1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x947883a25b0d3bcd36032a21df0c47bf4f3a42f42a76c9be9b232e881b9990c4. Chain 2 (Bitcoin): anchored in block 954066 (2026-06-17T08:11:48Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/667a4c10-18e1-4df4-a28d-1ca1b1f619a7.json and https://artists.proofprofile.net/proofs/artist/667a4c10-18e1-4df4-a28d-1ca1b1f619a7.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Louis Frémaux - The Complete Birmingham Years
Berlioz: Grande Messe des morts, Op. 5, H. 75: I. Requiem et Kyrie (Introitus)
Berlioz: Grande Messe des morts, Op. 5, H. 75: II. Dies Irae - Tuba mirum
Berlioz: Grande Messe des morts, Op. 5, H. 75: III. Quid sum miser
Berlioz: Grande Messe des morts, Op. 5, H. 75: IV. Rex tremendae majestatis
Berlioz: Grande Messe des morts, Op. 5, H. 75: V. Quaerens me
Berlioz: Grande Messe des morts, Op. 5, H. 75: VI. Lacrymosa
Berlioz: Grande Messe des morts, Op. 5, H. 75: VII. Offertorium
Berlioz: Grande Messe des morts, Op. 5, H. 75: VIII. Hostias
Berlioz: Grande Messe des morts, Op. 5, H. 75: IX. Sanctus
Berlioz: Grande Messe des morts, Op. 5, H. 75: X. Agnus Dei
Berlioz: Le Carnaval romain, Op. 9, H. 95: Overture
Berlioz: Tristia Op. 18, H. 119: III. Marche funèbre pour la dernière scène d'Hamlet, H. 103
Berlioz: La Damnation de Faust, Op. 24, H. 111: I. Marche hongroise
Berlioz: La Damnation de Faust, Op. 24, H. 111: II. Danse des sylphes
Berlioz: La Damnation de Faust, Op. 24, H. 111: III. Menuet des follets
Berlioz: Benvenuto Cellini, H. 76b: Grande Ouverture
Berlioz: Les Troyens, Op. 29, H. 133, Act 4: No. 29 Chasse royale et orage
Berlioz: Les Troyens, Op. 29, H. 133, Act 1: No. 11, Marche troyenne
Massenet: Suite d'orchestre No. 4 "Scènes pittoresques": I. Marche
Massenet: Suite d'orchestre No. 4 "Scènes pittoresques": II. Air de ballet
Massenet: Suite d'orchestre No. 4 "Scènes pittoresques": III. Angélus
Massenet: Suite d'orchestre No. 4 "Scènes pittoresques": IV. Fête bohême
Massenet: La Vierge, Pt. 4: Le dernier sommeil de la Vierge
Bizet: Roma, WD 37: I. Une chasse dans la Forêt d'Ostie - Andante tranquillo - Andante
Bizet: Roma, WD 37: II. Scherzo - Allegretto vivace
Bizet: Roma, WD 37: III. Une procession - Andante molto
Bizet: Roma, WD 37: IV. Carnaval à Rome - Allegro vivacissimo
Lalo: Symphonie espagnole in D Minor, Op. 21: I. Allegro non troppo
Lalo: Symphonie espagnole in D Minor, Op. 21: II. Scherzando (Allegro molto)
Lalo: Symphonie espagnole in D Minor, Op. 21: III. Intermezzo (Allegretto non troppo)
Lalo: Symphonie espagnole in D Minor, Op. 21: IV. Andante
Lalo: Symphonie espagnole in D Minor, Op. 21: V. Rondo (Allegro)
Lalo: Cello Concerto in D Minor: I. Prélude - Lento - Allegro maestoso
Lalo: Cello Concerto in D Minor: II. Intermezzo - Andantino con moto
Lalo: Cello Concerto in D Minor: III. Introduction - Andante - Allegro vivace
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: II. Allegretto con moto
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: III. Allegro non troppo
Bizet: Symphony in C Major, WD 33: I. Allegro vivo
Bizet: Symphony in C Major, WD 33: II. Adagio
Bizet: Symphony in C Major, WD 33: III. Scherzo - Allegro
Bizet: Symphony in C Major, WD 33: IV. Finale - Allegro vivace
Saint-Saëns: Symphony No. 3 in C Minor, Op. 78, "Organ": I. Adagio - Allegro moderato
A Sea Symphony, "Symphony No. 1": I. A Song for all Seas, all Ships
Symphony No. 2, "A London Symphony": I. Lento - Allegro risoluto
Symphony No. 3, "Pastoral Symphony": I. Molto moderato
Symphony No. 5 in D Major: I. Preludio. Moderato
Sinfonia Antartica, "Symphony No. 7": I. Prelude. Andante Maestoso
A Sea Symphony, "Symphony No. 1": II. On the Beach at Night, alone
Symphony No. 2, "A London Symphony": II. Lento
Symphony No. 3, "Pastoral Symphony": II. Lento moderato
Symphony No. 5 in D Major: II. Scherzo. Presto misterioso
Sinfonia Antartica, "Symphony No. 7": II. Scherzo. Moderato
A Sea Symphony, "Symphony No. 1": III. Scherzo - The Waves
Symphony No. 2, "A London Symphony": III. Scherzo (Nocturne) - Allegro vivace
Symphony No. 3, "Pastoral Symphony": III. Moderato pesante
Symphony No. 5 in D Major: III. Romanza. Lento
Sinfonia Antartica, "Symphony No. 7": III. Landscape. Lento
A Sea Symphony, "Symphony No. 1": IV. The Explorers
Symphony No. 2, "A London Symphony": IV. Andante con moto - Allegro - Epilogue
Symphony No. 3, "Pastoral Symphony": IV. Lento
Symphony No. 5 in D Major: IV. Passacaglia. Moderato
Sinfonia Antartica, "Symphony No. 7": IV. Intermezzo. Andante sostenuto
Symphony No. 8 in D Minor: I. Fantasia. Variazioni senza Tema
Sinfonia Antartica, "Symphony No. 7": V. Epilogue. Alla marcia, moderato
Symphony No. 8 in D Minor: II. Scherzo alla Marcia
Symphony No. 4 in F Minor: II. Andante moderato
Symphony No. 9 in E Minor: I. Moderato maestoso
Symphony No. 8 in D Minor: III. Cavatina
Symphony No. 4 in F Minor: III. Scherzo. Allegro molto
Symphony No. 6 in E Minor: III. Scherzo. Allegro vivace
Symphony No. 9 in E Minor: II. Andante sostenuto
Symphony No. 4 in F Minor: IV. Finale con epilogo fugato. Allegro molto
Symphony No. 6 in E Minor: IV. Epilogue. Moderato
Symphony No. 9 in E Minor: III. Scherzo. Allegro pesante
Symphony No. 9 in E Minor: IV. Andante tranquillo
Parry: The Soul's Ransom, The Lotos-Eaters, Blest pair of Sirens, Invocation to Music & I Was Glad
The Soul's Ransom, Section 1: Introduction. Lento
Invocation to Music: I. Introduction - Myriad voicèd Queen! (Chorus)
The Soul's Ransom, Section 1: Who can number the sands of the sea (Chorus)
Invocation to Music: II. Turn, O return! (Chorus, Soprano)
The Soul's Ransom, Section 2: Hear ye this, O ye people (Bass)
Invocation to Music: III. Thee, fair Poetry oft hath sought (Tenor)
The Soul's Ransom, Section 2: We look for light, but behold darkness (Chorus)
Invocation to Music: IV. The monstrous sea (Chorus)
The Soul's Ransom, Section 2: Why are ye so fearful, O ye of little faith? (Soprano, Chorus)
Invocation to Music: V. Love to Love calleth (Soprano, Tenor)
The Soul's Ransom, Section 3: The hand of the Lord was upon me (Bass, Chorus)
Invocation to Music: VI. Dirge. To me, to me, fair-hearted Goddess, come! (Bass)
The Soul's Ransom, Section 4: The people that walked in darkness (Soprano)
Invocation to Music: VII. Man, born of desire (Chorus)
The Soul's Ransom, Section 4: See now, ye that love the light (Chorus)
Invocation to Music: VIII. Rejoice, ye dead, where'er your spirits dwell (Soprano, Chorus)
The Lotos-Eaters: I. There is sweet music here that softer falls (Chorus)
Invocation to Music: VIII. Rejoice, ye dead, where'er your spirits dwell (Soprano, Chorus) - IX. O enter with me the gates of deli
The Lotos-Eaters: II. Why are we weigh'd upon with heaviness (Chorus)
Invocation to Music: X. Thou, O Queen of sinless grace (Chorus)
The Lotos-Eaters: III. Lo! in the middle of the wood (Soprano)
The Lotos-Eaters: IV. Hateful is the dark-blue sky (Chorus)
The Lotos-Eaters: V. How sweet it were, hearing the downward stream (Soprano)
The Lotos-Eaters: VI. Dear is the memory of our wedded lives (Chorus)
The Lotos-Eaters: VII. But, propt on beds of amaranth and moly (Soprano)
The Lotos-Eaters: VIII. The Lotos blooms below the barren peak (Chorus, Soprano)
Three Songs, Op. 16: No. 1, The Shepherd's Song
Three Songs, Op. 16: No. 2, Through the Long Days
Nelson, Op. 41, Act I: Mario! Sebastiano! Annibale!
Nelson, Op. 41, Act II Scene 2: Tell Me Hardy, You Knew Lord Nelson
Nelson, Op. 41, Act I: Mercy, Child, a Carriage and Pair
Nelson, Op. 41, Act II Scene 2: You Look Very Sombre, Gentlemen
Nelson, Op. 41, Act I: Victory O Happy Day
Nelson, Op. 41, Act II Scene 2: Leave Me to Reflect
Nelson, Op. 41, Act I: Oh! With What Wonder
Nelson, Op. 41, Act II Scene 2: Lord Nelson a Messenger!
Nelson, Op. 41, Act I: A Strange Little Hero
Nelson, Op. 41, Act III Scene 1: Today the Great Ship Sails
Nelson, Op. 41, Act III Scene 1: I Had Their Huzzaz Before
Nelson, Op. 41, Act I: Very Well, Very Well
Nelson, Op. 41, Act III Scene 1: Are We Safe Hidden?
Nelson, Op. 41, Act I: Choose Between Love and Death
Nelson, Op. 41, Act III Scene 1: Now We Pass Into the Future
Nelson, Op. 41, Act I: You Do Well, My Lord
Nelson, Op. 41, Act III Scene 1: Orchestral Interlude
Nelson, Op. 41, Act I: That Is a Man's Music
Nelson, Op. 41, Act III Scene 2: Out of It All, Down Below Hatches
Nelson, Op. 41, Act II Scene 1: Another Day!
Nelson, Op. 41, Act III Scene 2: Make Way There!
Nelson, Op. 41, Act II Scene 1: Welcome Ma'am
Nelson, Op. 41, Act III Scene 2: Orchestral Interlude
Nelson, Op. 41, Act II Scene 1: Indelicate Presumption
Nelson, Op. 41, Act III Scene 3: And So Ma'am, He Died
Nelson, Op. 41, Act II Scene 1: Nelson, Why Are You Silent?
Nelson, Op. 41, Act III Scene 3: Look, It Is Growing Dark
Nelson, Op. 41, Act II Scene 1: Lord Nelson! Emma!
1. Confirm isrcCode identifies the recording in the pre-2022 source corpus and cc-db-prod record 2. GET OTSVerificationAPI → server-side canonical-record, hash, and attestation checks must pass 3. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 4. Confirm CopyrightID is the CopyrightChains transaction hash 5. If all match: the cc-db-prod record is independently anchored on Bitcoin at OTSTimestamp
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x4b286a679b807c9d0f780986c8eeb82b23503b65165b4f22f2a29aadede87d00. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/GBLWD8905801.
Song Cycles by Vaughan Williams and Butterworth
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I Have Trod the Upward and the Downward Slope
Brian: Songs for Baritone and Piano / Legend
Why Dost Thou Wound, and Break My Heart?
Partita, Op. 5a: II. Allegro un poco agitato
Partita, Op. 5a: III. Andante un poco mosso
Partita, Op. 5a: IV. Allegro con spirito
The Dream of the Rood, Op. 19: I. Behold! When mortal men were at rest (Soprano)
The Dream of the Rood, Op. 19: II. A long time ago (Chorus)
The Dream of the Rood, Op. 19: III. Then I saw the Lord of mankind (Chorus)
The Dream of the Rood, Op. 19: IV. They pierced me with dark nails (Chorus)
The Dream of the Rood, Op. 19: V. Then eager ones came from afar (Chorus)
The Dream of the Rood, Op. 19: VI. But the Lord arose (Chorus)
The Dream of the Rood, Op. 19: VII. Now I bid thee, beloved man (Chorus)
Invocation to Music: I. Introduction - Myriad voicèd Queen! (Chorus) - II. Turn, O return! (Chorus, Soprano)
Dona Nobis Pacem Cantata: II. Beat! Beat! Drums!
Dona Nobis Pacem Cantata: III. Reconciliation
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Dona Nobis Pacem Cantata: IV. Dirge for Two Veterans
Dona Nobis Pacem Cantata: V. The Angel of Death
Dona Nobis Pacem Cantata: VI. O Man Greatly Beloved
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Five Mystical Songs: No. 2, I Got Me Flowers
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Five Mystical Songs: No. 3, Love Bade Me Welcome
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Symphony No. 4 in D Minor, Op. 13, B. 41: I. Allegro
Symphony No. 4 in D Minor, Op. 13, B. 41: II. Andante sostenuto e molto cantabile
Symphony No. 4 in D Minor, Op. 13, B. 41: III. Scherzo. Allegro feroce
Symphony No. 4 in D Minor, Op. 13, B. 41: IV. Finale. Allegro con brio
Biblical Songs, Op. 99, B. 185: I. Clouds and darkness are round about him
Biblical Songs, Op. 99, B. 185: II. Thou art my defence and shield
Biblical Songs, Op. 99, B. 185: III. Hear my prayer, O God
Biblical Songs, Op. 99, B. 185: IV. The Lord is my shepherd
Biblical Songs, Op. 99, B. 185: V. I will sing a new song
Biblical Songs, Op. 99, B. 185: VI. Hear my crying, O God
Biblical Songs, Op. 99, B. 185: VII. By the waters of Babylon
Biblical Songs, Op. 99, B. 185: VIII. Turn thee unto me
Biblical Songs, Op. 99, B. 185: IX. I will lift up mine eyes unto the hills
Biblical Songs, Op. 99, B. 185: X. O Sing unto the Lord a new song
Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro
Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato
Symphony No. 9 in E-Flat Major, Op. 70: III. Presto
Symphony No. 9 in E-Flat Major, Op. 70: IV. Largo
Symphony No. 9 in E-Flat Major, Op. 70: V. Allegretto
Katerina Ismailova Suite, Op. 114a, Scene 1: I. Allegretto
Katerina Ismailova Suite, Op. 114a, Scene 2: II. Allegro con brio
Katerina Ismailova Suite, Op. 114a, Scene 4: III. Largo
Katerina Ismailova Suite, Op. 114a, Scene 6: IV. Allegretto
Katerina Ismailova Suite, Op. 114a, Scene 7: V. Presto
3 Slavonic Rhapsodies, Op. 45, B. 86: III. Rhapsody in A-Flat Major
Ten Biblical Songs, Op. 99, B. 185: I. Oblak a mrákota jest vůkol Něho (Clouds and darkness are round about him)
Ten Biblical Songs, Op. 99, B. 185: II. Skrýše má a paveza má Ty jsí (Thou art my defence and shield)
Ten Biblical Songs, Op. 99, B. 185: III. Slyš, ó Bože, slyš modlitbu mou (Hear my prayer, O God)
Ten Biblical Songs, Op. 99, B. 185: IV. Hospodin jest můj pastýř (The Lord is my shepherd)
Ten Biblical Songs, Op. 99, B. 185: V. Bože! Bože! Píseň novou (I will sing a new song)
Ten Biblical Songs, Op. 99, B. 185: VI. Slyš, ó Bože, volání mé (Hear my crying, O God)
Ten Biblical Songs, Op. 99, B. 185: VII. Při řekách babylonských (By the waters of Babylon)
Ten Biblical Songs, Op. 99, B. 185: VIII. Popatřiž na mne a smiluj se nade mnou (Turn thee unto me)
Ten Biblical Songs, Op. 99, B. 185: IX. Pozdvihuji očí svých k horám (I will lift up mine eyes unto the hills)
Ten Biblical Songs, Op. 99, B. 185: X. Zpívejte Hospodinu píseň novou (O Sing unto the Lord a new song)
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna
Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera
Orff: Carmina Burana, Pt. 1, Primo vere: Veris leta facies
Orff: Carmina Burana, Pt. 1, Primo vere: Omnia sol temperat
Brian Rayner Cook/Hallé Orchestra/Maurice Handford
Orff: Carmina Burana, Pt. 1, Primo vere: Ecce gratum
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Tanz
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Floret silva nobilis
Manchester Grammar School Boys' Choir/Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost/Michael Ball
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Chramer, gip die varwe mir
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Were diu werlt alle min
Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius
Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram
Peter Hall/Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost
Orff: Carmina Burana, Pt. 2, In Taberna: Ego sum abbas Cucaniensis
Brian Rayner Cook/Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost
Orff: Carmina Burana, Pt. 2, In Taberna: In taberna quando sumus
Orff: Carmina Burana, Pt. 3, Cour d'amours: Amor volat undique
Sheila Armstrong/Manchester Grammar School Boys' Choir/Hallé Orchestra/Maurice Handford/Michael Ball
Orff: Carmina Burana, Pt. 3, Cour d'amours: Dies, nox et omnia
Orff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puella
Sheila Armstrong/Hallé Orchestra/Maurice Handford
Orff: Carmina Burana, Pt. 3, Cour d'amours: Circa mea pectora
Orff: Carmina Burana, Pt. 3, Cour d'amours: Si puer cum puellula
Peter Hall/Brian Rayner Cook/Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost
Orff: Carmina Burana, Pt. 3, Cour d'amours: Veni, veni, venias
Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina
Orff: Carmina Burana, Pt. 3, Cour d'amours: Tempus est iocundum
Sheila Armstrong/Brian Rayner Cook/Manchester Grammar School Boys' Choir/Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost/Michael Ball
Orff: Carmina Burana, Pt. 3, Cour d'amours: Dulcissime
Orff: Carmina Burana, Pt. 4, Blanziflor et Helena: Ave formosissima
Orff: Carmina Burana, Conclusion, Fortuna Imperatrix Mundi: O Fortuna
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Franck / Arr. Sandré: Mass, Op. 12, FWV 61: Panis Angelicus
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Elgar: The Black Knight, Op. 25: Scene 1, 'Twas Pentecost
Elgar: Scenes from The Saga of King Olaf, Op. 30: VI. Solo. "Now the Child of Ironbeard Dead"
Elgar: The Black Knight, Op. 25: Scene 2, To the Barrier of the Fight
Elgar: Scenes from The Saga of King Olaf, Op. 30: VII. Song and Chorus. Gudrun
Elgar: The Black Knight, Op. 25: Scene 3, Pipe and Viol call the Dances
Elgar: Scenes from The Saga of King Olaf, Op. 30: VIII. Solo. "How the Wraith of Odin Old"
Elgar: The Black Knight, Op. 25: Scene 4, To the Sumptuous Banquet
Elgar: Scenes from The Saga of King Olaf, Op. 30: IX. Chorus. The Wraith of Odin
Elgar: Scenes from The Saga of King Olaf, Op. 30: Introduction. Chorus and Trio. "There Is a Wondrous Book"
Elgar: Scenes from The Saga of King Olaf, Op. 30: X. Solo. "Sisters, Sing Ye Now the Song"
Elgar: Scenes from The Saga of King Olaf, Op. 30: I. Solo. "Summon Now the God of Thunder"
Elgar: Scenes from The Saga of King Olaf, Op. 30: XI. Chorus and Duet. Sigrid
Elgar: Scenes from The Saga of King Olaf, Op. 30: II. Chorus. The Challenge of Thor
Elgar: Scenes from The Saga of King Olaf, Op. 30: XII. Solo. "Hark! She Flies from Wendland Forth"
Elgar: Scenes from The Saga of King Olaf, Op. 30: III. Solo. King Olaf's Return
Elgar: Scenes from The Saga of King Olaf, Op. 30: XIII. Chorus. Thyri
Elgar: Scenes from The Saga of King Olaf, Op. 30: IV. Solo. "Tell How Olaf Bore the Cross"
Elgar: Scenes from The Saga of King Olaf, Op. 30: XIV. Duet. "The Gray Land Breaks to Lively Green"
Elgar: Scenes from The Saga of King Olaf, Op. 30: V. The Conversion. Chorus. "King Olaf's Prows at Nidaros"
Elgar: Scenes from The Saga of King Olaf, Op. 30: XV. Chorus. "After Queen Gunhild's Death"
Elgar: Scenes from The Saga of King Olaf, Op. 30: V. The Conversion. Duet and Chorus. "Behold Me, My People"
Elgar: Scenes from The Saga of King Olaf, Op. 30: XVI. Chorus. The Death of Olaf
Elgar: Scenes from The Saga of King Olaf, Op. 30: V. The Conversion. Chorus and Solo. "As Leaps the Lights of Winter"
Elgar: Scenes from The Saga of King Olaf, Op. 30: Epilogue. Trio and Chorus. "In the Convent of Drontheim"
Elgar: Scenes from The Saga of King Olaf, Op. 30: V. The Conversion. Chorus. "Then o'er the Blood-Stained Hog-Stone"
Elgar: Scenes from The Saga of King Olaf, Op. 30: Epilogue. Chorus. "As Torrents in Summer"
Elgar: Scenes from The Saga of King Olaf, Op. 30: V. The Conversion. Solo and Chorus. "O Brothers of Iceland"
Elgar: Scenes from The Saga of King Olaf, Op. 30: Epilogue. Trio and Chorus. "Stronger Than Steel"
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Elgar: 2 Part Songs, Op. 26: No. 1, The Snow
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Elgar: 2 Part Songs, Op. 26: No. 2, Fly, Singing Bird
Three Songs, Op. 16: No. 1 The Shepherd's Song
Three Songs, Op. 16 : No. 2 Through the Long Days
Three Shakespearean Songs, Op. 6: No. 1 Come Away Death
Three Shakespearean Songs, Op. 6: No. 2 O Mistress Mine
Three Shakespearean Songs, Op. 6: No. 3 Blow Blow Thou Winter Wind
Five Shakespearean Songs, Op. 23: No. 1 Fear No More the Heat of the Sun
Five Shakespearean Songs, Op. 23: No. 2 Under the Greenwood Tree
Six Songs from 'A Shropshire Lad': No. 1 Loveliest of Trees
Five Shakespearean Songs, Op. 23: No. 3 It Was a Lover and His Lass
Six Songs from 'A Shropshire Lad': No. 2 When I Was One-and-Twenty
Five Shakespearean Songs, Op. 23: No. 4 Take O Take Those Lips Away
Six Songs from 'A Shropshire Lad': No. 3 Look Not in My Eyes
Five Shakespearean Songs, Op.23: No. 5 Hey Ho the Wind and the Rain
Six Songs from 'A Shropshire Lad': No. 4 Think No More Lad
Four Shakespearean Songs, Op. 30: No. 1 Who Is Sylvia
Six Songs from 'A Shropshire Lad': No. 5 The Lads in Their Hundreds
Four Shakespearean Songs, Op. 30: No. 2 When Daffodils Begin to Peer
Six Songs from 'A Shropshire Lad': No. 6 Is My Team Ploughing
Four Shakespearean Songs, Op. 30: No. 3 How Should I Your True Love Know
Four Shakespearean Songs, Op. 30: No. 4 Sigh No More Ladies
Omar Khayyám, Pt. 1: Interlude. The Desert
Omar Khayyám, Pt. 3: Introduction. The Fast of Ramazán
Omar Khayyám, Pt. 1: Wake! For the Sun, Who Scattered Into Flight
Omar Khayyám, Pt. 1: Would You That Spangle of Existence Spend
Omar Khayyám, Pt. 3: As Under Cover of Departing Day
Sappho: I. Hymn to Aphrodite, Daughter of Zeus
Omar Khayyám, Pt. 1: Now the New Year Reviving Old Desires
Omar Khayyám, Pt. 3: Ah, with the Grape My Fading Life Provide
Sappho: II. I Loved Thee, Atthis, Long Ago
Omar Khayyám, Pt. 1: Each Morn a Thousand Roses Brings, You Say
Omar Khayyám, Pt. 2: You Know, My Friends, with What a Brave Carouse
Omar Khayyám, Pt. 3: Yet Ah, That Spring Should Vanish with the Rose!
Omar Khayyám, Pt. 1: Some for the Glories of This World
Omar Khayyám, Pt. 2: Why, Be This Juice the Growth of God, Who Dare
Omar Khayyám, Pt. 3: Yon Rising Moon That Looks for Us Again
Omar Khayyám, Pt. 1: I Sometimes Think That Never Blows so Red
Omar Khayyám, Pt. 2: I Sent My Soul Through the Invisible
Omar Khayyám, Pt. 1: Alike for Those Who for To-day Prepare
Omar Khayyám, Pt. 2: The Moving Finger Writes
Omar Khayyám, Pt. 1: Then of the Thee in Me Who Works Behind
Omar Khayyám, Pt. 2: What! Out of Senseless Nothing to Provoke
Omar Khayyám, Pt. 1: As Then the Tulip for Her Morning Sup
Fauré: Requiem, Op. 48: I. Introït et Kyrie
Louis Frémaux/City of Birmingham Symphony Orchestra/Norma Burrowes/Brian Rayner Cook/David Bell
Fauré: Requiem, Op. 48: VII. In Paradisum
Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version)
Louis Frémaux/City of Birmingham Symphony Orchestra/City of Birmingham Symphony Chorus
Fauré: Ballade for Piano and Orchestra, Op. 19
Symphony No. 5 in D Major: IV. Passacaglia