1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this artist was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x190375c53ef5f7432b420bc3d209b0389e3df917e373116743fd76490aac2c7c. Chain 2 (Bitcoin): anchored in block 953408 (2026-06-12T19:28:13Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/0dd5986a-6d74-4b29-9e88-3d9f4d43a873.json and https://artists.proofprofile.net/proofs/artist/0dd5986a-6d74-4b29-9e88-3d9f4d43a873.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Lux aeterna: A Sequence for the Souls of the Departed
Peccantem me quotidie a 5, T. 6 (Cantiones Sacrae, 1575)
Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c
Present Yourselves as a Living Sacrifice
Missa pro defunctis a 5 "Requiem": VIII. Communio
Voyage of a Sea-God: The Bassoon Through the 20th Century
Concertino for Bassoon and String Orchestra: I. Moderato
Concertino for Bassoon and String Orchestra: II. Lento espressivo, intimo
Scherzo humoristique for 4 Bassoons, Op. 12a
Concertino for Bassoon and String Orchestra: III. Presto giocoso
Bassoon Sonata in G Major, Op. 168: I. Allegretto moderato
Bassoon Sonata in G Major, Op. 168: II. Allegro scherzando
Bassoon Sonata in G Major, Op. 168: III. Molto adagio – Allegro moderato
Incidental Music from Macbeth: I. Lament
Incidental Music from Macbeth: II. Dance of the Witches
Bassoon Concerto: VI. Adagio lamentoso –
Bassoon Sonata: II. Langsam – Marsch – Pastorale
Quartettino for 4 Bassoons: II. Nocturne
Bassoon Sonata: III. Molto allegro – Andante
Quartettino for 4 Bassoons: IV. Fughetta
Concerto for Piano and Orchestra: I. Moderato
Concerto for Piano and Orchestra: II. Presto
Concerto for Piano and Orchestra: III. Lento
Concerto for Piano and Orchestra: IV. Vivo
Country Dances, Book I: III. Enfield Common
Country Dances, Book I: IV. Chelsea Reach
Anniversaries: II. Episode 1 (Woodwind). Leggiero e fantastico – III. Con fuoco
Anniversaries: IV. Episode 2 (Piano, Harp, Tuned Percussion). Drammatico – V. Arioso
Anniversaries: VI. Episode 3 (Strings). Appassionato - Poco sostenuto, maestoso – VII. Tranquillo
Anniversaries: VIII. Episode 4 (Percussion and Timpani). Con brio – IX. Brilliante
Anniversaries: X. Episode 5 (Brass). Strepitoso - Doppio movimento
Anniversaries: XI. Finale. Vivo e declamato
Bennett: Concerto for Stan Getz, Symphony No. 2, Serenade for Small Orchestra & Partitia
Concerto for Stan Getz: II. Elegy. Lento
Symphony No. 2 in One Movement: Moderato
Symphony No. 2 in One Movement: Vivace (ma sotta voce)
Symphony No. 2 in One Movement: Non troppo allegro
The John Harle Collection, Vol. 2: Lush Life
London Pride: A Celebration of London in Song
Chalk Farm to Camberwell Green - Live At Savage Club, London / 2003
Business Girls - Live At Savage Club, London / 2003
A Room in Bloomsbury - Live At Savage Club, London / 2003
A Foggy Day in London Town - Live At Savage Club, London / 2003
Rhyme - Live At Savage Club, London / 2003
Big Ben Blues - Live At Savage Club, London / 2003
Sweet Thames, Flow Softly - Live At Savage Club, London / 2003
The Pleasures of Spring Gardens, Vauxhall - Live At Savage Club, London / 2003
Five Am'rous Sighs (1977): I. Between Your Sheets You Soundly Sleep - Live At Savage Club, London / 2003
Five Am'rous Sighs (1977): II. Finish! Finish, These Languours Make Me Sick - Live At Savage Club, London / 2003
Five Am'rous Sighs (1977): III. My Heart Still Hovering Round About You - Live At Savage Club, London / 2003
Five Am'rous Sighs (1977): IV. All These Dismal Looks and Fretting - Live At Savage Club, London / 2003
Five Am'rous Sighs (1977): V. Venus, Take My Votive Glass - Live At Savage Club, London / 2003
Wimbledon Idyll - Live At Savage Club, London / 2003
They're Changing Guard at Buckingham Palace - Live At Savage Club, London / 2003
Mayfair Merry-Go-Round - Live At Savage Club, London / 2003
While London's Fast Asleep - Live At Savage Club, London / 2003
Let's Go and Live in the Country - Live At Savage Club, London / 2003
A Nightingale Sang in Berkeley Square - Live At Savage Club, London / 2003
Take Me in a Taxi, Joe - Live At Savage Club, London / 2003
Joyful Noise - Live At Savage Club, London / 2003
London Pride - Live At Savage Club, London / 2003
Sea Change - The Choral Music Of Richard Rodney Bennett
Bennett: Symphony No. 1, A History of the Thé Dansant, Zodiac & Reflections on a Sixteenth Century Tune
A History of the Thé Dansant: I. Foxtrot. Vivo
A History of the Thé Dansant: II. Slow Foxtrot. Allegretto con eleganza
A History of the Thé Dansant: III. Tango. Tempo giusto e ritmico
Reflections on a Sicteenth Century Tune: Prelude. Lento
Reflections on a Sicteenth Century Tune: Variation I. Allegretto
Reflections on a Sicteenth Century Tune: Variation II. Allegro vivo
Reflections on a Sicteenth Century Tune: Variation III. Homage to Peter Warlock
Reflections on a Sicteenth Century Tune: Variation IV. Con brio e ritmico
Reflections on a Sicteenth Century Tune: Finale. Tranquillo
Zodiac: Ia. The Spring Signs. Ritornello
Zodiac: IIa. The Summer Signs. Ritornello
Zodiac: IIIa. The Autumn Signs. Ritornello
Zodiac: IIId. The Autumn Signs. Sagittarius
Zodiac: IVa. The Winter Signs. Ritornello
Zodiac: IVb. The Winter Signs. Capricorn
The Glory and the Dream: Choral Music by Richard Rodney Bennett
The Glory and the Dream: II. Andante - Lento
The Glory and the Dream: III. Con moto appassionato
The Glory and the Dream: IV. Vivo e leggiero
Hymns to Saint Cecilia: Music for the Patron Saint of Music
4 Choral Songs, Op. 53: I. There Is Sweet Music
Get Thee Behind Me Satan / I Got Lost in His Arms
Letters to Lindbergh: The Letter from Scott of the Antarctic
Letters to Lindbergh: The Letter from the Titanic
Letters to Lindbergh: The Letter from Pluto
Four American Carols: I Wonder as I Wander
Four American Carols: Rise Up, Shepherd, and Follow
Over the Hills and Far Away: Bobby Shafto
Over the Hills and Far Away: Polly Put the Kettle On
Over the Hills and Far Away: Rockabye Baby
Over the Hills and Far Away: Pop Goes the Weasel
Over the Hills and Far Away: Oh Dear, What Can the Matter Be?
Over the Hills and Far Away: Upon Paul's Steeple
Over the Hills and Far Away: Golden Slumbers
Over the Hills and Far Away: Over the Hills and Far Away
Enchanted April - The Film Music of Richard Rodney Bennett
Suite From Enchanted April (From the Original Film Score for "Enchanted April")
The Orient Express (From the original film score to "Murder on the Orient Express")
Elegy For Caroline Lamb (From the original film score to "Lady Caroline Lamb")
My Dancing Day: Choral Music by Richard Rodney Bennett
Town and Country: i. The Sun has long been set
Four poems of Thomas Campion: Winter Nights
Four poems of Thomas Campion: Never Weather-beaten Saile
Four poems of Thomas Campion: Fire, fire!
Four poems of Thomas Campion: The Hours of Sleepy Night
I'm Gonna Laugh You Right Out of My Life
Richard Rodney Bennett: A Birthday Tribute
Troubadour Music (Version for Clarinet & Piano)
Bassoon Sonata (Transcr. R. Ralph for Bass Clarinet & Piano): I. Moderato
Bassoon Sonata (Transcr. R. Ralph for Bass Clarinet & Piano): II. Forlana
Bassoon Sonata (Transcr. R. Ralph for Bass Clarinet & Piano): III. Molto allegro
Gershwin / Arr. Rodney Bennett: Little Jazz Bird (From "Lady, Be Good")
Gershwin / Arr. Rodney Bennett: Where's My Bess? (From "Porgy and Bess")
Gershwin / Arr. Rodney Bennett: Someone to Watch Over Me (From "Oh, Kay!")
Gershwin: 3 Preludes: No. 1, Allegro ben ritmato e deciso
Gershwin: 3 Preludes: No. 2, Andante con moto "Blue Lullaby"
Gershwin: 3 Preludes: No. 3, Agitato "Spanish Prelude"
Gershwin: Walking the Dog (From "Shall We Dance?")
Gershwin / Arr. Rodney Bennett: Jasbo Brown Blues (From "Porgy and Bess")
Gershwin: Two Waltzes in C (From "Pardon My English")
Gershwin: Three-Quarter Blues "Irish Waltz"
Gershwin: George Gershwin’s Songbook: XIV. Swanee
Gershwin: George Gershwin’s Songbook: X. Nobody but You
Gershwin: George Gershwin’s Songbook: III. Do It Again!
Gershwin: George Gershwin’s Songbook: VI. I'll Build a Stairway to Paradise
Gershwin: George Gershwin’s Songbook: IV. Fascinating Rhythm
Gershwin: George Gershwin’s Songbook: XI. Oh, Lady Be Good!
Gershwin: George Gershwin’s Songbook: VIII. The Man I Love
Gershwin: George Gershwin’s Songbook: XII. Somebody Loves Me
Gershwin: George Gershwin’s Songbook: XVII. That Certain Feeling
Gershwin: George Gershwin’s Songbook: XV. Sweet and Low Down
Gershwin: George Gershwin’s Songbook: I. Clap Yo' Hands
Gershwin: George Gershwin’s Songbook: II. Do-Do-Do
Gershwin: George Gershwin’s Songbook: IX. My One and Only
Gershwin: George Gershwin’s Songbook: XVI. 'S Wonderful
Gershwin: George Gershwin’s Songbook: XIII. Strike up the Band
Gershwin: George Gershwin’s Songbook: VII. Liza (All the Clouds'll Roll Away)
Gershwin: George Gershwin’s Songbook: XVIII. Who Cares? (So Long as You Care for Me)
Gershwin: George Gershwin’s Songbook: V. I Got Rhythm
Kern: Smoke Gets in Your Eyes (from "Roberta", arr. Rodney Bennett)
Kern: The Way You Look Tonight (from "Swing Time", arr. Rodney Bennett)
Kern: All The Things You Are (from "Very Warm for May", arr. Rodney Bennett)
Kern: Yesterdays (from "Roberta", arr. Rodney Bennett)
Kern: Long Ago and Far Away (from "Cover Girl", arr. Rodney Bennett)
Kern: Why Do I Love You? (from "Show Boat", arr. Rodney Bennett)
Bennett: Piano Concerto - Five Studies for Piano -Capriccio for Piano Duet - Commedia IV
5 Studies: No. 4. Recitando, mano sinistra
Williamson: Third Piano Concerto - Organ Concerto - Sonata for 2 Pianos
Organ Concerto: I. Andante quasi recitativo - Allegro
Piano Concerto No. 3 in E-flat Major: I. Allegro - Toccata
Piano Concerto No. 3 in E-flat Major: II. Allegro - Allegretto - Scherzo
Piano Concerto No. 3 in E-flat Major: III. Molto largo e cantando
Piano Concerto No. 3 in E-flat Major: IV. Ben Allegro
Sonata for 2 Pianos: Tempo II Tranquillo
That Certain Feeling: Richard Rodney Bennett plays Gershwin, Kern and Other Show-Music Greats
Kern: Nobody Else But Me (from "Show Boat", arr. Rodney Bennett)
Kern: Up With The Lark (from "Centennial Summer", arr. by Rodney Bennett)
Kern: The Folks Who Live On The Hill (from "High, Wide and Handsome", arr. Rodney Bennett)
Arlen: A Sleepin' Bee (from "House of Flowers", arr. Rodney Bennett)
Arlen: I Had Myself A True Love (from "St. Louis Woman", arr. Rodney Bennett)
Rodgers: My Romance (from "Jumbo", arr. Rodney Bennett)
Rodgers: Nobody's Heart (from "By Jupiter", arr. Rodney Bennett)
Rodgers: I Didn't Know What Time It Was (from "Too Many Girls", arr. Rodney Bennett)
Rodgers: Wait Till You See Her (from "By Jupiter", arr. Rodney Bennett)
Porter: Miss Otis Regrets (Arr. Rodney Bennett)
Porter: What Is This Thing Called Love? (from "Wake Up and Dream", arr. Rodney Bennett)
Porter: After You (from "Gay Divorce", arr. Rodney Bennett)
Kern: Till The Clouds Roll By (from "Oh Boy!") - Look For The Silver Lining [from "Sally", arr. Rodney Bennett]
Kern: Up With The Lark (from "Centennial Summer", arr. Rodney Bennett)
Kern: Don't Ever Leave Me (from "Sweet Adeline", arr. Rodney Bennett)
Kern: I'm Old-Fashioned (from "You Were Never Lovelier", arr. Rodney Bennett)
Bennett: Partita, Reflections on a Sixteenth Century Tune, Songs before Sleep & Reflections on a Scottish Folk Song
Partita: II. Lullaby. Andante con moto - Poco meno mosso
Reflections on a Sixteenth Century Tune: Prelude. Lento
Reflections on a Sixteenth Century Tune: Variation I. Allegretto
Reflections on a Sixteenth Century Tune: Variation II. Allegro vivo
Reflections on a Sixteenth Century Tune: Variation III. Homage to Peter Warlock. Andante
Reflections on a Sixteenth Century Tune: Variation IV. Con brio e ritmico
Reflections on a Sixteenth Century Tune: Finale. Tranquilo
Songs before Sleep: I. The Mouse and the Bumble-bee (Version for Bass-Baritone and Strings)
Songs before Sleep: II. Wee Willie Winkie (Version for Bass-Baritone and Strings)
Songs before Sleep: III. Twinkle, twinkle, little star (Version for Bass-Baritone and Strings)
Songs before Sleep: IV. Baby, baby, anguthy baby (Version for Bass-Baritone and Strings)
Songs before Sleep: V. As I walked by myself (Version for Bass-Baritone and Strings)
Songs before Sleep: VI. There was an old woman (Version for Bass-Baritone and Strings)
Reflections on a Scottish Folk Song: I. Andante lento
Reflections on a Scottish Folk Song: II. Arioso
Reflections on a Scottish Folk Song: II. Vivo
Reflections on a Scottish Folk Song: IV. Interlude. Dolce semplice
Reflections on a Scottish Folk Song: V. Con brio. Con fuoco
Reflections on a Scottish Folk Song: VI. Alla sarabanda
Sir Richard Rodney Bennett: Murder on the Orient Express . Lady Caroline Lamb [original soundtrack recordings]
Rodney Bennett: Music for the Robert Bolt's 1973 Movies "Lady Caroline Lamb": No. 1, Caroline
Rodney Bennett: Music for the Robert Bolt's 1973 Movies "Lady Caroline Lamb": No. 2, Honeymoon in Italy
Rodney Bennett: Music for the Robert Bolt's 1973 Movies "Lady Caroline Lamb": No. 3, Caroline and Byron
Rodney Bennett: Music for the Robert Bolt's 1973 Movies "Lady Caroline Lamb": No. 4, Byron's March
Rodney Bennett: Music for the Robert Bolt's 1973 Movies "Lady Caroline Lamb": No. 5, The Banquet
Rodney Bennett: Music for the Robert Bolt's 1973 Movies "Lady Caroline Lamb": No. 6, William Returns Home
Rodney Bennett: Music for the Robert Bolt's 1973 Movies "Lady Caroline Lamb": No. 7, The Temple
Rodney Bennett: Music for the Robert Bolt's 1973 Movies "Lady Caroline Lamb": No. 8, The Ride
Rodney Bennett: Music for the Robert Bolt's 1973 Movies "Lady Caroline Lamb": No. 9, William and Caroline
Rodney Bennett: Music for the Robert Bolt's 1973 Movies "Lady Caroline Lamb": No. 10, End Music
Rodney Bennett: Elegy for Viola and Orchestra, "Lady Caroline Lamb": I. Molto vivo - Lento - Alla marcia - Lento
Peter Mark/New Philharmonia Orchestra/Marcus Dods
Rodney Bennett: Elegy for Viola and Orchestra, "Lady Caroline Lamb": II. Maestoso - Andante con moto - Poco agitato - Alla breve
Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 1, Overture
Orchestra of the Royal Opera House, Covent Garden
Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 2, Kidnapping
Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 3, Stamboul Ferry
Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 4, The Orient Express
Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 5, The Body
Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 6, Remembering Daisy
Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 7, Entr'acte
Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 8, Princess Dragomiroff
Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 9, The Knife
Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 10, Prelude to Murder
Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 11, The Murder
Rodney Bennett: Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 12, Finale
The Mines of Sulphur, Act I: Introduction
The Mines of Sulphur, Act II: Nocturne I
The Mines of Sulphur, Act I: Slut! You slut! (Braxton, Rosalind)
The Mines of Sulphur, Act II: Good morning, my doves (Leda, Mrs Traxel, Jenny, Haidee, Fenny, Hugo)
The Mines of Sulphur, Act I: Easy and quietly (Boconnion, Tovey, Rosalind, Braxton)
The Mines of Sulphur, Act II: Hugo! (Jenny, Haidee, Fenny, Hugo)
The Mines of Sulphur, Act I: The key! (Boconnion, Tovey, Rosalind)
The Mines of Sulphur, Act II: Nocturne II
The Mines of Sulphur, Act I: You see! What did I tell you? (Rosalind, Boconnion, Tovey)
The Mines of Sulphur, Act II: I said to the cook. who does he think he is? (Tooley, Sherrin, the Count)
The Mines of Sulphur, Act I: Old goat! (Boconnion, Rosalind)
The Mines of Sulphur, Act II: Nocturne III - In the moonlight they are beautiful (Sherrin, The Count)
The Mines of Sulphur, Act I: The cup it is white and the ale it is brown… (Tovey, Boconnion)
The Mines of Sulphur, Act II: Get up! and quickly, do you hear me (Sherrin, The Count, Jenny, Haidee, Fenny, Hugo)
The Mines of Sulphur, Act I: Am I beautiful? (Rosalind, Boconnion, Tovey)
The Mines of Sulphur, Act II: Stop! Make them stop! (Tovey, Boconnion, Rosalind, Sherrin, Leda)
The Mines of Sulphur, Act I: A horn! (Boconnion, Rosalind, Tovey, Sherrin)
The Mines of Sulphur, Act II: We must get away from here (Rosalind, Boconnion)
The Mines of Sulphur, Act I: Good evening, sir (Sherrin, Boconnion, Rosalind, Tovey, Leda, Fenney, Tooley)
The Mines of Sulphur, Act II: I am very sorry, Colonel Boconnion (Sherrin, Rosalind, Boconnion, Leda, Tooley)
The Mines of Sulphur, Act I: I once played Romeo, in Chester (Fenney, Sherrin, Tooley, Leda)
The Mines of Sulphur, Act II: Well now, Colonel (Tooley, Boconnion, Leda)
The Mines of Sulphur, Act I: It looks very well on you (Jenny, Rosalind)
The Mines of Sulphur, Act II: You would do better to save your new coat (Tooley, Boconnion)
The Mines of Sulphur, Act III: Back! Back against the wall where I can watch you (Boconnion, Sherrin, Tooley, Leda, Rosalind)
The Mines of Sulphur, Act II: Good morning, your Excellency! (Tooley)
The Mines of Sulphur, Act III: This house is made of wood - What will you gain by killing us (Boconnion, Sherrin, Tooley)
The Mines of Sulphur, Act II: A fountain in the Palladian style (Sherrin, The Count)
The Mines of Sulphur, Act III: All correct, Colonel - I want to leave this house - We must wait till morning (Tovey, Rosalind, Boc
The Mines of Sulphur, Act II: Good morning, your Excellency (Fenny, Hugo, Sherrin, the Count)
The Mines of Sulphur, Act III: Ah! The poor little mute - Entr'acte - This mute! (Boconnion)
The Mines of Sulphur, Act II: This morning I was passing the square - O when will I a lover know (Fenny, Hugo, Sherrin, the Count,
The Mines of Sulphur, Act III: I lived as a boy in a village by the sea (Boconnion)
The Mines of Sulphur, Act II: Well? (Fenny, Hugo, Sherrin, the Count, Leda, Mrs Traxel)
The Mines of Sulphur, Act III: Tovey! Bring down the girl - I want to leave this house (Boconnion, Tovey, Leda, Rosalind, Jenny)
The Mines of Sulphur, Act II: Haidee! (Leda, Mrs Traxel) - Interlude
The Mines of Sulphur, Act III: Tovey! Into the cellar with them - All correct, Colonel (Boconnion, Rosalind, Tovey)
The Mines of Sulphur, Act III: What was your question, in the play? (Boconnion, Jenny, Rosalind)
The Mines of Sulphur, Act II: Your eyes are shining, Rosalind (Boconnion, Rosalind, Tovey)
The Mines of Sulphur, Act III: Once, once long ago some actors came riding (Jenny)
The Mines of Sulphur, Act III: The horn! Their horn! (Tovey, Boconnion, Rosalind, Jenny)
The Mines of Sulphur, Act III: Then look! Soldier, look! (Jenny, Tovey, Rosalind, Boconnion)
Murder On The Orient Express - Original Soundtrack
Medley: A Beautiful Friendship / We Could Make Such Beautiful Music Together
I Have the Feeling I've Been Here Before
I'll Always Leave the Door a Little Open
O magnum misterium: 20th Century Christmas Carols
3 Carols, Op. 17: No. 3, Alleluya, a New Work Is Come on Hand
3 Carols, Op. 25: No. 3, An Ode of the Birth of Our Saviour
3 Carol-Anthems: No. 1, Here Is the Little Door
3 Carols, Op. 25: No. 2, Lully, Lulla, Thou Little Tiny Child
Jazzbo Brown Blues (From "Porgy & Bess")
Medley: Isn't This a Lovely Day? / It's a Lovely Day Today
Medley: All or Nothing at All / Get out of Town
Bennett, Richard Rodney: I Never Went Away …
The Great Magoo, It's Only a Paper Moon: It's Only a Paper Moon
Here Come the Waves, Let's take the long way home: Let's take the long way home
Something to Shout About: You'd Be so Nice to Come Home to
High, Wide and Handsome: The Folks who Live on the Hill
Medley: You Think of Everything / Welcome to My Dream
Holst, G.: Planets (The) (Version for 2 Pianos)
The Planets, Op. 32 (version for 2 pianos): I. Mars, the Bringer of War
The Planets, Op. 32 (version for 2 pianos): II. Venus, the Bringer of Peace
The Planets, Op. 32 (version for 2 pianos): III. Mercury, the Winged Messenger
The Planets, Op. 32 (version for 2 pianos): IV. Jupiter, the Bringer of Jollity
The Planets, Op. 32 (version for 2 pianos): V. Saturn, the Bringer of Old Age
The Planets, Op. 32 (version for 2 pianos): VI. Uranus, the Magician
The Planets, Op. 32 (version for 2 pianos): VII. Neptune, the Mystic
Take Love Easy - The Lyrics of John Latouche
The Return of the Soldier (Original Motion Picture Soundtrack)
Medley: Moanin' in the Mornin' / Down with Love
Stravinsky: Symphonies Of Wind Instruments
Symphonies of Wind Instruments, K. 036 (1920 Version)
Two Poems of Konstantin Balmont: I. The Flower
Two Poems of Konstantin Balmont: II. The Dove
Mavra: Oh my dearest, my dearest, dearest one (Arr. for Soprano and Piano)
Le Sacre du Printemps (Five Extracts from Piano Duet Version) (Version for Piano Duet)
Marigold, Op. 78 - 1996 Remastered Version
Waltz - From "Murder on the Orient Express"
The City of Prague Philharmonic Orchestra