Pablo Heras-Casado (born 21 November 1977) is a Spanish conductor. Early life The son of a retired police officer, he began singing with a school choir at the age of seven and piano lessons at the ag
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Schubert: Symphonies Nos. 5 & 7 "Unfinished"
Symphony No. 5 in B-Flat Major, D. 485: I. Allegro
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Symphony No. 5 in B-Flat Major, D. 485: IV. Allegro vivace
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Symphony No. 7 in B Minor, D. 759 "Unfinished": II. Andante con moto
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Frederic Belli plays works by Berio, Rabe, Martin, Delerue, Rota
Trombone Concerto: II. Lento, ben ritmato
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Parsifal, Act I: Seht dort die wilde Reiterin! - Live
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Parsifal, Act I: Recht so! Habt Dank! - Live
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Parsifal, Act I: Wein und Brot des letzten Mahles - Live
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Parsifal, Act I: Was stehst du noch da? - Live
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Parsifal, Act II: Die Zeit ist da - Live
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Parsifal, Act II: Hier war das Tosen! - Live
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Parsifal, Act II: Ich sah das Kind an seiner Mutter Brust - Live
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Parsifal, Act II: Amfortas! Die Wunde! - Live
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Parsifal, Act II: Gelobter Held! Entflieh dem Wahn! - Live
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Parsifal, Act III: Von dorther kam das Stöhnen - Live
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Parsifal, Act III: Wer nahet dort dem heil’gen Quell? - Live
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Parsifal, Act III: Nicht so! Die heil’ge Quelle selbst erquicke unsres Pilgers Bad - Live
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Parsifal, Act III: Wie dünkt mich doch die Aue heut so schön! - Live
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Parsifal, Act III: Ja, wehe! Wehe! Weh über mich! - Live
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Parsifal, Act III: Höchsten Heiles Wunder - Live
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Wagner: Parsifal / Act II: Ich sah das Kind an seiner Mutter Brust (Live)
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Piano Concerto No. 1 in C Major, Op. 15: II. Largo
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Beethoven: Triple Concerto, Op. 56 & Trio, Op. 36
Triple Concerto in C Major, Op. 56: I. Allegro
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Triple Concerto in C Major, Op. 56: II. Largo
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Trio for piano, violin and cello after the Symphony No. 2 in D Major, Op. 36: II. Larghetto quasi andante
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Trio for piano, violin and cello after the Symphony No. 2 in D Major, Op. 36: IV. Allegro molto
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Beethoven: Symphony No. 9 & Choral Fantasy
Fantasia in C Minor, Op. 80 "Choral Fantasy": I. Adagio
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Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile
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Mendelssohn: Piano Concerto No. 2 & Symphony No. 1
Piano Concerto No. 2 in D Minor, Op. 40: II. Adagio. Molto sostenuto
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Mendelssohn: Violin Concerto; Symphony No. 5 "Reformation" & The Hebrides
Violin Concerto in E Minor, Op. 64: I. Allegro molto appassionato
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Violin Concerto in E Minor, Op. 64: III. Allegretto non troppo - Allegro molto vivace
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Symphony No. 5 in D Minor, Op. 107, MWV N15, "Reformation": III. Andante
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Beethoven: Piano Concertos Nos. 2 & 5 "Emperor"
Piano Concerto No. 5 in E-Flat Major, Op. 73, 'Emperor': I. Allegro
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Piano Concerto No. 5 in E-Flat Major, Op. 73, 'Emperor': II. Adagio un poco mosso
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Piano Concerto No. 2 in B-Flat Major, Op. 19: I. Allegro con brio
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Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto allegro
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Schumann: Cello Concerto; Piano Trio No. 1
Cello Concerto in A minor, op. 129: I. Allegro - Nicht zu Schnell
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Cello Concerto in A minor, op. 129: II. Adagio - Langsam
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Cello Concerto in A minor, op. 129: III. Finale vivace - Sehr Lebhaft
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Piano Trio No. 1 in D Minor, Op. 63: IV. Mit Feuer - Nach und nach schneller
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Mendelssohn: Symphonies Nos. 3 "Scottish" & 4 "Italian"
Symphony No. 3 in A Minor, Op. 56, MWV N18 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai
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Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": I. Allegro vivace
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Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": III. Con moto moderato
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Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": IV. Saltarello (Presto)
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Schumann: Violin Concerto; Piano Trio No. 3
Violin Concerto in D minor, WoO 23: I. In kräftigem, nicht zu schnellem Tempo
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Violin Concerto in D minor, WoO 23: II. Langsam
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Violin Concerto in D minor, WoO 23: III. Lebhaft, doch nicht schnell
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Symphony No. 3 in D Major, D. 200: Symphony No. 3 in D Major, D.200: I. Adagio maestoso - Allegro con brio
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Stravinsky: Pulcinella Suite - Falla: El Retablo de Maese Pedro & Harpsichord Concerto
Pulcinella Suite: II. Serenata. Larghetto
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Pulcinella Suite: III. Scherzino - Allegro - Andantino
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El Sombrero de tres picos, Parte I: Danza de la molinera. Fandango
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El Sombrero de tres picos, Parte II: Danza de los vecinos. Seguidillas
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El Sombrero de tres picos, Parte II: Danza final. Jota
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El Amor brujo: Introducción y Escena - En la cueva. La noche (Ballet version)
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El Amor brujo: Canción del amor dolido (Ballet version)
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El Amor brujo: El círculo mágico. Romance del pescador - A media noche. Los sortilegios (Ballet version)
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El Amor brujo: Pantomima (Ballet version)
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El Sombrero de tres picos, Parte II: Danza del molinero. Farruca
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Falla: Harpsichord Concerto: III. Vivace (flessibile, scherzando)
Stravinsky: Pulcinella Suite: V. Toccata. Allegro
Falla: El sombrero de tres picos & El amor brujo
Stravinsky: Le Sacre du printemps - Eötvös: "Alhambra" Concerto
Tchaikovsky: Symphony No.1, Op. 13 & The Tempest, Op. 18
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Sinfonia Op. 5, No. 6: II. Andante sempre
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Vendado amor es, no ciego ( Zarzuela): Tempestad grande
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Sinfonia in E Minor "Fandango", Wq. 178: I. Allegro assai
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Sinfonia in E Minor "Fandango", Wq. 178: II. Andante moderato
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Sinfonia in E Minor "Fandango", Wq. 178: III. Allegro
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La dicha en la desgracia y vida campestre: Overture
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Seguidilla from "Para obsequio a la deydad, nunca es culto la crueldad, y Iphigenia en Tracia"
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Canción from "Viento es la dicha de amor"
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Seguidilla From "Donde hay violencia no hay culpa" (II)
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Mendelssohn: Symphonie No. 2 "Lobgesang"
Symphonie No. 2 en Si Bemol Majeur, Op. 52 "Lobgesang": I. Sinfonia (Adagio religioso)
Symphonieorchester des Bayerischen Rundfunks
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Symphonie No. 2 en Si Bemol Majeur, Op. 52 "Lobgesang": IV. A tempo moderato "Saget es, die ihr erlöset seid"
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Symphonie No. 2 en Si Bemol Majeur, Op. 52 "Lobgesang": IX. Andante sostenuto assai "Drum sing ich mit meinem Liede ewig dein Lob"
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Selva morale e spirituale, SV 252-288: Dixit Dominus secondo, SV 264
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Selva morale e spirituale, SV 252-288: Jubilet tota civitas, SV 286
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Selva morale e spirituale, SV 252-288: Salve Regina, SV 283
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Selva morale e spirituale, SV 252-288: Crucifixus, SV 259
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Selva morale e spirituale, SV 252-288: Magnificat primo, SV 281
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Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1880 version): Ig-k. [Bars 193-332]
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Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1880 version): Io-s. Hervortretend
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Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1880 version): IIc-f. Lang gezogen
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Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1880 version): IIg-r. Con sordini
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Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1880 version): III. Trio. Nicht zu schnell
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Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1880 version): IVa. Finale. Bewegt, doch nicht zu schnell
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Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1880 version): IVb-f. Noch langsamer
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Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1880 version): IVg-j. Tempo wie anfangs
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Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1880 version): IVp. Tempo primo
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Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1880 version): IVq-u. Im früheren Zeitmass
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Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1880 version): IVv-z. Tempo primo
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Debussy: La Mer, Le Martyre de saint Sébastien
Prélude à l'après-midi d'un faune, L. 86
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Le Martyre de saint Sébastien, fragments symphoniques, L. 124: II. Danse extatique. Final de l'acte I
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Bartók: Concerto for Orchestra & Piano Concerto No. 3
Piano Concerto No. 3, Sz 119: I. Allegretto
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Shostakovich: Cello Concertos Nos. 1 & 2
Cello Concerto No. 1, Op. 107: 4. Allegro con moto
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Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": I. Bewegt, nicht zu schnell (ending)
Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": I. Bewegt, nicht zu schnell (beginning)
Wagner: Parsifal / Act III: Prelude (Live)
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Schubert: Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto & Trio. Allegro molto
Schumann: Symphony No. 1 in B-Flat Major, Op. 38 "Spring": II. Larghetto - Symphony No. 4 in D Minor, Op. 120: III. Scherzo. Lebhaft
Beethoven: Piano Concerto No. 3: II. Largo & Piano Concerto No. 1: III. Rondo. Allegro scherzando
Beethoven: Triple Concerto in C Major, Op. 56
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