1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x93fa233aa387c28298ec2de5430ff4eadc201170ad2994279b5374e3b19bee8e. Chain 2 (Bitcoin): anchored in block 954784 (2026-06-22T02:53:59Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/e8fa9cba-9b6d-4b55-aeb2-e17ab48b17e2.json and https://artists.proofprofile.net/proofs/artist/e8fa9cba-9b6d-4b55-aeb2-e17ab48b17e2.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Les mamelles de Tirésias: Prologue (Director)
Les mamelles de Tirésias, Act I, Scene 1: Non, Monsieur, mon mari (Thérèse, Husband)
1. Confirm isrcCode identifies the recording in the pre-2022 source corpus and cc-db-prod record 2. GET OTSVerificationAPI → server-side canonical-record, hash, and attestation checks must pass 3. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 4. Confirm CopyrightID is the CopyrightChains transaction hash 5. If all match: the cc-db-prod record is independently anchored on Bitcoin at OTSTimestamp
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x4afb2b4f5cdaaf566217576d13d507866448abaac98aab51af267f5efd1b18f3. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLY330905590.
Les mamelles de Tirésias, Act I, Scene 2: Donne-moi du lard, je te dis (Thérèse, Husband)
Les mamelles de Tirésias, Act I, Scene 3: Je déménage (Husband)
Les mamelles de Tirésias, Act I, Scene 4: Avec vous, vieux Lacouf (Lacouf, Presto)
Les mamelles de Tirésias, Act I, Scene 5: Ah, chère liberté (Lacouf, Presto, Thérèse, Husband, Townspeople)
Les mamelles de Tirésias, Act I, Scene 6: Ah, puisqu'enfin voici un agent (Husband, Policeman, Townspeople)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xef0d1dc51e907b9ba0e5cf2935f1ad55692f2d533cc83d8e35749250473aa03f. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLY330905595.
Les mamelles de Tirésias, Act I, Scene 7: Fameux représentant de toute autorité (Husband, Townspeople)
Les mamelles de Tirésias, Act I, Scene 8: Elle sort un bobard (Policeman, Newspaper Woman, Husband, Lacouf, Presto, Townspeople)
Les mamelles de Tirésias, Act I, Scene 9: Intermezzo (Townspeople)
Les mamelles de Tirésias, Act II, Scene 1: Ah, c'est fou les joies de la paternité (Husband, Newborns)
Les mamelles de Tirésias, Act II, Scene 2: Hands Up!…Bonjour, Monsieur le mari (Journalist, Husband)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x7d88b101ce9e67773e952eb5358bc0b1b53fbe73da1579050f94d3df07705b67. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLY330905600.
Les mamelles de Tirésias, Act II, Scene 3: Eh, oui! C'est simple comme un périscope (Husband)
Les mamelles de Tirésias, Act II, Scene 4: Mon cher papa si vous voulez savoir (Son, Husband)
Les mamelles de Tirésias, Act II, Scene 5: Celui-ci n'est pas réussi (Husband, Policeman)
Les mamelles de Tirésias, Act II, Scene 6: Il paraît que vous en faites de belles (Husband, Policeman)
Les mamelles de Tirésias, Act II: Chastes citoyens de Zanzibar, me voici (Thérèse, Husband, Policeman)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xcf139846bab4293a49619b62ba79ec86cd868069e5edae251bb1d37abe5a0f62. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLY330905605.
Les mamelles de Tirésias, Act II, Scene 8: Il faut s'aimer ou je succombe (Thérèse, Husband, Newspaper Woman, Policeman, Townspeople)
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x040b1c183dea9955ef2b567455e829c683bcff6ce8233eba9e5164eeeebe3b67. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLY330905606.
St. John Passion, BWV 245 (1725 Version) - Part I: I. Chorale O Mensch, Bewein' Dein Sünde Groß
St. John Passion, BWV 245 (1725 Version) - Part I: II. Recitative Jesus Ging Mit Seinen Jüngern
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2f22c156ec57943e25f2416d6bda68ed639b85d987786020fe27ad69d189f44a. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLHR52100671.
St. John Passion, BWV 245 (1725 Version) - Part I: III. Chorale O Große Lieb
St. John Passion, BWV 245 (1725 version) - Part I: IV. Recitative Auf dass das Wort erfüllet würde
St. John Passion, BWV 245 (1725 version) - Part I: V. Chorale Dein Will gescheh, Herr Gott, zugleich
St. John Passion, BWV 245 (1725 version) - Part I: VI. Recitative Die Schar aber und der Oberhauptmann
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xbd9f8dcf5cab998f4db52857e9a03425ed18127bc94ba1f044020d73ece91c53. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLHR52100675.
St. John Passion, BWV 245 (1725 version) - Part I: VII. Aria Von den Strikken meiner Sünden
St. John Passion, BWV 245 (1725 version) - Part I: VIII. Recitative Simon Petrus aber folgete Jesu nach
St. John Passion, BWV 245 (1725 version) - Part I: IX. Aria Ich folge dir gleichfalls
St. John Passion, BWV 245 (1725 version) - Part I: X. Recitative Derselbige Jünger war dem Hohepriester bekannt
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x4da205853ed889c7a81d1eb8f32e4d75297c487e219e0fa47a2a235a048a8edf. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLHR52100679.
St. John Passion, BWV 245 (1725 version) - Part I: XI. Chorale Wer hat dich so geschlagen
St. John Passion, BWV 245 (1725 Version) - Part I: XII. Aria Himmel Reisse, Welt Erbebe, Chorale Jesu, Deine Passion
St. John Passion, BMW 245 (1725 Version) - Part I: XIII. Recitative Und Hannas Sandte Ihn Gebunden
St. John Passion, BWV 245 (1725 version) - Part I: XIV. Aria Zerschmettert mich, ihr Felsen und ihr Hügel
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x4eabba83a7173baed50606484726699c345961e7832944d10fa615e0815bdf9e. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLHR52100683.
St. John Passion, BWV 245 (1725 version) - Part I: XV. Chorale Petrus, der nicht denkt zurück
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xee635fd5fc3058504bf87e24b3724603fc91365a8428dedd01e63805bd9841c3. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLHR52100684.
St. John Passion, BWV 245 (1725 version) - Part II: XVI. Chorale Christus, der uns selig macht
St. John Passion, BWV 245 (1725 version) - Part II: XVII. Recitative Da führeten sie Jesum
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa6ec29cfb9e998292f2185ad018216d3d6e242871bbd896c851e39ba04e7197b. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLHR52100686.
St. John Passion, BWV 245 (1725 version) - Part II: XVIII. Chorale Ach großer König
St. John Passion, BWV 245 (1725 version) - Part II: XIX. Recitative Da sprach Pilatus zu ihm
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x731004a5fec0ba88746e8f35de7ac3004099db5fc2d133dc25df2a39df0ec84d. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLHR52100688.
St. John Passion, BWV 245 (1725 version) - Part II: XX. Aria Ach windet euch nicht so
St. John Passion, BWV 245 (1725 version) - Part II: XXI. Recitative Und die Kriegsknechte flochten eine Krone
St. John Passion, BWV 245 (1725 version) - Part II: XXII. Chorale Durch dein Gefängnis, Gottes Sohn
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x680d40b18f54266cdb8985def3f4db7b3fcb04145426c7a05bbee3524fa5fc9b. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLHR52100691.
St. John Passion, BWV 245 (1725 version) - Part II: XXIII. Recitative Die Jüden aber
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xfecd532bfcf9543fa2e763061f220b0e2f4119c531a9ed4ab51927f7e0435794. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLHR52100692.
St. John Passion, BWV 245 (1725 Version) - Part II: XXIV. Aria Eilt, Ihr Angefochtnen Seelen
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x52368e6c70d193384b4b833d568b448ac3278b3babab15fa617ba3198ee69603. Chain 2 (Bitcoin): anchored in block 957118 (2026-07-08T03:20:19Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLHR52100693.
St. John Passion, BWV 245 (1725 version) - Part II: XXV. Recitative Allda kreuzigten sie ihn
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x25386e0bb5f0dbaac45fea57cd2d829403268fd6c42438ff135f69be46cca1dc. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLHR52100694.
St. John Passion, BWV 245 (1725 version) - Part II: XXVI. Chorale In meines Herzens Grunde
St. John Passion, BWV 245 (1725 version) - Part II: XXVII. Recitative Die Kriegsknechte aber
St. John Passion, BWV 245 (1725 version) - Part II: XXVIII. Chorale Er nahm alles wohl in acht
St. John Passion, BWV 245 (1725 version) - Part II: XXIX. Recitative Und von Stund an nahm sie der Jünger
St. John Passion, BWV 245 (1725 version) - Part II: XXX. Aria Es ist vollbracht
St. John Passion, BWV 245 (1725 version) - Part II: XXXI. Recitative Und neiget das Haupt
St. John Passion, BWV 245 (1725 version) - Part II: XXXII. Aria Mein teurer Heiland, laß dich fragen, Chorale Jesu ..
St. John Passion, BWV 245 (1725 version) - Part II: XXXIII. Recitative Und siehe da, der Vorhang im Tempel zerriß
St. John Passion, BWV 245 (1725 version) - Part II: XXXIV. Arioso Mein Herz, indem die ganze Welt
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2f69265ae152c8cd5b62caec00d60b057ca1e08ef2db2e83f73664fa998dc109. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLHR52100703.
St. John Passion, BWV 245 (1725 version) - Part II: XXXV. Aria Zerfließe, mein Herze
St. John Passion, BWV 245 (1725 version) - Part II: XXXVI. Recitative Die Jüden aber, dieweil es der Rüsttag war
St. John Passion, BWV 245 (1725 version) - Part II: XXXVII. Chorale O hilf, Christe, Gottes Sohn
St. John Passion, BWV 245 (1725 version) - Part II: XXXVIII. Recitative Darnach bat Pilatum Joseph von Arimathia
St. John Passion, BWV 245 (1725 version) - Part II: XXXIX. Chorale Ruht wohl, ihr heiligen Gebeine
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x4da52176e40734c72b1406fea24ecb8c62629815f880006edcbaac3447149108. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLHR52100708.
St. John Passion, BWV 245 (1725 version) - Part II: XL. Chorale Christe, du Lamm Gottes
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x9fda5528b79de8bb9b95b1dcfe0754be5bc561b1abadf6d3b3803b85aff262d6. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLHR52100709.
Lux Aeterna. Duruflé: Requiem & Messe cum jubilo
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb179da43ade0f7eeabd2aa4485d5cf0c3ac82ab3f34e3072a69664514e893422. Chain 2 (Bitcoin): anchored in block 957120 (2026-07-08T03:22:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/NLA460912226.
4 Petites prières de Saint-François d'Assise, FP 142: I. Salut, dame Sainte. Modéré mais sans lenteur
Requiem, Op. 9: III. Domine Jesu Christe
4 Petites prières de Saint-François d'Assise, FP 142: II. Tout puissant, très saint. Majestueux et éclatant
4 Petites prières de Saint-François d'Assise, FP 142: III. Seigneur, je vous en prie. Très expressif et fervent
4 Petites prières de Saint-François d'Assise, FP 142: IV. O mes très chers frères. Bien calme
Messe cum jubilo, Op. 11: IV. Benedictus
Laudes de Saint-Antoine de Padoue, FP 172: I. O Jesu perpetua lux
Laudes de Saint-Antoine de Padoue, FP 172: II. O proles hispaniae
Laudes de Saint-Antoine de Padoue, FP 172: III. Laus Regi plena gaudio
Laudes de Saint-Antoine de Padoue, FP 172: IV. Si quaeæris
Schreker: Der Schatzgräber (Live recording)
Der Schatzgräber, Vorspiel: Was sagst du dazu?
Der Schatzgräber, Dritter Aufzug: Klein war ich noch
Der Schatzgräber, Vorspiel: So hört, Herr König
Der Schatzgräber, Dritter Aufzug: Els! - Elis, endlich
Der Schatzgräber, Erster Aufzug: Lass mich!
Der Schatzgräber, Dritter Aufzug: Rubato - Ziemlich langsam
Der Schatzgräber, Erster Aufzug: Ah! Ah!
Der Schatzgräber, Dritter Aufzug: Geheimnisvoll kündet die Nacht sich an
Der Schatzgräber, Erster Aufzug: Soll ich?
Der Schatzgräber, Dritter Aufzug: Kein Grauen, Freund!
Der Schatzgräber, Erster Aufzug: Mein Kind, Els?
Der Schatzgräber, Dritter Aufzug: Ich bin kein Schemen
Der Schatzgräber, Erster Aufzug: Halloh, halloh!
Der Schatzgräber, Dritter Aufzug: In sanfter ruhiger Bewegung - Mehr und mehr gesteigert
Der Schatzgräber, Erster Aufzug: Schön’ Abend
Der Schatzgräber, Dritter Aufzug: Du sollst mich nie fragen
Der Schatzgräber, Erster Aufzug: So hört meinen San
Der Schatzgräber, Dritter Aufzug: In fortwährender Steigerung
Der Schatzgräber, Erster Aufzug: Kommt, kommt!
Der Schatzgräber, Dritter Aufzug: Was soll das?
Der Schatzgräber, Erster Aufzug: Els! Els!
Der Schatzgräber, Vierter Aufzug: Allegro con spirito
Der Schatzgräber, Erster Aufzug: Das werdet Ihr nicht tun!
Der Schatzgräber, Vierter Aufzug: Nun, Narr, du hast es gelöst!
Der Schatzgräber, Zweiter Aufzug: Ziemlich langsam
Der Schatzgräber, Vierter Aufzug: Wenn Majestät geruh’n zu erlauben
Der Schatzgräber, Zweiter Aufzug: Ein ödes Nest!
Der Schatzgräber, Vierter Aufzug: Am Ilsenstein in uralter Zeit
Der Schatzgräber, Zweiter Aufzug: Tibi soli peccavi
Der Schatzgräber, Vierter Aufzug: Wie seid Ihr töricht
Der Schatzgräber, Zweiter Aufzug: Elis! - Mutter!
Der Schatzgräber, Vierter Aufzug: Halt, o König!
Der Schatzgräber, Zweiter Aufzug: Genug! Macht ein Ende!
Der Schatzgräber, Vierter Aufzug: Ah! Hört auf!
Der Schatzgräber, Zweiter Aufzug: Wie ich lebte, so lasst mich sterben
Der Schatzgräber, Vierter Aufzug: Ha, ha! Herr König
Der Schatzgräber, Zweiter Aufzug: Er ist von Sinnen!
Der Schatzgräber, Vierter Aufzug: Dank, Dank, Herr König
Der Schatzgräber, Zweiter Aufzug: Lasst ab von dem
Der Schatzgräber, Vierter Aufzug: Komm, komm, mein Bräutchen
Der Schatzgräber, Zweiter Aufzug: Er kommt, er kommt morgen
Der Schatzgräber, Nachspiel: Sehr getragen
Der Schatzgräber, Zweiter Aufzug: Els! Els!
Der Schatzgräber, Nachspiel: Dank, dass Ihr kamt!
Der Schatzgräber, Nachspiel: Els! - Wer ist da?
Der Schatzgräber, Nachspiel: Du legst dein Köpfchen jetzt sanft zur Seit’
Der Schatzgräber, Nachspiel: Amen, so sei’s!
7 Lieder: No. 2, Lied des Harfenmädchens
7 Lieder: No. 5, Auf ein schlummerndes Kind
3 Chants, Op. 13: No. 1, Romance sans paroles
3 Chants, Op. 13: No. 2, Je dédie à tes pleurs, à ton sourire
3 Chants, Op. 13: No. 3, Silence, silence!
Java Sketches, Op. 46: I. Evening on the Sawahs
Java Sketches, Op. 46: II. The Golden Sarong
Java Sketches, Op. 46: III. Clustering Orchids in Dark Foliage
Java Sketches, Op. 46: IV. Borobudur, Temple of a Thousand Buddhas
Songs of Glory, Op. 43: No. 1, His Name Was Joe
Songs of Glory, Op. 43: No. 2, Beloved One
Songs of Glory, Op. 43: No. 3, Incident at Saint-Lô
Songs of Glory, Op. 43: No. 5, The Valiant Shepherd
Siren Song, Scene 1: Dear Diana, Dear Diana, My Name is Davey Palmer (Davey)
Siren Song, Scene 1: Davey… Davey… (Diana, Davey)
Siren Song, Scene 1: You Mention You're a Sailor (Diana, Davey)
Siren Song, Scene 2: I Like Chocolate, I Like Shopping (Diana, Davey)
Siren Song, Scene 3: Dave Palmer? Jonathan Reed, Diana's Brother (Jonathan, Davey)
Siren Song, Scene 4: Dear Diana, Dear Diana (Davey, Diana)
Siren Song, Scene 4: I Dream of a House and a Garden (Davey, Diana)
Siren Song, Scene 5: Davey, Davey, When I'm Your Wife… (Diana)
Siren Song, Scene 5: Oh! Oh! (Davey, Diana)
Siren Song, Scene 6: Hello? Hello? This is Davey (Davey, Jonathan, Wireless Operator)
Siren Song, Scene 7: Is She Still in Hospital? (Davey, Jonathan)
Siren Song, Scene 7: Sure, I'll Give You an Education (Jonathan, Davey)
Siren Song, Scene 8: Palmer, It's Your Ship-to-shore (Regulator, Davey, Jonathan)
Siren Song, Scene 9: A Dream House, Diana! (Davey, Jonathan)
Siren Song, Scene 9: I'm Hungry, My Feet Hurt (Davey, Jonathan)
Siren Song, Scene 10: Is She There? (Regulator, Davey)
Siren Song, Scene 11: Did You See the Flamingos? (Jonathan, Davey)
Siren Song, Scene 11: Very Soon She'll Be With You (Jonathan, Davey)
Siren Song, Scene 12: Captain, There's Something Funny (Regulator, Captain, Jonathan)
Siren Song, Scene 12: I Love You, Jonathan? (Captain, Regulator, Davey, Jonathan, Diana)
Siren Song, Scene 13: Say It Again (Davey, Jonathan)
Siren Song, Scene 14: Off Cap! (Regulator, Davey, Captain)
Siren Song, Scene 15: This is Stone (Regulator, Jonathan)
Siren Song, Scene 16: I Don't Believe You (Davey, Captain, Regulator, Jonathan)
Siren Song, Scene 17: On the Ocean Keep a Look-out (Davey, Diana)
Golgotha, Première Partie: I. Chœur d'introduction
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xca8688f55ad003060a1c2a152ef016f1d1823f601d14a16b3f14990a510b117d. Chain 2 (Bitcoin): anchored in block 957052 (2026-07-07T14:50:41Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/FRZ140909010.
Golgotha, Seconde Partie: VI. Méditation
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Golgotha, Première Partie: II. Les Rameaux
Golgotha, Seconde Partie: VII. Jésus devant le Sanhédrin
Golgotha, Première Partie: III. Le discours au temple
Golgotha, Seconde Partie: VIII. Jésus devant Pilate
Golgotha, Première Partie: IV. La Sainte Cène
Golgotha, Seconde Partie: IX. Le Calvaire
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Golgotha, Première Partie: V. Gethsémané
Golgotha, Seconde Partie: X. La Résurrection
Serenade in D Major for Piano and Flute, Op. 41: I. Entrata (Allegro)
Serenade in D Major for Piano and Flute, Op. 41: II. Tempo ordinario d'un menuetto
Serenade in D Major for Piano and Flute, Op. 41: III. Allegro molto
Serenade in D Major for Piano and Flute, Op. 41: IV. Andante con variazioni
Serenade in D Major for Piano and Flute, Op. 41: V. Allegro scherzando e vivace
Serenade in D Major for Piano and Flute, Op. 41: VI. Adagio - Allegro vivace e disinvolto - Presto
Capriccio in D Minor for Flute Solo, Op. 10b No. 9
Grande sonate concertante in A Minor for Piano and Flute, Op. 85: I. Allegro con passione
Grande sonate concertante in A Minor for Piano and Flute, Op. 85: II. Scherzo (Allegro assai)
Grande sonate concertante in A Minor for Piano and Flute, Op. 85: III. Adagio
Grande sonate concertante in A Minor for Piano and Flute, Op. 85: IV. Rondo (Allegro poco agitato)
Traumblätter: I. Das unruhige Einschlafen
Traumblätter: III. Traum des Mädchens am Spinnrad
Traumblätter: IV. Traum der Geliebten die sich nicht verstehen können
Traumblätter: V. Ungeduldiger Traumwächter
Traumblätter: VII. Karussell nächtlicher Gedanken
Traumblätter: VIII. Letzter süßer Traum des Lebens
Three pieces for piano: I. Drunken Mannheim Rocket
Three pieces for piano: II. Intimate Integration
Three pieces for piano: III. Rent-a-dance