1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1982d726ee50b3901a447a508ac488dd8de809f9acdec9d0cbd187cffaf1bfa2. Chain 2 (Bitcoin): anchored in block 953407 (2026-06-12T19:24:56Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/d3275ba3-1391-47ef-a267-f1af3e8c402f.json and https://artists.proofprofile.net/proofs/artist/d3275ba3-1391-47ef-a267-f1af3e8c402f.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Beethoven: Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio
{"copyright_id":"0x4038506935f05759194e2308a86b9d70b2b00835464002121873a395e6f6e1d0","isrc":"DEA809105801","name":"Beethoven: Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio","registered_at":"2026-06-19T09:13:48Z","spotify_id":"5PJyHgQesu4zE8l1EZIkwR","type":"track"}
1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x4038506935f05759194e2308a86b9d70b2b00835464002121873a395e6f6e1d0. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5PJyHgQesu4zE8l1EZIkwR.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5PJyHgQesu4zE8l1EZIkwR.
Beethoven: Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto
{"copyright_id":"0x2a4dcc53d29f716c308686d9e8c3c313e81cb9edd8cb60297ae74b666743dcea","isrc":"DEA809105802","name":"Beethoven: Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto","registered_at":"2026-06-06T03:17:11Z","spotify_id":"1FVZppSFBPMaRdmNg6kYnh","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2a4dcc53d29f716c308686d9e8c3c313e81cb9edd8cb60297ae74b666743dcea. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1FVZppSFBPMaRdmNg6kYnh.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1FVZppSFBPMaRdmNg6kYnh.
Beethoven: Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace
{"copyright_id":"0x71d41f76bf5445cd3177528b89a2b7a0cd9e53f450f18f6a2d3da42fad83f492","isrc":"DEA809105803","name":"Beethoven: Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace","registered_at":"2026-06-20T19:18:47Z","spotify_id":"7FMUhpMFMqNxmdThXefFVn","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x71d41f76bf5445cd3177528b89a2b7a0cd9e53f450f18f6a2d3da42fad83f492. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7FMUhpMFMqNxmdThXefFVn.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7FMUhpMFMqNxmdThXefFVn.
Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace
{"copyright_id":"0x74b3e64b17a9d7f8e49623b135a3bef24575da5cde400436ccbbe4bb89cc3e58","isrc":"DEA809105804","name":"Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace","registered_at":"2026-06-21T21:13:06Z","spotify_id":"2F4KPQBkfQhltBTeXsTqAh","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x74b3e64b17a9d7f8e49623b135a3bef24575da5cde400436ccbbe4bb89cc3e58. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2F4KPQBkfQhltBTeXsTqAh.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2F4KPQBkfQhltBTeXsTqAh.
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio
{"copyright_id":"0x08e01043c8c13e0f46038b145346359f78e59fbe5665d4ad79fb2352a205a0ee","isrc":"DEA809105901","name":"Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 \"Eroica\": I. Allegro con brio","registered_at":"2026-06-09T16:28:12Z","spotify_id":"6YYWM7zRR7Yfac6g0xsxFD","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x08e01043c8c13e0f46038b145346359f78e59fbe5665d4ad79fb2352a205a0ee. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6YYWM7zRR7Yfac6g0xsxFD.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6YYWM7zRR7Yfac6g0xsxFD.
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
{"copyright_id":"0x00fa5bab07112fd67d98e5eca4addab8461e9572389d569f1fe11f8cbb993111","isrc":"DEA809105902","name":"Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 \"Eroica\": II. Marcia funebre. Adagio assai","registered_at":"2026-06-20T22:57:46Z","spotify_id":"4qn0vWvIwLSNhduqiEWQKu","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x00fa5bab07112fd67d98e5eca4addab8461e9572389d569f1fe11f8cbb993111. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4qn0vWvIwLSNhduqiEWQKu.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4qn0vWvIwLSNhduqiEWQKu.
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
{"copyright_id":"0x1c28aaaf3b2786cb8f7e641e7991f9c077e08ab07cd28e73ac798246062a2e48","isrc":"DEA809105903","name":"Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 \"Eroica\": III. Scherzo. Allegro vivace","registered_at":"2026-06-21T21:12:24Z","spotify_id":"59doYEctJD4VZ7IMbmDBA5","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1c28aaaf3b2786cb8f7e641e7991f9c077e08ab07cd28e73ac798246062a2e48. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/59doYEctJD4VZ7IMbmDBA5.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/59doYEctJD4VZ7IMbmDBA5.
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale. Allegro molto
{"copyright_id":"0xe21606cc24a4b75cb23cd9569285db5de1c378014c5c66a9bdba03df00f599cc","isrc":"DEA809105904","name":"Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 \"Eroica\": IV. Finale. Allegro molto","registered_at":"2026-06-21T21:13:23Z","spotify_id":"7MNjtcBuvNdFL2Gw7ik41b","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe21606cc24a4b75cb23cd9569285db5de1c378014c5c66a9bdba03df00f599cc. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7MNjtcBuvNdFL2Gw7ik41b.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7MNjtcBuvNdFL2Gw7ik41b.
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
{"copyright_id":"0x87a42b92a5322a4a4c832d5a5f653760dca712c093fca963ca4e07911143376a","isrc":"DEA809106101","name":"Beethoven: Symphony No. 6 in F Major, Op. 68 \"Pastoral\": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo","registered_at":"2026-06-10T02:45:00Z","spotify_id":"4w9oPX32R2tyhZNG8DYExq","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x87a42b92a5322a4a4c832d5a5f653760dca712c093fca963ca4e07911143376a. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4w9oPX32R2tyhZNG8DYExq.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4w9oPX32R2tyhZNG8DYExq.
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene am Bach. Andante molto moto
{"copyright_id":"0x9c89eabeadc975a5e8cda2ebb44c41c3f5ca622360738a20eb733241250bf5ab","isrc":"DEA809106102","name":"Beethoven: Symphony No. 6 in F Major, Op. 68 \"Pastoral\": II. Scene am Bach. Andante molto moto","registered_at":"2026-06-21T21:12:35Z","spotify_id":"5yRwzEAMHJg0MHrPvKECWT","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9c89eabeadc975a5e8cda2ebb44c41c3f5ca622360738a20eb733241250bf5ab. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5yRwzEAMHJg0MHrPvKECWT.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5yRwzEAMHJg0MHrPvKECWT.
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro
{"copyright_id":"0xf83b7927cf913a9c5f68f3c6c638138d91895f693222534aceea528dd13bcb2b","isrc":"DEA809106103","name":"Beethoven: Symphony No. 6 in F Major, Op. 68 \"Pastoral\": III. Lustiges Zusammensein der Landleute. Allegro","registered_at":"2026-06-17T22:23:17Z","spotify_id":"4H4kkttXLOD1ePMTTrZ5SX","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf83b7927cf913a9c5f68f3c6c638138d91895f693222534aceea528dd13bcb2b. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4H4kkttXLOD1ePMTTrZ5SX.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4H4kkttXLOD1ePMTTrZ5SX.
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro -
{"copyright_id":"0x8adf5a706d2ee14be2d49a29efb7d6712c86b656460072142f73fb3ec4b791e9","isrc":"DEA809106104","name":"Beethoven: Symphony No. 6 in F Major, Op. 68 \"Pastoral\": IV. Gewitter. Sturm. Allegro -","registered_at":"2026-06-25T00:11:51Z","spotify_id":"2MoV1DMtt7Q3X51jgyIan0","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x8adf5a706d2ee14be2d49a29efb7d6712c86b656460072142f73fb3ec4b791e9. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2MoV1DMtt7Q3X51jgyIan0.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2MoV1DMtt7Q3X51jgyIan0.
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
{"copyright_id":"0x1b2a07cdcd0743a1e005a0398ece19df76a592a95e904d893cfe203c287ac77a","isrc":"DEA809106105","name":"Beethoven: Symphony No. 6 in F Major, Op. 68 \"Pastoral\": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto","registered_at":"2026-06-17T22:23:39Z","spotify_id":"6EQsHYDkn2Y1I9lIVvtJUK","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1b2a07cdcd0743a1e005a0398ece19df76a592a95e904d893cfe203c287ac77a. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6EQsHYDkn2Y1I9lIVvtJUK.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6EQsHYDkn2Y1I9lIVvtJUK.
Beethoven: Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio
{"copyright_id":"0x9733fbc2da65d572ba8be1e1972f81ca7731d1c143f831187993ac7ea980a7c4","isrc":"DEA809106201","name":"Beethoven: Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio","registered_at":"2026-06-24T05:38:01Z","spotify_id":"5ji8DgvImbtfsOY2916YWz","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9733fbc2da65d572ba8be1e1972f81ca7731d1c143f831187993ac7ea980a7c4. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5ji8DgvImbtfsOY2916YWz.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5ji8DgvImbtfsOY2916YWz.
Beethoven: Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
{"copyright_id":"0x921d25906e8ad1669810c84af871b2e96e21f99fa90fb912058d8400f78c4015","isrc":"DEA809106202","name":"Beethoven: Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando","registered_at":"2026-06-24T10:16:17Z","spotify_id":"18LVcYNiF05oDfEQ7HEhNR","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x921d25906e8ad1669810c84af871b2e96e21f99fa90fb912058d8400f78c4015. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/18LVcYNiF05oDfEQ7HEhNR.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/18LVcYNiF05oDfEQ7HEhNR.
Beethoven: Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto
{"copyright_id":"0xd671cc34cc77ca5e88ed032484a6cffdec8b58399a7d19ae7bcd41033e9b2fd2","isrc":"DEA809106203","name":"Beethoven: Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto","registered_at":"2026-06-25T17:27:29Z","spotify_id":"3GgYprm3J1eOAb0WGB8IFI","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd671cc34cc77ca5e88ed032484a6cffdec8b58399a7d19ae7bcd41033e9b2fd2. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3GgYprm3J1eOAb0WGB8IFI.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3GgYprm3J1eOAb0WGB8IFI.
Beethoven: Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace
{"copyright_id":"0x908499e8b3f8a2164abaafb9ad81374b4a61a6dce90056ce8542273276b7363c","isrc":"DEA809106204","name":"Beethoven: Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace","registered_at":"2026-06-24T10:14:08Z","spotify_id":"0fBowq5a7PeGnbB3mRcRpr","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x908499e8b3f8a2164abaafb9ad81374b4a61a6dce90056ce8542273276b7363c. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0fBowq5a7PeGnbB3mRcRpr.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0fBowq5a7PeGnbB3mRcRpr.
Beethoven: Symphony No. 2 in D Major, Op. 36: I. Adagio - Allegro con brio
{"copyright_id":"0x793ce6b5ae0158d45affe761851082a0d5a7dc7fa38755ddec42759d6202a6b5","isrc":"DEA809106301","name":"Beethoven: Symphony No. 2 in D Major, Op. 36: I. Adagio - Allegro con brio","registered_at":"2026-06-24T10:12:51Z","spotify_id":"3vJ4V5uwrgVifYxlvIDO4d","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x793ce6b5ae0158d45affe761851082a0d5a7dc7fa38755ddec42759d6202a6b5. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3vJ4V5uwrgVifYxlvIDO4d.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3vJ4V5uwrgVifYxlvIDO4d.
Beethoven: Symphony No. 2 in D Major, Op. 36: II. Larghetto
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x132bec6a53c1a47fe02cfa6eab0661c43e219931d5abb791bfac8dcfb6417e3e. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3ZXMofGewu0gUqsBRFXWl0.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3ZXMofGewu0gUqsBRFXWl0.
Beethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro
Beethoven: Symphony No. 2 in D Major, Op. 36: IV. Allegro molto
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x037084e9846460aadbe637a25438c925bf734fd6d4b7d45e82bc0930174a0a5d. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7KuhIuHkpfxLNtc3UFACf4.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7KuhIuHkpfxLNtc3UFACf4.
Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
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Beethoven: Symphony No. 5 in C Minor, Op. 67: II. Andante con moto
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Beethoven: Symphony No. 5 in C Minor, Op. 67: III. Allegro -
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Beethoven: Symphony No. 5 in C Minor, Op. 67: IV. Allegro - Presto
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Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace
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Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio
Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto. Allegro vivace
Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo
Beethoven: Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace
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Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto
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Beethoven: Symphony No. 7 in A Major, Op. 92: III. Presto - Assai meno presto
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Beethoven: Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio
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Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso
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Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Presto
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Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato
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Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto - "O Freunde, nicht diese Töne!" (Ode to Joy)
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Fidelio, Op. 72 (Ed. Lühning & Didion): Overture
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act II: Introduction - Gott! welch Dunkel hier! - In des Lebens Frühlingstagen
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 1, Duet. Jetzt, Schätzchen, jetzt sind wir allein
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act II: Melodrama. Wie kalt ist es in diesem unterirdischen Gewölbe... Duet. Nur hurtig fort, nur frisch gegraben
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Dialogue. Seit Fidelio bei uns ist
Fidelio, Op. 72 (Ed. Lühning & Didion), Act II: Dialogue. Ihr habt wieder geruht
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 2, Aria. O wär ich schon mit dir vereint
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act II: Euch werde Lohn in bessern Welten
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Dialogue. Ich täusche die Menschen
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act II: Dialogue. Ist alles bereit?
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 3, Quartet. Mir ist so wunderbar
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act II: Quartet. Er sterbe!
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Dialogue. Marzelline und Fidelio haben sich offensichtlich recht lieb
Fidelio, Op. 72 (Ed. Lühning & Didion), Act II: Duet. O namenlose Freude!
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 4, Aria. Hat man nicht auch Gold beineben
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act II: Finale. Heil sei dem Tag… Des besten Königs Wink und Wille... Wer ein holdes Weib errungen
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Dialogue. In den finstersten Gewolben sitzt ein Gefangener
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 5, Trio. Gut Söhnchen, gut
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 6, March – Dialogue. Drei Schildwachen auf den Wall
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Dialogue. Etwas neues vorgefallen?
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 7, Aria & Chorus. Ha! Welch ein Augenblick!
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Dialogue. Und nun zu dir mein lieber Rocco
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 8, Duet. Jetzt, Alter, jetzt hat es Eile!
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 9, Recit. Abscheulicher! – Aria. Komm, Hoffnung, lass den letzten Stern
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Dialogue. Wie Fidelio das wieder geschafft hatte war mir ein Rätsel
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 10, O welche Lust, in freier Luft "Prisoners' Chorus"
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Recit. Nun sprecht, wie ging's?
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Recit. Ach! Vater, Vater, eilt!
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Dialogue. Verwegener Alter
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Recit. Leb wohl, du warmes Sonnenlicht
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Orfeo ed Euridice, Wq. 30 (Excerpts): Overture
Alceste, Wq. 44 (Excerpts): Divinités du Styx
Orfeo ed Euridice, Wq. 30 (Excerpts): Ah, se intorno a quest'urna funestra
Alceste, Wq. 44 (Excerpts): Vivez, aimez des jours
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Orfeo ed Euridice, Wq. 30 (Excerpts): Chiamo il mio ben così
Alceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvelles
Orfeo ed Euridice, Wq. 30 (Excerpts): Gli sguardi trattieni
Alceste, Wq. 44 (Excerpts): Vivre sans toi
Orfeo ed Euridice, Wq. 30 (Excerpts): Dance of the Blessed Spirits
Alceste, Wq. 44 (Excerpts): Recois, Dieu bienfaisant
Orfeo ed Euridice, Wq. 30 (Excerpts): Vieni appange il tuo consorte
Orfeo ed Euridice, Wq. 30 (Excerpts): Che fiero momento
Iphigénie en Tauride, Wq. 46 (Excerpts): Des noirs pressentiments
Orfeo ed Euridice, Wq. 30 (Excerpts): Che faro senza Euridice?
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée
Orfeo ed Euridice, Wq. 30 (Excerpts): Trionfi amore
Iphigénie en Tauride, Wq. 46 (Excerpts): Et tu prétends encore
Paride ed Elena, Wq. 39 (Excerpts): Overture
Iphigénie en Tauride, Wq. 46 (Excerpts): Divinité de grandes âmes
Paride ed Elena, Wq. 39 (Excerpts): Non sdegnare, o bella Venere
Iphigénie en Tauride, Wq. 46 (Excerpts): Non, cet affreux devoir
Paride ed Elena, Wq. 39 (Excerpts): O del mio dolce ardor
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice
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Paride ed Elena, Wq. 39 (Excerpts): Nell'idea ch'ei volge in mente
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux
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Paride ed Elena, Wq. 39 (Excerpts): Fingere piu non so
Le cinesi, Wq. 18 (Excerpts): Son lungi e non mi brami
Paride ed Elena, Wq. 39 (Excerpts): Donzelle semplice, no, non credete
Le cinesi, Wq. 18 (Excerpts): Voli il piede in lieti giri
Paride ed Elena, Wq. 39 (Excerpts): Va coll amata in seno
Les pèlerins de la Mecque Wq. 32 (Excerpts): Overture
Les pèlerins de la Mecque Wq. 32 (Excerpts): Les hommes pieusement pour Caton
Les pèlerins de la Mecque Wq. 32 (Excerpts): Jusqu'au moment qui m'otera le jour
Les pèlerins de la Mecque Wq. 32 (Excerpts): Ah, je suis en transe
Les pèlerins de la Mecque Wq. 32 (Excerpts): Maître de cœurs
Les pèlerins de la Mecque Wq. 32 (Excerpts): Qu'il est doux de partager ses chaines
Les pèlerins de la Mecque Wq. 32 (Excerpts): Cessons de repandre des larmes
ParZeFool - Der Thumbe Thor (2016): Vorspiel
ParZeFool - Der Thumbe Thor (2016): Zweiter Akt: Vorspiel
ParZeFool - Der Thumbe Thor (2016): Dritter Akt: Vorspiel
ParZeFool - Der Thumbe Thor (2016): Erster Akt: Gurnemantz: Ho He Ho He
ParZeFool - Der Thumbe Thor (2016): Zweiter Akt: Clingsore: Die Zeit ist Da
ParZeFool - Der Thumbe Thor (2016): Dritter Akt: Gurnemantz: Von dorther kam das Stöhnen
ParZeFool - Der Thumbe Thor (2016): Erster Akt: 1./2. Knabe: Seht die wilde Reiterin
ParZeFool - Der Thumbe Thor (2016): Zweiter Akt: Cundry: Ich will Nicht
ParZeFool - Der Thumbe Thor (2016): Dritter Akt: Cundry: Ha ha ha ha ha! Dienen?
ParZeFool - Der Thumbe Thor (2016): Erster Akt: Gurnemantz/Chor: Durch Mitleid Wissend/SCHOPENHAUER!
ParZeFool - Der Thumbe Thor (2016): Zweiter Akt: Verwandlung Zaubergarten
ParZeFool - Der Thumbe Thor (2016): Dritter Akt: ParZeFool: Sieh dort schimmert hell und stark der Speer
ParZeFool - Der Thumbe Thor (2016): Erster Akt: Amphortas: I think that I do know Him
ParZeFool - Der Thumbe Thor (2016): Zweiter Akt: Blumenmädchen: Ici!/Oú est ce Criminel
ParZeFool - Der Thumbe Thor (2016): Dritter Akt: ParZeFool: Und ich bin's, der all dies Elend Schuf!
ParZeFool - Der Thumbe Thor (2016): Erster Akt: 1./2. Knabe: Mit ihrem Zaubersaft
ParZeFool - Der Thumbe Thor (2016): Zweiter Akt: Blumenmädchen: Viens Viens gracieux Amant
ParZeFool - Der Thumbe Thor (2016): Dritter Akt: Cundry/ParZeFool/Chor: Tu m'as purifié les Pieds
ParZeFool - Der Thumbe Thor (2016): Erster Akt: Gurnemanth/2. Knabe: Oh, wundenwun wunder dervoller voller heiliger Speer!
ParZeFool - Der Thumbe Thor (2016): Zweiter Akt: Blumenmädchen: Bist du ängstlich vor Frauen?
ParZeFool - Der Thumbe Thor (2016): Dritter Akt: ParZeFool: Ich sah sie Welken
ParZeFool - Der Thumbe Thor (2016): Erster Akt: Gurnemantz: CLINGSORE the Magician!
ParZeFool - Der Thumbe Thor (2016): Zweiter Akt: ParZeFool: Nie sah ich, nie träumte Mir
ParZeFool - Der Thumbe Thor (2016): Dritter Akt: Gurnemantz: Mittag: Die Stund' ist Da.
ParZeFool - Der Thumbe Thor (2016): Erster Akt: Chor: Durch Mitleid Wissend/Compassion
ParZeFool - Der Thumbe Thor (2016): Zweiter Akt: ParZeFool: Ha! Was Alles vergaß ich wohl Noch?
ParZeFool - Der Thumbe Thor (2016): Dritter Akt: Chor: Glory to Thee from Gilded Tomb!
ParZeFool - Der Thumbe Thor (2016): Erster Akt: Gurnemantz/Chor: Weh! Weh! Ho Ho!
ParZeFool - Der Thumbe Thor (2016): Zweiter Akt: ParZeFool: Hier! Im Herzen der Brand!
ParZeFool - Der Thumbe Thor (2016): Dritter Akt: Amphortas: Ah Woe my FATHER!
ParZeFool - Der Thumbe Thor (2016): Erster Akt: Gurnemantz: Erkennst du deine große Schuld?
ParZeFool - Der Thumbe Thor (2016): Zweiter Akt: Cundry: Entflieh' dem Wahn!
ParZeFool - Der Thumbe Thor (2016): Dritter Akt: Gurnemantz, ParZeFool, Chor: Enthüllt den Gral!
ParZeFool - Der Thumbe Thor (2016): Erster Akt: Gurnemantz: Etwas musst du doch Wissen!
ParZeFool - Der Thumbe Thor (2016): Zweiter Akt: Cundry: Den ich Ersehnt
ParZeFool - Der Thumbe Thor (2016): Dritter Akt: Chor: Höchster Narrheit Wunder!
ParZeFool - Der Thumbe Thor (2016): Erster Akt: ParZeFool: Was ist der Gral?
ParZeFool - Der Thumbe Thor (2016): Zweiter Akt: Auf Ewigkeit wärst du Verdammt
ParZeFool - Der Thumbe Thor (2016): Erster Akt: Gurnemantz: The Fool Pure
ParZeFool - Der Thumbe Thor (2016): Zweiter Akt: Liebe und Erlösung werd ich dir Geben
ParZeFool - Der Thumbe Thor (2016): Erster Akt: Chor: Tou to Es
21 Hungarian Dances, WoO 1: Hungarian Dance No. 1 in G Minor. Allegro molto (Orch. Brahms)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 2 in D Minor. Allegro non assai (Orch. Hallén)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 3 in F Major. Allegretto (Orch. Brahms)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 4 in F Minor. Poco sostenuto (Orch. Juon in F-Sharp Minor)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in G Minor. Allegro (Orch. Schmeling)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D Major. Vivace (Orch. Schmeling)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 7 in F Major. Allegretto (Orch. Schmeling)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 8 in A Minor. Presto (Orch. Gál)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 9 in E Minor. Allegro non troppo (Orch. Gál)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 10 in F Major. Presto (Orch. Brahms)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor. Poco andante (Orch. Parlow)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 12 in D Minor. Presto (Orch. Parlow)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 13 in D Major. Andantino grazioso (Orch. Parlow)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 14 in D Minor. Un poco andante (Orch. Parlow)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 15 in B-Flat Major. Allegretto grazioso (Orch. Parlow)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor. Con moto (Orch. Parlow)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 17 in F-Sharp Minor. Andantino (Orch. Dvořák)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 18 in D Major. Molto vivace (Orch. Dvořák)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 19 in B Minor. Allegretto (Orch. Dvořák)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 20 in E Minor. Poco allegretto (Orch. Dvořák)
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák)
Symphony No. 2 "Resurrection": Ia. Allegro maestoso
Symphony No. 2 "Resurrection": Ib. Sehr mässig und zurückhaltend
Symphony No. 2 "Resurrection": Ic. Schnell
Symphony No. 2 "Resurrection": Id. Tempo I
Symphony No. 2 "Resurrection": Ie. Tempo sostenuto
Symphony No. 2 "Resurrection": IIa. Andante moderato. Sehr gemächlich
Symphony No. 2 "Resurrection": IIb. Nicht eilen. Sehr gemächlich
Symphony No. 2 "Resurrection": IIc. In Tempo I zurückkehren
Symphony No. 2 "Resurrection": IId. Energisch bewegt
Symphony No. 2 "Resurrection": IIe. Wieder ins Tempo zurückgehen
Symphony No. 2 "Resurrection": III. Scherzo: a. In ruhig fliessender Bewegung
Symphony No. 2 "Resurrection": III. Scherzo: b. Sehr getragen und gesangvoll
Symphony No. 2 "Resurrection": III. Scherzo: c. Zum Tempo I zurückkehren
Symphony No. 2 "Resurrection": IV. Urlicht. O Röschen rot
Symphony No. 2 "Resurrection": V. Finale: a. Im Tempo des Scherzos
Symphony No. 2 "Resurrection": V. Finale: b. Langsam
Symphony No. 2 "Resurrection": V. Finale: c. Am Anfang sehr zurückgehalten
Symphony No. 2 "Resurrection": V. Finale: d. Wieder sehr breit
Symphony No. 2 "Resurrection": V. Finale: e. Molto ritenuto. Maestoso
Symphony No. 2 "Resurrection": V. Finale: f. Wieder zurückhaltend
Symphony No. 2 "Resurrection": V. Finale: g. Sehr langsam und gedehnt
Symphony No. 2 "Resurrection": V. Finale: h. Langsam. Misterioso Auferstehen, ja auferstehen wirst du gesät
Symphony No. 2 "Resurrection": V. Finale: i. Langsam. Nicht schleppen. Wieder aufzublühn wirst du gesät
Symphony No. 2 "Resurrection": V. Finale: j. Etwas bewegter. O glaube, mein Herz, o glaube
Symphony No. 2 "Resurrection": V. Finale: k. Mit Aufschwung, aber nicht eilen
Symphony No. 5 in B-Flat Major, D. 485: I. Allegro
Symphony No. 5 in B-Flat Major, D. 485: II. Andante con moto
Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto. Allegro molto
Symphony No. 5 in B-Flat Major, D. 485: IV. Allegro vivace
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Die Vorstellung des Chaos - Largo
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Und Gott sprach: Es bringe das Wasser in der Fülle hervor (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Im Anfange schuf Gott Himmel und Erde (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Auf starkem Fittiche schwinget sich (Aria)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Nun schwanden vor dem heiligen Strahle (Aria)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Und Gott schuf große Walfische (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Und Gott machte das Firmament (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Und die Engel rührten ihr' unsterblichen Harfen (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Mit Staunen sieht das Wunderwerk
Die Schöpfung (The Creation), Hob. XXI:2: Part II: In holder Anmut steh'n, mit jungem Grün geschmückt (Terzett)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Und Gott sprach: Es sammle sich das Wasser (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Und Gott sprach: Es bringe die Erde hervor (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Rollend in schäumenden Wellen (Aria)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Gleich öffnet sich der Erde Schoß (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Und Gott sprach: Es bringe die Erde Gras hervor (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Nun scheint in vollem Glanze der Himmel (Aria)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Nun beut die Flur das frische Grün (Aria)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Und Gott schuf den Menschen nach seinem Ebenbilde (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Und die himmlischen Heerscharen verkündeten den dritten Tag (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Mit Würd' und Hoheit angethan (Aria)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Stimmt an die Saiten, ergreift die Leyer (Chor)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Und Gott sah jedes Ding, das er gemacht hatte (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part II: Vollendet ist das große Werk... Zu dir, o Herr, blickt alles auf
Die Schöpfung (The Creation), Hob. XXI:2: Part I: In vollem Glanze steigt jetzt die Sonne strahlend auf (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part III: Aus Rosenwolken bricht, geweckt durch süßen Klang (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part I: Die Himmel erzählen die Ehre Gottes... Dem kommenden Tage sagt es der Tag
Die Schöpfung (The Creation), Hob. XXI:2: Part III: Von deiner Güt', o Herr und Gott... Gesegnet sei des Herren Macht (Duet & Chorus)
Die Schöpfung (The Creation), Hob. XXI:2: Part III: Nun ist die erste Pflicht erfüllt (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part III: Holde Gattin! Dir zur Seite (Duet)
Die Schöpfung (The Creation), Hob. XXI:2: Part III: O glücklich Paar! Und glücklich immerfort! (Rec.)
Die Schöpfung (The Creation), Hob. XXI:2: Part III: Singt dem Herren, alle Stimmen (Chorus)
Mozart: Die Höhepunkte Der Welt-Uraufführung
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Mozart: Ein Bissel Für's Hirn Und Ein Bissel Für's Herz
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Mozart: Wie wird man seinen Schatten los?
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Mozart: Warum Kannst Du Mich Nicht Lieben?
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Mozart: Der Mensch Wird Erst Mensch Durch Den Aufrechten Gang
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Platée, RCT 53, Acte 2 Scène 1: Ritournelle - Récit "Je viens de soulager Junon dans sa colère" (Mercure, Cithéron)
Platée, RCT 53, Acte 2 Scène 2: Descente majestueuse de Jupiter - Récit "Aquilons trop audacieux" (Jupiter)
Platée, RCT 53, Prologue Scène 1: Branle. Récit "Le ciel répand ici" (un Satyre, le Chœur)
Platée, RCT 53, Acte 2 Scène 3: Air "À l'aspect de ce nuage" (Platée)
Platée, RCT 53, Prologue Scène 1: Récit "Que vois-je ?" (un Satyre, le Chœur)
Platée, RCT 53, Acte 2 Scène 3: Tonnerre et pluie de feu - Récit "Ciel ! quelle terrible rosée !" (Platée)
Platée, RCT 53, Prologue Scène 1: Récit et Chœur "Rendons grâce à Bacchus" (Thespis, le Chœur)
Platée, RCT 53, Acte 2 Scène 4: Chœur "Qu'elle est aimable" (Mercure, Cithéron, le Chœur)
Platée, RCT 53, Prologue Scène 1: Ariette "Charmant Bacchus" (Thespis)
Platée, RCT 53, Acte 2 Scène 4: Annonce de la Folie - Récit "Mais une nouvelle harmonie" (Momus)
Platée, RCT 53, Prologue Scène 1: Récit "Ménades et jeunes et belles" (Thespis, un Satyre, le Chœur)
Platée, RCT 53, Acte 2 Scène 5: Récit "Vous vous trompez" (La Folie, Momus, Mercure, Cithéron, le Chœur)
Platée, RCT 53, Prologue Scène 2: Prélude et récit "Poursuivez, Thespis" (Thalie)
Platée, RCT 53, Acte 2 Scène 5: Air pour les Fous gais - Air pour les Fous tristes
Platée, RCT 53, Prologue Scène 2: Air "Aux seuls humains bornez vous la satire ?" (Momus)
Platée, RCT 53, Acte 2 Scène 5: Récit "Formons les plus brillants concerts" (La Folie, Momus, Mercure, Cithéron, le Chœur)
Platée, RCT 53, Prologue Scène 2: Trio "Cherchons à railler en tous lieux" (Thalie, Momus, Thespis)
Platée, RCT 53, Acte 2 Scène 5: Récit "Jugez par du beau simple" (La Folie, Momus, Mercure, Cithéron, le Chœur)
Platée, RCT 53, Prologue Scène 2: Récit "Dans ces lieux, Jupiter lui-même" (Momus)
Platée, RCT 53, Acte 2 Scène 5: Premier & Deuxième Menuets
Platée, RCT 53, Prologue Scène 3: Air "Que peut-on sans l'amour" (Thalie, L'Amour)
Platée, RCT 53, Prologue Scène 4: Air "Momus, Amour, Dieu des raisins" (Thespis, le Chœur)
Platée, RCT 53, Acte 2 Scène 5: Premier & Deuxième Airs pour les Fous
Platée, RCT 53, Prologue Scène 5: Air pantomime
Platée, RCT 53, Acte 2 Scène 5: Récit "Je veux finir par un coup de génie" (La Folie, Momus, Cithéron, Mercure, le Chœur, Platée)
Platée, RCT 53, Prologue Scène 6: Premier et deuxième Rigaudons
Platée, RCT 53, Acte 3 Scènes 1 - 2: Récit "Haine, dépit" (Junon) - Récit "Arrêtez" (Junon, Mercure)
Platée, RCT 53, Prologue: Ouverture (reprise)
Platée, RCT 53, Acte 3 Scène 3: Marche et Chœur "Chantons, célébrons en ce jour" (Clarine, le Chœur)
Platée, RCT 53, Acte 1 Scène 1: Orage et Récit "Dieux, qui tenez l'univers ?" (Cithéron)
Platée, RCT 53, Acte 3 Scène 3: Air "Dans cette fête" (Platée, Mercure, Jupiter)
Platée, RCT 53, Acte 1 Scène 1: Descente de Mercure et Récit "Mais, je vois Mercure descendre" (Cithéron)
Platée, RCT 53, Acte 3 Scène 3: Chaconne
Platée, RCT 53, Acte 1 Scène 2: Récit "Mercure, apprenez-nous" (Cithéron, Mercure)
Platée, RCT 53, Acte 3 Scène 4: Annonce de Momus et Récit "Que vois-je ?" (Jupiter, Platée, Mercure, Momus)
Platée, RCT 53, Acte 1 Scène 3: Ariette badine "Que ce séjour est agréable !" (Platée, Clarine)
Platée, RCT 53, Acte 3 Scènes 4 - 5: Ariette "Amour, lance tes traits" (La Folie) - Annonce des grâce, Loure - Récit (Platée, Momus)
Platée, RCT 53, Acte 1 Scène 3: Annonce du chœur et Air "Que vos voix m'applaudissent" (Platée, le Chœur)
Platée, RCT 53, Acte 1 Scène 4: Récit "Quelque douce inquiétude" (Platée, Cithéron)
Platée, RCT 53, Acte 1 Scène 4: Air et Récit "Pour un amant qui sait plaire" (Platée, Cithéron)
Platée, RCT 53, Acte 1 Scène 4: Quatuor "Dis donc" (Platée, le chœur)
Platée, RCT 53, Acte 1 Scène 5: Descente de Mercure et Récit "Déesse qui régnez" (Mercure, Platée, Cithéron)
Platée, RCT 53, Acte 1 Scène 5: Ariette "Quittez, nymphes" (Platée)
Platée, RCT 53, Acte 1 Scène 6: Chœur "Épais nuages" (chœur des Naïades)
Platée, RCT 53, Acte 1 Scène 6: Premier et deuxième Tambourins
Platée, RCT 53, Acte 1 Scène 6: Ariette "Soleil, fuis de ces lieux" (Clarine)
Platée, RCT 53, Acte 1 Scène 6: Air "Nymphes, les Aquilons viennent troubler" (Mercure)
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Die Zauberflöte, K. 620, Act II: No. 12, Wie? Wie? Wie?
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Die Zauberflöte, K. 620, Act I: No. 1, Zu Hilfe! Zu Hilfe! - Dialogue. Wo bin ich?
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Die Zauberflöte, K. 620, Act II: Dialogue. Heil dir, Jüngling - Ha, da find' ich ja die Spröde
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Die Zauberflöte, K. 620, Act I: No. 2, Der Vogelfänger bin ich ja - Dialogue. He da!
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Die Zauberflöte, K. 620, Act II: No. 13, Alles fühlt der Liebe Freuden - Dialogue. Zurück!
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Die Zauberflöte, K. 620, Act I: Dialogue. Papageno... Ah! das geht mich an!
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Die Zauberflöte, K. 620, Act II: No. 14, Der Hölle Rache "Queen of the Night Aria"
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Die Zauberflöte, K. 620, Act I: No. 3, Dies Bildnis ist bezaubernd schön
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Die Zauberflöte, K. 620, Act II: Dialogue. Morden soll ich?
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Die Zauberflöte, K. 620, Act I: Dialogue. Freue dich und fasse Mut, schöner Jüngling
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Die Zauberflöte, K. 620, Act II: No. 15, In diesen heil'gen Hallen
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Die Zauberflöte, K. 620, Act I: No. 4, O zittre nicht, mein lieber Sohn! - Dialogue. Ist's auch denn Wirklichlkeit
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Die Zauberflöte, K. 620, Act II: Dialogue. Hier seid ihr euch beide allein überlassen
Die Zauberflöte, K. 620, Act I: No. 5, Hm! hm! hm! hm!
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Die Zauberflöte, K. 620, Act II: No. 16, Seid uns zum zweiten Mal willkommen
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Die Zauberflöte, K. 620, Act I: Dialogue. Ha, ha, ha! - He, Sklaven!
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Die Zauberflöte, K. 620, Act II: Dialogue. Tamino, wollen wir nicht speisen?
Die Zauberflöte, K. 620, Act I: No. 6, Du feines Täubchen, nur herein
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Die Zauberflöte, K. 620, Act II: No. 17, Ach, ich fühl's
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Die Zauberflöte, K. 620, Act I: Dialogue. Bin ich nicht ein Narr
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Die Zauberflöte, K. 620, Act II: Dialogue. Nicht wahr, Tamino
Die Zauberflöte, K. 620, Act I: No. 7, Duet. Bei Männern, welche Liebe fühlen
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Die Zauberflöte, K. 620, Act II: No. 18, Chorus. O Isis und Osiris, welche Wonne
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Die Zauberflöte, K. 620, Act I: No. 8, Finale: a-c. Zum Ziele führt dich diese Bahn
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Die Zauberflöte, K. 620, Act II: Dialogue. Prinz, dein Betragen
Die Zauberflöte, K. 620, Act I: No. 8, Finale: d. Wie stark ist nicht dein Zauberton
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Die Zauberflöte, K. 620, Act II: No. 19, Soll ich dich, Teurer, nicht mehr sehn?
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Die Zauberflöte, K. 620, Act I: No. 8, Finale: e-f. Schnelle Füße, rascher Mut
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Die Zauberflöte, K. 620, Act II: Dialogue. Tamino! Tamino!
Die Zauberflöte, K. 620, Act I: No. 8, Finale: g-j. Es lebe Sarastro!... Wenn Tugend und Gerechtigkeit
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Die Zauberflöte, K. 620, Act II: No. 20, Ein Mädchen oder Weibchen
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Die Zauberflöte, K. 620, Act II: No. 9, Marsch der Priester
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Die Zauberflöte, K. 620, Act II: Dialogue. Da bin ich schon, mein Engel
Die Zauberflöte, K. 620, Act II: Dialogue. Ihr in dem Weisheitstempel
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Die Zauberflöte, K. 620, Act II: No. 21, Finale: a-b. Bald prangt - Du also bist mein Bräutigam
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Die Zauberflöte, K. 620, Act II: No. 10, O Isis und Osiris
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Die Zauberflöte, K. 620, Act II: No. 21, Finale: c-e. Der, welcher wandelt - Tamino mein - Wir wandelten
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Die Zauberflöte, K. 620, Act II: Dialogue. Eine schreckliche Nacht
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Die Zauberflöte, K. 620, Act II: No. 21, Finale: f-g. Papagena! Weibchen! Täubchen! - Pa-Pa-Pa-Pa-Pa-Pa-Papagena!
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Die Zauberflöte, K. 620, Act II: No. 11, Bewahret euch vor Weibertücken
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Die Zauberflöte, K. 620, Act II: No. 21, Finale: h-i. Nur stille, stille - Die Strahlen der Sonne
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Das Floß der Medusa, Pt. 1: No. 1, Prolog des Charon - Live
Das Floß der Medusa, Pt. 1: No. 2, Vom Hafen aus lässt sich urteilen über die - Live
Das Floß der Medusa, Pt. 1: No. 3, Vive le roi! - Live
Das Floß der Medusa, Pt. 1: No. 4, Die See war still, der Wind aus Norden wehte angenehm - Live
Das Floß der Medusa, Pt. 1: No. 5, Den Bänken von Arguin - Live
Das Floß der Medusa, Pt. 1: No. 6, Drei Tage Kampf um das Schiff - Live
Das Floß der Medusa, Pt. 1: No. 7, Wir standen an der Reling, sah’n ihm zu - Live
Das Floß der Medusa, Pt. 1: No. 8, Wir schauten auf - Live
Das Floß der Medusa, Pt. 1: No. 9, Per correr migliori acque alza le vele - Live
Das Floß der Medusa, Pt. 1: No. 10, Es kam der zweite Tag - Live
Das Floß der Medusa, Pt. 2: No. 11, Acht Nächte haben den Mond wachsen - Live
Das Floß der Medusa, Pt. 2: No. 12, Wie viele Königreiche wissen nichts von uns? - Live
Das Floß der Medusa, Pt. 2: No. 13, La luna, quasi a mezza notte tarda - Live
Das Floß der Medusa, Pt. 2: No. 14, Mitternacht - Live
Das Floß der Medusa, Pt. 2: No. 15, Da ging ein Mann über das Floß - Live
Das Floß der Medusa, Pt. 2: No. 16, Wir haben kein Gesetz - Live
Das Floß der Medusa, Pt. 2: No. 17, Schau auf! - Live
Symphony No. 1 in D Major: I. Langsam, schleppend - Immer sehr gemächlich - Live
Symphony No. 1 in D Major: II. Kräftig bewegt, doch nicht zu schnell - Live
Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen - Live
Symphony No. 1 in D Major: IV. Stürmisch bewegt - Live
Symphony No. 2 "Resurrection": I. Allegro maestoso - Live
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Symphony No. 2 "Resurrection": II. Andante moderato - Live
Symphony No. 2 "Resurrection": III. Scherzo. In ruhig fliessender Bewegung - Live
Symphony No. 2 "Resurrection": IV. Urlicht. O Röschen rot - Live
Symphony No. 2 "Resurrection": V. Finale. Im Tempo des Scherzos - Live
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Symphony No. 3: Ia. Kräftig. Entschieden - Live
Symphony No. 3: Ib. Immer das gleiche Tempo - Live
Symphony No. 3: If. Immer dasselbe Tempo. Marsch. Nicht eilen - Live
Symphony No. 3: Ig. Im alten Marschtempo. Allegro moderato - Live
Symphony No. 3: IIa. Tempo di minuetto. Sehr mässig - Live
Symphony No. 3: IIb. L'istesso tempo - Live
Symphony No. 3: IIc. A tempo. Wie im Anfang - Live
Symphony No. 3: IId. Ganz plötzlich gemächlich. Tempo di Minuetto - Live
Symphony No. 3: IIIa. Comodo. Scherzando. Ohne Hast - Live
Symphony No. 3: IIIb. Wieder sehr gemächlich, wie zu Anfang - Live
Symphony No. 3: IIIc. Etwas zurückhaltend - Live
Symphony No. 3: IIId. Schnell und schmetternd wie eine Fanfare - Live
Symphony No. 3: IIIe. Wieder sehr gemächlich, beinahe langsam - Live
Symphony No. 3: IVa. Sehr langsam. Misterioso. O Mensch! Gib acht! - Live
Symphony No. 3: IVb. Più mosso subito - Live
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck. Bimm bamm - Live
Symphony No. 3: VIa. Langsam. Ruhevoll. Empfunden - Live
Symphony No. 3: VIb. Nicht mehr so breit - Live
Symphony No. 3: VIc. Tempo I. Ruhevoll - Live
Symphony No. 3: VId. Nicht mehr so breit - Live
Symphony No. 3: VIf. Langsam. Tempo I - Live
Symphony No. 4: I. Bedächtig, nicht eilen - Live
Symphony No. 4: II. In gemächlicher Bewegung, ohne Hast - Live
Symphony No. 4: III. Ruhevoll, poco adagio - Live
Symphony No. 4: IV. Wir geniessen die Himmlischen Freuden. Sehr behaglich - Live
7 frühe Lieder (1928 Orch. Version): No. 1, Nacht - Live at Philharmonie, Berlin, 2005
7 frühe Lieder (1928 Orch. Version): No. 2, Schilflied - Live at Philharmonie, Berlin, 2005
7 frühe Lieder (1928 Orch. Version): No. 3, Die Nachtigall - Live at Philharmonie, Berlin, 2005
7 frühe Lieder (1928 Orch. Version): No. 4, Traumgekrönt - Live at Philharmonie, Berlin, 2005
7 frühe Lieder (1928 Orch. Version): No. 5, Im Zimmer - Live at Philharmonie, Berlin, 2005
7 frühe Lieder (1928 Orch. Version): No. 6, Liebesode - Live at Philharmonie, Berlin, 2005
7 frühe Lieder (1928 Orch. Version): No. 7, Sommertage - Live at Philharmonie, Berlin, 2005
Symphony No. 5: I. Trauermarsch - Live at Philharmonie, Berlin, 1993
Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz - Live at Philharmonie, Berlin, 1993
Symphony No. 5: III. Scherzo. Kräftig, nicht zu schnell - Live at Philharmonie, Berlin, 1993
Symphony No. 5: IV. Adagietto. Sehr langsam - Live at Philharmonie, Berlin, 1993
Cecilia Bartoli - The Art of Cecilia Bartoli
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Rinaldo / Act 1: Duetto: Scherzano sul tuo volto
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Dorilla in Tempe, RV 709 / Act I: Dell'aura al sussurrar
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Il Bajazet (Il Tamerlano), RV 703 / Act 2: Anch'il mar par che sommerga
Il Parnaso confuso: Di questa cetra in seno
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La Clemenza di Tito: Se mai senti spirarti sul volto
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Le nozze di Figaro, K. 492, Act I: No. 6, Non so più cosa son, cosa faccio
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Le nozze di Figaro, K. 492, Act II: No. 12, Voi che sapete
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Don Giovanni, K.527 / Act 1: "Là ci darem la mano"
Orchestra dell'Accademia Nazionale di Santa Cecilia
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Le nozze di Figaro / Act 2: "Un moto di gioia" (Alternative aria)
Die Zauberflöte, K.620 / Act 2: "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!"
La Cenerentola / Act 2: "Nacqui all'affanno e al pianto" - "Non più mesta"
Orchestra del Teatro Comunale di Bologna
Il barbiere di Siviglia / Act 1: No. 7 Duetto: "Dunque io son... tu non m'inganni?"
Il Turco in Italia / Act 2: Squallida veste...caro padre, madre amata
L'elisir d'amore / Act 1: "Una parola..chiedi all'aura"
Orchestra Sinfonica di Milano Giuseppe Verdi
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi)
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Griselda, RV 718 / Act 3: Dopo un' orrida procella
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Orlando finto pazzo, RV 727 / Act 3: Qual favellar?... Anderò, volerò, griderò
Ercole su'l Termodonte, RV 710: Zeffiretti che sussurate
La fida ninfa, RV 714 / Act 1: Alma oppressa
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La fida ninfa, RV 714 / Act 3: Dite oimè
Il Giustino, RV 717 / Act 2: Sventurata navicella
Il Giustino, RV 717 / Act 2: Sorte, che m'invitasti..Ho nel petto un cor sì forte
L'Olimpiade, RV 725 / Act 2: Tra le follie... Siam navi all'onde algenti
Farnace, RV 711 / Act 2: Gelido in ogni vena
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Il Teuzzone, RV 736 / Act 2 Scene 1: Di trombe guerriere
Bach, JS: The Well-Tempered Clavier, Book I: Prelude and Fugue No. 1 in C Major, BWV 846: Prelude
Bach, JS: The Well-Tempered Clavier, Book I, Prelude and Fugue No. 6 in D Minor, BWV 851: Prelude
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Bach, JS: Goldberg Variations, BWV 988: Aria
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Bach, JS: Goldberg Variations, BWV 988: Variation I
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
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Bach, JS: Keyboard Concerto in D Minor, BWV 974: II. Adagio (After Marcello's Oboe Concerto)
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Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
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Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: I. —
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"
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Bach, JS / Arr. Kempff: Flute Sonata No. 2 in E-Flat Major, BWV 1031: II. Siciliano
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Bach, JS: Herz und Mund und Tat und Leben, BWV 147: Choral. "Jesus bleibet meine Freude, Meines Herzen Lust und Saft"
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Bach, JS: Cello Suite No. 1 in G Major, BWV 1007: I. Prelude
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Bach, JS: Cello Suite No. 1 in G Major, BWV 1007: V. Menuets I & II
Bach, JS: Concerto for 2 Pianos in C Minor, BWV 1060: II. Adagio
Orchestre National Du Capitole De Toulouse
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Bach, JS: Well-Tempered Clavier, Book 2, Prelude and Fugue No. 11 in F Major, BWV 880: I. Prelude
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Bach, JS: Well-Tempered Clavier, Book 2, Prelude and Fugue No. 17 in A-Flat Major, BWV 886: I. Prelude
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Bach, JS: Sonata for Solo Violin No. 2 in A Minor, BWV 1003: III. Andante
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Bach, JS: Goldberg Variations, BWV 988: Variation X. Fughetta
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Bach, JS: Goldberg Variations, BWV 988: Variation XXVIII
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Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto
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Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (Arr. Yang for Guitar)
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Bach, JS: Violin Sonata No. 4 in C Minor, BWV 1017: I. Siciliano. Largo
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chor. "Kommt, ihr Töchter helft mir klagen"
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 6, Aria. "Buß und Reu"
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 30, Aria mit Chor. "Ach, nun ist mein Jesus hin!"
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria. "Erbarme dich"
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 52, Aria. "Können Tränen meinen Wangen"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 68, Chor. "Wir setzen uns mit Tränen nieder"
Bach: Arioso (Arr. Cortot After Harpsichord Concerto No. 5 in F Minor, BWV 1056)
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Bach: Adagio (After Violin Concerto No. 2, BWV 1042)
Bach, JS: Sonata for Solo Violin No. 1 in G Minor, BWV 1001: II. Fuga
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: I. Allegro
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Bach, JS: Goldberg Variations, BWV 988: Variation IV
Bach, JS: Piano Concerto No. 5 in F Minor, BWV 1056: II. Largo
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Bach, JS: Schemellis Musicalisches Gesang-Buch: Mein Jesu! Was vor Seelenweh, BWV 487
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Bach, JS: St John Passion, BWV 245, Pt. 1: No. 1, Chor. "Herr, unser Herrscher"
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Bach, JS: St John Passion, BWV 245, Pt. 2: No. 35, Arie. "Zerfliesse, mein Herze"
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Bach, JS: St John Passion, BWV 245, Pt. 2: No. 39, Chor. "Ruht wohl, ihr heiligen Gebeine"
Bach, JS: Wachet auf, ruft uns die Stimme, BWV 140: I. Wachet auf, ruft uns die Stimme (Transcr. Garcia for Guitar)
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Bach, JS: Sonata for Solo Violin No. 3 in C Major, BWV 1005: I. Adagio
Bach, JS: Wir müssen durch viel Trübsal, BWV 146: No. 1, Sinfonia
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Bach, JS: Keyboard Partita No. 6 in E Minor, BWV 830: III. Courante
Bach, JS: Concerto for Four Pianos in A Minor, BWV 1065: II. Largo
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Bach, JS: English Suite No. 1 in A Major, BWV 806: II. Allemande
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Bach, JS: Mass in B Minor, BWV 232: Kyrie eleison I
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Bach, JS: Mass in B Minor, BWV 232: Gloria in excelsis - Et in terra pax
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Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris
Bach, JS: Mass in B Minor, BWV 232: Cum Sancto Spiritu
La corona d’Arianna: Coro di Amori, e di Grazie. Or che splende a voi d’intorno
La corona d’Arianna: Coro delle Grazie. Cori amanti, è questo il giorno
La corona d’Arianna: Recitativo. Sperate, amanti cori (Venere)
La corona d’Arianna: Coro di Tritoni, e di Nereidi. Con la speme di goder
La corona d’Arianna: Recitativo. Godo, o Teti, scorgendo a te nel volto (Venere, Teti)
La corona d’Arianna: Coro di Ninfe, e di Pastori. Quanto più acerbo a un’alma
La corona d’Arianna: Recitativo. Ma che? Tace Arianna: e ancor sospira? (Venere, Arianna, Teti)
La corona d’Arianna: Aria. Son qual cerva, che non lunge (Teti)
La corona d’Arianna: Recitativo. Mentir non san gl’Amori (Venere, Arianna)
La corona d’Arianna: Aria. Spera, e taci (Venere)
La corona d’Arianna: Coro di Nasso. Viene a noi di Giove il figlio
La corona d’Arianna: Coro di Baccanti, e di Sileni. Festive trombe applaudano
La corona d’Arianna: Recitativo. Godo, che di mie gesta il chiaro grido (Bacco, Teti, Venere)
La corona d’Arianna: Aria. Questi, o Teti, è il chiaro Nume (Venere, Teti)
La corona d’Arianna: Coro delle Grazie. Di nobil fiamma accesa
La corona d’Arianna: Recitativo. Deh! Se Arianna incontri (Venere, Bacco)
La corona d’Arianna: Aria. Con piacer io da la bella (Bacco)
La corona d’Arianna: Recitativo. Tu dunque ancor non ami? (Venere, Peleo, Teti)
La corona d’Arianna: Aria. Se fino ad ora (Teti)
La corona d’Arianna: Recitativo. Pronto lo seguirò (Peleo, Arianna)
La corona d’Arianna: Aria. Questa è la fida auretta (Peleo)
La corona d’Arianna: Recitativo. L’obblio d’ogni tuo fallo (Bacco, Arianna, Peleo)
La corona d’Arianna: Arioso. Se mel rende un fido amor (Arianna)
La corona d’Arianna: Recitativo. Venga, né più ritardi (Arianna, Bacco)
La corona d’Arianna: Duetto. Non merta un traditor (Bacco, Arianna)
La corona d’Arianna: Recitativo. E perciò da Ciprigna a me venisti? (Teti, Peleo)
La corona d’Arianna: Aria. Hai presente il ben, che aspetti (Teti)
La corona d’Arianna: Recitativo. Presente ho il ben (Peleo)
La corona d’Arianna: Aria. Chi di Febo il primo raggio (Peleo)
La corona d’Arianna: Coro delle Grazie, e degli Amori. Tradisce il suo piacer
La corona d’Arianna: Recitativo. Arianna, ben vengo (Venere, Arianna)
La corona d’Arianna: Coro delle Grazie. Così ritornerà
La corona d’Arianna: Recitativo. Mal tace, chi ben ama (Bacco, Venere, Arianna)
La corona d’Arianna: Aria. Il tuo cor dimanda al mio (Arianna)
La corona d’Arianna: Recitativo. Posso amarla? (Bacco, Venere)
La corona d’Arianna: Aria. Né lo sdegno, e né l’amor (Venere)
La corona d’Arianna: Coro di Nereidi, e di Tritoni. La speme degli amanti
La corona d’Arianna: Recitativo. Tu fosti la mia stella (Peleo, Teti, Bacco, Arianna)
La corona d’Arianna: Aria. Più non empia mie trombe famose (Bacco)
La corona d’Arianna: Coro delle Grazie, e degli Amori. O voi, che amando ardete
Je n'aime pas Mozart, mais ça j'aime bien !
Symphony No. 40 in G Minor, K. 550: I. Molto allegro
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Requiem in D Minor, K. 626: III. Sequentia: Dies irae
Requiem in D Minor, K. 626: III. Sequentia: Lacrimosa
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Piano Sonata No. 11 in A Major, KV 311: III. Alla Turca. Allegretto
Piano Concerto No. 9 in E-Flat Major, K. 271 "Jeunehomme": III. Rondo. Presto
Great Mass in C Minor, K. 427 (417a): I. Kyrie - Andante Moderato
Piano Concerto No. 23 in A Major, K. 488: II. Adagio
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Clarinet Concerto in A Major, K. 622: II. Adagio
Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": I. Allegro
Die Zauberflöte, K. 620: Der Hölle Rache
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Symphony No. 25 in G Minor, K. 183: I. Allegro con brio
Nikolaus Harnoncourt Conducts Sacred Masterworks
Schwingt freudig euch empor, BWV 36: Prima Pars - Chorus "Schwingt freudig euch empor"
Cantata BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro: Wachet auf, ruft uns die Stimme
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 1. Chorus: Jauchzet, frohlocket
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Schwingt freudig euch empor, BWV 36: Prima Pars - Choral "Nun komm, der Heiden Heiland"
Cantata BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo: Er kommt, er kommt
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 2. Evangelista: Es begab sich aber zu der Zeit
Schwingt freudig euch empor, BWV 36: Prima Pars - Aria "Die Liebe zieht mit sanften Schritten"
Cantata BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Duetto): Wann kömmst du, mein Heil?
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 3. Recitativo (Alt): Nun wird mein liebster Bräutigam
Schwingt freudig euch empor, BWV 36: Prima Pars - Chorale "Zwingt die Saiten in Cythara"
Cantata BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral: Zion hört die Wächter singen
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 4. Aria (Alt): Bereite dich, Zion
Schwingt freudig euch empor, BWV 36: Secunda Pars - Aria: "Willkommen, werter Schatz"
Cantata BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo: So geh herein zu mir
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 5. Choral: Wie soll ich dich empfangen
Schwingt freudig euch empor, BWV 36: Secunda Pars - Chorale "Der du bist dem Vater gleich"
Cantata BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Duetto): Mein Freund ist mein
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 6. Evangelista: Und sie gebar ihren ersten Sohn
Schwingt freudig euch empor, BWV 36: Secunda Pars - Aria "Auch mit gedämpften, schwachen Stimmen"
Cantata BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral: Gloria sei dir gesungen
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 7. Choral: Er ist auf Erden kommen arm
Schwingt freudig euch empor, BWV 36: Secunda Pars - Chorale "Lob sei Gott dem Vater Ton"
Cantata BWV 61 "Nun komm der Heiden Heiland": I. Coro: Nun komm, der Heiden Heiland
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 8. Aria (Bass): Großer Herr, o starker König
Ach wie flüchtig, ach wie nichtig, BWV 26: I. Ach wie flüchtig, ach wie nichtig (Chorale)
Cantata BWV 61 "Nun komm der Heiden Heiland": II. Recitativo: Der Heiland ist gekommen
Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas: 9. Choral: Ach mein herzliebes Jesulein
Ach wie flüchtig, ach wie nichtig, BWV 26: II. So schnell ein rauschend Wasser fließt (Aria)
Cantata BWV 61 "Nun komm der Heiden Heiland": III. Aria: Komm, Jesu, komm zu deiner Kirche
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 10. Sinfonia
Ach wie flüchtig, ach wie nichtig, BWV 26: III. Die Freude wird zur Traurigkeit (Recitativo)
Cantata BWV 61 "Nun komm der Heiden Heiland": IV. Recitativo: Siehe, ich stehe vor der Tür
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 11. Rezitativ (Tenor): Und es waren Hirten
Ach wie flüchtig, ach wie nichtig, BWV 26: IV. An irdische Schätze das Herze zu hängen (Aria)
Cantata BWV 61 "Nun komm der Heiden Heiland": V. Aria: Öffne dich, mein ganzes Herze
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 12. Choral: Brich an, du schönes Morgenlicht
Ach wie flüchtig, ach wie nichtig, BWV 26: V. Die höchste Herrlichkeit und Pracht (Recitativo)
Cantata BWV 61 "Nun komm der Heiden Heiland": VI. Choral: Amen, amen!
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 13. Rezitativ (Tenor): Und der Engel sprach zu ihnen
Ach wie flüchtig, ach wie nichtig, BWV 26: VI. Ach wie flüchtig, ach wie nichtig (Chorale)
Wir danken dir, Gott wir danken dir, BWV 29: I. Sinfonia
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 14. Rezitativ (Tenor): Was Gott dem Abraham verheißen
Wir danken dir, Gott wir danken dir, BWV 29: II. Coro: Wir danken dir, Gott, wir danken dir
Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas: 15. Aria (Tenor): Frohe Hirten, eilt, ach eilet
Wir danken dir, Gott wir danken dir, BWV 29: III. Aria: Halleluja, Stärke und Macht
Wir danken dir, Gott wir danken dir, BWV 29: IV. Recitativo: Gottlob! es geht uns wohl!
Wir danken dir, Gott wir danken dir, BWV 29: V. Aria: Gedenk' an uns mit deiner Liebe
Wir danken dir, Gott wir danken dir, BWV 29: VI. Recitativo: Vergiss es ferner nicht
Wir danken dir, Gott wir danken dir, BWV 29: VII. Aria: Halleluja
Wir danken dir, Gott wir danken dir, BWV 29: VIII. Choral: Sei Lob und Preis mit Ehren
Requiem in D Minor, K. 626: I. Introitus: Requiem
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Requiem in D Minor, K. 626: II. Kyrie: Kyrie
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Requiem in D Minor, K. 626: III. Sequentia: Tuba mirum
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Requiem in D Minor, K. 626: III. Sequentia: Rex tremendae
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Requiem in D Minor, K. 626: III. Sequentia: Recordare
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Requiem in D Minor, K. 626: III. Sequentia: Confutatis
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Requiem in D Minor, K. 626: IV. Offertorium: Domine Jesu
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Requiem in D Minor, K. 626: IV. Offertorium: Hostias
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Requiem in D Minor, K. 626: V. Sanctus: Sanctus
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Requiem in D Minor, K. 626: VI. Benedictus: Benedictus
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Requiem in D Minor, K. 626: VII. Agnus Dei: Agnus Dei
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Requiem in D Minor, K. 626: VIII. Communio: Lux aeterna
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Schubert: The Complete Secular Choral Works. Vol. 1 "Transience"
Schubert: Gesang der Geister über den Wassern, Op. Posth. 167, D. 714
Schubert: Im Gegenwärtigen Vergangenes, D. 710
Schubert: Dreifach ist der Schritt der Zeit, D. 43
Schubert: Ruhe, schönstes Glück der Erde, D. 657
Schubert: Coronach, Op. 52 No. 4, D. 836
Schubert: Dreifach ist der Schritt der Zeit, D. 69
Schubert: Vorüber die stöhnende Klage, D. 53
Schubert: Gesang der Geister über den Wassern, D. 538
Schubert: The Complete Secular Choral Works
Schubert: Ständchen, Op. Posth. 135, D. 920 "Notturno" (Second Version)
Schubert: Leise, leise lasst uns singen, D. 635 "Ruhe"
Schubert: Geist der Liebe, Op. 11 No. 3, D. 747
Schubert: Liebe säuseln die Blätter, D. 988
Schubert: Lacrimoso son io, D. 131 (Second version)
Schubert: Jünglingswonne, Op. 17 No. 1, D. 983
Schubert: La pastorella al prato, D. 513
Schubert: Lacrimoso son io, D. 131 (Early Version)
Schubert: Die Nachtigall, Op. 11 No. 2, D. 724
Schubert: Hier umarmen sich getreue Gatten, D. 60
Schubert: Ständchen, Op. Posth. 135, D. 920 "Notturno" (Early Version)
Schubert: Hymnus an den heiligen Geist, Op. Posth. 154, D. 948
Schubert: Psalm XXIII, Op. Posth. 132, D. 706 "Der Herr ist mein Hirt"
Schubert: Hymne an den Unendlichen, Op. Posth. 112 No. 3, D. 232
Schubert: Des Tages Weihe, Op. Posth. 146, D. 763
Schubert: Gott im Ungewitter, Op. Posth. 112 No. 1, D. 985
Schubert: Gott der Weltschöpfer, Op. Posth 112 No. 2, D. 986
Schubert: Jesus Christus unser Heiland, D. 168a "Osterlied"
Brahms: Symphonies Nos. 1-4; Alto-Rhapsody; Tragic Overture
Symphony No. 3 In F, Op. 90: 1. Allegro con brio - Un poco sostenuto - Tempo I - Live
Symphony No. 1 In C Minor, Op. 68: 1. Un poco sostenuto - Allegro - Meno allegro
Symphony No. 2 in D, Op. 73: 1. Allegro non troppo
Symphony No. 3 In F, Op. 90: 2. Andante - Live
Symphony No. 1 In C Minor, Op. 68: 2. Andante sostenuto
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Symphony No. 2 in D, Op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso
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Symphony No. 3 In F, Op. 90: 3. Poco allegretto - Live
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Symphony No. 1 In C Minor, Op. 68: 3. Un poco allegretto e grazioso
Symphony No. 2 in D, Op. 73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai
Symphony No. 3 In F, Op. 90: 4. Allegro - Live
Symphony No. 1 In C Minor, Op. 68: 4. Adagio - Piu andante - Allegro non troppo, ma con brio - Piu allegro
Symphony No. 2 in D, Op. 73: 4. Allegro con spirito
Symphony No. 4 In E Minor, Op. 98: 1. Allegro non troppo - Live At Großer Saal, Musikverein, Wien / 1994
Rhapsody For Alto, Chorus, And Orchestra, Op. 53: "Aber abseits wer ist's?" Adagio-Poco Andante-Adagio - Live
Symphony No. 4 In E Minor, Op. 98: 2. Andante moderato - Live At Großer Saal, Musikverein, Wien / 1994
Symphony No. 4 In E Minor, Op. 98: 3. Allegro giocoso - Poco meno presto - Tempo I - Live At Großer Saal, Musikverein, Wien / 1994
Symphony No. 4 In E Minor, Op. 98: 4. Allegro energico e passionato - Più allegro - Live At Großer Saal, Musikverein, Wien / 1994
Brahms : Lieder & Romanzen - Secular Choruses
Brahms: 6 Songs & Romances, Op. 93a: I. Der bucklichte Fiedler
Brahms: 6 Songs & Romances, Op. 93a: II. Das Mädchen
Brahms: 6 Songs & Romances, Op. 93a: III. "O süßer Mai"
Brahms: 6 Songs & Romances, Op. 93a: IV. "Fahr wohl"
Brahms: 6 Songs & Romances, Op. 93a: V. Der Falke
Brahms: 6 Songs & Romances, Op. 93a: VI. Beherzigung
Brahms: 3 Songs, Op. 42: I. Abendständchen
Brahms: 3 Songs, Op. 42: III. Darthulas Grabesgesang
Brahms : 7 Lieder Op.62 : II Von alten Liebesliedern
Brahms : 7 Lieder Op.62 : III Waldesnacht
Brahms : 7 Lieder Op.62 : IV Dein Herzlein mild
Brahms : 7 Lieder Op.62 : V All meine Herzgedanken
Brahms : 7 Lieder Op.62 : VI Es geht ein Wehen
Brahms : 7 Lieder Op.62 : VII Vergangen ist mir Glück und Heil
Brahms: 5 Songs, Op. 104: I. Nachwache I
Brahms: 5 Songs, Op. 104: II. Nachwache II
Brahms: 5 Songs, Op. 104: III. Letztes Glück
Brahms: 5 Songs, Op. 104: IV. Verlorene Jugend
Brahms: 4 Choruses, Op. 17: I. "Es tönt ein voller Harfenklang"
Brahms: 4 Choruses, Op. 17: II. Lied von Shakespeare
Brahms: 4 Choruses, Op. 17: III. Der Gärtner
Brahms: 4 Choruses, Op. 17: IV. Gesang aus Fingal
Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" - Live
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Carmina Burana / Fortuna Imperatrix Mundi: "Fortune plango vulnera"
Carmina Burana / 1. Primo vere: "Veris leta facies"
Carmina Burana / 1. Primo vere: "Omnia Sol temperat"
Carmina Burana / 1. Primo vere: "Ecce gratum"
Carmina Burana / Uf dem Anger: "Floret silva nobilis"
Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir"
Carmina Burana / Uf dem Anger: "Swaz hie gat umbe" - "Chume, chum geselle min"
Carmina Burana / Uf dem Anger: "Were diu werlt alle min"
Carmina Burana / 2. In Taberna: "Estuans interius"
Carmina Burana / 2. In Taberna: "Olim lacus colueram"
Carmina Burana / 2. In Taberna: "Ego sum abbas"
Carmina Burana / 2. In Taberna: "In taberna quando sumus"
Carmina Burana / 3. Cour d'amours: "Amor volat undique"
Carmina Burana / 3. Cour d'amours: "Dies, nox et omnia"
Carmina Burana / 3. Cour d'amours: "Stetit puella"
Carmina Burana / 3. Cour d'amours: "Circa mea pectora"
Carmina Burana / 3. Cour d'amours: "Si puer cum puellula"
Carmina Burana / 3. Cour d'amours: "Veni, veni, venias"
Carmina Burana / 3. Cour d'amours: "In trutina"
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Carmina Burana / 3. Cour d'amours: "Tempus est iocundum"
Carmina Burana / 3. Cour d'amours: "Dulcissime"
Carmina Burana / Blanziflor et Helena: "Ave formosissima"
Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna"
A Village Romeo and Juliet / Scene 1: Prelude
A Village Romeo and Juliet / Scene 1: A shame it is
A Village Romeo and Juliet / Scene 1: How strange the wind sounds
A Village Romeo and Juliet / Scene 1: 'Twixt us, methinks, will lie the bidding
A Village Romeo and Juliet / Scene 2: Prelude
A Village Romeo and Juliet / Scene 2: Vreli!...Sali!
A Village Romeo and Juliet / Scene 2: Interlude - Prelude to Scene 3
A Village Romeo and Juliet / Scene 3: I knew we'd meet again
A Village Romeo and Juliet / Scene 3: O Sali, I'm afraid
A Village Romeo and Juliet / Scene 3: Shameless hussy!
A Village Romeo and Juliet / Scene 4: Prelude
A Village Romeo and Juliet / Scene 4: Ah, the night is approaching
A Village Romeo and Juliet / Scene 4: Dearest, I'll leave you no more
A Village Romeo and Juliet / Scene 4: The Dream of Sali and Vrenchen
A Village Romeo and Juliet / Scene 4: Ah, it was a dream!
A Village Romeo and Juliet / Scene 5: Prelude
A Village Romeo and Juliet / Scene 5: O Sali, see
A Village Romeo and Juliet / Scene 5: Well, well, gracious me
A Village Romeo and Juliet / Scene 5: The Walk to the Paradise Garden
A Village Romeo and Juliet / Scene 6: Dance along
A Village Romeo and Juliet / Scene 6: So you want to know
A Village Romeo and Juliet / Scene 6: 'Tis almost night
A Village Romeo and Juliet / Scene 6: Come and live with us
A Village Romeo and Juliet / Scene 6: Halleo! Halleo!
A Village Romeo and Juliet / Scene 6: See, the moonbeams kiss the woods
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio
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Mozart: Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": I. Allegro
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Mozart: Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": II. Romanze. Andante
Mozart: Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": III. Menuetto. Allegretto
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Mozart: Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide)
Mozart: Sinfonia concertante for Violin and Viola in E-Flat Major, K. 364: I. Allegro maestoso
Mozart: Die Zauberflöte, K. 620, Act 2: Queen of the Night Aria. "Der Hölle Rache kocht in meinem Herzen" (Königin)
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Mozart: Symphony No. 25 in G Minor, K. 183: I. Allegro con brio (Excerpt)
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Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino)
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Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro
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Mozart: Piano Concerto No. 23 in A Major, K. 488: II. Andante
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Mozart: Die Zauberflöte, K. 620: Overture
Mozart: Die Zauberflöte, K. 620, Act 1: "Der Vogelfänger bin ich ja" (Papageno)
Symphonieorchester des Bayerischen Rundfunks
Mozart: Piano Concerto No. 22 in E-Flat Major, K. 482: III. Allegro
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Mozart: Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto (Cadenza by Joachim)
Mozart: Concerto for 2 Pianos No. 10 in E-Flat Major, K. 365: III. Rondo. Allegro
Mozart: Great Mass in C Minor, K. 427: I. Kyrie
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Mozart: Great Mass in C Minor, K. 427: V. Domine Deus
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Mozart: Great Mass in C Minor, K. 427: VII. Quoniam
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Mozart: Requiem in D Minor, K. 626: I. Introitus
Konzertvereinigung der Wiener Staatsopernchor
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Mozart: Requiem in D Minor, K. 626: II. Kyrie
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Mozart: Requiem in D Minor, K. 626: III. Dies irae
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Mozart: Le nozze di Figaro, K. 492, Act 4: "Deh, vieni, non tardar" (Susanna)
Mozart: Idomeneo, K. 366, Act 1: "Tutte nel cor vi sento" (Elettra)
Mozart: Vesperae solennes de confessore, K. 339: V. Laudate Dominum
Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum
Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien
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Mozart: Requiem in D Minor, K. 626: V. Rex tremendae
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Mozart: Requiem in D Minor, K. 626: VI. Recordare
Mozart: Piano Sonata No. 12 in F Major, K. 332: II. Adagio
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Mozart: Violin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio (Cadenza by Cohen)
Mozart: Requiem in D Minor, K. 626: VII. Confutatis
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Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa
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Mozart: Ein musikalischer Spaß, K. 522: IV. Presto
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Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: III. Rondo. Allegro vivace
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Mozart: Concerto for Flute and Harp, K. 299: II. Andantino
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Mozart: Requiem in D Minor, K. 626: IX. Domine Jesu Christe
Mozart: Requiem in D Minor, K. 626: X. Hostias
Mozart: Requiem in D Minor, K. 626: XI. Sanctus
Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante
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Mozart: Sonata for Two Pianos in D Major, K. 448: II. Andante
Mozart / Arr. Grieg for Two Pianos: Piano Sonata No. 16 in C Major, K. 545 "Semplice": I. Allegro (Live)
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Mozart: Fantasia for Piano in D Minor, K. 397
Mozart: Piano Concerto No. 20 in D Minor, K. 466: III. Allegro assai
Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: II. Romance. Andante cantabile
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Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"
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Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai (Excerpt)
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Beethoven: Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
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Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "O Freunde, nicht diese Töne!" (Excerpt)
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Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto (Excerpt)
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Beethoven: Violin Concerto in D Major, Op. 61: III. Rondo. Allegro
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Beethoven: Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": I. Allegro con brio (Excerpt)
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Beethoven: Die Ruinen von Athen, Op. 113: IV. Marcia alla Turca
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Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": I. Allegro (Excerpt)
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Beethoven: Romance for Violin and Orchestra No. 1 in G Major, Op. 40
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Beethoven: Septet in E-Flat Major, Op. 20: III. Tempo di menuetto
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Beethoven: Choral Fantasy in C Minor, Op. 80: II. Finale
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Beethoven: String Quartet No. 8 in E Minor, Op. 59 No. 2 "Razumovsky": III. Allegretto
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Beethoven: Fidelio, Op. 72, Act 1: "O welche Lust" (Chorus, Prisoners)
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Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro
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Beethoven: 7 Variations on "Bei Männern, welche Liebe fühlen", from Mozart's Die Zauberflöte, WoO 46
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Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile
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Beethoven: Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": III. Finale. Presto
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Beethoven: Piano Trio No. 7 in B-Flat Major, Op. 97 "Archduke": I. Allegro moderato
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Beethoven: Missa solemnis in D Major, Op. 123: Agnus Dei
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 2, Rezitativ. "Da Jesus diese Rede vollendet hatte"
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 3, Choral. "Herzliebster Jesu, was hast du verbrochen"
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4, Rezitative und Chöre. "Da versammleten sich die Hohenpriester"
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 5, Rezitativ. "Du lieber Heiland du"
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 7, Rezitativ. "Da ging hin der Zwölfen einer"
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 8, Aria. "Blute nur, du liebes Herz!"
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 9, Rezitative und Chöre. "Aber am ersten Tage der süßen Brot"
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 10, Choral. "Ich bin's, ich sollte büßen"
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 11, Rezitativ. "Er antwortete und sprach"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x847419f2cc87dc70306e4af5769661d4935bcfcb2225d891e0ffd75eb44024e5. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0Y1SjVAW9Djqys3fq3je94.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0Y1SjVAW9Djqys3fq3je94.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 12, Rezitativ. "Wiewohl mein Herz in Tränen schwimmt"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x20644ee9bd4f17fa2d47a4c8a4451d35284650e7a187bbb12170f9a674e0bc62. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6w1qN4m8jvzSKrlkRasNtt.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6w1qN4m8jvzSKrlkRasNtt.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 13, Aria. "Ich will dir mein Herz schenken"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x516dc9dea8d672edbf46b90705cfcc03ebea966760ddaee5d396264b0bacdd39. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5crd7goexDjSllTbdKVYIH.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5crd7goexDjSllTbdKVYIH.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 14, Rezitativ. "Und da sie den Lobgesang gesprochen hatten"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf5d89724425b0b414a91bac38d3bd7618759fb2fcdad62c39f89e46b01f7bb02. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0oRRK4QZuI2wGT9JOWhCIl.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0oRRK4QZuI2wGT9JOWhCIl.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 15, Choral. "Erkenne mich, mein Hüter"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x97eaa844a045092f9bf109a807a790b9dbcf736f1d847af36e67ca23d1bd5675. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7DAqbUNIIQ6h05r8C0PT8C.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7DAqbUNIIQ6h05r8C0PT8C.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 16, Rezitativ. "Petrus aber antwortete und sprach zu ihm"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa487d4288378c9afc6c414cd0cc802f20130029fd9ad0b34fefb85e957399abc. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6FeCVLWuZ3YpJJQG50S1Ky.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6FeCVLWuZ3YpJJQG50S1Ky.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 17, Choral. "Ich will hier bei dir stehen"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7da1f07dc8ef625d3f60bdeac8ef7e1cc20a427d6f97da48878c62110a266cf6. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3wcc8rFnUDDzm3nKEuswyg.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3wcc8rFnUDDzm3nKEuswyg.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 18, Rezitativ. "Da kam Jesus mit ihnen zu einem Hofe"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb9827b4d3d818e7cd03bfd20f6f509f491148d7a509b0467f00fa808613b296d. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7h1IacoTILsihkSCwMNo22.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7h1IacoTILsihkSCwMNo22.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 19, Rezitativ und Choral. "O Schmerz! Hier zittert das gequälte Herz!"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x73e8de016ebf131a09d2f7f5612edd84332769ba3140bc4879a94c8e78792112. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0qp0FuxSlEF7s901odTdMM.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0qp0FuxSlEF7s901odTdMM.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 20, Aria mit Chor. "Ich will bei meinem Jesu wachen"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x842797386222f7be383643fd08796f259d54807908efae844e1a32c06e170d01. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3Y390YUSqbXbttrsLXVgIc.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3Y390YUSqbXbttrsLXVgIc.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 21, Rezitativ. "Und ging hin ein wenig"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xcb1284d57ffcdb69a0340645fb01f7a17ac0d4aa35682d1f7f4de43271ed3afb. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6QN3NTChRjWo0e7Uj7Tmd6.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6QN3NTChRjWo0e7Uj7Tmd6.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 22, Rezitativ. "Der Heiland fällt vor seinem Vater nieder"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x571fe9017635cd4ebce982874a10831242eb78729e4990de501889a703133c4b. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1lWP5tZkSA8Y5n5TK0X0eS.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1lWP5tZkSA8Y5n5TK0X0eS.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 23, Aria. "Gerne will ich mich bequemen"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x78232b0bab26bc22fb9be4b7f7964550ae5761bb39ab146f629f4cdf7ddd90f5. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5m1wH5midkeJr3I43hBL39.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5m1wH5midkeJr3I43hBL39.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 24, Rezitativ. "Und er kam zu seinen Jüngern"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2f5eb085e19f652bc86864af732839b16de6446814fb508cffd06fdf52ab55f1. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5HUsQOOcbb4wMgB98xQXmZ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5HUsQOOcbb4wMgB98xQXmZ.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 25, Choral. "Was mein Gott will, das g'scheh allzeit"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7881ba084fc33a3808008dcafd8be84c8a7568cb1b5e3b2bee4767b7bcb00453. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/644hfq5oX5RIiQ81k7ifF0.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/644hfq5oX5RIiQ81k7ifF0.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 26, Rezitativ. "Und er kam und fand sie aber schlafen"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3c616ecebd1d6fb4052d44a919f229851d83aeb6f1255604db5d7af9e09a82b1. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/54Aql4ZfXLVfHMRWLqEQjJ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/54Aql4ZfXLVfHMRWLqEQjJ.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria und Chor. "So ist mein Jesus nun gefangen"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x337922b841c23888171335dec2a401094ec9c6e54ee7c9cec599ec2e2b52baea. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7sozhtDl4qrnZ1YW8dNmEO.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7sozhtDl4qrnZ1YW8dNmEO.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 28, Rezitativ. "Und siehe, einer aus denen"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xfbd66c0cfbe693de379501681100c36dd95440fc456b24f0511df49d40b61988. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/06MtIHLYF1cPG1qTa23KQP.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/06MtIHLYF1cPG1qTa23KQP.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 29, Choral. "O Mensch, bewein' dein' Sünde groß"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x41db8f5621a73f1dc6fdb6fc74f4b387460fb314d5de163968a51fc428a2f362. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5zvr5nm0rhHSOd3BBTdkxw.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5zvr5nm0rhHSOd3BBTdkxw.
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x028f1b17cb0010f973d614b9f2eb49fdb9cf5a825b08e9cde6ac285ba99c576f. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1vKUZvt9g7PBrK12990W6M.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1vKUZvt9g7PBrK12990W6M.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 31, Rezitativ. "Die aber Jesum gegriffen hatten"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x0ee27689edd0835653c246bd01bdf7eb1f72559ddb1b96bdf450cba1fbe39e59. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4GVdZgGWaRi3ryMBwqqd8l.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4GVdZgGWaRi3ryMBwqqd8l.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 32, Choral. "Mir hat die Welt trüglich gericht'"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa6e0740ffd626b3aad0f9da43a7d90132eaefbfad516ed33cf12f033f0a1aa37. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1TU3RK3nxvgWLu3sCYKj7x.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1TU3RK3nxvgWLu3sCYKj7x.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 33, Rezitativ. "Und wiewohl viel falsche"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x10cf664b15c204bd9f79ae76fef6dc246fcc5d65c0db2c79433421114fc0677d. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2llB3WnWJMP6f2oLJ34J9x.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2llB3WnWJMP6f2oLJ34J9x.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 34, Rezitativ. "Mein Jesus schweigt zu falschen Lügen stille"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x55b223d1e35e31d895c1ec1bd75fd4f3c5abf5722077562345b2dc70a5c6db78. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6NzqMWXuWsFmyBfzlP6HRv.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6NzqMWXuWsFmyBfzlP6HRv.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 35, Aria. "Geduld!"
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 36, Rezitative und Chöre. "Und der Hohepriester antworte"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x5ff072761afd746c93b0018321a17a7c48e3365cb53e8d7003eaaffce3e8ba9d. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2Hu1ILgGEKP5HQiRozdFXA.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2Hu1ILgGEKP5HQiRozdFXA.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 37, Choral. "Wer hat dich so geschlagen"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf0236845f40264dffe3f99bd7fae44ccca1fbdf44009ce45b668103288b08340. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/66Cgzz13NZa3ijibwihB0O.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/66Cgzz13NZa3ijibwihB0O.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 38, Rezitative und Chor. "Petrus aber saß draußen im Palast"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xbbb81fd5be9fb5e0f2abdcfb4fdac64009a984cd85a183ce263fb16591fcaac6. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3psk8pMRHdosZbklWfYEqj.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3psk8pMRHdosZbklWfYEqj.
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa5fd75a395478b7597dc3a509d7bd0cd91a04727f461dc93c42a9b87f6ad333e. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0W2uxUcCuLHkY9vlm3cUQP.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0W2uxUcCuLHkY9vlm3cUQP.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 40, Choral. "Bin ich gleich von dir gewichen"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x596e11898de54aac920413915c53509e1a69a42e43de0e94a73125bd15855e07. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1no9qxxBnlrNIxaXUi0qzC.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1no9qxxBnlrNIxaXUi0qzC.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 41, Rezitative und Chor. "Des Morgens aber hielten alle Hohepriester"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x24ccb9530735fc534aeb741215b000368a713b777ca679054e6fe84e81c98b53. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3cFTXXU6IB6i8AkbWwNPkg.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3cFTXXU6IB6i8AkbWwNPkg.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 42, Aria. "Gebt mir meinen Jesum wieder"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2c8a8bf6f76e5609ecf7a0c25fc717e7b3e295c1287b38bbe33a766d79e480e3. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4zASbIcHI0GHu0FAsqzJfr.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4zASbIcHI0GHu0FAsqzJfr.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 43, Rezitativ. "Sie hielten aber einen Rat"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3553a66fef0a3d0218a349c094c5f311a13556e313779985cfb9f3b393ed6d23. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1vrUY36uj7FrnYLthrDjtr.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1vrUY36uj7FrnYLthrDjtr.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 44, Choral. "Befiehl du deine Wege"
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6604bcd15984c6365de819f142e55799fda66aab3973466947e2a5c6959a9417. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3d02X1P5xCODfb6AvhjAA8.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3d02X1P5xCODfb6AvhjAA8.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 45, Rezitativ und Chor. "Auf das Fest aber hatte der Landpfleger"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd104cae6a82defbe853d2b8a39824b4cc503413eddb31f7b0dc28551c1a1bf00. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5cnscOMqpbzWB6p0u4GD7m.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5cnscOMqpbzWB6p0u4GD7m.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 46, Choral. "Wie wunderbarlich ist doch diese Strafe"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf07a5565ab7c207e75acb466945de804ab19e96582394540a8d1b7021ee8a9c5. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1vlyllNwKtNi3DUSxBPLtY.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1vlyllNwKtNi3DUSxBPLtY.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 47, Rezitativ. "Der Landpfleger sagte"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 48, Rezitativ. "Er hat uns allen wohlgetan"
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 49, Aria. "Aus Liebe will mein Heiland sterben"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x15b8a27237e4df63f53707deddb4631ff07c04083983f781523c5afddc6e1c2c. Chain 2 (Bitcoin): anchored in block 956349 (2026-07-02T11:34:59Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0JGyptOL72BtCMspmc7LJi.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0JGyptOL72BtCMspmc7LJi.
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 50, Rezitative und Chöre. "Sie schrieen aber noch mehr"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa0ed3d07bfdecc871bc93041e91de0ba5979d4886d9cb11bc6e371dd2bbddb00. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3Id5OVNA27YPgFQrd0SCFs.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3Id5OVNA27YPgFQrd0SCFs.
Ich mag keine Klassik, aber das gefällt mir! - Für Kinder
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romance. Andante
Albumblatt für Elise, Bagatelle in A Minor, WoO 59
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Suite for Flute, Strings and Continuo in B Minor, BWV 1067: VII. Badinerie
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Hungarian Dances, WoO 1: No. 5 in G Minor
Humoresque in G-Flat Major, Op. 101, No. 7 (Arranged for Violin & Orchestra)
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Die Zauberflöte, K. 620: Der Vogelfänger bin ich ja
Württembergisches Kammerorchester Heilbronn
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Die Forelle, D. 550 (Arr. for Cello, Piano and Contrabass)
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Suite Bergamasque, L. 75: III. Clair de lune
Le carnaval des animaux, R. 125: No. 12, Fossiles
Suite No. 2 for Jazz Orchestra: VII. Waltz II
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Préludes, Op. 28: No. 15 in D-Flat Major, "Raindrop"
The Four Seasons - Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro
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Thaïs: Méditation (Arr. for Cello & Piano)
The Nutcracker, Op. 71, TH 14: Act II: No. 14, Pas de deux. Variation II, Dance of the Sugar-Plum Fairy
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
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Pictures at an Exhibition - Orchestra Version: No. 3: Les Tuileries (Dispoute d'enfants après jeux)
String Quartet in F Major, Op. 3, No. 5, Hob. III:17: II. Andante cantabile
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La campanella (No. 3, Grandes études de Paganini)
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Messiah, HWV 56: Part 2: Hallelujah (Chorus)
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
Rondo alla Ingharese quasi un Capriccio in G Major, Op 129 "Die Wuth über den verlorenen Groschen"
Piano Sonata No. 11 in A Major, K. 331/300i: III. Alla Turca
Suite for Orchestra No. 3 in D Major, BWV 1068: II. Air
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Hänsel und Gretel: Act II: Abends will ich schlafen gehn
Carmina Burana, Fortuna Imperatrix Mundi: O Fortuna - Coro
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Flute Concerto No. 2 in D, K.314: I. Allegro aperto
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Serenade No. 13 in G, K.525 'Eine kleine Nachtmusik' (1988 - Remaster): I. Allegro
Flute Concerto No. 2 in D, K.314: II. Andante ma non troppo
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Serenade No. 13 in G, K.525 'Eine kleine Nachtmusik' (1988 - Remaster): II. Romanze (Andante)
The Planets - Suite for large orchestra, Op.32: I. Mars, the Bringer of War (Allegro)
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Flute Concerto No. 2 in D, K.314: III. Rondeau (Allegro)
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Serenade No. 13 in G, K.525 'Eine kleine Nachtmusik' (1988 - Remaster): III. Menuetto (Allegretto)
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild
Serenade No. 13 in G, K.525 'Eine kleine Nachtmusik' (1988 - Remaster): IV. Rondo (Allegro)
Symphonie fantastique, Op.14: IV. Marche au supplice
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Kammermusik No. 1, Op.24 No.1: II. Mässig schnelle Halbe. Sehr streng im Rhythmus
Three German Dances, K.605 (1988 - Remaster): No. 3 "Die Schlittenfahrt"
Kammermusik No. 1, Op.24 No.1: III. Quartett. Sehr langsam und mit Ausdruck
Water Music (1988 - Remaster): VI. Allegro decisio
Symphony No. 88 in G Major: IV. Finale (Allegro con spirito)
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Kammermusik No. 1, Op.24 No.1: IV. Finale: 1921 (Lebhaft)
Ma Vlast (1986 - Remaster): Vltava, B.111
Symphony No. 4 in E Minor, Op.98: III. Allegro giocoso
An die schonen blauen Donau, Op.314 (extract)
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Flute and Harp Concerto in C, K.299: II. Andantino
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Piano Concerto No. 5, Op.73 'Emperor' (1996 - Remaster): II. Adagio un poco mosso
La Damnation de Faust, Op.24 (1990 - Remaster): Hungarian March
Symphony No. 5 in C Sharp Minor: IV. Adagietto. Sehr langsam
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Piano Concerto No. 5, Op.73 'Emperor' (1996 - Remaster): III. Rondo (Allegro)
The Nutcracker - Ballet, Op.71, Act II, No. 12 - Divertissement:: Chocolate: Spanish Dance
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Triple Concerto for Violin, Cello & Piano in C Major, Op.56 (1996 - Remaster): II. Largo
Karelia Suite, Op.11 (2005 - Remaster): I. Intermezzo
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The Nutcracker - Ballet, Op.71, Act II, No. 12 - Divertissement:: Tea: Chinese Dance
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Symphony No. 104 in D 'London' (1996 - Remaster): III. Menuet
Karelia Suite, Op.11 (2005 - Remaster): III. Alla marcia
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The Nutcracker - Ballet, Op.71, Act II: Variation II: Dance of the Sugar-Plum Fairy
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Symphony No. 8 'Unfinished' (1996 - Remaster): I. Allegro moderato (opening)
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Concerto for Orchestra, Sz.116 (1989 - Remaster): I. Introduzione (Andante non troppo - Allegro vivace)
The Nutcracker - Ballet, Op.71, Act II: Coda
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Symphony No. 9 in E Minor, Op.95, B.178 'From the New World' (1986 - Remaster): II. Largo
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L'Arlésienne (1989 - Remaster): Farandole
Trumpet Concerto in E Flat (1998 - Remaster): III. Rondo (Allegro molto)
Pictures at an Exhibition: 9.The Hut on Fowl's Legs (Baba-Yaga)/La Cabane sur des pattes de poule
Pictures at an Exhibition: 10. The Great Gate of Kiev/La grande porte de Kiev
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Je n'aime pas Verdi, mais ça j'aime bien !
La Traviata: Act I: Libiamo ne' lieti calici
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La Traviata: Act II: Noi siamo zingarelle
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La traviata: Act II: Lunge da lei per me non v'ha diletto!
Messa da Requiem: II. Dies irae: Dies irae
Rigoletto: Act I: Gualtier Maldè... Caro nome
Rigoletto: Act III: Sì, vendetta, tremenda vendetta
La Forza del Destino: Act II: Scene 3: La Vergine degli angeli
Messa da Requiem: II. Dies irae: Lacrimosa
Orchestre D'Harmonie De La Garde Républicaine
Purcell Edition Volume 1 : Dido & Aeneas, King Arthur & The Fairy Queen
Purcell: Dido and Aeneas, Z. 626: Overture
Purcell: Dido and Aeneas, Z. 626, Act I: Song and Chorus. "Shake the Cloud From off Your Brow" (Belinda, Chorus)
Purcell: Dido and Aeneas, Z. 626, Act I: Song. "Ah Belinda, I Am Press'd with Torment" (Dido)
Purcell: Dido and Aeneas, Z. 626, Act I: Duet. "Grief Increases by Concealing" - Chorus. "When Monarchs Unite, How Happy Their State" (Belinda, Dido, Chorus)
Purcell: Dido and Aeneas, Z. 626, Act I: Duet. "Whence Could so Much Virtue Spring?" (Dido, Belinda)
Purcell: Dido and Aeneas, Z. 626, Act I: Duet and Chorus. "Fear no Danger to Ensue" (Belinda, Second Woman, Chorus)
Purcell: Dido and Aeneas, Z. 626, Act I: Trio. "See Your Royal Guest Appears" - Chorus. "Cupid Only Throws the Dart" (Belinda, Aeneas, Dido, Chorus)
Purcell: Dido and Aeneas, Z. 626, Act I: Duet. "If Not for Mine, for Empire's Sake" - Chorus. "To the Hills and the Vales" (Aeneas, Belinda, Chorus)
Purcell: Dido and Aeneas, Z. 626, Act I: The Triumphing Dance
Purcell: Dido and Aeneas, Z. 626, Act II: Prelude for the Witches. "Wayward Sisters, You That Fright" - Chorus. "Harm's Our Delight" (Sorceress, Chorus)
Purcell: Dido and Aeneas, Z. 626, Act II: Song - Chorus "The Queen of Carthage" (Sorceress, First Witch, Chorus)
Purcell: Dido and Aeneas, Z. 626, Act II: Duet. "But Ere We This Perform" (First Witch, Second Witch)
Purcell: Dido and Aeneas, Z. 626, Act II: Chorus. "In Our Deep Vaulted Cell" - Echo Dance of Furies (Chorus)
Purcell: Dido and Aeneas, Z. 626, Act II: Ritornello - Song and Chorus. "Thanks to These Lonesome Vales" (Belinda, Chorus)
Purcell: Dido and Aeneas, Z. 626, Act II: Song. "Oft She Visits This Lone Mountain" (Second Woman)
Purcell: Dido and Aeneas, Z. 626, Act II: Duet. "Behold Upon My Bending Spear" - Song and Chorus. "Haste, Haste to Town" (Aeneas, Dido, Belinda, Chorus)
Purcell: Dido and Aeneas, Z. 626, Act II: Duet. "Stay Prince" (Spirit, Aeneas)
Purcell: Dido and Aeneas, Z. 626, Act II: Chorus. "Then Since Our Chorus Have Sped" - The Grove's Dance (Chorus)
Purcell: Dido and Aeneas, Z. 626, Act 3: Song and Chorus. "Come Away" - The Sailors' Dance (Sailor, Chorus)
Purcell: Dido and Aeneas, Z. 626, Act III: Duet. "See, See the Flags" - Song. "Our Next Motion" (Sorceress, First Witch, Second Witch)
Purcell: Dido and Aeneas, Z. 626, Act III: Chorus. "Destruction's Our Delight" (Chorus)
Purcell: Dido and Aeneas, Z. 626, Act III: The Witches' Dance
Purcell: Dido and Aeneas, Z. 626, Act III: Trio. "Your Counsel All Is Urged in Vain" (Dido, Belinda, Aeneas)
Purcell: Dido and Aeneas, Z. 626, Act III: Chorus. "Great Minds Against Themselves Conspire" - Song. "Thy Hand, Belinda" (Chorus, Dido)
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido)
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Purcell: Dido and Aeneas, Z. 626, Act III: Chorus. "With Drooping Wings" (Chorus)
Purcell: King Arthur, Z. 628, Act 1: Trio and Chorus. "Woden, First to Thee"
Purcell: King Arthur, Z. 628, Act 1: Duet and Chorus. "The White Horse Neigh'd Aloud" - "To Woden, Our Defender, Thanks We Render"
Purcell: King Arthur, Z. 628, Act 1: Song. "The Lot Is Cast, and Tanfan Pleas'd"
Purcell: King Arthur, Z. 628, Act 1: Chorus. "Brave Souls, to Be Renown'd in Story"
Purcell: King Arthur, Z. 628, Act 1: Song and Chorus. "I Call You All to Woden's Hall"
Purcell: King Arthur, Z. 628, Act 1: Song and Chorus. "Come If You Dare" - First Act Tune
Purcell: King Arthur, Z. 628, Act 2: Song and Chorus. "Hither, This Way, This Way Bend"
Purcell: King Arthur, Z. 628, Act 2: Song. "Let Not a Moonborn Elf Mislead Ye" - Chorus. "Hither This Way, This Way Bend"
Purcell: King Arthur, Z. 628, Act 2: Song and Chorus. "Come, Follow Me"
Purcell: King Arthur, Z. 628, Act 2: Song and Chorus. "How Blest Are Shepherds"
Purcell: King Arthur, Z. 628, Act 2: Duet. "Shepherd, Shepherd, Leave Decoying"
Purcell: King Arthur, Z. 628, Act 2: Chorus. "Come, Shepherds, Lead up a Lively Measure" - Hornpipe
Purcell: King Arthur, Z. 628, Act 2: Second Act Tune. Air
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Purcell: King Arthur, Z. 628, Act 3: Prelude I
Purcell: King Arthur, Z. 628, Act 3: Song. "What Ho! Thou Genius of This Isle"
Purcell: King Arthur, Z. 628, Act 3: Prelude While Cold Genius Rises - Song. "What Power Art Thou"
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Purcell: King Arthur, Z. 628, Act 3: Song. "Thou Doting Fool"
Purcell: King Arthur, Z. 628, Act 3: Song. "Great Love, I Know Thee Now"
Purcell: King Arthur, Z. 628, Act 3: Song. "No Part of My Dominion"
Purcell: King Arthur, Z. 628, Act 3: Prelude II
Purcell: King Arthur, Z. 628, Act 3: Chorus. "See, See, We Assemble" - Dance
Purcell: King Arthur, Z. 628, Act 3: Ritornello. "Tis I That Have Warm'd Ye" - Chorus. "Tis Love That Has Warm'd Us"
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Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2, "Moonlight": I. Adagio sostenuto
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Piano Sonata No. 8 in C minor, Op. 13, "Pathétique": II. Adagio cantabile
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Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"
Diabelli Variations - 33 Variations on a Waltz by Anton Diabelli, Op. 120: Tema. Vivace
Diabelli Variations - 33 Variations on a Waltz by Anton Diabelli, Op. 120: Var. 3 - L'istesso tempo
Diabelli Variations - 33 Variations on a Waltz by Anton Diabelli, Op. 120: Var. 24 - Fughetta. Andante
Sonata No. 7 in D Major, Op. 10, No. 3: III. Menuetto - Allegro - Trio
Piano Sonata No. 28 in A Major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung
Piano Quintet in E-Flat Major, Op. 16 (Version for Piano Quartet): II. Andante cantabile
Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
Symphony No. 4 in B-Flat Major, Op. 60: III. Allegro vivace - Trio. Un poco meno allegro
Lyceum Philharmonic at American Heritage School
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Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto
Fidelio, Op. 72: Overture - 2018 Remastered Version
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto - Allegro assai - Recitativo: "O Freunde, nicht diese Töne" [Excerpt]
Piano Sonata No. 1 in F Minor, Op. 2, No. 1: II. Adagio
Piano Sonata No. 30 in E Major, Op. 109: II. Prestissimo
Piano Sonata No. 31 in A-Flat Major, Op. 110: I. Moderato cantabile molto espressivo
Piano Sonata No. 17 in D Minor, Op. 31 No. 2 "Tempest": I. Largo - Allegro
String Quartet, Op. 18 No. 6 in B-Flat Major: III. Scherzo: Allegro
Serenade in D Major, Op. 8: IV. Allegretto alla polacca
Trio in B-Flat Major, Op.11 "Gassenhauer": II. Adagio
Trio in B-Flat Major, Op.11 "Gassenhauer": III. Tema. Pria ch'io l'impegno. Allegretto - Var. I-IX
Piano Trio No. 7 in B-Flat Major, Op. 97 "Archduke": II. Scherzo. Allegro
String Quartet No. 12 in E-Flat Major, Op. 127: I. Maestoso - Allegro
Violin Concerto in D Major, Op. 61: II. Larghetto
Violin Concerto in D Major, Op. 61: III. Rondo - Allegro
Piano Sonata No. 24 in F-Sharp Major, Op. 78, "A Thérèse": I. Adagio cantabile - Allegro ma non troppo
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo. Allegro
Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": I. Allegro
Septet in E-Flat Major, Op. 20: II. Adagio cantabile
Septet in E-Flat Major, Op. 20: III. Tempo di menuetto
Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro
Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace
Symphony No. 1 in C Major, Op. 21: IV. Finale. Adagio - Allegro molto e vivace - 2018 Remastered Version
Symphony No. 7 in A Major, Op. 92: II. Allegretto - 2018 Remastered Version
Egmont Overture, Op. 84 - 2017 Remastered Version
Symphony No. 2 in D Major, Op. 36: IV. Allegro molto - 2018 Remastered Version
Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Allegro ma non troppo - 2018 Remastered Version
Piano Concerto No. 3 in C Minor, Op. 37: II. Largo
Harnoncourt - The Complete Beethoven Recordings
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Beethoven: Piano Concerto No. 2 in B-Flat Major, Op. 19: I. Allegro con brio
Beethoven: Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio
Beethoven: Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto allegro
Beethoven: Piano Concerto No. 1 in C Major, Op. 15: I. Allegro con brio
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Beethoven: Piano Concerto No. 1 in C Major, Op. 15: II. Largo
Beethoven: Piano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro scherzando
Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio
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Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: II. Largo
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Beethoven: Piano Concerto No. 4 in G Major, Op. 58: I. Allegro moderato
Beethoven: Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto
Beethoven: Piano Concerto No. 4 in G Major, Op. 58: III. Rondo. Vivace
Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": I. Allegro
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Je n'aime pas le classique, mais avec Gaspard Proust j'aime bien !
String Quartet in F Major, Op. 135: III. Lento assai, cantante e tranquillo
Pavane, Op. 50 (Arr. for Chamber Ensemble)
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The Art of the Fugue, BWV 1080: Contrapunctus I
Rêverie, L.68 (Arr. for Cello, Piano, Alto, Violins, Flute and Clarinet)
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The Four Seasons - Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre
Trio for Clarinet, Viola and Piano in E-Flat Major, K. 498, "Kegelstatt-Trio": I. Andante
The Four Seasons - Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Danza pastorale. Allegro
Piano Trio No. 2 in E-flat Major, D.929, Op. 100: II. Andante con moto
The Four Seasons - Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non moto
Le songe d'une nuit d'été, Op. 61 (Arr. for Flute): II. Scherzo
The Four Seasons - Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": II. Adagio - Presto
Le carnaval des animaux, R. 125 : XIII. Le cygne
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The Four Seasons - Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto
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Daphnis et Chloé Suite No. 2, M. 57b : Danse finale (Arr. for Chamber Ensemble)
The Four Seasons - Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro
Piano Quartet No. 3 in C Minor, Op. 60: IV. Finale. Allegro comodo
The Four Seasons - Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto
Chamber Symphony, Op. 110a: II. Allegro molto
The Four Seasons - Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro
Sonate pour violon et piano en la majeur, FWV 8: IV. Allegretto poco mosso
The Four Seasons - Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto
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Sonate pour clarinette et piano, FP 184: II. Romanza
The Four Seasons - Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo
Tristan et Isolde, S. 447: La mort d'Isolde
The Four Seasons - Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro
Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso
Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto
Piano Concerto No. 2 in F Minor, Op. 21: III. Allegro vivace
Symphony No. 3: Ia. Kräftig. Entschieden
Symphony No. 3: IVa. Sehr langsam. Misterioso. O Mensch! Gib acht!
Symphony No. 3: V. Finale: k. Wieder etwas zurückhaltend
Symphony No. 3: VIa. Langsam. Ruhevoll. Empfunden
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Symphony No. 3: If. Immer dasselbe Tempo. Marsch. Nicht eilen
Symphony No. 3: VIb. Nicht mehr so breit
Symphony No. 3: Ig. Im alten Marschtempo. Allegro moderato
Symphony No. 3: IIa. Tempo di minuetto. Sehr mässig - IIb. L'istesso tempo
Symphony No. 3: IIc. A tempo. Wie im Anfang
Symphony No. 3: IId. Ganz plötzlich gemächlich. Tempo di Minuetto
Symphony No. 3: IIIa. Comodo. Scherzando. Ohne Hast
Symphony No. 3: IIIb. Wieder sehr gemächlich, wie zu Anfang
Symphony No. 3: IIIc. Sehr gemächlich (Posthorn)
Symphony No. 3: IIId. Schnell und schmetternd wie eine Fanfare
Symphony No. 3: IIIe. Wieder sehr gemächlich, beinahe langsam
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Don Giovanni, K. 527: Deh, vieni alla finestra
Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": II. Romanze
Le nozze di Figaro, K.492: Act II: Voi che sapete
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Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": III. Menuetto. Allegro - Trio
Die Zauberflöte, K. 620: March of the Priests
Clarinet Quintet in A Major, K. 581 "Stadler Quintet": II. Larghetto
Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Symphony No. 41 in C Major, K. 551, "Jupiter": I. Allegro vivace
Die Zauberflöte: Dies Bildnis ist bezaubernd schön
Symphony No. 41 in C Major, K. 551, "Jupiter": II. Andante cantabile
Concerto No. 4 for Horn and Orchestra in E-Flat Major, K.495: III. Rondo (Allegro vivace)
Die Zauberflöte, K. 620: Ach, ich fühl's
Symphony No. 41 in C Major, K. 551, "Jupiter": III. Menuetto: Allegretto
Ave Verum Corpus for Voices, Organ & Strings, K. 618
Serenade No. 9 in D Major, K. 320 "Posthorn": II. Menuetto - Allegretto - Trio
Symphony No. 41 in C Major, K. 551, "Jupiter": IV. Molto allegro
Piano Sonata in B-Flat Major, K. 333: II. Andante cantabile
Serenade No. 9 in D Major, K. 320 "Posthorn": III. Concertante - Andante grazioso
Piano Concerto No. 21 in C Major, K. 467, "Elvira Madigan": II. Andante
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Violin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio
Serenade No. 9 in D Major, K. 320 "Posthorn": IV. Rondeau - Allegro ma non troppo
Exsultate, jubilate, K. 165 / 158a: Alleluia. Allegro
Symphony No. 36 in C Major, K. 425 "Linz": I. Adagio - Allegro spiritoso
Cosi Fan Tutte, Act I: "Un'aura Amorosa"
Concerto in C Major for Flute, Harp and Orchestra, K. 299: II. Andantino
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Symphony No. 36 in C Major, K. 425 "Linz": II. Andante
La clemenza di Tito, K. 621: Non più di fiori
Symphony No. 36 in C Major, K. 425 "Linz": III. Menuetto - Trio
Concerto for Clarinet and Orchestra in A Major, K. 622: III. Rondo. Allegro
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Piano Sonata in A Major, K. 331: III. Alla turca. Allegretto
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Symphony No. 36 in C Major, K. 425 "Linz": IV. Presto
Concerto No. 5 in A Major for Violin and Orchestra, K. 219 "Turkish": I. Allegro aperto
Vesperae solennes de confessore, K.339: V. Laudate Dominum (Arranged for Violin & Orchestra by Joshua Bell)
Piano Concerto No. 20 in D Minor, K. 466: II. Romance
Beethoven: Missa Solemnis in D Major, Op. 123
Missa Solemnis in D Major, Op. 123: I. Kyrie
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Missa Solemnis in D Major, Op. 123: II. Gloria: Gloria
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Missa Solemnis in D Major, Op. 123: II. Gloria: Qui tollis
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Missa Solemnis in D Major, Op. 123: II. Gloria: Quoniam
Missa Solemnis in D Major, Op. 123: III. Credo: Credo
Missa Solemnis in D Major, Op. 123: III. Credo: Et incarnatus est
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Missa Solemnis in D Major, Op. 123: III. Credo: Et resurrexit
Missa Solemnis in D Major, Op. 123: IV. Sanctus: Sanctus
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Missa Solemnis in D Major, Op. 123: IV. Sanctus: Praeludium - Benedictus
Missa Solemnis in D Major, Op. 123: V. Agnus Dei: Agnus Dei
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Missa Solemnis in D Major, Op. 123: V. Agnus Dei: Dona nobis pacem
Gurrelieder, Pt. 1: No. 1, Orchestral Prelude
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Gurrelieder, Pt. 2: No. 12, Herrgott, weisst du, was du tatest (Waldemar)
Gurrelieder, Pt. 1: No. 2, Nun dämpft die Dämmerung (Waldemar)
Gurrelieder, Pt. 3: No. 13. Erwacht, König Waldemars Mannen wert! (Waldemar)
Gurrelieder, Pt. 1: No. 3, O, wenn des Mondes Strahlen (Tove)
Gurrelieder, Pt. 3: No. 14, Deckel des Sarges Klappert (Bauer)
Gurrelieder, Pt. 1: No. 4, Ross! Mein Ross! (Waldemar)
Gurrelieder, Pt. 3: No. 15, Gegrüsst, o König (Waldemar's Men)
Gurrelieder, Pt. 1: No. 5, Sterne jubeln (Tove)
Gurrelieder, Pt. 3: No. 16, Mit Toves Stimme flüstert der Wald (Waldemar)
Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar)
Gurrelieder, Pt. 3: No. 17, Ein seltsamer Vogel (Klaus the Jester)
Gurrelieder, Pt. 1: No. 7, Nun sag ich dir zum ersten Mal (Tove)
Gurrelieder, Pt. 3: No. 18, Du strenger Richter (Waldemar)
Gurrelieder, Pt. 1: No. 8, Es ist Mitternachtszeit (Waldemar)
Gurrelieder, Pt. 3: No. 19, Der Hahn erhebt den Kopf (Waldemar's Men)
Gurrelieder, Pt. 1: No. 9, Du sendest mir einen Liebesblick (Tove)
Gurrelieder, Pt. 3: No. 20, Orchestral Prelude
Gurrelieder, Pt. 1: No. 10, Du wunderliche Tove! (Waldemar)
Gurrelieder, Pt. 3: No. 21, Herr Gänsefuss, Frau Gänsekraut (Sprecher)
Gurrelieder, Pt. 1: No. 10a, Orchestral Interlude
Gurrelieder, Pt. 3: No. 22, Seht die Sonne (Mixed Chorus)
Gurrelieder, Pt. 1: No. 11, Tauben von Gurre (Wood Dove)
Haydn: The Seasons, Hob. XXI:3, Winter: No. 39, Lied mit Chor. "Ein Mädchen, das auf Ehre hielt" (Hanne, Chorus)
Beethoven: Fidelio, Op. 72, Act 2: "Wer ein holdes Weib errungen" (Chor, Florestan, Leonore, Marzelline, Jaquino, Don Fernando, Rocco)
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