1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe4361bdece7336dd9dcf6e98c4499a7e692593574fbdfe1e366d79167e3f1966. Chain 2 (Bitcoin): anchored in block 953407 (2026-06-12T19:24:56Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/6f01a7d6-eb2c-4310-80f9-c0a80ff2fce0.json and https://artists.proofprofile.net/proofs/artist/6f01a7d6-eb2c-4310-80f9-c0a80ff2fce0.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Part Three, Scene XI: The Protector, Agnès and the Boy
Part One, Scene II: The Protector, Agnès and the Boy
Part Three, Scene XII: The Protector and Agnès I
Part One, Scene III: Chorus of Angels II
Part Three, Scene XIII: Chorus of Angels and The Protector
Part Three, Scene XIV: The Protector and Agnès II
Part One, Scene V: The Protector and the Visitors
Part One, Scene VI: Agnès and the Boy II
Part Two, Scene VII: The Protector's Bad Dream
Part Two, Scene VIII: The Protector and Agnès
Part Two, Scene XI: The Protector and the Boy
Fidelio, Op. 72 (Ed. Lühning & Didion): Overture
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1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x138db7d01f6e2b9ef0dd53a127a12ec24802c06418e0cb297c11a781deaa5ffe. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/01dmFH21IUDLCAg9MB4niM.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/01dmFH21IUDLCAg9MB4niM.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act II: Introduction - Gott! welch Dunkel hier! - In des Lebens Frühlingstagen
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc5a008ea3e356d78445b1e16cf7832c0bd125fc89bd2b368cfe288a41a46c9d2. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/48NIGDLqgA52Nph41B1NsL.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/48NIGDLqgA52Nph41B1NsL.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 1, Duet. Jetzt, Schätzchen, jetzt sind wir allein
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x088344c0b96c891daed27384bbc55d6b67414758aba2ad5d8b9e6b15a6e4c65d. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/25EgwEPk9rPCnGRAJt07SD.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/25EgwEPk9rPCnGRAJt07SD.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act II: Melodrama. Wie kalt ist es in diesem unterirdischen Gewölbe... Duet. Nur hurtig fort, nur frisch gegraben
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x20bcc94c511bddd5e9cdec3b4794bd116e42963b7b9a329e46a4ec0cca46b677. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3OGdNwKPz9BuO32F9FkztZ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3OGdNwKPz9BuO32F9FkztZ.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Dialogue. Seit Fidelio bei uns ist
Fidelio, Op. 72 (Ed. Lühning & Didion), Act II: Dialogue. Ihr habt wieder geruht
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x072bce8f9660a24622d29aa85684eb4891987baa755b50077edb21f2a0c502f4. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5ruu7oSKV42vIQNlhAwdmH.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5ruu7oSKV42vIQNlhAwdmH.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 2, Aria. O wär ich schon mit dir vereint
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7c5c1924f51f962ab03d1f0159878dad5ff04e64e3848706cfc14ba172417296. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3CL7Ej9nAzR2EbojJ2DX3B.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3CL7Ej9nAzR2EbojJ2DX3B.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act II: Euch werde Lohn in bessern Welten
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xcf1959f5a496784f5b6b03ee3bce991487d8dbad80dc996c588c07fbbf01bfc7. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5L2zdlavGkWCijIpRriHWW.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5L2zdlavGkWCijIpRriHWW.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Dialogue. Ich täusche die Menschen
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa82d1503eed181a6cd87d74cf60c54511d62ed3941e73f6cbab4773f247c0e7c. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6ksgzEMBQXWQL8sXbjB9i4.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6ksgzEMBQXWQL8sXbjB9i4.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act II: Dialogue. Ist alles bereit?
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 3, Quartet. Mir ist so wunderbar
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x75257544ee1b22c870723a373e76c2295b264a3b821a73d9ce68f7ceebd13282. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6YNitiAekNL3k3Sm77ErnE.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6YNitiAekNL3k3Sm77ErnE.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act II: Quartet. Er sterbe!
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x245d601c9867dcaabb1adcd01f98bda98cb1340f9d2a911b6a2a719f7fcaceb6. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0q21cMkgCGsvaACjdUsadS.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0q21cMkgCGsvaACjdUsadS.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Dialogue. Marzelline und Fidelio haben sich offensichtlich recht lieb
Fidelio, Op. 72 (Ed. Lühning & Didion), Act II: Duet. O namenlose Freude!
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x0d14bcd42127a0a9e312e1fdb3976393f93edab02d222fe0a86235ff6c6cf7e1. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/553BSBpPbkvgTRGe1X9RAd.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/553BSBpPbkvgTRGe1X9RAd.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 4, Aria. Hat man nicht auch Gold beineben
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x80a59558a0ee700828d289600624541442ccd06dde642738cf12700df989a93d. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3XVYaqDg476fvlqdkpyhks.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3XVYaqDg476fvlqdkpyhks.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act II: Finale. Heil sei dem Tag… Des besten Königs Wink und Wille... Wer ein holdes Weib errungen
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe8276f8bf7763b1d7f99293b7962d71af5f9c5e9a564e822cbb60057c927a9a9. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6iwFInKcncOZLqlQzYbLGw.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6iwFInKcncOZLqlQzYbLGw.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Dialogue. In den finstersten Gewolben sitzt ein Gefangener
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 5, Trio. Gut Söhnchen, gut
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x155ddc0a0bba253210d351888ba5f94e7c06bff24f8f00e442b884d53663382a. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0VzuKjk9UxMq3OkTQ1zSa7.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0VzuKjk9UxMq3OkTQ1zSa7.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 6, March – Dialogue. Drei Schildwachen auf den Wall
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xae17020e64071b84add07df490bffd018719e9431adf854efbe3a91c6697333a. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4apNGGEigOoKi7mBRDKs3n.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4apNGGEigOoKi7mBRDKs3n.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Dialogue. Etwas neues vorgefallen?
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe79649e90b35b837a2c3dcc92eb062a2b0e15ab1a499ed1c148118eb7a1508f2. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0arTfASwGcEdRs1Ojow819.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0arTfASwGcEdRs1Ojow819.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 7, Aria & Chorus. Ha! Welch ein Augenblick!
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf6f7d80fe89d05b0c0515cb48504651fa7e11a56a384c2dedd1f19933b0d1985. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4JzqZvSHdgg3Aq2VWhATTz.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4JzqZvSHdgg3Aq2VWhATTz.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Dialogue. Und nun zu dir mein lieber Rocco
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 8, Duet. Jetzt, Alter, jetzt hat es Eile!
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x18a4c44b9a346ca491219e7f7dc2d7af0c047595f942df7dd9431a78fdd30eb6. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1i8u40SbJpYfrpeval3EvO.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1i8u40SbJpYfrpeval3EvO.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 9, Recit. Abscheulicher! – Aria. Komm, Hoffnung, lass den letzten Stern
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc796c0a32527ab03ac7fa50e602545125e19c1b4af93cae8892d5ed4457bcba6. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/36hJ73nr0vFPk3ZBIGlrBJ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/36hJ73nr0vFPk3ZBIGlrBJ.
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Dialogue. Wie Fidelio das wieder geschafft hatte war mir ein Rätsel
Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 10, O welche Lust, in freier Luft "Prisoners' Chorus"
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Recit. Nun sprecht, wie ging's?
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Recit. Ach! Vater, Vater, eilt!
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Dialogue. Verwegener Alter
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Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Recit. Leb wohl, du warmes Sonnenlicht
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Lohengrin, WWV 75, Act III: In fernem Land "Grail Narration"
Lohengrin, WWV 75, Act III: Mein lieber Schwan!
Die Zauberflöte, K. 620, Act I: No. 3, Dies Bildnis ist bezaubernd schön
Die Zauberflöte, K. 620, Act I: Finale. Die Weisheitslehre dieser Knaben... Aria. Wie stark ist nicht dein Zauberton
Fierrabras, D796 / Act 1: "Was quälst du mich..."
Alfonso und Estrella, D.732: "Schon, wenn es beginnt zu tragen...und mein Herz will ihm nach"
Fidelio, Op. 72, Act II: Introduction - Gott! welch Dunkel hier! - In des Lebens Frühlingstagen
Die Walküre, WWV 86B, Act I: Winterstürme wichen dem Wonnemond "Siegmund's Love Aria"
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Parsifal, WWV 111, Act II: Amfortas! Die Wunde!
Parsifal, WWV 111, Act III: Nur eine Waffe taugt - Höchsten Heiles Wunder!
Rhapsody on a Theme of Paganini, Op. 43: Introduction
Rhapsody on a Theme of Paganini, Op. 43: Var. 1
Rhapsody on a Theme of Paganini, Op. 43: Theme
Rhapsody on a Theme of Paganini, Op. 43: Var. 2
Rhapsody on a Theme of Paganini, Op. 43: Var. 3
Rhapsody on a Theme of Paganini, Op. 43: Var. 4
Rhapsody on a Theme of Paganini, Op. 43: Var. 5
Rhapsody on a Theme of Paganini, Op. 43: Var. 6
Rhapsody on a Theme of Paganini, Op. 43: Var. 7
Rhapsody on a Theme of Paganini, Op. 43: Var. 8
Rhapsody on a Theme of Paganini, Op. 43: Var. 9
Rhapsody on a Theme of Paganini, Op. 43: Var. 10
Rhapsody on a Theme of Paganini, Op. 43: Var. 11
Rhapsody on a Theme of Paganini, Op. 43: Var. 12
Rhapsody on a Theme of Paganini, Op. 43: Var. 13
Rhapsody on a Theme of Paganini, Op. 43: Var. 14
Rhapsody on a Theme of Paganini, Op. 43: Var. 15
Rhapsody on a Theme of Paganini, Op. 43: Var. 16
Rhapsody on a Theme of Paganini, Op. 43: Var. 17
Rhapsody on a Theme of Paganini, Op. 43: Var. 18 "The 18th Variation"
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Rhapsody on a Theme of Paganini, Op. 43: Var. 19
Rhapsody on a Theme of Paganini, Op. 43: Var. 20
Rhapsody on a Theme of Paganini, Op. 43: Var. 21
Rhapsody on a Theme of Paganini, Op. 43: Var. 22
Rhapsody on a Theme of Paganini, Op. 43: Var. 23
Rhapsody on a Theme of Paganini, Op. 43: Var. 24
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato
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Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto
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Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando
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Stravinsky: Pulcinella Suite - Falla: El Retablo de Maese Pedro & Harpsichord Concerto
El Retablo de Maese Pedro: II. La Sinfonía de Maese Pedro
El Retablo de Maese Pedro: III. La Corte de Carlomagno
El Retablo de Maese Pedro: IV. La Entrada de Carlomagno
El Retablo de Maese Pedro: V. Melisendra
El Retablo de Maese Pedro: VI. El Suplicio del Moro
El Retablo de Maese Pedro: VII. Los Pirineos
El Retablo de Maese Pedro: VIII. La Fuga
El Retablo de Maese Pedro: IX. La Persecución
Harpsichord Concerto: II. Lento (giubiloso e energico)
Harpsichord Concerto: III. Vivace (flessibile, scherzando)
Pulcinella Suite: I. Sinfonia. Allegro moderato
Pulcinella Suite: II. Serenata. Larghetto
Pulcinella Suite: III. Scherzino - Allegro - Andantino
Pulcinella Suite: VI. Gavotta (con due variazioni). Allegro moderato - Allegretto - Allegro più tosto moderato
Pulcinella Suite: VIII. Minuetto. Molto moderato
Pulcinella Suite: IX. Finale. Allegro assai
Mozart: Piano Concerto No. 23 in A Major, K. 488: I. Allegro
Mozart: Piano Concerto No. 23 in A Major, K. 488: II. Adagio
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Mozart: Piano Trio in B-Flat Major, K. 502: I. Allegro
Mozart: Piano Concerto No. 23 in A Major, K. 488: III. Allegro
Mozart: Piano Trio in B-Flat Major, K. 502: II. Larghetto
Mozart: Recitative and Aria: "Ch'io mi scordi di te?" - "Non temer, amato bene", K. 505
Mozart: Piano Trio in B-Flat Major, K. 502: III. Allegretto
Mozart: Piano Quartet No. 2 in E-flat Major, K. 493: I. Allegro
Mozart: Piano Concerto No. 24 in C Minor, K. 491: I. Allegro
Mozart: Piano Quartet No. 2 in E-flat Major, K. 493: II. Larghetto
Mozart: Piano Concerto No. 24 in C Minor, K. 491: II. Larghetto
Mozart: Piano Quartet No. 2 in E-flat Major, K. 493: III. Allegretto
Mozart: Piano Concerto No. 24 in C Minor, K. 491: III. Allegretto
Mozart: Piano Concerto No. 20 in D minor, K. 466: I. Allegro
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Mozart: Piano Concerto No. 20 in D minor, K. 466: II. Romanze
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Mozart: Piano Quartet in G Minor, K.478: I. Allegro
Mozart: Piano Concerto No. 20 in D minor, K. 466: III. Rondo, Allegro assai
Mozart: Piano Quartet in G Minor, K.478: II. Andante
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Mozart: Piano Concerto No. 21 in C Major, K. 467: I. Allegro maestoso
Mozart: Piano Quartet in G Minor, K.478: III. Rondo
Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante
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Mozart: Maurerische Trauermusik (Masonic Funeral Music) in C Minor, K. 477 (K. 479a)
Mozart: Piano Concerto No. 21 in C Major, K. 467: III. Allegro vivace assai
Mozart: Piano Concerto No. 22 in Es-Dur Major, K. 482: I. Allegro
Mozart: Piano Concerto No. 22 in Es-Dur Major, K. 482: II. Andante
Mozart: Piano Concerto No. 22 in Es-Dur Major, K. 482: III. Allegro
El Sombrero de tres picos, Parte I: La tarde
El Sombrero de tres picos, Parte I: Danza de la molinera. Fandango
El Sombrero de tres picos, Parte I: Las uvas
El Sombrero de tres picos, Parte II: Danza de los vecinos. Seguidillas
El Sombrero de tres picos, Parte II: Danza del molinero. Farruca
El Sombrero de tres picos, Parte II: Danza del corregidor
El Sombrero de tres picos, Parte II: Danza final. Jota
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El Amor brujo: Introducción y Escena - En la cueva. La noche (Ballet version)
El Amor brujo: Canción del amor dolido (Ballet version)
El Amor brujo: El aparecido - Danza del terror (Ballet version)
El Amor brujo: El círculo mágico. Romance del pescador - A media noche. Los sortilegios (Ballet version)
El Amor brujo: Danza ritual del fuego (Para ahuyentar los malos espíritus) - Escena (Ballet version)
El Amor brujo: Canción del fuego fatuo (Ballet version)
El Amor brujo: Pantomima (Ballet version)
El Amor brujo: Danza del juego de amor (Ballet version)
El Amor brujo: Final. Las campanas del amanecer (Ballet version)
Piano Concerto No. 2 in F Minor, Op. 21 (Arr. Pletnev): I. Maestoso
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Piano Concerto No. 2 in F Minor, Op. 21 (Arr. Pletnev): II. Larghetto
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Piano Concerto No. 2 in F Minor, Op. 21 (Arr. Pletnev): III. Allegro vivace
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Variations on "La ci darem la mano", Op. 2: Introduction. Largo - Poco piu mosso, common time
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Variations on "La ci darem la mano", Op. 2: Thema. Allegretto
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Variations on "La ci darem la mano", Op. 2: Var. 1. Brillante
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Variations on "La ci darem la mano", Op. 2: Var. 2. Veloce, ma accuratamente
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Variations on "La ci darem la mano", Op. 2: Var. 3. Sempre sostenuto
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Variations on "La ci darem la mano", Op. 2: Var. 4. Con bravura
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Variations on "La ci darem la mano", Op. 2: Var. 5. Adagio
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Variations on "La ci darem la mano", Op. 2: Coda. Alla Polacca
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Moods, Op. 73: V. Étude "Hommage à Chopin"
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18 Pieces, Op. 72, TH 151: No. 15, Un poco di Chopin
Piano Concerto No. 1 in E Minor, Op. 11 (Arr. Pletnev): I. Allegro maestoso
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Piano Concerto No. 1 in E Minor, Op. 11 (Arr. Pletnev): II. Romance. Larghetto
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Piano Concerto No. 1 in E Minor, Op. 11 (Arr. Pletnev): III. Rondo. Vivace
Variations on a Theme by Chopin: Theme. Andantino
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Variations on a Theme by Chopin: Var. 1. Tranquillo e molto amabile
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Variations on a Theme by Chopin: Var. 2. Gracioso
Variations on a Theme by Chopin: Var. 3. Para la mano iquierda. Lento
Variations on a Theme by Chopin: Var. 4. Espressivo
Variations on a Theme by Chopin: Var. 5. Tempo di Mazurka
Variations on a Theme by Chopin: Var. 6. Recitativo
Variations on a Theme by Chopin: Var. 7. Allegro leggiero
Variations on a Theme by Chopin: Var. 8. Andante dolce e espressivo
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Variations on a Theme by Chopin: Var. 9. Valse
Variations on a Theme by Chopin: Var. 10. Évocation. Cantabile molto espressivo
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Variations on a Theme by Chopin: Var. 11. Lento dolce e legato
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Variations on a Theme by Chopin: Var. 12. Galope y Epílogo
Fantaisie-Impromptu in C-Sharp Minor, Op. 66
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Robert Schumann: Dichterliebe - Myrtenlieder - Violin Concerto in D Minor, WoO 23 - Violin Sonata No. 1, Op. 105 - Three Romances, Op. 94
Dichterliebe, Op. 48: No. 1, Im wunderschönen Monat Mai - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Violin Concerto in D Minor, WoO 23: I. In kräftigem, nicht zu schnellem Tempo
Three Romances, Op. 94: No. 1, Nicht schnell - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Dichterliebe, Op. 48: No. 2, Aus meinen Tränen spriessen - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Violin Concerto in D Minor, WoO 23: II. Langsam
Three Romances, Op. 94: No. 2, Einfach, innig - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Dichterliebe, Op. 48: No. 3, Die Rose, die Lilie, die Taube, die Sonne - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Violin Concerto in D Minor, WoO 23: III. Lebhaft, doch nicht schnell
Three Romances, Op. 94: No. 3, Nicht schnell - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Dichterliebe, Op. 48: No. 4, Wenn ich in deine Augen seh' - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Violin Sonata No. 1 in A Minor, Op. 105: I. Mit leidenschaftlichem Ausdruck
Frauenliebe und -leben, Op. 42: No. 1, Seit ich ihn gesehen - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Dichterliebe, Op. 48: No. 5, Ich will meine Seele tauchen - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Violin Sonata No. 1 in A Minor, Op. 105: II. Allegretto
Frauenliebe und -leben, Op. 42: No. 2, Er, der Herrlichste von allen - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Dichterliebe, Op. 48: No. 6, Im Rhein, im heiligen Strome - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Violin Sonata No. 1 in A Minor, Op. 105: III. Lebhaft
Frauenliebe und -leben, Op. 42: No. 3, Ich kann's nicht fassen, nicht glauben - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Dichterliebe, Op. 48: No. 7, Ich grolle nicht - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Three Romances, Op. 94: No. 1, Nicht zu schnell
Frauenliebe und -leben, Op. 42: No. 4, Du Ring an meinem Finger - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Dichterliebe, Op. 48: No. 8, Und wüssten's die Blumen - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Three Romances, Op. 94: No. 2, Einfach, innig
Frauenliebe und -leben, Op. 42: No. 5, Helft mir, ihr Schwestern - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Dichterliebe, Op. 48: No. 9, Das ist ein Flöten und Geigen - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Three Romances, Op. 94: No. 3, Nicht schnell
Frauenliebe und -leben, Op. 42: No. 6, Süsser Freund, du blickest - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Dichterliebe, Op. 48: No. 10, Hör' ich das Liedchen klingen - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Frauenliebe und -leben, Op. 42: No. 7, An meinem Herzen, an meiner Brust - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Dichterliebe, Op. 48: No. 11, Ein Jüngling liebt ein Mädchen - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Frauenliebe und -leben, Op. 42: No. 8, Nun hast du mir den ersten Schmerz getan - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Dichterliebe, Op. 48: No. 12, Am leuchtenden Sommermorgen - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Myrten, Op. 25: No. 1, Widmung - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Dichterliebe, Op. 48: No. 13, Ich hab' im Traum geweinet - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Myrten, Op. 25: No. 3, der Nussbaum - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Dichterliebe, Op. 48: No. 14, Allnächtlich im Traume seh' ich dich - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Dichterliebe, Op. 48: No. 15, Aus alten Märchen winkt es - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Dichterliebe, Op. 48: No. 16, Die alten, bösen Lieder - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Liederkreis, Op. 39: No. 1, In der Fremde - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Liederkreis, Op. 39: No. 2, Intermezzo - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Liederkreis, Op. 39: No. 3, Waldesgespräch - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Liederkreis, Op. 39: No. 4, Die Stille - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Liederkreis, Op. 39: No. 5, Mondnacht - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Liederkreis, Op. 39: No. 6, Schöne Fremde - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Liederkreis, Op. 39: No. 7, Auf einer Burg - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Liederkreis, Op. 39: No. 8, In der Fremde - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Liederkreis, Op. 39: No. 9, Wehmut - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Liederkreis, Op. 39: No. 10, Zweilicht - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Liederkreis, Op. 39: No. 11, Im Walde - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Liederkreis, Op. 39: No. 12, Frühlingsnacht - Arr. for Viola and Piano by Martin Stegner and Tomoko Takahashi
Beethoven: Violin Sonata No. 9, "Kreutzer" - Eichberg: Endorphin
Violin Sonata No. 9 in A Major, Op. 47, "Kreutzer": I. Adagio sostenuto - Presto (Arr. R. Tognetti for violin and string orchestra)
Violin Sonata No. 9 in A Major, Op. 47, "Kreutzer": II. Andante con variazioni (Arr. R. Tognetti for violin and string orchestra)
Violin Sonata No. 9 in A Major, Op. 47, "Kreutzer": II. Variation 1 (Arr. R. Tognetti for violin and string orchestra)
Violin Sonata No. 9 in A Major, Op. 47, "Kreutzer": II. Variation 2 (Arr. R. Tognetti for violin and string orchestra)
Violin Sonata No. 9 in A Major, Op. 47, "Kreutzer": II. Variation 3 (Arr. R. Tognetti for violin and string orchestra)
Violin Sonata No. 9 in A Major, Op. 47, "Kreutzer": II. Variation 4 (Arr. R. Tognetti for violin and string orchestra)
Violin Sonata No. 9 in A Major, Op. 47, "Kreutzer": III. Finale. Presto (Arr. R. Tognetti for violin and string orchestra)
Dvořák: Cello Concerto in B Minor, Op. 104; Cello Concerto in A Major
Cello Concerto in B Minor, Op. 104, B. 191: I. Allegro
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Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo
Cello Concerto in B Minor, Op. 104, B. 191: III. Finale. Allegro moderato
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Lasst mich allein, Op. 82 No. 1, B. 157/1 (Orch. Leopold)
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending
Cello Concerto in A Major, B. 10 (Rev. and Orch. Raphael): I. Andante – Allegro non troppo
Cello Concerto in A Major, B. 10 (Rev. and Orch. Raphael): II. Andante cantabile
Cello Concerto in A Major, B. 10 (Rev. and Orch. Raphael): III. Allegro risoluto
Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto - Arr. for Violin and String Orchestra by Richard Tagnetti
Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": II. a). Andante con variazioni - Arr. for Violin and String Orchestra by Richard Tagnetti
Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": II. b). Variation I - Arr. for Violin and String Orchestra by Richard Tagnetti
Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": II. c). Variation II - Arr. for Violin and String Orchestra by Richard Tagnetti
Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": II. d). Variation III - Arr. for Violin and String Orchestra by Richard Tagnetti
Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": II. e). Variation IV - Arr. for Violin and String Orchestra by Richard Tagnetti
Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": III. Finale. Presto - Arr. for Violin and String Orchestra by Richard Tagnetti
Concerto grosso for String Quartet and Chamber Orchestra "Endorphin"
Don Giovanni, ossia Il dissoluto punito, K.527: Overture
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Come mai creder deggio"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Di molte faci il lume"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Notte e giorno faticar"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Dalla sua pace" K.540a
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Sola, sola in buio loco"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: Leporello, ove sei?...Ah, del padre in periglio
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Io deggio ad ogni patto"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Dunque quello sei tu"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: Ma qual mai s'offre, o Dei - Fuggi crudele
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Fin ch'han dal vino"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ah! pietà, signori miei!"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Orsù, spicciati presto"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Masetto... senti un po'..."
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ferma, perfido; ferma"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Ah! chi mi dice mai"- "Chi è là?"/"Stelle! che vedo"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Batti, batti, o bel Masetto"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Il mio tesoro intanto"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Madamina, il catalogo è questo"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Guarda un po' come seppe questa strega"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: In quali eccessi, o numi
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "In questa forma dunque"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: Presto presto..Tra quest'arbori..Bisogna aver corragio
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Mi tradì quell'alma ingrata" (K540c, Aria)
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Giovinette, che fate all'amore"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Riposate, vezzose ragazze"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ah! ah! ah! questa è buona!"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Manco male, è partita"
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x0e0d94db1367f7d1d12612cfc93f9afc2640bf20521c8f3a12931cb15bc5c8c9. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2fIS5oDx39WXTUb0hf1TIs.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2fIS5oDx39WXTUb0hf1TIs.
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Eh via, buffone, non mi seccar" - "Leporello!"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "O statua gentilissima"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Ho capito, signor sì!"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ah! taci, ingiusto core"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Calmatevi, idol mio"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Alfin siam liberati"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Amico, che ti par?" - "Eccomi a voi!"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Crudele! ... Crudele? Ah no! mio bene!"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Deh! vieni alla finestra" - "V'è gente alla finestra"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Non mi dir, bell'idol mio"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: Fermati scellerato - Ah fuggi il traditor
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: Non ci stanchiamo (Masetto, Don Giovanni)
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ah, si segua il suo passo"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Mi par ch'oggi il demonio si diverta"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Metà di voi qua vadano"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: Ah ti ritrovo ancor - Non ti fidar, o misera
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Zitto! lascia ch'io senta" - "Ahi! Ahi! la testa mia" (Don Giovanni, Masetto, Zerlina)
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Povera sventurata!"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Vedrai, carino"
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Don Ottavio... son morta!"
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Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Or sai chi l'onore"
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Brahms: Violin Concerto; String Sextet No. 2
Violin Concerto in D Major, Op. 77: I. Allegro non troppo
Violin Concerto in D Major, Op. 77: II. Adagio
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace
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String Sextet No. 2 in G Major, Op. 36: I. Allegro non troppo
String Sextet No. 2 in G Major, Op. 36: II. Scherzo. Allegro non troppo
String Sextet No. 2 in G Major, Op. 36: III. Adagio
String Sextet No. 2 in G Major, Op. 36: IV. Poco allegro
Violin Concerto In D, Op. 35, TH. 59: 1. Allegro moderato
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Violin Concerto In D, Op. 35, TH. 59: 2. Canzonetta (Andante)
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Violin Concerto In D, Op. 35, TH. 59: 3. Finale (Allegro vivacissimo)
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Souvenir d'un lieu cher, Op. 42: 1. Meditation
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Souvenir d'un lieu cher, Op. 42: 2. Scherzo
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Souvenir d'un lieu cher, Op. 42: 3. Mélodie
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Die Zauberflöte, K. 620, Act II: No. 12, Wie? Wie? Wie?
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Die Zauberflöte, K. 620, Act I: No. 1, Zu Hilfe! Zu Hilfe! - Dialogue. Wo bin ich?
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Die Zauberflöte, K. 620, Act II: Dialogue. Heil dir, Jüngling - Ha, da find' ich ja die Spröde
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Die Zauberflöte, K. 620, Act I: No. 2, Der Vogelfänger bin ich ja - Dialogue. He da!
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Die Zauberflöte, K. 620, Act II: No. 13, Alles fühlt der Liebe Freuden - Dialogue. Zurück!
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Die Zauberflöte, K. 620, Act I: Dialogue. Papageno... Ah! das geht mich an!
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Die Zauberflöte, K. 620, Act II: No. 14, Der Hölle Rache "Queen of the Night Aria"
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Die Zauberflöte, K. 620, Act II: Dialogue. Morden soll ich?
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Die Zauberflöte, K. 620, Act I: Dialogue. Freue dich und fasse Mut, schöner Jüngling
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Die Zauberflöte, K. 620, Act II: No. 15, In diesen heil'gen Hallen
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Die Zauberflöte, K. 620, Act I: No. 4, O zittre nicht, mein lieber Sohn! - Dialogue. Ist's auch denn Wirklichlkeit
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Die Zauberflöte, K. 620, Act II: Dialogue. Hier seid ihr euch beide allein überlassen
Die Zauberflöte, K. 620, Act I: No. 5, Hm! hm! hm! hm!
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Die Zauberflöte, K. 620, Act II: No. 16, Seid uns zum zweiten Mal willkommen
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Die Zauberflöte, K. 620, Act I: Dialogue. Ha, ha, ha! - He, Sklaven!
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Die Zauberflöte, K. 620, Act II: Dialogue. Tamino, wollen wir nicht speisen?
Die Zauberflöte, K. 620, Act I: No. 6, Du feines Täubchen, nur herein
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Die Zauberflöte, K. 620, Act II: No. 17, Ach, ich fühl's
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Die Zauberflöte, K. 620, Act I: Dialogue. Bin ich nicht ein Narr
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Die Zauberflöte, K. 620, Act II: Dialogue. Nicht wahr, Tamino
Die Zauberflöte, K. 620, Act I: No. 7, Duet. Bei Männern, welche Liebe fühlen
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Die Zauberflöte, K. 620, Act II: No. 18, Chorus. O Isis und Osiris, welche Wonne
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Die Zauberflöte, K. 620, Act I: No. 8, Finale: a-c. Zum Ziele führt dich diese Bahn
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Die Zauberflöte, K. 620, Act II: Dialogue. Prinz, dein Betragen
Die Zauberflöte, K. 620, Act I: No. 8, Finale: d. Wie stark ist nicht dein Zauberton
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Die Zauberflöte, K. 620, Act II: No. 19, Soll ich dich, Teurer, nicht mehr sehn?
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Die Zauberflöte, K. 620, Act I: No. 8, Finale: e-f. Schnelle Füße, rascher Mut
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Die Zauberflöte, K. 620, Act II: Dialogue. Tamino! Tamino!
Die Zauberflöte, K. 620, Act I: No. 8, Finale: g-j. Es lebe Sarastro!... Wenn Tugend und Gerechtigkeit
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Die Zauberflöte, K. 620, Act II: No. 20, Ein Mädchen oder Weibchen
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Die Zauberflöte, K. 620, Act II: No. 9, Marsch der Priester
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Die Zauberflöte, K. 620, Act II: Dialogue. Da bin ich schon, mein Engel
Die Zauberflöte, K. 620, Act II: Dialogue. Ihr in dem Weisheitstempel
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Die Zauberflöte, K. 620, Act II: No. 21, Finale: a-b. Bald prangt - Du also bist mein Bräutigam
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Die Zauberflöte, K. 620, Act II: No. 10, O Isis und Osiris
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Die Zauberflöte, K. 620, Act II: No. 21, Finale: c-e. Der, welcher wandelt - Tamino mein - Wir wandelten
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Die Zauberflöte, K. 620, Act II: Dialogue. Eine schreckliche Nacht
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Die Zauberflöte, K. 620, Act II: No. 21, Finale: f-g. Papagena! Weibchen! Täubchen! - Pa-Pa-Pa-Pa-Pa-Pa-Papagena!
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Die Zauberflöte, K. 620, Act II: No. 11, Bewahret euch vor Weibertücken
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Die Zauberflöte, K. 620, Act II: No. 21, Finale: h-i. Nur stille, stille - Die Strahlen der Sonne
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Violin Concerto: I. Andante - Allegretto
Violin Concerto: II. Allegro, ma sempre rubato, frei wie eine Kadenz - Adagio
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace
Schumann: Violin Concerto in D Minor, WoO 23: I. In kräftigem, nicht zu schnellem Tempo
Schumann: Violin Concerto in D Minor, WoO 23: II. Langsam
Schumann: Violin Concerto in D Minor, WoO 23: III. Lebhaft, doch nicht schnell
Mahler: Symphony No. 4 & Lieder from "Des Knaben Wunderhorn"
Mahler: Symphony No. 4 in G Major: I. Bedächtig, nicht eilen
Mahler: Symphony No. 4 in G Major: II. In gemächlicher Bewegung, ohne Hast
Mahler: Symphony No. 4 in G Major: III. Ruhevoll
Mahler: Symphony No. 4 in G Major: IV. Sehr behaglich
Mahler: Des Knaben Wunderhorn: No. 5, Das irdische Leben
Mahler: Des Knaben Wunderhorn: No. 10, Lob des hohen Verstandes
Mahler: Des Knaben Wunderhorn: No. 9, Wo die schönen Trompeten blasen
Andante in C Major, K. 315 (Transcr. Oboe and Orchestra in B-Flat Major)
Oboe Concerto in C Major, K. 314: I. Allegro aperto
Oboe Concerto in C Major, K. 314: II. Adagio ma non troppo
Oboe Concerto in C Major, K. 314: III. Rondo. Allegretto
Ma che vi fece, K. 368 (Arr. for Oboe and Orchestra)
Al desio, Aria in F Major, K. 577 (Transcr. for Oboe and Orchestra)
Violin Concerto in D Major, K. 271a (Attrib. Doubtful)[Arr. Oboe]: II. Andante
Violin Concerto in D Major, K. 271a (Attrib. Doubtful)[Arr. Oboe]: III. Rondo. Allegro
Oboe Concerto No. 1 in D Minor: I. Allegro
Oboe Concerto No. 1 in D Minor: II. Grazioso
Oboe Concerto No. 1 in D Minor: III. Allegro
Oboe Concerto Allegro in F Major, K. 293 (Compl. Levin)
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato
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Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto
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Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: I. Allegro moderato
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Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio
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Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro
Haydn: Cello Concerto in D Major, Hob. VIIb:4: I. Allegro
Haydn: Cello Concerto in D Major, Hob. VIIb:4: II. Adagio
Haydn: Cello Concerto in D Major, Hob. VIIb:4: III. Allegro
Berlioz: Symphonie fantastique / Herminie
Symphonie fantastique, Op. 14: 1. Rêveries. Passions (Largo - Allegro agitato ed appassionato assai)
Symphonie fantastique, Op. 14: 2. Un bal (Valse: Allegro non troppo)
Symphonie fantastique, Op. 14: 3. Scène aux champs (Adagio)
Symphonie fantastique, Op. 14: 4. Marche au supplice (Allegretto non troppo)
Symphonie fantastique, Op. 14: 5. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso)
Herminie - Scène lyrique: 1. Récit: "Quel trouble te poursuit"
Herminie - Scène lyrique: 2. Air: "Ah! Si de la tendresse"
Herminie - Scène lyrique: 3. Récit: "Que dis-je?"
Herminie - Scène lyrique: 4. Air: "Arrête! Arrête! Cher Tancréde
Herminie - Scène lyrique: "Que Clorinde est heureuse!"
Herminie - Scène lyrique: 5. Air: "Venez, venez, terribles armes!"
Herminie - Scène lyrique: 6. Prière: "Dieu des chrétiens!"
Herminie - Scène lyrique: "Venez, venez, terribles armes!"
Britten: The Turn of the Screw, Op. 54, Act 1: Prologue. "It Is a Curious Story" (The Prologue)
Britten: The Turn of the Screw, Op. 54, Act 2: Variation VIII
Britten: The Turn of the Screw, Op. 54, Act 1: Theme
Britten: The Turn of the Screw, Op. 54, Act 2: Colloquy and Soliloquy. "Why Did You Call Me?" (Governess, Quint, Miss Jessel)
Britten: The Turn of the Screw, Op. 54, Act 1: The Journey. "Nearly There" (Governess)
Britten: The Turn of the Screw, Op. 54, Act 2: Variation IX
Britten: The Turn of the Screw, Op. 54, Act 1: Variation I
Britten: The Turn of the Screw, Op. 54, Act 2: The Bells. "O Sing unto Then a New Song" (Governess, Mrs Grose, Miles, Flora)
Britten: The Turn of the Screw, Op. 54, Act 1: The Welcome. "Mr Grosel Will She Be Nice?" (Governess, Mrs Grose, Miles, Flora)
Britten: The Turn of the Screw, Op. 54, Act 2: Variation X
Britten: The Turn of the Screw, Op. 54, Act 1: Variation II
Britten: The Turn of the Screw, Op. 54, Act 2: Miss Jessel. "She Is Here" (Governess, Miss Jessel)
Britten: The Turn of the Screw, Op. 54, Act 1: The Letter. "Miss, a Letter for You" (Governess, Mrs Grose, Miles, Flora)
Britten: The Turn of the Screw, Op. 54, Act 2: Variation XI
Britten: The Turn of the Screw, Op. 54, Act 1: Variation III
Britten: The Turn of the Screw, Op. 54, Act 2: The Bedroom. "Malo, Than a Naughty Boy" (Governess, Miles, Quint)
Britten: The Turn of the Screw, Op. 54, Act 1: The Tower. "How Beautiful It Is" (Governess)
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Britten: The Turn of the Screw, Op. 54, Act 2: Variation XII
Britten: The Turn of the Screw, Op. 54, Act 1: Variation IV
Britten: The Turn of the Screw, Op. 54, Act 2: Quint. "So, She Has Written" (Quint)
Britten: The Turn of the Screw, Op. 54, Act 1: The Window. "Tom, The Pipper's Son" (Governess, Mrs Grose, Miles, Flora, Quint)
Britten: The Turn of the Screw, Op. 54, Act 2: Variation XIII
Britten: The Turn of the Screw, Op. 54, Act 1: Variation V
Britten: The Turn of the Screw, Op. 54, Act 2: The Piano. "O What a Clever Boy" (Governess, Mrs Grose, Flora)
Britten: The Turn of the Screw, Op. 54, Act 1: The Lesson. "Many Nouns It Is We Find" (Governess, Miles, Flora)
Britten: The Turn of the Screw, Op. 54, Act 2: Variation XIV
Britten: The Turn of the Screw, Op. 54, Act 1: Variation VI
Britten: The Turn of the Screw, Op. 54, Act 2: Flora. "Flora!" (Governess, Mrs Grose, Flora, Miss Jessel)
Britten: The Turn of the Screw, Op. 54, Act 1: The Lake. "O Rivers and Seas and Lakes" (Governess, Miles, Flora)
Britten: The Turn of the Screw, Op. 54, Act 2: Variation XV
Britten: The Turn of the Screw, Op. 54, Act 1: Variation VII
Britten: The Turn of the Screw, Op. 54, Act 2: Miles. "Mrs Grosse" (Governess, Mrs Grose, Miles, Quint)
Britten: The Turn of the Screw, Op. 54, Act 1: At Night. "Miles! Miles! Miles!" (Governess, Mrs Grose, Miles, Flora, Quint, Miss Jessel)
Mozart: Don Giovanni, K. 527, Act 1: Sinfonia
Peter Mattei/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson/Till Fechner/Gudjon Oskarsson/Solistes de l'Académie eurporéenne de musique d'Aix-en-Provence/Mahler Ch
Mozart: Don Giovanni, K. 527, Act 1 Scene 6: No. 4, Aria, "Madamina, il catalogo e questo" (Leporello)
Mozart: Don Giovanni, K. 527, Act 1 Scene 9: No. 7, Duettino, "Là ci darem la mano" (Don Giovanni, Zerlina)
Mozart: Don Giovanni, K. 527, Act 1 Scene 13: No. 10a, Recitativo accompagnato, "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
Mozart: Don Giovanni, K. 527, Act 1 Scene 13: No. 10b, Aria "Or sai chi l'onore" (Donna Anna)
Mozart: Don Giovanni, K. 527, Act 1 Scene 14: Recitativo, "Come mai creder deggio" (Don Ottavio)
Mozart: Don Giovanni, K. 527, Act 1 Scene 14: No. 10c, Aria, "Dalla sua pace" (Don Ottavio)
Mozart: Don Giovanni, K. 527, Act 1 Scene 15: No. 11, Aria, "Fin ch'han dal vino" (Don Giovanni)
Mozart: Don Giovanni, K. 527, Act 1 Scene 16: Recitativo, "Masetto, senti un po'!" (Zerlina, Masetto)
Mozart: Don Giovanni, K. 527, Act 1 Scene 16: No. 12, Aria, "Batti, batti, o bel Masetto" (Zerlina)
Mozart: Don Giovanni, K. 527, Act 1 Scene 18: "Tra quest'arbori celata" (Zerlina, Don Giovanni, Masetto)
Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Bisogna aver coraggio" (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)
Mozart: Don Giovanni, K. 527, Act 2 Scene 2: No. 15, Terzetto, "Ah! taci, ingiusto core!" (Donna Elvira, Leporello, Don Giovanni)
Mozart: Don Giovanni, K. 527, Act 2 Scene 3: No. 16, Canzonetta, "Deh, vieni alla finestra" (Don Giovanni)
Peter Mattei/Mahler Chamber Orchestra/Daniel Harding
Mozart: Don Giovanni, K. 527, Act 2 Scene 6: No. 18, Aria, "Vedrai, carino" (Zerlina)
Mozart: Don Giovanni, K. 527, Act 2 Scene 10: No. 21a, Aria, "Il mio tesoro intanto" (Don Ottavio)
Mozart: Don Giovanni, K. 527, Act 2 Scene 10: No. 21b, Recitativo accompagnato, "In quali eccessi, o numi" (Donna Elvira)
Mozart: Don Giovanni, K. 527, Act 2 Scene 10: No. 21c, Aria, "Mi tradi quell'alma ingrata" (Donna Elvira)
Mozart: Don Giovanni, K. 527, Act 2 Scene 11: No. 22, Duetto, "O statua gentilissima" (Leporello, Don Giovanni, Commendatore)
Mozart: Don Giovanni, K. 527, Act 2 Scene 12: No. 23a, Recitativo accompagnato, "Crudele! - Ah no, mio bene" (Donna Anna)
Mozart: Don Giovanni, K. 527, Act 2 Scene 12: No. 23b, Rondo, "Non mi dir, bell'idol mio" (Donna Anna)
Mozart: Don Giovanni, K. 527, Act 2 Scene 15: "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello) - "Da qual tremore insolito" (Don Giovanni, Chorus, Leporello)
Mozart: Don Giovanni, K. 527, Act 1 Scene 15: Recitativo, "Io deggio ad ogni patto" (Leporello, Don Giovanni)
Mozart: Don Giovanni, K. 527, Act 2 Scene 1: No. 14, Duetto, "Eh via, buffone" (Don Giovanni, Leporello)
Mozart: Don Giovanni, K. 527, Act 1 Scene 1: No. 1, Introduzione, "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore)
Mozart: Don Giovanni, K. 527, Act 2 Scene 1: Recitativo, "Leporello! … Signore?" (Don Giovanni, Leporello)
Mozart: Don Giovanni, K. 527, Act 1 Scene 2: Recitativo, "Leporello, ove sei?" (Don Giovanni, Leporello)
Mozart: Don Giovanni, K. 527, Act 1 Scene 3: Recitativo, "Ah! del padre in periglio" - No. 2a, Recitativo accompagnato, "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio)
Mozart: Don Giovanni, K. 527, Act 2 Scene 2: Recitativo, "Amico, che ti par?" (Don Giovanni, Leporello) - "Eccomi a voi" (Donna Elvira, Don Giovanni, Leporello)
Mozart: Don Giovanni, K. 527, Act 1 Scene 3: No. 2b, Duetto, "Fuggi, crudele, fuggi! … Senti, cor mio" (Donna Anna, Don Ottavio)
Mozart: Don Giovanni, K. 527, Act 1 Scene 16: Recitativo, "Guarda un po" (Masetto, Don Giovanni, Zerlina)
Mozart: Don Giovanni, K. 527, Act 1 Scene 4: Recitativo, "Orsù, spicciati presto" (Don Giovanni, Leporello)
Mozart: Don Giovanni, K. 527, Act 1 Scene 16: No. 13, Finale, "Presto, presto pria ch'ei venga" (Masetto, Zerlina, Don Giovanni, Chorus)
Mozart: Don Giovanni, K. 527, Act 2 Scene 4: Recitativo, "V'è gente alla finestra" (Don Giovanni, Masetto)
Mozart: Don Giovanni, K. 527, Act 1 Scene 5: No. 3, Aria, "Ah! chi mi dice mai" (Donna Elvira, Don Giovanni, Leporello)
Mozart: Don Giovanni, K. 527, Act 2 Scene 4: No. 17, Aria, "Metà di voi qua vadano" (Don Giovanni)
Mozart: Don Giovanni, K. 527, Act 1 Scene 6: Recitativo, "Chi e la? … Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello)
Mozart: Don Giovanni, K. 527, Act 2 Scene 5: Recitativo, "Zitto! lascia ch'io senta" (Don Giovanni, Masetto) - Recitativo, "Ahi! Ahi! la testa mia" (Masetto, Zerlina)
Mozart: Don Giovanni, K. 527, Act 1 Scene 20: "Riposate, vezzose ragazze!" (Don Giovanni, Leporello, Masetto, Zerlina, Donna Anna, Donna Elvira, Don Ottavio)
Mozart: Don Giovanni, K. 527, Act 1 Scene 6: Recitativo, "In questa forma dunque" (Donna Elvira)
Mozart: Don Giovanni, K. 527, Act 2 Scene 7: Recitativo, "Di molte faci il lume" (Leporello, Donna Elvira)
Mozart: Don Giovanni, K. 527, Act 1: "Giovinette che fate all'amore" (Zerlina, Masetto, Chorus)
Mozart: Don Giovanni, K. 527, Act 2 Scene 7: No. 19, Sestetto, "Sola, sola, in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
Mozart: Don Giovanni, K. 527, Act 1 Scene 8: Recitativo, "Manco sale è partita" (Don Giovanni, Leporello, Zerlina, Masetto)
Mozart: Don Giovanni, K. 527, Act 2 Scene 9: Recitativo, "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto)
Mozart: Don Giovanni, K. 527, Act 1 Scene 8: No. 6, Aria, "Ho capito, signor si" (Masetto)
Mozart: Don Giovanni, K. 527, Act 2 Scene 9: No. 20, Ah, pietà, signori miei" (Leporello)
Mozart: Don Giovanni, K. 527, Act 1 Scene 9: Recitativo, "Alfin siam liberati" (Don Giovanni, Zerlina)
Mozart: Don Giovanni, K. 527, Act 2 Scene 10: Recitativo, "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio)
Mozart: Don Giovanni, K. 527, Act 1 Scene 10: Recitativo, "Fermati, scellerato" (Donna Elvira, Zerlina, Don Giovanni)
Mozart: Don Giovanni, K. 527, Act 1 Scene 10: No. 8, Aria, "Ah, fuggi il traditor" (Donna Elvira)
Mozart: Don Giovanni, K. 527, Act 1 Scene 11: Recitativo, "Mi par ch'oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna)
Mozart: Don Giovanni, K. 527, Act 1 Scene 12: Recitativo, "Ah! ti retrovo ancor" (Donna Elvira) - No. 9, Quartetto, "Non ti fidar, o misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovan
Mozart: Don Giovanni, K. 527, Act 1 Scene 12: Recitativo, "Povera sventurata!" (Don Giovanni)
George Benjamin: Picture A Day Like This, Scene 5: Aria
George Benjamin: Picture A Day Like This, Scene 4: The Composer
Picture A Day Like This, Scene 4: The Composer
Falla: Harpsichord Concerto: III. Vivace (flessibile, scherzando)
Stravinsky: Pulcinella Suite: V. Toccata. Allegro
Falla: El sombrero de tres picos & El amor brujo
Chopin: Concerto For Piano And Orchestra No. 2 In F Minor, Op. 21 (Arr. By Mikhail Pletnev), 3. Allegro vivace
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Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso
The Beethoven Journey: The Complete Piano Concertos
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Lucia di Lammermoor, Act III: O giusto cielo!
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