1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xafde8563c7071e6a226e7ab3286ab91a7a7e7c0415deccba10f31db8703f77c7. Chain 2 (Bitcoin): anchored in block 953423 (2026-06-12T21:20:00Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/8e1a5436-1470-4c45-8a4c-dd0ffd682d12.json and https://artists.proofprofile.net/proofs/artist/8e1a5436-1470-4c45-8a4c-dd0ffd682d12.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Tom Jones, Act II: Act II Scene 8: De l'opulence, de l'abondance (Blifil) - Scene 9: Ce cheval (Mr. Western, Sophie)
Tom Jones, Act I: Act I Scene 1: Que les devoirs que tu m'imposes (Sophie, Honora)
Tom Jones, Act II: Act II Scene 9: C'est a vous que je dois la vie (Sophie, Mr. Western)
Tom Jones, Act I: Act I Scene 1: Oui, toute ma vie (Honora, Sophie) - Scene 2: Et je vous (Mrs. Western, Honora, Sophie)
Tom Jones, Act II: Act II Scene 9: A ton pere, tu ne crains pas de deplaire (Mr. Western, Sophie, Tom Jones)
Tom Jones, Act I: Act I Scene 2: Ah! J'aime cette finesse, vous pretendez m'en imposer (Mrs. Western, Sophie)
Tom Jones, Act II: Act II Scene 9: Vous voules que je vous oubile? (Tom Jones) - Scene 10: Il ose (Mr. Western, Mrs. Western, Tom Jones, Allworthy, Blifil, Sophie, Honora)
Tom Jones, Act I: Act I Scene 3: D'un cerf dix cors, j'ai connaissance (Mrs. Western)
Tom Jones, Act II: Act II Scene 10: C'est vous mon pere (Sophie, Mrs. Western, Honora, Tom Jones, Blifil, Allworthy, Mr. Western)
Tom Jones, Act I: Act I Scene 3: Et nos chasseurs chantent tous a l'envi (Mr. Western, The Beaters, Tom Jones, Mrs. Western, Sophie) - Scenes 4-5: A present ma tres chere soeur (Mr. Western,
Tom Jones, Act III: Act III: Symphonie - Scene 1: Allors messieurs (Innkeeper, Gumtree, Powerfist, Jellyfisch, Buttercup)
Tom Jones, Act I: Act I Scenes 4-5: Ah! Quel plaisir (Mr. Western) - Scene 6: Misses (Allworthy, Mrs. Western … ) - Scene 7: Permets-moi (Dowling … ) - Scene 8: Alors? (Mrs. Western … ) - Sce
Tom Jones, Act III: Act III Scene 1: A chanter, ire et boire (Powerfist, Gumtree, Buttercup, Jellyfisch, Innkeeper, Dowling) - Scene 2: C'est une (Tom Jones, Dowling, Innkeeper, Buttercup, Po
Tom Jones, Act I: Act I Scene 9: Ah! ma tante, je vous prie (Sophie, Mrs. Western)
Tom Jones, Act III: Act III Scene 2: Ami qu'en mes bras je presse (Tom Jones, Innkeeper, Dowling) - Scene 3: Mesdames (Innkeeper, Honora, Sophie, Gumtree, Powerfist, Dowling)
Tom Jones, Act I: Act I Scene 9: Non, non, rien ne peut me retenir (Mrs. Western, Sophie)
Tom Jones, Act III: Act III Scene 3: Ou suis-je? Qu'ai-je fait? (Sophie)
Tom Jones, Act II: Act II Scenes 1-2-3: Dowling, es-tu bien sur de ce que tu avances? (Blifil, Dowling, Tom Jones, Kate)
Tom Jones, Act III: Act III Scene 3: O toi qui ne peut m'entendre (Sophie, Buttercup, Powerfist, Jellyfisch, Honora, Gumtree, Tom Jones, Innkeeper)
Tom Jones, Act II: Act II Scenes 1-2-3: Amour, amour quelle est donc (Tom Jones) - Scene 4: Voila notre (Honora, Tom Jones)
Tom Jones, Act III: Act III Scene 3: Quoi c'est vous (Tom Jones, Sophie) - Scene 4: Mais, c'est (Dowling, Sophie … ) - Scene 5: Comme vous (Innkeeper … ) - Scene 6: Seul … (Allworthy, Blifil)
Tom Jones, Act II: Act II Scene 4: La pauvre fillette a beau faire (Honora, Tom Jones) - Scene 5: Je vous (Mr. Western, Honora, Tom Jones)
Tom Jones, Act III: Act III Scene 7: Je vous obtiens, vous qui m'etes si chere (Tom Jones, Sophie, Allworthy, Mrs. Western, Honora, Mr. Western)
Tom Jones, Act II: Act II Scenes 5-8: Plus d'une fois tandis qu'a la maison (Mr. Western, Tom Jones, Mrs. Western, Sophie, Honora)
Orfeo ed Euridice, Wq. 30: Ouverture - Live Version
Orfeo ed Euridice, Wq. 30, Act III, Scene 1: Vieni, segui i mei passi... Sei tu! M'inganno? (Orféo, Euridice) - Live Version
Orfeo ed Euridice, Wq. 30, Act I, Scene 1: Ah, se intorno a quest'urna funesta (Orféo, Coro) - Live Version
Orfeo ed Euridice, Wq. 30, Act III, Scene 1: Vieni, appaga il tuo consorte (Duetto) (Orféo, Euridice) - Live Version
Orfeo ed Euridice, Wq. 30, Act I, Scene 1: Basta, basta, o compagni! (Orféo) - Live Version
Orfeo ed Euridice, Wq. 30, Act III, Scene 1: Qual vita è questa mai... Che fiero momento (Aria) (Euridice) - Live Version
Orfeo ed Euridice, Wq. 30, Act I, Scene 1: Ah, se intorno a quest'urna funesta (Coro) - Live Version
Orfeo ed Euridice, Wq. 30, Act III, Scene 1: Ecco un nuovo tormento... Amato sposo (Orféo, Euridice) - Live Version
Orfeo ed Euridice, Wq. 30, Act I, Scene 1: Chiamo il lio ben cosi (Arioso. Orfeo) (Orféo) - Live Version
Orfeo ed Euridice, Wq. 30, Act III, Scene 1: Che faró senza Euridice? (Aria) (Orféo) - Live Version
Orfeo ed Euridice, Wq. 30, Act I, Scene 1: Numi! Barbari Numi (Orféo) - Live Version
Orfeo ed Euridice, Wq. 30, Act III, Scene 2: Orfeo, che fai?...Ah sei tu! (Amore, Orféo, Euridice) - Live Version
Orfeo ed Euridice, Wq. 30, Act I, Scene 2: T'assiste Amore!... Ah, come? Ah, quando? (Amore, Orféo) - Live Version
Orfeo ed Euridice, Wq. 30, Act III, Scene 3: Ballo No. 1 - Live Version
Orfeo ed Euridice, Wq. 30, Act I, Scene 2: Gli sguardi trattieni (Arietta) (Amore) - Live Version
Orfeo ed Euridice, Wq. 30, Act III, Scene 3: Ballo No. 2 - Live Version
Orfeo ed Euridice, Wq. 30, Act I, Scene 2: Che disse? Che ascoltai (Orféo) - Live Version
Orfeo ed Euridice, Wq. 30, Act III, Scene 3: Trionfi Amore! (Amore, Euridice, Orféo, il Coro) - Live Version
Orfeo ed Euridice, Wq. 30, Act II, Scene 1: Chi mai dell'Erebo (Coro) - Live Version
Orfeo ed Euridice, Wq. 30, Act II, Scene 1: Deh! Placatevi con me, Furie! (Ballo di Furiie) (Orféo, il Coro) - Live Version
Orfeo ed Euridice, Wq. 30, Act II, Scene 1: Misero giovane - Mille pene, ombre moleste (Aria Orfeo) (il Coro, Orféo) - Live Version
Orfeo ed Euridice, Wq. 30, Act II, Scene 2: Ballo - Che puro ciel, che chiaro sol (Orfeo Arioso) (Orféo) - Live Version
Orfeo ed Euridice, Wq. 30, Act II, Scene 2: Giunge Euridice! - Ballo - Anime avventurose (il Coro, Orféo) - Live Version
Orlando, HWV 31, Act III: Act III: Sinfonia
Orlando, HWV 31, Act II: Act II: Quando spieghi i tuoi tormenti (Dorinda)
Orlando, HWV 31, Act III: Act III: Recitative: Di Dorinda alle mura (Medoro, Dorinda)
Orlando, HWV 31, Act I: Act I: Accompagnato e Recitative: Gieroglifici eterni (Zoroastro)
Orlando, HWV 31, Act II: Act II: Recitative: Perché, gentil Dorinda, così vai pubblicando (Orlando, Dorinda)
Orlando, HWV 31, Act III: Act III: Vorrei poterti amar (Medoro)
Orlando, HWV 31, Act I: Act I: Stimulato dalla gloria (Orlando)
Orlando, HWV 31, Act II: Act II: Se mi rivolgo al prato (Dorinda)
Orlando, HWV 31, Act III: Act III: Più obbligata gli sono (Dorinda)
Orlando, HWV 31, Act I: Act I: Mira, e prendi l'esempio! (Zoroastro)
Orlando, HWV 31, Act II: Act II: E questa la mercede Angelica spietata (Orlando)
Orlando, HWV 31, Act II: Act II: Cielo! Se tu il consenti Deh! fa' che nel mio seno (Orlando)
Orlando, HWV 31, Act III: Act III: Pur ti trovo, o mio bene (Orlando, Dorinda)
Orlando, HWV 31, Act I: Act I: Immagini funeste (Orlando)
Orlando, HWV 31, Act II: Act II: Recitative: A qual rischio vi espone (Zoroastro, Angelica)
Orlando, HWV 31, Act III: Act III: Unisca amor in noi (Orlando, Dorinda)
Orlando, HWV 31, Act I: Act I: Non fu già men forte Alcide (Orlando)
Orlando, HWV 31, Act II: Act II: Tra caligini profonde (Zoroastro)
Orlando, HWV 31, Act III: Act III: Già lo stringo, già l'abbraccio (Orlando)
Orlando, HWV 31, Act I: Act I: Quanto diletto avea tra questi boschi! (Dorinda)
Orlando, HWV 31, Act II: Act II: Recitative: Da queste amiche piante (Angelica, Medoro)
Orlando, HWV 31, Act III: Act III: Recitative: Di Dorinda all'albergo (Angelica, Dorinda)
Orlando, HWV 31, Act I: Act I: Itene pur tremando (Orlando)
Orlando, HWV 31, Act II: Act II: Verdi allori, sempre unito (Medoro)
Orlando, HWV 31, Act III: Act III: Così giusta è questa speme, che se l'alma (Angelica)
Orlando, HWV 31, Act I: Act I: Ho un certo rossore (Dorinda)
Orlando, HWV 31, Act II: Act II: Recitative: Dopo tanti perigli, e tanti affanni (Angelica)
Orlando, HWV 31, Act I: Act I: Recitative: M'hai vinto, al fin (Angelica)
Orlando, HWV 31, Act II: Act II: Non potrà dirmi ingrata (Angelica)
Orlando, HWV 31, Act I: Act I: Ritornava al suo bel viso (Angelica, Medoro)
Orlando, HWV 31, Act II: Act II: Recitative: Dove, dove guidate Furie (Orlando)
Orlando, HWV 31, Act I: Act I: Spera, mio ben, che presto (Angelica)
Orlando, HWV 31, Act II: Act II: Verdi piante, erbette liete (Angelica)
Orlando, HWV 31, Act I: Act I: Chi possessore è del mio core (Angelica)
Orlando, HWV 31, Act II: Act II: Recitative: Ah perfida, qui sei! (Orlando, Angelica)
Orlando, HWV 31, Act I: Act I: Recitative: Ecco Dorinda, né sfuggirla io posso (Medoro, Dorinda)
Orlando, HWV 31, Act II: Act II: Amor, caro amore! (Angelica, Orlando)
Orlando, HWV 31, Act I: Act I: Se il cor mai ti dirà, ch'io mi scordi di te (Medoro)
Orlando, HWV 31, Act II: Act II: Ah Stigie larve! Ah scelerati spettri (Orlando)
Orlando, HWV 31, Act I: Act I: Recitative: Povera me! Ben vedo che m'alletta (Dorinda)
Orlando, HWV 31, Act II: Act II: Vaghe pupille, non piangete (Orlando)
Orlando, HWV 31, Act I: Act I: O care parolette, o dolci sguardi! (Dorinda)
Orlando, HWV 31, Act I: Act I: Recitative: Noti a me sono i tuoi fatali amori (Zoroastro, Angelica)
Orlando, HWV 31, Act I: Act I: Se fedel vuoi, ch'io ti creda (Angelica)
Orlando, HWV 31, Act I: Act I: T'ubbidirò, crudele (Orlando)
Orlando, HWV 31, Act I: Act I: Fammi combattere (Orlando)
Orlando, HWV 31, Act I: Act I: Recitative: Angelica, deh! Lascia (Medoro, Angelica)
Orlando, HWV 31, Act I: Act I: O Angelica, o Medoro (Dorinda)
Orlando, HWV 31, Act I: Act I: Gentil pastorella - Non so consolarmi (Angelica, Medoro, Dorinda)
Italian Operatic Overtures, Vol. 1: The 18th Century
Bajazet, RV 703: Il Tamerlano, RV 703, "Il Bajazet": Sinfonia
Orchestra del Maggio Musicale Fiorentino
Orchestra Barocca Cappella della Pietà dei Turchini
Orchestra Sinfonica Nazionale della RAI di Roma
Œdipe à Colone: Oedipe à Colone: Overture
Il barbiere di Siviglia (The Barber of Seville): Sinfonia
Orchestra del Teatro Lirico Giuseppe Verdi di Trieste
Don Chisciotte della Mancia, Act I: Sinfonia
Lo sposo di tre e marito di nessuna: Sinfonia
Campra: Messe de Requiem: I. Introit, "Requiem aeternam" (Chorus, Haute-contre, Taille, Bass)
Campra: Messe de Requiem: II. Kyrie, "Kyrie eleison" (Haute-contre, Bass, Chorus)
Dominique Visse/Gilles Ragon/Peter Harvey/Les Pages de la Chapelle/Olivier Schneebeli/La Grande Ecurie et la Chambre du Roy/Jean-Claude Malgoire
Campra: Messe de Requiem: III. Graduel, "Requiem aeternam" (Haute-contre, Bass, Chorus)
Campra: Messe de Requiem: IV. Offertoire, "Domine Jesu Christe" (Haute-contre, Taille, Bass, Chorus)
Campra: Messe de Requiem: V. Sanctus, "Sanctus Dominus" (Dessus 1, Dessus 2, Bass, Chorus)
Campra: Messe de Requiem: VI. Agnus Dei, "Agnus Dei" (Haute-contre, Taille, Chorus)
Campra: Messe de Requiem: VII. Post Communion, "Lux aeterna luceat eis" (Bass, Dessus 1, Dessus 2, Chorus)
Campra: Miserere: I. Miserere mei Deus (Chorus)
Campra: Miserere: II. Amplius lava me (Bass)
Campra: Miserere: III. Ecce enim in iniquitatibus (Chorus)
Campra: Miserere: IV. Asperges me (Dessus)
Campra: Miserere: V. Averte faciem tuam (Taille, Bass, Chorus)
Campra: Miserere: VI. Redde mihi laetitiam (Haute-contre)
Campra: Miserere: VII. Libera me de sanguinibus (Chorus)
Campra: Miserere: VIII. Quoniam si voluisses (Taille)
Campra: Miserere: IX. Benigne fac Domine (Haute-contre, Bass)
Campra: Miserere: X. Tunc acceptaberis (Chorus)
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Contrapunctus I
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Contrapunctus II
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Contrapunctus III
The Art of Fugue, BWV 1080: Canon alla ottava
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Canon alla decima à 3
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Contrapunctus XIIa à 4 in forma rectus
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Contrapunctus V
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Contrapunctus XIV "Fuga à 3 soggetti" (1)
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Contrapunctus VI à 4 in stylo francese
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Contrapunctus XIIa à 4 in forma rectus 1
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Contrapunctus inversus XII à 4
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Contrapunctus inversus XII à 4 1
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Canon alla duodecima in contrapunto alla quinta
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Canon alla duodecima
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Contrapunctus XIV "Fuga à 3 soggetti" (2)
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Contrapunctus XIII à 3
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Contrapunctus inversus XIII à 3
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Contrapunctus X à 4 alla decima
The Art of Fugue, BWV 1080 (Excerpts Arr. for Chamber Ensemble): Contrapunctus XI à 4
Gossec: Missa pro defunctis, RH 501 (Live)
Missa pro defunctis: I. Introduzione (Live)
Missa pro defunctis: XVIII. Offertorium (Live)
Missa pro defunctis: II. Introitus Requiem aeternam (Live)
Missa pro defunctis: XIX. Spera in Deo (Live)
Missa pro defunctis: III. Te decet hymnus (Live)
Missa pro defunctis: XX. Pedant hostes (Live)
Missa pro defunctis: IV. Exaudi orationem meam (Live)
Missa pro defunctis: XXI. Sanctus (Live)
Missa pro defunctis: XXII. Pie Jesus (Live)
Missa pro defunctis: VI. Et lux perpetua (Live)
Missa pro defunctis: XXIII. Agnus Dei (Live)
Missa pro defunctis: VII. Dies irae (Live)
Missa pro defunctis: XXIV. Lux aeterna (Live)
Missa pro defunctis: VIII. Tuba mirum (Live)
Missa pro defunctis: XXV. Requiem aeternam (Live)
Missa pro defunctis: IX. Mors stupedit (Live)
Missa pro defunctis: X. Quid sum miser (Live)
Missa pro defunctis: XI. Recordare (Live)
Missa pro defunctis: XII. Inter oves (Live)
Missa pro defunctis: XIII. Confutatis (Live)
Missa pro defunctis: XIV. Oro supplex (Live)
Missa pro defunctis: XV. Lacrymosa (Live)
Missa pro defunctis: XVI. Judicandus (Live)
Missa pro defunctis: XVII. Pie Jesus (Live)
Grétry, Gossec & Giroust: Grands motets pour Louis XVI
Confitebor tibi, Domine: Confitebor tibi, Domine
Confitebor tibi, Domine: Magna opera Domini
Confitebor tibi, Domine: Confessio et magnificentia
Confitebor tibi, Domine: Fidelia omnia mandata ejus
Confitebor tibi, Domine: Redemptionem misit
Confitebor tibi, Domine: Sanctum et terribile nomen ejus
Confitebor tibi, Domine: Intellectus bonus omnibus
Terribilis est locus iste: Terribilis est locus iste
Terribilis est locus iste: Quam dilecta tabernacula tua
Terribilis est locus iste: Et enim passer inventi
Terribilis est locus iste: Beati qui habitant
Neukomm: Requiem à la mémoire de Louis XVI (Collection Château de Versailles)
Missa di Requiem: II. Sequence (Dies irae)
Jean-Claude Malgoire Jubilé – Le Tourdion (K617)
Trois pièces pour régale: Ungaresca (J. Paix) – Allemande [a. Le Roy] – Allemande „Judentanz“ [H. Neusidler]
Service funèbre: Marche funèbre and Miserere
Missa Solemnis: IIb. Gloria. Laudamus Te (Live)
Missa Solemnis: IIc. Gloria. Adoramus Te (Live)
Missa Solemnis: IId. Gloria. Gratias Agimus Tibi (Live)
Missa Solemnis: IIe. Gloria. Domine Deus (Live)
Missa Solemnis: IIf. Gloria. Qui Tollis (Live)
Missa Solemnis: IIg. Gloria. Quoniam (Live)
Missa Solemnis: IIh. Gloria. Cum Sancto Spiritu (Live)
Missa Solemnis: IIIb. Credo. Et Incarnatus (Live)
Missa Solemnis: IIIc. Credo. Et Resurrexit (Live)
Les chemins du baroque, Vol. 2: Mexico-Versailles – Vêpres de l'Assomption
Deus in adjutorium - Domine ad adjuvandum (Bogotá 1701)
Assumpta est Maria - Dixit Dominus (Psalm 109)
Messe pour plusieurs instruments au lieu des orgues, H. 513: Kyrie No. 1 & Kyrie No. 3 - Laudate pueri (Psalm 112)
In odorem unguentorium - Laetatus sum (Psalm 121) - Kyrie No. 5
Benedicta filia - Nisi Dominus, H. 150 (Psalm 127)
Messe pour plusieurs instruments au lieu des orgues, H. 513: Kyrie No. 1 - Ave maris stella, H. 67 - Messe pour plusieurs instruments au lieu des orgues, H. 513: Offerte à deux choeurs
Hodie Maria virgo - Magnificat à 8 voix et 8 instruments, H. 74
Serenade No. 6 in D Major, K. 239 "Serenata notturna": I. Marcia. Maestoso
Serenade No. 6 in D Major, K. 239 "Serenata notturna": II. Menuetto
Serenade No. 6 in D Major, K. 239 "Serenata notturna": III. Rondeau. Allegretto
Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": I. Allegro
Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": II. Romanze. Andante
Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": III. Menuetto. Allegretto
Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Les petits riens, K. Anh. 10/299b: Overture
Les petits riens, K. Anh. 10/299b: Largo - Presto
Les petits riens, K. Anh. 10/299b: (Gavotte)
Les petits riens, K. Anh. 10/299b: Andantino - Allegro
Les petits riens, K. Anh. 10/299b: Larghetto
Les petits riens, K. Anh. 10/299b: Gavotte joyeuse
Les petits riens, K. Anh. 10/299b: Adagio
Les petits riens, K. Anh. 10/299b: Gavotte gracieuse
Les petits riens, K. Anh. 10/299b: Pantomine
Les petits riens, K. Anh. 10/299b: Passepied
Les petits riens, K. Anh. 10/299b: Gavotte
Les petits riens, K. Anh. 10/299b: Andante
5 Divertimentos in B-Flat Major, K. 439b No. 1: I. Allegro
5 Divertimentos in B-Flat Major, K. 439b No. 1: II. Menuetto. Allegretto
5 Divertimentos in B-Flat Major, K. 439b No. 1: III. Adagio
5 Divertimentos in B-Flat Major, K. 439b No. 1: IV. Menuetto
5 Divertimentos in B-Flat Major, K. 439b No. 1: V. Rondo. Allegro
Mozart: Clarinet Quintet, K. 581 & Clarinet Concerto, K. 622
Clarinet Quintet in A Major, K. 581: I. Allegro
Clarinet Quintet in A Major, K. 581: II. Larghetto
Clarinet Quintet in A Major, K. 581: III. Menuetto
Clarinet Quintet in A Major, K. 581: IV. Allegretto con variazioni
Clarinet Concerto in A major, K. 622: I. Allegro
Clarinet Concerto in A major, K. 622: II. Adagio
Clarinet Concerto in A major, K. 622: III. Rondo. Allegro
Rameau : Les Paladins - Comédie lyrique en 3 actes
Les Paladins, comédie en trois actes - Acte 1: Ouverture
Les Paladins, comédie en trois actes - Acte 2, Scène 10: ' Vengeurs des beautés' & 'Formez, formez les noeuds les plus charmants' (Atis et Air)
Les Paladins, comédie en trois actes - Acte 1, Scène 1: 'Solitude ennuyeuse...' (Argie, Triste séjour)
Les Paladins, comédie en trois actes - Acte 2, Scène 10: 'Je vole' (Nérine)
Les Paladins, comédie en trois actes - Acte 1, Scène 2: 'Hola...Nérine...' (Orcan, Argie)
Les Paladins, comédie en trois actes - Acte 2, Scène 10: 'Pour voltiger' (Nérine)
Les Paladins, comédie en trois actes - Acte 1, Scène 3 & 4: 'Quels concerts insolents' et 'Qu'ai-je entendu !' (Orcan)
Les Paladins, comédie en trois actes - Acte 3, Scène 1: 'Tu vas tomber sous ma puissance' & 'Attaquons, attaquons' (Anselme et Choeur)
Les Paladins, comédie en trois actes - Acte 1, Scène 5: Air très gai (Entrée des pélerins)
Les Paladins, comédie en trois actes - Acte 3, Scène 2: 'Esclaves, contemplez mes désirs curieux' & 'Le printemps des amants' (Anselme et Manto)
Les Paladins, comédie en trois actes - Acte 1, Scène 5: 'Accourez, amants, venez tous' et 'L'espoir nous mène au bout du monde' (Atis)
Les Paladins, comédie en trois actes - Acte 3, Scène 3 & 4: 'Anselme soupirant aux pieds de cette belle' & 'Vengeons, vengeons' (Argie et Trio)
Les Paladins, comédie en trois actes - Acte 1, Scène 6:' Fuyez le sort qui vous menace' et 'C'est un éclair qui fend l'air' (Choeur, Nérine)
Les Paladins, comédie en trois actes - Acte 3, Scène 4: 'L'amour chante' (Choeur)
Les Paladins, comédie en trois actes - Acte 2, Scène 1: 'Mon coeur, tu n'as que peu d'instant' (Anselme)
Les Paladins, comédie en trois actes - Acte 3, Scène dernière: 'Lance, lance, lance' & 'Loin de nos jeux, époux fâcheux' (Entrée des chinois, Atis et Choeur)
Les Paladins, comédie en trois actes - Acte 2, Scène 2: 'Mais quel bruit...?' (Anselme)
Les Paladins, comédie en trois actes - Acte 2, Scène 3: 'La, la, la, la' (Argie)
Les Paladins, comédie en trois actes - Acte 2, Scène 4 & 5: 'C'est ce poignard' (Anselme)
Les Paladins, comédie en trois actes - Acte 2, Scène 6: 'Je puis donc le venger moi-même' (Orcan)
Les Paladins, comédie en trois actes - Acte 2, Scène 7: 'C'est trop soupirer' (Nérine)
Les Paladins, comédie en trois actes - Acte 2, Scène 8: 'Quel bruit, quels monstres' ( Orcan)
Les Paladins, comédie en trois actes - Acte 2, Scène 8 & 9: 'Démons, frappez' & 'Je suis la furie qui crie' (Atis et Choeur)
Philidor, F-A.D.: Carmen Saeculare / Overtures
Le marechal ferrant: Overture, "Symphony No. 27 in G Major": I. Allegro
Carmen saeculare: Part IV: Phoebe silvarumque potens Diana (soprano, mezzo-soprano, chorus)
Le marechal ferrant: Overture, "Symphony No. 27 in G Major": II. Andante con spirito
Carmen saeculare: Part IV: Alme Sol, curru nitido diem (bass, chorus)
Le marechal ferrant: Overture, "Symphony No. 27 in G Major": III. Presto
Carmen saeculare: Part IV: Rite maturos aperire partus (soprano)
Carmen saeculare: Part IV: Certus undenos decies per annos (chorus)
Carmen saeculare: Prologue: Odi profanum vulgus (tenor)
Carmen saeculare: Part IV: Vosque veraces cecinisse, Parcae (bass)
Carmen saeculare: Part I: Spiritum Phoebus mihi (tenor)
Carmen saeculare: Part IV: Fertilis frugum pecorisque Tellus (soprano, mezzo-soprano, chorus)
Carmen saeculare: Part I: Deliae tutela Deae fugaces (tenor, chorus)
Carmen saeculare: Part IV: Conditio mitis placidusque (soloists, chorus)
Carmen saeculare: Part I: Nupta iam dices (tenor, chorus)
Carmen saeculare: Part IV: Roma si vestrum est opus (tenor)
Carmen saeculare: Part II: Dive, quem proles Niobea magnae (chorus)
Carmen saeculare: Part IV: Di probos mores docili iuventae (tenor)
Carmen saeculare: Part II: Ceteris maior, tibi miles impar (bass)
Carmen saeculare: Part IV: Quaeque vos bobus veneratur albis (bass, chorus)
Carmen saeculare: Part IV: Iam mari terraque manus potentes (tenor)
Carmen saeculare: Part II: Ille, mordaci velu icta ferro (bass, chorus)
Carmen saeculare: Part IV: Iam Fides et Pax et Honos Pudorque (tenor)
Carmen saeculare: Part II: Ni tuis flexus Venerisque gratae (soprano)
Carmen saeculare: Part IV: Augur et fulgente decorus arcu (mezzo-soprano)
Carmen saeculare: Part II: Doctor argutae fidicen Thaliae (chorus)
Carmen saeculare: Part IV: Quaeque Aventinum tenet Algidumque (soloists)
Carmen saeculare: Part III: Dianam tenerae dicite virgines (soprano, mezzo-soprano)
Carmen saeculare: Part IV: Haec Iovem sentire Deosque cunctos (soloists, chorus)
Carmen saeculare: Part III: Vos laetam fluviis et nemorum coma (tenor, chorus)
Carmen saeculare: Part III: Hic bellum lacrimosum (soloists, chorus)
Agrippina, HWV 6, Act I Scene 19: Cieli, quai strani casi (Poppea)
Agrippina, HWV 6, Act I Scene 1: Nerone, amato figlio! (Argrippina, Nerone)
Agrippina, HWV 6, Act I Scene 19: Fa quanto vuoi (Poppea)
Agrippina, HWV 6, Act I Scene 1: Col saggio tuo consiglio (Nerone)
Agrippina, HWV 6, Act I Scene 20: Non veggo alcun (Lesbo)
Agrippina, HWV 6, Act I Scene 2: Per così grande impresa (Agrippina) - Scene 3: A' cenni tuoi sovrani [Pallante, Agrippina]
Agrippina, HWV 6, Act I Scene 21: Pur ritorno a rimirarvi (Claudio)
Agrippina, HWV 6, Act I Scene 3: La mia sorte fortunata (Pallante)
Agrippina, HWV 6, Act I Scene 21: Il tuo duol non celar (Claudio, Poppea)
Agrippina, HWV 6, Act I Scene 4: Or che Pallante e vinto (Agrippina) - Scene 5: Umile all tue piante … [Narciso, Agrippina]
Agrippina, HWV 6, Act I Scene 21: Vieni, o cara (Claudio)
Agrippina, HWV 6, Act I Scene 5: Volo pronto, e lieto il core (Narciso)
Agrippina, HWV 6, Act I Scene 21: Che mai faro? (Poppea) - Scene 22: Signor, Signor [Lesbo, Claudio, Poppea]
Agrippina, HWV 6, Act I Scene 6: Quanto fa, quanto puote (Agrippina)
Agrippina, HWV 6, Act I Scene 22: E quando mai i sensi (Claudio, Poppea, Lesbo)
Agrippina, HWV 6, Act I Scene 6: L'alma mia fra te tempeste (Agrippina)
Agrippina, HWV 6, Act I Scene 22: Pur al fin si riando (Poppea) - Scene 23: O mia liberatrice [Poppea, Agrippina]
Agrippina, HWV 6, Act I Scene 7: Qual piacere a un cor pietoso (Nerone)
Agrippina, HWV 6, Act I Scene 23: Non ho che cor per amarti (Agrippina)
Agrippina, HWV 6, Act I Scene 7: Amici, al sen vi stringo (Nerone) - Scene 8: Ecco chi presto [Pallante, Narciso] - Scene 9: Voi, che [Agrippina]
Agrippina, HWV 6, Act I Scene 24: Se Ottone m'inganno (Poppea)
Agrippina, HWV 6, Act I Scene 9: Il tuo figlio … (Pallante, Narciso, Agrippina, Nerone)
Agrippina, HWV 6, Act I Scene 24: Se giunge un dispetto (Poppea)
Agrippina, HWV 6, Act I Scene 9: Ma qual di liete trombe (Agrippina)
Agrippina, HWV 6, Act II Scene 1: Dunque noi siam traditi (Pallante, Narciso)
Agrippina, HWV 6, Act I Scene 10: Allegrezza, allegrezza! (Lesbo)
Agrippina, HWV 6, Act II Scene 2: Coronato il crin d'altro (Ottone)
Agrippina, HWV 6, Act I Scene 10: Che sento! (Pallante, Narciso, Agrippina, Nerone) - Scene 11: Alla tue [Ottone, Agrippina, Narciso, Pallante, Nerone] - Scene 12: Augusta [Ottone, Agrippina]
Agrippina, HWV 6, Act II Scene 2: Roma, più ch'il trionfo (Pallante, Narciso, Ottone) - Scene 3: Ecco il superbo [Agrippina, Poppea, Nerone]
Agrippina, HWV 6, Act I Scene 12: Tu be degno (Agrippina)
Agrippina, HWV 6, Act II Scene 3: Di timpani e trombe (Poppea, Nerone, Agrippina, Ottone, Narciso, Pallante, Lesbo)
Agrippina, HWV 6, Act I Scene 13: L'ultima del gioir meta gradita (Ottone)
Agrippina, HWV 6, Act II Scene 4: Nella Britannia vinta (Claudio)
Agrippina, HWV 6, Act I Scene 13: Lusinghiera mia speranza (Ottone)
Agrippina, HWV 6, Act II Scene 4: Cade il mondo soggiogato (Claudio)
Agrippina, HWV 6, Act I Scene 14: Vaghe perle, eletti fiori (Poppea)
Agrippina, HWV 6, Act II Scene 4: Signor, quanto il mio core (Agrippina, Claudio, Poppea, Ottone, Nerone, Narciso, Pallante)
Agrippina, HWV 6, Act I Scene 14: Otton, Claudio, Nerone (Poppea) - Scene 15: Signora [Lesbo, Poppea] - Scene 16: Di lieta [Lesbo, Agrippina, Poppea] - Scene 17: Perche invece [Poppea]
Agrippina, HWV 6, Act II Scene 4: Nulla sperar de me (Agrippina)
Agrippina, HWV 6, Act I Scene 17: E' un foco quel d'amore (Poppea)
Agrippina, HWV 6, Act II Scene 4: E tu, Poppea, mio bene? (Ottone)
Agrippina, HWV 6, Act I Scene 18: Ma qui Agrippina viene (Poppea, Agrippina)
Agrippina, HWV 6, Act II Scene 4: Tuo ben e 'l trono (Poppea)
Agrippina, HWV 6, Act I Scene 18: Ho un non so che nel cor (Agrippina)
Agrippina, HWV 6, Act II Scene 4: Soccori almen, Neron! (Ottone, Nerone)
Agrippina, HWV 6, Act II Scene 4: Scherzo son del destino (Ottone, Narciso, Pallante, Lesbo)
Agrippina, HWV 6, Act II Scene 5: Otton, quai portentoso (Ottone)
Agrippina, HWV 6, Act II Scene 5: Voi che udite il mio lamento (Ottone)
Agrippina, HWV 6, Act II Scene 6: Bella pur nel mio diletto (Poppea)
Handel: Messiah, HWV 56 Arranged by Mozart (Handel's Messiah, HWV 56 Arr. by Mozart)
Der Messias, K. 572: No. 1, Overture - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 18, Wahrlich, wahrlich! - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 2, Tröstet Zion! - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 19, Durch seine Wunden sind wir geheilt - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 3, Denn die Herrlichkeit Gottes - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 20, Wie Schafe gehn - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 4, So spricht der Herr, Gott Zebaoth - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 21, Und alle, die ihn seh'n - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 5, Und er wird reinigen - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 22, Er trauete Gott - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 6, O du, die Wonne verkündet in Zion - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 23, Die Schmach bricht ihm sein Herz - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 7, Blick auf! Nacht bedeckt das Erdreich - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 24, Er ist dahin aus dem Lande - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 8, Uns ist zum Heil ein Kind geboren - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 25, Machet das Tor weit - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 9, Pifa - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 26, Der Herr gab das Wort - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 10, Und sieh, der Engel des Herrn - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 27, Wie lieblich ist der Boten Schritt - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 11, Und alsobald war da bei dem Engel - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 28, Ihr Schall ging aus - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 12, Ehre sei Gott - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 29, Warum entbrennen die Heiden - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 13, Erwach' zu Liedern der Wonne - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 30, Brecht entzwei die Ketten alle - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 14, Er weidet seine Herde - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 31, Du zerschlägst sie - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 15, Sein Joch ist sanft - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 32, Halleluja - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 16, Kommt her und seht das Lamm - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 33, Ich weiß, daß mein Erlöser lebt - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 17, Er ward verschmähet - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 34, Wie durch einen der Tod - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 35, Merkt auf! - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 36, O Tod, wo ist dein Pfeil - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 37, Doch Dank sei Dir Gott - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 38, Würdig ist das Lamm - Handel's Messiah, HWV 56 Arr. by Mozart
Der Messias, K. 572: No. 39, Amen - Handel's Messiah, HWV 56 Arr. by Mozart
Falstaff: Act I Scene 14: Signora, C'e Mrs. Slender (Betty, Mrs. Ford, Falstaff, Mrs. Slender)
Falstaff: Act I Scene 1: Viva il comune amico (Mrs. Ford, Slender, Mrs. Slender, Falstaff)
Falstaff: Act I Scene 14: Last Scene: Se son geloso a torto (Ford, Mrs. Ford, Mrs. Slender, Slender, Betty, Chorus)
Falstaff: Act I Scene 1: Sia pur l'ultimo bicchiere (Falstaff, Mrs. Slender, Mrs. Ford, Chorus)
Falstaff: Act II Scene 1: Sentite pure: i servi (Betty)
Falstaff: Act I Scene 1: Ma gia l'alba s'avvicina (Mrs. Ford, Chorus, Mrs. Slender, Slender, Falstaff)
Falstaff: Act II Scene 1: Nell'acqua il buzzone (Betty, Mrs. Slender, Mrs. Ford)
Falstaff: Act I Scene 2: Vedete che capriccio! (Bardolf)
Falstaff: Act II Scene 2: Ehi! Bardolf! (Falstaff, Bardolf) - Scene 3: Corpo di Satanasso! (Falstaff) - Scene 4: E' preparato? (Falstaff, Bardolf, Betty)
Falstaff: Act I Scene 3: Ah, pezzo di birbante! (Falstaff, Bardolf)
Falstaff: Act II Scene 4: Ah! Signore! Se sapesse (Betty, Falstaff, Bardolf)
Falstaff: Act I Scene 3: Con molta degnazione (Falstaff, Bardolf)
Falstaff: Act II Scene 4: Se mi vedeste il core … (Falstaff, Betty, Bardolf)
Falstaff: Act I Scene 3: Da scrivere! (Falstaff, Bardolf)
Falstaff: Act II Scene 5: E il nostro Signor Brock (Falstaff) - Scene 6: Se un pranzo (Ford, Falstaff)
Falstaff: Act I Scene 4: Vicino a rivedere (Ford)
Falstaff: Act II Scene 7: Stelle! - Sogno, o son desto? (Ford)
Falstaff: Act I Scene 4: Di dubitar di lei non ho motivo (Ford) - Scene 5: Oh tinozza ambulante! (Mrs. Slender)
Falstaff: Act II Scene 8: Presto, Betty (Mrs. Ford, Falstaff)
Falstaff: Act I Scene 5: Vendetta, si vendetta! (Mrs. Slender)
Falstaff: Act II Scene 8: Ma siam sicuri! (Falstaff, Mrs. Ford) - Scene 9: Ehi, comare, ehi! (Mrs. Slender, Falstaff)
Falstaff: Act I Scene 5: Comare, in questo punto (Mrs. Slender, Mrs. Ford)
Falstaff: Act II Scene 9: Per carita, celatevi! (Mrs. Ford, Falstaff, Mrs. Slender) - Scene 10: Ah! Ah! (Mrs. Ford, Mrs. Slender) - Scene 11: Ecco, amici! (Ford, Slender)
Falstaff: Act I Scene 5: La stessa, la stessissima (Mrs. Slender, Mrs. Ford)
Falstaff: Act II Scene 11: Che vedo? (Mrs. Ford, Ford, Slender, Chorus)
Falstaff: Act I Scene 5: Ma parlando sul serio (Mrs. Slender, Mrs. Ford) - Scene 6: Ho capito (Slender, Bardolf, Ford) - Scene 7: Non vedo (Mrs. Ford, Mrs. Slender)
Falstaff: Act II Scene 11: Or ben: colui, ch'io cerco (Ford, Slender, Mrs. Ford)
Falstaff: Act I Scene 7: Oh quanto vogliam ridere (Mrs. Ford, Mrs. Slender, Ford)
Falstaff: Act II Scene 11: Benedetto quel bastone (Mrs. Ford, Mrs. Slender)
Falstaff: Act I Scene 8: Eh! Mia moglie, compare (Ford, Slender)
Falstaff: Act II Scene 12: Sorte pettegola! (Falstaff, Ford)
Falstaff: Act I Scene 8: Venga pure il cavaliere (Slender)
Falstaff: Act II Scene 12: Che dici? La Tedesca (Falstaff) - Scene 13: Or ben: ma tu non sai (Ford)
Falstaff: Act I Scene 9: A un uom della mia sorte (Falstaff, Bardolf) - Scene 10: No, non mi (Mrs. Ford, Falstaff)
Falstaff: Act II Scene 13: Ah, ch'a idea cosi gradita (Ford, Falstaff) - Scene 14: Dietro quella collina (Slender)
Falstaff: Act I Scene 10: O! Die Manner kenn'ich schon! (Mrs. Ford)
Falstaff: Act II Scene 14: Reca in amor la gelosia (Slender, Eco)
Falstaff: Act I Scene 11: E che ti par, Falstaff? (Falstaff, Bardolf, Ford)
Falstaff: Act II Scene 15: Siete gia qui? (Slender, Others, Mrs. Ford, Ford, Mrs. Slender) - Scene 16: Presto presto (Falstaff, Mrs. Ford, Mrs. Slender)
Falstaff: Act I Scene 11: Nell'impero di Cupido (Falstaff)
Falstaff: Act II Scene 16: Fate verdi, turchine (Mrs. Ford, Chorus, Falstaff) - Last Scene: Per or non si parte (Slender, Mrs. Slender, Ford, Mrs. Ford, Betty, Chorus)
Falstaff: Act I Scene 12: Ah, vile! Ah, seduttore! … (Ford)
Falstaff: Act II Scene 16: Or tre volte corbellato (Others, Falstaff, Mrs. Slender, Slender, Ford, Mrs. Ford)
Falstaff: Act I Scene 12: Or glie affannosi palpiti (Ford)
Falstaff: Act I Scene 13: Restate la vicini, e quando io chiami (Mrs. Ford, Mrs. Slender, Betty)
Falstaff: Act I Scene 14: Finale: Bricconcella! Alfin t'ho colta (Falstaff, Mrs. Ford)
Catone in Utica, RV 705: Act I: Overture: I. Allegro
Catone in Utica, RV 705: Act II Scene 5: Lode agli Dei (Emilia, Marzia) - Scene 6: Tu vedi o bella Emilia (Fulvio, Emilia) - Scene 7: O Dio tutta se stessa (Fulvio)
Catone in Utica, RV 705: Act I: Overture: II. Andante
Catone in Utica, RV 705: Act II Scene 7: Degl'Elisi dal soggiorno (Fulvio)
Catone in Utica, RV 705: Act I: Overture: III. Allegro
Catone in Utica, RV 705: Act II Scene 7: Introduzione per timpani
Catone in Utica, RV 705: Act I Scene 1: Perche si mesto, o padre? (Marzia, Arbace, Catone)
Catone in Utica, RV 705: Act II Scene 8: Si vuole ad onta mia (Catone, Cesare) - Scene 9: Cesare, e dove? (Marzia, Cesare, Catone)
Catone in Utica, RV 705: Act I Scene 1: Con si bel nome in fronte (Catone)
Catone in Utica, RV 705: Act II Scene 9: Se in campo armato (Cesare)
Catone in Utica, RV 705: Act I Scene 2: Poveri affetti miei (Arbace, Marzia)
Catone in Utica, RV 705: Act II Scene 10: Ah, signor che facesti! (Marzia, Catone, Emilia) - Scene 11: Signor, so ch'a momenti (Arbace, Catone, Emilia)
Catone in Utica, RV 705: Act I Scene 2: E' follia se nascondete (Marzia)
Catone in Utica, RV 705: Act II Scene 11: Dovea svenarti allora (Catone)
Catone in Utica, RV 705: Act I Scene 3: Che giurai, che promisi? (Arbace)
Catone in Utica, RV 705: Act II Scene 12: Sarete paghi alfin (Marzia, Arbace, Emilia)
Catone in Utica, RV 705: Act I Scene 3: Che legge spietata (Arbace)
Catone in Utica, RV 705: Act II Scene 12: Il povero mio core (Marzia)
Catone in Utica, RV 705: Act I Scene 4: Dunque Cesare venga (Catone, Cesare, Fulvio) - Scene 5: Che veggio, oh dei! (Emilia, Fulvio, Cesare, Catone) - Scene 6: Tu taci (Cesare, Emilia, Fulvio
Catone in Utica, RV 705: Act II Scene 13: Udisti Arbace? (Emilia, Arbace) - Scene 14: Or di Catone l'asilo (Emilia)
Catone in Utica, RV 705: Act I Scene 6: Vage sei ne' sdegni tuoi (Cesare)
Catone in Utica, RV 705: Act II Scene 14: Come in vano il mare irato (Emilia)
Catone in Utica, RV 705: Act I Scene 7: Quanto da te diverso (Emilia, Fulvio)
Catone in Utica, RV 705: Act III: Sinfonia: Andante
Catone in Utica, RV 705: Act I Scene 7: L'ira mia bella sdegnata (Fulvio)
Catone in Utica, RV 705: Act III Scene 1: Tutto amico ho tentato (Cesare, Fulvio) - Scene 2: Quanti aspetti la sorte (Cesare, Marzia)
Catone in Utica, RV 705: Act I Scene 8: Se gli altrui folli amori e soffro (Emilia)
Catone in Utica, RV 705: Act III Scene 2: Se parto, se resto ( Marzia)
Catone in Utica, RV 705: Act I Scene 8: O nel sen di qualche stella (Emilia)
Catone in Utica, RV 705: Act III Scene 3: Me infelice! Che valmi aver soggetto (Cesare)
Catone in Utica, RV 705: Act I Scene 9: Giunse dunque a tentarti (Cesare, Fulvio) - Scene 10: Pur ti riveggo (Cesare, Marzia)
Catone in Utica, RV 705: Act III Scene 3: Sarebbe un bel diletto (Cesare)
Catone in Utica, RV 705: Act I Scene 10: Apri le luci, e mira (Cesare)
Catone in Utica, RV 705: Act III Scene 4: E questo, amici (Emilia) - Scene 5: Ecco (Cesare, Emilia) - Scene 6: O la (Catone … ) - Scene 7: D'altre (Catone … ) - Scene 8: Siam (Emilia … ) - Sc
Catone in Utica, RV 705: Act II Scene 1: Marzia t'accheta (Catone, Marzia, Fulvio, Arbace) - Scene 2: A tanto eccesso (Fulvio, Marzia, Arbace)
Catone in Utica, RV 705: Act III Scene 9: Nella foresta (Emilia)
Catone in Utica, RV 705: Act II Scene 2: S'andra senza pastore (Arbace)
Catone in Utica, RV 705: Act III Scene 10: Vinceste, inique stelle (Catone) - Scene 11: Padre (Marzia, Arbace, Catone)
Catone in Utica, RV 705: Act II Scene 3: Che gran sorte e la mia! (Marzia, Emilia) - Scene 4: Or mai consolati Signor (Fulvio, Cesare, Marzia)
Catone in Utica, RV 705: Act III Scene 11: Fuggi dal guardo mio (Catone)
Catone in Utica, RV 705: Act II Scene 4: Se mai senti spirarti sul volto (Cesare)
Catone in Utica, RV 705: Act III Scene 12: Il vincer, o compagni (Cesare, Fulvio) - Last Scene: Ah Cesare, o sia vero (Marzia, Cesare, Arbace, Emilia)
Catone in Utica, RV 705: Act III Scene 12: D'amor la face (Chorus)
Mozart: Requiem in D Minor, K. 626 - Neukomm: Libera me (Live)
Requiem in D Minor, K. 626: I. Introit. Requiem aeternam - II. Kyrie eleison (Live)
Requiem in D Minor, K. 626: III. Sequence. No. 1, Dies irae (Live)
Requiem in D Minor, K. 626: III. Sequence. No. 2a, Tuba mirum (Live)
Requiem in D Minor, K. 626: III. Sequence. No. 2b, Liber scriptus (Live)
Requiem in D Minor, K. 626: III. Sequence. No. 2c, Quid sum miser (Live)
Requiem in D Minor, K. 626: III. Sequence. No. 3, Rex tremendae majestatis (Live)
Requiem in D Minor, K. 626: III. Sequence. No. 4a, Recordare, Jesu pie (Live)
Requiem in D Minor, K. 626: III. Sequence. No. 4b, Ingemisco tamquam (Live)
Requiem in D Minor, K. 626: III. Sequence. No. 5, Confutatis maledictis (Live)
Requiem in D Minor, K. 626: III. Sequence. No. 6, Lacrimosa dies illa (Live)
Requiem in D Minor, K. 626: IV. Offertory. Domine Jesu Christe (Live)
Requiem in D Minor, K. 626: V. Sanctus - VI. Benedictus (Live)
Requiem in D Minor, K. 626: VII. Agnus Dei (Live)
Requiem in D Minor, K. 626: VIII. Communion. Lux aeterna (Live)
L'Orfeo: Act III: Scorto da te, mio nume (Orfeo, Hope, Caronte)
L'Orfeo: Prologo: Dal mio Permesso amato a voi ne vengo (La Musica)
L'Orfeo: Act III: Possente spirto, e formidabil nume (Orfeo, Caronte)
L'Orfeo: Act I: In questo lieto e fortunato giorno (Shepherd 1, Chorus, Nymph)
L'Orfeo: Act III: Ei dorme, e la mia cetra (Orfeo)
L'Orfeo: Act I: Lasciate i monti (Chorus, Shepherd 2, Orfeo, Euridice, Shepherd 1)
L'Orfeo: Act III: Nulla impressa per uom si tenta invano (Chorus of the Spirits of Hell)
L'Orfeo: Act I: Alcun non sia che disperato in preda (Shepherds 1 and 3, Nymph, Shepherds 2 and 4, Chorus)
L'Orfeo: Act II: Ecco pur ch'a voi ritorno (Orfeo, Shepherd 1, Shepherd 3, Chorus)
L'Orfeo: Act IV: Signor, quell'infelice (Proserpina, Plutone, Spirit 1, Spirit 2)
L'Orfeo: Act II: Vi ricorda, o boschi amorosi (Orfeo, Shepherd 1)
L'Orfeo: Act IV: Pietade, oggi, e amore (Chorus, Spirit 1, Orfeo, Spirit 3, Euridice, Spirit 4)
L'Orfeo: Act II: Ahi, caso acerbo! (Messenger, Shepherd 3, Shepherd 2, Orfeo)
L'Orfeo: Act II: Tu sei morta, mia vita, ed io respiro? (Orfeo)
L'Orfeo: Act IV: E la virtute un raggio (Chorus)
L'Orfeo: Act II: Ahi, caso acerbo! (Chorus, Messenger)
L'Orfeo: Act V: Questi campi di Tracia (Orfeo, Echo)
L'Orfeo: Act II: Chi ne consola, ahi lassi? (Shepherds 1 and 3, Chorus)
L'Orfeo: Act V: Perch'a lo sdegno e al dolor in preda (Apollo, Orfeo)
L'Orfeo: Act V: Vanne Orfeo, felice appieno (Chorus)
L'Arlésienne, Op. 23, GB 30, Tableau I, Act I: La ferme de Castelet
L'Arlésienne, Op. 23, GB 30, Tableau III, Act II: La cuisine de Castelet
Orchestre de Chambre National de Toulouse
L'Arlésienne, Op. 23, GB 30, Tableau I, Act I: Ouverture
L'Arlésienne, Op. 23, GB 30, Tableau III, Act II, Scene 4: Joli temps pour les bécassines, marinier… (Le patron Marc, Balthazar)
L'Arlésienne, Op. 23, GB 30, Tableau I, Act I, Scene 1: Hé bé ! Mon vieux Balthazar (Francet Mamaï, Balthazar, l'innocent, Rose Mamaï)
L'Arlésienne, Op. 23, GB 30, Tableau III, Act II, Scene 5: Entrez, père… (Rose, Francet Mamaï, Le patron Marc, Balthazar)
L'Arlésienne, Op. 23, GB 30, Tableau I, Act I, Scene 2: Pauvre innocent ! Je voudrais bien savoir (Balthasar, l'innocent)
L'Arlésienne, Op. 23, GB 30, Tableau III, Act II, Scene 6: Tiens! Tout le monde est là!... (Frédéric, Rose)
L'Arlésienne, Op. 23, GB 30, Tableau I, Act I, Scene 3: Dieu vous maintienne, père Balthazar (Vivette, Balthazar, l'innocent)
L'Arlésienne, Op. 23, GB 30, Tableau III, Act II, Scene 7: Pardon! Je vous dérange… (Vivette, Frédéric, Rose, Francet Mamaï, Le patron Marc, Balthazar)
L'Arlésienne, Op. 23, GB 30, Tableau I, Act I, Scene 4: Bonjour, marraine. (Vivette, Rose, Balthasar, l'innocent, Frédéric)
L'Arlésienne, Op. 23, GB 30, Tableau IV, Act III: La cour de Castelet
L'Arlésienne, Op. 23, GB 30, Tableau I, Act I, Scene 5: Ma mère,… embrasse-moi… (Vivette, Rose, Balthasar, l'innocent, Frédéric)
L'Arlésienne, Op. 23, GB 30, Tableau IV, Act III, Scene 3: Andantino
L'Arlésienne, Op. 23, GB 30, Tableau I, Act I, Scene 6: D'abord et d'une, il n'y a plus de patron Marc. (Le patron Marc, Frédéric, Balthazar, Francet Mamaï, Rose)
L'Arlésienne, Op. 23, GB 30, Tableau IV, Act III, Scene 3: Le voilà donc encore, ce vieux castelet… (Mère Renaud, Marc, Rose, Francet Mamaï, Le patron Marc, l'innocent, Frédéric, Balthazar, V
L'Arlésienne, Op. 23, GB 30, Tableau I, Act I, Scene 8: Pauvre petite Vivette ! (Balthazar, le Gardian, Francet Mamaï, Frédéric)
L'Arlésienne, Op. 23, GB 30, Tableau IV, Act III, Scene 4: Vivette, écoute ici, regarde-moi... (Frédéric, Vivette)
L'Arlésienne, Op. 23, GB 30, Tableau II, Act II: Les bords de l'étang de Vaccarès en Camargue
L'Arlésienne, Op. 23, GB 30, Tableau IV, Act III, Scene 5: C'est toi!... Qu'est-ce que tu veux ? (Balthazar, le gardian)
L'Arlésienne, Op. 23, GB 30, Tableau II, Act II, Scene 1: Frédéri !... (Vivette, Le patron Marc, Rose)
L'Arlésienne, Op. 23, GB 30, Tableau IV, Act III, Scene 6: C'est lui! Enfin!... (Frédéric, Vivette, le gardian, Balthazar)
L'Arlésienne, Op. 23, GB 30, Tableau II, Act II, Scene 2: Tu vois bien qu'il n'était pas avec son oncle… (Rose, Vivette)
L'Arlésienne, Op. 23, GB 30, Tableau V, Act III: La magnanerie
L'Arlésienne, Op. 23, GB 30, Tableau II, Act II, Scene 3: Bviens, Mignot. Nous allons voir s'il reste quelques olives au fond de mon sac. (Rose, Balthazar, l'innocent)
L'Arlésienne, Op. 23, GB 30, Tableau V, Act III, Scene 2: Marche des Rois (Frédéric, Rose)
L'Arlésienne, Op. 23, GB 30, Tableau II, Act II, Scene 4: Qu'est-ce que tu fais là? (Balthazar, Frédéric)
L'Arlésienne, Op. 23, GB 30, Tableau V, Act III, Scene 3: Être mère, c'est l'enfer! (Rose, Chœur)
L'Arlésienne, Op. 23, GB 30, Tableau II, Act II, Scene 5: Tous les amoureux ont des lettres d'amour (Frédéric, l'innocent)
L'Arlésienne, Op. 23, GB 30, Tableau V, Act III, Scene 4: Chut!... (Rose, l'innocent)
L'Arlésienne, Op. 23, GB 30, Tableau V, Act III, Scene Fin: Plus d'innocent dans la maison! (Rose, Frédéric, l'innocent, Balthazar)
L'Arlésienne, Op. 23, GB 30, Tableau II, Act II, Scene 6: Ah! Le voilà enfin! (Frédéric, l'innocent, Vivette)
L'Arlésienne, Op. 23, GB 30, Tableau II, Act II, Scene 7: Mon dieu! Mon dieu! (Vivette, l'innocent, Rose)
Stabat Mater in F Minor, P. 77: I. Stabat mater dolorosa
Stabat Mater in F Minor, P. 77: II. Cujus animam gementem
Stabat Mater in F Minor, P. 77: III. O quam tristis et afflicta
Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat
Stabat Mater in F Minor, P. 77: V. Quis est homo qui non fleret
Stabat Mater in F Minor, P. 77: VI. Vidit suum dulcem natum
Stabat Mater in F Minor, P. 77: VII. Eja, Mater fons amois
Stabat Mater in F Minor, P. 77: VIII. Fac, ut ardeat cor meum
Stabat Mater in F Minor, P. 77: IX. Sancta mater, istud agas
Stabat Mater in F Minor, P. 77: X. Fac, ut portem Christi moetem
Stabat Mater in F Minor, P. 77: XI. Inflammatus et accensus
Stabat Mater in F Minor, P. 77: XII. Quando corpus morietur
Pro Jesu dum vivo: I. Allegro non presto
Pro Jesu dum vivo: II. Allegro spirituoso
Alceste, LWV 50, Act II, Scene 1: Alceste ne vient point (Céphise, Straton)
Alceste, LWV 50, Prologue: Le héros que j'attends ne reviendra-t-il pas? (Nymphe de la Seine)
Alceste, LWV 50, Act II, Scene 1: Un rival n'est pas inutile (Céphise, Straton)
Alceste, LWV 50, Prologue: Bruit de trompette. Quel bruit de guerre... (Nymphe de la Seine)
Alceste, LWV 50, Act II, Scene 1: Un hymen qui peut plaire (Céphise, Straton)
Alceste, LWV 50, Prologue: Rondeau pour la Gloire
Alceste, LWV 50, Act II, Scene 2: Allons, allons, la plainte est vaine (Lycomède, Alceste, Straton, Céphise, Soldats de Lycomede)
Alceste, LWV 50, Prologue: Hélas, superbe Gloire, hélas! (Nymphe de la Seine, La Gloire)
Alceste, LWV 50, Act II, Scene 2: Puisque je perds toute espérance (Lycomède, Alceste, Straton, Céphise, Soldats de Lycomede)
Alceste, LWV 50, Prologue: On ne voit plus ici paraïtre (Nymphe de la Seine, La Gloire)
Alceste, LWV 50, Act II, Scene 2: Périssons tous (Lycomède, Alceste, Straton, Céphise, Soldats de Lycomede)
Alceste, LWV 50, Prologue: Qu'il est doux d'accorder ensemble (Nymphe de la Seine, La Gloire, Chœur)
Alceste, LWV 50, Act II, Scene 2: Marche en rondeau (Lycomède, Alceste, Straton, Céphise, Soldats de Lycomede)
Alceste, LWV 50, Prologue: L'art, d'accord avec la nature (Nymphe des Tuileries)
Alceste, LWV 50, Act II, Scene 3, 4: Marchez, marchez, marchez (Admète, Alcide, Lychas, Soldats assiégeants, Lycomède, Straton, Soldats assiégés)
Alceste, LWV 50, Prologue: Air pour les Divinités des Fleuves, menuet
Alceste, LWV 50, Act II, Scene 4: Entrée (Lycomède, Straton, Soldats assiégés, Admète, Alcide, Lychas, Soldats assiégeants)
Alceste, LWV 50, Prologue: L'onde se presse (Nymphe de la Marne)
Alceste, LWV 50, Act II, Scene 4: Achevons d'emporter la place (Lycomède, Straton, Soldats assiégés, Admète, Alcide, Lychas, Soldats assiégeants)
Alceste, LWV 50, Prologue: Air pour les Divinités des Fleuves et les Nymphes, loure
Alceste, LWV 50, Act II, Scene 5: Courage, enfants, je suis à vous (Phérès)
Alceste, LWV 50, Prologue: Que tout retentisse (La Gloire, Nymphe de la Seine, Nymphe des Tuileries, Nymphe de la Marne, Chœur)
Alceste, LWV 50, Act II, Scene 5: Que la vieillesse est lente! (Phérès)
Alceste, LWV 50, Prologue: Air pour les divinités des Fleuves et les Nymphes, menuet
Alceste, LWV 50, Act II, Scene 6: Rendez à votre fils (Alcide, Alceste, Céphise, Phérès, Lychas, Straton)
Alceste, LWV 50, Prologue: Ouverture, reprise
Alceste, LWV 50, Act II, Scene 7: Cherchons Admète promptement (Alceste, Phérès, Céphise)
Alceste, LWV 50, Act I, Scene 1: Vivez, vivez, heureux époux (Alcide, Lychas, Chœur des Tessaliens)
Alceste, LWV 50, Act I, Scene 2: L'amour a bien des maux (Alcide, Straton, Lychas)
Alceste, LWV 50, Act I, Scene 3: Lycas, j'ai deux mots à te dire (Straton, Lychas)
Alceste, LWV 50, Act I, Scene 3: Le prétends rire (Straton, Lychas)
Alceste, LWV 50, Act I, Scene 3: Je vois ton amour sans colère (Straton, Lychas)
Alceste, LWV 50, Act I, Scene 3: Moins on a de moments à donner à l'Amour (Straton, Lychas)
Alceste, LWV 50, Act I, Scene 3: Le mépris d'un volage (Straton, Lychas)
Alceste, LWV 50, Act I, Scene 4: Dans ce beau jour (Céphise, Straton)
Alceste, LWV 50, Act I, Scene 4: Un ton grondeur et sévère (Céphise, Straton)
Alceste, LWV 50, Act I, Scene 4: Si je change d'amant (Céphise, Straton)
Alceste, LWV 50, Act I, Scene 4: Par un espoir doux et trompeur (Céphise, Straton)
Alceste, LWV 50, Act I, Scene 4: Essaye un peu de l'inconstance (Céphise, Straton)
Alceste, LWV 50, Act I, Scene 5: Straton, donne l'ordre qu'on s'apprête (Lycomède, Straton, Céphise)
Alceste, LWV 50, Act I, Scene 5: Qu'aisément le dépit dégage (Lycomède, Straton, Céphise)
Alceste, LWV 50, Act I, Scene 6: Vivez, vivez, heureux époux (Admète, Alceste, Phèrès, Alcide, Lychas, Céphise, Straton, Chœur des Thessaliens)
Alceste, LWV 50, Act I, Scene 7: Air pour les matelots (Admète, Alceste, Phèrès, Alcide, Lychas, Céphise, Straton, Chœur des Thessaliens)
Alceste, LWV 50, Act I, Scene 7: Air, rondeau (Admète, Alceste, Phèrès, Alcide, Lychas, Céphise, Straton, Chœur des Thessaliens)
Alceste, LWV 50, Act I, Scene 7: Loure pour les pêcheurs (Admète, Alceste, Phèrès, Alcide, Lychas, Céphise, Straton, Chœur des Thessaliens)
Alceste, LWV 50, Act I, Scene 7: Dieux, le pont s'abîme dans l'eau (Admète, Alceste, Phèrès, Alcide, Lychas, Céphise, Straton, Chœur des Thessaliens)
Alceste, LWV 50, Act I, Scene 8: Epoux infortuné, redoute ma colère (Thétis, Admète)
Alceste, LWV 50, Act I, Scene 8: Les vents (Thétis, Admète)
Alceste, LWV 50, Act I, Scene 9: Le ciel protège les héros (Éole, les Aquilons, Les Zéphyrs)
Charpentier : Mass for 4 Choirs & Boyvin : Organ Works (Apex)
Boyvin : Premier livre d'orgue : Fond d'orgue
Charpentier : Mass for 4 Choirs H4 : Kyrie
Boyvin : Premier livre d'orgue : Fugue grave
Charpentier : Mass for 4 Choirs H4 : Christe
Boyvin : Second livre d'orgue : Récit tendre
Charpentier : Mass for 4 Choirs H4 : Gloria
Boyvin : Second livre d'orgue : Concert de flûtes
Charpentier : Mass for 4 Choirs H4 : Credo
Charpentier : Mass for 4 Choirs H4 : Crucifixus
Charpentier : Mass for 4 Choirs H4 : Et resurrexit
Charpentier : Mass for 4 Choirs H4 : Confiteor
Boyvin : Second livre d'orgue : Prélude - Grand plein jeu
Charpentier : Mass for 4 Choirs H4 : Sanctus
Charpentier : Mass for 4 Choirs H4 : Plenit sunt coeli
Boyvin : Premier livre d'orgue : Voix humaine
Charpentier : Mass for 4 Choirs H4 : Benedictus
Boyvin : Premier livre d'orgue : Dialogue
Charpentier : Mass for 4 Choirs H4 : Agnus Dei
Charpentier : Mass for 4 Choirs H4 : Domine salvum fac regem
Monteverdi: Il combattimento di Tancredi e Clorinda, SV. 153
Il combattimento di Tancredi e Clorinda, SV. 153: Tancredi che Clorinda un uomo stima
Il combattimento di Tancredi e Clorinda, SV. 153: Notte, che nel profondo oscuro seno
Il combattimento di Tancredi e Clorinda, SV. 153: Torna l'ira ne' cori e li trasporta
Il combattimento di Tancredi e Clorinda, SV. 153: Amico, hai vinto Clorinda
Il Ballo della ingrate in genere representative, SV. 167: Introduction
Il Ballo della ingrate in genere representative, SV. 167: De l'implacabil Dio Amore
Il Ballo della ingrate in genere representative, SV. 167: Bella madre d'Amor
Il Ballo della ingrate in genere representative, SV. 167: Udite, udite!
Il Ballo della ingrate in genere representative, SV. 167: Ahi, vista troppo oscura!
Il Ballo della ingrate in genere representative, SV. 167: Entrata
Il Ballo della ingrate in genere representative, SV. 167: Dal tenebroso orror del mio gran Regno
Il Ballo della ingrate in genere representative, SV. 167: Ahi troppo è duro!
Händel: Tamerlano - The Sony Opera House
Tamerlano: Recitativo "Amico, tengo un testimon fedele" (Tamerlano, Andronico)
Tamerlano: Recitativo "Figlio, siam rei" (Bajazet, Asteria)
Tamerlano: Recitativo "Esci, esci, o signore" (Andronico, Bajazet)
Tamerlano: Aria "Bella gara che faranno" (Tamerlano)
Tamerlano: Aria "Cor di padre" - Recitativo "Andronico, il mio amore" (Asteria; Tamerlano, Andronico, Asteria, Bajazet)
Tamerlano: Aria "Forte e lieto" - Recitativo "Non si perda di vista" (Bajazet; Andronico, Tamerlano)
Tamerlano: Recitativo "Ah, no! Dove trascorri" - Aria "Cerco invano" - Recitativo "Signor, vergine illustre" (Andronico; Leone, Tamerlano, Irene, Asteria)
Tamerlano: Aria "A dispetto" - Recitativo "Figlia, con atto vil tutta perdesti" (Tamerlano; Bajazet, Asteria, Andronico)
Tamerlano: Aria "Vo' dar pace" - Recitativo "Il Tartaro ama Asteria" (Tamerlano; Andronico)
Tamerlano: Aria "Par che mi nasca in seno" - Recitativo "Veggio da questi amori" (Irene; Leone)
Tamerlano: Duetto "Vivo in te, mio caro bene" (Asteria, Andronico)
Tamerlano: Aria "Bella Asteria" - Recitativo "Il fortunato Andronico" (Andronico; Asteria, Tamerlano)
Tamerlano: Aria "Amor dà guerra e pace" (Leone)
Tamerlano: Aria "Crudel più non son io" - Recitativo "Se Irene al trono" (Irene; Leone)
Tamerlano: Aria "Dammi pace" - Recitativo "Serve Asteria di prezzo" (Tamerlano; Asteria)
Tamerlano: Aria "A' suoi piedi" - Recitativo "Sdegni! Ma di monarca" - (Bajazet; Tamerlano)
Tamerlano: Aria "Se ad un costante core" (Leone)
Tamerlano: Aria "Se non mi vuol amar" - Recitativo "Non ascolto più nulla" (Asteria; Bajazet, Andronico, Asteria)
Tamerlano: Terzetto "Voglio stragi" (Tamerlano, Bajazet, Asteria)
Tamerlano: Recitativo accompagnoato "Padre, amante" - Arioso "Folle sei" (Asteria)
Tamerlano: Aria "Ciel e terra armi di sdegno" - Recitativo "S'ho a soffrir" (Bajazet; Asteria)
Tamerlano: Recitativo accompagnato "E il soffrirete" - Aria "Empio, per farti guerra" - Recitativo "Signor, fra tante cure" (Bajazet; Irene, Tamerlano)
Tamerlano: Aria "Deh! Lasciatemi il nemico" - Recitativo "Principessa infelice" (Asteria; Leone)
Tamerlano: Duetto "Vedrò ch'un dì si cangierà" - Recitativo "Oh, per me lieto" (Irene, Tamerlano; Bajazet, Tamerlano)
Tamerlano: Aria "Nel mondo e nell'abisso" (Leone)
Tamerlano: Recitativo accompagnato "Fremi, minaccia" - Arioso "Figlia mia, non pianger, no" Recitativo accompagnato "Tu, spietato, il vedrai" -Arioso e Recitativo accompagnato "Su, via, furie
Tamerlano: Aria "Dal crudel che m'ha tradita" (Irene)
Tamerlano: Recitativo "Barbaro! alfin sei sazio ancor?" (Andronico, Asteria, Irene, Tamerlano)
Tamerlano: Recitativo "Chi vide mai" - Aria "Benché mi sprezzi" (Andronico)
Tamerlano: Duetto "Coronata di gigli e di rose" - Recitativo "Ora, invitta regina" (Tamerlano, Andronico; Tamerlano, Irene)
Tamerlano: Coro "D'atra notte già mirasi a scorno" (Tutti)
Händel: Music for the Royal Fireworks; Water Music Suite 1-3 - Sony Classical Masters
Water Music, HWV 348-350: 1. Ouverture - 2. Adagio, e staccato
Water Music, HWV 348-350: 3. (Allegro) - Andante - (Allegro) da capo
Water Music, HWV 348-350: 11. Alla Hornpipe
Water Music, HWV 348-350: 17. (Country Dance)
Water Music, HWV 348-350: 18. Coro (Menuet)
Music for the Royal Fireworks, HWV 351: I. Ouverture
Music for the Royal Fireworks, HWV 351: II. Bourree
Music for the Royal Fireworks, HWV 351: III. La Paix. Largo alla Siciliana
Music for the Royal Fireworks, HWV 351: IV. La Rejouissance. Allegro
Music for the Royal Fireworks, HWV 351: V. Menuet I & II
Music for the Royal Fireworks, HWV 351: Overture "Ariodante", HWV 33 - Instrumental
Vespro della Beata Vergine, SV 206: Deus in adiutorium - Domine ad adiuvandum me festina
Ensemble Vocal Roger Thirot et de la Maîtrise Notre Dame
Vespro della Beata Vergine, SV 206: Concerto. Audi coelum
Vespro della Beata Vergine, SV 206: Psalm 109 "Dixit dominus"
Vespro della Beata Vergine, SV 206: Psalm 147 "Lauda Ierusalem"
Vespro della Beata Vergine, SV 206: Concerto. Nigra sum
Vespro della Beata Vergine, SV 206: Sonata sopra. Sancta Maria ora pro nobis
Vespro della Beata Vergine, SV 206: Psalm 112 "Laudate pueri dominum"
Vespro della Beata Vergine, SV 206: Hymn. Ave maris stella
Vespro della Beata Vergine, SV 206: Concerto. Pulchra es amica mea
Vespro della Beata Vergine, SV 206: Magnificat
Vespro della Beata Vergine, SV 206: Psalm 121 "Laetatus sum"
Vespro della Beata Vergine, SV 206: Concerto. Duo seraphim
Vespro della Beata Vergine, SV 206: Psalm 126 "Nisi Dominus"
La Grande Écurie et la Chambre du Roy (On Baroque Instruments)
Xerxes, HWV 40: Act II: Arioso "Speranze mie fermate" (Ortrun Wenkel) - Voice
Xerxes, HWV 40: Act III: Sinfonia - Recitativo "Sono vani i pretesti" (Paul Esswood, Barbara Hendricks, Anne-Marie Rodde, Ulrich Studer) - Voice
Xerxes, HWV 40: Arietta "Ah, chi voler fiora" - Recitativo "E chi direbbe mai" (Ulrich Studer, Ortrun Wenkel, Anne-Marie Rodde) - Voice
Xerxes, HWV 40: Arietta "No, no, se tu mi sprezzi" - Recitativo "Ecco in segno di fé" (Anne-Marie Rodde, Barbara Hendricks, Ulrich Studer, Paul Esswood, Carolyn Watkinson) - Voice
Xerxes, HWV 40: Act I: Recitativo accompagnato "Frondi tenere" (Carolyn Watkinson) - Voice
Xerxes, HWV 40: Arioso "Ah! tigre infedele" - Recitativo "Parti; il Re s'avvicina" (Anne-Marie Rodde, Ulrich Studer) - Voice
Xerxes, HWV 40: Aria "Per rendermi beato" - Recitativo "Ubbidirò al mio Re?" (Carolyn Watkinson, Paul Esswood, Barbara Hendricks) - Voice
Xerxes, HWV 40: Arioso: "Ombra mai fu" (Carolyn Watkinson)
Xerxes, HWV 40: Arioso "E' tormento troppo fiero" - Recitativo "Di quel foglio" (Carolyn Watkinson, Anne-Marie Rodde) - Voice
Xerxes, HWV 40: Aria "Amor, tiranno Amor" - Recitativo "Come già vi accennammo" (Paul Esswood, Carolyn Watkinson, Ulrik Cold) - Voice
Xerxes, HWV 40: Sinfonia e Recitativo - "Sento un soave concento" (Paul Esswood, Ulrich Studer, Barbara Hendricks) - Voice
Xerxes, HWV 40: Aria "Dirà che amor per me" - Duetto "L'amerete?" - "L'amerò" (Anne-Marie Rodde, Carolyn Watkinson, Barbara Hendricks) - Voice
Xerxes, HWV 40: Aria "Del Ciel d'amore sorte sì bella" - Recitativo "Il suo serto rifiuto" (Ulrik Cold, Barbara Hendricks, Carolyn Watkinson, Ortrun Wenkel) - Voice
Xerxes, HWV 40: "Qui si canta il mio nome" - "Un Serse mirate" (Carolyn Watkinson, Barbara Hendricks, Paul Esswood) - Voice
Xerxes, HWV 40: Aria "Se bramate d'amar chi vi sdegna" (Carolyn Watkinson) - Voice
Xerxes, HWV 40: Aria "Cagion son io del mio dolore" - Recitativo "Romilda infida" (Ortrun Wenkel, Paul Esswood, Barbara Hendricks) - Voice
Xerxes, HWV 40: Arietta "Va godendo vezzoso e bello" - Recitativo "Quel canto a un bel amor" (Barbara Hendricks, Carolyn Watkinson, Paul Esswood) - Voice
Xerxes, HWV 40: Recitativo accompagnato "L'amerò? Non fia vero" - Aria "E' gelosia quella tiranna" - Recitativo "Già ché il duol" (Barbara Hendricks, Ortrun Wenkel, U. Studer) - Voice
Xerxes, HWV 40: Duetto "Troppo oltraggi la mia fede" (Barbara Hendricks, Paul Esswood) - Voice
Xerxes, HWV 40: Aria "Io le dirò che l'amo" - "Tu le dirai che l'ami" - Recitativo "Arsamene!" (Carolyn Watkinson, Paul Esswood, Barbara Hendricks, Anne-Marie Rodde) - Voice
Xerxes, HWV 40: Aria "Anima infida, tradita io sono" - Recitativo "E' pazzo affè" (Ortrun Wenkel, Ulrich Studer, Paul Esswood) - Voice
Xerxes, HWV 40: Coro "Ciò che Giove destinò" - Recitativo "Ecco lo sposo" (Chorus, Ulrik Cold, Paul Esswood, Barbara Hendricks, Carolyn Watkinson) - Voice
Xerxes, HWV 40: Aria "Sì, sì, mio ben" - Recitativo "Presto, Signor, vien Serse" (Anne-Marie Rodde, Ulrich Studer, Paul Esswood, Carolyn Watkinson, Barbara Hendricks) - Voice
Xerxes, HWV 40: Aria "Quella che tutta fè" (Paul Esswood) - Voice
Xerxes, HWV 40: Aria "Crude furie degl'orridi abissi" - Recitativo "Perfidi! E ancor" (Carolyn Watkinson, All) - Voice
Xerxes, HWV 40: Aria "Meglio in voi col mio partire" - Recitativo "Bellissima Romilda" (Paul Esswood, Carolyn Watkinson) - Voice
Xerxes, HWV 40: Coro "La virtute sol potea" - Recitativo "Ariodate?" (Chorus, Carolyn Watkinson, Ulrik Cold) - Voice
Xerxes, HWV 40: Aria "Caro voi siete all'alma" (Barbara Hendricks) - Voice
Xerxes, HWV 40: Arietta "Di tacere e di schernirmi" - Recitativo "Aspide sono" (Carolyn Watkinson, Barbara Hendricks) - Voice
Xerxes, HWV 40: Arioso "Per dar fine alla mia pena" - Recitativo "Arsamene, ove andate?" (Carolyn Watkinson, Paul Esswood) - Voice
Xerxes, HWV 40: Coro "Ritorna a noi la calma" (Chorus, All) - Voice
Xerxes, HWV 40: Arietta "Né men con l'ombre d'infedeltà" (Barbara Hendricks) - Voice
Xerxes, HWV 40: Aria "Sì, la voglio e la otterrò" - Recitativo "V'inchino, eccelso Re" (Paul Esswood, Anne-Marie Rodde, Carolyn Watkinson) - Voice
Xerxes, HWV 40: Arioso "Se cangio spoglia" - Recitativo "Pugnammo, amici" (Ortrun Wenkel, Ulrik Cold) - Voice
Xerxes, HWV 40: Aria "Voi mi dite che non l'ami" - Recitativo "Saria lieve ogni doglia" (Anne-Marie Rodde, Carolyn Watkinson) - Voice
Xerxes, HWV 40: Coro "Già la tromba che chiamò" - Recitativa "Ecco Serse" (Chorus, Ortrun Wenkel, Carolyn Watkinson, Ulrik Cold) - Voice
Xerxes, HWV 40: Aria "Il core spera e teme" (Carolyn Watkinson) - Voice
Xerxes, HWV 40: Aria "Soggetto al mio volere" - Recitativo "Queste vittorie, io credo" (Ulrik Cold, Chorus, Carolyn Watkinson, Ortrun Wenkel) - Voice
Xerxes, HWV 40: Recitativo "Me infelice" - Arietta "Del mio caro baco amabile" (Ulrich Studer) - Voice
Xerxes, HWV 40: Aria "Più che penso alle fiamme" - Recitativo "Eccoti il foglio" (Carolyn Watkinson, Paul Esswood, Ulrich Studer) - Voice
Xerxes, HWV 40: Duetto "Gran pena è gelosia" - Recitativo "Aspra sorte!" (Carolyn Watkinson, Ortrun Wenkel) - Voice
Xerxes, HWV 40: Arietta "Signor, lasciate far a me" (Ulrich Studer) - Voice
Xerxes, HWV 40: Arietta "Val più contento core" - Recitativo "Vuò ch'abbian fine" (Carolyn Watkinson, Barbara Hendricks, Ortrun Wenkel) - Voice
Xerxes, HWV 40: Aria "Non so se sia la speme" - Recitativo "Tradir di reggia sposa" (Paul Esswood, Ortrun Wenkel) - Voice
Xerxes, HWV 40: Aria "Chi cede al furore di stelle rubelle" (Barbara Hendricks) - Voice
Xerxes, HWV 40: Aria "Saprà delle mie offese" - Recitativo "Al fin sarete sposa" (Ortrun Wenkel, Anne-Marie Rodde, Barbara Hendricks) - Voice
Xerxes, HWV 40: Aria "Se l'idol mio rapir mi vuoi" - Recitativo "Per rapir quel tesoro" (Barbara Hendricks, Anne-Marie Rodde) - Voice
Xerxes, HWV 40: Aria "Un cenno leggiadretto" (Anne-Marie Rodde) - Voice
Rinaldo, HWV 7: Delle nostre fatiche - Voice
Rinaldo, HWV 7: Combatti da forte - Voice
Rinaldo, HWV 7: Signor, che delle - Voice
Rinaldo, HWV 7: Sibillar gli angui - Voice
Rinaldo, HWV 7: No, No, Che quest' - Voice
Rinaldo, HWV 7: Scherzano sul tuo - Voice
Rinaldo, HWV 7: Ch'insolito stupore - Voice
Rinaldo, HWV 7: Il Vostro maggio - Voice
Rinaldo, HWV 7: Basta, Che sol tu - Voice
Rinaldo, HWV 7: Dunque i lacci . . . - Voice
Rinaldo, HWV 7: Quivi par che rubell - Voice
Rinaldo, HWV 7: E un incendio fra - Voice
George Frideric Handel: Concerti grossi opp. 3 & 6
Concerto Grosso in B-flat Major, Op. 3, No. 1: I - (Allegro) - Instrumental
Concerto Grosso in D Major, Op. 6, No. 5: I - ...
Concerto Grosso in A minor, Op. 6, No. 4: I - Larghetto affetuoso; Allegro - Instrumental
Concerto Grosso in B-flat Major, Op. 3, No. 1: II - (Largo) - Instrumental
Concerto Grosso in D Major, Op. 6, No. 5: II - Allegro
Concerto Grosso in A minor, Op. 6, No. 4: II - Largo e piano - Instrumental
Concerto Grosso in B-flat Major, Op. 3, No. 1: III - ... - Instrumental
Concerto Grosso in D Major, Op. 6, No. 5: III - Presto
Concerto Grosso in A minor, Op. 6, No. 4: III - Allegro - Instrumental
Concerto Grosso in B-flat Major, Op. 3, No. 2: I - Vivace - Instrumental
Concerto Grosso in D Major, Op. 6, No. 5: IV - Largo; Allegro
Concerto Grosso in E minor, Op. 6, No. 3: I - Larghetto; Andante - Instrumental
Concerto Grosso in B-flat Major, Op. 3, No. 2: II - Largo - Instrumental
Concerto Grosso in D Major, Op. 6, No. 5: V - Menuet: Un poco larghetto
Concerto Grosso in E minor, Op. 6, No. 3: II - Allegro - Instrumental
Concerto Grosso in B-flat Major, Op. 3, No. 2: III - Allegro - Instrumental
Concerto Grosso in F Major, Op. 6, No. 2: I - Andante larghetto; Allegro
Concerto Grosso in B-flat Major, Op. 3, No. 2: IV - [Menuet] - Instrumental
Concerto Grosso in F Major, Op. 6, No. 2: II - Largo; Adagio; Larghetto andante e piano; Allegro ma non troppo
Concerto Grosso in B-flat Major, Op. 3, No. 2: V - [Gavotte] - Instrumental
Concerto Grosso in C minor, Op. 6, No. 8: I - Allemande: Andante
Concerto Grosso in G Major, Op. 3, No. 3: I - Largo e staccato; Allegro - Instrumental
Concerto Grosso in C minor, Op. 6, No. 8: II - Grave; Andante allegro
Concerto Grosso in G Major, Op. 3, No. 3: II - Adagio; Allegro - Instrumental
Concerto Grosso in C minor, Op. 6, No. 8: III - Adagio - Instrumental
Concerto Grosso in F Major, Op. 3, No. 4: I - Allegro
Concerto Grosso in C minor, Op. 6, No. 8: IV - Siciliana: Andante
Concerto Grosso in F Major, Op. 3, No. 4: II - Andante
Concerto Grosso in C minor, Op. 6, No. 8: V - Allegro - Instrumental
Concerto Grosso in F Major, Op. 3, No. 4: III - Allegro
Concerto Grosso in G minor, Op. 6, No. 6: I. Larghetto e affettuoso; Allegro ma non troppo - Instrumental
Concerto Grosso in F Major, Op. 3, No. 4: IV - Allegro
Concerto Grosso in G minor, Op. 6, No. 6: II. Musette: Larghetto - Instrumental
Concerto Grosso in D minor, Op. 3, No. 5: I - (Allegro) - Instrumental
Concerto Grosso in G minor, Op. 6, No. 6: III. Allegro - Instrumental
Concerto Grosso in D minor, Op. 3, No. 5: II - Fuga: Allegro - Instrumental
Concerto Grosso in G minor, Op. 6, No. 6: IV. Allegro - Instrumental
Concerto Grosso in D minor, Op. 3, No. 5: III - Adagio - Instrumental
Concerto Grosso in A Major, Op. 6, No. 11: I - Andante larghetto e staccatto; Allegro - Instrumental
Concerto Grosso in D minor, Op. 3, No. 5: IV - Allegro ma non troppo - Instrumental
Concerto Grosso in A Major, Op. 6, No. 11: II - Largo e staccato; Andante - Instrumental
Concerto Grosso in D minor, Op. 3, No. 5: V - Allegro - Instrumental
Concerto Grosso in A Major, Op. 6, No. 11: III - Allegro - Instrumental
Concerto Grosso in D minor, Op. 3, No. 6: I - ... - Instrumental
Concerto Grosso in D minor, Op. 3, No. 6: II - Allegro - Instrumental
Concerto Grosso in D minor, Op. 6, No. 10: I - Overture; Allegro
Concerto Grosso in D minor, Op. 6, No. 10: II - Air: Lento
Concerto Grosso in D minor, Op. 6, No. 10: III - Allegro
Concerto Grosso in D minor, Op. 6, No. 10: IV - Allegro
Concerto Grosso in D minor, Op. 6, No. 10: V - Allegro moderato
Les Indes galantes, RCT 44: Deuxième entrée: Vous devez bannir de votre âme la criminelle erreur qui séduit les Incas
Les Indes galantes, RCT 44: Troisième entrée: Air Italien
Les Indes galantes, RCT 44: Prologue: Vous, qui d'Hébé suivez les lois
Les Indes galantes, RCT 44: Deuxième entrée: Viens, hymen, viens m'unir au vainqueur que j'adore
Les Indes galantes, RCT 44: Troisième entrée: L'éclat des roses les plus belles
Les Indes galantes, RCT 44: Prologue: Entrée des quatre Nations dans la cour d'Hébé
Les Indes galantes, RCT 44: Deuxième entrée: Elle est seule... parlons
Les Indes galantes, RCT 44: Prologue: Air grave pour deux Polonais
Les Indes galantes, RCT 44: Deuxième entrée: Non, non, je ne crois pas tout ce que l'on assure - On vient, dissimulons mes transports à leurs yeux
Les Indes galantes, RCT 44: Prologue: Air et Choeur - Musettes, résonez
Les Indes galantes, RCT 44: Deuxième entrée: Soleil, on a détruit tes superbes asiles
Les Indes galantes, RCT 44: Prologue: Musette en Rondeau
Les Indes galantes, RCT 44: Deuxième entrée: Prélude pour l'adoration du Soleil - Brillant soleil
Les Indes galantes, RCT 44: Prologue: Qu'entends-je! - La Gloire vous appelle
Les Indes galantes, RCT 44: Deuxième entrée: Air des Incas pour la dévotion du Soleil
Les Indes galantes, RCT 44: Prologue: Air pour deux guerriers portant les drapeaux
Les Indes galantes, RCT 44: Deuxième entrée: Clair flambeau du monde
Les Indes galantes, RCT 44: Prologue: Vous nous abandonnez
Les Indes galantes, RCT 44: Deuxième entrée: Permettez, astre du jour
Les Indes galantes, RCT 44: Prologue: Bellone les entraîne
Les Indes galantes, RCT 44: Deuxième entrée: Premiere Gavotte - Deuxieme Gavotte
Les Indes galantes, RCT 44: Prologue: Contredance
Les Indes galantes, RCT 44: Deuxième entrée: Dans les abîmes de la terre les vents se déclarent la guerre
Les Indes galantes, RCT 44: Prologue: Traversez les plus vastes mers
Les Indes galantes, RCT 44: Deuxième entrée: Arrêtez! Par ces feux le ciel vient de m'apprendre - Quoi! plus que le péril mon amour vous étonne?
Les Indes galantes, RCT 44: Prologue: Ritournelle
Les Indes galantes, RCT 44: Deuxième entrée: Pour jamais, l'amour nous engage - La flamme se rallume encore
Les Indes galantes, RCT 44: Première entrée: C'est Osman qui me suit
Les Indes galantes, RCT 44: Deuxième entrée: Ritournelle
Les Indes galantes, RCT 44: Première entrée: Dans le séjour témoin de ma naissance
Les Indes galantes, RCT 44: Troisième entrée: Mon abord paraît l'interdire - Elle paraît livrée à quelque inquiétude
Les Indes galantes, RCT 44: Première entrée: Qu'en peignant vos malheurs vous redoublez mes maux!
Les Indes galantes, RCT 44: Troisième entrée: Amour, Amour, quand du destin j'éprouve la rigueur
Les Indes galantes, RCT 44: Première entrée: Il faut que l'amour s'envole - Que je ne verrai plus, barbare!
Les Indes galantes, RCT 44: Troisième entrée: Quoi, Zaïre ose aimer! - Peut-on aimer dans l'esclavage?
Les Indes galantes, RCT 44: Première entrée: La nuit couvre les cieux - Ciel! de plus d'une mort nous redoutons les coups
Les Indes galantes, RCT 44: Troisième entrée: Cessez ce vain discours! - Que vois-je? c'est le téméraire - Suspendons un instant ma trop juste vengeance
Les Indes galantes, RCT 44: Première entrée: Que ces cris agitent mes sens!
Les Indes galantes, RCT 44: Troisième entrée: Dans ces jardins l'amour m'appelle - Achevez, nommez-vous!
Les Indes galantes, RCT 44: Première entrée: D'infortunés captifs vont partager nos peines - Un de ces malheureux approche en soupirant!
Les Indes galantes, RCT 44: Troisième entrée: Deviez-vous vous méprendre à mes sens agités?
Les Indes galantes, RCT 44: Première entrée: Sur ces bords une âme enflammée partage ses voeux - Esclave, je viens de t'entendre - Fut-il jamais un coeur plus généreux?
Les Indes galantes, RCT 44: Troisième entrée: Ah! Seigneur, quel moment!
Les Indes galantes, RCT 44: Première entrée: Volez, Zéphirs, volez
Les Indes galantes, RCT 44: Première entrée: Air pour les esclaves africains
Les Indes galantes, RCT 44: Première entrée: Hâtez-vous de vous embarquer
Les Indes galantes, RCT 44: Première entrée: Rigaudons - Fuyez, vents orageux!
Les Indes galantes, RCT 44: Première entrée: Régnez, Amour
Les Indes galantes, RCT 44: Première entrée: Tambourins - Partez! On languit sur le rivage
5 Petites danses anciennes (Arranged for Oboe and Piano, Mono Version)
Divertimento No. 7 in D Major, K. 205: III. Menuetto - Trio - Arranged for Oboe and Piano
Les petits riens in C Major, K. Anh. 10: No. 5, Larghetto - Arranged for Oboe and Piano
Les petits riens in C Major, K. Anh. 10: No. 10, Pantomime - Arranged for Oboe and Piano
Symphony No. 100 in G Major, Hob. I:100 "Military": III. Menuetto. Moderato - Arranged for Oboe and Piano
Dardanus, Act I, Scene 3: Rigaudons I & II - Arranged for Oboe and Piano
Agrippina, HWV 6: Act I: Non ho cor che per amarti (Agrippina)
Agrippina, HWV 6: Act II: Quando invita la donna l'amante (Nerone)
Agrippina, HWV 6: Act II: Ogni vento ch'al porto lo spinga (Agrippina)
Agrippina, HWV 6: Act III: Coll'ardor del tuo bel core (Nerone)
Agrippina, HWV 6: Act III: Come nube che fugge dal vento (Nerone)
Agrippina, HWV 6: Act III: Se vuoi pace, o volto amato (Agrippina)
Catone in Utica, RV 705: Act III: Fuggi dal guardo mio (Catone)
Catone in Utica, RV 705: Act II: S'andra senza pastore (Arbace)
Catone in Utica, RV 705: Act II: Come in vano il mare irato (Emilia)
Ariodante, HWV 33: Act I: Aria: Voli colla sua tromba (Re)
Ariodante, HWV 33: Act II: Aria: Scherza infida (Ariodante)
Ariodante, HWV 33: Act II: Aria: Il mio crudel martoro (Gineva)
Aci, Galatea e Polifemo, HWV 72: Aria: Sforzano a piangere (Galathea)
Aci, Galatea e Polifemo, HWV 72: Aria: Benche tuoni (Galathea)
Aci, Galatea e Polifemo, HWV 72: Aria: Fra l'ombre e gl'orrori (Polifemo)
Motezuma, RV 723: Act III: Aria: Dal timor dallo spavento (Asprano)
Motezuma, RV 723: Act I: Aria: Dallo sdegno che m'accende (Cortes)
Motezuma, RV 723: Act III: Aria: Dov'e la figlia (Motezuma)
Pachelbel: Canon; Albinoni: Adagio; Bach: Jesu, Joy of Man's Desiring; more
Canon and Gigue in D Major, P. 37: Canon
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Adagio in G Minor (Attrib. Albinoni) [Arr. for Chamber Orchestra]
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Notebook for Anna Magdalena Bach: Little Suite: I. Menuett in G Major, BWV Anh. 114
Notebook for Anna Magdalena Bach: Little Suite: II. Musette in D Major, BWV Anh. 126
Notebook for Anna Magdalena Bach: Little Suite: III. Bist du bei mir, BWV 508
Notebook for Anna Magdalena Bach: Little Suite: IV. Marche in D Major, BWV Anh. 122
Orpheo ed Euridice, Wq 30, Act II: Dance of the Blessed Spirits
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Solomon, HWV 67: Arrival of the Queen of Sheba (Allegro)
Concerto Grosso in G Minor Op. 6, No. 8 "Christmas Concerto": VI. Largo. Pastorale ad libitum
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Belshazzar, HWV 61: Allegro (Martial Symphony)
Herz und Mund und Tat und Leben, BWV 147: X. Jesu bleibet meine Freude (Arr. for Orchestra)
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Judas Maccabaeus, HWV 63, Act III: See, The Conquering Hero Comes
Suite for Strings after 12 Violin Sonatas, Op. 5: I. Sarabanda. Largo
Suite for Strings after 12 Violin Sonatas, Op. 5: II. Giga. Allegro
Suite for Strings after 12 Violin Sonatas, Op. 5: III. Badinerie. Vivace
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Thaïs: Méditation (Arr. for Violin and Orchestra)
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Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": II. Andante
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3 Gymnopédies, No. 1: Lent et douloureux
Adagio for Strings, Op. 11: Molto Adagio - 2017 Remastered Version
Cavalleria rusticana: Act I: Intermezzo sinfonico
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Piano Concerto in G Major, M. 83: II. Adagio assai
Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam
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Sonata No. 8 in C Minor, Op. 13: Adagio cantabile
Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod
Symphony No. 9 in E Minor, Op. 95 "From the New World": II. Largo
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Solomon, HWV 67: Sinfonia "Arrival of the Queen of Sheba"
Ich steh mit einem Fuß im Grabe, BWV 156: Sinfonia
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Keyboard Suite in D Minor, HWV 437: III. Sarabande (Arr. for Chamber Orchestra)
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air ("On a G String")
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Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
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Mandolin Concerto in C Major, RV 425: I. Allegro - Instrumental
Concerto for 2 Mandolins in G Major, RV 532: II. Andante
Chamber Concerto in D Major, RV 93: II. Largo - Instrumental
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Suite in D Major: IV. The Prince of Denmark's March "Trumpet Voluntary"
Agrippina, HWV 6: Otton, quai portentoso
Great Composers in Words & Music: George Frideric Handel
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Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai
The Complete Recordings on Warner Classics