1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7d454416290b7d2f896f08f48e02bcf34da33873b333ff18d7da993fdbcabba6. Chain 2 (Bitcoin): anchored in block 954346 (2026-06-19T03:51:26Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/96906ff4-2420-47a0-b611-8af2e24febad.json and https://artists.proofprofile.net/proofs/artist/96906ff4-2420-47a0-b611-8af2e24febad.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Les francs-juges, Op. 3, H. 23d: Overture (Live)
L’enfance du Christ, Op. 25, H. 130, Pt. 1 Scene 1 "Le songe d’Hérode": Dans la créche (Live)
L’enfance du Christ, Op. 25, H. 130, Pt. 3 "L’arrivée à Saïs": Depuis trois jours, malgré l’ardeur du vent (Live)
Benvenuto Cellini, Op. 23, H. 76 (Weimar Version): Overture [Live]
Benvenuto Cellini, Op. 23, H. 76, Act II Scene 12 "Mardi gras" (Weimar Version): Vous voyez, j’espère [Live]
Symphonie fantastique, Op. 14, H. 48: I. Rêveries - Passions. Largo - Allegro agitato e appassionato assai - Religiosamente (Live)
L’enfance du Christ, Op. 25, H. 130, Pt. 1 Scene 1 "Le songe d’Hérode": Qui vient ? (Live)
L’enfance du Christ, Op. 25, H. 130, Pt. 3 Scene 1 "L’arrivée à Saïs": Dans cette ville immense (Live)
Benvenuto Cellini, Op. 23, H. 76, Act I Scene 1 "Lundi gras" (Weimar Version): Teresa ! Teresa ! Où peut-elle être ? [Live]
Benvenuto Cellini, Op. 23, H. 76, Act II Scene 12 "Mardi gras" (Weimar Version): Ah ! Ah ! très bien, le plaisant visage ! [Live]
Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse. Allegro non troppo (Live)
L’enfance du Christ, Op. 25, H. 130, Pt. 1 Scene 2 "Le songe d’Hérode": Toujours ce rêve ! (Live)
L’enfance du Christ, Op. 25, H. 130, Pt. 3 Scene 2 "L’arrivée à Saïs": Entrez, entrez, pauvres Hébreux ! (Live)
Benvenuto Cellini, Op. 23, H. 76, Act I Scene 1 "Lundi gras" (Weimar Version): Enfin il est sorti tout de bon [Live]
Benvenuto Cellini, Op. 23, H. 76, Act II Scene 12 "Mardi gras" (Weimar Version): Voici Maître Arlequin [Live]
Symphonie fantastique, Op. 14, H. 48: III. Scène aux champs. Adagio (Live)
L’enfance du Christ, Op. 25, H. 130, Pt. 1 Scene 2 "Le songe d’Hérode": O misère des rois [Live] (Live)
L’enfance du Christ, Op. 25, H. 130, Pt. 3 Scene 3 "L’arrivée à Saïs": Trio pour deux flûtes et harpe, exécuté par les jeunes Ismaélites (Live)
Benvenuto Cellini, Op. 23, H. 76, Act I Scene 2 "Lundi gras" (Weimar Version): Les belles fleurs ! [Live]
Benvenuto Cellini, Op. 23, H. 76, Act II Scene 12 "Mardi gras" (Weimar Version): Regardons bien maître Arlequin [Live]
Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice. Allegro non troppo (Live)
L’enfance du Christ, Op. 25, H. 130, Pt. 1 Scene 3 "Le songe d’Hérode": Seigneur ! (Live)
L’enfance du Christ, Op. 25, H. 130, Pt. 3 Scene 3 "L’arrivée à Saïs": Vous pleurez, jeune mère (Live)
Benvenuto Cellini, Op. 23, H. 76, Act I Scene 2 "Lundi gras" (Weimar Version): Entre l’amour et le devoir [Live]
Benvenuto Cellini, Op. 23, H. 76, Act II Scene 12 "Mardi gras" (Weimar Version): Il plaît fort [Live]
Symphonie fantastique, Op. 14, H. 48: V. Songe d’une nuit de sabbat. Larghetto - Allegro (Live)
L’enfance du Christ, Op. 25, H. 130, Pt. 1 Scene 4 "Le songe d’Hérode": Les sages de Judée (Live)
L’enfance du Christ, Op. 25, H. 130, Pt. 3 Scene 3 "L’arrivée à Saïs": Ce fut ainsi que par un infidèle (Live)
Benvenuto Cellini, Op. 23, H. 76, Act I Scene 3 "Lundi gras" (Weimar Version): Cellini ! [Live]
Benvenuto Cellini, Op. 23, H. 76, Act III "Mercrèdi des cendres" (Weimar Version): Entr’acte et scène [Live]
L’enfance du Christ, Op. 25, H. 130, Pt. 1 Scene 5 "Le songe d’Hérode": Ô mon cher fils, donne cette herbe tendre (Live)
Benvenuto Cellini, Op. 23, H. 76, Act I Scene 4 "Lundi gras" (Weimar Version): Ciel, nous sommes perdus, c’est le pas de mon père [Live]
Benvenuto Cellini, Op. 23, H. 76, Act III Scene 1 "Mercrèdi des cendres" (Weimar Version): A l’atelier rentrons sans plus attendre [Live]
L’enfance du Christ, Op. 25, H. 130, Pt. 1 Scene 6 "Le songe d’Hérode": Joseph ! Marie ! Écoutez-nous (Live)
Benvenuto Cellini, Op. 23, H. 76, Act I Scene 4 "Lundi gras" (Weimar Version): A nous, voisines et servantes ! [Live]
Benvenuto Cellini, Op. 23, H. 76, Act III Scene 2 "Mercrèdi des cendres" (Weimar Version): Il n’a pas reparu [Live]
L’enfance du Christ, Op. 25, H. 130, Pt. 2 "La fuite en Égypte": Overture (Live)
Benvenuto Cellini, Op. 23, H. 76, Act II Scene 8 "Mardi gras" (Weimar Version): Une heure encore et ma belle maîtresse [Live]
Benvenuto Cellini, Op. 23, H. 76, Act III Scene 3 "Mercrèdi des cendres" (Weimar Version): Bienheureux les matelots [Live]
L’enfance du Christ, Op. 25, H. 130, Pt. 2 "La fuite en Égypte": Adieu des bergers à la sainte famille (Live)
Benvenuto Cellini, Op. 23, H. 76, Act II Scene 8 "Mardi gras" (Weimar Version): La gloire était ma seule idole [Live]
Benvenuto Cellini, Op. 23, H. 76, Act III Scene 4 "Mercrèdi des cendres" (Weimar Version): Mais qu’ai-je donc ? [Live]
L’enfance du Christ, Op. 25, H. 130, Pt. 2 "La fuite en Égypte": Le repos de la sainte famille (Live)
Benvenuto Cellini, Op. 23, H. 76, Act II Scene 8 "Mardi gras" (Weimar Version): A boire, à boire, à boire ! [Live]
Benvenuto Cellini, Op. 23, H. 76, Act III Scene 5 "Mercrèdi des cendres" (Weimar Version): Ah, qu’est-il devenu ? [Live]
Benvenuto Cellini, Op. 23, H. 76, Act II Scene 8 "Mardi gras" (Weimar Version): Si la terre aux beaux jours se couronne [Live]
Benvenuto Cellini, Op. 23, H. 76, Act III Scene 6 "Mercrèdi des cendres" (Weimar Version): Teresa ! [Live]
Benvenuto Cellini, Op. 23, H. 76, Act II Scene 9 "Mardi gras" (Weimar Version): Cette somme t’est due [Live]
Benvenuto Cellini, Op. 23, H. 76, Act II Scene 9 "Mardi gras" (Weimar Version): C’est trop fort ! [Live]
Benvenuto Cellini, Op. 23, H. 76, Act II Scene 9 "Mardi gras" (Weimar Version): Ah ! Qui pourrait me résister ? [Live]
Pacini: Alessandro nell'Indie, Act 1: Sinfonia
Pacini: Alessandro nell'Indie, Act 1: "Su le palme, su gli allori" (Chorus)
Pacini: Alessandro nell'Indie, Act 2: "Serva ad eroe si grande" (Chorus of Indians)
Pacini: Alessandro nell'Indie, Act 1: "Nume propizio" (Chorus)
Pacini: Alessandro nell'Indie, Act 1: "Omai sia tregua all'armi" (Alessandro, Chorus)
Pacini: Alessandro nell'Indie, Act 2: "Signor, l'India festiva" (Cleofide, Alessandro)
Pacini: Alessandro nell'Indie, Act 1: "Al suon di mesti accenti" (Cleofide)
Pacini: Alessandro nell'Indie, Act 1: "Perche, fra tanti affetti" (Alessandro, Chorus)
Pacini: Alessandro nell'Indie, Act 2: "Serva ad eroe si grande" (Reprise) [Chorus of Indians]
Pacini: Alessandro nell'Indie, Act 1: "Se d'amor fra le ritorte" (Cleofide, Chorus)
Pacini: Alessandro nell'Indie, Act 1: "Le disperse falangi" (Alessandro, Timagene)
Pacini: Alessandro nell'Indie, Act 2: "Strepito d'armi!" (Alessandro, Cleofide, Timagene)
Pacini: Alessandro nell'Indie, Act 1: "Se fosse a me vicino" (Cleofide, Chorus)
Pacini: Alessandro nell'Indie, Act 1: "Ella viene" (Timagene, Alessandro)
Pacini: Alessandro nell'Indie, Act 2:Battaglia
Pacini: Alessandro nell'Indie, Act 1: "E' perduta dell'India la speme" (Second Chorus, Cleofide, First Chorus)
Pacini: Alessandro nell'Indie, Act 1: "Cio ch'io t'offro" (Cleofide, Alessandro)
Pacini: Alessandro nell'Indie, Act 2: "Ma, per pieta" (Cleofide, Poro)
Pacini: Alessandro nell'Indie, Act 1: "Giorno terribile" (Cleofide, Chorus)
Pacini: Alessandro nell'Indie, Act 1: "Nel duolo in cui mi vedo" (Cleofide, Alessandro)
Pacini: Alessandro nell'Indie, Act 2: "A sedar le greche schiere" (Timagene, Alessandro, Poro, Cleofide)
Pacini: Alessandro nell'Indie, Act 1: "Deh! Ritornate in campo" (Cleofide)
Pacini: Alessandro nell'Indie, Act 1: "Monarca, il Duce Asbite" (Timagene, Cleofide, Alessandro)
Pacini: Alessandro nell'Indie, Act 2: "Invan l'India s'affanna" (Timagene)
Pacini: Alessandro nell'Indie, Act 1: "Piu tollerar non posso" (Cleofide, Poro)
Pacini: Alessandro nell'Indie, Act 1: "A que' detti posso" (Alessandro, Timagene, Poro, Cleofide, Chorus)
Pacini: Alessandro nell'Indie, Act 2: "Oggetto si adorabile" (Alessandro, Cleofide, Gandarte, Chorus)
Pacini: Alessandro nell'Indie, Act 1: "Se cangiar potessi in seno" (Cleofide, Poro)
Pacini: Alessandro nell'Indie, Act 1: "A te piu dell'Idaspe" (Cleofide, Poro, Alessandro, Chorus of Macedonians, Timagene, Chorus of Indians)
Pacini: Alessandro nell'Indie, Act 2: "S'e ver che t'accendi" (Alessandro, Chorus, Cleofide, Gandarte)
Pacini: Alessandro nell'Indie, Act 1: "Ancor non m'assicuro" (Cleofide, Poro)
Pacini: Alessandro nell'Indie, Act 2: "Chi sperava, o Gandarte" (Cleofide, Gandarte)
Pacini: Alessandro nell'Indie, Act 1: "Regina, a te ritorna" (Gandarte, Poro, Chorus, Cleofide)
Pacini: Alessandro nell'Indie, Act 2: "Che mai fu? " (Cleofide, Chorus, Gandarte)
Pacini: Alessandro nell'Indie, Act 1: "Seguirla io vo" (Poro, Gandarte)
Pacini: Alessandro nell'Indie, Act 2: "Che mi giovo sull'are" (Cleofide, Gandarte)
Pacini: Alessandro nell'Indie, Act 1: "Se possono tanto" (Poro)
Pacini: Alessandro nell'Indie, Act 2: "Del caro mio consorte" (Cleofide, Gandarte, Chorus)
Pacini: Alessandro nell'Indie, Act 2: "A tanto martoro" (Gandarte, Chorus)
Pacini: Alessandro nell'Indie, Act 2: "Mio ben, mio tesoro" (Cleofide)
Pacini: Alessandro nell'Indie, Act 2: "Poro infelice!" (Gandarte)
Pacini: Alessandro nell'Indie, Act 2: "Stupir mi fai" (Alessandro, Timagene)
Pacini: Alessandro nell'Indie, Act 2: "Signor, fermati ... " (Gandarte, Poro)
Pacini: Alessandro nell'Indie, Act 2: "Dagli astri discendi" (Chorus)
Pacini: Alessandro nell'Indie, Act 2: "Nell'odorata pira" (Cleofide, Poro, Alessandro, Gandarte, Timagene, Chorus)
Pacini: Alessandro nell'Indie, Act 2: "Risolver non oso" (Alessandro, Cleofide, Poro, Timagene, Gandarte)
Pacini: Alessandro nell'Indie, Act 2: "Ah! Si mora una volta" (Cleofide, Poro, Alessandro, Gandarte, Timagene, Chorus)
Pacini: Alessandro nell'Indie, Act 2: "Su l'armi e su gli affetti" (Poro, Cleofide, Gandarte, Alessandro)
Thomas: La Cour de Célimène, Act 1: Overture
Thomas: La Cour de Célimène, Act 2: "Dieu! Quel mortel ennui" (The Countess)
Thomas: La Cour de Célimène, Act 1: "Bientot elle arrive" (Young Man, Adolescent, Old Man, Chorus of 12 Men)
Thomas: La Cour de Célimène, Act 2: "Que voulez-vous" (The Countess)
Thomas: La Cour de Célimène, Act 1: "Il parait, chere soeur" (The Baroness, the Countess)
Thomas: La Cour de Célimène, Act 2: "Ma soeur! Ma soeur!" (The Baroness, the Countess)
Thomas: La Cour de Célimène, Act 1: "Qui, c'est le plus grand des bonheurs" (The Countess, the Baroness)
Thomas: La Cour de Célimène, Act 2: "Voila donc la cruelle" (Chorus of 12 Men, the Countess, the Baroness)
Thomas: La Cour de Célimène, Act 1: "Charmez, brillez, c'est de votre age" (The Commander, the Baroness)
Thomas: La Cour de Célimène, Act 2: "Sur le terrain, tous deux enfin" (The Commander, All)
Thomas: La Cour de Célimène, Act 1: "C'est un mariage" (The Baroness, the Countess, Ensemble)
Thomas: La Cour de Célimène, Act 2: "Ainsi, commandeur, vous voila" (The Countess, the Baroness, the Commander)
Thomas: La Cour de Célimène, Act 1: "Ainsi, un fois maries" (The Baroness, the Commander, the Countess)
Thomas: La Cour de Célimène, Act 2: "Nous pouvons arranger l'affaire" (The Commander, the Countess, the Baroness)
Thomas: La Cour de Célimène, Act 1: "Que dites-vous?" (The Commander)
Thomas: La Cour de Célimène, Act 2: "Ainsi, noble baronne" (The Commander, the Baroness, the Countess)
Thomas: La Cour de Célimène, Act 1: "Allons, rassurez-vous" (The Countess, the Commander, the Baroness)
Thomas: La Cour de Célimène, Act 2: "Aucun, et je proteste! ..." (The Chevalier, the Baroness)
Thomas: La Cour de Célimène, Act 1: "Ça va être bien divertissant" (The Commander, the Baroness)
Thomas: La Cour de Célimène, Act 2: "Et maintenant, chevalier" (The Baroness, the Chevalier)
Thomas: La Cour de Célimène, Act 1: "Ah, vous voila donc, chevalier?" (The Baroness, the Chevalier)
Thomas: La Cour de Célimène, Act 2: "Que vois-je?" (The Chevalier, the Commander, the Baroness, the 12 Men, the Countess, the Baroness)
Thomas: La Cour de Célimène, Act 1: "Mais pardon ..." (The Chevalier, the Baroness)
Thomas: La Cour de Célimène, Act 1: "Eh bien! Monsieur" (The Countess, the Chevalier)
Thomas: La Cour de Célimène, Act 1: "Oh... Ah! Cessez de grâce" (The Chevalier, the Countess)
Thomas: La Cour de Célimène, Act 1: "Ainsi, madame" (The Chevaliers, the Countess)
Thomas: La Cour de Célimène, Act 1: "Quels fracas!" (Chorus, the Commander, the Chevalier)
Benvenuto Cellini, Op. 23, H. 76, Act I: "À boire, à boire"
Der Freischütz, Act I: "Hier im ird'schen Jammerthal"
Il trovatore, Act II: "Vedi! Le fosche" (Anvil Chorus)
Les Troyens, Op. 29, H. 133, Act III: Entrée des Constructeurs
Les Troyens, Op. 29, H. 133, Act III: Entrée des Matelots
Les Troyens, Op. 29, H. 133, Act III: Entrée des Laboureurs (excerpt)
Macbeth, Act I: "Che faceste" (Witches' Chorus)
Fidelio, Op. 72, Act I: "Abscheulicher! wo eilst Du hin?"
Benvenuto Cellini, Op. 23, H76, Act II: "Du métal! Du métal!"
Faust, Act IV: "Gloire immortelle" (Soldiers' Chorus)
Das Paradies und die Peri, Op. 50, Act I: Die Peri sah das Mal der Wunde
Peter Grimes, Op. 33, Act II: Interlude 3 (excerpt)
The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Scene IX: "A přece su rád - Hoj! Ale není tu Bystroušky! - Totok nésu já"
Aida, Act II: "Vieni, o guerriero" (Grand March)
Wonderful Town, Act II: No. 14, My Darlin' Eileen
Wonderful Town, Act II: No. 19, Wrong Note Rag
Meyerbeer: L'esule di Granata (Highlights)
Meyerbeer: L'esule di Granata, Act 1: "Sempre tacer! Soffrire! " (Chorus, Ali)
Meyerbeer: L'esule di Granata, Act 1: "Eccovi il duce " (Alamar, Chorus, Ali)
Meyerbeer: L'esule di Granata, Act 1: "Si, vendetta ... pera ... cada ... " (All)
Meyerbeer: L'esule di Granata, Act 1: "Ma silenzio ... " (Alamar, Chorus, Azema, Maidens)
Meyerbeer: L'esule di Granata, Act 1: "Fragor lontan si ascolta " (All, Azema, Alamar, Omar, Sulemano, Chorus, Fatima)
Meyerbeer: L'esule di Granata, Act 1: "Ah le voci di natura " (Azema, Sulemano)
Meyerbeer: L'esule di Granata, Act 1: "Deh, se il padre consoscesti " (Azema, Sulemano, Chorus of Zegris, Women, Fatima)
Meyerbeer: L'esule di Granata, Act 1: "Cara, il soave istante " (Almanzor, Azema, Sulemano)
Meyerbeer: L'esule di Granata, Act 1: "Tergi, mio ben " (Almanzor, Azema, Sulemano, Omar, Maidens, Imams, Alamar, Ali, Chorus)
Meyerbeer: L'esule di Granata, Act 1: "Miei pensieri, in tal cimento " (Almanzor, Azema, Alamar, Sulemano, Ali)
Meyerbeer: L'esule di Granata, Act 1: "Vieni e lascia al suo rimorso - Amor di un re magnanino " (Alamar, Sulemano, Azema, Almanzor, Ali, Chorus)
Meyerbeer: L'esule di Granata, Act 2: "Itene amiche, e questa ora tranquilla " (Azema, Fatima, Ali)
Meyerbeer: L'esule di Granata, Act 2: "All'armi, all'armi! " (Voices, Chorus, Ali)
Meyerbeer: L'esule di Granata, Act 2: "Si, guerrieri - si, miei fidi ... " (Azema, Chorus)
Meyerbeer: L'esule di Granata, Act 2: "Se lo difende amore - Inoltra il passo ... " (Azema, Chorus, Fatima, Almanzor, Ali)
Meyerbeer: L'esule di Granata, Act 2: "Il trono avito io non pretendo ... " (Sulemano, Almanzor, Chorus)
Meyerbeer: L'esule di Granata, Act 2: "Trema I tuoi complici vinti gia sono - Riede il mattin " (Almanzor, Sulemano, Chorus, Fatima, Omar)
Meyerbeer: L'esule di Granata, Act 2: "Oh! Come rapida " (Almanzor, Omar, Azema, Sulemano, Alamar)
Meyerbeer: L'esule di Granata, Act 2: "Cedi alla sorte e stringimi " (Sulemano, Almanzor, Azema, Women, Men)
Meyerbeer: L'esule di Granata, Act 2: "Piu bella vittoria " (Almanzor, Chorus)
String Quartet No.1 "Métamorphoses nocturnes": Allegro grazioso
String Quartet No.1 "Métamorphoses nocturnes": Vivace capriccioso
String Quartet No.1 "Métamorphoses nocturnes": Adagio mesto
Idegen földön: I. Siralmas nékem (Lament)
String Quartet No.1 "Métamorphoses nocturnes": Presto
String Quartet No.1 "Métamorphoses nocturnes": Andante tranquillo
String Quartet No.1 "Métamorphoses nocturnes": Tempo di valse - Moderato - Con eleganza - Un poco capriccioso
Idegen földön: IV. Fujdogál a nyári szél
String Quartet No.1 "Métamorphoses nocturnes": Allegretto, un poco giovale
String Quartet No.1 "Métamorphoses nocturnes": Prestissimo
String Quartet No. 2 (1968): I. Allegro nervoso
String Quartet No. 2 (1968): II. Sostenuto, molto calmo
String Quartet No. 2 (1968): III. Come un meccanismo di precisione
String Quartet No. 2 (1968): IV. Presto furioso - Brutale - Tumultoso
String Quartet No. 2 (1968): V. Allegro con delicatezza
Ballad and Dance for 2 Violins: Ballade. Andante
Ballad and Dance for 2 Violins: Dance. Allegro vivace
Andante and Allegretto for String Quartet: I. Andante cantabile
Andante and Allegretto for String Quartet: II. Allegretto poco capriccioso
Mátraszentimrei Dalok: II. Igaz szerelem
Mátraszentimrei Dalok: IV. Erdöbe, erdöbe
Drei Phantasien nach Friedrich Hölderlin: I. Hälfte des Lebens
Drei Phantasien nach Friedrich Hölderlin: II. Wenn aus der Ferne
Drei Phantasien nach Friedrich Hölderlin: III. Abenphantasie
Haj, ifjúság: 1. Azt hallottam rózsám. Parlando
Haj, ifjúság: 2. Nem láttam én télbe fecskét. Allegro
Hortobágy: 1. Kiszáradt a tóbul mind a sár. Parlando, Rubato
Donizetti: Lamento in morte di V. Bellini
Il Salotto Vol. 7: Il primo dolce affano... The first sweet pain
Listz: Tre sonetti di Petrarca, No. 2: "Benedetto sia'l giorno"
Ricci: Three pieces dedicated to Stefania Favelli: Arietta "Dirgli vorrei"
Ricci: Three pieces dedicated to Stefania Favelli: Duetto "Mi vuo trasformar"
Ricci: Three pieces dedicated to Stefania Favelli: Canzonetta Napoletana "Vieni voga"
Meyerbeer: Nocturne a deux voix: La mere-grand
Listz: Tre sonetti di Petrarca, No. 1: "Pace non trovo"
Poniatowski: Two mimiatures: "Cantami, cantami"
Verdi: Melodie: "Prends pitie de sa jeunesse"
Buzzola: Barcarola a tre voci: "Tace il vento"
Listz: Tre sonetti di Petrarca, No. 3: "I' vidi in terra"
From Marion's Book: No. 7, Open Your Heart (Arr. for Voice & Guitar)
From Marion's Book: No. 5, Until and I Heard (Arr. for Voice & Guitar)
Mandoline, L. 29 (Arr. for Voice & Guitar)
En sourdine, L. 28 (Arr. for Voice & Guitar)
7 Canciones Populares Españolas (Arr. for Voice & Guitar): No. 1, El Paño Moruno
7 Canciones Populares Españolas (Arr. for Voice & Guitar): No. 2, Seguidilla Murciana
7 Canciones Populares Españolas (Arr. for Voice & Guitar): No. 3, Asturiana
7 Canciones Populares Españolas (Arr. for Voice & Guitar): No. 4, Jota
7 Canciones Populares Españolas (Arr. for Voice & Guitar): No. 5, Nana
7 Canciones Populares Españolas (Arr. for Voice & Guitar): No. 6, Canción
7 Canciones Populares Españolas (Arr. for Voice & Guitar): No. 7, Polo
4 French Folk Songs (Version for Voice & Guitar): No. 1, Réveillez-vous
4 French Folk Songs (Version for Voice & Guitar): No. 2, J’ai descendu
4 French Folk Songs (Version for Voice & Guitar): No. 3, Le rossignol
4 French Folk Songs (Version for Voice & Guitar): No. 4, Marguerite, elle est malade
Serestas, W216: No. 5, Modinha (Arr. for Voice & Guitar)
Bachianas Brasileiras No. 5, W391: No. 1, Ária
Anon in Love: No. 1, Fain Would I Change That Note
Anon in Love: No. 3, Lady, When I Behold the Roses
Anon in Love: No. 4, My Love in Her Attire
Anon in Love: No. 5, I Gave Her Cakes and I Gave Her Ale
Anon in Love: No. 6, To Couple Is a Custom
Ouvre ton cœur (Arr. for Voice & Guitar)
The Scarlet Letter, Act I: A Meeting Place (Live)
The Scarlet Letter, Act II: The Forest (Live)
The Scarlet Letter, Act I: The Prison (Live)
The Scarlet Letter, Act II: A Meeting Place (Election Day) [Live]
The Scarlet Letter, Act I: Time Passing (Live)
The Scarlet Letter, Act I: The Governor's Rose Garden, 7 Years Later (Live)
The Scarlet Letter, Act I: Dimmesdale's Study (His Nightmare) [Live]
Symphony No. 4: I. Bedächtig. Nicht Eilen
Symphony No. 4: II. In gemächlicher Bewegung. Ohne Hast
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Symphony No. 4: III. Ruhevoll (Poco adagio - Allegretto subito - Allegro subito)
Symphony No. 4: IV. Sehr behaglich ("Wir genießen die himmlischen Freuden")
Carmina Burana, Fortuna Imperatrix Mundi: I. O Fortuna. Pesante (I)
Carmina Burana, Fortuna Imperatrix Mundi: II. Fortune plango vulnera
Carmina Burana, I. Primo vere: I. Veris leta facies
Carmina Burana, I. Primo vere: II. Omnia Sol temperat
Carmina Burana, I. Primo vere: III. Ecce gratum
Carmina Burana, I. Primo vere: IV. Tanz. Pesante
Carmina Burana, I. Primo vere: V. Floret silva
Carmina Burana, I. Primo vere: VI. Chramer, gip die varwe mir
Carmina Burana, I. Primo vere: VII. Reie. Andante poco esitante
Carmina Burana, I. Primo vere: VIII. Were diu werlt alle min
Carmina Burana, II. In Taberna: I. Estuans interius
Carmina Burana, II. In Taberna: II. Olim lacus colueruam
Carmina Burana, II. In Taberna: III. Ego sum abbas
Carmina Burana, II. In Taberna: IV. In taberna quando sumus
Carmina Burana, III. Cour d'amours: I. Amor volat undique
Carmina Burana, III. Cour d'amours: II. Dies, nox et omnia
Carmina Burana, III. Cour d'amours: III. Stetit puella
Carmina Burana, III. Cour d'amours: IV. Circa mea pectora
Carmina Burana, III. Cour d'amours: V. Si puer cum puellula
Carmina Burana, III. Cour d'amours: VI. Veni, veni, venias
Carmina Burana, III. Cour d'amours: VII. In trutina
Carmina Burana, III. Cour d'amours: VIII. Tempus est iocundum
Carmina Burana, III. Cour d'amours: IX. Dulcissime
Carmina Burana, III. Cour d'amours: X. Ave formosissima
Carmina Burana: I. O Fortuna. Pesante (II)
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Les Indes galantes : Les Sauvages - Danse du Calumet de la Paix et duo Forêts paisibles
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Handel: Rinaldo, HWV 7, Act 2: Aria. "Lascia ch'io pianga" (Almirena)
Emmanuelle Haïm/Le Concert d`Astrée/Ann Hallenberg
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Hippolyte et Aricie - Acte IV : Quelle plainte en ces lieux m'appelle?
Emmanuelle Haïm/Le Concert d`Astrée/Anne Sofie von Otter
Handel: Agrippina, HWV 6, Act 3: Aria. "Come nube che fugge dal vento" (Nerone)
Emmanuelle Haïm/Le Concert d`Astrée/Renata Pokupic
Dardanus: Acte IV: Ritournelle (gracieusement, un peu gai)
Handel: Dixit Dominus, HWV 232: I. Dixit Dominus, Domino meo
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Handel: Orlando, HWV 31, Act 1: Recitativo. "T'ubbidirò" (Orlando)
Emmanuelle Haïm/Le Concert d`Astrée/Marijana Mijanovic
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Handel: Il delirio amoroso, HWV 99: Aria. "Un pensiero voli in ciel"
Emmanuelle Haïm/Le Concert d`Astrée/Magali Léger/Stéphanie-Marie Degand
Hippolyte et Aricie - Acte V : Rossignols amoureux (La bergère)
Emmanuelle Haïm/Le Concert d`Astrée/Jaël Azzaretti/David Plantier/Alexis Kossenko
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Handel: La Resurrezione, HWV 47, Pt. 1: Arioso. "Piangete, sì, piangete" (Cleofe)
Emmanuelle Haïm/Le Concert d`Astrée/Sara Mingardo
Hippolyte et Aricie - Acte IV : A la chasse, à la chasse
Emmanuelle Haïm/Le Concert d`Astrée/Aurélia Legay/Jeroen Billiet/Yannick Maillet
Handel: Tamerlano, HWV 18, Act 1: Aria. "Ciel e terra armi di sdegno" (Bajazet)
Emmanuelle Haïm/Le Concert d`Astrée/Rolando Villazon
Dardanus - Acte IV : Voici les tristes lieux... Monstre affreux,monstre redoutable
Emmanuelle Haïm/Le Concert d`Astrée/Stéphane Degout
Handel: Giulio Cesare in Egitto, HWV 17, Act 1: Duetto. "Son nata a lagrimar" (Cornelia, Sesto)
Platée - Acte II : Formons les plus brillants concerts...Aux langueurs d'Apollon (La folie)
Emmanuelle Haïm/Le Concert d`Astrée/Patricia Petibon
Handel: Il trionfo del Tempo e del Disinganno, HWV 46a, Pt. 2: Aria. "Voglio cangiar desio" (Bellezza)
Emmanuelle Haïm/Le Concert d`Astrée/Jaël Azzaretti/Ann Hallenberg/Marijana Mijanovic/Topi Lehtipuu
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Handel: Giulio Cesare in Egitto, HWV 17, Act 3: Recitativo. "E pur così in un giorno" - Aria. "Piangerò la sorte mia" (Cleopatra)
Emmanuelle Haïm/Le Concert d`Astrée/Sandrine Piau/Olivier Bénichou
Castor et Pollux - Acte I : Tristes apprêts (Télaïre)
Emmanuelle Haïm/Le Concert d`Astrée/Karine Deshayes
Handel: Rinaldo, HWV 7, Act 1: Aria. "Venti, turbini, prestate" (Rinaldo)
Emmanuelle Haïm/Le Concert d`Astrée/Philippe Jaroussky/David Plantier/Philippe Miqueu
Handel: Aci, Galatea e Polifemo, HWV 72: XI. Aria. "Benche tuoni e l'etra avampi" (Galatea)
Emmanuelle Haïm/Le Concert d`Astrée/Delphine Haidan
Les Indes galantes: Les Sauvages: Régnez, plaisirs et jeux (Zima)
Emmanuelle Haïm/Le Concert d`Astrée/Sonya Yoncheva
Handel: Giulio Cesare in Egitto, HWV 17, Act 2: Recitativo. "Che sento" - Aria. "Se pietà" (Cleopatra)
Emmanuelle Haïm/Le Concert d`Astrée/Natalie Dessay
Dardanus - Acte IV : Lieux funestes (Dardanus)
Emmanuelle Haïm/Le Concert d`Astrée/Topi Lehtipuu
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Handel: Theodora, HWV 68, Act 3: Chorus. "How strange their ends" (Christians)
Dardanus - Acte III : Paix favorable, paix adorable
Emmanuelle Haïm/Le Concert d`Astrée/Francoise Masset/Stéphane Degout
Handel: Messiah, HWV 56, Pt. 2, Scene 7: Chorus. "Hallelujah"
Lully: Thésée, LWV 51, Act 1: Marche royale
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Thésée - Acte V : Vivez contents dans ces aimables lieux
Emmanuelle Haïm/Le Concert d`Astrée/Jaël Azzaretti/Francoise Masset/Topi Lehtipuu/Stéphane Degout
Purcell: King Arthur, Z. 628, Act III: Prelude While Cold Genius Rises - Song. "What Power Art Thou"
Emmanuelle Haïm/Le Concert d`Astrée/Christopher Purves
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet"
Emmanuelle Haïm/Le Concert d`Astrée/Philippe Jaroussky/Pascal Bertin
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Handel: Rinaldo, HWV 7, Act 3: Recitativo. "In quel bosco di strali" - Duetto. "Al trionfo del nostro furore" (Argante, Armida)
Emmanuelle Haïm/Le Concert d`Astrée/Laura Claycomb/Lorenzo Regazzo
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Symphony No. 3 in D Minor, Pt. I: I. Kräftig. Entschieden
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Symphony No. 3 in D Minor, Pt. II: II. Tempo di menuetto. Grazioso
Symphony No. 5 in C-Sharp Minor: I. Trauermarsch
Symphony No. 6: I. Allegro energico, ma non troppo
Symphony No. 7 in E Minor: I. Langsam (Adagio) - Allegro con fuoco
Symphony No. 8, Pt. I: I. Veni, creator spiritus
Symphony No. 1: II. Kraftig bewegt, doch nicht zu schnell
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Symphony No. 3 in D Minor, Pt. II: III. Comodo. Scherzando. Ohne Hast
Symphony No. 5 in C-Sharp Minor: II. Stürmisch bewegt, mit größter Vehemenz
Symphony No. 7 in E Minor: II. Nachtmusik. Allegro moderato
Symphony No. 8, Pt. I: II. Imple superna gratia
Symphony No. 1: III. Feierlich und gemessen, ohne zu schleppen
Symphony No. 2: III. In Ruhig Fliessender Bewegung
Symphony No. 3 in D Minor, Pt. II: IV. Sehr langsam. Misterioso
Symphony No. 5 in C-Sharp Minor: III. Scherzo
Symphony No. 7 in E Minor: III. Scherzo. Schattenhaft
Symphony No. 8, Pt. I: III. Infirma nostri corporis
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Symphony No. 2: IV. Urlicht. Sehr feierlich, aber schlicht
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Symphony No. 3 in D Minor, Pt. II: V. Lustig im Tempo und keck im Ausdruck
Symphony No. 5 in C-Sharp Minor: IV. Adagietto
Symphony No. 6: IV. Finale. Allegro moderato
Symphony No. 7 in E Minor: IV. Nachtmusik. Andante amoroso
Symphony No. 8, Pt. I: IV. Accende lumen sensibus
Symphony No. 3 in D Minor, Pt. II: VI. Langsam. Ruhevoll. Empfunden
Symphony No. 5 in C-Sharp Minor: V. Rondo. Finale
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Symphony No. 7 in E Minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico
Symphony No. 8, Pt. I: V. Veni, creator spiritus
Symphony No. 8, Pt. I: VI. Gloria Patri Domino
Symphony No. 8, Pt. II: II. Ewiger Wonnerbrand
Symphony No. 8, Pt. II: III. Wie Felsenabgrund mir zu Fussen
Symphony No. 8, Pt. II: IV. Gerettet ist das edle Glied
Symphony No. 8, Pt. II: V. Uns bleibt ein Erdenrest
Symphony No. 8, Pt. II: VI. Hochste Herrscherin der Welt!
Symphony No. 8, Pt. II: VII. Dir, der Unberuhrbaren
Symphony No. 8, Pt. II: VIII. Bei der Liebe, die den Fussen
Symphony No. 8, Pt. II: IX. Neige, neige, du Ohnegleiche
Symphony No. 8, Pt. II: X. Komm! Hebe dich zu hohern Spharen!
Berlioz Odyssey: The Complete Colin Davis Recordings
Symphonie fantastique, Op. 14, H. 48: I. Rêveries - Passions
La Damnation de Faust, Op. 24, H. 111, Pt. I: Scène I - "Le vieil hiver"
Symphonie fantastique, Op. 14, H. 48: II. Un bal
La Damnation de Faust, Op. 24, H. 111, Pt. I: Scène II/III - Ronde de paysans. "Les bergers laissent ... Mais d'un éclat guerrier"
Symphonie fantastique, Op. 14, H. 48: III. Scène aux champs
La Damnation de Faust, Op. 24, H. 111, Pt. I: Scène III - Marche hongroise (Hungarian March)
Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène IV - "Sans regrets j'ai quitté les riantes campagnes"
Symphonie fantastique, Op. 14, H. 48: V. Songe d'une nuit du Sabbat
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène IV - Chant de la Fête de Pâques. "Christ vient de ressusciter!"
Roméo et Juliette, Op. 17, H. 79: Introduction. Combats - Tumulte - Intervention du Prince
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène IV - "Hélas! doux chants du ciel"
Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Récitatif Chorale "D'anciennes haines endormies"
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène V - "Ô pure émotion!"
Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Strophes "Premiers transports que nul n'oublie!"
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VI - "A boire encor!"
Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Récitatif et Scherzetto "Bientôt de Roméo"
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VI - Chanson de Brander. "Certain rat, dans une cuisine"
Roméo et Juliette, Op. 17, H. 79, Pt. 2: No. 2, Roméo seul - Tristesse - Bruit lointain de bal et de concert - Grande Fête chez Capulet
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VI - Fugue. "Amen"
Roméo et Juliette, Op. 17, H. 79, Pt. 2: No. 3, Scène d'amour. Nuit sereine - Le Jardin de Capulet, silencieux et désert "Ohé! Capulets, bonsoir!"
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VI - "Vrai dieu! messieurs"
Roméo et Juliette, Op. 17, H. 79, Pt. 2: No. 4, Scherzo. La Reine Mab, ou la Fée des Songes
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VI - Chanson de Méphistophélès. "Une puce gentille"
Roméo et Juliette, Op. 17, H. 79, Pt. 3: No. 5, Convoi funèbre de Juliette "Jetez des fleurs pour la vierge expirée!"
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VI - "Assez! fuyons ces lieux"
Roméo et Juliette, Op. 17, H. 79, Pt. 3: No. 6, Roméo au tombeau des Capulets, Invocation - Réveil de Juliette
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VII - Air de Méphistophélès. "Voici des roses"
Roméo et Juliette, Op. 17, H. 79, Pt. 3: No. 7, Final. La foule accourt au cimetière - Rixe des Capulets et des Montagus "Quoi! Roméo de retour" - Récitatif du Père Laurence "Je vais dévoiler
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VII - Choeur de gnomes et de sylphes. Songe de Faust. "Dors! heureux Faust"
Roméo et Juliette, Op. 17, H. 79, Pt. 3: No. 7, Final. Air du Père Laurence "Pauvres enfants que je pleure"
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VII - Ballet des sylphes
Roméo et Juliette, Op. 17, H. 79, Pt. 3: No. 7, Final. Serment de réconciliation "Jurez donc, par l'auguste symbole"
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VII - "Margarita!"
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VIII - Final. "Villes entourées" - Chanson d'étudiants. " Jam nox stellata velamina pandit"
La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène IX - Prélude
La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène IX - Air de Faust. "Merci, doux crépuscule!"
La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène X - "Je l'entends!"
La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XI - "Que l'air est étouffant!"
La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XI - Le roi de Thulé. "Autrefois un roi de Thulé"
La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XII - Evocation. "Esprits des flammes inconstantes"
La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XII - Menuet des follets (Minuet of the Will-o'-the-Wisps)
La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XII - "Maintenant, chantons a cette belle" - Sérénade de Méphistophélès "Devant la maison"
La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XIII - Final. "Grand Dieu! ... Ange adoré"
La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XIV - "Allons, il est trop tard! ... Je connais donc enfin"
La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XV - Romance. "D'amour l'ardente flamme"
La Damnation de Faust, Op. 24, H. 111, Pt. IV: Scène XV - "Au son des trompettes"
La Damnation de Faust, Op. 24, H. 111, Pt. IV: Scène XVI - Invocation à la nature. "Nature immense"
La Damnation de Faust, Op. 24, H. 111, Pt. IV: Scène XVII - Récitatif et chasse. "A la voûte azurée"
La Damnation de Faust, Op. 24, H. 111, Pt. IV: Scène XVIII - La course à l'abîme. "Dans mon coeur retentit sa voix"
Handel: Ahi nelle sorti umane, HWV 179: I. Ahi, nelle sorte umane
Handel: Ahi nelle sorti umane, HWV 179: II. Ma le speranze vane
Handel: Nò, di voi non vo' fidarmi, HWV 189: I. No, di voi non vuo fidami
Handel: Nò, di voi non vo' fidarmi, HWV 189: II. Altra volta incatenarmi
Handel: Nò, di voi non vo' fidarmi, HWV 189: III. So per prova i vostri inganni
Handel: Caro autor di mia doglia, HWV 182: I. Caro autor di mia doglia
Handel: Caro autor di mia doglia, HWV 182: II. No, che d'altrui che di te
Handel: Caro autor di mia doglia, HWV 182: III. Dagli amori flagellata
Handel: Quel fior che all'alba ride, HWV 192: I. Quel fior che all'alba ride
Handel: Quel fior che all'alba ride, HWV 192: II. E unfior la vita ancora
Handel: Quel fior che all'alba ride, HWV 192: III. L'occaso ha nell'aurora
Handel: Conservate, raddopiate, HWV 185: I. Conservate, raddoppiate
Juanita Lascarro/Brian Asawa/Le Concert d`Astrée/Emmanuelle Haïm
Handel: Conservate, raddopiate, HWV 185: II. Nodi voi, che gli stringeste
Handel: Tanti strali al sen mi scocci, HWV 197: I. Tanti strali al sen mi scocchi
Handel: Tanti strali al sen mi scocci, HWV 197: II. Ma se l'alma sempre geme
Handel: Tanti strali al sen mi scocci, HWV 197: III. Dunque annoda pur, ben mio
Handel: Va, speme infida, HWV 199: I. Va, speme infida
Handel: Va, speme infida, HWV 199: II. Tu baldanzosa
Handel: Va, speme infida, HWV 199: III. Mase mendace e vana
Handel: A mirarvi io son intento, HWV 178: I. A mirarvi io son intento
Handel: A mirarvi io son intento, HWV 178: II. Ma l'amor per mio tormento
Handel: A mirarvi io son intento, HWV 178: III. E vibrando in un baleno
Handel: Sono liete, fortunate, HWV 194: I. Sono liete, fortunate
Handel: Sono liete, fortunate, HWV 194: II. Crudelta ne lontananza
Handel: Sono liete, fortunate, HWV 194: III. Non avran mai la possanza
Suite in D Minor, HWV 437: III. Sarabande
Suite No. 1 in B-Flat Major, HWV 434: IV. Menuet
Concerto Grosso in G Major, HWV 314: II. Adagio
Concerto Grosso in F Major, HWV 315: III. Allegro
Concerto Grosso in F Major, HWV 315: IV. Minuetto alternativo
Rinaldo, HWV 7a, Act I: Cara sposa (Rinaldo)
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Rinaldo, HWV 7a, Act II: Lascia ch'io pianga
Rinaldo, HWV 7a, Act III: In quel bosco di strali... Al trionfo del nostro furore
Water Music Suite No. 1 in F Major, HWV 348: I. Overture (Largo-Allegro)
Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato
Water Music Suite No. 1 in F Major, HWV 348: V. Tempo di minuetto
Messiah, HWV 56, Pt. 1: No. 2, Comfort Ye, My People (Tenor)
Messiah, HWV 56, Pt. 1: No. 14, There Were Shepherds Abiding in the Field - And Lo, the Angel of the Lord (Soprano Recit.)
Messiah, HWV 56, Pt. 1: No. 18, Rejoice Greatly, O Daughter of Zion (Soprano)
Messiah, HWV 56, Pt. 2: No. 26, All We Like Sheep Have Gone Astray (Chorus)
Messiah, HWV 56, Pt. 2: No. 44, Hallelujah (Chorus)
Messiah, HWV 56, Pt. 3: No. 46, Since By Man Came Death (Chorus)
Water Music Suite No. 2 in D Major, HWV 349: XIV. Lentement
Samson, HWV 57: No. 107, Let the Bright Seraphim
Organ Concerto in F Major, HWV 295 "The Cuckoo and the Nightingale": IV. Larghetto
Organ Concerto in G Minor, HWV 291: III. Adagio
Concerto Grosso in B-Flat Major, HWV 313: V. Gavotte
Violin Sonata in E Major, HWV 373: I. Adagio
Concerto Grosso in A Minor, HWV 322: I. Larghetto affetuoso
Giulio Cesare in Egitto, HWV 17, Act III: Caro! Bella! (Cleopatra, Giulio Cesare)
Giulio Cesare in Egitto, HWV 17, Act III: Dall' ondoso periglio ... Aure, deh per pietà
Trio Sonata in B Minor, HWV 386b: I. Andante
Harp Concerto in B-Flat Major, HWV 294: I. Andante - Allegro
Trio Sonata in F Major, HWV 369: III. Alla Siciliana
Flute Sonata in B Minor, HWV 367b: II. Largo
Faramondo, HMV 39, Act I: Ouverture (Larghetto - Allegro - Andante e piano)
Faramondo, HMV 39, Act I: Aria, Rival ti sono (Faramondo)
Ariodante, HWV 33, Act III: Dover, giustizia, amor (Polinesso)
Water Music Suite No. 3 in G Major, HWV 350: V. Menuet
Israel in Egypt, HWV 54: Overture "Lamentations of the Israelites for the Death of Joseph"
Armida abbandonata, HWV 105: III. Recitativo, Per te mi struggo infido
Der Messias, K. 572, Pt. 1: No. 1, Overtura
Concerto Grosso in D Minor, HWV 316: I. Grave
Harpsichord Suite No. 4 in D Minor, HWV 437: III. Sarabande
Trumpet Sonata in D Minor, HWV 367a: I. Largo
Suite No. 2 in F Major, HWV 427: III. Adagio
Ah! crudel nel pianto mio, HWV 78: V. Recitativo, Balena il cielo
Alcina, HWV 34, Act II: Verdi prati (Ruggiero)
Organ Concerto in G Minor, HWV 289: III. Adagio
Harpsichord Suite No. 1 in A Major, HWV 426: I. Prelude
Offenbach: Genevieve de Brabant: Rondo du pate
Offenbach: La Jolie Parfumeuse: "Je peins, je crayonne"
Offenbach: La Jolie Parfumeuse: "Pardieu!"
Offenbach: La Jolie Parfumeuse: Air de Polacca
Offenbach: Le Pont des soupirs: "Ah! Le Doge!"
Offenbach: Les Braconniers: "Oh! Ma chere femme"
Offenbach: La Permission de dix heures: "Ah! Quelle douce ivresse!"
Offenbach: La Permission de dix heures: "Allons!"
Offenbach: Les Deux Pêcheurs: Ballade de Castilbeta
Offenbach: Monsieur et Madame Denis: La Chaconne
Offenbach: Le Voyage dans la lune: Ariette de la Princesse
Offenbach: Le Voyage dans la lune: Final de la neige
Offenbach: Belle Lurette: "Ce fut a Londres"
Offenbach: Belle Lurette: "Belle Lurette a des beaux yeux"
Offenbach: Les Bergers: "En attendant l'hymen"
Offenbach: Les Bergers: "Reconnais-tu la voix"
Offenbach: Le Voyage dans la lune: "Je regarde vos jolis yeux"
Offenbach: Le Voyage dans la lune: "Ohe! Ohe!"
Offenbach: La Rose de Saint-Flour: "Chette marmite neuve"
Offenbach: Boule de neige: Conspiration des guitares
Offenbach: L'Ile de Tulipatan: Couplets de Canard
Offenbach: La Boulangere a des ecus: "Ce qu' j'ai"
Offenbach: La Boulangere a des ecus: "Ah! Qu'il est beau"
Offenbach: Une nuit blanche: "Allons, Fanchette... Aimons le vin"
Offenbach: Il Signor Fagotto: "Nous voila seuls"
Offenbach: Maitre Peronilla: Couplets des petits valets
Offenbach: Le Fifre enchante ou Le Soldat magicien: "Oui! ce fifre"
Offenbach: Le Fifre enchante ou Le Soldat magicien: "Ah! Pour moi"
Offenbach: Le Chateau a Toto: "Va-t'en donc"
Offenbach: Le Chateau a Toto: "Entre nous"
Offenbach: Le Roi Carotte: Ronde des Chemins de fer
Offenbach: Boule de neige: Choeur du lunch et Brindisi
Offenbach: Belle Lurette: Ronde et ensemble
Benvenuto Cellini, Op. 23, H 76, Act I: Ouverture
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 13: Entrée D'arléquin
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 1: Teresa!
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 13: Ariette de Pasquarello
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 1: Enfin Il Est Sorti
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 13: Il Plaît Fort
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 2: Les Belles Fleurs!
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 13: Soyez Surpris
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 2: Quand J'aurai Votre Âge
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 13: Ah! Cher Canon Du Fort
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 3: Cellini!
Benvenuto Cellini, Op. 23, H 76, Act II: Entr'acte
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 3: Ah! Mourir, Chère Belle
Benvenuto Cellini, Op. 23, H 76, Act II, Scene 1: Ah, Qu'est-il Devenu
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 4: Ciel! Nous Sommes Perdus!
Benvenuto Cellini, Op. 23, H 76, Act II, Scenes 2-4: Ma Dague en Main
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 5: A Nous, Voisines Et Servantes!
Benvenuto Cellini, Op. 23, H 76, Act II, Scene 5: Ah! Je Te Trouve Enfin
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 6: Ah! Maître Drôle, Ah, Libertin!
Benvenuto Cellini, Op. 23, H 76, Act II, Scene 6: Le Pape Ici!
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 7: Une Heure Encore
Benvenuto Cellini, Op. 23, H 76, Act II, Scene 6: Ah, Maintenant de Sa Folle Impudence
Benvenuto Cellini, Op. 23, H 76, Act I, Scenes 8-9: A Boire, À Boire
Benvenuto Cellini, Op. 23, H 76, Act II, Scene 6: Prelude
Benvenuto Cellini, Op. 23, H 76, Act I, Scenes 8-9: Amis, Avant Qu'on Recommence
Benvenuto Cellini, Op. 23, H 76, Act II, Scene 7: Tra la la La
Benvenuto Cellini, Op. 23, H 76, Act I, Scenes 10-11: Cette Somme T'est Due
Benvenuto Cellini, Op. 23, H 76, Act II, Scene 8: Seul Pour Lutter
Benvenuto Cellini, Op. 23, H 76, Act I, Scenes 10-11: Oui, Oui Cette Somme Était Due
Benvenuto Cellini, Op. 23, H 76, Act II, Scenes 9-14: Bien Heureux Les Matelots
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 12: C'est Trop Fort
Benvenuto Cellini, Op. 23, H 76, Act II, Scenes 9-14: Vite Au Travail, Sans Plus Attendre
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 12: Ah! Aui Pourrait Me Résister?
Benvenuto Cellini, Op. 23, H 76, Act II, Scene 15: Peuple Ouvrier
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 12: Finale - Le Carnaval
Benvenuto Cellini, Op. 23, H 76, Act II, Scenes 16-17: Ciel, C'est Fieramosca!
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 13: Vous Voyez, J'espère
Benvenuto Cellini, Op. 23, H 76, Act II, Scenes 16-17: Couvrez-moi Ce Drôle
Benvenuto Cellini, Op. 23, H 76, Act I, Scene 13: Venez, Venez Peuple de Rome
Benvenuto Cellini, Op. 23, H 76, Act II, Scene 18: Teresa, Teresa, Ici
Benvenuto Cellini, Op. 23, H 76, Act II, Scene 19: Du Métal! Du Métal
Sir John in Love, Act I: Orchestral Introduction - What hoa, what hoa! (Shallow, Sir Hugh Evans)
Sir John in Love, Act III Scene 1: Orchestral Introduction - Yet hear me speak (Fenton, Host, Anne Page, Chorus of Young Men and W
Sir John in Love, Act I: Ahem (Anne Page, Slender)
Sir John in Love, Act III Scene 1: Fair and fair and twice so fair (Fenton, Anne Page, Chorus of Young Men and Women)
Sir John in Love, Act I: This is my father's choice (Anne Page, Fenton, Page)
Sir John in Love, Act III Scene 1: But listen, good mine Host (Anne Page, Host, Fenton, Chorus of Young Men and Women)
Sir John in Love, Act I: How now, what does Master Fenton here? (Page, Fenton, Anne Page)
Sir John in Love, Act III Scene 2: Orchestral Introduction - When as we sat in Papylon (Sir Hugh Evans, Peter Simple)
Sir John in Love, Act I: Vere is dat knave Rugby? (Dr Caius, Rugby, Peter Simple, Mrs Quickly, Fenton)
Sir John in Love, Act III Scene 2: Yonder he's coming (Peter Simple, Sir Hugh Evans)
Sir John in Love, Act I: Episode. Say dainty dames shall we go play… (Nym, Pistol, Bardolph, Chorus of Ladies and Gentlemen)
Sir John in Love, Act III Scene 2: Come, Master Ford (Page, Ford, Sir Hugh Evans)
Sir John in Love, Act I: How now, mine Host of the Garter (Bardolph, Nym, Pistol, Host, Sir John Falstaff)
Sir John in Love, Act III Scene 2: Orchestral Introduction - What, John! What, Robert! (Mrs Ford, Mrs Page, John, Robert, Mrs Quic
Sir John in Love, Act I: I spy entertainment in her… (Sir John Falstaff, Pistol, Nym, Bardolph, Host)
Sir John in Love, Act III Scene 3: Alas, my love, you do me wrong (Mrs Ford, Sir John Falstaff)
Sir John in Love, Act I: Wilt thou revenge? (Pistol, Nym, Ford)
Sir John in Love, Act III Scene 3: Mistress Ford! (Mrs Quickly, Sir John Falstaff, Mrs Ford, Mrs Page, Chorus of Men)
Sir John in Love, Act I: Love my wife? I will be patient (Ford, Mrs Page, Mrs Ford)
Sir John in Love, Act III Scene 3: Ah! (Ford, Page, Mrs Ford, Mrs Page, Sir Hugh Evans)
Sir John in Love, Act II Scene 1: Orchestral Introduction - Thine own true knight (Mrs Page, Mrs Ford, Mrs Quickly)
Sir John in Love, Act IV: Orchestral Introduction - Pardon me, wife… (Ford, Mrs Ford, Page, Mrs Page, Sir Hugh Evans)
Sir John in Love, Act II Scene 1: Sigh no more, ladies, sigh no more (Mrs Page, Mrs Ford, Mrs Quickly)
Sir John in Love, Act IV Scene 1: There is an old tale that goes Herne the hunter (Ford, Mrs Ford, Page, Mrs Page, Sir Hugh Evans)
Sir John in Love, Act II Scene 2: Bardolph! Bardolph, I say! (Sir John Falstaff, Bardolph, Mrs Quickly)
Sir John in Love, Act IV Scene 1: Interlude
Sir John in Love, Act II Scene 2: Go thy ways, go thy ways, old Jack! (Sir John Falstaff, Bardolph, Ford)
Sir John in Love, Act IV Scene 2: Orchestral Introduction
Sir John in Love, Act II Scene 2: Sir, my name is Brook (Ford, Sir John Falstaff)
Sir John in Love, Act IV Scene 2: The Windsor bell hath struck twelve (Sir John Falstaff)
Sir John in Love, Act II Scene 2: Ha, is this a vision? (Ford, Dr Caius, Bardolph, Slender, Shallow, Page)
Sir John in Love, Act IV Scene 2: Ah - Who comes here? (Mrs Ford, Sir John Falstaff, Mrs Page, Anne Page, Fairies)
Sir John in Love, Act IV Scene 2: But till 'tis one o'clock (Mrs Quickly, Anne Page, Fairies)
Sir John in Love, Act IV Scene 2: Dance of the Fairies
Sir John in Love, Act IV Scene 2: But stay! I smell a man of middle earth (Sir Hugh Evans, Sir John Falstaff, Bardolph, Nym, Pisto
Sir John in Love, Act IV Scene 2: Nay, do not fly (Page, Mrs Page, Ford, Mrs Ford, Host, Nym, Bardolph, Pistol)
Sir John in Love, Act IV Scene 2: My heart misgives me (Mrs Page, Fenton, Anne Page, Chorus)
Sir John in Love, Act IV Scene 2: Stand not amazed (Sir John Falstaff, Ford, Mrs Ford, Page, Mrs Page, Mrs Quickly, Anne Page, Pis
Orchestral Music: South West German Radio Symphony Orchestra (Norrington) (Best of Stutthgart Sound)
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": Symphony No. 4 in A Major, Op. 90, "Italian": I. Allegro vivace
Symphonie fantastique, Op. 14, H. 48: Symphonie fantastique, Op. 14: II. Un Bal (Valse)
Symphony No. 29 in A Major, K. 201: IV. Allegro con spirito
Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro
The Planets, Op. 32: III. Mercury, the Winged Messenger
Serenade in E Minor, Op. 20: I. Allegro piacevole
Symphony No. 40 in G Minor, K. 550: I. Molto allegro
Benvenuto Cellini, Op. 23, Act I Scene 2: Cavatine: Entre l'amour et le devoir (Weimar Version)
Symphony No. 3 in D Minor, WAB 103: Symphony No. 3 in D Minor, WAB 103 (1873 version): III. Scherzo. Ziemlich schnell [Original 1873 Version, ed. L. Nowak]
Symphony No. 1 in D Major "Titan": Symphony No. 1 in D Major, "Titan": II. Kraftig bewegt, doch nicht zu schnell
Symphony No. 1 in C Minor, Op. 11, MWV N 13: Symphony No. 1 in C Minor, Op. 11: III. Menuetto. Allegro molto
Symphony No. 25 in G Minor, K. 183: I. Allegro con brio
Grande messe des morts, Op. 5, "Requiem": Quaerens me
Symphonic Excerpts from Parsifal: VI. Grail Theme and Finale to Act 3 (Arr. E. Leinsdorf)
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": Symphony No. 6 in B Minor, Op. 74, "Pathétique": II. Allegro con gracia
Symphony No. 4 in G Major: II. In gemachlicher Bewegung, ohne Hast
Symphony No. 5 in C-sharp Minor: IV. Adagietto
Symphony No. 9 in C Major, D. 944 "Great": Symphony No. 9 in C Major, D. 944, "Great": IV. Allegro vivace
Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
Symphony No. 22 in C Major, K. 162: III. Presto assai
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x536501214031f397cdbdac5d630a758939c8e4050f066ecb9cc6b6a508d1d05b. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBDGQ1800703.