1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x69fc89f152d4ea2079a2a8676b30273d1518aa731e84bacc72995986b4e9f322. Chain 2 (Bitcoin): anchored in block 953407 (2026-06-12T19:24:56Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/cd5670aa-e25c-4b47-8f83-619252732540.json and https://artists.proofprofile.net/proofs/artist/cd5670aa-e25c-4b47-8f83-619252732540.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Messiah, HWV 56 / Pt. 1: 1. Accompagnato: Comfort ye, My people
Messiah, HWV 56 / Pt. 1: 2. Air: Ev'ry Valley shall be exalted
Messiah, HWV 56 / Pt. 1: 3. Chorus: And the glory of the Lord
Messiah, HWV 56 / Pt. 1: 7. Recit: Behold, A Virgin Shall Conceive - 8. Aria: O Thou That Tellest Good Tidings To Zion - 9. Coro
Messiah, HWV 56 / Pt. 1: 12. Chorus: For unto us a Child is born
Messiah - Complete version with original instrumentation.Ed.Julian Herbage - Part 1: And suddenly there was...Glory to God in the highest
Messiah, HWV 56 / Pt. 1: 16. Air: Rejoice greatly, o daughter of Zion
Messiah, HWV 56 / Pt. 2: 38. Air: Why do the nations
Messiah, HWV 56 / Pt. 2: 39. Chorus: Let us break their bonds asunder
Messiah, HWV 56 / Pt. 2: 42. Chorus: Hallelujah
Messiah, HWV 56 / Pt. 3: 43. Air: I know that my Redeemer liveth
Messiah, HWV 56 / Pt. 3: 45. Accompagnato: Behold, I tell you - 46. Air: The Trumpet shall sound
Messiah, HWV 56 / Pt. 3: 51. Chorus: Worthy is the Lamb... Amen
Handel: Messiah (Adrian Boult – The Decca Legacy II, Vol. 2)
Messiah, HWV 56 / Pt. 1: 4. Accompagnato: Thus saith the Lord
Messiah, HWV 56 / Pt. 1: 5. Air: But who may abide the day of his coming
Messiah, HWV 56 / Pt. 1: 6. Chorus: And He shall purify the sons of Levi
Messiah, HWV 56 / Pt. 1: 10. Accompagnato: For behold, darkness shall cover
Messiah, HWV 56 / Pt. 1: 11. Air: The people that walked in darkness
Messiah, HWV 56 / Pt. 1: 13. Pifa (Pastoral Symphony)
Messiah, HWV 56 / Pt. 1: 14. Recitative: There were shepherds - Accompagnato: And lo, the angel of the Lord - Recitative: And the angel said unto them - Accompagnato: And suddenly
Messiah, HWV 56 / Pt. 1: 15. Chorus: Glory to God in the highest
Messiah, HWV 56 / Pt. 1: 17. Recitative: Then shall the eyes - 18: Duet: He shall feed his flock
Messiah, HWV 56 / Pt. 1: 19. Chorus: His yoke is easy
Messiah, HWV 56 / Pt. 2: 20. Chorus: Behold the Lamb of God
Messiah, HWV 56 / Pt. 2: 21. Air: He Was Despised
Messiah, HWV 56 / Pt. 2: 22. Chorus: Surely He hath borne our griefs
Messiah, HWV 56 / Pt. 2: 23. Chorus: And with His stripes we are healed
Messiah, HWV 56 / Pt. 2: 24. Chorus: All we like sheep have gone astray
Messiah, HWV 56 / Pt. 2: 25. Accompagnato: All They That See Him - 26. Chorus: He Trusted In God"
Messiah, HWV 56 / Pt. 2: 27. Accompagnato: Thy rebuke hath broken His heart
Messiah, HWV 56 / Pt. 2: 28. Arioso: Behold and see
Messiah, HWV 56 / Pt. 2: 29. Accompagnato: He Was Cut Off - 30. Air: But Thou Didst Not Leave His Soul In Hell
Messiah, HWV 56 / Pt. 2: 31. Chorus: Lift up your heads
Messiah, HWV 56 / Pt. 2: 32. Recitative: Unto which of the angels - 33. Chorus: Let all the angels
Messiah, HWV 56 / Pt. 2: 34. Air: Thou art gone up on high
Messiah, HWV 56 / Pt. 2: 35. Chorus: The Lord gave the word
Messiah, HWV 56 / Pt. 2: 36. Air: How beautiful are the feet
Messiah, HWV 56 / Pt. 2: 37. Chorus: Their sound is gone out
Messiah, HWV 56 / Pt. 2: 40. Recitative: He that dwelleth in heaven - 41. Air: Thou shalt break them
Messiah, HWV 56 / Pt. 3: 44. Chorus: Since by man came death
Messiah, HWV 56 / Pt. 3: 47. Recitative: Then shall be brought to pass - 48. Duet: O death where is thy sting - 49. Chorus: But thanks be to God
Messiah, HWV 56 / Pt. 3: 50. Air: If God be for us
Messiah, HWV 56 / Pt. 2: Thy Rebuke Hath Broken His Heart... Behold and See
Pelléas et Mélisande, L. 88, Acte 1 Scène 1 "Une forêt": "Je ne pourrai plus sortir"
Pelléas et Mélisande, L. 88, Acte 3 Scène 1 "Une des tours du château": "Mes longs cheveux descendent"
Pelléas et Mélisande, L. 88, Acte 5 Scène 1 "Une chambre dans le château": "Ce n'est pas de cette petite blessure"
Pelléas et Mélisande, L. 88, Acte 1 Scène 1 "Une forêt": "Pourquoi pleures-tu?"
Pelléas et Mélisande, L. 88, Acte 3 Scène 1 "Une des tours du château": "Je les tiens dans les mains"
Pelléas et Mélisande, L. 88, Acte 5 Scène 1 "Une chambre dans le château": "Attention, je crois qu'elle s'éveille"
Pelléas et Mélisande, L. 88, Acte 1 Scène 1 "Une forêt": Interlude
Pelléas et Mélisande, L. 88, Acte 3 Scène 1 "Une des tours du château": "Que faites-vous ici?"
Pelléas et Mélisande, L. 88, Acte 5 Scène 1 "Une chambre dans le château": "Mélisande, as-tu pitié de moi?"
Pelléas et Mélisande, L. 88, Acte 1 Scène 2 "Un appartement dans le château": "Voici ce qu'il écrit à son frère"
Pelléas et Mélisande, L. 88, Acte 3 Scène 2 "Les souterrains du château": "Prenez garde, par ici"
Pelléas et Mélisande, L. 88, Acte 5 Scène 1 "Une chambre dans le château": "Non, non nous n'avons pas été coupables"
Pelléas et Mélisande, L. 88, Acte 1 Scène 2 "Un appartement dans le château": "Qu'en dites-vous?"
Pelléas et Mélisande, L. 88, Acte 3 Scène 3 "Une terrasse au sortir des souterrains": "Ah, je respire en fin!"
Pelléas et Mélisande, L. 88, Acte 5 Scène 1 "Une chambre dans le château": "Qu'avez-vous fait?"
Pelléas et Mélisande, L. 88, Acte 1 Scène 2 "Un appartement dans le château": Interlude (II)
Pelléas et Mélisande, L. 88, Acte 3 Scène 3 "Une terrasse au sortir des souterrains": Interlude (V)
Pelléas et Mélisande, L. 88, Acte 5 Scène 1 "Une chambre dans le château": "Qu'y a-t-il?"
Pelléas et Mélisande, L. 88, Acte 1 Scène 3 "Devant le château": "Il fait sombre dans les jardins"
Pelléas et Mélisande, L. 88, Acte 3 Scène 4 "Devant le château": "Viens, nous allons nous asseoir ici"
Pelléas et Mélisande, L. 88, Acte 5 Scène 1 "Une chambre dans le château": "Attention… attention!"
Pelléas et Mélisande, L. 88, Acte 1 Scène 3 "Devant le château": "Hoé! hisse hoé!"
Pelléas et Mélisande, L. 88, Acte 3 Scène 4 "Devant le château": "Qu'ils s'embrassent, petit père?"
Pelléas et Mélisande, L. 88, Acte 2 Scène 1 "Une fontaine dans le parc": "Vous ne savez pas où je vous ai menée ?"
Pelléas et Mélisande, L. 88, Acte 4 Scène 1 "Un appartement dans le château": "Où vas-tu?"
Pelléas et Mélisande, L. 88, Acte 2 Scène 1 "Une fontaine dans le parc": "C'est au bord d'une fontaine"
Pelléas et Mélisande, L. 88, Acte 4 Scène 2 "Un appartement dans le château": "Maintenant que le père de Pelléas"
Pelléas et Mélisande, L. 88, Acte 2 Scène 1 "Une fontaine dans le parc": Interlude (III)
Pelléas et Mélisande, L. 88, Acte 4 Scène 2 "Un appartement dans le château": "Pelléas part ce soir"
Pelléas et Mélisande, L. 88, Acte 2 Scène 2 "Un appartement dans le château": "Ah! Ah! Tout va bien"
Pelléas et Mélisande, L. 88, Acte 4 Scène 2 "Un appartement dans le château": "Ne mettez pas ainsi votre main à la gorge"
Pelléas et Mélisande, L. 88, Acte 2 Scène 2 "Un appartement dans le château": "Tiens, Où est l'anneau que je t'avais donné"
Pelléas et Mélisande, L. 88, Acte 4 Scène 2 "Un appartement dans le château": Interlude (VI)
Pelléas et Mélisande, L. 88, Acte 2 Scène 2 "Un appartement dans le château": Interlude (IV)
Pelléas et Mélisande, L. 88, Acte 4 Scène 3 "Une fontaine dans le parc": "Oh! Cette pierre est lourde"
Pelléas et Mélisande, L. 88, Acte 2 Scène 3 "Devant une grotte": "Oui; c'est ici nous y sommes"
Pelléas et Mélisande, L. 88, Acte 4 Scène 4 "Une fontaine dans le parc": "C'est le dernier soir"
Pelléas et Mélisande, L. 88, Acte 4 Scène 4 "Une fontaine dans le parc": "Nous sommes venus ici il y a bien longtemps"
Pelléas et Mélisande, L. 88, Acte 4 Scène 4 "Une fontaine dans le parc": "On dirait que ta voix"
Pelléas et Mélisande, L. 88, Acte 4 Scène 4 "Une fontaine dans le parc": "Quel est ce bruit?"
War Requiem, Op. 66: Ia. Requiem Aeternam - Requiem aeternam
War Requiem, Op. 66: IVa. Sanctus - Sanctus
War Requiem, Op. 66: Ib. Requiem Aeternam - Te decet hymnus
War Requiem, Op. 66: IVb. Sanctus - "After the blast of lightning from the East"
War Requiem, Op. 66: Ic. Requiem Aeternam - "What passing-bells for these who die as cattle?"
War Requiem, Op. 66: V. Agnus Dei - "One ever hangs where shelled roads part" Agnus Dei
War Requiem, Op. 66: Id. Requiem Aeternam - Kyrie eleison
War Requiem, Op. 66: VIa. Libera Me - Libera me
War Requiem, Op. 66: IIa. Dies Irae - Dies irae
War Requiem, Op. 66: VIb. Libera Me - "It seemed that out of battle I escaped"
War Requiem, Op. 66: IIb. Dies Irae - "Bugles sang, saddening the evening air"
War Requiem, Op. 66: VIc. Libera Me - " 'None', said the other"
War Requiem, Op. 66: IIc. Dies Irae - Liber scriptus
War Requiem, Op. 66: VId. Libera Me - "Let us sleep now…" In paradisum
War Requiem, Op. 66: IId. Dies Irae - "Out there, we've walked quite friendly up to Death"
War Requiem, Op. 66: VIe. Libera Me - Requiescant in pace
War Requiem, Op. 66: IIe. Dies Irae - Recordare Iesu pie
War Requiem, Op. 66: IIf. Dies Irae - Confutatis maledictis
War Requiem, Op. 66: IIg. Dies Irae - "Be slowly lifted up, thou long black arm"
War Requiem, Op. 66: IIh. Dies Irae - Dies irae
War Requiem, Op. 66: IIi. Dies Irae - "Move him into the sun"
War Requiem, Op. 66: IIj. Dies Irae - Pie Iesu Domine
War Requiem, Op. 66: IIIa. Offertorium - Domine Jesu Christe
War Requiem, Op. 66: IIIb. Offertorium - Sed signifer Sanctus
War Requiem, Op. 66: IIIc. Offertorium - "So Abram rose, and clave the wood"
War Requiem, Op. 66: IIId. Offertorium - Hostias et preces tibi
Beethoven: Missa Solemnis, Op. 123 & Fantasia in C Minor, Op. 80 - Haydn: Mass in B-Flat Major, Hob. XXII; 12 "Theresia"
Missa Solemnis in D Major, Op. 123: I. Kyrie: "Kyrie eleison"
Missa Solemnis in D Major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi"
Missa Solemnis in D Major, Op. 123: I. Kyrie: "Christe eleison"
Missa Solemnis in D Major, Op. 123: V. Agnus Dei: "Dona nobis pacem"
Missa Solemnis in D Major, Op. 123: I. Kyrie: "Kyrie eleison" cont.
Missa Solemnis in D Major, Op. 123: II. Gloria: "Gloria in excelsis Deo"
Fantasia in C Minor, Op. 80: II. Finale. Allegro - Meno Allegro - Allegretto ma non troppo, quasi andante con moto
Missa Solemnis in D Major, Op. 123: II. Gloria: "Qui tollis peccata mundi"
Mass in B-Flat Major, Hob. XXII:12 "Theresia": I. Kyrie: "Kyrie eleison"
Missa Solemnis in D Major, Op. 123: II. Gloria: "Quoniam tu solus sanctus"
Mass in B-Flat Major, Hob. XXII:12 "Theresia": II. Gloria: "Gloria in excelsis Deo"
Missa Solemnis in D Major, Op. 123: III. Credo: "Credo in unum Deum"
Mass in B-Flat Major, Hob. XXII:12 "Theresia": II. Gloria: "Gratia agimus tibi"
Missa Solemnis in D Major, Op. 123: III. Credo: "Et incarnatus est"
Mass in B-Flat Major, Hob. XXII:12 "Theresia": II. Gloria: "Quoniam tu solus sanctus"
Missa Solemnis in D Major, Op. 123: III. Credo: "Crucifixus"
Mass in B-Flat Major, Hob. XXII:12 "Theresia": III. Credo: "Credo in unum Deum"
Missa Solemnis in D Major, Op. 123: III. Credo: "Et resurrexit"
Mass in B-Flat Major, Hob. XXII:12 "Theresia": III. Credo: "Et incarnatus est"
Missa Solemnis in D Major, Op. 123: III. Credo: "Credo in Spiritum Sanctum"
Mass in B-Flat Major, Hob. XXII:12 "Theresia": IV. Sanctus: "Sanctus, sanctus"
Missa Solemnis in D Major, Op. 123: III. Credo: "Et vitam venturi"
Mass in B-Flat Major, Hob. XXII:12 "Theresia": V. Benedictus: "Benedictus qui venit"
Missa Solemnis in D Major, Op. 123: IV: Sanctus: "Sanctus Dominus"
Mass in B-Flat Major, Hob. XXII:12 "Theresia": VI. Agnus Dei: "Agnus Dei - Dony nobis pacem"
Missa Solemnis in D Major, Op. 123: IV: Sanctus: "Plenti sunt caeli"
Missa Solemnis in D Major, Op. 123: IV: Sanctus: "Praeldudium. Sostenuto, ma non troppo"
Missa Solemnis in D Major, Op. 123: IV: Sanctus: "Benedictus qui venit"
Caractacus, Op. 35, Scene 1: Watchmen, alert! (Chorus)
Caractacus, Op. 35, Scene 1: Watchmen, alert! The King is here (Caractacus)
Caractacus, Op. 35, Scene 1: Father, Sire and King (Eigen, Caractacus, Orbin, Chorus)
Caractacus, Op. 35, Scene 1: At eve to the greenwood (Eigen)
Caractacus, Op. 35, Scene 1: On the ocean and the river (Orbin, Caractacus, Eigen)
Caractacus, Op. 35, Scene 1: Rest, weary monarch (Chorus)
Caractacus, Op. 35, Scene 2: Tread the mystic circle round (Arch-Druid, Chorus)
Caractacus, Op. 35, Scene 2: Lord of dread (Arch-Druid, Chorus)
Caractacus, Op. 35, Scene 2: Bard, what read ye? (Arch-Druid, Orbin, Caractacus, Chorus)
Caractacus, Op. 35, Scene 2: Leap to light (Caractacus, Arch-Druid, Chorus)
Caractacus, Op. 35, Scene 2: Hence, ere the Druid's wrath is woke (Orbin, Chorus)
Caractacus, Op. 35, Scene 3: Introduction. Woodland Interlude
Caractacus, Op. 35, Scene 3: Come! beneath our woodland bow'rs (Chorus)
Caractacus, Op. 35, Scene 3: O'er-arch'd by leaves (Eigen, Orbin)
Caractacus, Op. 35, Scene 3: Last night beneath the sacred oak (Orbin, Chorus)
Caractacus, Op. 35, Scene 3: They gather the wreaths (Orbin, Eigen)
Caractacus, Op. 35, Scene 4: Wild rumours shake our calm retreat (Chorus)
Caractacus, Op. 35, Scene 4: When the glow of the evening (Eigen, Chorus)
Caractacus, Op. 35, Scene 4: We were gather'd by the river (Chorus)
Caractacus, Op. 35, Scene 4: O my warriors (Caractacus, Chorus)
Caractacus, Op. 35, Scene 5: Captive Britons, see them (A Bard, Chorus)
Caractacus, Op. 35, Scene 6: The march triumphal thunders (Chorus)
Caractacus, Op. 35, Scene 6: Unbind his hands (Claudius)
Caractacus, Op. 35, Scene 6: Heap torment upon torment (Caractacus, Eigen, Orbin)
Caractacus, Op. 35, Scene 6: Slay the Briton (Claudius, Chorus)
Caractacus, Op. 35, Scene 6: I plead not for myself (Caractacus, Orbin, Eigen, Chorus)
Caractacus, Op. 35, Scene 6: Grace from the Roman (Eigen, Orbin, Caractacus)
Caractacus, Op. 35, Scene 6: The clang of arms is over (Chorus)
Severn Suite, Op. 87a: I. Introduction. Worcester Castle
Severn Suite, Op. 87a: II. Toccata. Tournament
Severn Suite, Op. 87a: III. Fugue. The Cathedral
Severn Suite, Op. 87a: IV. Minuet. Commandery
Elgar: The Kingdom, Sospiri & Sursum Corda
The Kingdom, Op. 51, Jerusalem: Prelude. Allegro maestoso
The Kingdom, Op. 51, Part IV, The Sign of Healing: Then they that gladly received his word (Mezzo-Soprano, St Peter, St John, The Blessed Virgin, Chorus)
The Kingdom, Op. 51, Part I, In the Upper Room: Seek first the Kingdom of God (St Peter, St John, The Blessed Virgin, Mary Magdalene, Chorus)
The Kingdom, Op. 51, Part IV, The Arrest: And as they spake (Mezzo-Soprano, The Blessed Virgin)
The Kingdom, Op. 51, Part I, In the Upper Room: Men and brethren (St Peter, St John, Chorus)
The Kingdom, Op. 51, Part V, In Fellowship: The voice of joy (St John, St Peter, Chorus)
The Kingdom, Op. 51, Part I. In the Upper Room: O ye priests! (Chorus)
The Kingdom, Op. 51, Part V, The Breaking of Bread: Thou, Almighty Lord (St John, St Peter, The Blessed Virgin, Mary Magdalene, Chorus)
The Kingdom, Op. 51, Part II. At the Beautiful Gate: The singers are before the altar (The Blessed Virgin, Mary Magdalene)
The Kingdom, Op. 51, Part V, The Prayers: Our Father (St John, St Peter, The Blessed Virgin, Mary Magdalene, Chorus)
The Kingdom, Op. 51, Part III, Pentecost: And when the day of Pentecost was fully come (St John, St Peter, Chorus)
The Kingdom, Op. 51, Part III, Pentecost: And suddenly there came from heaven a sound (Mezzo-Soprano, St John, St Peter, Chorus)
Sursum Corda, Op. 11: Sursum corda, Op. 11
The Kingdom, Op. 51, Part III. Pentecost: Repent, and be baptized (St Peter, Chorus)
Britten: War Requiem, Sinfonia da Requiem & Ballad of Heroes
War Requiem, Op. 66: I. Requiem aeternam
War Requiem, Op. 66: VI. Libera me (Soprano, Tenor, Bass, Chorus)
Sinfonia da Requiem, Op. 20: I. Lacrymosa. Andante ben misurato
Sinfonia da Requiem, Op. 20: II. Dies irae. Allegro con fuoco
Sinfonia da Requiem, Op. 20: III. Requiem aeternam. Andante molto tranquillo
Ballad of Heroes, Op. 14: I. Funeral March. Allegro moderato
Ballad of Heroes, Op. 14: II. Scherzo. Dance of Death. Allegro con fuoco
Ballad of Heroes, Op. 14: III. Recitative and Choral. Lento quasi recitativo
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand"
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Part I, Hymnus. Veni, Creator Spiritus!
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1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x215be1143d4ec242f3c362a533965304f4a58f5849150a99f54f3865d3c9ae8d. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/48pmvj4flWLw8aShFkoL1j.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/48pmvj4flWLw8aShFkoL1j.
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Imple superna gratia
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Infirma nostri corporis
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Tempo I (Allegro, etwas hastig)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Infirma nostri corporis virtute firmans perpeti
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Accende lumen sensibus
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Qui Paraclitus diceris
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Gloria Patri Domino
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Part II, Final Scene from Goethe's "Faust". Poco adagio
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Più mosso (Allegro moderato)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Waldung, sie schwankt heran (Heilige Anachoreten)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Ewiger Wonnebrand (Pater ecstaticus)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Wie Felsenabgrund mir zu Füssen (Pater Profundus)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Gerettet ist das edle Glied (Chor der Engel und Chor seliger Knaben)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Jene Rosen, aus den Händen (Chor der jüngeren Engel)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Uns bleibt ein Erdenrest (Die vollendeteren Engel)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Ich spür' soeben (Die jüngeren Engel)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Hier ist die Aussicht frei (Doctor Marianus) - Freudig empfangen wir (Chor seliger Knaben)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Höchste Herrscherin der Welt (Doctor Marianus)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Jungfrau, rein im schönsten Sinne (Doctor Marianus und Chor)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Äußerst langsam. Adagissimo
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Dir, der Unberührbaren (Chor) - Du schwebst zu Höhen (Una poenitentiem und Chor der Büsserinnen)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Bei der Liebe, die den Füßen (Magna Peccatrix)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Bei dem Bronn, zu dem schon weiland (Mulier Samaritana)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Bei dem hochgeweihten Orte (Maria Aegyptiaca)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Die du grossen Sünderinnen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Neige, neige, du Ohnegleiche (Una Poenitentium)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Er überwächst uns schon (Selige Knaben)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Vom edlen Geisterchor umgeben (Una Poenitentium)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Komm! Hebe dich zu höhern Sphären! (Mater gloriosa)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Blicket auf zum Retterblick (Doctor Marianus)
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Alles Vergängliche (Chorus mysticus)
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Requiem - Part 1 - Requiem Aeternam: Entréme donde no supe
Requiem - Part 1 - Requiem Aeternam: Requiem aeternam (I)
Requiem - Part 2 - Dies Irae: Dies irae, dies illa
Requiem - Part 2 - Dies Irae: Rex tremendae majestatis
Requiem - Part 2 - Dies Irae: Lacrimosa dies illa
Requiem - Part 3 - Libera Me: En mí yo no vivo ya
Requiem - Part 3 - Libera Me: Lloraré mi muerte ya
Requiem - Part 3 - Libera Me: Agnus Dei (II)
Requiem - Part 3 - Libera Me: Lux aeterna luceat eis Domine
Requiem - Part 3 - Libera Me: Requiem aeternam (II)
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Carmina Burana: Fortuna imperatrix mundi: O Fortuna
J'aime pas le classique mais ca j'aime bien
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Ich mag keine Klassik, aber das gefällt mir!
Elijah, Op. 70, MWV A 25, Part 1: No. 1, Chorus. Help, Lord! Wilt Thou quite destroy us?
Elijah, Op. 70, MWV A 25, Part 1: No. 5, Chorus. Yet doth the Lord see it not
Elijah, Op. 70, MWV A 25, Part 1: No. 1, Recitative. The depths afford no water!
Elijah, Op. 70, MWV A 25, Part 1: No. 2, Duet with Chorus. Lord, bow Thine ear to our pray'r!
Opera Arias - Nessun Dorma - Casta Diva - O Mio Babbino Caro
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Elijah, Op. 70, MWV A 25, Part 1: No. 9, Chorus. Blessed are the men who fear Him
Elijah, Op. 70, MWV A 25, Part 1: No. 10, Recitative with Chorus. As God the Lord of Sabaoth liveth
Elijah, Op. 70, MWV A 25, Part 1: No. 11, Chorus. Baal, we cry to thee