1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xe3b9c25c3c4b2c07f508e6781ba57cb30d6e7a347f80da968bd44ccc5fd5bd7d. Chain 2 (Bitcoin): anchored in block 954066 (2026-06-17T08:11:48Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/35dc0ef9-2d57-425f-8560-05f07ca0f100.json and https://artists.proofprofile.net/proofs/artist/35dc0ef9-2d57-425f-8560-05f07ca0f100.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Libuše, Festive Opera in 3 Acts: Overture
Act I. Libuše's Judgement: I. Scene 1: „Slovutná dcero Kroka…“ (Radmila, Krasava, Libuše, choir)
Act I. Libuše's Judgement: II. Scene 1: „Nemohu dále…“ (Krasava, Radmila)
Act I. Libuše's Judgement: III. Scene 2: „Běda, když mezi vlastními bratry…“ (choir, Chrudoš, Šťáhlav, Lutobor, Radovan)
Act I. Libuše's Judgement: IV. Scene 3: „Ten had tu schází…“ (Chrudoš, Libuše, Šťáhlav, Radovan, Lutobor, choir)
Act I. Libuše's Judgement: V. Scene 3: „Vy slyšeli jste pohanění moje…“ (Libuše, Radovan, choir)
Act II. Libuše's Marriage: I. Scene 1: „Napojte koně teď a čekejte…“ (Lutobor)
Act II. Libuše's Marriage: II. Scene 1: „Můj otče! Ach, již druhý dlouhý den jsme na cestě…“ (Krasava, Lutobor, Šťáhlav, Radmila)
Act II. Libuše's Marriage: III. Scene 1: „Jak divý mrak uháněl Chrudoš…“ (Lutobor)
Act II. Libuše's Marriage: IV. Scene 2: „Můj ujec zval mě k hrobu otcovu…“ (Chrudoš, Krasava, Radmila, Šťáhlav, Lutobor)
Act II. Libuše's Marriage: V. Scene 3: „Heja, heja! Bez klidu dále…“ (four farmhands)
Act II. Libuše's Marriage: VI. Scene 3: „Již plane slunce, blahý míru sen…“ (Přemysl)
Act II. Libuše's Marriage: VII. Scene 4: „Do konce dílo je hotovo…“ (choir, Přemysl)
Act II. Libuše's Marriage: VIII. Scene 4: „Já ale zůstanu… Ó, vy lípy, praotcův ruka vsadila vás...“ (Přemysl)
Act II. Libuše's Marriage: IX. Scene 5: „Od Libuše ti pozdrav nesem…“ (Radovan, choir, Přemysl)
Act II. Libuše's Marriage: X. Scene 5: „Nuž pokoj s vámi…“ (Přemysl, choir, Radovan)
Act III. Libuše's Prophecy: I. Scene 1: „Mír zjednám mezi oběma zas bratry…“ (Libuše, Lutobor, Chrudoš, Šťáhlav, Radmila, Krasava)
Act III. Libuše's Prophecy: II. Scene 2: „On jde! Ještě nedohledný je…“ (Libuše)
Act III. Libuše's Prophecy: III. Scene 3: „Nuž vítej nám…“ (choir, Libuše)
Act III. Libuše's Prophecy: IV. Scene 5: Ceremonial procession
Act III. Libuše's Prophecy: V. Scene 5: „Hoj, tvrdý Vyšehrad, buď stokrát vítán! ...“ (Přemysl, Libuše, Radovan, Krasava, Radmila, Šťáhlav, Chrudoš, Lutobor, choir)
Act III. Libuše’s Prophecy with Six Tableaux from Bohemia’s History: Tableau I: Břetislav a Jitka
Act III. Libuše’s Prophecy with Six Tableaux from Bohemia’s History: Tableau II: Jaroslav ze Šternberka
Act III. Libuše’s Prophecy with Six Tableaux from Bohemia’s History: Tableau III: Otakar II., Eliška a Karel IV.
Act III. Libuše’s Prophecy with Six Tableaux from Bohemia’s History: Tableau IV: Žižka, Prokop Veliký a husité
Act III. Libuše’s Prophecy with Six Tableaux from Bohemia’s History: Tableau V: Jiří z Poděbrad (Libuše)
Act III. Libuše’s Prophecy with Six Tableaux from Bohemia’s History: Tableau VI: Královský hrad pražský (Libuše, Krasava, Radmila, Šťáhlav, Přemysl, Chrudoš, Radovan, Lutobor, choir)
Slavonic Dances, Series II, Op. 72: Srbské kolo - Presto
Slavonic Dances, Series II, Op. 72: Mazur - Allegretto grazioso
1. Confirm isrcCode identifies the recording in the pre-2022 source corpus and cc-db-prod record 2. GET OTSVerificationAPI → server-side canonical-record, hash, and attestation checks must pass 3. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 4. Confirm CopyrightID is the CopyrightChains transaction hash 5. If all match: the cc-db-prod record is independently anchored on Bitcoin at OTSTimestamp
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x92c9bdd5241dc80adfe8153ae7fa134cd9b63bb5dbea58c3263a65825a589fd7. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/CZA166002036.
Moravian Duets, Op. 29: Parting Without Sorrow
Moravian Duets, Op. 38: Greeting from Afar
String Quartet No. 3 in D Major: Allegro energico
Dimitrij, Op. 64, Act II, Scene 4: "O My Protector!"
Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": II. Poco adagio
Czech Suite, Op. 39: Romanza. Andante con moto
Sonatina, Op. 100: Scherzo. Molto vivace
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x4fbdb7825c0d9448a3ceeb0b067dea3e48d750f26d8383f3f4a2be4380c40bc1. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/CZA167203300.
Cello Concerto No. 2 in B Minor, Op. 104: II. Adagio, ma non troppo
Symphony No. 4 in D Minor, Op. 13: VI. Allegro feroce
Dumka and Furiant, Op. 12, B. 136: Dumka
Serenade for Wind Instruments in D Minor, Op. 44: Andante con moto
Rusalka, Op. 114, Act II: "Pitiful Rusalka Pallid"
Symphony No. 1 in C Minor: V. Adagio di molto
Love Songs, Op. 83: No. 3, Now as by That House I Tread. Allegretto
Love Songs, Op. 83: No. 6, Lonely in the Wood I Stand, by the Rushing Brook. Andante
Love Songs, Op. 83: No. 7, In the Sweet Power of Thine Eyes. Andante
Love Songs, Op. 83: No. 8, My Only Dear One, My Dear Love. Poco lento
Cypresses for String Quartet, sine: The Old Letter in My Book. Andante
Cypresses for String Quartet, sine: Nature Lies Peaceful in Slumber and Dreaming. Allegro scherzando
Poetic Tone Pictures, Op. 85: Joking. Allegretto leggiero
Serenade for Wind Instruments in D Minor, Op. 44: Menuetto. Tempo di minuetto
Piano Quintet No. 2, Op. 81: Scherzo - Furiant. Molto vivace
In Nature´s Realm, Op. 63: Bells Untied in An Evening Wood
Nature, Life and Love, Op. 91, B. 168: I. In Nature´s Realm
Poetic Tone Pictures, Op. 85: At Svatá hora. Poco lento
Saint Ludmila, Op. 71: Part III - Introduzione e coro - Introduction and Chorus. Mighty Lord, Have Mercy on Us!
Nocturne for String Orchestra in B Major, Op. 40, B. 47
Stabat Mater, Op. 58: Eja, Mater, fons amoris - Andante con moto
The Spectre´s Bride, Op. 69: Soprano solo. Hail Virgin Mary, Stand by Me
Requiem, Op. 89: Confutatis maledictis. Moderato maestoso
Biblical Songs, Op. 99: No. 3, Hear, Oh Hear My Prayer, Lord My God. Andante
Biblical Songs, Op. 99: No. 4, Oh, My Shepherd Is the Lord. Andante
Rákos Rákoczy, JW I/2: The Mosquitoes Got Married
Folk Nocturnes, JW IV/32: A Girl Was Mowing the Meadow
Folk Nocturnes, JW IV/32: Our Rosy Janyčko
Folk Nocturnes, JW IV/32: The Little Swallow Has Flown High
Moravian Folk Poetry in Songs, JW V/2: Parting
Moravian Folk Poetry in Songs, JW V/2: Game Warden
Moravian Folk Poetry in Songs, JW V/2: The Little Letter
Moravian Folk Poetry in Songs, JW V/2: Constancy
Moravian Folk Poetry in Songs, JW V/2: My Lover’s Horses
Silesian Songs, JW V/13: Hey, What Nightingale Is This One
Jenufa, JW I/4, Act III: "My vás dlouho zabavovat nebudem – Ej, mamko, mamko" (Barena, Rychtář, Jenůfa, Laca Klemeň, Stařenka Buryjovka)
The Cunning Little Vixen, JW I/9, Act III: "A Vixenn's Running through the Woods..." (Bystrouška, Lišák Zlatohřbítek)
Prague Castle Guard and Police Orchestra
Piano Sonata 1. X. 1905 "From the Street" in E Minor, JW: I. Presentiment. Con moto
The Excursions of Mr. Brouček, JW I/7, Act II: "Buď vůle tvá jako v nebi, tak i v zemi" (Kedruta, Petřík)
Capriccio for Piano (Left Hand) and Wind Ensemble, JW VII/12: III. Allegretto
Sinfonietta, JW VI/18: IV. Allegretto - Live
Sinfonietta, JW VI/18: V. Andante con moto - Allegretto - Live
Folk Poetry of Hukvaldy in Songs, JW IV/27: You Hukvaldy Chapel!
Folk Poetry of Hukvaldy in Songs, JW IV/27: May God Reward You!
Folk Poetry of Hukvaldy in Songs, JW IV/27: The Reeve’s Hanka
Youth, JW 7/10: III. Vivace (March of the Bluebirds)
Thema con variazioni, JW VIII/6: Andante – Allegro – Con moto – Con moto
Jenůfa, JW I/4, Act II: "Kde je Števuška – Tož umřel" (Jenůfa, Kostelnička)
On an Overgrown Path, JW VIII/17: In Tears. Larghetto
On an Overgrown Path, JW VIII/17: The Barn Owl Has Not Flown Away! Andante
Elegy on the Death of my Daughter Olga], JWIV/30
Fate, JW I/5, Act I: "I've Got Wings Today and the Song of a Bird" (Dr. Suda, 1. dáma, 2. dáma, Stará Slovenka, Paní majorová, Dítě, Lhotský, Míla)
On the Overgrown Path, JW VIII/17: They Chattered Like Swalows
Katya Kabanova, JW I/8: "Víš, co mi napadlo – Povídám, proč lidé nelétají" (Káťa, Varvara)
The Excursions of Mr Brouček: III. Before Dawn
The Cunning Little Vixen, JW I/9, Act III: "Is It a Fairy-Tale or Is It All True?" (Revírník, Skokánek)
The Lachian Dances, JW VI/17: Čeladná Dance
Four Male Choruses, JW IV/17: Ah, the War
Dumka for Violin and Piano in C Minor, JWVII/4
Strauss: Der Rosenkavalier - Saint-Saëns: Samson and Dalila - Puccini: Tosca
Der Rosenkavalier. Opera, Op. 59, Act II: "Tu ležím"
Der Rosenkavalier. Opera, Op. 59, Act III: "Váže mne slib"
Samson and Dalila, Op. 47, R. 288, Act II: "Má duše hlasem tvým"
Two Widows, JB 1:108, Act I, Scene 1: "A Fine Morning" (Karolina)
Two Widows, JB 1:108, Act I, Scene 2: "Oh, Good Morning, Dear Causin!" (Karolina, Anežka)
Two Widows, JB 1:108, Act I: "I Rule Independently" (Karolina)
Two Widows, JB 1:108, Act I: "Well Then, What Would You Have Me Do?" (Karolina, Anežka)
Two Widows, JB 1:108, Act I, Scene 3: "Good Morning, Gracious Lady!" (Karolina, Mumlal)
Two Widows, JB 1:108, Act I, Scene 3: "Our Good and Gracious Lady Feels Sympathy for Poachers" (Karolina, Anežka, Mumlal)
Two Widows, JB 1:108, Act I, Scene 3: "His Only Redeeming Grace Is That He Misses Everything!" (Karolina, Anežka, Mumlal)
Two Widows, JB 1:108, Act I, Scene 4: "If He Brings Here Now, What Then?" (Karolina, Anežka)
Two Widows, JB 1:108, Act I, Scene 5: "Will I Wander Here Long" (Ladislav Podhájský, Mumlal)
Two Widows, JB 1:108, Act I, Scene 6: "Everything Is in Order, Gracious Lady" (Karolina, Anežka, Mumlal)
Two Widows, JB 1:108, Act I, Scene 7: "The Prisoner Is at the Door!" (Ladislav Podhájský, Mumlal, Karolina, Anežka)
Two Widows, JB 1:108, Act I, Scene 7: "My ladies, I beg your forgiveness!" (Karolina, Anežka, Ladislav Podhájský, Mumlal)
Two Widows, JB 1:108, Act I, Scene 7: "What Do You Want?" (Karolina, Anežka, Ladislav Podhájský, Mumlal)
Two Widows, JB 1:108, Act I, Scene 7: "You Little Beast" (Karolina, Anežka, Ladislav Podhájský, Mumlal)
Two Widows, JB 1:108, Act I: "Look, Mumlal, We´ve Got You Here… Divine Love, a True Gift" (Karolina, Anežka, Ladislav Podhájský, Mumlal, Toník, Lidunka)
Two Widows, JB 1:108, Act II: "Overture II"
Two Widows, JB 1:108, Act II, Scene 1: "When May Comes Calling" (Ladislav Podhájský)
Two Widows, JB 1:108, Act II, Scene 1: "Fine Idea Keeping That Man Here" (Karolina, Anežka, Mumlal)
Two Widows, JB 1:108, Act II, Scene 2: "There Is No More Doubt… Decided, Finished" (Karolina, Anežka)
Two Widows, JB 1:108, Act II, Scene 3: "A Poem!" (Anežka)
Two Widows, JB 1:108, Act II, Scene 3: "Do You Want to Keep Fleeing from Me" (Anežka, Ladislav Podhájský)
Two Widows, JB 1:108, Act II, Scene 3: "Ah, How Cruelly My Feigned Resistance" (Anežka, Ladislav Podhájský)
Two Widows, JB 1:108, Act II: "What Do You Want to Tell Me?" (Anežka, Ladislav Podhájský)
Two Widows, JB 1:108, Act II, Scene 3: "But That Was Not in the Letter, Sir" (Anežka, Ladislav Podhájský)
Two Widows, JB 1:108, Act II, Scene 4: "Halt, Sir!" (Karolina, Anežka, Ladislav Podhájský)
Two Widows, JB 1:108, Act II, Scene 5: "They Are Leaving Together to Have Fun" (Anežka)
Two Widows, JB 1:108, Act II, Scene 5: "Oh, What a Beautiful Day" (Anežka)
Two Widows, JB 1:108, Act II, Scene 6: "Fine! Wonderful!" (Anežka, Mumlal)
Two Widows, JB 1:108, Act II, Scene 6: "When Anything at All Bothers Me" (Mumlal)
Two Widows, JB 1:108, Act II, Scene 6: "My Beloved, Worthy Friend" (Anežka, Mumlal)
Two Widows, JB 1:108, Act II, Scene 7: "What´s This, Girl, What’s This?" (Mumlal, Toník, Lidunka)
Two Widows, JB 1:108, Act II, Scene 8: "Mumlal, Go and Grumble Like a Bear" (Karolina, Ladislav Podhájský, Mumlal)
Two Widows, JB 1:108, Act II, Scene 9: "Oh! Ah, What a Surprise" (Karolina, Anežka, Ladislav Podhájský, Mumlal)
Two Widows, JB 1:108, Act II, Scene 9: "Gracious Lady!" (Karolina, Ladislav Podhájský, Mumlal)
Two Widows, JB 1:108, Act II: "I Hereby Bring the Glorious News" (Karolina, Mumlal)
Two Widows, JB 1:108, Act II: "The Lord God Must Love Us" (Karolina)
Two Widows, JB 1:108, Act II: "Polka (dance) - The Lord God Must Love Us"
Libuše: "Libuše" (Libuše, Přemysl, Krasava, Radmila, Chrudoš, Šťáhlav, Lutobor, Radovan, ženci, ženci, ženci, ženci)
Two Widows: "Two Widows" (Karolina, vdova, Anežka, vdova, Ladislav Podhájský, Mumlal, hajný, Toník, selský hoch, Lidunka, selské děvče)
The Devil´s Wall: "The Devil´s Wall" (Vok Vítkovic, pán z Růže, maršál českého království, Záviš Vítkovic, Jarek, rytíř ve službě Vokově, Hedvika, hraběnka ze Šauenburku, Michálek, hradní na
Piano Concerto in G Minor, Op. 33, B. 63: I. Allegro agitato
Piano Concerto in G Minor, Op. 33, B. 63: II. Andante sostenuto
Piano Concerto in G Minor, Op. 33, B. 63: III. Finale. Allegro con fuoco
Organ Concerto No. 2 in G Major: I. Allegro moderato
Organ Concerto No. 2 in G Major: II. Adagio
Organ Concerto No. 2 in G Major: III. Allegro molto
Concerto for Organ and Orchestra No. 6 in F Major: I. Allegro moderato
Concerto for Organ and Orchestra No. 6 in F Major: II. Larghetto
Concerto for Organ and Orchestra No. 6 in F Major: III. Allegro
Organ Concerto in C Major: I. Allegro moderato
Bohuslav Martinů Chamber Orchestra - Brno
Organ Concerto No. 1 in D Major: I. Allegro
Organ Concerto No. 1 in D Major: II. Andante, poco adagio
Organ Concerto No. 1 in D Major: III. Allegro assai
Organ Concerto No. 3 in B-Flat Major: I. Allegro
Organ Concerto No. 3 in B-Flat Major: II. Andante
Organ Concerto No. 3 in B-Flat Major: III. Vivace
The Bartered Bride, JB 1:100: "Jeník, Míchův syn z prvního manželství, Kecal, vesnický dohazovač" (Jeník, Míchův syn z prvního manželství, Kecal, vesnický dohazovač)
The Kiss, JB 1:104, Act I, Scene 5: "Never, Never in My Sorrow" (Vendulka, Lukáš)
The Kiss, JB 1:104, Act I, Scene 7: "And You, My Baby - Sleep Now, My Angel - A Little Snow White Dove Was Flying" (Vendulka)
The Kiss, JB 1:104, Act II, Scene 2: "Woe Is Me! - If I Knew How to Erase My Guilt" (Lukáš)
The Kiss, JB 1:104, Act II, Scene 5: "Oh, How Could I Believe so Foolishly" (Vendulka, Martinka, Matouš)
Two Widows, JB 1:108, Act II, Scene 5: "Oh, What a Beautiful Day"
Two Widows, JB 1:108, Act I, Scene 7: "My Ladies, I Beg Your Forgiveness - Ah, See That Hunter There" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladislav Podhajský
Two Widows, JB 1:108, Act II, Scene 1: "When May Comes Calling" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladislav Podhajský, Toník, selský hoch)
The Devil´s Wall, JB 1:122, Act I, Scene 3: "I Bid You Welcome, My Maiden!...Have You, Perchance, Lost Faith in Me?" (Jarek, Rarach, Vok, Katuška)
The Devil´s Wall, JB 1:122, Act I, Scene 6: "Only One Lovely Woman´s Beauty Touched Me" (Vok)
The Devil´s Wall, JB 1:122, Act II, Scene 1: "Where Can I Flee before so Sweet an Image?" (Jarek)
Libuše, JB 1:102, Act I: "Libuše´s Aria"
Dalibor, JB 1:101, Act I: "Oh, Did You Hear It, Friend, in Heaven´s Regions" (Dalibor)
The Brandenburgers in Bohemia, JB 1:87, Act I, Scene 1: "Já ale pravím" (Volfram Olbramovič, starosta pražský, Oldřich Rokycanský, rytíř)
The Brandenburgers in Bohemia, JB 1:87, Act I, Scene 8: "Now at Last Came Our Time!" (Jíra, poběhlík)
The Brandenburgers in Bohemia, JB 1:87, Act II, Scene 8: "Now Then My Maiden" (Varneman, setník Braniborů, Ludiše, Volframova dcera, Vlčenka, Volframova dcera, Děčana, Volframova dcera)
Verdi, Leoncavallo, Mascagni, Giordano: Scenes from Italian Operas
Macbeth, Act II: "La luce langue" (Lady Macbeth)
Macbeth, Act IV: "Ah, la paterna mano" (Macduff)
Macbeth: "Gran scena del sonnambulismo" (Lady Macbeth, komorná, lékař)
I pagliacci, Act I: "Vesti la giubba" (Canio)
I pagliacci, Act II: "No! Pagliaccio non son..." (Canio)
Cavalleria rusticana: "Voi lo sapete, o mamma" (Santuzza)
André Chénier, Act IV: "La coscienza nei guari" (Maddalena, Gérard)
Vilém Přibyl - Artistic Portrait - Opera Arias
Fidelio. Opera in 2 Acts, Op. 72, Act II: "Leonora and Florestan"
Les Troyens. Opera, H. 133: "Love Scene of Didona and Aeneus"
Carmen. Opera: "Love Scene of Carmen and Don José"
Othello. Opera in 4 Acts: "Aria of Desdemona and Othello"
Othello. Opera in 4 Acts, Act II: "Scene of Othello and Jago"
Dalibor, Act I: "Oh, Did You Hear It, Friend, in Heaven´s Regions"
The Bartered Bride, Act II, Scene 5: "How Could They Believe" (Jeník)
Rusalka, Op. 114, Act I: "The Hunt Is Over, Return Home at Once" (princ, vodník)
Dimitrij, Op. 64, Act II, Scene 1: "From the Wild Storm of Life My Soul Hastened Here Longingly" (Dimitrij)
Fidelio, Op. 72, Act II: "Florestan" (Florestan)
Lohengrin, WWV 75, Act III: "In fernem Land unnahbar euren Schritten" (Lohengrin)
Otello, Act III: "Othello´s Aria" (Otello)
Pagliacci, Act I: "Canias Aria (Recitar! Mentre preso dal delirio)" (Canio)
Tosca, SC 69, Act III: "Mile svítily hvězdy" (Cavaradossi)
Cecilie Strádalová (Mysliveček, Mozart, Verdi, Delibes, Gounod, Leoncavallo, Puccini, Martinů)
Le nozze di Figaro, Act IV: "Zuzanka´s Aria" (Zuzanka)
Die Zauberflöte. Opera in 2 Acts, Act II: "Královna noci" (Královna noci)
Rigoletto, Act III: "Duet of Gilda and Rigolleto" (Gilda, Rigoletto)
La boheme, Act II: "Árie Musetty" (Musetta)
Tamerlán. Opera, Act II: "Asterie" (Asterie)
Beethoven, Verdi, Smetana, Fibich, Wagner, Leoncavallo, Dvořák
Fidelio. Opera in 2 Acts, Op. 72, Act I: "Leonora's Aria"
Aida. Opera in 4 Acts, Act I: "Aida's Aria"
The Two Widows. Opera in Two Acts, JB 1:108, Act II: "Anežka's Aria"
Šárka. Opera in 3 Acts, Op. 51, Act II: "Šárka's Aria"
The Jacobin. Opera in 3 Acts, Op. 84, Act III: "Julia's and Vilém's Aria"
Un ballo in maschera. Opera in 3 Acts, Act III: "Amélie's Aria"
Tannhäuser und der Sängerkrieg auf Wartburg. Opera in 3 Acts, WWV 70, Act II: "Elisabeth"
Lohengrin. Opera in 3 Acts, Act I: "Elsa's Dream"
I pagliacci. Opera in Prologue and 2 Acts, Act I: "Nedda's Aria"
Hanuš: Plameny - Horký: Hejtman Šarovec - Krejčí: Poslední hejtman - Blažek: Verchovina
Doma a na frontě. Opera: "Plameny" (Václav Klen, Jan, Vlasta, Sestra)
Operní orchestr Divadla J.K.Tyla v Plzni
Hejtman Šarovec. Opera, Act III: "árie Uliány a Šarovce (Bolest, která ztichla)" (Uliána, Šarovec)
Poslední hejtman. Opera o 3 dějstvích, Act III: "Vedu tě přes náš prách" (Mária, Talafús)
Verchovina. Opera, Act I: "Dosia, Vasil, Michal (Odpusťte, pane, zatím jen trochu mléka)" (Dosia, Daria, Vasil, Michal)
Verchovina. Opera, Act III: "Smrt Vasila a závěr opery - Dosia, Daria, Vasil" (Dosia, Daria, Vasil, Michal)
Novák: Nikotina, Toman and the Wood Nymph
Divadlo za branou, H 251: Dějství první. Balet - pantomima. Scéna 1. Před hostincem tančí Harlekýn s Kolombínou, Pierot to žaluje jejímu otci, hospodskému
Divadlo za branou, H 251: Dějství první. Balet - pantomima. Scéna 2. Pierot upravuje hospodskému vousy a zároveň pozoruje kolem tanečníky. Rád by tančil s Kolombínou, odloudí mu ji však Harle
Divadlo za branou, H 251: Dějství první. Balet - pantomima. Scéna 3. Na lavičce v objetí usínají Kolombína a Harlekýn, sledováni žárlivým Pierotem. Harlekýn se probudí a dojde mezi nimi ke rv
Divadlo za branou, H 251: Dějství první. Balet - pantomima. Scéna 4. Cukrářovi ukradne Pierot rohlíky, hospodský zase jemu, tajně je pak odnášejí Kolombína a Harlekýn
Divadlo za branou, H 251: Dějství první. Balet - pantomima. Scéna 5. Hospodský posílá Kolombínu domů, Harlekýn ho popichuje, ale vždy to odnese Pierot
Divadlo za branou, H 251: Dějství první. Balet - pantomima. Scéna 6. Pierot vystřelí z pušky, Harlekýn se kácí, ale obživne a za všeobecného veselí dá nakonec hospodský Kolombíně a Harlekýnov
Divadlo za branou, H 251: Dějství druhé. Opera buffa. Scéna 1. (Úvod a Árie) - Katuška
Divadlo za branou, H 251: Dějství druhé. Opera buffa. Árie - Ponocný
Divadlo za branou, H 251: Dějství druhé. Opera buffa. (Próza) - Katuška, Ponocný
Divadlo za branou, H 251: Dějství druhé. Opera buffa. Trio - Katuška, Ponocný, Pierot
Divadlo za branou, H 251: Dějství druhé. Opera buffa. (Próza) - Katuška, Ponocný, Hospodský
Divadlo za branou, H 251: Dějství druhé. Opera buffa. Halekání - Katuška
Divadlo za branou, H 251: Dějství druhé. Opera buffa. Scéna 2. - Starosta, Kolombína, sbor
Divadlo za branou, H 251: Dějství druhé. Opera buffa. (Próza) - Starosta, Ponocný
Divadlo za branou, H 251: Dějství druhé. Opera buffa. Scéna 3. Árie - Katuška, Starosta, Ponocný
Divadlo za branou, H 251: Dějství druhé. Opera buffa. Kuplet. Pierot
Divadlo za branou, H 251: Dějství druhé. Opera buffa. Scéna 4. - Harlekýn, Kolombína Pierot
Divadlo za branou, H 251: Dějství druhé. Opera buffa. Scéna 5. - Kolombína, Pierot, Starosta, Katuška, sbor
Divadlo za branou, H 251: Dějství druhé. Opera buffa. Scéna 6. - Kolombina, Katuška, Harlekýn, Pierot, Hospodský, sbor
Divadlo za branou, H 251: Dějství třetí. Úvod - Starosta, Ponocný, Pierot, Katuška, Kolombína, Harlekýn
Divadlo za branou, H 251: Dějství třetí. Próza - Kolombína, Harlekýn, Pierot, Katuška
Divadlo za branou, H 251: Dějství třetí. Scéna 1. - Kolombína, sbor, Stařec, Hospodský, Zaříkávačka, Katuška
Divadlo za branou, H 251: Dějství třetí. Próza - Pierot
Divadlo za branou, H 251: Dějství třetí. Scéna 2. - Hospodský, Pierot, Starosta
Divadlo za branou, H 251: Dějství třetí. Próza. - Starosta Hospodský
Divadlo za branou, H 251: Dějství třetí. Scéna 3. - Ponocný, Starosta, Kolombína, Katuška, Harlekýn, Pierot, sbor
Janáček: The Lachian Dances, Fiddler´s Child, Ballad of Blaník, Jealousy
Lachian Dances, JW VI/17: No. 1, Ancient I
Lachian Dances, JW VI/17: No. 2, The Blessed One
Lachian Dances, JW VI/17: No. 3, Bellows Dance
Lachian Dances, JW VI/17: No. 4, Ancient II
Lachian Dances, JW VI/17: No. 5, Čeladná Dance
Lachian Dances, JW VI/17: No. 6, Saw Dance
Suite from The Cunning Little Vixen, JW 1/9
Suite from From the House of the Dead, JW 1/11
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Janáček: Orchestral Works II. Taras Bulba, Adagio, Jealousy and The Fiddler's Child
Taras Bulba: III. The Prophecy and Death of Taras Bulba
Janáček: Orchestral Works I. Lachian Dances, Suite and Idyll
Novák: Signorina Gioventú, Eternal Longing
Harold en Italie in G Major, Op. 16, H 68: I. Harold aux montagnes. Scènes de mélancolie, de bonheur et de joie
Harold en Italie in G Major, Op. 16, H 68: II. Marche de pélerins, chantant la prière du soir
Harold en Italie in G Major, Op. 16, H 68: III. Sérénade d´un montagnard des Abruzzes à sa maitresse
Harold en Italie in G Major, Op. 16, H 68: IV. Orgie de brigands. Souvenirs des scénes précédentes
Janáček: Sinfonietta, Taras Bulba and Lachian Dances
Sinfonietta, JW VI/18 "Military": I. Allegretto
Sinfonietta, JW VI/18 "Military": II. Andante
Sinfonietta, JW VI/18 "Military": III. Moderato
Sinfonietta, JW VI/18 "Military": IV. Allegretto
Sinfonietta, JW VI/18 "Military": V. Andante con moto - Allegretto
Taras Bulba, JW VI/15: I. The Death of Andrei
Taras Bulba, JW VI/15: II. The Death of Ostap
Taras Bulba, JW VI/15: III. The Prophecy and Death of Taras Bulba
Lachian Dances, JW VI/17: No. 6, The Saws
Orpheus und Euridice. Opera, Wq. 30: Act III
Tristan und Isolde, WWV 90, Act II: "Einsam wachend in der Nacht" (Brangena)
Carmen, Act III: "Carmen Aria - Carreau! Pique!"
Prince Igor, Act II: "Merknet svet dnevnoj"
Il Barbiere di Siviglia, Act I: "Una voce poco fa"
Le nozze di Figaro. Opera in 4 Acts, K. 492: Act I
Smetana: Louisa's Polka (Digitally Remastered)
Janáček - Orchestral Works III: Sinfonietta, Violin Concerto, The Danube, Schluck und Jau
Sinfonietta, JW 6/18: V. Andante con moto. Allegretto
Violin Concerto, JW 9/10 "Pilgrimage of the Soul"
Matter Makropulos, Jenufa & The Cunning Little Vixen
Matter Makropulos: Excerpts From The Opera
Orchestra Of the Prague National Theatre
Slavický: The Way of the Heart, Kapr: Symphony No. 7 Childhood Country
Symphony No. 7 "Childhood Country": I. Movement No. 1
Symphony No. 7 "Childhood Country": II. Movement No. 2
Symphony No. 7 "Childhood Country": III. Movement No. 3