1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x510a3d8d5ced4b63dc34657395c0c9a26cafca288b00ce5dde5be123fdf11e99. Chain 2 (Bitcoin): anchored in block 953407 (2026-06-12T19:24:56Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/b275dc9e-1a61-4674-a386-eecd662f2fe4.json and https://artists.proofprofile.net/proofs/artist/b275dc9e-1a61-4674-a386-eecd662f2fe4.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Susannah, Act Two, Scene 1: How long's it gonna last, Sam?
Susannah, Act One, Scene 1: It's a hot night for dancin'
Susannah, Act Two, Scene 2: Are you saved from sin
Susannah, Act One, Scene 1: I am the Reverend Olin Blitch
Susannah, Act Two, Scene 2: I'm fixin' to tell y'bout a feller
Susannah, Act One, Scene 2: Was y'ever at such a nice square dance, Little Bat?
Susannah, Act Two, Scene 2: Come, sinner, tonight's the night
Susannah, Act One, Scene 2: Ain't it a pretty night?
Susannah, Act Two, Scene 3: The trees on the mountains are cold and bare
Susannah, Act One, Scene 2: Don't go to bed right yet, Sam
Susannah, Act Two, Scene 3: That's mighty pretty singin'
Susannah, Act One, Scene 3: That crick oughta be right about here
Susannah, Act Two, Scene 3: I'm a lonely man, Susannah
Susannah, Act One, Scene 4: I ain't surprised
Susannah, Act Two, Scene 4: Hear me, O Lord, I beseech Thee
Susannah, Act One, Scene 5: Little Bat, what you doin' here?
Susannah, Act Two, Scene 4: Brethren an' sister'n
Susannah, Act One, Scene 5: Feeble-minded idjet!
Susannah, Act Two, Scene 5: Hey there, little robin, I'm back agin
Mirjam's Siegesgesang, D. 942: I. Rührt die Cymbel - Live
Mirjam's Siegesgesang, D. 942: II. - IV. Aus Egypten vor dem Volke - Doch der Horizont er dunkelt - 's ist der Herr in seinem Grimme - Live
Mirjam's Siegesgesang, D. 942: V. Tauchst du auf, Pharao? - Live
Mirjam's Siegesgesang, D. 942: VI. Drum mit Cymbeln - Live
7 Poems of Alexander Blok, Op. 127: I. Pesnya Ofelii - Live
7 Poems of Alexander Blok, Op. 127: II. Gamayun, ptitsa veshchaya - Live
7 Poems of Alexander Blok, Op. 127: III. My byli vmeste - Live
7 Poems of Alexander Blok, Op. 127: IV. Gorod spit - Live
7 Poems of Alexander Blok, Op. 127: V. Burya - Live
7 Poems of Alexander Blok, Op. 127: VI. Tayniye znaki - Live
7 Poems of Alexander Blok, Op. 127: VII. Muzyka - Live
Capriccio, Op. 85, TrV 279: Intermezzo (Moonlight Music) - Live
Capriccio, Op. 85, TrV 279: Morgen mittag um elf! - Live
Capriccio, Op. 85, TrV 279: Kein Andres, das mir so im Herzen loht - Live
Capriccio, Op. 85, TrV 279: Ihre Liebe schlägt mir entgegen - Live
Capriccio, Op. 85, TrV 279: Wählst du den einen - verlierst du den andern! - Live
Capriccio, Op. 85, TrV 279: Du Spiegelbild der verliebten Madeleine - Live
Lalo: Symphonie espagnole, Op. 21 - Ravel: Tzigane, M. 76 - Chausson: Poème, Op. 25
Lalo: Symphonie espagnole in D Minor, Op. 21: I. Allegro non troppo
Lalo: Symphonie espagnole in D Minor, Op. 21: II. Scherzando. Allegro molto
Lalo: Symphonie espagnole in D Minor, Op. 21: III. Intermezzo. Allegretto non troppo
Lalo: Symphonie espagnole in D Minor, Op. 21: IV. Andante
Lalo: Symphonie espagnole in D Minor, Op. 21: V. Rondo
Mussorgsky: Boris Godunov (1869 Version) [Live]
Boris Godunov, Pt. 1 Scene 1 (1869 Version): What's Up With You? [Live]
Boris Godunov, Pt. 3 (1869 Version): My Beloved Bridegroom [Live]
Boris Godunov, Pt. 1 Scene 1 (1869 Version): For Whom Do You Desert Us? [Live]
Boris Godunov, Pt. 3 (1869 Version): Enough, My Tsarevna [Live]
Boris Godunov, Pt. 1 Scene 1 (1869 Version): True-Believers! The Boyar Is Steadfast [Live]
Boris Godunov, Pt. 3 (1869 Version): I've Achieved the Highest Power [Live]
Boris Godunov, Pt. 1 Scene 1 (1869 Version): Glory to Thee, Almighty Creator [Live]
Boris Godunov, Pt. 3 (1869 Version): What Do You Want? [Live]
Boris Godunov, Pt. 1 Scene 2 (1869 Version): Long Live Tsar Boris! [Live]
Boris Godunov, Pt. 3 (1869 Version): But No! Wait, Wait a Moment [Live]
Boris Godunov, Pt. 1 Scene 2 (1869 Version): My Soul Is Grieving [Live]
Boris Godunov, Pt. 3 (1869 Version): Death Does Not Frighten Me [Live]
Boris Godunov, Pt. 1 Scene 2 (1869 Version): Glory! Glory! Glory! [Live]
Boris Godunov, Pt. 4 Scene 1 (1869 Version): Is the Mass Over? [Live]
Boris Godunov, Pt. 2 Scene 1 (1869 Version): One More, One Final Tale [Live]
Boris Godunov, Pt. 4 Scene 1 (1869 Version): Trrrr... Tin Hat [Live]
Boris Godunov, Pt. 2 Scene 1 (1869 Version): That Dream Once More! [Live]
Boris Godunov, Pt. 4 Scene 1 (1869 Version): Why Is He Crying? [Live]
Boris Godunov, Pt. 2 Scene 1 (1869 Version): You Have Been Awake and Writing All Night [Live]
Boris Godunov, Pt. 4 Scene 2 (1869 Version): Noble Boyars! [Live]
Boris Godunov, Pt. 2 Scene 1 (1869 Version): Good Father, I Have Often Wanted [Live]
Boris Godunov, Pt. 4 Scene 2 (1869 Version): Well Then, Let Us Now Vote [Live]
Boris Godunov, Pt. 2 Scene 1 (1869 Version): It's Ringing for Matins [Live]
Boris Godunov, Pt. 4 Scene 2 (1869 Version): A Pity That Prince Shuisky Is Not Here [Live]
Boris Godunov, Pt. 2 Scene 2 (1869 Version): What Can I Offer You, Reverend Fathers? [Live]
Boris Godunov, Pt. 4 Scene 2 (1869 Version): Begone! Begone! [Live]
Boris Godunov, Pt. 2 Scene 2 (1869 Version): Once Upon a Time in the City of Kazan [Live]
Boris Godunov, Pt. 4 Scene 2 (1869 Version): A Humble Monk [Live]
Boris Godunov, Pt. 2 Scene 2 (1869 Version): Why Aren't You Singing? [Live]
Boris Godunov, Pt. 4 Scene 2 (1869 Version): Once, Deep in Sleep [Live]
Boris Godunov, Pt. 2 Scene 2 (1869 Version): He Rides On [Live]
Boris Godunov, Pt. 4 Scene 2 (1869 Version): Leave Us... Go Away, Everyone! [Live]
Boris Godunov, Pt. 2 Scene 2 (1869 Version): I Can Read [Live]
Boris Godunov, Pt. 4 Scene 2 (1869 Version): O Lord! Lord! Look Down [Live]
Ginastera – Bernstein – Moussa: Works for Violin and Orchestra
Violin Concerto, Op. 30: II. Study No. 1, “Chords” - Allegro
Violin Concerto, Op. 30: III. Study No. 2, “Thirds” - Allegretto
Violin Concerto, Op. 30: IV. Study No. 3, “Other intervals” - Lo stesso tempo
Violin Concerto, Op. 30: V. Study No. 4, “Arpeggios“ - Lo stesso tempo
Violin Concerto, Op. 30: VI. Study No. 5, “Harmonics“ - Andante
Violin Concerto, Op. 30: VII. Study No. 6, “Quarter tones“ - Larghissimo
Violin Concerto, Op. 30: VIII. Coda - Maestoso
Violin Concerto, Op. 30: IX. Adagio for 22 Soloists
Violin Concerto, Op. 30: X. Scherzo pianissimo - Sempre volante, misterioso e appena sensibile
Violin Concerto, Op. 30: XI. Perpetuum mobile - Agitato e allucinante
Serenade for Solo Violin, Strings, Harp and Percussion (after Plato’s Symposium): I. Phaedrus - Pausanias (Lento - Allegro)
Serenade for Solo Violin, Strings, Harp and Percussion (after Plato’s Symposium): II. Aristophanes (Allegretto)
Serenade for Solo Violin, Strings, Harp and Percussion (after Plato’s Symposium): III. Eryximachus (Presto)
Serenade for Solo Violin, Strings, Harp and Percussion (after Plato’s Symposium): IV. Agathon (Adagio)
Serenade for Solo Violin, Strings, Harp and Percussion (after Plato’s Symposium): V. Socrates - Alcibiades (Molto tenuto - Allegro molto vivace)
Violin Concerto “Adrano”: I. circa 48 – Più mosso circa 58
Violin Concerto “Adrano”: II. Cadenza - senza misura
Violin Concerto “Adrano”: IV. Epilogue - circa 48
Violin Concerto No. 1 in A Major, Op. 20: I. Allegro
Violin Concerto No. 1 in A Major, Op. 20: II. Andante espressivo
Violin Concerto No. 1 in A Major, Op. 20: III. Tempo I (Allegro)
Violin Concerto No. 2 in C Major, Op. 58: I. Allegro moderato e maestoso
{"copyright_id":"0xcd19099b1411130ae5b6b6688e451756826337ef897e485c14361c8bd22c348f","isrc":"CALC41501204","name":"Violin Concerto No. 2 in C Major, Op. 58: I. Allegro moderato e maestoso","registered_at":"2026-06-08T21:11:51Z","spotify_id":"3n0bymacVjRzq9gfHOvXyS","type":"track"}
1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xcd19099b1411130ae5b6b6688e451756826337ef897e485c14361c8bd22c348f. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3n0bymacVjRzq9gfHOvXyS.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3n0bymacVjRzq9gfHOvXyS.
Violin Concerto No. 2 in C Major, Op. 58: II. Andante espressivo
Violin Concerto No. 2 in C Major, Op. 58: III. Allegro scherzando quasi allegretto – Allegro vivace
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto
Violin Concerto No. 3 in B Minor, Op. 61: III. Molto moderato e maestoso – Allegro non troppo
Mozart & Poulenc: Double & Triple Piano Concertos
Piano Concerto No. 7 for 3 Pianos in F Major, K. 242 "Lodron": I. Allegro
{"copyright_id":"0x460131eb3a97a35f6955984343722fe684a22e8c5ec58d852e04fc0075c74f06","isrc":"NLE422420201","name":"Piano Concerto No. 7 for 3 Pianos in F Major, K. 242 \"Lodron\": I. Allegro","registered_at":"2026-06-08T11:31:34Z","spotify_id":"1AdXQGyldXtJS1pod3q201","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x460131eb3a97a35f6955984343722fe684a22e8c5ec58d852e04fc0075c74f06. Chain 2 (Bitcoin): anchored in block 953536 (2026-06-13T17:25:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1AdXQGyldXtJS1pod3q201.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1AdXQGyldXtJS1pod3q201.
Piano Concerto No. 7 for 3 Pianos in F Major, K. 242 "Lodron": II. Adagio
{"copyright_id":"0xacab262c1885f323bef9353969dd2b3c85719dca2b758a2fb53007e2242312f0","isrc":"NLE422420202","name":"Piano Concerto No. 7 for 3 Pianos in F Major, K. 242 \"Lodron\": II. Adagio","registered_at":"2026-06-08T19:31:12Z","spotify_id":"5LjbLvmJhfDoijzETeaFZy","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xacab262c1885f323bef9353969dd2b3c85719dca2b758a2fb53007e2242312f0. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5LjbLvmJhfDoijzETeaFZy.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5LjbLvmJhfDoijzETeaFZy.
Piano Concerto No. 7 for 3 Pianos in F Major, K. 242 "Lodron": III. Rondo. Tempo di minuetto
{"copyright_id":"0xca5e21cc67595d8193189ef8fa70c2a46d197d7be4ca058c2698264a02d16a85","isrc":"NLE422420203","name":"Piano Concerto No. 7 for 3 Pianos in F Major, K. 242 \"Lodron\": III. Rondo. Tempo di minuetto","registered_at":"2026-06-08T21:02:55Z","spotify_id":"6bRwlgy4FV6YHNG2cCeuWC","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xca5e21cc67595d8193189ef8fa70c2a46d197d7be4ca058c2698264a02d16a85. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6bRwlgy4FV6YHNG2cCeuWC.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6bRwlgy4FV6YHNG2cCeuWC.
Piano Concerto No. 10 for 2 Pianos in E-Flat Major, K. 365: I. Allegro
Piano Concerto No. 10 for 2 Pianos in E-Flat Major, K. 365: II. Andante
Piano Concerto No. 10 for 2 Pianos in E-Flat Major, K. 365: III. Rondo
Concerto for 2 Pianos and Orchestra in D Minor, FP. 61: I. Allegro ma non troppo
Concerto for 2 Pianos and Orchestra in D Minor, FP. 61: II. Larghetto
Concerto for 2 Pianos and Orchestra in D Minor, FP. 61: III. Finale
Pedro y el lobo, Op. 67: I. Introducción
{"copyright_id":"0x845d4cf6eada5c1467b7a2f4abe99836948d20c70c87b2fe263170df31e4ea11","isrc":"NLE422004101","name":"Pedro y el lobo, Op. 67: I. Introducción","registered_at":"2026-06-23T07:56:45Z","spotify_id":"1HYs3caAXWL2AQs9rXtcGW","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x845d4cf6eada5c1467b7a2f4abe99836948d20c70c87b2fe263170df31e4ea11. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1HYs3caAXWL2AQs9rXtcGW.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1HYs3caAXWL2AQs9rXtcGW.
Pedro y el lobo, Op. 67: II. Pedro en el prado
{"copyright_id":"0x6ae5cd03113b2a9477481d93681f825b16773365134a47e1add1bb00e8799f18","isrc":"NLE422004102","name":"Pedro y el lobo, Op. 67: II. Pedro en el prado","registered_at":"2026-06-21T04:21:00Z","spotify_id":"0dnchmO1xJbuKdFGBuNPdN","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6ae5cd03113b2a9477481d93681f825b16773365134a47e1add1bb00e8799f18. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0dnchmO1xJbuKdFGBuNPdN.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0dnchmO1xJbuKdFGBuNPdN.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1ddd06ac18c80275c18232b5053d8119bd1ae0467b9ac71a934268e47750d525. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5qybhAOAdutI30BXZL39Be.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5qybhAOAdutI30BXZL39Be.
Pedro y el lobo, Op. 67: IV. Diálogo entre el pato y el gato
{"copyright_id":"0xca0fc0aa8ce2a60ec47b3ceec6f1c90dfa3f4db212ddca0cd8ab7ac616cdfdec","isrc":"NLE422004104","name":"Pedro y el lobo, Op. 67: IV. Diálogo entre el pato y el gato","registered_at":"2026-06-23T07:57:21Z","spotify_id":"7GXT2PxOoJWEYhHxOisOkX","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xca0fc0aa8ce2a60ec47b3ceec6f1c90dfa3f4db212ddca0cd8ab7ac616cdfdec. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7GXT2PxOoJWEYhHxOisOkX.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7GXT2PxOoJWEYhHxOisOkX.
{"copyright_id":"0x58cfdcae58c872cece7162f8008ec890220cddb884a99b012bad1c67d3edd0e9","isrc":"NLE422004105","name":"Pedro y el lobo, Op. 67: V. El pato","registered_at":"2026-06-23T08:10:19Z","spotify_id":"7Bm81mShUV1SLZZOOp5U6j","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x58cfdcae58c872cece7162f8008ec890220cddb884a99b012bad1c67d3edd0e9. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7Bm81mShUV1SLZZOOp5U6j.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7Bm81mShUV1SLZZOOp5U6j.
{"copyright_id":"0x489878a482f90ac7aaffc72fa73cef70ead020c5e6df7c5e28cdd3021e38ff39","isrc":"NLE422004106","name":"Pedro y el lobo, Op. 67: VI. El gato","registered_at":"2026-06-24T15:05:17Z","spotify_id":"7MaoKGtpqMu7e4t3TIfjAp","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x489878a482f90ac7aaffc72fa73cef70ead020c5e6df7c5e28cdd3021e38ff39. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7MaoKGtpqMu7e4t3TIfjAp.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7MaoKGtpqMu7e4t3TIfjAp.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x32b83d4e60497fe963c0448a777bc4cd0ae452b3321459439f19db0e37e9a9aa. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/768y3YpFEoZkK7Wk0x2khH.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/768y3YpFEoZkK7Wk0x2khH.
{"copyright_id":"0x7e68ef62dbe4fed0e9e5ba4192d658c3094663a8caf3d7095dff0abb84155daf","isrc":"NLE422004108","name":"Pedro y el lobo, Op. 67: VIII. El lobo","registered_at":"2026-06-23T08:02:11Z","spotify_id":"5XX47Nfr0JNSb80zhYKSv6","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7e68ef62dbe4fed0e9e5ba4192d658c3094663a8caf3d7095dff0abb84155daf. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5XX47Nfr0JNSb80zhYKSv6.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5XX47Nfr0JNSb80zhYKSv6.
Pedro y el lobo, Op. 67: IX. El lobo se traga al pato
{"copyright_id":"0x2a3e40e619c4b2b33bff6ba3c0c51d9d01e496c4d1877517ca3a00cb341e71c9","isrc":"NLE422004109","name":"Pedro y el lobo, Op. 67: IX. El lobo se traga al pato","registered_at":"2026-06-25T08:53:24Z","spotify_id":"6P6qtfWSAZJ55vudvXrB1J","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2a3e40e619c4b2b33bff6ba3c0c51d9d01e496c4d1877517ca3a00cb341e71c9. Chain 2 (Bitcoin): anchored in block 956349 (2026-07-02T11:34:59Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6P6qtfWSAZJ55vudvXrB1J.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6P6qtfWSAZJ55vudvXrB1J.
Pedro y el lobo, Op. 67: X. El lobo acecha al pajaro y al gato
{"copyright_id":"0xe27561cca852cf83dfe42ceadefdfc092eaf8bdf8d57c9ba7313f25faaa3ef2f","isrc":"NLE422004110","name":"Pedro y el lobo, Op. 67: X. El lobo acecha al pajaro y al gato","registered_at":"2026-06-27T05:41:23Z","spotify_id":"1DRarMe5rM14r4uiVLioMx","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe27561cca852cf83dfe42ceadefdfc092eaf8bdf8d57c9ba7313f25faaa3ef2f. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1DRarMe5rM14r4uiVLioMx.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1DRarMe5rM14r4uiVLioMx.
Pedro y el lobo, Op. 67: XI. Pedro toma una cuerda
{"copyright_id":"0x6e96b9784622045edf12c331dab91f4464c15bbb14e58cbd0ae458edd5583f61","isrc":"NLE422004111","name":"Pedro y el lobo, Op. 67: XI. Pedro toma una cuerda","registered_at":"2026-06-27T05:31:09Z","spotify_id":"1Kvkw9MOxwW4xZGGXsw3au","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6e96b9784622045edf12c331dab91f4464c15bbb14e58cbd0ae458edd5583f61. Chain 2 (Bitcoin): anchored in block 956349 (2026-07-02T11:34:59Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1Kvkw9MOxwW4xZGGXsw3au.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1Kvkw9MOxwW4xZGGXsw3au.
Pedro y el lobo, Op. 67: XII. El pajaro distrae al lobo
{"copyright_id":"0x1c7a7c9479e58dc1cfcafd1b254c0f66a9dd43d0145aabf653cd403e0b00e51e","isrc":"NLE422004112","name":"Pedro y el lobo, Op. 67: XII. El pajaro distrae al lobo","registered_at":"2026-06-25T22:49:47Z","spotify_id":"6uTdBYiBR58nEF5evKA2Ka","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1c7a7c9479e58dc1cfcafd1b254c0f66a9dd43d0145aabf653cd403e0b00e51e. Chain 2 (Bitcoin): anchored in block 956349 (2026-07-02T11:34:59Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6uTdBYiBR58nEF5evKA2Ka.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6uTdBYiBR58nEF5evKA2Ka.
Pedro y el lobo, Op. 67: XIII. Pedro atrapa al lobo
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x04e40d269c78b01240e631de98c415e0c851fad381b7d8385d199751367148e5. Chain 2 (Bitcoin): anchored in block 956349 (2026-07-02T11:34:59Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2G6JiPHEu8OyN8dR10pJ9l.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2G6JiPHEu8OyN8dR10pJ9l.
Pedro y el lobo, Op. 67: XIV. Los cazadores llegan
Pedro y el lobo, Op. 67: XV. La procesion al zoologico
R. Strauss: Ein Heldenleben - Tod und Verklärung
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) -
Ein Heldenleben, Op. 40, TrV 190: Des Helden Widersacher (The Hero's Enemies) -
Ein Heldenleben, Op. 40, TrV 190: Des Helden Gefährtin (The Hero's Companion) -
Ein Heldenleben, Op. 40, TrV 190: Mäßig langsam -
Ein Heldenleben, Op. 40, TrV 190: Des Helden Walstatt (The Hero's Field of Battle) -
Ein Heldenleben, Op. 40, TrV 190: Festes Zeitmaß (sehr lebhaft) -
Ein Heldenleben, Op. 40, TrV 190: Mit großem Schwung und Begeisterung -
Ein Heldenleben, Op. 40, TrV 190: Des Helden Friedenswerke (The Hero's Works of Peace) -
Ein Heldenleben, Op. 40, TrV 190: Des Helden Weltflucht und Vollendung (The Hero's Withdrawal from the World)
Ein Heldenleben, Op. 40, TrV 190: Langsam
Tod und Verklärung, Op. 24, TrV 158: Largo -
Tod und Verklärung, Op. 24, TrV 158: Allegro molto agitato -
Tod und Verklärung, Op. 24, TrV 158: Meno mosso, ma sempre alla breve -
Tod und Verklärung, Op. 24, TrV 158: A tempo primo -
Tod und Verklärung, Op. 24, TrV 158: Moderato
Eine Alpensinfonie, Op. 64, Trv 233: Nacht (Night) -
Eine Alpensinfonie, Op. 64, Trv 233: Sonnenaufgang (Sunrise) -
Eine Alpensinfonie, Op. 64, Trv 233: Der Anstieg (the Ascent) -
Eine Alpensinfonie, Op. 64, Trv 233: Eintritt in den Wald (Entry into the Wood) -
Eine Alpensinfonie, Op. 64, Trv 233: Wanderung neben dem Bache (Wandering by the brook)
Eine Alpensinfonie, Op. 64, Trv 233: Am Wasserfall (At the Waterfall) -
Eine Alpensinfonie, Op. 64, Trv 233: Erscheinung (Apparition) -
Eine Alpensinfonie, Op. 64, Trv 233: Auf blumigen Wiesen (On Flowering Meadows) -
Eine Alpensinfonie, Op. 64, Trv 233: Auf der Alm (On the Alpine Pasture) -
Eine Alpensinfonie, Op. 64, Trv 233: Durch Dickicht und Gestrüpp auf Irrwegen (Straying through Thicket and Undergrowth) -
Eine Alpensinfonie, Op. 64, Trv 233: Auf dem Gletscher (On the Glacier) -
Eine Alpensinfonie, Op. 64, Trv 233: Gefahrvolle Augenblicke (Dangerous Moments) -
Eine Alpensinfonie, Op. 64, Trv 233: Auf dem Gipfel (On the Summit) -
Eine Alpensinfonie, Op. 64, Trv 233: Vision
Eine Alpensinfonie, Op. 64, Trv 233: Nebel steigen auf (Mists rise) -
Eine Alpensinfonie, Op. 64, Trv 233: Die Sonne verdüstert sich allmählich (the Sun gradually darkens) -
Eine Alpensinfonie, Op. 64, Trv 233: Elegie
Eine Alpensinfonie, Op. 64, Trv 233: Stille vor dem Sturm (Calm before the Storm) -
Eine Alpensinfonie, Op. 64, Trv 233: Gewitter und Sturm, Abstieg (Thunder and Storm, Descent) -
Eine Alpensinfonie, Op. 64, Trv 233: Sonnenuntergang (Sunset) -
Eine Alpensinfonie, Op. 64, Trv 233: Ausklang (Final Sounds) -
Jörg Widmann: Arche (Live at Elbphilharmonie, Hamburg / 2017)
Arche: I. Fiat Lux / Es werde Licht - Live at Elbphilharmonie, Hamburg / 2017
Philharmonisches Staatsorchester Hamburg
Arche: II. Sintflut - Live at Elbphilharmonie, Hamburg / 2017
Arche: III. Die Liebe - Live at Elbphilharmonie, Hamburg / 2017
Arche: IV. Dies irae - Live at Elbphilharmonie, Hamburg / 2017
Arche: V. Dona nobis pacem - Live at Elbphilharmonie, Hamburg / 2017
Honegger & Ibert: L'Aiglon (Live In Montreal / 2015)
L'Aiglon / Act 1: Les ailes qui s’ouvrent: Scenes 1-3 - Live
L'Aiglon / Act 1: Les ailes qui s’ouvrent: Scene 4 - Live
L'Aiglon / Act 1: Les ailes qui s’ouvrent: Scene 5 - Live
L'Aiglon / Act 1: Les ailes qui s’ouvrent: Scene 6 - Live
L'Aiglon / Act 1: Les ailes qui s’ouvrent: Scene 7 - Live
L'Aiglon / Act 1: Les ailes qui s’ouvrent: Scene 8 - Live
L'Aiglon / Act 2: Les ailes qui battent: Scene 1 - Live
L'Aiglon / Act 2: Les ailes qui battent: Scene 2 - Live
L'Aiglon / Act 2: Les ailes qui battent: Scene 3 - Live
L'Aiglon / Act 3: Les ailes meurtries: Scene 1 - Live
L'Aiglon / Act 3: Les ailes meurtries: Ballet - Live
L'Aiglon / Act 3: Les ailes meurtries: Scene 2 - Live
L'Aiglon / Act 3: Les ailes meurtries: Scene 3 - Live
L'Aiglon / Act 3: Les ailes meurtries: Scenes 4-5 - Live
L'Aiglon / Act 3: Les ailes meurtries: Scenes 6-7 - Live
L'Aiglon / Act 4: Les ailes brisées: Scenes 1-4 - Live
Choeur de l'Orchestre Symphonique de Montréal
L'Aiglon / Act 5: Les ailes fermées: Scene 1 - Live
Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht
{"copyright_id":"0x6f7ceaeb294b1cb5ae1369c50f042165ba45ae6bdbdbcbf011495ebd3685c597","isrc":"CA5KV1310001","name":"Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht","registered_at":"2026-06-25T18:32:47Z","spotify_id":"0xV23aZ72bfHsiniUjg9o9","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x6f7ceaeb294b1cb5ae1369c50f042165ba45ae6bdbdbcbf011495ebd3685c597. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0xV23aZ72bfHsiniUjg9o9.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0xV23aZ72bfHsiniUjg9o9.
Lieder eines fahrenden Gesellen: Gieng heut' Morgen über's Feld
{"copyright_id":"0xa3d20db2d76eaca27f88fa54853b497faa9e1768aa1a3bb4e82c18b8f7a352c1","isrc":"CA5KV1310002","name":"Lieder eines fahrenden Gesellen: Gieng heut' Morgen über's Feld","registered_at":"2026-06-25T20:44:02Z","spotify_id":"14IEaSAVPyMd1l2CNSw4At","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa3d20db2d76eaca27f88fa54853b497faa9e1768aa1a3bb4e82c18b8f7a352c1. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/14IEaSAVPyMd1l2CNSw4At.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/14IEaSAVPyMd1l2CNSw4At.
Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer
Lieder eines fahrenden Gesellen: Die zwei blauen Augen
Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n!
Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen
Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen!
Rückert-Lieder: Blick mir nicht in die Lieder
Rückert-Lieder: Ich atmet einen linden Duft
Rückert-Lieder: Ich bin der Welt abhanden gekommen
{"copyright_id":"0x2b103ac9adcab8246779ff1f327d5f4461a8e5f0cf85d577f39da56ad24b6364","isrc":"CA5KV1610001","name":"Sorcerer's Apprentice","registered_at":"2026-06-05T22:31:09Z","spotify_id":"3kwDgSavfVKpt6cUlfthxm","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2b103ac9adcab8246779ff1f327d5f4461a8e5f0cf85d577f39da56ad24b6364. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3kwDgSavfVKpt6cUlfthxm.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3kwDgSavfVKpt6cUlfthxm.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf78a626f983ea63e0c55869356805d366a993c26e753d47ffe36a56a69c13581. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3188RH3sOVBrv5e84XJkT5.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3188RH3sOVBrv5e84XJkT5.
{"copyright_id":"0x7a4253f0e2062ce4086c085f8264a54b35f9bd41db91c3abaa3fcdf3c88a1d93","isrc":"CA5KV1610003","name":"A Night On The Bare Mountain","registered_at":"2026-06-05T13:10:07Z","spotify_id":"7ziy9EUNCwYgXQsqxyW7pb","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7a4253f0e2062ce4086c085f8264a54b35f9bd41db91c3abaa3fcdf3c88a1d93. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7ziy9EUNCwYgXQsqxyW7pb.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7ziy9EUNCwYgXQsqxyW7pb.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7c35596fa2a1ad03652281d6c8bad915d6e93373236a027b1f306e78fbb3e6a9. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4acmhWal4CtPOuCnfh5bRi.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4acmhWal4CtPOuCnfh5bRi.
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9bf7e4155f52dd2a0c4fb3e6e45159f4feb46ac6b09277d91d35d5040a19c8a0. Chain 2 (Bitcoin): anchored in block 953513 (2026-06-13T12:47:07Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4PRnYCH5hoxypKVcOBvx3a.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4PRnYCH5hoxypKVcOBvx3a.
{"copyright_id":"0x7415c88720301fe26810a9a6832f0391e65bb80cf9e0150dd811ec77aef7eec2","isrc":"CA5KV1610006","name":"Three Outdoor Scenes: Hallowe'en","registered_at":"2026-06-27T06:43:25Z","spotify_id":"5E8ZYBHZd57q7y9tpHI9rx","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7415c88720301fe26810a9a6832f0391e65bb80cf9e0150dd811ec77aef7eec2. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5E8ZYBHZd57q7y9tpHI9rx.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5E8ZYBHZd57q7y9tpHI9rx.
Saint-Saëns - Liszt - Saariaho - Moussa (Deluxe Edition)
Symphony No. 3 in C Minor, Op. 78, “Organ Symphony”: Adagio – Allegro moderato
Symphony No. 3 in C Minor, Op. 78, “Organ Symphony”: Poco adagio
Symphony No. 3 in C Minor, Op. 78, “Organ Symphony”: Allegro moderato – Presto
Symphony No. 3 in C Minor, Op. 78, “Organ Symphony”: Maestoso - Allegro
Fantasy and Fugue on B.A.C.H., S. 260 (Arr. for Organ and Orchestra by Jean-Marc Cochereau)
Maan Varjot for Organ and Orchestra: I. Misterioso ma intenso
Maan Varjot for Organ and Orchestra: II. Lento calmo
Maan Varjot for Organ and Orchestra: III. Energico
A Globe Itself Infolding for Organ and Orchestra
Rachmaninoff Live – The Piano Concertos & The Paganini Rhapsody
Rachmaninoff: Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato - Live
Rachmaninoff: Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto - Live
Rachmaninoff: Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando - Live
Rachmaninoff: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto - Live
Rachmaninoff: Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo – Adagio - Live
Rachmaninoff: Piano Concerto No. 3 in D Minor, Op. 30: III. Finale – Alla breve - Live
Glinka: The Lark (L'Alouette, arr. Mily Balkirev) - Live
Rachmaninoff: Piano Concerto No. 1 in C Minor, Op. 1 : I. Vivace (1917 Revised Version) - Live
Rachmaninoff: Piano Concerto No. 1 in C Minor, Op. 1: II. Andante (1917 Revised Version) - Live
Rachmaninoff: Piano Concerto No. 1 in C Minor, Op. 1 : III. Allegro vivace (1917 Revised Version) - Live
Rachmaninoff: Piano Concerto No. 4 in G Minor, Op. 40 : I. Allegro vivace - alla breve (1941 Revised Version) - Live
Rachmaninoff: Piano Concerto No. 4 in G Minor, Op. 40 : II. Largo (1941 Revised Version) - Live
Rachmaninoff: Piano Concerto No. 4 in G Minor, Op. 40: III. Allegro vivace (1941 Revised Version) - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Introduction. Allegro vivace - Var. 1. Precedente - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Tema. L’istesso tempo - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 2. L’istesso tempo - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 3. L’istesso tempo - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 4. Più vivo - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 5. Tempo precedente - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 6. L'istesso tempo - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 7. Meno mosso, a tempo moderato - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 8. Tempo I - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 9. L’istesso tempo - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 10. L’istesso tempo - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 11. Moderato - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 12. Tempo di minuetto - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 13. Allegro - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 14. L’istesso tempo - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 15. Piú vivo scherzando - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 16. Allegretto - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 17. Allegretto - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 18. Andante cantabile - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 19. A tempo vivace - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 20. Un poco piú vivo - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 21. L’istesso tempo - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 22. Marziale. Un poco piú vivo. Alla breve - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 23. L’istesso tempo - Live
Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 24. A tempo un poco meno mosso - Live
Mikhail Pletnev - Concerti & Encores (Live)
Keyboard Concerto in D Major, Hob. XVIII:11: I. Vivace - Live
Keyboard Concerto in D Major, Hob. XVIII:11: II. Un poco adagio - Live
Keyboard Concerto in D Major, Hob. XVIII:11: III. Rondo all'Ungarese - Allegro assai - Live
Suite for Piano and Orchestra: I. Snowflakes. Allegro vivace - Live
{"copyright_id":"0xb414919764b3af8e895a091703c3ede1b38a3cd476ea7dd65792450f682c48f1","isrc":"DEN962202091","name":"Suite for Piano and Orchestra: I. Snowflakes. Allegro vivace - Live","registered_at":"2026-06-26T21:08:12Z","spotify_id":"1YhqdJmvLqLC6R2HCuEvWb","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb414919764b3af8e895a091703c3ede1b38a3cd476ea7dd65792450f682c48f1. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1YhqdJmvLqLC6R2HCuEvWb.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1YhqdJmvLqLC6R2HCuEvWb.
Suite for Piano and Orchestra: II. Lyrical Waltz - Live
Suite for Piano and Orchestra: III. Polka - Live
Suite for Piano and Orchestra: IV. Career. Presto - Live
3 Mazurkas, Op. 63: No. 3 in C-Sharp Minor. Allegretto - Live
15 Virtuosic Etudes, Op. 72: No. 11 in A-Flat Major. Presto e con leggierezza - Live
Keyboard Sonata in D Minor, Kk. 9 - Live
Nocturne No. 20 in C-Sharp Minor, Op. Posth - Live
4 Epitaphs, Op. 10: 4. William and Emily
Lydia's Songs: No. 1, Den vackra älvan badar
Lydias sånger: 3. En flammande brunn av eld
Lydias sånger: 6. Fri föddes hon och hon dör fri
Piano Concerto No. 0, WoO 4: I. Allegro moderato
Piano Concerto No. 0, WoO 4: II. Larghetto
Piano Concerto No. 0, WoO 4: III. Rondo. Allegretto
Rondo for Piano and Orchestra in B-Flat Major, WoO 6. Allegro
Eroica Variations, Op. 35: Introduction. Allegro vivace
Eroica Variations, Op. 35: Variation 7. Canone all'ottava
Eroica Variations, Op. 35: Variation 14 (minore)
Eroica Variations, Op. 35: Variation 15. Largo (maggiore) - Attacca coda
Eroica Variations, Op. 35: Finale (alla Fuga). Allegro con brio
Piano Concerto No. 1 in C Major, Op. 15: I. Allegro con brio
Piano Concerto No. 1 in C Major, Op. 15: II. Largo
Piano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro scherzando
Piano Concerto No. 2 in B-Flat Major, Op. 19: I. Allegro con brio
Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio
Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto allegro
Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio
Piano Concerto No. 3 in C Minor, Op. 37: II. Largo
Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro
Triple Concerto in C Major, Op. 56: I. Allegro
Triple Concerto in C Major, Op. 56: II. Largo
Triple Concerto in C Major, Op. 56: III. Rondo alla polacca
Piano Concerto No. 4 in G Major, Op. 58: I. Allegro moderato
Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto
Piano Concerto No. 4 in G Major, Op. 58: III. Rondo vivace
Piano Concerto No. 5 in E-Flat Major, Op. 73: I. Allegro
Piano Concerto No. 5 in E-Flat Major, Op. 73: II. Adagio un poco mosso
Piano Concerto No. 5 in E-Flat Major, Op. 73: III. Rondo. Allegro
Rihm: Das Gehege - Beintus: Le Petit Prince Suite
Das Gehege: Ja... Ja... Ich höre dein verfaultes Kreischen
Das Gehege: Wir sind ja unter unsern Kleidern sehr, sehr bloß
Das Gehege: Bloß weil du nicht spielen kannst, soll ich in Fetzen gehen
Das Gehege: Doch kein Grauen ist so eins mit sich
Das Gehege: Wie ich dich täuschen konnte!
Le Petit Prince Suite: Un éléphant dans un boa
Le Petit Prince Suite: Une nuit dans le désert
Le Petit Prince Suite: Apparition du Petit Prince
Le Petit Prince Suite: Le Petit Prince quitte
Le Petit Prince Suite: La fleur du Petit Prince
Le Petit Prince Suite: Le Business Man compteur d'étoiles
Le Petit Prince Suite: Un renard apprivoisé
Le Petit Prince Suite: Le Petit Prince retourne sur son asteroide
Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso
Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto
{"copyright_id":"0xf6e61be8aad054d4e1b9ce89ebe7ea307126373870c0d65d76be55098a0eb160","isrc":"CALC41800402","name":"Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto","registered_at":"2026-06-22T04:01:54Z","spotify_id":"70IUsfru9aYc6EwSGBH5Oe","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf6e61be8aad054d4e1b9ce89ebe7ea307126373870c0d65d76be55098a0eb160. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/70IUsfru9aYc6EwSGBH5Oe.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/70IUsfru9aYc6EwSGBH5Oe.
Piano Concerto No. 2 in F Minor, Op. 21: III. Allegro vivace
Piano Concerto No. 1 in E Minor, Op. 11: I. Allegro maestoso
{"copyright_id":"0xc8e85b0a05b5d69fee9aa21ef8b42c8b537db0c9f1a040325800e1300f380770","isrc":"CALC41800404","name":"Piano Concerto No. 1 in E Minor, Op. 11: I. Allegro maestoso","registered_at":"2026-06-25T23:23:59Z","spotify_id":"4aRzRkDhZzDCC70PFMjEx6","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc8e85b0a05b5d69fee9aa21ef8b42c8b537db0c9f1a040325800e1300f380770. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4aRzRkDhZzDCC70PFMjEx6.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4aRzRkDhZzDCC70PFMjEx6.
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto
{"copyright_id":"0x0c228b0ae0ff67fdcdd03a765e365643d79aa7b67438033a7cefaa82fec7d9a6","isrc":"CALC41800405","name":"Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto","registered_at":"2026-06-27T06:27:36Z","spotify_id":"1Y46vKcCfyZdZUAQ84lYgg","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x0c228b0ae0ff67fdcdd03a765e365643d79aa7b67438033a7cefaa82fec7d9a6. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1Y46vKcCfyZdZUAQ84lYgg.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1Y46vKcCfyZdZUAQ84lYgg.
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace
Nocturne No. 20 in C-Sharp Minor, Op. posth.
Prologue..."The path of truth is plain and safe” (Bernstein: A Quiet Place)
A Quiet Place - Ed. Sunderland / Act 1: Prologue "The path of truth is plain and safe”
Introduction - Excerpt from Beethoven's Symphony No. 9, Finale
Where Have You Gone, My Revolutionary Friend?
Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso
Symphony No. 9 in D Minor, Op. 125 "Choral": II. Scherzo. Molto vivace - Presto
Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale. Presto - Allegro assai
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non molto
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": II. Adagio - Presto
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto
Mendelssohn: Overture to A Midsummer Night's Dream, Op. 21, MWV P3 (Excerpt)
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: Scherzo
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: Intermezzo
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: Nocturne
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: Wedding March
Vaughan Williams: The Lark Ascending (Excerpt)
{"copyright_id":"0xa0a4159f203e4ce141223358185eee2095b35653a900a2fc9bbbfddb65244aed","isrc":"DEA809100238","name":"Vaughan Williams: The Lark Ascending (Excerpt)","registered_at":"2026-06-06T16:37:06Z","spotify_id":"7CMBrdlbeEj7SdL9rDM495","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa0a4159f203e4ce141223358185eee2095b35653a900a2fc9bbbfddb65244aed. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/7CMBrdlbeEj7SdL9rDM495.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/7CMBrdlbeEj7SdL9rDM495.
Villa-Lobos : Bachianas Brasileiras No.5 : I Aria
Beethoven: 6 National Airs with Variations for Flute and Piano, Op. 105: No. 4 in E-Flat Major, Air écossais. The Last Rose of Summer
Coates: By the Sleepy Lagoon (Instrumental Version)
Schumann: Dichterliebe, Op. 48: No. 12, Am leuchtenden Sommermorgen
Rodrigo: Concierto de Aranjuez: II. Adagio (Excerpt)
Orchestre National de l'Opéra de Monte-Carlo
Canteloube: Chants d'Auvergne, Vol. 1: No. 2, Baïlèro
Emmanuel : Chansons bourguignonnes du Pays de Beaune : Le Pommier d'Août
Rimsky-Korsakov: The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee
Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante
Elgar: In the South, Op. 50 "Alassio" (Excerpt)
Satie: 3 Gymnopédies: No. 1, Lent et douloureux
Falla: Noches en los jardines de España: II. Danza lejana
Villa-Lobos: 12 Estudos, W. 235: No. 1 in E Minor (Allegro non tropo - arpejos)
Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b
Glazunov: The Seasons, Op. 67, Pt. 3 "Summer": No. 9, Summer Scene
Glazunov: The Seasons, Op. 67, Pt. 3 "Summer": No. 10, Waltz of the Cornflowers and Poppies
Glazunov: The Seasons, Op. 67, Pt. 3 "Summer": No. 11, Barcarolle
Glazunov: The Seasons, Op. 67, Pt. 3 "Summer": No. 12, Variation
Glazunov: The Seasons, Op. 67, Pt. 3 "Summer": No. 13, Coda
Tchaikovsky: The Seasons, Op. 37a: No. 6, June. Barcarolle
Tchaikovsky: The Seasons, Op. 37a: No. 7, July. Reaper's Song
Tchaikovsky: The Seasons, Op. 37a: No. 8, August. The Harvest
Grieg: Lyric Pieces, Book 10, Op. 71: No. 2, Summer Evening
Ravel: String Quartet, M. 35: II. Assez vif - Très rythmé
Trad / Arr Kuula : Kesäilta [Summer Evening]
Piazzolla / Arr Desyatnikov : Verano Porteño
Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86
Britten: The Rescue of Penelope & Phaedra
Britten: The Rescue of Penelope, Pt. 1: "Eight Years Have Passed" (Athene)
Britten: The Rescue of Penelope, Pt. 1: "Yet Not All Reached Their Homes" (Athene)
Britten: The Rescue of Penelope, Pt. 1: "Worse Still, the Island" (Athene)
Britten: The Rescue of Penelope, Pt. 1: "Children Have Died of Want" (Athene)
Britten: The Rescue of Penelope, Pt. 1: "Yet Some Trust in an End" (Athene)
Britten: The Rescue of Penelope, Pt. 1: "Your Prayer Is Answered, Penelope" (Athene, Hermes)
Britten: The Rescue of Penelope, Pt. 1: "Long Suffering Odysseus" (Athene)
Britten: The Rescue of Penelope, Pt. 1: "Listen, the Voices of the Gods" (Athene, Artemis, Hermis, Apollo)
Britten: The Rescue of Penelope, Pt. 2: "I, Athene, Rise to the Edge of Night" (Athene)
Britten: The Rescue of Penelope, Pt. 2: "When I See the Sorrow of Mortal Odysseus" (Athene)
Britten: The Rescue of Penelope, Pt. 2: "How Loud the Spring Sounds All of a Sudden" (Athene, Hermes)
Britten: The Rescue of Penelope, Pt. 2: "Bold! Telemachus, Watch the Shadow on the Wall" (Hermes, Athene)
Britten: The Rescue of Penelope, Pt. 2: "There It Is Before You" (Athene)
Britten: The Rescue of Penelope, Pt. 2: "Listen, Lords of Ithaca" (Athene)
Britten: The Rescue of Penelope, Pt. 2: "Telemachus, Be Swift!" (Athene)
Britten: The Rescue of Penelope, Pt. 2: "Now There Is Silence" (Athene, Hermes, Artemis, Apollo)
Britten: Phaedra, Op. 93: I. Prologue. "In May, in Brilliant Athens"
Britten: Phaedra, Op. 93: II. Recitative. "My Lost and Dazzled Eyes"
Britten: Phaedra, Op. 93: III. Presto. "You Monster!"
Britten: Phaedra, Op. 93: IV. Recitative. "O Gods of Wrath"
Britten: Phaedra, Op. 93: IV. Adagio. "My Time's Too Short"
Beethoven: Piano Concertos 3-5 / Triple Concerto
Concerto for Piano and Orchestra No. 3 in C Minor, Op. 37: I. Allegro con brio
Concerto for Piano and Orchestra No. 3 in C Minor, Op. 37: II. Largo
Concerto for Piano and Orchestra No. 3 in C Minor, Op. 37: III. Rondo. Allegro
Concerto for Piano and Orchestra No. 4 in G Major, Op. 58: I. Allegro moderato
Concerto for Piano and Orchestra No. 4 in G Major, Op. 58: II. Andante con moto
Concerto for Piano and Orchestra No. 4 in G Major, Op. 58: III. Rondo vivace
Concerto for Piano and Orchestra No. 5 in E-Flat Major, Op. 73: I. Allegro
Concerto for Piano and Orchestra No. 5 in E-Flat Major, Op. 73: II. Adagio un poco mosso
Concerto for Piano and Orchestra No. 5 in E-Flat Major, Op. 73: III. Rondo. Allegro
Triple Concerto for Piano, Violin and Violoncello in C Major, Op. 56: I. Allegro
Triple Concerto for Piano, Violin and Violoncello in C Major, Op. 56: II. Largo
Triple Concerto for Piano, Violin and Violoncello in C Major, Op. 56: III. Rondo alla polacca
Les noces / Pt. 1: Premier tableau: La tresse - Live
Les noces / Pt. 1: Deuxième tableau: Chez le marié - Live
Les noces / Pt. 1: Troisième tableau: Le départ de la mariée - Live
Les noces / Pt. 2: Quatrième tableau: Le repas de noces - Live
Le sacre du printemps / Pt. 1: L'Adoration de la terre: I. Introduction - Live
Le sacre du printemps / Pt. 1: L'Adoration de la terre: Il. Les augures printaniers - Live
Le sacre du printemps / Pt. 1: L'Adoration de la terre: III. Jeu du rapt - Live
Le sacre du printemps / Pt. 1: L'Adoration de la terre: IV. Rondes printanières - Live
Le sacre du printemps / Pt. 1: L'Adoration de la terre: V. Jeux des cités rivales - Live
Le sacre du printemps / Pt. 1: L'Adoration de la terre: VI. Cortège du sage: Le sage - Live
Le sacre du printemps / Pt. 1: L'Adoration de la terre: VII. Embrasse de la terre - Live
Le sacre du printemps / Pt. 1: L'Adoration de la terre: VIll. Danse de la terre - Live
Le sacre du printemps / Pt. 2: Le sacrifice: IX. Introduction - Live
Le sacre du printemps / Pt. 2: Le sacrifice: X. Cercles mysteriéux des adolescentes - Live
Le sacre du printemps / Pt. 2: Le sacrifice: XI. Glorification d'élue - Live
Le sacre du printemps / Pt. 2: Le sacrifice: XIl. Évocation des ancêtres - Live
Le sacre du printemps / Pt. 2: Le sacrifice: XIlI. Action rituelle des ancêtres - Live
Le sacre du printemps / Pt. 2: Le sacrifice: XIV. Danse sacrale: L'élue - Live
Puccini : Turandot : Act 3 "Nessun dorma" [Calaf]
Puccini : Gianni Schicchi : Act 1 "O mio babbino caro" [Lauretta]
Offenbach: Les contes d'Hoffmann, Act 4: "Messieurs, silence" - Barcarolle. "Belle nuit, ô nuit d'amour" (Hoffmann, Nicklausse, Giulietta, Chœur)
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino)
Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla)
Bizet : Les pécheurs de perles : Act 1 "Au fond du temple saint" [Nadir, Zurga]
Rossini : L'inganno felice : No.8 "Al più dolce e caro oggetto" [Isabella]
Mozart: Cosi fan tutte, K. 588, Act 1: "Soave sia il sento" (Fiordiligi, Dorabella, Don Alfonso)
Handel: Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse)
Stravinsky: The Rake's Progress, Act I, Scene 3: Aria. "Quietly, Night" (Anne, Truelove)
Rossini : L'Italiana in Algeri : Act 1 "Gia d'insolito ardore nel petto" [Mustafà]
Offenbach: Les contes d'Hoffmann, Act 2: Chanson d'Olympia. "Les oiseaux dans la charmille" (Olympia, Chœur)
Massenet: Werther, Act 3: "Pourquoi me réveiller"
Dvorák: Rusalka, B. 203, Op. 114, Act 1: 'Song to the Moon' (Rusalka)
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì)
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson)
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino)
Britten: Billy Budd, Op. 50, Act 4: "Look! Through the Port!" (Billy, Dansker)
Monteverdi : L'Incoronazione di Poppea : Act 1 "Disprezzata Regina" [Lamento di Ottavia]
Verdi : Rigoletto : Act 1 "Gualtier Maldè..." [Gilda]
Puccini: Manon Lescaut, Act 1: "Donna non vidi mai" (Des Grieux)
Puccini: Madama Butterfly, Act 2: "Un bel di" [Butterfly]
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 4: "D'amour l'ardente flamme" (Marguerite)
Gounod : Faust : Act 4 "Vous qui faite l'endormie" [Mephisto]
Purcell: Dido and Aeneas, Z. 626, Act III: Recitative. "Thy Hand, Belinda" - Song. "When I Am Laid in Earth" (Dido)
Tchaikovsky: Iolanta, Op. 69: Scene. "Tvoye litso" - Monologue of Ibn Hakia. "Dva mira" (Ibn Hakia) [Excerpt]
Bizet: Carmen, WD 31, Act 2: "Votre toast je peux vous le rendre" (Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Chœur)
Puccini: Tosca, Act III: "E lucevan le stelle" (Cavaradossi)
Wagner : Tannhäuser : Act 3 "Wie Todesahnung" [Wolfram]
Puccini: Turandot, Act 3: "Nessun dorma" (Calaf)
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus)
Bizet: Les pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga)
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido)
Verdi: Rigoletto, Act 3: "La donna è mobile" (Duca)
Puccini: Madama Butterfly, Act 2: "Un bel dì vedremo" (Butterfly)
Verdi : La traviata : Act 1 "Libiamo, ne'lieti calici" [Violetta, Alfredo, Choir]
Puccini: Tosca, Act 2: "Vissi d'arte" (Tosca)
Puccini: La bohème, Act 1: "Che gelida manina" (Rodolfo)
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello)
Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta)
Catalani: La Wally, Act 1: "Ebben, ne andrò lontana" (Wally)
Offenbach: Les contes d'Hoffman, Act 4: Barcarolle - "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse)
Bizet: Carmen, WD 31, Act 2: "La fleur que tu m'avais jetée" (Don José)
Puccini: Turandot, Act 1: "Signore ascolta!" (Liù)
Verdi: La traviata, Act 1: "Un dì felice" (Alfredo, Violetta, Gastone)
Delibes: Lakmé, Act 1: Flower Duet - "Dôme épais le jasmin" (Lakmé, Mallika)
Mozart: Le nozze di Figaro, Act 2: "Porgi amor qualche ristoro" (La Contessa)
Mozart: Don Giovanni, K. 527, Act 1: "Dalla sua pace" (Don Ottavio)
Bellini: Norma : Act 1 "Casta diva" [Norma]
Handel: Rinaldo, HWV 7, Act 2: Aria. "Lascia ch'io pianga" (Almirena)
Gluck: Orphée et Eurydice, Act 3: "J'ai perdu mon Eurydice" (Orphée)
Mozart: Die Zauberflöte, K. 620, Act 1: "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
Verdi: Aïda, Act 1: "Celeste Aïda" (Radames)
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda)
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris)
Lehár: Die lustige Witwe, Act 2: Vilja-Lied. "Es lebt' eine Vilja, ein Waldmägdelein" (Hanna)
Puccini: Tosca, Act 3: "E lucevan le stelle" (Cavaradossi)
Verdi: Otello, Act 4: "Ave Maria" (Desdemona)
Rossini : La Cenerentola : Act 2 "Non più mesta accanto al fuoco" [Cenerentola, Clorinda, Tisbe, Dandini, Magnifico, Chorus]
Orchestra of the Royal Opera House, Covent Garden
Busoni: Arlecchino, Op. 50: "Ein Schauspiel ist's für Kinder nicht" (Arlecchino)
Busoni: Arlecchino, Op. 50: "Maestro?" (Arlecchino, Matteo)
Busoni: Arlecchino, Op. 50: "Quel giorno più non vi leggemmo avante" (Arlecchino, Matteo)
Busoni: Arlecchino, Op. 50: "Und noch hab ich euch zu danken" (Abbate, Dottore, Matteo)
Busoni: Arlecchino, Op. 50: "So wüßt ihr von Nichts?" (Matteo, Abbate, Dottore)
Busoni: Arlecchino, Op. 50: "Gott, eh' dem Schlachten" (Abbatte, Dottore, Matteo)
Busoni: Arlecchino, Op. 50: Marsch - "Den schlüssel ließ ich mir nachfertigen" (Arlecchino, Matteo)
Busoni: Arlecchino, Op. 50: "Ora incommincian le dolenti note" (Arlecchino, Matteo)
Busoni: Arlecchino, Op. 50: "Jetz aber" (Arlecchino, Colombina)
Busoni: Arlecchino, Op. 50: Arietta. "Wie ist ihr Schlaf, Madame?" (Arlecchino, Colombina)
Busoni: Arlecchino, Op. 50: "Mit dem Schwerte, mit der Laute" (Leandro, Colombina)
Busoni: Arlecchino, Op. 50: "Contro l'empio traditore" (Leandro, Colombina)
Busoni: Arlecchino, Op. 50: "O Colombina" (Leandro, Colombina)
Busoni: Arlecchino, Op. 50: "Madame, ich seh', ihr bildet euch an meiner Schule" (Arlecchino, Leandro)
Busoni: Arlecchino, Op. 50: "Est ist schon ganz finster" (Dottore, Abbate, Colombina)
Busoni: Arlecchino, Op. 50: "Was vermuten, was beginnen" (Dottore, Abbate, Colombina)
Busoni: Arlecchino, Op. 50: "Laßt uns beten, asinus providentialis" (Abbate, Leandro, Dottore, Colombina)
Busoni: Arlecchino, Op. 50: "Glück auf zur Fahrt" (Arlecchino)
Busoni: Arlecchino, Op. 50: "Wahrlich, ich weiß nicht mehr aus noch ein!" (Matteo)
Busoni: Arlecchino, Op. 50: Umzug und Tanz
Busoni: Arlecchino, Op. 50: "Verehrliche Versammlung" (Arlecchino)
Busoni: Turandot, Act 1: Introduktion - "Peking! Stadt der Wunder!" (Kalaf, Barak)
Busoni: Turandot, Act 1: Lamento. "O Verweilt!" (Chor, Königinmutter, Barak, Kalaf)
Busoni: Turandot, Act 1: "Barak, Barak, o du tückishcer Alter" (Kalaf, Barak)
Busoni: Turandot, Act 1: "Dich will ich rächen" (Kalaf, Barak)
Busoni: Turandot, Act 1: "Rechts zunächst der große Thron" (Truffaldino)
Busoni: Turandot, Act 1: "Das find' ich doch sehr vernünftig" (Truffaldino)
Busoni: Turandot, Act 1: "Wir sind die Doktores und sitzen zu Gericht" (Chor, Altoum, Pantalone, Tartaglia)
Busoni: Turandot, Act 1: "Konfutse, dir hab' ich geschworen" (Altoum)
Busoni: Turandot, Act 1: "Steh' auf, unkluger Jüngling!" (Altoum, Kalaf)
Busoni: Turandot, Act 1: "Entweiche, entweich' der Gefahr" (Altoum, Kalaf, Pantalone, Tartaglia)
Busoni: Turandot, Act 1: "Lieber möcht' ich gar auf einem Bein" (Pantalone, Altoum, Kalaf, Tartaglia, Chor, Turandot, Adelma, Truffaldino)
Busoni: Turandot, Act 1: "Was kriecht am Boden, fliegt gen Himmel" (Turandot, Kalaf, Pantalone, Tartaglia, Altoum, Chor)
Busoni: Turandot, Act 1: "Wes Stamms und Names ist der fremde Prinz" (Kalaf, Chor)
Busoni: Turandot, Act 2: Lied mit Chor. "La la la" (Chor)
Busoni: Turandot, Act 2: Tanz. "Nacht wird zum Tag, schauet!" (Chor)
Busoni: Turandot, Act 2: "Genug! Mein Kopf steht nach andren Dingen!" (Turandot, Adelma)
Busoni: Turandot, Act 2: "Hören wir zunächst, was Truffaldino meldet" (Adelma, Turandot, Truffaldino)
Busoni: Turandot, Act 2: "Ich schlich geschickt" (Truffaldino, Turandot, Adelma, Altoum, Pantalone, Tartaglia)
Busoni: Turandot, Act 2: "Heimliche Kunde kam mir zu" (Altoum, Turandot, Pantalone, Tartaglia)
Busoni: Turandot, Act 2: "Adelma, meine Freundin" (Turandot, Adelma)
Busoni: Turandot, Act 2: "Hört mir nur das klägliche Getrommel!" (Tartaglia, Pantalone, Chor, Kalaf, Altoum, Turandot)
Busoni: Turandot, Act 2: Finale. "Vatermörderin!" (Altoum, Chor, Pantalone, Tartaglia, Kalaf, Turandot, Truffaldino, Adelma)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act 1: Overture
Ernst Theo Richter/Veronica Cangemi/Doris Lamprecht/Brigitte Fournier/Orchestre de l'Opéra National de Lyon/Kent Nagano
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Großmächtige Prinzessin, wer verstünde nicht" (Zerbinetta)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act I: "Wie? Was fur Schnacksen?" (Jourdain)
Ernst Theo Richter/Orchestre de l'Opéra National de Lyon/Kent Nagano
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: Zerbinetta's Aria. "Noch glaub' ich dem einen ganz mich gehörend" (Zerbinetta)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act I: Entrance of Monsieur Jourdain
Orchestre de l'Opera National de Lyon & Kent Nagano
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "So war es mit Pagliazzo" (Zerbinetta)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act I: "Je nun, wie stehts?" (Jourdain)
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Als ein Gott kam jeder gegangen" (Zerbinetta)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act I: Ariette. "Du, Venus Sohn" (Singer)
Veronica Cangemi/Orchestre de l'Opéra National de Lyon/Kent Nagano
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: Cadenza (Zerbinetta)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act I: "Na, die Arie klingt ein bißchen gar zu traurig" (Jourdain)
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Hübsch gepredigt! Aber tauben Ohren!" (Harlekin, Zerbinetta, Brighella, Scaramuccio, Truffaldin)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act I: Jourdain's Song. "Ich glaubete, mein Schätzchen" (Jourdain)
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Eine Störrische zu trösten" (Brighella, Scaramuccio, Harlekin, Truffaldin, Zerbinetta)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act I: "Ist es nicht artig?" (Jourdain)
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Pst, wo ist sie hin?" (Scaramuccio, Brighella, Truffaldin, Zerbinetta, Harlekin)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act I: Duet. "Kennst du ewig nichts als Kälte" (Shepherd, Shepherdess)
Doris Lamprecht/Brigitte Fournier/Orchestre de l'Opéra National de Lyon/Kent Nagano
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Ein schönes Wunder!" (Najade, Dryade, Echo)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act I: "Das ist gar nicht so dumm" (Jourdain)
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Circe, Circe, kannst du mich hören?" (Bacchus, Ariadne, Najade, Dryade, Echo)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act 1: Minuet
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Doch da ich unversandelt von dir gegangen bin" (Bacchus, Ariadne, Najade, Dryade, Echo)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act I: "Ah, vortrefflich!" (Jourdain)
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Prinzessin! Welchen Botenlohn hab ich verdient?" (Zerbinetta, Echo, Najade, Dryade)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act I: Fencing Master's Scene
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Er kommt zu mir" (Ariadne, Zerbinetta)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act I: "In Positur, in Positur!" (Jourdain)
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Ich grüße dich, du Bote aller Boten!" (Ariadne, Bacchus)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act 1: Entrance and Dance of the Tailor
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Wie? kennst du mich denn?" (Bacchus, Ariadne)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act I: "Aaah! Das ist ein rechtes Meisterstück" (Jourdain)
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Das waren Zauberworte!" (Ariadne, Bacchus)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act I: Orchestra Offstage
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Gibt es kein hinüber?" (Ariadne, Bacchus)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act II: Overture
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act II: "Ein Gott! Der Bacchus ist ein Gott!" (Jourdain)
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act 2: The Diner
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act 2: First Course
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act 2: Second Course
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act 2: Third Course
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act 2: The Last Course
Strauss, R: Ariadne auf Naxos, Op. 60, Bürger als Edelmann, Act II: "Was fur ein geschickter Küchenjunge" (Jourdain)
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: Overture
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Schläft sie?" (Naiad, Dryad, Echo)
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Ach, wir sind es eingewöhnet" (Najade, Dryade, Echo)
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Ach! Ach! Wo war ich?" (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin)
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Ein Schönes war, hieß Theseus-Ariadne" (Ariadne, Naiad, Dryad, Echo, Harlekin, Zerbinetta, Scaramuccio, Truffaldin)
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Ach, so versuchet doch ein kleines Lied!" (Zerbinetta, Harlekin)
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Es gibt ein Reich, wo alles rein ist" (Ariadne)
Strauss, R: Ariadne auf Naxos, Op. 60, Opera, Act III: "Die Dame gibt mir trübem Sinn" (Brighella, Scaramuccio, Harlekin, Truffaldin, Zerbinetta)
St. Luke Passion, Pt. 1: No. 1, O crux ave, spes unica (Live)
St. Luke Passion, Pt. 1: No. 2, Et egressus ibat (Live)
St. Luke Passion, Pt. 1: No. 3, Deus meus (Live)
St. Luke Passion, Pt. 1: No. 4, Domine, quis habitabit (Live)
St. Luke Passion, Pt. 1: No. 5, Adhuc eo loquente (Live)
St. Luke Passion, Pt. 1: No. 6, Ierusalem, Ierusalem (Live)
St. Luke Passion, Pt. 1: No. 7, Ut quid, Domine (Live)
St. Luke Passion, Pt. 1: No. 8, Comprehendentes autem (Live)
St. Luke Passion, Pt. 1: No. 9, Iudica me (Live)
St. Luke Passion, Pt. 1: No. 10, Et viri, qui tenebant illum (Live)
St. Luke Passion, Pt. 1: No. 11, Ierusalem, Ierusalem (Live)
St. Luke Passion, Pt. 1: No. 12, Miserere mei, Deus (Live)
St. Luke Passion, Pt. 1: No. 13, Et surgens omnis (Live)
St. Luke Passion, Pt. 2: No. 14, Et in pulverem mortis (Live)
St. Luke Passion, Pt. 2: No. 15, Et baiulans (Live)
St. Luke Passion, Pt. 2: No. 16, Popule meus (Live)
St. Luke Passion, Pt. 2: No. 17, Ibi cruciﬁxerunt eum (Live)
St. Luke Passion, Pt. 2: No. 18, Crux ﬁdelis (Live)
St. Luke Passion, Pt. 2: No. 19, Iesus autem dicebat (Live)
St. Luke Passion, Pt. 2: No. 20, In pulverem mortis (Live)
St. Luke Passion, Pt. 2: No. 21, Et stabat populus (Live)
St. Luke Passion, Pt. 2: No. 22, Unus autem de his (Live)
St. Luke Passion, Pt. 2: No. 23, Stabant autem iuxta crucem (Live)
St. Luke Passion, Pt. 2: No. 24, Stabat mater (Live)
St. Luke Passion, Pt. 2: No. 25, Erat autem fere hora sexta (Live)
St. Luke Passion, Pt. 2: No. 26, Alla breve (Live)
St. Luke Passion, Pt. 2: No. 27, In pulverem mortis... In te, Domine, speravi (Live)
A Quiet Place - Ed. Sunderland / Act 1: Dialogue 1. "I am sorry, ma'am"
A Quiet Place - Ed. Sunderland / Act 1: Dialogue 2. “She wasn’t exactly what you would call a beautiful woman”
A Quiet Place - Ed. Sunderland / Act 1: Dialogue 3. “Dede! Darlin how’ve you been?” & Arietta “Fantastic, great!”
A Quiet Place - Ed. Sunderland / Act 1: Dialogue 4. “You’re so like her”
A Quiet Place - Ed. Sunderland / Act 1: Dialogue 5. “Uh, Susie - You must be François”
A Quiet Place - Ed. Sunderland / Act 1: Dialogue 6. “Oh François, come.”
A Quiet Place - Ed. Sunderland / Act 1: Dialogue 7. “Welcome to the Family.”
A Quiet Place - Ed. Sunderland / Act 1: Dialogue 8. “Say, who’s that character with…”
A Quiet Place - Ed. Sunderland / Act 1: Dialogue 9. “Dede, where’s your brother"
A Quiet Place - Ed. Sunderland / Act 1: Readings "Who can find a virtuous woman?" & Choral “God has his ways”
A Quiet Place - Ed. Sunderland / Act 1: Aria “You’re late…”
A Quiet Place - Ed. Sunderland / Act 1: Trio “Dear Daddy, Daddy dear”
A Quiet Place - Ed. Sunderland / Act 1: Finale “Merry Christmas to you too, asshole”
A Quiet Place - Ed. Sunderland / Act 1: Postlude
A Quiet Place - Ed. Sunderland / Act 2: Aria “I wish I could sleep"
A Quiet Place - Ed. Sunderland / Act 2: Scene “What are you doing?”
A Quiet Place - Ed. Sunderland / Act 2: “First, I would like to sing you a little song”
A Quiet Place - Ed. Sunderland / Act 2: “I coming…closer”
A Quiet Place - Ed. Sunderland / Act 2: Aria “I’ve been afraid”
A Quiet Place - Ed. Sunderland / Act 3: Prelude
A Quiet Place - Ed. Sunderland / Act 3: Aria “Morning. Good Morning”
A Quiet Place - Ed. Sunderland / Act 3: Scene “The one and only cereal”
A Quiet Place - Ed. Sunderland / Act 3: Tag #1 “Ha! Absence makes the heart grow fonder! & Trio “Oh! Bon anniversaire”
A Quiet Place - Ed. Sunderland / Act 3: Tag #2 “Watch it! Watch out!”
A Quiet Place - Ed. Sunderland / Act 3: Aria “Oh, François, please. Somehow it’s meant for you”
A Quiet Place - Ed. Sunderland / Act 3: Aria “Dear loved ones” & Laughing Chorus
A Quiet Place - Ed. Sunderland / Act 3: Scene “I like it here! You mean, maybe you would…”
A Quiet Place - Ed. Sunderland / Act 3: Aria “Stop. You will not take another step!”
A Quiet Place - Ed. Sunderland / Act 3: Aria “You see, Daddy, that death does bring some relief”
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 1: "Le vieil hiver a fait place au printemps" (Faust)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 1: "Les bergers quittent leurs troupeaux " (Chorus, Faust)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 1: "Mais d'un éclat guerrier les campagnes se parent" (Faust)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 1: Marche hongroise
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 2: "Sans regrets j'ai quitté les riantes campagnes ... Chant de la Fête de Pâques" (Faust, Chorus)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 2: "Christ vient de ressusciter !" (Chorus, Faust)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 2: "Ô pure émotion ! Enfant du saint parvis !" (Méphistophélès, Faust)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 2: "A boire encore ! du vin" (Chorus, Méphistolphélès, Brander)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 2: "Certain rat, dans une cuisine" (Brander, Chorus, Méphistophélès)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 2: "Amen" (Brander, Chorus, Méphistophélès)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 2: "Une puce gentille" (Méphistophélès, Chorus, Faust)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 2: "Voici des roses" (Méphistophélès)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 2: "Dors ! heureux Faust !" (Chorus, Méphistophélès, Faust)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 2: "Margarita" (Faust, Méphistophélès)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 2: "Villes entourées ... Jam nox stellata velamina pandit" (Chorus, Faust, Méphistophélès)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: Tambours et trompettes sonnant la retraite
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: "Merci, doux crépuscule !" (Faust)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: "Je l'entends !" (Méphistophélès, Faust)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: "Que l'air est étouffant" (Marguerite)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: "Autrefois un roi de Thulé" (Marguerite)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: "Esprits des flammes inconstantes" (Méphistophélès)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: Menuet des Feux Follets
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: "Maintenant, chantons à cette belle ... " (Méphistophélès)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: "Devant la maison" (Méphistophélès, Chorus)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: "Grand Dieu !" (Marguerite, Faust)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: "Allons, il est trop tard !" (Méphistophélès, Marguerite, Faust, Chorus)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 4: "Au son des trompettes" (Chorus, Marguerite)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 4: "Nature immense, impénétrable et fière" (Faust)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 4: "A la voûte azurée" (Méphistophélès, Faust)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 4: "Dans mon coeur retentit sa voix" (Faust, Chorus, Méphistophélès)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 4: "Has ! Irimirukarabrao ! Has !" (Chorus, Méphistophélès)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 4: "Alors l'Enfer se tut" (Une voix, Chorus)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 4: "Laus ! Hosanna !" (Chorus, Une voix)
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 4: "Remonte au ciel, âme naïve" (Chorus, Une voix)
Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì]
Puccini : La bohème : Act 3 "Donde lieta uscì" [Mimì]
Puccini : La bohème : Act 4 "Sono andati?" [Mimì, Rodolfo]
Puccini : La bohème : Act 4 "Che avvien?" [Schaunard, Mimì, Rodolfo, Musetta, Marcello]
Puccini : La bohème : Act 4 "Madonna, benedetta" [Musetta, Rodolfo, Marcello, Schaunard, Colline]
Puccini : Manon Lescaut : Act 1 "Tra voi, belle" [Des Grieux]
Puccini : Manon Lescaut : Act 1 "In quelle trine morbide" [Manon]
Puccini : Manon Lescaut : Act 3 Intermezzo
Puccini : Manon Lescaut : Act 4 "Sola, perduta, abbandonata" [Manon]
Puccini : Tosca : Act 1 "Dammi i colori...Recondita armonia"
Puccini: Tosca, Act I: "Mario! Mario! Mario!" (Tosca, Cavaradossi)
Puccini: Tosca, Act I: "Ah, quegli occhi" - "Quale occhio al mondo" (Tosca, Cavaradossi)
Puccini: Tosca, Act I: "Tre sbirri, una carrozza" (Scarpia, Spoletta, Coro)
Puccini : Tosca : Act 2 "Vissi d'arte" [Tosca]
Puccini : La rondine : Act 3 "Dimmi che vuoi seguirmi" [Ruggero]
Puccini : Madama Butterfly : Act 1 "Dipende dal grado di cottura... amore o grillo" [Pinkerton]
Puccini : Madama Butterfly : Act 2 "Una nave da guerra" [Butterfly, Suzuki]
Puccini : Madama Butterfly : Act 2 "Coro a bocca chiusa" [Humming Chorus]
Puccini : Madama Butterfly : Act 2 "Addio, fiorito asil" [Pinkerton]
Puccini : Il Trittico, 'Suor Angelica' : "Senza mamma" [Forzano]
Puccini : Il Trittico, 'Gianni Schicchi' : "Firenze è come un albero fiorito" [Forzano]
Puccini : Il Trittico, 'Il Tabarro : "Io voglio la tua bocca" [Adami]
Puccini : Le villi : Act 1 "Se come voi piccina io fossi" [Anna]
Puccini : Edgar : Act 2 "Orgia, chimera dall'occhio vitreo" [Edgar]
Puccini : Turandot : Act 1 "Non piangere Liù" [Calaf]
Puccini : Turandot : Act 3 "Tu che di gel sei cinta" [Liù]
Puccini : La fanciulla del west : Act 3 "Risparmiate lo scherno... Ch'ella mi creda" [Johnson]
Rachmaninov: Piano Concerto No. 4 Op. 40 (Original 1926 version) - Scriabin: Prometheus, The Poem of Fire, Op. 60
Piano Concerto No. 4 in G Minor, Op. 40 (Original 1926 Version): I. Allegro
Piano Concerto No. 4 in G Minor, Op. 40 (Original 1926 Version): II. Largo
Piano Concerto No. 4 in G Minor, Op. 40 (Original 1926 Version): III. Allegro vivace
La transfiguration de notre Seigneur Jésus-Christ, I/48, Premier septénaire: I. Recit evangelique (Live)
La transfiguration de notre Seigneur Jésus-Christ, I/48, Deuxième septénaire: VIII. Recit evangelique (Live)
Poemes pour Mi, I/17b, Livre 1: No. 1, Action de grâces (Live)
La transfiguration de notre Seigneur Jésus-Christ, I/48, Premier septénaire: II. Configuratum corpori claritatis suae (Live)
La transfiguration de notre Seigneur Jésus-Christ, I/48, Deuxième septénaire: IX. Perfecte conscius illius perfectae generationis (Live)
Poemes pour Mi, I/17b, Livre 1: No. 2, Paysage (Live)
La transfiguration de notre Seigneur Jésus-Christ, I/48, Premier septénaire: III. Christus Jesus, splendor patris (Live)
La transfiguration de notre Seigneur Jésus-Christ, I/48, Deuxième septénaire: X. Adoptionem filiorum perfectam (Live)
Poemes pour Mi, I/17b, Livre 1: No. 3, La maison (Live)
La transfiguration de notre Seigneur Jésus-Christ, I/48, Premier septénaire: IV. Recit evangelique (Live)
La transfiguration de notre Seigneur Jésus-Christ, I/48, Deuxième septénaire: XI. Recit evangelique (Live)
Poemes pour Mi, I/17b, Livre 1: No. 4, Épouvante (Live)
La transfiguration de notre Seigneur Jésus-Christ, I/48, Premier septénaire: V. Quam dilecta tabernacula tua (Live)
La transfiguration de notre Seigneur Jésus-Christ, I/48, Deuxième septénaire: XII. Terribilis est locus iste (Live)
Poemes pour Mi, I/17b, Livre 2: No. 5, L'épouse (Live)
La transfiguration de notre Seigneur Jésus-Christ, I/48, Premier septénaire: VI. Candor est lucis aeternae (Live)
La transfiguration de notre Seigneur Jésus-Christ, I/48, Deuxième septénaire: XIII. Tota trinitas apparuit (Live)
Poemes pour Mi, I/17b, Livre 2: No. 6, Ta voix (Live)
La transfiguration de notre Seigneur Jésus-Christ, I/48, Premier septénaire: VII. Choral de la sainte montagne (Live)
La transfiguration de notre Seigneur Jésus-Christ, I/48, Deuxième septénaire: XIV. Choral de la lumière de gloire (Live)
Poemes pour Mi, I/17b, Livre 2: No. 7, Les deux guerriers (Live)
Poemes pour Mi, I/17b, Livre 2: No. 8, Le collier (Live)
Poemes pour Mi, I/17b, Livre 2: No. 9, Prière exaucée (Live)
Chronochromie, I/43: I. Introduction (Live)
Chronochromie, I/43: II. Strophe I (Live)
Chronochromie, I/43: III. Antistrophe I (Live)
Chronochromie, I/43: IV. Strophe II (Live)
Chronochromie, I/43: V. Antistrophe II (Live)
Schubert, Webern & Mahler: Orchestral Works
String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden" (Arr. for String Orchestra by Gustav Mahler): I. Allegro
String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden" (Arr. for String Orchestra by Gustav Mahler): II. Andante con moto
String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden" (Arr. for String Orchestra by Gustav Mahler): III. Scherzo. Allegro molto
String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden" (Arr. for String Orchestra by Gustav Mahler): IV. Presto
6 German Dances, D. 820 (Arr. for Orchestra by Anton Webern): No. 1 in A-Flat Major
6 German Dances, D. 820 (Arr. for Orchestra by Anton Webern): No. 2 in A-Flat Major
6 German Dances, D. 820 (Arr. for Orchestra by Anton Webern): No. 3 in A-Flat Major
6 German Dances, D. 820 (Arr. for Orchestra by Anton Webern): No. 4 in B-Flat Major
6 German Dances, D. 820 (Arr. for Orchestra by Anton Webern): No. 5 in B-Flat Major
6 German Dances, D. 820 (Arr. for Orchestra by Anton Webern): No. 6 in B-Flat Major
{"copyright_id":"0x653cdf1a233bb3a243dff8b78656fbd5fe9bb1e2ce190fa8a9d4b78e555feb90","isrc":"CA5KV1910001","name":"Common Tones in Simple Time","registered_at":"2026-06-26T18:25:07Z","spotify_id":"0NHegWmL0COJTBQ0yRMHq2","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x653cdf1a233bb3a243dff8b78656fbd5fe9bb1e2ce190fa8a9d4b78e555feb90. Chain 2 (Bitcoin): anchored in block 956351 (2026-07-02T11:38:34Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0NHegWmL0COJTBQ0yRMHq2.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0NHegWmL0COJTBQ0yRMHq2.
Harmonielehre: 3. Meister Eckhardt and Quackie
{"copyright_id":"0xc26f0dc851c4831443d93890eabfeedd0c6a2ffab029cb461ed89ade497f2bf6","isrc":"CA5KV1910006","name":"Short Ride in a Fast Machine","registered_at":"2026-06-10T02:31:09Z","spotify_id":"6Olyr6tQ7DKWPJro6nn35C","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc26f0dc851c4831443d93890eabfeedd0c6a2ffab029cb461ed89ade497f2bf6. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6Olyr6tQ7DKWPJro6nn35C.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6Olyr6tQ7DKWPJro6nn35C.
Bartók: Violin Concerto No. 2 & Concerto for Orchestra
Violin Concerto No. 2, BB 117: I. Allegro non troppo
Concerto for Orchestra, Sz.116: I. Introduzione - Andante non troppo
Violin Concerto No. 2, BB 117: II. Andante tranquillo
Concerto for Orchestra, Sz.116: II. Presentando le coppie - Allegro scherzando
Violin Concerto No. 2, BB 117: III. Allegro molto
Concerto for Orchestra, Sz.116: III. Elegia - Andante non troppo
Concerto for Orchestra, Sz.116: IV. Intermezzo Interrotto - Allegretto
Concerto for Orchestra, Sz.116: V. Finale - Pesante — Presto
Audi Jugendchorakademie, Munich Opera Horns
4 Gesänge, Op. 17: No. 1, Es tönt ein voller Harfenklang
4 Gesänge, Op. 17: No. 2, Lied von Shakespeare
4 Gesänge, Op. 17: No. 4, Gesang aus Fingal
5 Gesänge aus H. Laubes Jagdbrevier, Op. 137: No. 1, Zur hohen Jagd
5 Gesänge aus H. Laubes Jagdbrevier, Op. 137: No. 2, Habet acht!
5 Gesänge aus H. Laubes Jagdbrevier, Op. 137: No. 3, Jagdmorgen
5 Gesänge aus H. Laubes Jagdbrevier, Op. 137: No. 4, Fruhe
5 Gesänge aus H. Laubes Jagdbrevier, Op. 137: No. 5, Bei der Flasche
4 Russian Peasant Songs, "Podblyudniye": No. 1, U spasa v' chigisakh (In Our Saviour’s Parish at Chigasi)
4 Russian Peasant Songs, "Podblyudniye": No. 2, Ovsen' (Ovsen)
4 Russian Peasant Songs, "Podblyudniye": No. 3, Shchuka (the Pike)
4 Russian Peasant Songs, "Podblyudniye": No. 4, Puzishche (Mr. Portly)
Parsifal, Act III: Good Friday Magic (Arr. F. Kanefzky for horn ensemble)
Der Rosenkavalier Suite, Op. 59, TrV 227 (Arr. F. Kanefzky for horn ensemble)
French Trumpet Concertos: Tomasi - Désenclos - Jolivet
Concerto pour trompette et orchestre: Allegro - Cadenza
Concerto pour trompette et orchestre: Nocturne
Concerto pour trompette et orchestre: Finale
Incantation, thrène et danse pour trompette et orchestre: Incantation
Incantation, thrène et danse pour trompette et orchestre: Thrène
Incantation, thrène et danse pour trompette et orchestre: Danse
Concerto pour trompette No. 2: Mesto – Concitato
Symphony No. 2 in D Major, Op. 36: I. Adagio molto - Allegro con brio
Symphony No. 2 in D Major, Op. 36: II. Larghetto
Symphony No. 2 in D Major, Op. 36: III. Scherzo
Symphony No. 2 in D Major, Op. 36: IV. Allegro molto
Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace
Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio
Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto. Allegro vivace
Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x75166f7d090a4bad138aa51c5dd721d3ddfa8568f481940744d17a8c844bad40. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/50I5PJanEn2JUJH1kZv6mB.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/50I5PJanEn2JUJH1kZv6mB.
Orchestral Fantasy on “Chin, Chin, Chidori”
Bruckner: Symphony No. 8 (original 1887 version, ed. L. Nowak)
Symphony No. 8 in C Minor, WAB 108: I. Allegro moderato (Original 1887 Version, ed. L. Nowak)
Symphony No. 8 in C Minor, WAB 108: III. Adagio Feierlich langsam, doch nicht schleppend (Original 1887 Version, ed. L. Nowak)
Symphony No. 8 in C Minor, WAB 108: II. Scherzo. Allegro moderato - Trio. Allegro moderato (Original 1887 Version, ed. L. Nowak)
Symphony No. 8 in C Minor, WAB 108: IV. Finale. Feierlich, nicht schnell (Original 1887 Version, ed. L. Nowak)
Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio
Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto
Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace
Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto
Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace
Symphony No. 7 in A Major, Op. 92: II. Allegretto
Symphony No. 7 in A Major, Op. 92: III. Presto, assai meno presto
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio
Schumann: Concertstück - Wagner: Siegfried Idyll - Strauss: Metamorphosen
Concertstück in F Major, Op. 86: I. Lebhaft
Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam
Concertstück in F Major, Op. 86: III. Sehr Lebhaft
Mendelssohn: Die erste Walpurgisnacht - Brahms: Nänie - Schumann: Der Königssohn
Die erste Walpurgisnacht, Op. 60, MWV D3: Ouverture
Die erste Walpurgisnacht, Op. 60, MWV D3: Der Ubergang zum Fruhling
Die erste Walpurgisnacht, Op. 60, MWV D3: Es lacht der Mai (Tenor, Chorus)
Die erste Walpurgisnacht, Op. 60, MWV D3: Konnt ihr so verwegen handeln (Alto, Female Chorus)
Die erste Walpurgisnacht, Op. 60, MWV D3: Wer Opfer heut' zu bringen scheut (Baritone, Chorus)
Die erste Walpurgisnacht, Op. 60, MWV D3: Verteit euch, wack're Manner, hier (Male Chorus)
Die erste Walpurgisnacht, Op. 60, MWV D3: Recitative. Diese dumpfen Pfaffenchristen (Bass, Male Chorus)
Die erste Walpurgisnacht, Op. 60, MWV D3: Kommt mit Zacken und mit Gabeln (Chorus)
Die erste Walpurgisnacht, Op. 60, MWV D3: So weit gebracht, dass wir bei Nacht (Baritone, Chorus)
Die erste Walpurgisnacht, Op. 60, MWV D3: Hilf, ach hilf mir, Kriegsgeselle (Tenor, Male Chorus)
Die erste Walpurgisnacht, Op. 60, MWV D3: Die Flamme reinigt sich vom Rauch (Baritone, Chorus)
Der Königssohn, Op. 116: No. 1, Feierlich
Der Königssohn, Op. 116: No. 3, In massigem Tempo
Der Königssohn, Op. 116: No. 4, Sehr lebhaft
Der Königssohn, Op. 116: No. 5, Ziemlich langsam
Der Königssohn, Op. 116: No. 6, Feierlich bewegt
Bruckner: Symphony No. 7 in E Major, WAB 107
Symphony No. 7 in E Major, WAB 107: I. Allegro moderato
Symphony No. 7 in E Major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam
Symphony No. 7 in E Major, WAB 107: III. Scherzo. Sehr schnell
Symphony No. 7 in E Major, WAB 107: IV. Finale. Bewegt, doch nicht schnell
Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio
Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
{"copyright_id":"0xb4bab43c6f6e922ee9eadf008d310d2afdff48b0d0f0697908fa71b7c8585394","isrc":"USSM11103523","name":"Symphony No. 6 in F Major, Op. 68 \"Pastoral\": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo","registered_at":"2026-06-27T06:29:04Z","spotify_id":"1sRTaFscg9aZ7NAw1EhpBZ","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb4bab43c6f6e922ee9eadf008d310d2afdff48b0d0f0697908fa71b7c8585394. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1sRTaFscg9aZ7NAw1EhpBZ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1sRTaFscg9aZ7NAw1EhpBZ.
Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto mosso
Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto
{"copyright_id":"0x92561a3119460842cdf0420242b1a4912cba0bf4bb090c16595b1e6f8a3da5d8","isrc":"USSM11103519","name":"Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto","registered_at":"2026-06-21T04:43:30Z","spotify_id":"2DhhfVM3Y985oKotWeUnFQ","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x92561a3119460842cdf0420242b1a4912cba0bf4bb090c16595b1e6f8a3da5d8. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2DhhfVM3Y985oKotWeUnFQ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2DhhfVM3Y985oKotWeUnFQ.
Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro
Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace
{"copyright_id":"0x36d7984bb261b97fd52bd1ff9572f967840f8995373b657123f73d8e81d6c0c5","isrc":"USSM11103520","name":"Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace","registered_at":"2026-06-21T04:56:25Z","spotify_id":"22V7vcljmiydGtHL1knQmA","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x36d7984bb261b97fd52bd1ff9572f967840f8995373b657123f73d8e81d6c0c5. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/22V7vcljmiydGtHL1knQmA.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/22V7vcljmiydGtHL1knQmA.
Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter, Sturm. Allegro
Grosse Fuge in B-Flat Major, Op. 133 (Arr. for Orchestra)
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
{"copyright_id":"0xd46ad74f8c9f22b5fd1e3088ec343b6f54462ca3c6ca57e9e9aef3080987b4a5","isrc":"FRZ209516126","name":"Massenet: Werther, Act 3: \"Pourquoi me réveiller\"","registered_at":"2026-06-07T12:46:10Z","spotify_id":"5zQc69SAXOzsbp8aLRv6mk","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd46ad74f8c9f22b5fd1e3088ec343b6f54462ca3c6ca57e9e9aef3080987b4a5. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5zQc69SAXOzsbp8aLRv6mk.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5zQc69SAXOzsbp8aLRv6mk.
{"copyright_id":"0x51abaf79ee94ac169c3caf48b4cfe39c55ce2385896843e3a2ceb815a2dd5454","isrc":"FRZ209630600","name":"Puccini: Tosca, Act 2: \"Vissi d'arte\" (Tosca)","registered_at":"2026-06-07T12:44:07Z","spotify_id":"6z3kn9MAZ9tDclLgnlM8Su","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x51abaf79ee94ac169c3caf48b4cfe39c55ce2385896843e3a2ceb815a2dd5454. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6z3kn9MAZ9tDclLgnlM8Su.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6z3kn9MAZ9tDclLgnlM8Su.
{"copyright_id":"0x1e5873e6730d2e3350b5ee7ef8ae01313fe45ddd95aafd1e77ebbaf72851f334","isrc":"FRZ209632100","name":"Puccini: Turandot, Act 1: \"Signore ascolta!\" (Liù)","registered_at":"2026-06-08T02:22:32Z","spotify_id":"2aombHcO5dHjq3FfGdTNtE","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1e5873e6730d2e3350b5ee7ef8ae01313fe45ddd95aafd1e77ebbaf72851f334. Chain 2 (Bitcoin): anchored in block 953528 (2026-06-13T15:41:10Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2aombHcO5dHjq3FfGdTNtE.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2aombHcO5dHjq3FfGdTNtE.
{"copyright_id":"0xee534265a14ba9c076d360fda333c058632d621280cef87b9f50c9ae51067a62","isrc":"FRZ209631700","name":"Puccini: La rondine, Act 1: \"Chi il bel sogno di Doretta\" (Magda)","registered_at":"2026-06-08T19:09:00Z","spotify_id":"2Oi5TLyeal1YurctF6fDnd","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xee534265a14ba9c076d360fda333c058632d621280cef87b9f50c9ae51067a62. Chain 2 (Bitcoin): anchored in block 953520 (2026-06-13T13:32:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2Oi5TLyeal1YurctF6fDnd.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2Oi5TLyeal1YurctF6fDnd.
Madama Butterfly, Act II: Un bel di (Butterfly)
{"copyright_id":"0x2a2ce82c44fe9fc9e605bf42f0197afd4db742c924a39fd39eb49277dd1747ae","isrc":"FRZ209631500","name":"Madama Butterfly, Act II: Un bel di (Butterfly)","registered_at":"2026-06-25T17:14:04Z","spotify_id":"2vpyWvo2vwsXkSaLmqG8ik","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2a2ce82c44fe9fc9e605bf42f0197afd4db742c924a39fd39eb49277dd1747ae. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2vpyWvo2vwsXkSaLmqG8ik.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2vpyWvo2vwsXkSaLmqG8ik.