1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this artist was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xba608ce7079810d45810c4229158f90e82442b17a71968dc25c3a58dfab4711c. Chain 2 (Bitcoin): anchored in block 953407 (2026-06-12T19:24:56Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/cfbbbb0d-2b44-42ba-89f9-2369097adf35.json and https://artists.proofprofile.net/proofs/artist/cfbbbb0d-2b44-42ba-89f9-2369097adf35.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Sonnets: No. 1, Sonnet 30 "When to the Sessions of Sweet Silent Thought"
Sonnets: No. 2, Sonnet 12 "When I Do Count the Clock That Tells the Time"
Sonnets: No. 3, Sonnet 60 "Like As the Waves Make Towards the Pebbled Shore"
Sonnets: No. 4, Sonnet 75 "So You Are to My Thoughts As Food to Life"
Express Abstractionism: I. Dense Bubbles, Calder, The Origin of Life on Earth
Express Abstractionism: II. Richter, The Rainbow Inside a Bolt of Lightning
Express Abstractionism: III. Kandinsky, and Marble, and Krasner
Express Abstractionism: IV. The Sun, The Moon, Mondrian
A GOOD PERSON (Original Motion Picture Soundtrack)
Wachet auf, ruft uns die Stimme, BWV 645 (Arr. for Piano by Ignaz Friedman)
Laugh at All My Dreams (Arr. for Piano by Jeremy Siskind)
Credo. No. 2, I Believe (Arr. for Piano by Lara Downes)
Frühlingsglaube, D. 686 (Arr. for Piano by August Horn)
By Loving You (Arr. for Piano by Jimmy López Bellido)
I'll Be Seeing You (Arr. for Piano by Mariel Mayz)
Amazing Grace (Arr. for Piano by Shawn E. Okpebholo)
Double Happiness: I. Self Portrait, Part 1
Double Happiness: III. Self Portrait, Part 2
I Will Learn To Love A Person: 1. That Night With The Green Sky
I Will Learn To Love A Person: 2. Eleven Page Poem, Page III
I Will Learn To Love A Person: 3. I Will Learn How To Love A Person And Then I Will Teach You And Then We Will Know
I Will Learn To Love A Person: 4. When I Leave This Place
I Will Learn To Love A Person: 5. Are You Ok?
to speak in a forgotten language: III. —
Violin Sonata: I. Fast and Focused, with Gradually Increasing Intensity
Violin Sonata: II. Still and Spacious, but Always Moving Forward
Violin Sonata: III. Dramatic, Violent, Rhythmic, Very Precise
Holberg Suite, Op. 40: I. Präludium - Arr. for Cello by Johannes Moser
Holberg Suite, Op. 40: II. Sarabande - Arr. for Cello by Johannes Moser
Holberg Suite, Op. 40: III. Gavotte - Arr. for Cello by Johannes Moser
Holberg Suite, Op. 40: IV. Air - Arr. for Cello by Johannes Moser
Holberg Suite, Op. 40: V. Rigaudon - Arr. for Cello by Johannes Moser
Requiem - Arr. for Cello by Johannes Moser
Song of the Birds - Arr. for Cello by Johannes Moser
Barber: Adagio for Strings, Op. 11 - Arr. for Cello by Johannes Moser
Hymnus - Arr. for Cello by Johannes Moser
Timo Andres: The Blind Banister: 1. Sliding Scale
Timo Andres: The Blind Banister: 2. Ringing Weights
Timo Andres: The Blind Banister: 3. Coda. Teneramente
Timo Andres: Upstate Obscura: 1. Valley of Strange Shapes
Timo Andres: Upstate Obscura: 2. Mazes and Mirrors
Timo Andres: Upstate Obscura: 3. Vanishing Point
And I Shall Come To You Like A Stormtrooper In Drag Serving Imperial Realness
Concerto for Piano No. 26 in D Major, K.537 "Coronation": I. Allegro
Concerto for Piano No. 26 in D Major, K. 537 "Coronation": II. Larghetto
Concerto for Piano No. 26 in D Major, K. 537 "Coronation": III. Allegretto
Davidsbündlertänze, Op. 6: No. 1, Lebhaft
Morse Code Fantasy (Hommage to Robert Schumann)
Davidsbündlertänze, Op. 6: No. 3, Mit Humor
Davidsbündlertänze, Op. 6: No. 8, Frisch
Davidsbündlertänze, Op. 6: No. 11, Einfach
Davidsbündlertänze, Op. 6: No. 12, Mit Humor
Davidsbündlertänze, Op. 6: No. 13, Wild und lustig
Davidsbündlertänze, Op. 6: No. 14, Zart und singend
Davidsbündlertänze, Op. 6: No. 15, Frisch
XVI. (Mit gutem Humor, un poco lol ma con serioso Vibes)
Davidsbündlertänze, Op. 6: No. 16, Mit gutem Humor
XVII. (Quietly, from Afar): XVII. (Quietly, from Afar)
Davidsbündlertänze, Op. 6: No. 18, Nicht schnell
Davidsbündlertänze, Op. 6: No. 5, Einfach
Three Preludes for Piano: III. Le jeu des contraires
Miroirs, M. 43: III. Une barque sur l'océan
Miroirs, M. 43: IV. Alborada del gracioso
Miroirs, M. 43: V. La vallée des cloches
Herzlich tut mich verlangen, BWV 727 (arr. M. Reger for piano)
Prelude in B Minor, BWV 544 (arr. A. Siloti for piano)
Das wohltemperierte Klavier I: Prelude No. 24 in B Minor, BWV 869
Das wohltemperierte Klavier I: Fugue No. 24 in B Minor, BWV 869
Chromatic Fantasia and Fugue in D Minor, BWV 903: Fantasia
Chromatic Fantasia and Fugue in D Minor, BWV 903: Fugue
Gottes Zeit ist die allerbeste Zeit, BWV 106 (arr. G. Kurtag for piano)
El male rachamim: II. I, who pluck flowers from the hilltop
El male rachamim: III. I, who brought corpses from the mountains
El male rachamim: IV. I, who use but a tiny portion of the words in the dictionary
El male rachamim: V. I, who am forced to decipher riddles
Violin Sonata in D Major, Op. 115: I. Moderato
Violin Sonata in D Major, Op. 115: II. Theme & Variations
Violin Sonata in D Major, Op. 115: III. Con brio - Allegro precipitato - Tempo I - Allegro precipitato
Sonnets: V. Confounded to Decay (Version for Cello & Piano)
Variations on "Trockne Blumen", D. 802: Introduction
Variations on "Trockne Blumen", D. 802: Thema
Variations on "Trockne Blumen", D. 802: Variation I
Variations on "Trockne Blumen", D. 802: Variation II
Variations on "Trockne Blumen", D. 802: Variation III
Variations on "Trockne Blumen", D. 802: Variation IV
Variations on "Trockne Blumen", D. 802: Variation V
Variations on "Trockne Blumen", D. 802: Variation VI
Variations on "Trockne Blumen", D. 802: Variation VII
Five Andean Improvisations for Flute and Piano: I. Quena
Five Andean Improvisations for Flute and Piano: II. Ritmo del altiplano
Five Andean Improvisations for Flute and Piano: III. Pinkillo
Five Andean Improvisations for Flute and Piano: IV. Chuta
Five Andean Improvisations for Flute and Piano: V. Sombras
Flute Sonata in D Major, Op. 94: I. Moderato
Flute Sonata in D Major, Op. 94: II. Scherzo
Flute Sonata in D Major, Op. 94: III. Andante
Flute Sonata in D Major, Op. 94: IV. Allegro con brio
Maverick Pieces: III. Allegro ma non troppo
Maverick Pieces: VIII. Allegro brillante
Maverick Pieces: X. Allegro ma non troppo
Maverick Pieces: XII. Allegro con spirito
Humoreske, Op. 20: I. Einfach–Sehr rasch und leicht
Humoreske, Op. 20: III. Einfach und zart–Intermezzo
Humoreske, Op. 20: V. Sehr lebhaft–Mit einigren Pomp
Bagatelle (After Beethoven's Op. 126 No. 1)
6 Bagatelles, Op. 126: No. 1, Andante con moto, cantabile e con piacevole
Bagatelle (After Beethoven's Op. 126 No. 2)
Bagatelles: No. 1, Childhood Nightmare (After Beethoven's Op. 126 No. 3)
6 Bagatelles, Op. 126: No. 3, Andante, cantabile ed espressivo
Etude No. 2a, "Ad fugam" on a Non-Octave-Replicating Mode (After Beethoven's Op. 126 No. 4)
Sweet Nothings (After Beethoven's Op. 126 No. 5)
6 Bagatelles, Op. 126: No. 5, Quasi allegretto
Bagatelle (After Beethoven's Op. 126 No. 6)
6 Bagatelles, Op. 126: No. 6, Presto - Andante amabile e con moto
Variations on a Spell: I. Water Sprite (After Ravel's "Ondine, M. 55")
Variations on a Spell: II. Bell Tolls - Golden Bees (After Ravel's "Ondine, M. 55")
Old Ground (After Ravel's "Le gibet, M. 55")
It Never Ends (feat. Timo Andres) - Single
We Don’t Need to Tend This Garden, They’re Wildflowers
Glassworks: VI. Closing (Arr. for 2 Pianos and 2 Guitars by B. Dessner) - Edit
Glassworks: VI. Closing (Arr. for 2 Pianos and 2 Guitars by B. Dessner)