Ballet of Little Chicks in Their Shells
Pictures at an Exhibition: X. Two Polish Jews (Samuil Goldenberg and Schmuyle)
Pictures at an Exhibition: XII. Catacombs
Pictures at an Exhibition: XIII. Cum Mortuis in Lingua Mortua (Among the Dead in the Language of the Dead)
Pictures at an Exhibition: XIV. The Hut on Hen's Legs
Pictures at an Exhibition: XV. The Great Gate of Kiev
Khovanshchina: Prelude. Dawn on the Moskva River
Mozart: Die Zauberflöte, K. 620 (Highlights)
Die Zauberflöte, K. 620, Act I: Arie. Der Vogelfänger bin ich ja
Die Zauberflöte, K. 620, Act I: Arie. Dies Bildnis ist bezaubernd schön
Die Zauberflöte, K. 620, Act I: Rezitativ und Arie. O zittre nicht
Die Zauberflöte, K. 620, Act I: Quintett. Hm! Hm! Hm! Hm!
Die Zauberflöte, K. 620, Act I: Duett. Bei Männern, welche Liebe fühlen
Die Zauberflöte, K. 620, Act I: Erster Finale. Wie stark ist nicht dein Zauberton - Excerpt
Die Zauberflöte, K. 620, Act I: Erster Finale. Schnelle Füße, rascher Mut
Die Zauberflöte, K. 620, Act II: Arie mit Chor. O Isis und Osiris
Die Zauberflöte, K. 620, Act II: Duett. Bewahret euch vor Weibertücken
Die Zauberflöte, K. 620, Act II: Quintett. Wie? Wie? Wie?
Die Zauberflöte, K. 620, Act II: Arie. Alles fühlt der Liebe Freuden
Die Zauberflöte, K. 620, Act II: Arie. Der Hölle Rache kocht in meinem Herzen
Die Zauberflöte, K. 620, Act II: Arie. In diesen heil'gen Hallen
Die Zauberflöte, K. 620, Act II: Terzett. Seid uns zum zweitenmal willkommen
Die Zauberflöte, K. 620, Act II: Arie. Ach, ich fühl's
Die Zauberflöte, K. 620, Act II: Chor. O Isis und Osiris, welche Wonne!
Die Zauberflöte, K. 620, Act II: Terzett. Soll ich dich, Teurer, nicht mehr seh'n?
Die Zauberflöte, K. 620, Act II: Arie. Ein Mädchen oder Weibchen
Die Zauberflöte, K. 620, Act II: Zweites Finale. Tamino mein! O welch ein Glück! - Excerpt
Die Zauberflöte, K. 620, Act II: Dreiter Finale. Wir wandeln durch des Tones Macht
Die Zauberflöte, K. 620, Act II: Dreiter Finale. Papagena! Papagena! Papagena!
Die Zauberflöte, K. 620, Act II: Monolog. Nicht wahr, Tamino, ich kann auch schweigen
Asrael, Symphony for Large Orchestra in C Minor, Op. 27: I. Andante sostenuto
Asrael, Symphony for Large Orchestra in C Minor, Op. 27: II. Andante
Asrael, Symphony for Large Orchestra in C Minor, Op. 27: III. Vivace
Asrael, Symphony for Large Orchestra in C Minor, Op. 27: IV. Adagio
Asrael, Symphony for Large Orchestra in C Minor, Op. 27: V. Adagio e maestoso - Allegro appassionato
H.M.S. Pinafore, Act I: Introduction and Opening Chorus. We Sail the Ocean Blue
H.M.S. Pinafore, Act I: Recitative and Aria. I'm Called Little Buttercup
H.M.S. Pinafore, Act I: Recitative. But Tell Me Who's the Youth
H.M.S. Pinafore, Act I: Madrigal. The Nightingale
H.M.S. Pinafore, Act I: Ballad. A Maiden Fair to See
H.M.S. Pinafore, Act I: Recitative and Song. My Gallant Crew
H.M.S. Pinafore, Act I: Recitative. Sir, You Are Sad!
H.M.S. Pinafore, Act I: Ballad. Sorry Her Lot
H.M.S. Pinafore, Act I: Barcarolle. Over the Bright Blue Sea
H.M.S. Pinafore, Act I: Sir Joseph's Barge is Seen
H.M.S. Pinafore, Act I: Now Give Three Cheers
H.M.S. Pinafore, Act I: Song. When I Was a Lad
H.M.S. Pinafore, Act I: For I Hold That on the Seas
H.M.S. Pinafore, Act I: Glee. A British Tar
H.M.S. Pinafore, Act I: Duet. Refrain, Audacious Tar
H.M.S. Pinafore, Act I: Finale. Can I Survive This Overbearing?
H.M.S. Pinafore, Act II: Song. Fair Moon, to Thee I Sing
H.M.S. Pinafore, Act II: Duet. Things Are Seldom What They Seem
H.M.S. Pinafore, Act II: Scena. The Hours Creep On Apace
H.M.S. Pinafore, Act II: Trio. Never Mind the Why and Wherefore
H.M.S. Pinafore, Act II: Duet. Kind Captain, I've Important Information
H.M.S. Pinafore, Act II: Soli and Chorus. Carefully on Tiptoe Stealing
H.M.S. Pinafore, Act II: Octet and Chorus. Farewell, My Own!
H.M.S. Pinafore, Act II: Song. A Many Years Ago
H.M.S. Pinafore, Act II: Finale. O Joy, Oh Rapture Unforeseen!
Gluck: Alceste, Wq. 44 (Sung in French) [Live Recordings 1981]
Royal Opera House Orchestra at Covent Garden
Alceste (Sung in French): Act II: Parez vos fronts de fleurs nouvelles (Chorus, Leader of the Chorus)
Alceste (Sung in French): Act I: Dieux! rendez-nous roi, notre pere (Chorus, Herald, Leader of the Chorus, Evander)
Alceste (Sung in French): Act II: Grands Dieux! soutenez mon courage (Alcestis, Chorus, Admetus)
Alceste (Sung in French): Act I: O malheureux Admete! (Chorus, Alcestis)
Alceste (Sung in French): Act II: Bannis la erainte et les alarmes (Admetus, Alcestis)
Alceste (Sung in French): Act I: Air: Grand Dieux! du destin qui m'accable (Alcestis Chorus)
Alceste (Sung in French): Act II: Air: Je n'ai jamais cheri la vie (Alcestis, Admetus, Chorus)
Alceste (Sung in French): Act I: Pantomime: Moderato
Alceste (Sung in French): Act II: Grands Dieux! pour mon epoux j'implore vos secours (Alcestis, Chorus)
Alceste (Sung in French): Act I: Recitative: Dieu puissant! ecarte du Trone (High Priest, Chorus)
Alceste (Sung in French): Act II: Ah! malgre moi, mon faible choeur partage (Alcestis, Chorus)
Alceste (Sung in French): Act I: Pantomime: Adagio
Alceste (Sung in French): Act III: Recitative: Nous ne pouvons trop repandre de larmes (Evander, Leader of the Chorus, Chorus)
Alceste (Sung in French): Act I: Recitative: Immortel Apollon! (Alcestis)
Alceste (Sung in French): Act III: Recitative: Apres de longs travaux (Hercules, Chorus, Evander, Leader of the Chorus)
Alceste (Sung in French): Act I: Recitative: Apollon est sensible a nos gemissements (High Priest, Oracle, Chorus)
Alceste (Sung in French): Act III: Recitative: Au pouvoir de la mort je saurai la ravir (Hercules)
Alceste (Sung in French): Act I: Recitative: Ou suis-je? O malheureuse Alceste! (Alcestis)
Alceste (Sung in French): Act III: Recitative: Grands Dieux, soutenez mon courage! (Alcestis, Chorus)
Alceste (Sung in French): Act I: Tes destins sont remplis (High Priest, Alcestis)
Alceste (Sung in French): Act III: Air: Ah! Divinites implacables! (Alcestis)
Alceste (Sung in French): Act I: Air: Divinites du Styx (Alcestis)
Alceste (Sung in French): Act III: Recitative: Ciel Admete! o moment terrible! (Alcestis, Admetus)
Alceste (Sung in French): Act II: Que les plus doux transports succedent aux alarmes (Chorus)
Alceste (Sung in French): Act III: Air: Alceste, au nom des Dieux! (Admetus, Alcestis)
Alceste (Sung in French): Act II: Ballet: Legerement
Alceste (Sung in French): Act III: Air: Caron t'appelle, entends sa voix (An Infernal Deity, Alcestis, Admetus)
Alceste (Sung in French): Act II: Ballet: Andante
Alceste (Sung in French): Act III: Alceste! le jour fuit (Chorus, Alcestis, Admetus)
Alceste (Sung in French): Act II: Ballet: Allegro
Alceste (Sung in French): Act III: Ami, leur rage est vaine (Hercules, Chorus, Admetus)
Alceste (Sung in French): Act II: Ballet: Lent
Alceste (Sung in French): Act III: Recitative: Poursuis, o digne fils (Apollo)
Alceste (Sung in French): Act III: Trio: Recois, Dieu bienfaisant (Alcestis, Admetus, Hercules)
Alceste (Sung in French): Act II: O Mon Roi! notre appui! notre pere! (Chorus, Evander, Admetus)
Alceste (Sung in French): Act III: Recitative - Finale: Admete, O mes amis Alceste m'est rendue (Admetus, Alcestis, Chorus)
Alceste (Sung in French): Act II: Alceste! - Cher epoux! (Admetus, Alcestis, Chorus)
Alceste (Sung in French): Act III: Divertissement: March in D Major
Alceste (Sung in French): Act III: Divertissement: Andante in A Major
Alceste (Sung in French): Act III: Divertissement: Chaconne in D Major
Julius Caesar, HWV 17, Act II Scene 1: Have you done as I ordered, faithful Nirenus? (Cleopatra, Nirenus, Caesar)
Julius Caesar, HWV 17, Act III Scene 1: Symphony
Julius Caesar, HWV 17, Act I Scene 1: Caesar! Caesar! Egypt acclaims thee (Chorus)
Julius Caesar, HWV 17, Act II Scene 1: Lamenting, complaining of Caesar's disdaining (Cleopatra, Caesar)
Julius Caesar, HWV 17, Act III Scene 1: So! You are beaten! (Ptolemy, Cleopatra)
Julius Caesar, HWV 17, Act I Scene 1: Kneel in tribute, fair land of Egypt (Caesar)
Julius Caesar, HWV 17, Act II Scene 1: Fly then, fly, O my heart (Caesar, Nirenus)
Julius Caesar, HWV 17, Act III Scene 1: I shall tame your pride unbending (Ptolemy)
Julius Caesar, HWV 17, Act I Scene 1: Curio, Caesar has come… (Caesar, Cornelia, Sextus, Achillas)
Julius Caesar, HWV 17, Act II Scene 1: Fleet o'er flowery meadow gliding (Caesar)
Julius Caesar, HWV 17, Act III Scene 1: And so in one brief hour all my glory is gone? (Cleopatra)
Julius Caesar, HWV 17, Act I Scene 1: Tyrant, avoid my sight (Caesar)
Julius Caesar, HWV 17, Act II Scene 2: Still despairing, still lamenting (Cornelia)
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra)
Julius Caesar, HWV 17, Act I Scene 1: Mother! Cornelia! (Sextus, Curio, Cornelia)
Julius Caesar, HWV 17, Act II Scene 2: Lady, forget your grieving (Achillas, Cornelia, Ptolemy)
Julius Caesar, HWV 17, Act III Scene 1: From the perils of the ocean (Caesar)
Julius Caesar, HWV 17, Act I Scene 1: Grief and woe all hope deny me (Cornelia)
Julius Caesar, HWV 17, Act II Scene 2: Deep within my bosom burning (Ptolemy)
Julius Caesar, HWV 17, Act III Scene 1: Zephyrs! Zephyrs, come to mine aid! (Caesar)
Julius Caesar, HWV 17, Act I Scene 1: The time for tears is over (Sextus)
Julius Caesar, HWV 17, Act II Scene 2: So why delay? (Cornelia, Sextus)
Julius Caesar, HWV 17, Act III Scene 1: Nirenus, the battle is fought and lost (Sextus, Achillas, Caesar, Curio)
Julius Caesar, HWV 17, Act I Scene 1: Come rouse yourselves to vengeance (Sextus)
Julius Caesar, HWV 17, Act II Scene 2: Sigh no more, forget lamenting (Cornelia)
Julius Caesar, HWV 17, Act III Scene 1: See in spate the high cataract storming (Caesar)
Julius Caesar, HWV 17, Act I Scene 2: You shall be Queen, Cleopatra (Cleopatra, Nirenus, Ptolemy)
Julius Caesar, HWV 17, Act II Scene 2: He is no son who seeks not full revenge… (Sextus)
Julius Caesar, HWV 17, Act III Scene 2: Ladies, my faithful servants (Cleopatra, Caesar)
Julius Caesar, HWV 17, Act I Scene 2: Yet why despair? (Cleopatra)
Julius Caesar, HWV 17, Act II Scene 2: Wounded, the serpent ne'er reposes (Sextus)
Julius Caesar, HWV 17, Act I Scene 2: Pharaoh, my King! (Achillas, Ptolemy)
Julius Caesar, HWV 17, Act II Scene 3: Soon he will come to find me (Cleopatra)
Julius Caesar, HWV 17, Act I Scene 2: Upstart, barbarian and traitor! (Ptolemy)
Julius Caesar, HWV 17, Act II Scene 3: Venus, fair lady, one favour send me (Cleopatra)
Julius Caesar, HWV 17, Act I Scene 3: Spirit of mighty Pompey (Caesar, Curio, Cleopatra, Nirenus)
Julius Caesar, HWV 17, Act II Scene 3: Ah gods! What do I see? (Caesar, Cleopatra, Curio)
Julius Caesar, HWV 17, Act I Scene 3: Here within thee, O friendly marble (Cornelia)
Julius Caesar, HWV 17, Act II Scene 3: In anger and fury I'll turn on the foe (Caesar, Chorus)
Julius Caesar, HWV 17, Act I Scene 3: Alas! Reviled and neglected, must I remain here for ever? (Cornelia, Sextus, Cleopatra, Nirenus)
Julius Caesar, HWV 17, Act II Scene 3: They will kill him (Cleopatra)
Julius Caesar, HWV 17, Act I Scene 3: O star of my desire (Cleopatra)
Julius Caesar, HWV 17, Act II Scene 3: Hear my prayer, O gods, relenting (Cleopatra)
Julius Caesar, HWV 17, Act I Scene 4: Caesar! A generous destiny… (Ptolemy, Caesar, Achillas)
Julius Caesar, HWV 17, Act I Scene 4: How silently, how slyly (Caesar)
Julius Caesar, HWV 17, Act I Scene 4: Sire, with Sextus her son, the lady Cornelia (Achillas, Cornelia, Sextus, Ptolemy)
Julius Caesar, HWV 17, Act I Scene 4: Ne'er reject a tender lover (Achillas)
Julius Caesar, HWV 17, Act I Scene 4: Mother!' 'My dearest! (Sextus, Cornelia)
Julius Caesar, HWV 17, Act I Scene 4: Condemn'd to grieve and cry, my love (Cornelia, Sextus)
Gilbert & Sullivan: The Pirates of Penzance
The Pirates of Penzance, Act I: Opening Chorus of Pirates and Solo. Pour, Oh Pour, the Pirate Sherry
The Pirates of Penzance, Act I: Song. When Fred'ric Was a Little Lad
The Pirates of Penzance, Act I: Song. Oh, Better Far to Live and Die
The Pirates of Penzance, Act I: Recitative and Duet. Oh! False One, You Have Deceived Me
The Pirates of Penzance, Act I: Chorus of Girls. Climbing over Rocky Mountain
The Pirates of Penzance, Act I: Recitative. Stop, Ladies, Pray!
The Pirates of Penzance, Act I: Song. Oh! Is There Not One Maiden Breast
The Pirates of Penzance, Act I: Song. Poor Wand'ring One
The Pirates of Penzance, Act I: Chorus of Girls. What Ought We to Do, Gentle Sisters, Say!
The Pirates of Penzance, Act I: Duet. How Beautifully Blue the Sky
The Pirates of Penzance, Act I: Solo with Chorus. Stay, We Must Not Lose Our Senses
The Pirates of Penzance, Act I: Recitative. Hold, Monsters!
The Pirates of Penzance, Act I: Song. I Am the Very Model of a Modern Major-General
The Pirates of Penzance, Act I: Finale. Oh! Men of Dark and Dismal Fate
The Pirates of Penzance, Act II: Introduction and Solo. Oh! Dry the Glist'ning Tear
The Pirates of Penzance, Act II: Recitative. Now, Frederic, Let Your Escort Lion-Hearted
The Pirates of Penzance, Act II: Chorus with Solos. When the Foeman Bares His Steel
The Pirates of Penzance, Act II: Recitative and Trio. Now for the Pirates' Lair!
The Pirates of Penzance, Act II: Trio. When You Had Left Our Pirate Fold
The Pirates of Penzance, Act II: Trio. Away, Away, My Heart's on Fire!
The Pirates of Penzance, Act II: Recitative and Duet. All Is Prepared! Your Gallant Crew Await You!
The Pirates of Penzance, Act II: Duet. Stay, Frederic, Stay!
The Pirates of Penzance, Act II: Recitative. No, I'll Be Brave! Oh, Family Descent
The Pirates of Penzance, Act II: Song. When a Felon's Not Engaged in His Employment
The Pirates of Penzance, Act II: Solo. A Rollicking Band of Pirates We
The Pirates of Penzance, Act II: Solo. With Cat-Like Tread
The Pirates of Penzance, Act II: Chorus. Hush! Hush! Not a Word
The Pirates of Penzance, Act 2: Song and Finale. Sighing Softly to the River
Scottish Chamber Orchestra: 40th Anniversary Edition
The Tempest, Op. 109, Suite No. 2: I. Chorus of the Winds
The Tempest, Op. 109, Suite No. 2: II. Intermezzo
The Tempest, Op. 109, Suite No. 2: III. Dance of the Nymphs
The Tempest, Op. 109, Suite No. 2: IV. Prospero
The Tempest, Op. 109, Suite No. 2: V. Song 1
The Tempest, Op. 109, Suite No. 2: VI. Song 2
The Tempest, Op. 109, Suite No. 2: VII. Miranda
The Tempest, Op. 109, Suite No. 2: VIII. Naiads
The Tempest, Op. 109, Suite No. 2: IX. Dance Episode
Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro vivace
Symphony No. 41 in C Major, K. 551 "Jupiter": II. Andante cantabile
Symphony No. 41 in C Major, K. 551 "Jupiter": III. Menuetto (Allegretto)
Symphony No. 41 in C Major, K. 551 "Jupiter": IV. Molto allegro
Mozart: Symphonies 29, 31 "Paris", 32, 35 "Haffner" & 36 "Linz"
Symphony No. 29 in A Major, K. 201: I. Allegro moderato
Symphony No. 35 in D Major, K. 385 "Haffner": I. Allegro con spirito
Symphony No. 29 in A Major, K. 201: II. Andante
Symphony No. 35 in D Major, K. 385 "Haffner": II. Andante
Symphony No. 29 in A Major, K. 201: III. Menuetto
Symphony No. 35 in D Major, K. 385 "Haffner": III. Menuetto
Symphony No. 29 in A Major, K. 201: IV. Allegro con spirito
Symphony No. 35 in D Major, K. 385 "Haffner": IV. Finale. Presto
Symphony No. 31 in D Major, K. 297 "Paris": I. Allegro assai
Symphony No. 36 in C Major, K. 425 "Linz": I. Adagio - Allegro spiritoso
Symphony No. 31 in D Major, K. 297 "Paris": II. Andantino
Symphony No. 36 in C Major, K. 425 "Linz": II. Adagio
Symphony No. 31 in D Major, K. 297 "Paris": II. Andante - Alternative 2nd Movement
Symphony No. 36 in C Major, K. 425 "Linz": III. Menuetto
Symphony No. 31 in D Major, K. 297 "Paris": III. Allegro
Symphony No. 36 in C Major, K. 425 "Linz": IV. Finale
Symphony No. 32 in G Major, K. 318: I. Allegro spiritoso
Symphony No. 32 in G Major, K. 318: II. Andante
Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": I. Allegro
Piano Concerto No. 3 in C Minor, Op. 37: II. Largo
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso
Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo (Allegro)
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo (Allegro, ma non troppo)
Piano Concerto No. 4 in G Major, Op. 58: I. Allegro moderato
Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto
Piano Concerto No. 4 in G Major, Op. 58: III. Rondo (Vivace)
La clemenza di Tito, K.621 / Act 2: "Sesto, come tu credi"
La clemenza di Tito, K.621 / Act 1: "Ma che? sempre l'istesso"
La clemenza di Tito, K.621 / Act 2: "Torna di Tito a lato"
La clemenza di Tito, K.621 / Act 1: "Come ti piace imponi"
La clemenza di Tito, K.621 / Act 2: "Partir deggio, o restar?" - "Sesto! - Che chiedi?"
La clemenza di Tito, K.621 / Act 1: "Amico, il passo affretta"
La clemenza di Tito, K.621 / Act 2: "Se al volto mai ti senti"
La clemenza di Tito, K.621 / Act 1: "Deh se piacer mi vuol" - "Chi ciecamente crede"
La clemenza di Tito, K.621 / Act 2: "Ah grazie si rendano"
La clemenza di Tito, K.621 / Act 1: "Amico, ecco il momento"
La clemenza di Tito, K.621 / Act 2: "Già de' pubblici giuochi"
La clemenza di Tito, K.621 / Act 1: "Deh prendi un dolce amplesso"
La clemenza di Tito, K.621 / Act 2: "Tardi s'avvede"
La clemenza di Tito, K.621 / Act 1: Marcia
La clemenza di Tito, K.621 / Act 2: "No, così scellerato"
La clemenza di Tito, K.621 / Act 1: "Serbate, oh Dei custodi"
La clemenza di Tito, K.621 / Act 2: "Tu fosti tradito"
La clemenza di Tito, K.621 / Act 1: "Te della patria il Padre" - "Basta, basta, oh miei fidi"
La clemenza di Tito, K.621 / Act 2: "Che orror! che tradimento!" - "Ingrato!"
La clemenza di Tito, K.621 / Act 1: Marcia - Reprise
La clemenza di Tito, K.621 / Act 2: "Quello di Tito è il volto!"
La clemenza di Tito, K.621 / Act 1: "Adesso, oh Sesto, parla per me"
La clemenza di Tito, K.621 / Act 2: "Odimi, oh Sesto; siam soli"
La clemenza di Tito, K.621 / Act 1: "Del più sublime soglio"
La clemenza di Tito, K.621 / Act 2: "Deh per questo istante solo"
La clemenza di Tito, K.621 / Act 1: "Non ci pentiam"
La clemenza di Tito, K.621 / Act 2: Ove s'intese mai più contumace infedeltà?
La clemenza di Tito, K.621 / Act 1: "Ah perdona al primo affetto"
La clemenza di Tito, K.621 / Act 2: "Se all'impero"
La clemenza di Tito, K.621 / Act 1: Di Tito al piè
La clemenza di Tito, K.621 / Act 2: "Non giova lusingarsi"
La clemenza di Tito, K.621 / Act 1: "Ah, se fosse intorno al trono"
La clemenza di Tito, K.621 / Act 2: "S'altro che lagrime"
La clemenza di Tito, K.621 / Act 1: "Felice me!" - "Ancora mi schernisce?"
La clemenza di Tito, K.621 / Act 2: "Ecco il punto, oh Vitellia"
La clemenza di Tito, K.621 / Act 1: "Parto, ma tu ben mio"
La clemenza di Tito, K.621 / Act 2: "Non più di fiori"
La clemenza di Tito, K.621 / Act 1: "Vedrai, Tito, vedrai"
La clemenza di Tito, K.621 / Act 2: "Che del ciel, che degli Dei"
La clemenza di Tito, K.621 / Act 1: "Vengo... aspettate... Sesto!..."
La clemenza di Tito, K.621 / Act 2: "Sesto, de' tuoi delitti"
La clemenza di Tito, K.621 / Act 1: "Oh Dei, che smania è questa"
La clemenza di Tito, K.621 / Act 2: "Ma che giorno è mai questo?"
La clemenza di Tito, K.621 / Act 1: "Deh conservate, o Dei"
La clemenza di Tito, K.621 / Act 2: "Tu, è ver, m'assolvi, Augusto"
Orff: Carmina Burana - Holst: The Planets
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna
{"copyright_id":"0x6c48107d2226f3d558660dd0df7fcb0ac0c83cac22be5f44f5ce1eec41101fad","isrc":"GBAYC9400066","name":"Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna","registered_at":"2026-06-04T14:33:32Z","spotify_id":"4m5rO8vfR0H6V4J8sKTU2J","type":"track"}
1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6c48107d2226f3d558660dd0df7fcb0ac0c83cac22be5f44f5ce1eec41101fad. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4m5rO8vfR0H6V4J8sKTU2J.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4m5rO8vfR0H6V4J8sKTU2J.
Holst: The Planets, Op. 32: I. Mars, the Bringer of War
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera
Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace
Orff: Carmina Burana, Pt. 1, Primo vere: Veris leta facies
Holst: The Planets, Op. 32: III. Mercury, the Winged Messenger
Orff: Carmina Burana, Pt. 1, Primo vere: Omnia sol temperat
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity
Orff: Carmina Burana, Pt. 1, Primo vere: Ecce gratum
Holst: The Planets, Op. 32: V. Saturn, the Bringer of Old Age
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Tanz
Holst: The Planets, Op. 32: VI. Uranus, the Magician
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Floret silva nobilis
Holst: The Planets, Op. 32: VII. Neptune, the Mystic
Women's voices of the Liverpool Philharmonic Chorus/Royal Liverpool Philharmonic Orchestra/Sir Charles Mackerras
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Chramer, gip die varwe mir
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Were diu werlt alle min
Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius
Orff: Carmina Burana, Pt. 2 "In taberna": Olim lacus colueram
Orff: Carmina Burana, Pt. 2, In Taberna: Ego sum abbas Cucaniensis
Orff: Carmina Burana, Pt. 2, In Taberna: In taberna quando sumus
Orff: Carmina Burana, Pt. 3, Cour d'amours: Amor volat undique
Orff: Carmina Burana, Pt. 3, Cour d'amours: Dies, nox et omnia
Orff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puella
Orff: Carmina Burana, Pt. 3, Cour d'amours: Circa mea pectora
Orff: Carmina Burana, Pt. 3, Cour d'amours: Si puer cum puellula
Orff: Carmina Burana, Pt. 3, Cour d'amours: Veni, veni, venias
Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina
{"copyright_id":"0xf817a986c53e42a5963c8ef8b86c74e79529a2835bc7d5ee2b6a148a57dbad8c","isrc":"GBAYC9400090","name":"Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina","registered_at":"2026-06-09T08:57:00Z","spotify_id":"2vMryxDGG35ZwYcAmZCUHp","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf817a986c53e42a5963c8ef8b86c74e79529a2835bc7d5ee2b6a148a57dbad8c. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2vMryxDGG35ZwYcAmZCUHp.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2vMryxDGG35ZwYcAmZCUHp.
Orff: Carmina Burana, Pt. 3, Cour d'amours: Tempus est iocundum
Orff: Carmina Burana, Pt. 3, Cour d'amours: Dulcissime
Orff: Carmina Burana, Pt. 4, Blanziflor et Helena: Ave formosissima
Orff: Carmina Burana: Conclusion, Fortuna Imperatrix Mundi, No. 25 "O Fortuna" - Chorus
{"copyright_id":"0x00def31e5c8f362a64354b3b34d92330854c12f75c415cc40669072710b13b64","isrc":"GBAYC9400094","name":"Orff: Carmina Burana: Conclusion, Fortuna Imperatrix Mundi, No. 25 \"O Fortuna\" - Chorus","registered_at":"2026-06-27T06:27:02Z","spotify_id":"4dAMLi1bwX0mpJmA1fpmZr","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x00def31e5c8f362a64354b3b34d92330854c12f75c415cc40669072710b13b64. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4dAMLi1bwX0mpJmA1fpmZr.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4dAMLi1bwX0mpJmA1fpmZr.
Mozart: Le nozze di Figaro, K. 492 (Highlights)
Le nozze di Figaro, K. 492, Act I: Duettino. Cinque… dieci…
Le nozze di Figaro, K. 492, Act I: Duettino. Se a caso madama
Le nozze di Figaro, K. 492, Act I: Cavatina. Se vuol ballare
Le nozze di Figaro, K. 492, Act I: Aria. La vendetta, oh, la vendetta
Le nozze di Figaro, K. 492, Act I: Duettino. Via, resti servita, madama brillante
Le nozze di Figaro, K. 492, Act I: Aria. Non so più cosa son, cosa faccio
Le nozze di Figaro, K. 492, Act I: Terzetto. Cosa sento!
Le nozze di Figaro, K. 492, Act I: Aria. Non più andrai
Le nozze di Figaro, K. 492, Act II: Cavatina. Porgi, amor
Le nozze di Figaro, K. 492, Act II: Arietta. Voi che sapete
Le nozze di Figaro, K. 492, Act II: Aria. Venite, inginocchiatevi
Le nozze di Figaro, K. 492, Act II: Terzetto. Susanna, or via, sortite
Le nozze di Figaro, K. 492, Act II: Duettino. Aprite, presto - Oh guarda il demonietto
Le nozze di Figaro, K. 492, Act III: Duetto. Crudel! Perchè finora
Le nozze di Figaro, K. 492, Act III: Recitativo. Hai già vinta la causa!
Le nozze di Figaro, K. 492, Act III: Sestetto. Riconosci in questo amplesso
Le nozze di Figaro, K. 492, Act III: Recitativo. E Susanna non vien!
Le nozze di Figaro, K. 492, Act III: Duettino. Che soave zeffiretto
Le nozze di Figaro, K. 492, Act IV: Cavatina. L'ho perduta
Le nozze di Figaro, K. 492, Act IV: Aria. Il capro e la capretta
Le nozze di Figaro, K. 492, Act IV: Aria. In quelgi anni in cui val poco
Le nozze di Figaro, K. 492, Act IV: Recititavo. Tutto è disposto
Le nozze di Figaro, K. 492, Act IV: Recitativo. Giunse alfin il momento
{"copyright_id":"0xba966a8b285ef88b4c99f3efe9992be69fbdf5f0c9a4dea5a12b1908e2c79bbb","isrc":"USTE10401388","name":"Le nozze di Figaro, K. 492: Overture","registered_at":"2026-06-04T14:39:20Z","spotify_id":"0xo9UyQXXV1J5YpjMZLEsn","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xba966a8b285ef88b4c99f3efe9992be69fbdf5f0c9a4dea5a12b1908e2c79bbb. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0xo9UyQXXV1J5YpjMZLEsn.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0xo9UyQXXV1J5YpjMZLEsn.
Le nozze di Figaro, K. 492, Act I: Recitativo. Cosa stai misurando
Le nozze di Figaro, K. 492, Act I: Recitativo. Or bene, ascolta e taci
Le nozze di Figaro, K. 492, Act I: Recitativo. Bravo, signor padrone!
Le nozze di Figaro, K. 492, Act I: Recitativo. Ed aspettaste il giorno
Le nozze di Figaro, K. 492, Act I: Recitativo. Tutto ancor non ho perso
Le nozze di Figaro, K. 492, Act I: Recitativo. Va là, vecchia pedante
Le nozze di Figaro, K. 492, Act I: Recitativo. Ah, son perduto!
Le nozze di Figaro, K. 492, Act I: Recitativo. Susanna, il ciel vi salvi
Le nozze di Figaro, K. 492, Act I: Recitativo. Basilio, in traccia tosto
Le nozze di Figaro, K. 492, Act I: Coro. Giovani liete (1)
Le nozze di Figaro, K. 492, Act I: Recitativo. Cos'è questa commedia?
Le nozze di Figaro, K. 492, Act I: Coro. Giovani liete (2)
Le nozze di Figaro, K. 492, Act I: Recitativo. Evviva!
{"copyright_id":"0xd762598311d99da216f82d6b2866a20b051830072c2bafa2a4798a2b669f072f","isrc":"USTE10423388","name":"Le nozze di Figaro, K. 492, Act II: Cavatina. Porgi, amor","registered_at":"2026-06-25T19:32:40Z","spotify_id":"3tznvh1GeLmUFnsJPfjRVr","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd762598311d99da216f82d6b2866a20b051830072c2bafa2a4798a2b669f072f. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3tznvh1GeLmUFnsJPfjRVr.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3tznvh1GeLmUFnsJPfjRVr.
Le nozze di Figaro, K. 492, Act II: Recitativo. Vieni, cara Susanna
Le nozze di Figaro, K. 492, Act II: Recitativo. Quanto duolmi, Susanna
Le nozze di Figaro, K. 492, Act II: Recitativo. Bravo, che bella voce
Le nozze di Figaro, K. 492, Act II: Recitativo. Quante buffonerie!
Le nozze di Figaro, K. 492, Act II: Recitativo. Perché chiusa?
Le nozze di Figaro, K. 492, Act II: Recitativo. Che novità!
Le nozze di Figaro, K. 492, Act II: Recitativo. Dunque, voi non aprite?
Le nozze di Figaro, K. 492, Act II: Recitativo. Tutto è come il lasciai
Le nozze di Figaro, K. 492, Act II: Finale. Esci ormai
Le nozze di Figaro, K. 492, Act III: Recitativo. Che imbarazzo è mai questo!
Le nozze di Figaro, K. 492, Act III: Recitativo. Via, fatti core
Le nozze di Figaro, K. 492, Act III: Recitativo. E perchè fosti meco
Le nozze di Figaro, K. 492, Act III: Recitativo. Ehi, Susanna, ove vai?
Le nozze di Figaro, K. 492, Act III: Aria. Vedrò, mentr'io sospiro
Le nozze di Figaro, K. 492, Act III: Recitativo. È decisa la lite
Le nozze di Figaro, K. 492, Act III: Recitativo. Eccovi, o caro amico
Le nozze di Figaro, K. 492, Act III: Recitativo. Andiam, andiam, bel paggio
Le nozze di Figaro, K. 492, Act III: Aria. Dove sono
Le nozze di Figaro, K. 492, Act III: Recitativo. Io vi dico, signor
The Mikado, Act I: If You Want to Know Who We Are
The Mikado, Act I: Song and Chorus. A Wandering Minstrel I
The Mikado, Act I: Song. Our Great Mikado, Virtuous Man
The Mikado, Act I: Song. Young Man, Despair, Likewise Go To
The Mikado, Act I: Recitative. And Have I Journeyed for a Month
The Mikado, Act I: Behold the Lord High Executioner!
The Mikado, Act I: Song. As Some Day It May Happen "List Song"
The Mikado, Act I: Comes a Train of Little Ladies
The Mikado, Act I: Trio. Three Little Maids from School Are We
The Mikado, Act I: Quartet. So Please You, Sir, We Much Regret
The Mikado, Act I: Duet. Were You Not to Ko-Ko Plighted
The Mikado, Act I: Finale. With Aspect Stern and Gloomy Stride
The Mikado, Act II: Solo. Braid the Raven Hair
The Mikado, Act II: Song. The Sun, Whose Rays Are All Ablaze
The Mikado, Act II: Madrigal. Brightly Dawns Our Wedding Day
The Mikado, Act II: Trio. Here's a How-De-Do! If I Marry You!
The Mikado, Act II: Entrance of Mikado and Katisha. Miya Sama, Miya Sama
The Mikado, Act II: Song. A More Humane Mikado Never Did in Japan Exist
The Mikado, Act II: Trio and Chorus. The Criminal Cried As He Dropped Him Down
The Mikado, Act II: Quintet. See How the Fates Their Gifts Allot
The Mikado, Act II: Duet. The Flowers That Bloom in the Spring
The Mikado, Act II: Recitative and Song. Alone, and Yet Alive
The Mikado, Act II: Song. On a Tree by a River, a Little Tom-Tit Sang, 'Willow, Tit-Willow'
The Mikado, Act II: Duet. There Is Beauty in the Bellow of the Blast
The Mikado, Act II: Finale. For He's Gone and Married Yum-Yum
The Yeomen of the Guard, Act I: Song. When Maiden Loves
The Yeomen of the Guard, Act I: Double Chorus. Tower Warders, Under Orders… This the Autumn of Our Life
The Yeomen of the Guard, Act I: Song with Chorus. When Our Gallant Norman Foes
The Yeomen of the Guard, Act I: Trio. Alas! I Waver to and Fro
The Yeomen of the Guard, Act I: Ballad. Is Life a Boon?
The Yeomen of the Guard, Act I: Chorus. Here's a Man of Jollity
The Yeomen of the Guard, Act I: Duet. I Have a Song to Sing
The Yeomen of the Guard, Act I: Trio. How Say You, Maiden
The Yeomen of the Guard, Act I: Song. I've Jibe and Joke, and Quip and Crank
The Yeomen of the Guard, Act I: Recitative and Song. 'Tis Done, I Am a Bride… Though Tear and Long-Drawn Sigh
The Yeomen of the Guard, Act I: Song. Were I Thy Bride
The Yeomen of the Guard, Act I: Finale. Oh, Sergeant Meryll, Is It True
The Yeomen of the Guard, Act II: Chorus and Solo. Night Has Spread Her Pall Once More
The Yeomen of the Guard, Act II: Song. Oh, a Private Buffoon Is a Light-Hearted Loon
The Yeomen of the Guard, Act II: Duet. Hereupon We're Both Agreed
The Yeomen of the Guard, Act II: Ballad. Free from His Fetters Grim
The Yeomen of the Guard, Act II: Quartet. Strange Adventure
The Yeomen of the Guard, Act II: Scene. Hark, What Was That, Sir?
The Yeomen of the Guard, Act II: Trio. A Man Who Would Woo a Fair Maid
The Yeomen of the Guard, Act II: Quartet. When a Wooer Goes a-Wooing
The Yeomen of the Guard, Act II: Duet. Rapture, Rapture
The Yeomen of the Guard, Act II: Finale. Comes the Pretty Young Bride
Trial by Jury: Solo and Chorus. Hark, the Hour of Ten Is Sounding
Gilbert & Sullivan: Highlights from The Mikado, The Pirates of Penzance, H.M.S Pinafore, The Yeomen of the Guard and Trial by Jury
The Pirates of Penzance, Act II: Duet. Ah, Leave Me Not to Pine - Excerpt
Trial by Jury: Song. When I, Good Friends, Was Called to the Bar
Trial by Jury: Sextet and Chorus. A Nice Dilemma We Have Here
Trial by Jury: Finale. Oh, Joy Unbounded
75th Anniversary Collection - A Recording Heritage, Vol. 4
Missa Solemnis in D Major, Op. 123: Kyrie
Missa Solemnis in D Major, Op. 123: Gloria
Missa Solemnis in D Major, Op. 123: Credo
Missa Solemnis in D Major, Op. 123: Sanctus
Missa Solemnis in D Major, Op. 123: Agnus Dei
Alceste, Wq. 44, Act II: Parez vos fronts de fleurs nouvelles (Live)
Alceste, Wq. 44, Act I: Dieux! Rendez-nous roi, notre père (Live)
Alceste, Wq. 44, Act II: Ô Dieux! Soutenez mon courage (Live)
Alceste, Wq. 44, Act I: Ô malheureux Admète! (Live)
Alceste, Wq. 44, Act II: Bannis la erainte et les alarmes (Live)
Alceste, Wq. 44, Act I: Grands Dieux! Du destin qui m'accable (Live)
Alceste, Wq. 44, Act II: Je n'ai jamais chéri la vie (Live)
Alceste, Wq. 44, Act II: Grands Dieux! Pour mon époux (Live)
Alceste, Wq. 44, Act I: Dieu puissant, écarté du trône (Live)
Alceste, Wq. 44, Act II: Ah! Malgré moi, mon faible chœur partage (Live)
Alceste, Wq. 44, Act III: Nous ne pouvons trop répandre de larmes (Live)
Alceste, Wq. 44, Act I: Immortel Apollon! (Live)
Alceste, Wq. 44, Act III: Aprés de longs travaux (Live)
Alceste, Wq. 44, Act I: Apollon est sensible à vos gémissements (Live)
Alceste, Wq. 44, Act III: Au pouvoir de la mort je saurai la ravir (Live)
Alceste, Wq. 44, Act I: Oú suis-je? (Live)
Alceste, Wq. 44, Act III: Grands Dieux, soutenez mon courage! (Live)
Alceste, Wq. 44, Act I: Tes destins sont remplis (Live)
Alceste, Wq. 44, Act III: Ah! Divinités implacables! (Live)
Alceste, Wq. 44, Act I: Divinités du Styx (Live)
Alceste, Wq. 44, Act III: Ciel Adméte! Ô moment terrible! (Live)
Alceste, Wq. 44, Act II: Que les plus doux transports (1) [Live]
Alceste, Wq. 44, Act III: Alceste, au nom des Dieux! (Live)
Alceste, Wq. 44, Act II: Ballet. Légèrement (Live)
Alceste, Wq. 44, Act III: Caron t'appelle, entends sa voix (Live)
Alceste, Wq. 44, Act II: Ballet. Andante (Live)
Alceste, Wq. 44, Act III: Alceste! Le jour fuit (Live)
Alceste, Wq. 44, Act II: Ballet. Allegro (Live)
Alceste, Wq. 44, Act III: Ami, leur rage est vaine (Live)
Alceste, Wq. 44, Act II: Ballet. Lent (Live)
Alceste, Wq. 44, Act III: Poursuis, ô digne fils (Live)
Alceste, Wq. 44, Act II: Que les plus doux transports (2) [Live]
Alceste, Wq. 44, Act III: Reçois, Dieu bienfaisant (Live)
Alceste, Wq. 44, Act II: Ô mon roi! (Live)
Alceste, Wq. 44, Act III: Ô mes amis Alceste m'est rendue (Live)
Alceste, Wq. 44, Act II: Alceste! - Cher époux! (Live)
Alceste, Wq. 44, Act III: March in D Major (Live)
Alceste, Wq. 44, Act III: Andante in A Major (Live)
Alceste, Wq. 44, Act III: Chaconne in D Major (Live)
Everybody's Haydn: Symphonies Nos. 100 "Military," 101 "The Clock," 103 "Drumroll" & 104 "London"
Symphony No. 100 in G Major, Hob. I:100 "Military": I. Adagio - Allegro
Symphony No. 100 in G Major, Hob. I:100 "Military": II. Allegretto
Symphony No. 100 in G Major, Hob. I:100 "Military": III. Menuet. Moderato
Symphony No. 100 in G Major, Hob. I:100 "Military": IV. Finale. Presto
Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll": I. Adagio - Allegro con spirito
Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll": II. Andante più tosto allegretto
Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll": III. Menuet - Trio
Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll": IV. Finale. Allegro con spirito
Symphony No. 101 in D Major, Hob. I:101 "The Clock": I. Adagio - Presto
Symphony No. 101 in D Major, Hob. I:101 "The Clock": II. Andante
Symphony No. 101 in D Major, Hob. I:101 "The Clock": III. Menuet. Allegretto - Trio
Symphony No. 101 in D Major, Hob. I:101 "The Clock": IV. Finale. Vivace
Symphony No. 104 in D Major, Hob. I:104 "London": I. Adagio - Allegro
Symphony No. 104 in D Major, Hob. I:104 "London": II. Andante
Symphony No. 104 in D Major, Hob. I:104 "London": III. Menuet. Allegro - Trio
Symphony No. 104 in D Major, Hob. I:104 "London": IV. Finale. Spiritoso
Le nozze di Figaro, K.492 / Act 4: "Giunse alfin il momento" - "Deh vieni non tardar"
Don Giovanni, ossia Il dissoluto punito, K.527: In quali eccessi - Mi tradi quell'alma ingrata (K. 540c)
Die Entführung aus dem Serail, K.384 / Act 1: "Ach ich liebte, war so glücklich"
Il re pastore, K.208 / Act 2: "L'amerò, sarò costante"
Die Zauberflöte / Act 2: "Ach, ich fühl's"
{"copyright_id":"0xc9bd338fad088873432497bfff71b2f4b99f1dd4562508a3cfe9ff3dd25ff459","isrc":"GBF079541905","name":"Die Zauberflöte / Act 2: \"Ach, ich fühl's\"","registered_at":"2026-06-26T22:22:14Z","spotify_id":"3OxW7OuzO2hdVe7sOzMM9a","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc9bd338fad088873432497bfff71b2f4b99f1dd4562508a3cfe9ff3dd25ff459. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3OxW7OuzO2hdVe7sOzMM9a.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3OxW7OuzO2hdVe7sOzMM9a.
La finta giardiniera, K.196: Geme la Tortorella
La finta giardiniera, K.196: Crudeli fermate - Ah dal pianto
La finta giardiniera, K.196: Ah del pianto, dal singhlozzo
Zaide, K.344 / Act 1: "Ruhe sanft, mein holdes Leben"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x79d060738e77570813e00457541e4e50fcac0b3222c0985e7cd93f2d421f5799. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0mhDcsJ7IIHZAInkJXAybQ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0mhDcsJ7IIHZAInkJXAybQ.
Il sogno di Scipione, K.126: Lieve sono al par del viento
Le nozze di Figaro, K.492 / Act 3: "Giunse alfin..." _ "Al desio di chi t'adora" (K.577)
Don Giovanni, K. 527, Act I: Introduzione. Notte e giorno faticar - Non sperar, se non m'uccidi - Lasciala, indegno!
Don Giovanni, K. 527, Act I: Recitativo. Leporello, ove sei?
Don Giovanni, K. 527, Act I: Recitativo. Ah! Del padre in periglio
Don Giovanni, K. 527, Act I: Recitativo accompagnato. Ma qual mai s'offre, oh Dei
Don Giovanni, K. 527, Act I: Duetto. Fuggi, crudele, fuggi!
Don Giovanni, K. 527, Act I: Recitativo. Orsù, spicciati presto
Don Giovanni, K. 527, Act I: Aria. Ah, chi mi dice mai
Don Giovanni, K. 527, Act I: Recitativo. Chi è là?
Don Giovanni, K. 527, Act I: Aria. Madamina, il catalogo è questo
Don Giovanni, K. 527, Act I: Recitativo. In questa forma
Don Giovanni, K. 527, Act I: Coro. Giovinette che fate all'amore
Don Giovanni, K. 527, Act I: Recitativo. Manco male è partita
Don Giovanni, K. 527, Act I: Aria. Ho capito, signor, sì
Don Giovanni, K. 527, Act I: Recitativo. Alfin siam liberati
Don Giovanni, K. 527, Act I: Duettino. Là ci darem la mano
Don Giovanni, K. 527, Act I: Recitativo. Fermati, scellerato
Don Giovanni, K. 527, Act I: Aria. Ah, fuggi il traditor
Don Giovanni, K. 527, Act I: Recitativo. Mi par ch'oggi il demonio
Don Giovanni, K. 527, Act I: Quartetto. Non ti fidar, o misera
Don Giovanni, K. 527, Act I: Recitativo. Povera sventurata!
Don Giovanni, K. 527, Act I: Recitativo accompagnato. Don Ottavio, son morta!
Don Giovanni, K. 527, Act I: Aria. Or sai chi l'onore
Don Giovanni, K. 527, Act I: Recitativo. Come mai creder deggio
Don Giovanni, K. 527, Act I: Aria. Dalla sua pace
Don Giovanni, K. 527, Act I: Recitativo. Io deggio ad ogni patto
Don Giovanni, K. 527, Act I: Aria. Finch'han dal vino
Don Giovanni, K. 527, Act I: Recitativo. Masetto, senti un po'
Don Giovanni, K. 527, Act I: Aria. Batti, batti, o bel Masetto
Don Giovanni, K. 527, Act I: Recitativo. Guarda un po' come seppe
Don Giovanni, K. 527, Act I: Finale I. Presto presto pria ch'ei venga
Don Giovanni, K. 527, Act I: Finale I. Tra quest'arbori celata
Don Giovanni, K. 527, Act I: Finale I. Bisogna aver coraggio
Don Giovanni, K. 527, Act I: Finale I. Protegga il giusto cielo - Vendichi il giusto cielo
Don Giovanni, K. 527, Act I: Finale I. Riposate, vezzose ragazze!
Don Giovanni, K. 527, Act I: Finale I. Venite pur avanti
Don Giovanni, K. 527, Act I: Finale I. Ecco il birbo che t'ha offesa
Don Giovanni, K. 527, Act I: Finale I. Trema, trema, o scellerato!
Don Giovanni, K. 527, Act II: Duetto. Eh via, buffone, non mi seccar
Don Giovanni, K. 527, Act II: Recitativo. Leporello… Signore
Don Giovanni, K. 527, Act II: Terzetto. Ah! Taci, ingiusto core
Don Giovanni, K. 527, Act II: Recitativo. Amico, che ti par?
Don Giovanni, K. 527, Act II: Recitativo. Eccomi a voi!
Don Giovanni, K. 527, Act II: Canzonetta. Deh, vieni alla finestra
Don Giovanni, K. 527, Act II: Recitativo. V'è gente alla finestra!
Don Giovanni, K. 527, Act II: Aria. Metà di voi qua vadano
Don Giovanni, K. 527, Act II: Recitativo. Zitto! Lascia ch'io senta
Don Giovanni, K. 527, Act II: Recitativo. Ahi! Ahi! La testa mia!
Don Giovanni, K. 527, Act II: Aria. Vedrai, carino
Don Giovanni, K. 527, Act II: Recitativo. Di molte faci il lume
Mozart: Die Entführung aus dem Serail, K. 384
Die Entführung aus dem Serail, K. 384: Overture
Die Entführung aus dem Serail, K. 384, Act I: Aria. Hier soll ich dich denn sehen
Die Entführung aus dem Serail, K. 384, Act I: Dialogue. Aber wie soll ich in den Palast kommen?
Die Entführung aus dem Serail, K. 384, Act I: Song and Duet. Wer ein Liebchen hat gefunden
Die Entführung aus dem Serail, K. 384, Act I: Dialogue. Könnt' ich mir noch so einen Schurken
Die Entführung aus dem Serail, K. 384, Act I: Aria. Solche hergelauf'ne Laffen
Die Entführung aus dem Serail, K. 384, Act I: Dialogue. Geh nur, verwünschter Aufpasser!
Die Entführung aus dem Serail, K. 384, Act I: Recitative and Aria. Konstanze! Dich wiederzusehen!
Die Entführung aus dem Serail, K. 384, Act I: Dialogue. Geschwind, geschwind auf die Seite und versteckt!
Die Entführung aus dem Serail, K. 384, Act I: Chorus. Singt dem großen Bassa Lieder
Die Entführung aus dem Serail, K. 384, Act I: Dialogue. Immer noch traurig, geliebte Konstanze?
Die Entführung aus dem Serail, K. 384, Act I: Aria. Ach ich liebte
Die Entführung aus dem Serail, K. 384, Act I: Dialogue. Ihr Schmerz, ihre Tränen - Dialogue. Triumph, Herr! - Dialogue. Wohin? Hinein!
Die Entführung aus dem Serail, K. 384, Act I: Trio. Marsch, marsch, marsch!
Die Entführung aus dem Serail, K. 384, Act II: Dialogue. O des Zankens, Befehlens und Murrens
Die Entführung aus dem Serail, K. 384, Act II: Aria. Durch Zärtlichkeit und Schmeicheln
Die Entführung aus dem Serail, K. 384, Act II: Dialogue. Zärtlichkeit! Schmeicheln!
Die Entführung aus dem Serail, K. 384, Act II: Duet. Ich gehe, doch rate ich dir
Die Entführung aus dem Serail, K. 384, Act II: Recitative. Welcher Wechsel herrscht in meiner Seele
Die Entführung aus dem Serail, K. 384, Act II: Aria. Traurigkeit ward mir zum Lose
Die Entführung aus dem Serail, K. 384, Act II: Dialogue. Nun, Konstanze, denkst du meinem Begehren nach?
Die Entführung aus dem Serail, K. 384, Act II: Aria. Martern aller Arten
Die Entführung aus dem Serail, K. 384, Act II: Dialogue. Ist das ein Traum?
Die Entführung aus dem Serail, K. 384, Act II: Dialogue. Bst, bst, Blondchen!
Die Entführung aus dem Serail, K. 384, Act II: Aria. Welche Wonne, welche Lust
Die Entführung aus dem Serail, K. 384, Act II: Dialogue. Ah, daß es schon vorbei wäre!
Die Entführung aus dem Serail, K. 384, Act II: Aria. Frisch zum Kampfe!
Die Entführung aus dem Serail, K. 384, Act II: Dialogue. Ha! Geht's hier so lustig zu?
Die Entführung aus dem Serail, K. 384, Act II: Duet. Vivat Bacchus!
Die Entführung aus dem Serail, K. 384, Act II: Dialogue. Wein, Wein, ist ein schönes Getränk! - Dialogue. Ist Konstanze noch nicht hier?
Die Entführung aus dem Serail, K. 384, Act II: Aria. Wenn der Freude Tränen fließen
Die Entführung aus dem Serail, K. 384, Act II: Quartet. Ach Belmonte! Ach mein Leben!
Die Entführung aus dem Serail, K. 384, Act III: Aria. Ich baue ganz auf deine Stärke
Die Entführung aus dem Serail, K. 384, Act III: Dialogue. Alles liegt auf dem Ohr
Die Entführung aus dem Serail, K. 384, Act III: Romance. In Mohrenland gefangen war
Die Entführung aus dem Serail, K. 384, Act III: Dialogue. Sie macht auf, Herr! - Dialogue. Gift und Dolch! Was ist das?
Die Entführung aus dem Serail, K. 384, Act III: Aria. O, wie will ich triumphieren
Die Entführung aus dem Serail, K. 384, Act III: Dialogue. Was gibt's, Osmin?
Die Entführung aus dem Serail, K. 384, Act III: Recitative. Welch ein Geschick!
Die Entführung aus dem Serail, K. 384, Act III: Duet. Meinetwegen sollst du sterben!
Die Entführung aus dem Serail, K. 384, Act III: Dialogue. Nun, Sklave, elender Sklave!
Die Entführung aus dem Serail, K. 384, Act III: Vaudeville. Nie werd' ich deine Huld verkennen - Chorus. Bassa Selim lebe lange!
Die Entführung aus dem Serail, K. 384, Appendix: Aria. Wenn der Freude Tränen fließen - Long Version
Šárka, Act I: "Just like the Sun Setting o´er the Hills.." (Přemysl, kníže, choť zemřelé Libuše)
Šárka, Act I: "Who Comes Hither through the Dark Wood" (Ctirad, bojovník oddaný Přemyslovi, Přemysl, kníže, choť zemřelé Libuše)
Šárka, Act I: "O, Hallowed Silence" (Ctirad, bojovník oddaný Přemyslovi)
Šárka, Act I: "We Rage Throught the Land" (Ctirad, bojovník oddaný Přemyslovi)
Šárka, Act I: "The Castle Deserted Stands" (Šárka, bojovnice z Vlastiny družiny, Ctirad, bojovník oddaný Přemyslovi)
Šárka, Act I: "Beholod, See This Place to Which I Bring You..." (Šárka, bojovnice z Vlastiny družiny, Ctirad, bojovník oddaný Přemyslovi)
Šárka, Act II: "Why Did My Heartd Set to Trembling..." (Šárka, bojovnice z Vlastiny družiny)
Šárka, Act II: "O, Blesse Moon..." (Šárka, bojovnice z Vlastiny družiny)
Šárka, Act II: "Tether Me Fast to This Oak Tree Here.." (Šárka, bojovnice z Vlastiny družiny)
Šárka, Act II: "O, False Deceit and Guileful So..." (Šárka, bojovnice z Vlastiny družiny, Ctirad, bojovník oddaný Přemyslovi)
Šárka, Act II: "It Was Cruel Vlasta Did the Deed.." (Šárka, bojovnice z Vlastiny družiny)
Šárka, Act II: "Ctirad I Be.." (Šárka, bojovnice z Vlastiny družiny, Ctirad, bojovník oddaný Přemyslovi)
Šárka, Act II: "We Rage through the Land..." (Šárka, bojovnice z Vlastiny družiny, Ctirad, bojovník oddaný Přemyslovi)
Šárka, Act III: "My Soul´s Filled with a Solemn Foreboding" (Přemysl, kníže, choť zemřelé Libuše, Lumír, člen Přemyslova dvora)
Šárka, Act III: "It Was Cruel Šárka Did the Deed..." (Ctirad, bojovník oddaný Přemyslovi, Přemysl, kníže, choť zemřelé Libuše, Lumír, člen Přemyslova dvora)
Šárka, Act III: "Young Ctirad, Just like a Star Falling..." (Ctirad, bojovník oddaný Přemyslovi, Přemysl, kníže, choť zemřelé Libuše, Lumír, člen Přemyslova dvora)
Šárka, Act III: "You Stand Amazed, Gallant Warriors..." (Šárka, bojovnice z Vlastiny družiny, Ctirad, bojovník oddaný Přemyslovi, Přemysl, kníže, choť zemřelé Libuše, Lumír, člen Přemyslova d
Šárka, Act III: "A Sturday Oak Stood on a Hill..." (Šárka, bojovnice z Vlastiny družiny, Lumír, člen Přemyslova dvora)
Šárka, Act III: "Leap Up, Flame, to the Heavens..." (Ctirad, bojovník oddaný Přemyslovi, Přemysl, kníže, choť zemřelé Libuše, Lumír, člen Přemyslova dvora)
The Cunning Little Vixen (Prihody Lisky Bystrousky): Prelude
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 3: Dez sem vandroval, mozeka hrála
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Dostaneme bourku
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 3: Bezi liska Táboru
Jenufa / Act 2: Mamicko, mam tezkou hlavu
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Kmotrenka zakoncertovala si také?
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Mami!
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Pantomime
Jenufa / Act 1: Dusa moya, Stevo, Stevusko
Jenufa / Act 3: Neni ti teskno, Jenufko?
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Change of Scene (Promena)
Jenufa / Act 1: A tak bychom sli celym zivotem
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: To cucis Lapáku!?
Jenufa / Act 3: Vidis Laco, já to tusila
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Ze nevis, co mamé?
Jenufa / Act 1: Jak razem vsecko to Stevkovo vypináni schiplo
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Melas delat podlica mné!
Jenufa / Act 2: Necham jeste dvere otevreny
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Hled'te sestry jakého máte vudce!
Jenufa / Act 2: Ba zabednena t tvoye okenicka
Jenufa / Act 3: Vstante, testounka moja!
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Ach!
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Ano, ve Strani bude daleko lépe
Jenufa / Act 2: Ale videl jsem vcházet sohaje
Jenufa - Orchestration by Karel Kovarovic / Act 3: Odesli
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Domu? Pro ten snupec tvého spani
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bud'to mám teziste pohyblivé
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Pomni, abys byl dobrym muzém!
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bozinku, ten je hezké!
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Kradla jsem!
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Zlatohrbitek, lisák a krouzkovymi pesiky
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Kdbyste vedeli, co já videla
Concerto for Violin and Orchestra in D Major, Op. 77: I. Allegro non troppo
Concerto for Violin and Orchestra in D Major, Op. 77: II. Adagio
Concerto for Violin and Orchestra in D Major, Op. 77: III. Allegro giocoso
Concerto for Violin and Orchestra No. 1 in G Minor, Op. 26: I. Allegro moderato
Concerto for Violin and Orchestra No. 1 in G Minor, Op. 26: II. Adagio
Concerto for Violin and Orchestra No. 1 in G Minor, Op. 26: III. Finale
Bruch: Violin Concerto, Op. 26 - Brahms: Violin Concerto, Op. 77
Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico
Violin Concerto in D Major, Op. 77: I. Allegro non troppo
Violin Concerto in D Major, Op. 77: II. Adagio
Violin Concerto in D Major, Op. 77: III. Allegro giocoso
R. Strauss: Also Sprach Zarathustra; Don Juan & Till Eulenspiegel
Also Sprach Zarathustra, Op. 30 TrV 176: I. Sonnenaufgang
Also Sprach Zarathustra, Op. 30 TrV 176: II. Von der Hinterweltlern
Also Sprach Zarathustra, Op. 30 TrV 176: III. Von der großen Sehnsucht
Also Sprach Zarathustra, Op. 30 TrV 176: IV. Von den Freuden und Leidenschaften
Also Sprach Zarathustra, Op. 30 TrV 176: V. Das Grablied
Also Sprach Zarathustra, Op. 30 TrV 176: VI. Von der Wissenschaft
Also Sprach Zarathustra, Op. 30 TrV 176: VII. Der Genesende
Also Sprach Zarathustra, Op. 30 TrV 176: VIII. Das Tanzlied
Also Sprach Zarathustra, Op. 30 TrV 176: IX. Nachtwandlerlied
Till Eulenspiegels lustige Streiche, Op. 28 TrV 171
Symphony No. 2 in D Major, Op. 43: I. Allegretto
Symphony No. 2 in D Major, Op. 43: II. Tempo andante, ma rubato
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo
Symphony No. 2 in D Major, Op. 43: IV. Finale. Allegro moderato
Symphony No. 5 in E-Flat Major, Op. 82: I. Tempo molto moderato
Symphony No. 5 in E-Flat Major, Op. 82: II. Andante moss, quasi allegretto
Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto
Eugene Onegin, Op. 24, Act I: Introduction
Eugene Onegin, Op. 24, Act II Scene 1: Entr'acte and Waltz
Eugene Onegin, Op. 24, Act I Scene 1: Oh, did you hear the lovesick shepherd boy (Tatyana, Olga, Madame Larina, Nurse)
Eugene Onegin, Op. 24, Act II Scene 1: This is superb! (Guests)
Eugene Onegin, Op. 24, Act I Scene 1: My legs ache and can no longer run (Leader, Peasants, Madame Larina)
Eugene Onegin, Op. 24, Act II Scene 1: Certainly! But why aren't you dancing? (Captain, Guests)
Eugene Onegin, Op. 24, Act I Scene 1: In a cottage by the water (Peasants)
Eugene Onegin, Op. 24, Act II Scene 1: So that's their verdict! (Onegin, Lensky, Guests)
Eugene Onegin, Op. 24, Act I Scene 1: Oh, how I love to hear the people singing (Tatyana, Olga)
Eugene Onegin, Op. 24, Act II Scene 1: How can I have deserved to be so taunted by you? (Lensky, Olga, Onegin)
Eugene Onegin, Op. 24, Act I Scene 1: I'm not the sort to sit in silence (Olga)
Eugene Onegin, Op. 24, Act II Scene 1: By chance I 'ave with me a song (Triquet, Guests)
Eugene Onegin, Op. 24, Act I Scene 1: Come here, my darling Olga! (Madame Larina, Nurse, Tatyana, Peasents, Olga)
Eugene Onegin, Op. 24, Act II Scene 1: "A cette fête conviée" (Triquet, Guests)
Eugene Onegin, Op. 24, Act I Scene 1: Mesdames, I hope that you'll excuse me (Lensky, Onegin, Madame Larina)
Eugene Onegin, Op. 24, Act II Scene 1: Messieurs! Mesdames! - Mazurka (Captain)
Eugene Onegin, Op. 24, Act I Scene 1: Now tell me, which of them's Tatyana? (Onegin, Lensky, Tatyana, Olga)
Eugene Onegin, Op. 24, Act II Scene 1: Why aren't you dancing, Lensky? (Onegin, Lensky, Guests, Madame Larina)
Eugene Onegin, Op. 24, Act I Scene 1: How perfect, how wonderful (Lensky, Olga, Onegin, Tatyana)
Eugene Onegin, Op. 24, Act II Scene 1: Here in your house! (Lensky, Onegin, Tatyana, Olga, Madame Larina, Guests)
Eugene Onegin, Op. 24, Act I Scene 1: How I love you, I adore you, Olga (Lensky, Olga)
Eugene Onegin, Op. 24, Act II Scene 1: Your challenge I accept (Onegin, Lensky, Guests, Olga)
Eugene Onegin, Op. 24, Act I Scene 1: Ah, here you are! (Madame Larina, Nurse, Lensky, Onegin)
Eugene Onegin, Op. 24, Act II Scene 2: Introduction
Eugene Onegin, Op. 24, Act I Scene 2: Introduction
Eugene Onegin, Op. 24, Act II Scene 2: What's happened? Where can your opponent be? (Zaretsky, Lensky)
Eugene Onegin, Op. 24, Act I Scene 2: There! No more talk tonight (Nurse, Tatyana)
Eugene Onegin, Op. 24, Act II Scene 2: How far, how far away you seem now (Lensky)
Eugene Onegin, Op. 24, Act I Scene 2: I can't sleep, Nanny (Nurse, Tatyana)
Eugene Onegin, Op. 24, Act II Scene 2: Ah, here they are! (Zaretsky, Onegin, Lensky)
Eugene Onegin, Op. 24, Act I Scene 2: Well, let me think now (Nurse, Tatyana)
Eugene Onegin, Op. 24, Act II Scene 2: We fight to satisfy our honour (Zaretsky, Onegin, Lensky)
Eugene Onegin, Op. 24, Act I Scene 2: To write is foolishness, I know it (Tatyana)
Eugene Onegin, Op. 24, Act III Scene 1: Polonaise
Eugene Onegin, Op. 24, Act I Scene 2: "I had to write'' (Tatyana)
Eugene Onegin, Op. 24, Act III Scene 1: Here, too, I'm bored! (Onegin)
Eugene Onegin, Op. 24, Act I Scene 2: No, there could never be another (Tatyana)
Eugene Onegin, Op. 24, Act III Scene 1: Ecossaise
Eugene Onegin, Op. 24, Act I Scene 2: For you were always there beside me (Tatyana)
Eugene Onegin, Op. 24, Act III Scene 1: The Princess Gremina! (Guests, Onegin, Tatyana, Gremin)
Eugene Onegin, Op. 24, Act I Scene 2: "Are you an angel'' (Tatyana)
Eugene Onegin, Op. 24, Act I Scene 2: "No, come what may'' (Tatyana)
Eugene Onegin, Op. 24, Act I Scene 2: Ah, night is over! (Tatyana, Nurse)
Eugene Onegin, Op. 24, Act I Scene 2: Oh, Nanny, may I ask a favour? (Tatyana, Nurse)
Eugene Onegin, Op. 24, Act I Scene 2: Then make your grandson go in secret (Tatyana, Nurse)
Eugene Onegin, Op. 24, Act I Scene 3: Dear companions, come this way (Girls)
Eugene Onegin, Op. 24, Act I Scene 3: Onegin! Here! To see me! (Tatyana, Onegin)
Eugene Onegin, Op. 24, Act I Scene 3: You wrote a letter (Tatyana, Onegin)
Eugene Onegin, Op. 24, Act I Scene 3: Were I the sort who had intended (Onegin)
Eugene Onegin, Op. 24, Act I Scene 3: But try to practise self-control (Onegin, Girls)
The Nutcracker, Op. 71, TH 14, Act I Scene 1: The Christmas Tree
The Nutcracker, Op. 71, TH 14, Act I Scene 2: March
The Nutcracker, Op. 71, TH 14 Act I Scene 3: Children's Galop & Arrival of the Guests
The Nutcracker, Op. 71, TH 14, Act I Scene 4: Dance Scene & Arrival of Drosselmeyer
The Nutcracker, Op. 71, TH 14, Act I Scene 5: Scene & Grandfather's Dance
The Nutcracker, Op. 71, TH 14, Act I Scene 6: The Magic Spell Begins
The Nutcracker, Op. 71, TH 14, Act I Scene 7: The Battle Between the Nutcracker & the Mouse King
The Nutcracker, Op. 71, TH 14, Act I Scene 8: Scene in the Pine Forest (Journey Through the Snow)
The Nutcracker, Op. 71, TH 14, Act I Scene 9: Waltz of the Snowflakes
The Nutcracker, Op. 71, TH 14, Act II Scene 10: The Magic Castle
The Nutcracker, Op. 71, TH 14, Act II Scene 11: Clara & the Prince
The Nutcracker, Op. 71, TH 14, Act II Scene 12: Chocolate (Spanish Dance)
The Nutcracker, Op. 71, TH 14, Act II Scene 12: Coffee (Arabian Dance)
The Nutcracker, Op. 71, TH 14, Act II Scene 12: Tea (Chinese Dance)
The Nutcracker, Op. 71, TH 14, Act II Scene 12: Trepak
The Nutcracker, Op. 71, TH 14, Act II Scene 12: Dance of the Mirlitons
The Nutcracker, Op. 71, TH 14, Act II Scene 12: Mother Gigogne & the Clowns
The Nutcracker, Op. 71, TH 14, Act II Scene 13: Waltz of the Flowers
The Nutcracker, Op. 71, TH 14, Act II Scene 14: Pas de deux (Dance of the Prince & the Sugar-Plum Fairy)
The Nutcracker, Op. 71, TH 14, Act II Scene 14: Variation I (Tarantella)
The Nutcracker, Op. 71, TH 14, Act II Scene 14: Variation II (Dance of the Sugar-Plum Fairy)
The Nutcracker, Op. 71, TH 14, Act II Scene 14: Coda
The Nutcracker, Op. 71, TH 14, Act II Scene 15: Final Waltz & Apotheosis
The Queen of Spades, Op. 68, TH 10: Duet of Daphnis and Chloe
The Sleeping Beauty Suite, Op. 66a, TH 234: I. Introduction. The Lilac Fairy
The Sleeping Beauty Suite, Op. 66a, TH 234: II. Adagio. Pas d'action (Rose Adagio)
The Sleeping Beauty Suite, Op. 66a, TH 234: III. Pas de caractere (Puss-in-Boots and the White Cat)
The Sleeping Beauty Suite, Op. 66a, TH 234: IV. Panorama
The Sleeping Beauty Suite, Op. 66a, TH 234: V. Valse
The Sleeping Beauty, Op. 66, TH 13, Act III: The Three Ivans
The Sleeping Beauty, Op. 66, TH 13, Act III: Polacca
Swan Lake Suite, Op. 20a, TH 219, Act I: No. 2, Waltz
Swan Lake Suite, Op. 20a, TH 219, Act II: No. 10, Scene
Swan Lake Suite, Op. 20a, TH 219, Act II: No. 13, Dance of the Swans
Swan Lake Suite, Op. 20a, TH 219, Act I: No. 5, Pas de deux
Swan Lake Suite, Op. 20a, TH 219, Act III: No. 20, Hungarian Dance
Swan Lake Suite, Op. 20a, TH 219, Act IV: No. 28 - No. 29, Final Scene
Jenůfa, Her Step-Daughter, I/4, Act I Scene 1: Soon it will be evening (Jenůfa, Grandmother Buryja, Laca, Jano) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 5: One moment … In that moment must I lose hope (Kostelnička) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act I Scene 2: What are you doing here, Laca? (Foreman, Laca, Jenůfa, Grandmother Buryja, Kostelni (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 6: Mamičko, my head is aching (Jenůfa) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act I Scene 3: Come now, Jenůfa (Grandmother Buryja, Jenůfa) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 7: Who is there? (Jenůfa, Kostelnička) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act I Scene 4: They're all for marrying (Števa, Jenůfa, Foreman, Laca, Recruits) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 8: He's coming now! … (Kostelnička, Laca, Jenůfa) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act I Scene 5: My dear heart, my Števa, Števuska! (Jenůfa, Števa, Kostelnička, Grandmother Buryja, (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 1: Don't you feel nervous, Jenufka? (Maid, Jenůfa, Laca, Kostelnička) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act I Scene 6: Števa, Števa, I know you got drunk today (Jenůfa, Števa, Grandmother Buryja) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 2: God be with you! (Mayor, Maid, Laca, Jenůfa, Kostelnička, Mayor's Wife) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act I Scene 7: How all this boasting of Števa (Laca, Jenůfa, Grandmother Buryja, Foreman, Barena) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 3: There now, Laca, just as I foresaw (Jenůfa, Laca) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 1: Introduction (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 4: Aha! Here they are (Laca, Karolka, Števa, Jenůfa) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 1: If I leave the door ajar a little (Kostelnička, Jenůfa) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 5: There's no denying that all that was really a sight worth seeing (Mayor, Kostelni (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 2: Yes, in all these 20 weeks (Kostelnička) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 6: God be with you one and all! (Barena, Mayor, Jenůfa, Laca, Grandmother Buryja, Ko (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 3: Aunt Kostelnička, in the note you sent me (Števa, Kostelnička, Jenůfa, Laca) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 7: What baby's that they're shouting about? (Kostelnička, Jano, Mayor, Števa, Chorus (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act II Scene 4: But I saw a man come in here just now (Laca, Kostelnička) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 8: Come quickly now! (Jano, Kostelnička, Grandmother Buryja) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 9: Števa, this is terrible … (Karolka, Jenůfa, Števa, Laca) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 10: Ha, there now, you see his baby clothes! (Jenůfa, Mayor's Wife, Mayor, Laca, Kos (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 11: Do not kneel, dear mother! (Jenůfa, Kostelnička, Laca) (Brno version)
Jenůfa, Her Step-Daughter, I/4, Act III Scene 12: They have gone! Now you go! (Jenůfa, Laca) (Brno version)
Sir Charles Mackerras: Symphonic Collection
Symphony No. 7 in D minor, Op. 70, B. 141: i. Allegro maestoso
Symphony No. 4 in G major: i. Bedächtig, Nicht eilen
Symphony No. 7 in D minor, Op. 70, B. 141: ii. Poco adagio
Symphony No. 4 in G major: ii. In gemächlicher Bewegung
Symphony No. 7 in D minor, Op. 70, B. 141: iii. Scherzo: Vivace
Symphony No. 4 in G major: iii. Ruhevoll
Symphony No. 7 in D minor, Op. 70, B. 141: iv. Finale: Allegro
Symphony No. 4 in G major: iv. Sehr behaglich
Symphony No. 8 in G major, Op. 88, B. 163: i. Allegro con brio
Symphony No. 9 in C major, D. 944: i. Andante - Allegro ma non troppo
Symphony No. 8 in G major, Op. 88, B. 163: ii. Adagio
Symphony No. 9 in C major, D. 944: ii. Andante con moto
Symphony No. 8 in G major, Op. 88, B. 163: iii. Allegretto grazioso
Symphony No. 9 in C major, D. 944: iii. Scherzo: Allegro vivace
Symphony No. 8 in G major, Op. 88, B. 163: iv. Allegro ma non troppo
Symphony No. 9 in C major, D. 944: iv. Finale: Allegro vivace
Symphony No. 6 in B minor, Op. 74, 'Pathétique': i. Adagio – Allegro non troppo
Symphony No. 6 in B minor, Op. 74, 'Pathétique': ii. Allegro con grazia
Messiah (Part One): Recitative "Comfort ye"
Symphony No. 6 in B minor, Op. 74, 'Pathétique': iii. Allegro molto vivace
Symphony No. 6 in B minor, Op. 74, 'Pathétique': iv. Finale: Adagio lamentoso
Messiah (Part One): Aria "Rejoice greatly"
Messiah (Part Two): Chorus "Behold the Lamb of God"
Messiah (Part Two): Aria "He was despised"
Messiah (Part Two): Chorus "Hallelujah!"
i. Allegro ma non troppo, un poco maestoso
iv. Presto – allegro ma non troppo – vivace – adagio cantabile
Schubert: Symphonies Nos. 5 & 8 "Unfinished"
Schubert: Symphony No. 5 in B-Flat Major, D. 485: I. Allegro
Schubert: Symphony No. 5 in B-Flat Major, D. 485: II. Andante con moto
Schubert: Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto. Allegro molto - Trio
Schubert: Symphony No. 5 in B-Flat Major, D. 485: IV. Allegro vivace
Schubert: Symphony No. 8 in B Minor, D. 759 "Unfinished": I. Allegro moderato
Schubert: Symphony No. 8 in B Minor, D. 759 "Unfinished": II. Andante con moto
Schubert / Compl. Newbold: Symphony No. 8 in B Minor, D. 759 "Unfinished": III. Allegro
Schubert / Compl. Newbold: Symphony No. 8 in B Minor, D. 759 "Unfinished": IV. Allegro molto moderato
Schubert: Rosamunde, Op. 26, D. 797: Ballet Music II
Charles Mackerras conducts Schumann: Symphony No. 3 (Live)
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": I. Lebhaft - Live
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo: Sehr mäßig - Live
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": III. Nicht schnell - Live
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich - Live
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": V. Lebhaft – Schneller - Live
Gluck: Orfeo ed Euridice - 1762 Edition with 1774 Paris Revisions
Orfeo ed Euridice, Act I, Scene 1: 2. Ah! se intorno
Orfeo ed Euridice, Act I, Scene 1: 3. Basta, o compagni
Orfeo ed Euridice, Act I, Scene 1: 4. Danza
Orfeo ed Euridice, Act I, Scene 1: 5. Ah! se intorno a quest'urna funesta
Orfeo ed Euridice, Act I, Scene 1: 6. Chiamo il mio ben così
Orfeo ed Euridice, Act I, Scene 2: 7. T'assiste Amore!
Orfeo ed Euridice, Act I, Scene 2: 8. Gli sguardi trattieni
Orfeo ed Euridice, Act I, Scene 2: 9. Che disse!
Orfeo ed Euridice, Act II, Scene 1: 10. Chi mai dell'Erebo
Orfeo ed Euridice, Act II, Scene 1: 11. Deh! placatevi con me
Orfeo ed Euridice, Act II, Scene 1: 12. Danza delle Furie
Orfeo ed Euridice, Act II, Scene 1: 13. Danza degli spiriti benedetti
Orfeo ed Euridice, Act II, Scene 1: 14. E' quest'asilo
Orfeo ed Euridice, Act II, Scene 2: 15. Che puro ciel
Orfeo ed Euridice, Act II, Scene 2: 16. Giunge Euridice! Vieni a' regni del riposo
Orfeo ed Euridice, Act II, Scene 2: 17. Danza
Orfeo ed Euridice, Act II, Scene 2: 18. Anime avventurose
Orfeo ed Euridice, Act III, Scene 1: 19. Vieni, segui i miei passi
Orfeo ed Euridice, Act III, Scene 1: 20. Vieni, appaga il tuo
Orfeo ed Euridice, Act III, Scene 1: 21. Qual vita e questa?
Orfeo ed Euridice, Act III, Scene 1: 22. Che fiero momento
Orfeo ed Euridice, Act III, Scene 1: 23. Ecco un nuovo tormento!
Orfeo ed Euridice, Act III, Scene 1: 24. Che faro senza Euridice?
Orfeo ed Euridice, Act III, Scene 1: 25. Ah finisca
Orfeo ed Euridice, Act III, Scene 2: 26. Orfeo, che fai?
Orfeo ed Euridice, Act III, Scene 3: 27. Ballet
Orfeo ed Euridice, Act III, Scene 3: 28. Trionfi, Amore
Milestones of Legends: RPO Royal Conductors, Vol. 2
Symphonie fantastique, Op. 14, H. 48: I. Rêveries - Passions
Symphonie fantastique, Op. 14, H. 48: II. Un bal
Symphonie fantastique, Op. 14, H. 48: III. Scène aux champs
Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice
Symphonie fantastique, Op. 14, H. 48: V. Songe d'une nuit de sabbat
The Greatest Last Night of the Proms, Vol. 2
Thus Spake Zarathustra, Op. 30, TrV 176: I. Introduction
Thus Spake Zarathustra, Op. 30, TrV 176: II. Of the Backworldsmen
Thus Spake Zarathustra, Op. 30, TrV 176: III. Of the Large Longing
Thus Spake Zarathustra, Op. 30, TrV 176: IV. Of Joce & Passions
Thus Spake Zarathustra, Op. 30, TrV 176: V. The Song of the Grave
Thus Spake Zarathustra, Op. 30, TrV 176: VI. Of Sience
Thus Spake Zarathustra, Op. 30, TrV 176: VII. The Convalescent
Thus Spake Zarathustra, Op. 30, TrV 176: VIII. The Dance Song
Thus Spake Zarathustra, Op. 30, TrV 176: IX. Song of the Night Wanderer
Wellingtons Sieg, Op. 91: Battle Symphony
Kaleidoscope - An Orchestral Extravaganza
{"copyright_id":"0x3a9e4eee2a689ea7114aa8d7b6588181677fcb10c674aaa68c621e5b3c829ce8","isrc":"NLA506100439","name":"Orpheus in the Underworld: Can-Can","registered_at":"2026-06-21T02:56:05Z","spotify_id":"5G9dYMGWwh8VXsxjb2q47K","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3a9e4eee2a689ea7114aa8d7b6588181677fcb10c674aaa68c621e5b3c829ce8. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5G9dYMGWwh8VXsxjb2q47K.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5G9dYMGWwh8VXsxjb2q47K.
The Bartered Bride / Act 3: Dance of the Comedians
Invitation to the Dance, Op. 65 (Orch. Berlioz)
2 Elegiac Melodies, Op. 34: 1. Heart-Wounds
2 Elegiac Melodies, Op. 34: 2. The Last Spring
2 Nordic Melodies, Op. 63: 2. Cowkeeper's Tune & Country Dance
Lyric Pieces Book VIII, Op. 65: 6. Wedding Day at Troldhaugen (Orch. Huppertz)
King Christian II (Suite), Op. 27: 2. Elegy
King Christian II (Suite), Op. 27: 2. Musette
Pelléas et Mélisande, (Suite), Op. 46: 8. Entr'acte
Castor et Pollux - Ballet Suite: Air de Triomphe
Castor et Pollux - Ballet Suite: Air pour les Athlètes
Castor et Pollux - Ballet Suite: Gavottes l-ll
Castor et Pollux - Ballet Suite: Tambourins l-ll
Castor et Pollux - Ballet Suite: Air Gai
{"copyright_id":"0xc64bb5ac07db36c44cf2bd3dafc37f9db0acd338257dfffdc75866a4e9565f2c","isrc":"NLA506500338","name":"Castor et Pollux - Ballet Suite: Air Gai","registered_at":"2026-06-22T21:18:10Z","spotify_id":"6eFBh8xGBpFSLbcDh79faY","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc64bb5ac07db36c44cf2bd3dafc37f9db0acd338257dfffdc75866a4e9565f2c. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6eFBh8xGBpFSLbcDh79faY.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6eFBh8xGBpFSLbcDh79faY.
Castor et Pollux - Ballet Suite: Air Gracieux
Castor et Pollux - Ballet Suite: Gavotte
Castor et Pollux - Ballet Suite: Passepieds l-ll
Castor et Pollux - Ballet Suite: Air des Démons
Castor et Pollux - Ballet Suite: Air pour le Soleil et les Heures
Castor et Pollux - Ballet Suite: Chaconne
Orfeo ed Euridice - Ballet Suite: Ouverture
Orfeo ed Euridice - Ballet Suite: Pantomime
Orfeo ed Euridice - Ballet Suite: Danse des Furies
Orfeo ed Euridice - Ballet Suite: Danse des Esprits Heureux
Orfeo ed Euridice - Ballet Suite: Chaconne
Scene Three - Belaye's Solo, Sailor's Drill
Scene Three - Entry of Belaye with Blanche as Bride
Henselt: Piano Concerto in F Minor, Op. 16 - Liszt: Totentanz, S. 126
Piano Concerto in F Minor, Op. 16: I. Allegro patetico
Piano Concerto in F Minor, Op. 16: II. Larghetto
Piano Concerto in F Minor, Op. 16: III. Allegro agitato
SMETANA - Tanz der Komödianten DIE VERKAUFTE BRAUT
NICOLAI - Ouvertüre DIE LUSTIGEN WEIBER VON WINDSOR
GLINKA - Jota Aragonesa (Caprice brillant)
Rakoczy March (Hungarian March) [From "The Damnation of Faust" Op. 24]
Alla Marcia (From "Karelia Suite" Op. 11)
Sullivan & Mackerras: Pineapple Poll Ballet
Pineapple Poll Ballet: Scene I - Opening Dance
Pineapple Poll Ballet: Scene I - Poll's Solo and Pas de Deux
Pineapple Poll Ballet: Scene I - Belaye's Solo
Pineapple Poll Ballet: Scene I - Pas de Trois
Pineapple Poll Ballet: Scene II - Poll's Solo
Pineapple Poll Ballet: Scene II - Jasper's Solo
Pineapple Poll Ballet: Scene III - Belaye's Solo and Sailors' Drill
Pineapple Poll Ballet: Scene III - Poll's Solo
Pineapple Poll Ballet: Scene III - Entry of Belaye with Blanche as Bride
Pineapple Poll Ballet: Scene III - Reconciliation
Pineapple Poll Ballet: Scene III - Grand Finale
Also sprach zarathustra, Op. 30, Trv 176: I. Einleitung
Pictures of an Exhibition: IX. The Hut on Fowl's Legs - "Baba-Yaga"
Unter Donner und Blitz, Polka schnell, Op. 324
Carmen Suite No. 1: VI. March of the Toreadors
Enigma Variations, Op. 36: XI. Allegro di molto - "G.R.S"
Symphony No. 5 in D Minor, Op. 47: II. Allegretto
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
Carmina Burana: I. Fortuna Imperatrix Mundi - O Fortuna
8 Slavonic Dances, Op. 46: No. 8, Presto in G Minor
The Rite of Spring, Pt. 1, Adoration of the Earth: II. The Augurs of Spring, Dances of the Young Girls
Die Walküre, WWV 86b, Act III, Scene 1: I. Hojotoho! Heiaha! - "The Ride of the Valkyries"
Symphony No. 1 in D Major - "Titan": IV. Stürmisch bewegt
Billy the Kid, Orchestral Suite: IV. Gun Battle
Coppélia, ou la Fille aux yeux d'émail: IV. Mazurka
The Planets, Op. 32, H. 125: IV. Jupiter, the Bringer of Jollity
Symphonie fantastique, Op. 14: V. Songe d'une nuit du sabbat
Romeo and Juliet, Suite No. 2, Op. 64: I. Montagues and Capulets
The Wasps, Aristophanic Suite: III. March Past of the Kitchen Utensils
Military Marches, Op. 39 - "Pomp and Circumstance": No. 4, in G Major
1812 Festival Overture in E-Flat Major, Op. 49
King Christian II, Op. 27 Suite for Orchestra: II. Elegie
King Christian II, Op. 27 Suite for Orchestra: III. Musette
Pelléas et Mélisande, Op. 46 Suite for Orchestra: Entr'acte
Two Elegiac Melodies, Op. 34: I. Heart Wounds
Two Elegiac Melodies, Op. 34: II. The Last Spring
Wedding Day at Troldhaugen, Op. 65: No. 6
Two Melodies, Op. 63 No. 2: Cow-Keepers Tune
Two Melodies, Op. 63 No. 2: Country Dance
Symphony No. 5 in D Minor, Op. 47: I. Moderato
Symphony No. 5 in D Minor, Op. 47: III. Largo
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo
Symphonie fantastique, Op. 14: I. Reveries: Largo - Passions: Allegro agitato e appassionato assaii
Symphonie fantastique, Op. 14: II. Un Bal (Valse): Allegro non troppo
Symphonie fantastique, Op. 14: III. Scene aux Champs: Adagio
Symphonie fantastique, Op. 14: IV. Marche au Supplice: Allegretto non troppo
Symphonie fantastique, Op. 14: V. Songe d'une Nuit du Sabbat: Larghetto - Allegro
Le carnaval romain (Roman Carnaval), Op. 9
Karelia Suite, Op. 11: I. Intermezzo: Moderato
Karelia Suite, Op. 11: II. Ballade: Tempo di menuetto
Karelia Suite, Op. 11: III. Alla marcia: Moderato
Lemminkainen Suite, Op. 22: II. The Swan of Tuonela
Handel: Music for the Royal Fireworks Concerto - A Due Cori in F Major (Concerto No. 2 for Two Wind Bands and Strings) (Remastered)
Music for the Royal Fireworks: Ouverture: Adagio- (Allegro), Lentement- (Allegro)
Music for the Royal Fireworks: II. Bouree
Music for the Royal Fireworks: III. La Paix - Largo alla Siciliana
Music for the Royal Fireworks: IV. La Rejouissance- Allegro
Music for the Royal Fireworks: V. Menuet I and II
Concerto a Due Cori in F Major: I. Pomposo- Allegro
Concerto a Due Cori in F Major: II. A tempo giusto
Concerto a Due Cori in F Major: III. Largo
Concerto a Due Cori in F Major: IV. Allegro ma non troppo- a tempo ordinario
Concerto a Due Cori in F Major: V. Allegro ma non troppo
Concerto a Due Cori in F Major: VI. Adagio
Concerto a Due Cori in F Major: VII. Andante Larghetto
Concerto a Due Cori in F Major: VIII. Allegro
Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro
Sullivan: Cello Concerto in D Major: I. Allegro moderato (cadenza by Sir Charles Mackerras)
Mozart: Symphony No. 40 in G Minor, K. 550: II. Andante
Cello Concerto in D: II. Andante espressivo
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Theme
Mozart: Symphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto
Sullivan / Arr. Mackerras: Cello Concerto in D Major: III. Molto vivace
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation I. C.A.E.
Mozart: Symphony No. 40 in G Minor, K. 550: IV. Allegro assai
Sinfonietta, Op. 60: I. Allegretto - 1990 - Remaster
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation II. H.D.S-P.
Dvořák: Symphony No. 7 in D Minor, Op.70, B. 141: I. Allegro maestoso
Sinfonietta, Op. 60: II. Andante - 1990 - Remaster
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation III. R.B.T.
Dvořák: Symphony No. 7 in D Minor, Op.70, B. 141: II. Poco adagio
Sinfonietta, Op. 60: III. Moderato - 1990 - Remaster
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IV. W.M.B.
Dvořák: Symphony No. 7 in D Minor, Op.70, B. 141: III. Scherzo. Vivace
Sinfonietta, Op. 60: IV. Allegretto - 1990 - Remaster
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation V. R.P.A.
Dvořák: Symphony No. 7 in D Minor, Op.70, B. 141: IV. Finale. Allegro
Sinfonietta, Op. 60: V. Andante con moto - 1990 - Remaster
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation VI. Ysobel
Le Sacre du printemps "The Rite of Spring", Pt. I: L'Adoration de la terre - "Introduction"
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation VII. Troyte
Le Sacre du printemps "The Rite of Spring", Pt. I: L'Adoration de la terre - "Danses des adolescentes"
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation VIII. W.N.
Le Sacre du printemps "The Rite of Spring", Pt. I: L'Adoration de la terre - "Jeu de rapt"
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod
Le Sacre du printemps "The Rite of Spring", Pt. I: L'Adoration de la terre - "Rondes printanières"
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation X. Dorabella
Le Sacre du printemps "The Rite of Spring", Pt. I: L'Adoration de la terre - "Jeux des cités rivales"
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation XI. G.R.S.
Le Sacre du printemps "The Rite of Spring", Pt. I: L'Adoration de la terre - "Cortège du Sage"
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation XII. B.G.N.
Le Sacre du printemps "The Rite of Spring", Pt. I: L'Adoration de la terre - "Adoration de la terre" (Le Sage)
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation XIII. Romanza. ***
Le Sacre du printemps "The Rite of Spring", Pt. I: L'Adoration de la terre - "Danse de la terre"
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation XIV. Finale. E.D.U.
Le Sacre du printemps "The Rite of Spring", Pt. II: Le Sacrifice - "Introduction"
Coates: The Merrymakers, a Miniature Overture
Le Sacre du printemps "The Rite of Spring", Pt. II: Le Sacrifice - "Cercles mysterieux des adolescentes"
Summer Days - Suite: At the Dance - 1988 Digital Remaster
Le Sacre du printemps "The Rite of Spring", Pt. II: Le Sacrifice - "Glorification de l'Élue"
Le Sacre du printemps "The Rite of Spring", Pt. II: Le Sacrifice - "Evocation des ancêtres"
The Three Bears - Phantasy - 1988 Remastered Version
Le Sacre du printemps "The Rite of Spring", Pt. II: Le Sacrifice - "Action rituelle des ancêtres"
Le Sacre du printemps "The Rite of Spring", Pt. II: Le Sacrifice - "Danse sacrale" (L'Élue)
Dvorak: Symphony No. 8 & Symphonic Variations
Symphony No. 8 in G Major, Op. 88: I. Allegro con brio
Symphony No. 8 in G Major, Op. 88: II. Adagio
Symphony No. 8 in G Major, Op. 88: III. Allegretto grazioso
Symphony No. 8 in G Major, Op. 88: IV. Allegro ma non troppo
Tchaikovsky: Symphony No. 6 / Mendelssohn: Overture to a Midsummer Night's Dream
Symphony No.6 in B minor, Op.74, 'Pathétique': i. Adagio – Allegro non troppo
Philharmonia Orchestra & Sir Charles Mackerras
Symphony No.6 in B minor, Op.74, 'Pathétique': ii. Allegro con grazia
Symphony No.6 in B minor, Op.74, 'Pathétique': iii. Allegro molto vivace
Symphony No.6 in B minor, Op.74, 'Pathétique': iv. Finale: Adagio lamentoso
Overture to A Midsummer Night's Dream, Op.21
{"copyright_id":"0xcae0b35360d95356bfbe8393293b810e934408fd94296a5f3859ca72c87cedbc","isrc":"GBLLH1125305","name":"Overture to A Midsummer Night's Dream, Op.21","registered_at":"2026-06-22T04:25:15Z","spotify_id":"1QaIrWYD8GxsDiWpgFB1gY","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xcae0b35360d95356bfbe8393293b810e934408fd94296a5f3859ca72c87cedbc. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1QaIrWYD8GxsDiWpgFB1gY.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1QaIrWYD8GxsDiWpgFB1gY.
Sinfonietta: 1. Allegretto - Allegro - Maestoso
Sinfonietta: 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto
Sinfonietta: 3. Moderato - Con moto - Prestissimo - Tempo I - Moderato
Sinfonietta: 4. Allegretto - Adagio - Presto - Andante - Presto - Prestissimo
Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio
Taras Bulba: 3. The Prophecy And The Death Of Taras Bulba
The Cunning Little Vixen - Orchestral Suite: 1. Andante
The Cunning Little Vixen - Orchestral Suite: 2. Andante
Symphony No.4 - I. Bedächtig, Nicht eilen
Symphony No.4 - II. In gemächlicher Bewegung
Slavonic dances, Series 1, Op. 46: Furiant - Presto I
Symphonic Variations for Large Orchestra
Legends, Op. 59: Allegretto non troppo, quasi andantino
My Country: Vyšehrad (Lento - Largo maestoso - Grandioso - Allegro vivo ma non agitato - Lento ma non troppo - Largamente)
My Country: Vltava (Allegro comodo, non agitato)
Slavonic dances, Series 1, Op. 46: Dumka - Allegretto scherzando
Symphony No. 6 in D Major, Op. 60: I. Allegro non tanto
My Country: Šárka (Allegro con fuoco, ma non agitato - Piu moderato assai - Moderato ma con calore - Adagio. Moderato - Molto vivo)
Slavonic dances, Series 1, Op. 46: Polka - Poco allegro
Symphony No. 6 in D Major, Op. 60: II. Adagio
My Country: Z českých luhů a hájů (Molto moderato - Allegro poco vivo, ma non troppo - Presto)
Slavonic dances, Series 1, Op. 46: Sousedská - Tempo di minuetto
Symphony No. 6 in D Major, Op. 60: IV. Scherzo (Furiant). Presto
My Country: Tábor (Lento - Molto vivace - Lento maestoso)
Slavonic dances, Series 1, Op. 46: Skočná - Allegro vivace
Symphony No. 6 in D Major, Op. 60: V. Finale. Allegro con spirito
Symphony No. 9 in E Minor, Op. 95: I. Adagio - Allegro molto
Slavonic dances, Series 1, Op. 46: Sousedská - Allegretto scherzando
Symphony No. 9 in E Minor, Op. 95: II. Largo
Slavonic dances, Series 1, Op. 46: Skočná - Allegro assai
Symphony No. 9 in E Minor, Op. 95: V. Molto vivace
Slavonic dances, Series 1, Op. 46: Furiant - Presto II
Symphony No. 9 in E Minor, Op. 95: VII. Allegro con fuoco
Legends, Op. 59: Un poco allegretto e grazioso
Slavonic dances, Series 1, Op. 72: Odzemek - Molto vivace
Slavonic dances, Series 1, Op. 72: Mazur - Allegretto grazioso
Slavonic dances, Series 1, Op. 72: Skočná - Allegro
Slavonic dances, Series 1, Op. 72: Dumka - Allegretto grazioso
Slavonic dances, Series 1, Op. 72: Špacírka - Poco adagio - Vivace
Slavonic dances, Series 1, Op. 72: Polonéza - Moderato, quasi minuetto
Slavonic dances, Series 1, Op. 72: Srbské kolo - Presto
Slavonic dances, Series 1, Op. 72: Sousedská - Lento grazioso, quasi tempo di valse
Berlioz: Symphonie Fantastique & Overtures
La damnation de Faust, Op. 24: Rákóczi March
Symphonie Fantastique, Op. 14: I. Rêveries – Passions
Symphonie Fantastique, Op. 14: II. Un bal
Symphonie Fantastique, Op. 14: III. Scène aux champs
Symphonie Fantastique, Op. 14: IV. Marche au supplice
Symphonie Fantastique, Op. 14: V. Songe d’une nuit de sabbat
Berkeley: Ruth (World Premier Production)
Chorus and Orchestra of The English Opera Group
Ruth, Op. 50: Introduction by Lord Harewood
Ruth, Op. 50, Scene 1: "Once More I See Your Green and Golden Hills, O Judah"
Ruth, Op. 50, Scene 1: "Turn Back, My Daughters"
Ruth, Op. 50, Scene 1: "Almighty Father, Let My Cry Come Unto Thee"
Ruth, Op. 50, Scene 1: "Ah, Must I Leave Thee? Must We Part?"
Ruth, Op. 50, Scene 1: "Wither Thou Goest, I Will Go"
Ruth, Op. 50, Scene 1: "See! Is This Naomi?"
Ruth, Op. 50, Scene 1: "Now, Call Me Not Naomi, Call Me Mara"
Ruth, Op. 50, Scene 1: "Where, O Where Is Naomi?"
Ruth, Op. 50: Introduction to Scene 2 by Lord Harewood
Ruth, Op. 50, Scene 2: "Gold Grows the Barley on Hillside and Valley"
Ruth, Op. 50, Scene 2: "Greetings, Men of Judah"
Ruth, Op. 50, Scene 2: "The Scattered Ear of Corn"
Ruth, Op. 50, Scene 2: "Come, Let Us Go Forth Together"
Ruth, Op. 50, Scene 2: "Stay, Men of Judah"
Ruth, Op. 50, Scene 2: "I Had No Wish to Anger Them"
Ruth, Op. 50, Scene 2: "Ah, Let Not Anger Fill Your Eyes!"
Ruth, Op. 50, Scene 2: "Whence Cometh This to Me"
Ruth, Op. 50, Scene 2: "The Scatter'd Ear of Corn"
Ruth, Op. 50, Scene 2: "Introduction to Scene 3 by Lord Harewood"
Ruth, Op. 50, Scene 3: "Opening...This Is the Place! Come Daughter"
Ruth, Op. 50, Scene 3: "Fear Not, Beloved Ruth"
Ruth, Op. 50, Scene 3: "Golden Ripe the Barley Grows"
Ruth, Op. 50, Scene 3: "Lord of the Harvest, What Are Thy Commands?"
Ruth, Op. 50, Scene 3: "Winter Time Is the Time to Plough"
Ruth, Op. 50, Scene 3: "Across the Field the Long Slow Line of Reapers Goes A-Reaping"
Ruth, Op. 50, Scene 3: "Dance, Come Dance, Dance Within the Bring"
Ruth, Op. 50, Scene 3: "O Clap Your Hands, All Ye People!"
Ruth, Op. 50, Scene 3: "Go Now, My Daughter"
Ruth, Op. 50, Scene 3: "Thou Comest in the Stillness of the Night"
Ruth, Op. 50, Scene 3: "Lo, My Beloved, My Soul's Delight, to Thee I Give My Hand"
Ruth, Op. 50, Scene 3: "Behold This Maid"
Ruth, Op. 50, Scene 3: "Rejoice, O Israel, Rejoice"
Handel: Messiah, HWV 56, Pt. 2, Scene 7: Chorus. "Hallelujah"
{"copyright_id":"0xcc8832602c32f968b83eca5f0a4493b675ab8d7b56b3fa174c47e6f9f3872616","isrc":"GBAYC9703282","name":"Handel: Messiah, HWV 56, Pt. 2, Scene 7: Chorus. \"Hallelujah\"","registered_at":"2026-06-10T02:35:59Z","spotify_id":"4He4T440HuiOE0pAgLWYOm","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xcc8832602c32f968b83eca5f0a4493b675ab8d7b56b3fa174c47e6f9f3872616. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4He4T440HuiOE0pAgLWYOm.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4He4T440HuiOE0pAgLWYOm.
Handel: Messiah, HWV 56, Pt. 3, Scene 1: Aria. "I Know That My Redeemer Liveth"
{"copyright_id":"0xc373a40fd25f9caa090b2b809795d7a6ba5ccd777031d724ade84f590b71895e","isrc":"GBAYC9703283","name":"Handel: Messiah, HWV 56, Pt. 3, Scene 1: Aria. \"I Know That My Redeemer Liveth\"","registered_at":"2026-06-11T05:34:29Z","spotify_id":"4Ecf0PoOAFlq9TfPpHMOOc","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc373a40fd25f9caa090b2b809795d7a6ba5ccd777031d724ade84f590b71895e. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4Ecf0PoOAFlq9TfPpHMOOc.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4Ecf0PoOAFlq9TfPpHMOOc.
La Rondine, Act I: Chi il bel sogno di Doretta
{"copyright_id":"0x44b8b9d905fcd30932eccc15cd1334e1d5bbe8be629ffb99c7f303f73a0cc743","isrc":"GBAYC0801962","name":"La Rondine, Act I: Chi il bel sogno di Doretta","registered_at":"2026-06-23T00:37:35Z","spotify_id":"7l8r2zN6rXNuuBqgi3EMfr","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x44b8b9d905fcd30932eccc15cd1334e1d5bbe8be629ffb99c7f303f73a0cc743. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7l8r2zN6rXNuuBqgi3EMfr.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7l8r2zN6rXNuuBqgi3EMfr.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x618004ee056b928ca258597a404a50751bd137990c916703140704877ca7c5d6. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7hyBNrKHnpX0xp6TdwnIhi.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7hyBNrKHnpX0xp6TdwnIhi.
{"copyright_id":"0xc383b9639a4ce3462198799260eabb5649eb7fc58238390d4b6cebc91851fc6d","isrc":"GBAYC9502536","name":"Gianni Schicchi: O mio babbino caro","registered_at":"2026-06-25T17:12:53Z","spotify_id":"3lmD6rsHb6lalzgfvMK8hY","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc383b9639a4ce3462198799260eabb5649eb7fc58238390d4b6cebc91851fc6d. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3lmD6rsHb6lalzgfvMK8hY.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3lmD6rsHb6lalzgfvMK8hY.
{"copyright_id":"0xc383b9639a4ce3462198799260eabb5649eb7fc58238390d4b6cebc91851fc6d","isrc":"GBAYC9502536","name":"Gianni Schicchi: O mio babbino caro","registered_at":"2026-06-25T17:12:53Z","spotify_id":"1RhNyCIs4wlwztVRHQpc7b","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc383b9639a4ce3462198799260eabb5649eb7fc58238390d4b6cebc91851fc6d. Chain 2 (Bitcoin): anchored in block 956889 (2026-07-06T06:56:49Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1RhNyCIs4wlwztVRHQpc7b.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1RhNyCIs4wlwztVRHQpc7b.
Klassik 100 Meisterwerke: Klassik die man gehört haben muss
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xcc8832602c32f968b83eca5f0a4493b675ab8d7b56b3fa174c47e6f9f3872616. Chain 2 (Bitcoin): anchored in block 956349 (2026-07-02T11:34:59Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7je05mjsQK8a56EP8Ju2Pn.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7je05mjsQK8a56EP8Ju2Pn.