1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb6cba2ae7546274699a9b8492daf6abf565584b4a3ed96173c06667683da1e2c. Chain 2 (Bitcoin): anchored in block 953408 (2026-06-12T19:28:13Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/d976518a-a787-4975-83dd-f7ec1be76a54.json and https://artists.proofprofile.net/proofs/artist/d976518a-a787-4975-83dd-f7ec1be76a54.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Ouverture-suite in D Major, TWV 55:D7: I. Ouverture
Ouverture-suite in D Major, TWV 55:D7: II. Air
Ouverture-suite in D Major, TWV 55:D7: VII. Rigaudon
Ouverture-suite in D Major, TWV 55:D7: III. Plainte
Ouverture-suite in D Major, TWV 55:D7: IV. Furies
Ouverture-suite in D Major, TWV 55:D7: VIII. Loure
Ouverture-suite in D Major, TWV 55:D7: V. Trezza
Ouverture-suite in D Major, TWV 55:D7: VI. Menuets I & II
Horn Concerto in D Major, TWV 51:D8: I. Vivace
Horn Concerto in D Major, TWV 51:D8: II. Largo
Horn Concerto in D Major, TWV 51:D8: III. Allegro
Sinfonia in D Major, TWV 44:1: I. Sinfonia. Spirituoso
Sinfonia in D Major, TWV 44:1: II. Largo
Sinfonia in D Major, TWV 44:1: III. Vivace
Concerto for 2 Horns in D Major, TWV 52:D1: I. Largo - II. Vivace
Concerto for 2 Horns in D Major, TWV 52:D1: III. Affettuoso
Concerto for 2 Horns in D Major, TWV 52:D1: IV. Allegro
Trumpet Concerto in D Major, TWV 51:D7: I. Adagio
Trumpet Concerto in D Major, TWV 51:D7: II. Allegro
Trumpet Concerto in D Major, TWV 51:D7: III. Grave
Trumpet Concerto in D Major, TWV 51:D7: IV. Allegro
Sinfonia in D Major, TWV 44:1 (Without Trumpet): I. Sinfonia. Spirituoso
Sinfonia in D Major, TWV 44:1 (Without Trumpet): III. Vivace
Kantate BWV 9: " Es ist das Heil uns kommen her": Coro. "Es ist das Heil uns kommen her"
Kantate BWV 9: " Es ist das Heil uns kommen her": Red. Basso. "Gott gab uns ein Gesetz"
Kantate BWV 9: " Es ist das Heil uns kommen her": Aria. Tenore. "Wir waren schon zu tief gesunken"
Kantate BWV 9: " Es ist das Heil uns kommen her": Rec. Basso. "Doch musste das Gesetz erfüllet werden"
Kantate BWV 9: " Es ist das Heil uns kommen her": Duetto. Soprano, Alto. "Herr Du siehst statt guter Werke"
Kantate BWV 9: " Es ist das Heil uns kommen her": Rec. Basso. "Wenn wir die Sünd aus dem Gesetz erkennen"
Kantate BWV 9: " Es ist das Heil uns kommen her": Choral. "Ob sich's anliess"
Kantate BWV 94: "Was frag ich nach der Welt": Chor. "Was frag ich nach der Welt"
Kantate BWV 94: "Was frag ich nach der Welt": Arie. Basso. "Die Welt ist wie ein Rauch und Schatten"
Kantate BWV 94: "Was frag ich nach der Welt": Rezitativ und Choral. Tenore. "Die Welt sucht Ehr und Ruhm"
Kantate BWV 94: "Was frag ich nach der Welt": Arie. Alteo. "Betörte Welt"
Kantate BWV 94: "Was frag ich nach der Welt": Rezitativ und Choral Basso. "Die Welt bekümmert sich"
Kantate BWV 94: "Was frag ich nach der Welt": Arie. Tenore. "Die Welt kann ihre Lust und Freud"
Kantate BWV 94: "Was frag ich nach der Welt": Arie. Soprano. "Es halt es mit der blinden Welt"
Kantate BWV 94: "Was frag ich nach der Welt": Choral. "Was frag ich nach der Welt"
Es wartet alles auf dich, BWV 187: Es wartet alles auf dich (Chor)
Es wartet alles auf dich, BWV 187: Rezitativ. Basso. "Was Kreaturen hält"
Es wartet alles auf dich, BWV 187: Arie. Alto. "Du Herr du krönst allein das Jahr"
Es wartet alles auf dich, BWV 187: Arie. Basso. "Darum sollt ihr nicht sorgen"
Es wartet alles auf dich, BWV 187: Arie. Adagio. Soprano. "Gott versorget"
Es wartet alles auf dich, BWV 187: Rezitativ. Soprano. "Halt mich nur fest"
Es wartet alles auf dich, BWV 187: Choral. "Gott hat die Erde schön zugericht"
Die Zauberflöte, K. 620, Act II: March of the Priests
Die Zauberflöte, K. 620, Act II: O, Isis und Osiris, welche Wonne!
Die Zauberflöte, K. 620, Act I: Zu Hilfe! Zu Hilfe!
Die Zauberflöte, K. 620, Act II: Ihr, in dem Weisheitstempel eingeweihten diener
Die Zauberflöte, K. 620, Act II: Prinz, dein Betragen war bis hierher männlich und gelassen
Die Zauberflöte, K. 620: Dialog: Wo bin ich? Ist's Phantasie, daß ich noch lebe?
Die Zauberflöte, K. 620, Act II: O Isis und Osiris
Die Zauberflöte, K. 620, Act II: Soll ich dich, Teurer, nicht mehr sehn?
Die Zauberflöte, K. 620, Act I: Der Vogelfänger bin ich ja
Die Zauberflöte, K. 620, Act II: Eine schreckliche Nacht!
Die Zauberflöte, K. 620, Act II: Tamino! Willst du mich denn gänzlich verlassen?
Die Zauberflöte, K. 620, Act II: Bewahret euch vor Weibertücken
Die Zauberflöte, K. 620, Act II: Ein Mädchen oder Weibchen wunscht Papageno sich!
Die Zauberflöte, K. 620, Act I: Dies Bildnis ist bezaubernd schön
Die Zauberflöte, K. 620, Act II: He, Lichter her! Lichter Her!
Die Zauberflöte, K. 620, Act II: Da bin ich schon, mein Engel!
Die Zauberflöte, K. 620, Act I: Rüste dich mit Mut und Standhaftigkeit
Die Zauberflöte, K. 620, Act II: Wie? Wie? Wie? Ihr an diesem schreckensort?
Die Zauberflöte, K. 620, Act II: Bald prangt, den Morgen zu verkünden
Die Zauberflöte, K. 620, Act I: O zitt're nicht, mein lieber Sohn!
Die Zauberflöte, K. 620, Act II: Heil dir, Jüngling!
Die Zauberflöte, K. 620, Act II: Der, welcher wandert diese Straße
Die Zauberflöte, K. 620, Act I: Ist's denn auch Wirklichkeit, was ich sah?
Die Zauberflöte, K. 620, Act II: Alles fühlt der Liebe Freuden
Die Zauberflöte, K. 620, Act II: Wir wandelten durch Feuersgluten
Die Zauberflöte, K. 620, Act I: Hm! Hm! Hm! Hm!
Die Zauberflöte, K. 620, Act II: Zurücke!
Die Zauberflöte, K. 620, Act II: Triumph! Triumph! Du edles Paar!
Die Zauberflöte, K. 620, Act I: Ha, ha, ha!
Die Zauberflöte, K. 620, Act II: Der Hölle Rache kocht in meinem Herzen
Die Zauberflöte, K. 620, Act I: Du feines Täubchen, nur herein!
Die Zauberflöte, K. 620, Act II: Götter, das kann ich nicht!
Die Zauberflöte, K. 620, Act I: Mutter, Mutter! Mutter!
Die Zauberflöte, K. 620, Act II: In diesen heil'gen Hallen
Die Zauberflöte, K. 620, Act I: Bei Männern, welche Liebe fühlen
Die Zauberflöte, K. 620, Act II: Hier seid ihr euch beide allein überlassen
Die Zauberflöte, K. 620, Act I: Zum Ziele führt dich diese Bahn
Die Zauberflöte, K. 620, Act II: Seid uns zum zweiten Mal willkommen
Die Zauberflöte, K. 620, Act I: Die Weisheitslehre dieser Knaben
Die Zauberflöte, K. 620, Act II: Tamino, wollen wir nicht speisen?
Die Zauberflöte, K. 620, Act I: Wie stark ist nicht dein Zauberton!
Die Zauberflöte, K. 620, Act II: Ach! Ich fühl's, es ist verschwunden
Die Zauberflöte, K. 620, Act I: Schnelle Füße, rascher Mut
Die Zauberflöte, K. 620, Act II: Nicht wahr, Tamino, ich kann auch schweigen
Die Zauberflöte, K. 620, Act I: Es lebe Sarastro! Sarastro lebe!
Die Zauberflöte, K. 620, Act I: Herr, ich bin zwar Verbrecherin
Die Zauberflöte, K. 620, Act I: Nun, stolzer Jüngling, nur hierher!
Die Zauberflöte, K. 620, Act I: Wenn Tugend und Gerechtigkeit
Johannes-Passion, BWV 245, Pt. 1: No. 1, Chorus: Herr, unser Herrscher
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1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3c40575e91496570c60e0629d44dc04f2248273e164cd66db3b92b5e4bc5ffda. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4DOcd8JiEQu5xvLDHWq8c7.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4DOcd8JiEQu5xvLDHWq8c7.
Johannes-Passion, BWV 245, Pt. 2: No. 1, Chorale: Christus, der uns selig macht
{"copyright_id":"0x1af8fe23ba63f8f54c4097c338089d49a2e61eb3c00c14400337fa161e8cf418","isrc":"NLB151200226","name":"Johannes-Passion, BWV 245, Pt. 2: No. 1, Chorale: Christus, der uns selig macht","registered_at":"2026-06-23T08:28:22Z","spotify_id":"2l5w8WwtjQv8Noiz9BN2HI","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1af8fe23ba63f8f54c4097c338089d49a2e61eb3c00c14400337fa161e8cf418. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2l5w8WwtjQv8Noiz9BN2HI.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2l5w8WwtjQv8Noiz9BN2HI.
Johannes-Passion, BWV 245, Pt. 1: No. 2, Recitative: Jesus ging mit seinen Jüngern - Chorus: Jesum von Nazareth - Recitative: Jesus spricht zu ihnen
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x63761590987bfeb29c85e1e95be0c0120cb3e61f779a1daecee1b1aa7f19f7b5. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4cSevoZOQwKAJ8mpm9bRhE.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4cSevoZOQwKAJ8mpm9bRhE.
Johannes-Passion, BWV 245, Pt. 2: No. 2, Recitative: Da führeten sie Jesum von Kaipha vor das Richthaus - Chorus: Wäre dieser nicht ein Übeltäter
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb575ecea2aef9bcbb070f96a91decb8d0487961c86e766f64d3cd43d075832c9. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5aHa5RureBekjeA9pzEaAy.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5aHa5RureBekjeA9pzEaAy.
Johannes-Passion, BWV 245, Pt. 1: No. 3, Chorale: O große Lieb
{"copyright_id":"0x727d249b13af64656f740a5d49980affb14ea2ffff7becce32f296cefad98d12","isrc":"NLB151200214","name":"Johannes-Passion, BWV 245, Pt. 1: No. 3, Chorale: O große Lieb","registered_at":"2026-06-22T04:32:14Z","spotify_id":"1o2NMuQp5mCk482SSCxvzi","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x727d249b13af64656f740a5d49980affb14ea2ffff7becce32f296cefad98d12. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1o2NMuQp5mCk482SSCxvzi.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1o2NMuQp5mCk482SSCxvzi.
Johannes-Passion, BWV 245, Pt. 2: No. 3, Chorale: Ach, großer König
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2abcd9b0ac6f3c718e0b76dbcabb42c095a39de1b1144e5521e582a3af1db0f6. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/34h5hoEYdIFzDjjMMG7LZF.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/34h5hoEYdIFzDjjMMG7LZF.
Johannes-Passion, BWV 245, Pt. 1: No. 4, Recitative: Auf dass das Wort erfüllet würde
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x94d54e58df2aee71a8ecd1ca3d7caa5c38c310039c037e6809d10d7e96fda2fd. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2ZRHTijvVxFVmrveNwFT1T.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2ZRHTijvVxFVmrveNwFT1T.
Johannes-Passion, BWV 245, Pt. 2: No. 4, Recitative: Da sprach Pilatus zu ihm - Chorus: Nicht diesen, sondern Barrabam! - Recitative: Barrabas aber war ein Mörder!
Johannes-Passion, BWV 245, Pt. 1: No. 5, Chorale: Dein Will gescheh
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd8b7ab9fc8c2a7d6a1e1489b6d1ba82221baf73b969d41dc2b6bbd6a2097542f. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0HGlCRL4i9nEEb523iHTxE.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0HGlCRL4i9nEEb523iHTxE.
Johannes-Passion, BWV 245, Pt. 2: No. 5, Arioso: Betrachte, meine Seel
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd066da9f78f5d07f995ba5c434d4b2de1513ad12b6ec59fb9c0b63b59835397b. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/11JdII67aed1lSe2H0Gpsv.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/11JdII67aed1lSe2H0Gpsv.
Johannes-Passion, BWV 245, Pt. 1: No. 6, Recitative: Die Schar aber und der Oberhauptmann
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd61e621df29a23e874995e60e870cb1c2cf7ed8f36e1555a5e8048c182405078. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3GwpvZ3CFmiUlDFj3QCBjD.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3GwpvZ3CFmiUlDFj3QCBjD.
Johannes-Passion, BWV 245, Pt. 2: No. 6, Aria: Erwäge, wie sein blutgefärbter Rücken
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa7262077cd6299b88b6dbd928022f2ac19932c1a8478ed2a4a4680f0c205cbdc. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2jS3nrNNPtD1k1yQlFROSy.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2jS3nrNNPtD1k1yQlFROSy.
Johannes-Passion, BWV 245, Pt. 1: No. 7, Aria: Von den Stricken meiner Sünden
{"copyright_id":"0xc2aae1134af0702999384bd09c243b1380b35e5ecd34ac3a4b8cd96024870f9c","isrc":"NLB151200218","name":"Johannes-Passion, BWV 245, Pt. 1: No. 7, Aria: Von den Stricken meiner Sünden","registered_at":"2026-06-22T04:34:22Z","spotify_id":"2j1Li0VpsaPuAOIHjw5Obd","type":"track"}
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xc2aae1134af0702999384bd09c243b1380b35e5ecd34ac3a4b8cd96024870f9c. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2j1Li0VpsaPuAOIHjw5Obd.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2j1Li0VpsaPuAOIHjw5Obd.
Johannes-Passion, BWV 245, Pt. 2: No. 7, Recitative: Und die Kriegsknechte flochten - Chorus: Sei gegrüßet, lieber Judenkönig - Recitative: Und gaben ihm
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Johannes-Passion, BWV 245, Pt. 1: No. 8, Recitative: Simon Petrus aber folgete Jesu
Johannes-Passion, BWV 245, Pt. 2: No. 8, Chorale: Durch dein Gefängnis
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Johannes-Passion, BWV 245, Pt. 1: No. 9, Aria: Ich folge dir gleichfalls
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Johannes-Passion, BWV 245, Pt. 2: No. 9, Recitative: Die Jüden aber schrieen und sprachen - Chorus: Lässest du diesen los - Recitative: Da Pilatus das Wort hörete
Johannes-Passion, BWV 245, Pt. 1: No. 10, Recitative: Derselbige Jünger
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Johannes-Passion, BWV 245, Pt. 2: No. 10, Chorus & Aria: Eilt, ihr angefochtnen Seelen
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Johannes-Passion, BWV 245, Pt. 1: No. 11, Chorale: Wer hat dich so geschlagen
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Johannes-Passion, BWV 245, Pt. 2: No. 11, Recitative: Allda kreuzigten sie ihn - Chorus: Schreibe nicht: der Jüden König - Recitative: Pilatus antwortet
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Johannes-Passion, BWV 245, Pt. 1: No. 12, Recitative: Und Hannas sandte ihn - Chorus: Bist du nicht seiner Jünger einer? - Recitative: Er leugnete aber und sprach
Johannes-Passion, BWV 245, Pt. 2: No. 12, Chorale: In meines Herzens Grunde
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Johannes-Passion, BWV 245, Pt. 1: No. 13, Aria: Ach, mein Sinn
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Johannes-Passion, BWV 245, Pt. 2: No. 13, Recitative: Die Kriegsknechte aber - Chorus: Lasset uns den nicht zerteilen - Recitative: Auf dass erfüllet würde
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Johannes-Passion, BWV 245, Pt. 1: No. 14, Chorale: Petrus, der nicht denkt zurück
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Johannes-Passion, BWV 245, Pt. 2: No. 14, Chorale: Er nahm alles wohl in acht
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Johannes-Passion, BWV 245, Pt. 2: No. 15, Recitative: Und von Stund an
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Johannes-Passion, BWV 245, Pt. 2: No. 16, Aria: Es ist vollbracht
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Johannes-Passion, BWV 245, Pt. 2: No. 17, Recitative: Und neigte das Haupt
Johannes-Passion, BWV 245, Pt. 2: No. 18, Chorus & Aria: Mein teurer Heiland
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Johannes-Passion, BWV 245, Pt. 2: No. 19, Recitative: Und siehe da
Johannes-Passion, BWV 245, Pt. 2: No. 20, Aria: Mein Herz, in dem die ganze Welt
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Johannes-Passion, BWV 245, Pt. 2: No. 21, Aria: Zerfließe, mein Herze
Johannes-Passion, BWV 245, Pt. 2: No. 22, Recitative: Die Jüden aber
Johannes-Passion, BWV 245, Pt. 2: No. 23, Chorale: O hilf, Christe, Gottes Sohn
Johannes-Passion, BWV 245, Pt. 2: No. 24, Recitative: Darnach bat Pilatum
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Johannes-Passion, BWV 245, Pt. 2: No. 25, Chorus: Ruht wohl, ihr heiligen Gebeine
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Johannes-Passion, BWV 245, Pt. 2: No. 26, Chorale: Ach Herr, laß dein lieb Engelein
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Vespro della Beata Vergine, SV 206: I. Domine ad adjuvandum me
Vespro della Beata Vergine, SV 206: XI. Sonata sopra Sancta Maria
Vespro della Beata Vergine, SV 206: II. Dixit Dominus - Psalm 109
Vespro della Beata Vergine, SV 206: XII. Ave Maris Stella à 8
Vespro della Beata Vergine, SV 206: III. Nigra sum
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Magnificat
Vespro della Beata Vergine, SV 206: IV. Laudate Pueri à 8 - Psalm 112
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Et exultabit
Vespro della Beata Vergine, SV 206: V. Pulchra es
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Quia respexit
Vespro della Beata Vergine, SV 206: VI. Laetatus sum - Psalm 121
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Quia fecit
Vespro della Beata Vergine, SV 206: VII. Duo Seraphim
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Et misericordia à 6
Vespro della Beata Vergine, SV 206: VIII. Nisi Dominus à 10 - Psalm 126
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Fecit potentiam
Vespro della Beata Vergine, SV 206: IX. Audi Coelum à 6
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Deposuit
Vespro della Beata Vergine, SV 206: X. Lauda Jerusalem - Psalm 147
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Esurientes
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Suscepit Israel
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Sicut locutus
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Gloria Patri
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Sicut erat
Die Zauberflöte, K. 620, Act I: Overture
Die Zauberflöte, K. 620, Act I: No. 1, Introduction. "Zu Hilfe! Zu Hilfe!" (Tamino, Three Ladies)
Die Zauberflöte, K. 620, Act I: Dialogue. "Wo bin ich? Ist's Phantasie, dass ich noch lebe?" (Tamino)
Die Zauberflöte, K. 620, Act I: No. 2, Song. "Der Vogelfänger bin ich ja" (Papageno)
Die Zauberflöte, K. 620, Act I: Dialogue. "He da!" (Tamino, Papageno, Three Ladies)
Die Zauberflöte, K. 620, Act I: No. 3, Aria. "Dies Bildnis ist bezaubernd schön" (Tamino)
Die Zauberflöte, K. 620, Act I: Dialogue. "Rüste dich mit Mut und Standhaftigkeit" (Three Ladies, Tamino)
Die Zauberflöte, K. 620, Act I: No. 4, Recitative and Aria. "O zittre nicht, mein lieber Sohn!" (Queen of the Night)
Die Zauberflöte, K. 620, Act I: Dialogue. "Ist's denn auch Wirklichkeit was ich sah" (Tamino)
Die Zauberflöte, K. 620, Act I: No. 5, Quintet. "Hm, hm, hm, hm, hm!" (Papageno, Tamino, Three Ladies)
Die Zauberflöte, K. 620, Act I: Dialogue. "Ha, ha, ha!" (Slaves, Monostatos)
Die Zauberflöte, K. 620, Act I: No. 6, Trio. "Du feines Täubchen" (Monostatos, Pamina, Papageno)
Die Zauberflöte, K. 620, Act I: Dialogue. "Mutter - Mutter - Mutter!" (Pamina, Papageno)
Die Zauberflöte, K. 620, Act I: No. 7, Duet. "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
Die Zauberflöte, K. 620, Act I: No. 8, Finale. "Zum Ziele führt dich diese Bahn" (Three Boys, Tamino)
Die Zauberflöte, K. 620, Act I: Recitative. "Die Weisheitslehre dieser Knaben" (Tamino, First Priest)
Die Zauberflöte, K. 620, Act I: Andante. "Wie stark ist nicht dein Zauberton" (Tamino)
Die Zauberflöte, K. 620, Act I: Andante. "Schnelle Füße, rascher Mut" (Pamina, Papageno, Monostatos, Slaves)
Die Zauberflöte, K. 620, Act I: Chorus. "Es lebe Sarastro! Sarastro lebe!" (Chorus, Papageno, Pamina)
Die Zauberflöte, K. 620, Act I: Larghetto. "Herr, ich bin zwar Verbrecherin" (Pamina, Sarastro)
Die Zauberflöte, K. 620, Act I: Allegro. "Nun stolzer Jüngling, nur hierher!" (Monostatos, Pamina, Tamino, All, Sarastro)
Die Zauberflöte, K. 620, Act I: Chorus. "Wenn Tugend und Gerechtigkeit" (Chorus)
Die Zauberflöte, K. 620, Act II: No. 9, "March of the Priests" (Orchestra)
Die Zauberflöte, K. 620, Act II: Dialogue. "Ihr, in dem Weisheitstempel eingeweihten Diener" (Sarastro, Priests)
Die Zauberflöte, K. 620, Act II: No. 10, Aria and Chorus. "O Isis und Osiris" (Sarastro, Chorus)
Die Zauberflöte, K. 620, Act II: Dialogue. "Eine schreckliche Nacht!" (Tamino, Papageno, Second Priest)
Die Zauberflöte, K. 620, Act II: No. 11, Duet. "Bewahret euch vor Weibertücken" (Priests)
Die Zauberflöte, K. 620, Act II: Dialogue. "He, Lichter her! Lichter her!" (Papageno, Tamino)
Die Zauberflöte, K. 620, Act II: No. 12, Quintet. "Wie, wie, wie? Ihr an diesem Schreckensort?" (Three Ladies, Papageno, Tamino)
Die Zauberflöte, K. 620, Act II: Dialogue. "Heil dir, Jüngling!" (Speaker, Second Priest, Papageno, Monostatos)
Die Zauberflöte, K. 620, Act II: No. 13, Aria. "Alles fühlt der Liebe Freuden" (Monostatos)
Die Zauberflöte, K. 620, Act II: Dialogue. "Zurücke!" (Queen of the Night, Pamina, Monostatos)
Die Zauberflöte, K. 620, Act II: No. 14, Aria. "Der Hölle Rache kocht in meinem Herzen" (Queen of the Night)
Die Zauberflöte, K. 620, Act II: Dialogue. "Götter, das kann ich nicht!" (Pamina, Monostatos, Sarastro)
Die Zauberflöte, KV 620, Act II: No. 15, Aria. "In diesen heil'gen Hallen" (Sarastro)
Die Zauberflöte, K. 620, Act II: Dialogue. "Hier seid ihr euch beide allein überlassen" (Speaker, Second Priest, Papageno, Tamino, Old Woman)
Die Zauberflöte, K. 620, Act II: No. 16, Trio. "Seid uns zum zweiten Mal willkommen" (Three Boys)
Die Zauberflöte, K. 620, Act II: Dialogue. "Tamino, wollen wir nicht speisen?" (Papageno, Pamina, Tamino)
Die Zauberflöte, K. 620, Act II: No. 17, Aria. "Ach, ich fühl's, es ist verschwunden" (Pamina)
Die Zauberflöte, K. 620, Act II: Dialogue. "Nicht wahr, Tamino, ich kann auch schweigen" (Papageno)
Die Zauberflöte, K. 620, Act II: No. 18, Chorus. "O Isis und Osiris, welche Wonne!" (Chorus of Priests)
Die Zauberflöte, K. 620, Act II: Dialogue. "Prinz, dein Betragen war bis hierher männlich" (Sarastro, Pamina, Tamino)
Die Zauberflöte, K. 620, Act II: No. 19, Trio. "Soll ich dich, Teurer, nicht mehr seh'n?" (Pamina, Sarastro, Tamino)
Die Zauberflöte, K. 620, Act II: Dialogue. "Tamino! Willst du mich denn gänzlich verlassen?" (Papageno, Speaker)
Die Zauberflöte, K. 620, Act II: No. 20, Aria. "Ein Mädchen oder Weibchen" (Papageno)
Die Zauberflöte, K. 620, Act II: Dialogue. "Da bin ich schon, mein Engel!" (Old Woman, Papageno, Speaker)
Die Zauberflöte, K. 620, Act II: No. 21, Finale. "Bald prangt, den Morgen zu verkünden" (Three Boys, Pamina)
Die Zauberflöte, K. 620, Act II: Adagio. "Der, welcher wandert diese Straße" (Two Men in Armour, Tamino, Pamina)
Die Zauberflöte, K. 620, Act II: March-Adagio. "Wir wandelten durch Feuersgluten" (Pamina, Tamino)
Die Zauberflöte, K. 620, Act II: Chorus. "Triumph! Triumph! Du edles Paar!"
Don Giovanni, K. 527 (Excerpts): Overture [Live]
Don Giovanni, K. 527 (Excerpts): Guarda un po' come seppe [Live]
Don Giovanni, K. 527 (Excerpts): Notte e giorno faticar [Live]
Don Giovanni, K. 527 (Excerpts): Presto, presto, pria ch'ei venga [Live]
Don Giovanni, K. 527 (Excerpts): Leporello, ove sei? [Live]
Don Giovanni, K. 527 (Excerpts): Protegga il giusto cielo [Live]
Don Giovanni, K. 527 (Excerpts): Ma qual mai s'offre, o Dei [Live]
Don Giovanni, K. 527 (Excerpts): Riposate, vezzose ragazze [Live]
Don Giovanni, K. 527 (Excerpts): Fuggi, crudele, fuggi! [Live]
Don Giovanni, K. 527 (Excerpts): Venite pur avanti [Live]
Don Giovanni, K. 527 (Excerpts): Orsù, spicciati presto [Live]
Don Giovanni, K. 527 (Excerpts): Eh via, buffone, non mi seccar! [Live]
Don Giovanni, K. 527 (Excerpts): Ah, chi mi dice mai [Live]
Don Giovanni, K. 527 (Excerpts): Leporello! [Live]
Don Giovanni, K. 527 (Excerpts): Chi è lá? [Live]
Don Giovanni, K. 527 (Excerpts): Ah taci, ingiusto core! [Live]
Don Giovanni, K. 527 (Excerpts): Madamina, il catalogo è questo [Live]
Don Giovanni, K. 527 (Excerpts): Amore, che ti par? [Live]
Don Giovanni, K. 527 (Excerpts): In questa forma dunque [Live]
Don Giovanni, K. 527 (Excerpts): Deh, vieni alla finestra [Live]
Don Giovanni, K. 527 (Excerpts): Giovinette che fate all'amore [Live]
Don Giovanni, K. 527 (Excerpts): V'è gente alla finestra [Live]
Don Giovanni, K. 527 (Excerpts): Manco male, è partita [Live]
Don Giovanni, K. 527 (Excerpts): Metà di voi qua vadano [Live]
Don Giovanni, K. 527 (Excerpts): Ho capito, signor si! [Live]
Don Giovanni, K. 527 (Excerpts): Zitto, lascia ch'io senta! [Live]
Don Giovanni, K. 527 (Excerpts): Alfin siam liberati [Live]
Don Giovanni, K. 527 (Excerpts): Ahi! Ahi! La testa mia! [Live]
Don Giovanni, K. 527 (Excerpts): Là ci darem la mano [Live]
Don Giovanni, K. 527 (Excerpts): Vedrai, carino [Live]
Don Giovanni, K. 527 (Excerpts): Fermati, scellerato! [Live]
Don Giovanni, K. 527 (Excerpts): Di molte faci il lume [Live]
Don Giovanni, K. 527 (Excerpts): Ah, fuggi il traditor! [Live]
Don Giovanni, K. 527 (Excerpts): Sola, sola in buio loco [Live]
Don Giovanni, K. 527 (Excerpts): Mi par ch'oggi il demonio si diverta [Live]
Don Giovanni, K. 527 (Excerpts): Mille torbidi pensieri [Live]
Don Giovanni, K. 527 (Excerpts): Non ti fidar, o misera [Live]
Don Giovanni, K. 527 (Excerpts): Dunque quello sei tu [Live]
Don Giovanni, K. 527 (Excerpts): Povera sventurata! [Live]
Don Giovanni, K. 527 (Excerpts): Ah, pietà, signori miei! [Live]
Don Giovanni, K. 527 (Excerpts): Don Ottavio, son morta! [Live]
Don Giovanni, K. 527 (Excerpts): Ferma, perfido, ferma! [Live]
Don Giovanni, K. 527 (Excerpts): Or sai chi l'onore [Live]
Don Giovanni, K. 527 (Excerpts): Il mio tesoro intanto [Live]
Don Giovanni, K. 527 (Excerpts): Come mai creder deggio [Live]
Don Giovanni, K. 527 (Excerpts): Ah, ah, ah, questa è buona [Live]
Don Giovanni, K. 527 (Excerpts): Io deggio ad ogni patto [Live]
Don Giovanni, K. 527 (Excerpts): Finch'han dal vino [Live]
Don Giovanni, K. 527 (Excerpts): Masetto, senti un po' [Live]
Don Giovanni, K. 527 (Excerpts): Batti, batti, o bel Masetto [Live]
Così fan tutte, K. 588: Ouverture (Live)
Così fan tutte, K. 588:, Act I Scene 14: Ah, che tutta in un momento (Live)
Così fan tutte, K. 588:, Act II Scene 8: Amico, abbiamo vinto! (Live)
Così fan tutte, K. 588:, Act I Scene 1: La mia Dorbella capace non è (Live)
Così fan tutte, K. 588:, Act I Scene 15: Si mora, sì, si mora (Live)
Così fan tutte, K. 588:, Act II Scene 8: Donne mia, la fate a tanti, a ianti (Live)
Così fan tutte, K. 588:, Act I Scene 1: E la fede delle femmine (Live)
Così fan tutte, K. 588:, Act I Scene 16: Eccovil il medico, signore belle (Live)
Così fan tutte, K. 588:, Act II Scene 9: In qual fiero contrasto (Live)
Così fan tutte, K. 588:, Act I Scene 1: Una bella serenata (Live)
Così fan tutte, K. 588:, Act I Scene 16: Dammi un bacio, o mio tesoro (Live)
Così fan tutte, K. 588:, Act II Scene 10: E amor un ladroncello (Live)
Così fan tutte, K. 588:, Act I Scene 2: Ah guarda, sorella (Live)
Così fan tutte, K. 588:, Act II Scene 1: Andante là, che siete due (Live)
Così fan tutte, K. 588:, Act II Scene 12: Fra gli amplessi in pochi istanti (Live)
Così fan tutte, K. 588:, Act I Scene 3: Vorrei dir, e cor non ho (Live)
Così fan tutte, K. 588:, Act II Scene 1: Una donna a quindici anni (Live)
Così fan tutte, K. 588:, Act II Scene 13: Tutti accusan le donne (Live)
Così fan tutte, K. 588:, Act I Scene 4: Sento, o Dio, che questo piede (Live)
Così fan tutte, K. 588:, Act II Scene 2: Prenderò quel brunettino (Live)
Così fan tutte, K. 588:, Act II Scene 15: Fate presto, o cari amici (Live)
Così fan tutte, K. 588:, Act I Scene 4: Al fatto dan legge (Live)
Così fan tutte, K. 588:, Act II Scene 4: Secondate, aurette amiche (Live)
Così fan tutte, K. 588:, Act II Scene 16: Benedetti i doppi coniugi (Live)
Così fan tutte, K. 588:, Act I Scene 5: Bella vita mitlitar (Live)
Così fan tutte, K. 588:, Act II Scene 4: La mano a me date (Live)
Così fan tutte, K. 588:, Act II Scene 16: E nel tuo, nel mio bicchero (Live)
Così fan tutte, K. 588:, Act I Scene 5: Di scrivermi ogni giorno (Live)
Così fan tutte, K. 588:, Act II Scene 5: Il coro vi dono (Live)
Così fan tutte, K. 588:, Act II Scene 17: Miei signori, tutto è fatto (Live)
Così fan tutte, K. 588:, Act I Scene 6: Soave sia il vento (Live)
Così fan tutte, K. 588:, Act II Scene 6: Barbara! Perché fuggi! (Live)
Così fan tutte, K. 588:, Act II Scene 18: Sani e salvi agli amplessi amorosi (Live)
Così fan tutte, K. 588:, Act I Scene 9: Ah! Scostati! Paventa oltristo (Live)
Così fan tutte, K. 588:, Act II Scene 7: Ei parte, senti, ah no! (Live)
Così fan tutte, K. 588:, Act I Scene 9: In uomini, in soldati sperare (Live)
Così fan tutte, K. 588:, Act I Scene 11: Alla bella Despinetta (Live)
Così fan tutte, K. 588:, Act I Scene 11: Temerari! Sortite fuori (Live)
Così fan tutte, K. 588:, Act I Scene 11: Non siate ritorsi! (Live)
Così fan tutte, K. 588:, Act I Scene 12: E voi ridete? (Live)
Così fan tutte, K. 588:, Act I Scene 12: Un'aura amorosa del nostro tresoro (Live)
Harpsichord Concerto No. 4 in A Major, BWV 1055: I. Allegro
Harpsichord Concerto No. 4 in A Major, BWV 1055: II. Larghetto
Harpsichord Concerto No. 4 in A Major, BWV 1055: III. Allegro ma non tanto
Harpsichord Concerto No. 2 in E Major, BWV 1053: I. Allegro
Harpsichord Concerto No. 2 in E Major, BWV 1053: II. Siciliano
Harpsichord Concerto No. 2 in E Major, BWV 1053: III. Allegro
Violin Concerto No. 1 in A Minor, BWV 1041: I. Allegro moderato
Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante
Violin Concerto No. 1 in A Minor, BWV 1041: III. Allegro assai
Concerto for 2 Harpsichords in C Minor, BWV 1062: I. —
Concerto for 2 Harpsichords in C Minor, BWV 1062: II. Andante e piano
Concerto for 2 Harpsichords in C Minor, BWV 1062: III. Allegro assai
Alles nur nach Gottes Willen, BWV 72: No. 1, Alles nur nach Gottes Willen
Alles nur nach Gottes Willen, BWV 72: No. 2, O selger Christ, der allzeit seinen Willen
Alles nur nach Gottes Willen, BWV 72: No. 3, Mit allem, was ich hab und bin
Alles nur nach Gottes Willen, BWV 72: No. 4, So glaube nun!
Alles nur nach Gottes Willen, BWV 72: No. 5, Mein Jesus will es tun, er will dein Kreuz versüßen
Alles nur nach Gottes Willen, BWV 72: No. 6, Was mein Gott will, das g'scheh allzeit
Ich steh mit einem Fuß im Grabe, BWV 156: No. 1, Sinfonia
Ich steh mit einem Fuß im Grabe, BWV 156: No. 2, Ich steh mit einem Fuß im Grabe
Ich steh mit einem Fuß im Grabe, BWV 156: No. 3, Mein Angst und Not
Ich steh mit einem Fuß im Grabe, BWV 156: No. 4, Herr, was du willt, soll mir gefallen
Ich steh mit einem Fuß im Grabe, BWV 156: No. 5, Und willst du, dass ich nicht soll kranken
Ich steh mit einem Fuß im Grabe, BWV 156: No. 6, Herr, wie du willt, so schicks mit mir
Ich hab in Gottes Herz und Sinn, BWV 92: No. 1, Ich hab in Gottes Herz und Sinn
Ich hab in Gottes Herz und Sinn, BWV 92: No. 2, Es kann mir fehlen nimmermehr!
Ich hab in Gottes Herz und Sinn, BWV 92: No. 3, Seht, seht! Wie reißt, wie bricht, wie fällt
Ich hab in Gottes Herz und Sinn, BWV 92: No. 4, Zudem ist Weisheit und Verstand
Ich hab in Gottes Herz und Sinn, BWV 92: No. 5, Wir wollen nun nicht länger zagen
Ich hab in Gottes Herz und Sinn, BWV 92: No. 6, Das Brausen von den rauhen Winden
Ich hab in Gottes Herz und Sinn, BWV 92: No. 7, Ei nun, mein Gott, so fall ich
Ich hab in Gottes Herz und Sinn, BWV 92: No. 8, Meinem Hirten belieb ich treu
Ich hab in Gottes Herz und Sinn, BWV 92: No. 9, Soll ich denn auch des Todes Weg
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xbdf07b2b8f3831cab2f306ba33429afbe5b11a5a2fefd659bac76a09f35fa02c. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0teBd7J6hJX0cjk7LyrwvJ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0teBd7J6hJX0cjk7LyrwvJ.
Ein Kindelein so löbelich, TWV 9:5: I. Kyrie
Ein Kindelein so löbelich, TWV 9:5: III. Gloria
Ich freue mich in dir, BWV 133: I. Ich freue mich in dir
Ich freue mich in dir, BWV 133: II. Getrost! Es faßt ein heil'ger Leib
Ich freue mich in dir, BWV 133: III. Ein Adam mag sich voller Schrecken
Ich freue mich in dir, BWV 133: IV. Wie lieblich klingt es in den Ohren
Ich freue mich in dir, BWV 133: V. Wohlan, des Todes Furcht und Schmerz
Ich freue mich in dir, BWV 133: VI. Wohlan, so will ich mich
O Jesu Christ, dein Kripplein, TWV 1:1200: I. O Jesu Christ, dein Kripplein ist
O Jesu Christ, dein Kripplein, TWV 1:1200: II. Neugebornes Menschenkind
O Jesu Christ, dein Kripplein, TWV 1:1200: III. O Kind, vor dem das Höllenreich erschrickt
O Jesu Christ, dein Kripplein, TWV 1:1200: IV. Wenn mich Welt und Satan schrecken
O Jesu Christ, dein Kripplein, TWV 1:1200: V. Die ihr schwebt in grossem Leiden
Mozart: Piano Concertos K. 413, K. 414 & K. 415
Piano Concerto No. 11 in F Major, K. 413/387a: Allegro
Piano Concerto No. 11 in F Major, K. 413/387a: Larghetto
Piano Concerto No. 11 in F Major, K. 413/387a: Tempo di Minuetto
Piano Concerto No. 13 in C Major, K. 415/387b: Allegro
Piano Concerto No. 13 in C Major, K. 415/387b: Andante
Piano Concerto No. 13 in C Major, K. 415/387b: Rondeau. Allegro
Piano Concerto No. 12 in A Major, K. 414/385p: Allegro
Piano Concerto No. 12 in A Major, K. 414/385p: Andante
Piano Concerto No. 12 in A Major, K. 414/385p: Rondeau. Allegretto
Psalmen Davids, Op. 2: No. 4, Aus der Tiefe, SWV 25 (Psalm 130)
Symphoniarum sacrarum II, Op. 10: No. 13, Was betrübst du dich, meine Seele?, SWV 353
Geistliche Chormusik, Op. 11: No. 23, Selig sind die Toten, SWV 391
Symphoniarum sacrarum II, Op. 10: No. 20, Zweierlei bitte ich, SWV 360
Musicalische Exequien, Op. 7: No. 1, Concert in Form einer teutschen Begräbnis-Messe, SWV 279
Musicalische Exequien, Op. 7: No. 2, Motet, SWV 280 "Herr, wenn ich nur dich habe"
Musicalische Exequien, Op. 7: No. 3, Canticum B. Simeonis, SWV 281 "Herr nun lässest du deinen Diener in Friede fahren"
Suite in A Minor, TWV 55:A2: I. Ouverture
Suite in A Minor, TWV 55:A2: II. Les plaisirs
Suite in A Minor, TWV 55:A2: III. Air à l'Italien
Suite in A Minor, TWV 55:A2: IV. Menuets I & II
Suite in A Minor, TWV 55:A2: V. Réjouissance
Suite in A Minor, TWV 55:A2: VI. Passepieds I & II
Suite in A Minor, TWV 55:A2: VII. Polonaise
Quartet in G Major, TWV 43:G6: I. Allegro
Quartet in G Major, TWV 43:G6: II. Grave
Quartet in G Major, TWV 43:G6: III. Allegro
Suite in D Major, TWV 55:D6: I. Ouverture
Suite in D Major, TWV 55:D6: II. La trompette
Suite in D Major, TWV 55:D6: III. Sarabande
Suite in D Major, TWV 55:D6: IV. Rondeau
Suite in D Major, TWV 55:D6: VI. Courante - Double
Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:A1: I. Grave
Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:A1: II. Allegro
Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:A1: III. Dolce
Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:A1: IV. Allegro
La Petite Bande (Sigiswald Kujiken, 70th Anniversary Edition)
Orfeo ed Euridice, Act III: Aria. Che farò senza Euridice?
Così fan tutte, K. 588, Act I: Aria. Un'aura amorosa
Don Giovanni, K. 527, Act II: Deh vieni alla finestra
The Marriage of Figaro, K. 492, Act III: Canzonetta sull aria… Che soave zeffiretto - Non so più cosa son, cosa faccio
The Marriage of Figaro, K. 492, Act III: Canzonetta sull aria… Che soave zeffiretto - Gente! Gente!, all'armi, all'armi
Die Schöpfung, Hob. XXI:2, Pt. II: Zu dir, o Herr, blickt alles auf (The Creation)
Die Schöpfung, Hob. XXI:2, Pt. II: Vollendet ist das große Werk (The Creation)
Requiem in D Minor, K. 626: Introitus. Requiem aeternam
Requiem in D Minor, K. 626: Kyrie eleison
Requiem in D Minor, K. 626: Sequence. Dies Irae
Daphnis et Eglé: Premier et deuxieme tambourin
The 4 Seasons, Violin Concerto in E Major, Op. 8, No. 1, RV 269, "La primavera": I. Allegro
The 4 Seasons, Violin Concerto in E Major, Op. 8, No. 1, RV 269, "La primavera": II. Largo e pianissimo sempre
The 4 Seasons, Violin Concerto in E Major, Op. 8, No. 1, RV 269, "La primavera": III. Danza pastorale. Allegro
Nun komm, der Heiden Heiland, BWV 61: Overture - Nun komm, der Heiden Heiland (Soprano, Alto, Tenor, Bass)
Nun komm, der Heiden Heiland, BWV 61: Recitative. Der Heiland ist gekommen (Tenor)
Nun komm, der Heiden Heiland, BWV 61: Aria. Komm, Jesu, komm zu deiner Kirche (Tenor)
Nun komm, der Heiden Heiland, BWV 61: Recitative. Siehe, ich stehe vor der Tür (Bass)
Nun komm, der Heiden Heiland, BWV 61: Aria. Öffne dich, mein ganzes Herze (Soprano)
Nun komm, der Heiden Heiland, BWV 61: Amen, Amen (Soprano, Alto, Tenor, Bass)
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. —. II. Adagio
Bach: Cantatas, Vol. 18, BWV 9, 70 & 182
Wachet! Betet! Betet! Wachet!, BWV 70: Wachet! Betet! Betet! Wachet! (Chorus)
Wachet! Betet! Betet! Wachet!, BWV 70: Recitative. Erschrecket, ihr verstocken (Bass)
Wachet! Betet! Betet! Wachet!, BWV 70: Aria. Wenn kommt der Tag, an dem wir (Alto)
Wachet! Betet! Betet! Wachet!, BWV 70: Recitative. Auch bei dem himmlischen (Tenor)
Wachet! Betet! Betet! Wachet!, BWV 70: Aria. Lasst der Spötter Zungen (Soprano)
Wachet! Betet! Betet! Wachet!, BWV 70: Recitative. Jedoch bei dem unartigen (Tenor)
Wachet! Betet! Betet! Wachet!, BWV 70: Chorale. Freu dich sehr, o meine Seele (Chorus)
Wachet! Betet! Betet! Wachet!, BWV 70: Aria. Hebt euer Haupt empor (Tenor)
Wachet! Betet! Betet! Wachet!, BWV 70: Recitative. Ach, soll nicht dieser (Bass)
Wachet! Betet! Betet! Wachet!, BWV 70: Aria. Seligster Erquickungstag (Bass)
Wachet! Betet! Betet! Wachet!, BWV 70: Chorale. Nicht nach Welt, nach Himmel nicht (Chorus)
Es ist das Heil uns kommen her, BWV 9: Es ist das Heil uns kommen her (Chorus)
Es ist das Heil uns kommen her, BWV 9: Recitative. Gott gab uns ein Gesetz (Bass)
Es ist das Heil uns kommen her, BWV 9: Aria. Wir waren schon zu tief (Tenor)
Es ist das Heil uns kommen her, BWV 9: Recitative. Doch musste das Gesetz (Bass)
Es ist das Heil uns kommen her, BWV 9: Duet. Herr, du siehst statt (Soprano, Alto)
Es ist das Heil uns kommen her, BWV 9: Recitative. Wenn wir die Sünd (Bass)
Es ist das Heil uns kommen her, BWV 9: Chorale. Ob sich's anließ, als wollt er nicht (Chorus)
Himmelskönig, sei willkommen, BWV 182: Sonata
Himmelskönig, sei willkommen, BWV 182: Himmelskönig, sei willkommen (Chorus)
Himmelskönig, sei willkommen, BWV 182: Recitative. Siehe, ich komme (Bass)
Himmelskönig, sei willkommen, BWV 182: Aria. Starkes Lieben (Bass)
Himmelskönig, sei willkommen, BWV 182: Aria. Leget euch dem Heiland unter (Alto)
Himmelskönig, sei willkommen, BWV 182: Aria. Jesu, lass durch Wohl und Weh (Tenor)
Himmelskönig, sei willkommen, BWV 182: Chorale. Jesu, deine Passion (Chorus)
Himmelskönig, sei willkommen, BWV 182: So lasset uns gehen in Salem (Chorus)
Overture No. 1 in C Major, BWV 1066: I. Overture (Suite)
Overture No. 1 in C Major, BWV 1066: II. Courante (Suite)
Overture No. 1 in C Major, BWV 1066: III. Gavotte I-II (Suite)
Overture No. 1 in C Major, BWV 1066: IV. Forlane (Suite)
Overture No. 1 in C Major, BWV 1066: V. Menuet I-II (Suite)
Overture No. 1 in C Major, BWV 1066: VI. Bourrée I-II (Suite)
Overture No. 1 in C Major, BWV 1066: VII. Passepied I-II (Suite)
Overture No. 3 in D Major, BWV 1068: I. Ouverture (Suite)
Overture No. 3 in D Major, BWV 1068: II. Air, "Air on a G String" (Suite)
Overture No. 3 in D Major, BWV 1068: III. Gavotte I-II (Suite)
Overture No. 3 in D Major, BWV 1068: IV. Bourrée - (Suite)
Overture No. 3 in D Major, BWV 1068: V. Gigue (Suite)
Overture No. 2 in B Minor, BWV 1067: I. Ouverture (Suite)
Overture No. 2 in B Minor, BWV 1067: II. Rondeau (Suite)
Overture No. 2 in B Minor, BWV 1067: III. Sarabande (Suite)
Overture No. 2 in B Minor, BWV 1067: IV. Bourrée I-II (Suite)
Overture No. 2 in B Minor, BWV 1067: V. Polonaise - Double (Suite)
Overture No. 2 in B Minor, BWV 1067: VI. Menuet (Suite)
Overture No. 2 in B Minor, BWV 1067: VII. Badinerie (Suite)
Overture No. 4 in D Major, BWV 1069: I. Overture (Suite)
Overture No. 4 in D Major, BWV 1069: II. Bourrée I-II (Suite)
Overture No. 4 in D Major, BWV 1069: III. Gavotte (Suite)
Overture No. 4 in D Major, BWV 1069: IV. Menuet I-II (Suite)
Overture No. 4 in D Major, BWV 1069: V. Réjouissance (Suite)
Gelobet seist du, Jesu Christ, BWV 91: No. 1, Gelobet seist du, Jesu Christ
Gelobet seist du, Jesu Christ, BWV 91: No. 2, Der Glanz der höchsten Herrlichkeit
Gelobet seist du, Jesu Christ, BWV 91: No. 3, Gott, dem der Erden Kreis zu klein
Gelobet seist du, Jesu Christ, BWV 91: No. 4, O Christenheit!
Gelobet seist du, Jesu Christ, BWV 91: No. 5, Die Armut, so Gott auf sich nimmt
Gelobet seist du, Jesu Christ, BWV 91: No. 6, Das hat er alles uns getan
Selig ist der Mann, BWV 57: No. 1, Selig ist der Mann
Selig ist der Mann, BWV 57: No. 2, Ach! dieser süße Trost
Selig ist der Mann, BWV 57: No. 3, Ich wünschte mir den Tod, den Tod
Selig ist der Mann, BWV 57: No. 4, Ich reiche dir die Hand
Selig ist der Mann, BWV 57: No. 5, Ja, ja, ich kann die Feinde schlagen
Selig ist der Mann, BWV 57: No. 6, In meiner Schoß liegt Ruh und Leben
Selig ist der Mann, BWV 57: No. 7, Ich ende - Behende - Mein irdisches Leben
Selig ist der Mann, BWV 57: No. 8, Richte dich, Liebste, nach meinem Gefallen
Süßer Trost, mein Jesus kömmt, BWV 151: No. 1, Süßer Trost, mein Jesus kömmt
Süßer Trost, mein Jesus kömmt, BWV 151: No. 2, Erfreue dich, mein Herz
Süßer Trost, mein Jesus kömmt, BWV 151: No. 3, In Jesu Demut kann ich Trost
Süßer Trost, mein Jesus kömmt, BWV 151: No. 4, Du teurer Gottessohn
Süßer Trost, mein Jesus kömmt, BWV 151: No. 5, Heut schleußt er wieder auf die Tür
Das neugeborne Kindelein, BWV 122: No. 1, Das neugeborne Kindelein
Das neugeborne Kindelein, BWV 122: No. 2, O Menschen, die ihr täglich sündigt
Das neugeborne Kindelein, BWV 122: No. 3, Die Engel, welche sich zuvor
Das neugeborne Kindelein, BWV 122: No. 4, Ist Gott versöhnt und unser Freund
Das neugeborne Kindelein, BWV 122: No. 5, Dies ist ein Tag, den selbst der Herr gemacht
Das neugeborne Kindelein, BWV 122: No. 6, Es bringt das rechte Jubeljahr
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. (Allegro)
Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro
Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio - III. Allegro
Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante
Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro
Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto
Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. —
Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto
Brandenburg Concerto No. 1 in F Major, BWV 1046: I. (Allegro)
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro
Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio
Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (Allegro)
Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro
Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante
Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II
Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai
Halt im Gedächtnis Jesum Christ, BWV 67: Halt im Gedachtnis Jesum Christ (Chorus)
Halt im Gedächtnis Jesum Christ, BWV 67: Aria. Mein Jesus ist erstanden (Tenor)
Halt im Gedächtnis Jesum Christ, BWV 67: Recitative. Mein Jesu, heissest du (Alto)
Halt im Gedächtnis Jesum Christ, BWV 67: Chorale. Erschienen ist der herrlich Tag
Halt im Gedächtnis Jesum Christ, BWV 67: Recitative. Doch scheinet fast (Alto)
Halt im Gedächtnis Jesum Christ, BWV 67: Aria. Friede sei mit euch! (Chorus)
Halt im Gedächtnis Jesum Christ, BWV 67: Chorale. Du Friedefurst, Herr Jesu Christ
Ich bin ein guter Hirt, BWV 85: Aria. Ich bin ein guter Hirt (Bass)
Ich bin ein guter Hirt, BWV 85: Aria. Jesus ist ein guter Hirt (Alto)
Ich bin ein guter Hirt, BWV 85: Chorale. Der Herr ist mein getreuer Hirt (Soprano)
Ich bin ein guter Hirt, BWV 85: Recitative. Wenn die Mietlinge schlafen (Tenor)
Ich bin ein guter Hirt, BWV 85: Aria. Seht, was die Liebe tut (Tenor)
Ich bin ein guter Hirt, BWV 85: Chorale. Ist Gott mein Schutz und treuer Hirt (Chorus)
Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia
Weinen, Klagen, Sorgen, Zagen, BWV 12: Recitative. Wir mussen durch viel Trubsal (Alto)
Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria. Kreuz und Krone sind verbunden (Alto)
Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria. Ich folge Christo nach (Bass)
Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria. Sei getreu (Tenor)
Weinen, Klagen, Sorgen, Zagen, BWV 12: Chorale. Was Gott tut
Matthäus-Passion BWV 244: Chori: Kommt, ihr Töchter, helft mir klagen
Matthäus-Passion BWV 244: Aria (Alto, Chorus II): Ach! nun ist mein Jesus hin!
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus): Da Jesus diese Rede vollendet hatte
Matthäus-Passion BWV 244: Recitativo (Evangelista): Die aber Jesum gegriffen hatten
Matthäus-Passion BWV 244: Choral: Herzliebster Jesu, was hast du verbrochen
Matthäus-Passion BWV 244: Choral: Mir hat die Welt trüglich gericht’
Matthäus-Passion BWV 244: Recitativo (Evangelista): Da versammleten sich die Hohenpriester
Matthäus-Passion BWV 244: Recitativo (Evangelista, Pontifex): Und wiewohl viel falsche Zeugen
Matthäus-Passion BWV 244: Recitativo (Alto): Du lieber Heiland du
Matthäus-Passion BWV 244: Recitativo (Tenore): Mein Jesus schweigt
Matthäus-Passion BWV 244: Aria (Alto): Buß und Reu
Matthäus-Passion BWV 244: Aria (Tenore): Geduld!
Matthäus-Passion BWV 244: Recitativo (Evangelista, Judas): Da ging hin der Zwölfen einer
Matthäus-Passion BWV 244: Recitativo (Evangelista, Pontifex, Jesus): Und der Hohepriester antwortete
Matthäus-Passion BWV 244: Aria (Soprano): Blute nur, du liebes Herz!
Matthäus-Passion BWV 244: Choral: Wer hat dich so geschlagen
Matthäus-Passion BWV 244: Recitativo (Evangelista): Aber am ersten Tage der süßen Brot
Matthäus-Passion BWV 244: Recitativo (Evangelista, Ancilla I, II, Petrus): Petrus aber saß draußen im Palast
Matthäus-Passion BWV 244: Choral: Ich bin’s, ich sollte büßen
Matthäus-Passion BWV 244: Aria (Alto): Erbarme dich
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus): Er antwortete und sprach
Matthäus-Passion BWV 244: Choral: Bin ich gleich von dir gewichen
Matthäus-Passion BWV 244: Recitativo (Soprano): Wiewohl mein Herz in Tränen schwimmt
Matthäus-Passion BWV 244: Recitativo (Evangelista, Judas): Des Morgens aber hielten
Matthäus-Passion BWV 244: Aria (Soprano): Ich will dir mein Herze schenken
Matthäus-Passion BWV 244: Aria (Basso): Gebt mir meinen Jesum wieder!
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus): Und da sie den Lobgesang
Matthäus-Passion BWV 244: Recitativo (Evangelista, Pilatus, Jesus): Sie hielten aber einen Rat
Matthäus-Passion BWV 244: Choral: Erkenne mich, mein Hüter
Matthäus-Passion BWV 244: Choral: Befiehl du deine Wege
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus, Petrus): Petrus aber antwortete
Matthäus-Passion BWV 244: Recitativo (Evangelista, Pilatus, Uxor Pilati, Chorus): Auf das Fest aber
Matthäus-Passion BWV 244: Choral: Ich will hier bei dir stehen
Matthäus-Passion BWV 244: Choral: Wie wunderbarlich ist doch diese Strafe!
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus): Da kam Jesus mit ihnen zu einem Hofe
Matthäus-Passion BWV 244: Recitativo (Evangelista, Pilatus): Der Landpfleger sagte
Matthäus-Passion BWV 244: Recitativo (Tenore): O Schmerz!; Choral (Chorus II): Was ist die Ursach
Matthäus-Passion BWV 244: Recitativo (Soprano): Er hat uns allen wohlgetan
Matthäus-Passion BWV 244: Aria (Tenore, Chorus II): Ich will bei meinem Jesu wachen
Matthäus-Passion BWV 244: Aria (Soprano): Aus Liebe
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus): Und ging hin ein wenig
Matthäus-Passion BWV 244: Recitativo (Evangelista): Sie schrieen aber noch mehr
Matthäus-Passion BWV 244: Recitativo (Basso): Der Heiland fällt vor seinem Vater nieder
Matthäus-Passion BWV 244: Aria (Basso): Gerne will ich mich bequemen
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus): Und er kam zu seinen Jüngern
Matthäus-Passion BWV 244: Choral: Was mein Gott will, das g’scheh allzeit
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus, Judas): Und er kam und fand sie aber schlafend
Matthäus-Passion BWV 244: Aria (Soprano, Alto - Chorus II): So ist mein Jesus nun gefangen
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus): Und siehe, einer aus denen
Matthäus-Passion BWV 244: Choral: O Mensch, bewein dein Sünde groß
Wolfgang Amadeus Mozart: Sinfonia Concertante & Violin Concerto
Sinfonia Concertante in E-Flat Major, K. 364: I. Allegro maestoso
Sinfonia Concertante in E-Flat Major, K. 364: II. Andante
Sinfonia Concertante in E-Flat Major, K. 364: III. Presto
Concerto for Violin & Orchestra in G Major, K. 216: I. Allegro
Concerto for Violin & Orchestra in G Major, K. 216: II. Adagio
Concerto for Violin & Orchestra in G Major, K. 216: III. Rondeau : Allegro
h-Moll-Messe, BWV 232: Ia. Kyrie, Kyrie eleison
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H-Moll-Messe, BWV 232: IIIa. Symbolum Nicenum, Credo in unum Deum
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h-Moll-Messe, BWV 232: Ib. Kyrie, Christe eleison
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H-Moll-Messe, BWV 232: IIIb. Symbolum Nicenum, Patrem omnipotentem
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h-Moll-Messe, BWV 232: Ic. Kyrie, Kyrie eleison
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H-Moll-Messe, BWV 232: IIIc. Symbolum Nicenum, Et in unum Dominum
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h-Moll-Messe, BWV 232: IIa. Gloria, Gloria in excelsis
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H-Moll-Messe, BWV 232: IIId. Symbolum Nicenum, Et incarnatus est
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h-Moll-Messe, BWV 232: IIb. Gloria, Et in terra pax
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H-Moll-Messe, BWV 232: IIIe. Symbolum Nicenum, Crucifixus
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h-Moll-Messe, BWV 232: IIc. Gloria, Laudamus te
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H-Moll-Messe, BWV 232: IIIf. Symbolum Nicenum, Et resurrexit
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h-Moll-Messe, BWV 232: IId. Gloria, Gratias agimus tibi
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H-Moll-Messe, BWV 232: IIIg. Symbolum Nicenum, Et in Spiritum Sanctum Dominum
h-Moll-Messe, BWV 232: IIe. Gloria, Domine Deus
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H-Moll-Messe, BWV 232: IIIh. Symbolum Nicenum, Confiteor
h-Moll-Messe, BWV 232: IIf. Gloria, Qui tollis peccata mundi
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H-Moll-Messe, BWV 232: IIIi. Symbolum Nicenum, Et expecto
h-Moll-Messe, BWV 232: IIg. Gloria, Qui sedes ad dexteram Patris
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H-Moll-Messe, BWV 232: IVa. Sanctus, Osanna, Benedictus, Agnus Dei, Sanctus
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h-Moll-Messe, BWV 232: IIh. Gloria, Quoniam tu solus sanctus
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H-Moll-Messe, BWV 232: IVb. Sanctus, Osanna, Benedictus, Agnus Dei, Osanna in excelsis
H-Moll-Messe, BWV 232: IVc. Sanctus, Osanna, Benedictus, Agnus Dei, Benedictus
h-Moll-Messe, BWV 232: IIi. Gloria, Cum Sancto Spiritu
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H-Moll-Messe, BWV 232: IVd. Sanctus, Osanna, Benedictus, Agnus Dei, Osanna in excelsis
H-Moll-Messe, BWV 232: IVe. Sanctus, Osanna, Benedictus, Agnus Dei, Agnus Dei
H-Moll-Messe, BWV 232: IVf. Sanctus, Osanna, Benedictus, Agnus Dei, Dona nobis pacem
Wolfgang Amadeus Mozart: Concerto in A Major - Concerto in D Major
Concerto for Violin & Orchestra in A Major, K.219: I. Allegro aperto
Concerto for Violin & Orchestra in A Major, K.219: II. Adagio
Concerto for Violin & Orchestra in A Major, K.219: III. Rondeau; Tempo di Menuetto
Concerto for Violin & Orchestra in D Major, K.218: I. Allegro
Concerto for Violin & Orchestra in D Major, K.218: II. Andante cantabile
Concerto for Violin & Orchestra in D Major, K.218: III. Allegro ma non troppo
Fürchte dich nicht, ich bin bei dir, BWV 228
Der Geist hilft unsrer Schwachheit auf, BWV 226
Singet dem Herrn ein neues Lied, BWV 225
Mozart, W.A.: Cassations - K. 63, 99 / March in D Major / Divertimento in D Major
Cassation in G Major, K. 63: II. Allegro
Cassation in G Major, K. 63: III. Andante
Cassation in G Major, K. 63: IV. Menuet - Trio
Cassation in G Major, K. 63: VI. Menuet. Trio
Cassation in G Major, K. 63: VII. Finale. Allegro assai
March in D Major, K. 189: March in D Major, K. 189
Divertimento in D Major, K. 205: I. Largo - Allegro
Divertimento in D Major, K. 205: II. Menuetto
Divertimento in D Major, K. 205: III. Adagio
Divertimento in D Major, K. 205: IV. Menuetto
Divertimento in D Major, K. 205: V. Finale. Presto
Cassation in B-Flat Major, K. 99: I. Marcia
Cassation in B-Flat Major, K. 99: II. Allegro molto
Cassation in B-Flat Major, K. 99: III. Andante
Cassation in B-Flat Major, K. 99: IV. Menuetto
Cassation in B-Flat Major, K. 99: V. Andante
Cassation in B-Flat Major, K. 99: VI. Menuetto
Cassation in B-Flat Major, K. 99: VII. Allegro - Marcia da capo
Der Tod Jesu: No. 1, Chorale. Du, dessen Augen flossen
Der Tod Jesu: No. 12, Recit. Jerusalem voll Mordlust ruft
Der Tod Jesu: No. 2, Tutti. Sein Odem ist schwach
Der Tod Jesu: No. 13, Aria. So stehet ein Berg Gottes
Der Tod Jesu: No. 3, Recit. Gethsemane! Gethsemane!
Der Tod Jesu: No. 14, Tutti. Christus hat uns ein Vorbild gelassen
Der Tod Jesu: No. 4, Aria. Du Held, auf den die Köcher
Der Tod Jesu: No. 15, Chorale. Ihr werde Dir zu Ehren alles wagen
Der Tod Jesu: No. 5, Chorale. Wen hab' ich sonst als dich allein
Der Tod Jesu: No. 16, Recit. Da steht der traurige, verhängnisvolle Pfahl
Der Tod Jesu: No. 6, Recit. Ach mein Immanuel!
Der Tod Jesu: No. 17, Duetto. Feinde, die ihr mich betrübt
Der Tod Jesu: No. 7, Aria. Ein Gebeth um neue Stärke
Der Tod Jesu: No. 18, Recit. Wer ist der Heilige
Der Tod Jesu: No. 8, Recit. Nun klingen Waffen
Der Tod Jesu: No. 19, Aria. Singt dem göttlichen Propheten
Der Tod Jesu: No. 9, Aria. Ihr weichgeschaffnen Seelen
Der Tod Jesu: No. 20, Tutti. Freuet euch alle Ihr Frommen
Der Tod Jesu: No. 10, Tutti. Unsre Seele ist gebeuget zu der Erden
Der Tod Jesu: No. 21, Chorale. Wie herrlich ist die neue Welt
Der Tod Jesu: No. 11, Chorale. Ich will von meiner Missethat
Der Tod Jesu: No. 22, Recit. Auf einmal fällt der aufgehaltne Schmerz
Der Tod Jesu: No. 23, Accompagnement. Es steigen Seraphim von allen Sternen nieder
Der Tod Jesu: No. 24, Chorale. Ihr Augen, weint!
Der Tod Jesu: No. 25, Chorus. Hier liegen wir
C.P.E. Bach: Die Auferstehung und Himmelfahrt Jesu
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 1: No. 1, Introduction
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 1: No. 2, Chorus. Gott, Du wirst
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 1: No. 3, Recit. Judäa zittert!
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 1: No. 4, Aria. Mein Geist, voll Furcht und Freuden
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 1: No. 5, Chorus. Triumph!
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 1: No. 6, Recit. Die frommen Töchter
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 1: No. 7, Aria. Wie bang hat dich mein Lied beweint!
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 1: No. 8, Recit. Wer ist die Sionitin?
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 1: No. 9, Duet. Vater deiner schwachen Kinder
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 1: No. 10, Recit. Freundinnen Jesu!
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 1: No. 11, Aria. Ich folge dir
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 1: No. 12, Chorus. Tod! Wo ist dein Stachel?
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 2: No. 13. Introduction
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 2: No. 14, Recit. Dort seh' ich aus den Toren
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 2: No. 15, Aria. Willkommen, Heiland!
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 2: No. 16, Chorus. Triumph!
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 2: No. 17, Recit. Elf auserwählte Jünger
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 2: No. 18, Aria. Mein Herr, mein Gott
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 2: No. 19, Chorus. Triumph!
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 2: No. 20, Recit. Auf einem Hügel
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 2: No. 21, Aria. Ihr Tore Gottes
Die Auferstehung und Himmelfahrt Jesu, H. 777, Pt. 2: No. 22, Chorus. Gott fähret auf mit Jauchzen
Concerto No. 1 in E Major, RV 269 "Spring": I. Allegro
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Concerto No. 1 in E Major, RV 269 "Spring": II. Largo e pianissimo sempre
Concerto No. 1 in E Major, RV 269 "Spring": III. Allegro
Concerto No. 2 in G Minor, RV 315 "Summer": I. Allegro non molto
Concerto No. 2 in G Minor, RV 315 "Summer": II. Adagio
Concerto No. 2 in G Minor, RV 315 "Summer": III. Tempo impetuoso d'estate
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Concerto No. 3 in F Major, RV 293 "Autumn": I. Allegro
Concerto No. 3 in F Major, RV 293 "Autumn": II. Adagio molto
Concerto No. 3 in F Major, RV 293 "Autumn": III. Allegro
Concerto No. 4 in F Minor, RV 297 "Winter": I. Allegro non molto
Concerto No. 4 in F Minor, RV 297 "Winter": II. Largo
Concerto No. 4 in F Minor, RV 297 "Winter": III. Allegro
Concerto No. 12 in F Major, RV 457 (PV 318) (After the Concerto for Bassoon, Strings and Basso Continuo, RV 485): I. Allegro non molto
Concerto No. 12 in F Major, RV 457 (PV 318) (After the Concerto for Bassoon, Strings and Basso Continuo, RV 485): II. Andante
Concerto No. 12 in F Major, RV 457 (PV 318) (After the Concerto for Bassoon, Strings and Basso Continuo, RV 485): III. Allegro molto
Concerto No. 6 in C Major, RV 447 (PV 41): I. Allegro non molto
Concerto No. 6 in C Major, RV 447 (PV 41): II. Larghetto
Concerto No. 6 in C Major, RV 447 (PV 41): III. Minuetto
Weihnachts-Oratorium, BWV 248: Part 1, Jauchzet, frohlocket! Auf, preiset die Tage - No. 1, Jauchzet, frohlocket!
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Weihnachts-Oratorium, BWV 248: Part 4, Fallt mit Danken, fallt met Loben - No. 1, Fallt mit Danken, fallt mit Loben
Weihnachts-Oratorium, BWV 248: Part 1, Jauchzet, frohlocket! Auf, preiset die Tage - No. 2, Es begab sich aber zu der Zeit
Weihnachts-Oratorium, BWV 248: Part 4, Fallt mit Danken, fallt met Loben - No. 2, Und da acht Tage um waren
Weihnachts-Oratorium, BWV 248: Part 1, Jauchzet, frohlocket! Auf, preiset die Tage - No. 3, Nun wird mein liebster Bräutigam
Weihnachts-Oratorium, BWV 248: Part 4, Fallt mit Danken, fallt met Loben - No. 3, Immanuel, o süßes Wort!
Weihnachts-Oratorium, BWV 248: Part 1, Jauchzet, frohlocket! Auf, preiset die Tage - No. 4, Bereite dich, Zion, mit zärtlichen Trieben
Weihnachts-Oratorium, BWV 248: Part 4, Fallt mit Danken, fallt met Loben - No. 4, Flößt, mein Heiland, flößt dein Namen
Weihnachts-Oratorium, BWV 248: Part 1, Jauchzet, frohlocket! Auf, preiset die Tage - No. 5, Wie soll ich dich empfangen
Weihnachts-Oratorium, BWV 248: Part 4, Fallt mit Danken, fallt met Loben - No. 5, Wohlan, dein Name soll allein
Weihnachts-Oratorium, BWV 248: Part 1, Jauchzet, frohlocket! Auf, preiset die Tage - No. 6, Und sie gebar ihren ersten Sohn
Weihnachts-Oratorium, BWV 248: Part 4, Fallt mit Danken, fallt met Loben - No. 6, Ich will nur dir zu Ehren leben
Weihnachts-Oratorium, BWV 248: Part 1, Jauchzet, frohlocket! Auf, preiset die Tage - No. 7, Er ist auf Erden kommen arm,
Weihnachts-Oratorium, BWV 248: Part 4, Fallt mit Danken, fallt met Loben - No. 7, Jesus richte mein Beginnen
Weihnachts-Oratorium, BWV 248: Part 1, Jauchzet, frohlocket! Auf, preiset die Tage - No. 8, Großer Herr, o starker König
Weihnachts-Oratorium, BWV 248: Part 5, Ehre sei dir, Gott, gesungen - No. 1, Ehre sei dir, Gott, gesungen
Weihnachts-Oratorium, BWV 248: Part 1, Jauchzet, frohlocket! Auf, preiset die Tage - No. 9, Ach mein herzliebes Jesulein
Weihnachts-Oratorium, BWV 248: Part 5, Ehre sei dir, Gott, gesungen - No. 2, Da Jesus geboren war zu Bethlehem im jüdischen Lande
Weihnachts-Oratorium, BWV 248: Part 2, Und es waren Hirten in derselben Gegend - No. 1, Sinfonia
Weihnachts-Oratorium, BWV 248: Part 5, Ehre sei dir, Gott, gesungen - No. 3, Wo ist der neugeborne König der Jüden?
Weihnachts-Oratorium, BWV 248: Part 2, Und es waren Hirten in derselben Gegend - No. 2, Und es waren Hirten in derselben Gegend auf dem Felde
Weihnachts-Oratorium, BWV 248: Part 5, Ehre sei dir, Gott, gesungen - No. 4, Dein Glanz all Finsternis verzehrt
Weihnachts-Oratorium, BWV 248: Part 2, Und es waren Hirten in derselben Gegend - No. 3, Brich an, o schönes Morgenlicht
Weihnachts-Oratorium, BWV 248: Part 5, Ehre sei dir, Gott, gesungen - No. 5, Erleucht auch meine finstre Sinnen
Weihnachts-Oratorium, BWV 248: Part 2, Und es waren Hirten in derselben Gegend - No. 4, Und der Engel sprach zu ihnen
Weihnachts-Oratorium, BWV 248: Part 5, Ehre sei dir, Gott, gesungen - No. 6, Da das der König Herodes hörte
Weihnachts-Oratorium, BWV 248: Part 2, Und es waren Hirten in derselben Gegend - No. 5, Was Gott dem Abraham verheißen
Weihnachts-Oratorium, BWV 248: Part 5, Ehre sei dir, Gott, gesungen - No. 7, Warum wollt ihr erschrecken?
Weihnachts-Oratorium, BWV 248: Part 2, Und es waren Hirten in derselben Gegend - No. 6, Frohe Hirten, eilt, ach eilet
Weihnachts-Oratorium, BWV 248: Part 5, Ehre sei dir, Gott, gesungen - No. 8, Und ließ versammlen alle Hohepriester
Weihnachts-Oratorium, BWV 248: Part 2, Und es waren Hirten in derselben Gegend - No. 7, Und das habt zum Zeichen
Weihnachts-Oratorium, BWV 248: Part 2, Und es waren Hirten in derselben Gegend - No. 8, Schaut hin, dort liegt im finstern Stall
Weihnachts-Oratorium, BWV 248: Part 2, Und es waren Hirten in derselben Gegend - No. 9, So geht denn hin, ihr Hirten, geht
Weihnachts-Oratorium, BWV 248: Part 2, Und es waren Hirten in derselben Gegend - No. 10, Schlafe, mein Liebster, genieße der Ruh
Weihnachts-Oratorium, BWV 248: Part 2, Und es waren Hirten in derselben Gegend - No. 11, Und alsobald war da bei dem Engel die Menge der himmlischen Heerscharen
Weihnachts-Oratorium, BWV 248: Part 2, Und es waren Hirten in derselben Gegend - No. 12. Ehre sei Gott in der Höhe
Weihnachts-Oratorium, BWV 248: Part 2, Und es waren Hirten in derselben Gegend - No. 13, So recht, ihr Engel, jauchzt und singet
Weihnachts-Oratorium, BWV 248: Part 2, Und es waren Hirten in derselben Gegend - No. 14, Wir singen dir in deinem Heer
Weihnachts-Oratorium, BWV 248: Part 3, Herrscher des Himmels, erhöre das Lallen - No. 1, Herrscher des Himmels, erhöre das Lallen
Weihnachts-Oratorium, BWV 248: Part 3, Herrscher des Himmels, erhöre das Lallen - No. 2, Und da die Engel von ihnen gen Himmel fuhren
Weihnachts-Oratorium, BWV 248: Part 3, Herrscher des Himmels, erhöre das Lallen - No. 3, Lasset uns nun gehen gen Bethlehem
Weihnachts-Oratorium, BWV 248: Part 3, Herrscher des Himmels, erhöre das Lallen - No. 4, Er hat sein Volk getröst’
Weihnachts-Oratorium, BWV 248: Part 3, Herrscher des Himmels, erhöre das Lallen - No. 5, Sein groß Lieb zu zeigen an
Weihnachts-Oratorium, BWV 248: Part 3, Herrscher des Himmels, erhöre das Lallen - No. 6, Herr, dein Mitleid, dein Erbarmen
Weihnachts-Oratorium, BWV 248: Part 3, Herrscher des Himmels, erhöre das Lallen - No. 7, Und sie kamen eilend und funden beide
Weihnachts-Oratorium, BWV 248: Part 3, Herrscher des Himmels, erhöre das Lallen - No. 8, Schließe, mein Herze, dies selige Wunder
Weihnachts-Oratorium, BWV 248: Part 3, Herrscher des Himmels, erhöre das Lallen - No. 9, Was es an dieser holden Zeit
Weihnachts-Oratorium, BWV 248: Part 3, Herrscher des Himmels, erhöre das Lallen - No. 10, Ich will dich mit Fleiß bewahren
Weihnachts-Oratorium, BWV 248: Part 3, Herrscher des Himmels, erhöre das Lallen - No. 11, Und die Hirten kehrten wieder um
Weihnachts-Oratorium, BWV 248: Part 3, Herrscher des Himmels, erhöre das Lallen - No. 12, Seid froh dieweil
Wer weiss, wie nahe mir mein Ende!, BWV 27: Chorale and Recitative. Wer weiss, wie nahe mir mein Ende (Soprano, Alto, Tenor, Chorus)
Wer weiss, wie nahe mir mein Ende!, BWV 27: Recitative. Mein Leben hat kein ander Ziel (Tenor)
Wer weiss, wie nahe mir mein Ende!, BWV 27: Aria. Willkommen! Will ich sagen (Alto)
Wer weiss, wie nahe mir mein Ende!, BWV 27: Recitative. Ach, wer doch schon im Himmel war! (Soprano)
Wer weiss, wie nahe mir mein Ende!, BWV 27: Aria. Gute Nacht, du Weltgetummel! (Bass)
Wer weiss, wie nahe mir mein Ende!, BWV 27: Chorale. Welt, ade! Ich bin dein mude (Chorus)
Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: Aria. Wer ein wahrer Christ will heissen (Soprano)
Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: Recitative. Der Mensch ist Kot, Stank, Asch und Erde (Bass)
Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: Aria. Jesu, beuge doch mein Herze (Bass)
Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: Chorale. Der zeitlichen Ehrn will ich gern entbehrn (Chorus)
Warum betrübst du dich, mein Herz, BWV 138: Chorale and Recitative. Warum betrubst du dich (Alto, Chorus)
Warum betrübst du dich, mein Herz, BWV 138: Recitative and Chorale. Ich bin veracht (Bass, Soprano, Alto, Chorus)
Warum betrübst du dich, mein Herz, BWV 138: Recitative. Ach susser Trost (Tenor)
Warum betrübst du dich, mein Herz, BWV 138: Aria. Auf Gott steht meine Zuversicht (Bass)
Warum betrübst du dich, mein Herz, BWV 138: Recitative. Ei nun! So will ich auch recht (Alto)
Warum betrübst du dich, mein Herz, BWV 138: Chorale. Weil du mein Gott und Vater bist
Herr Christ, der einge Gottessohn, BWV 96: Herr Christ, der einge Gottessohn (Chorus)
Herr Christ, der einge Gottessohn, BWV 96: Recitative. O Wunderkraft der Liebe (Alto)
Herr Christ, der einge Gottessohn, BWV 96: Aria. Ach, ziehe die Seele mit Seilen der Liebe (Tenor)
Herr Christ, der einge Gottessohn, BWV 96: Recitative. Ach, fuhre mich, o Gott, zum rechten Wege (Soprano)
Herr Christ, der einge Gottessohn, BWV 96: Aria. Bald zur Rechten, bald zur Linken (Bass)
Herr Christ, der einge Gottessohn, BWV 96: Chorale. Ertot uns durch dein Gute (Chorus)
Vivaldi, A.: 4 Seasons (The) / Cello Concerto, Rv 403 / Trio Sonata, "Follia" (La Petite Bande)
Cello Concerto in D Major, RV 403: I. Allegro
Cello Concerto in D Major, RV 403: II. Andante e spiritoso
Cello Concerto in D Major, RV 403: III. Allegro
The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro
The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre
The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Danza pastorale: Allegro
The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non moto
The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": II. Adagio - Presto
The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto
The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro
The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto
The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro
Trio Sonata in D Minor, Op. 1, No. 12, RV 63, "Folia"
Haydn, J.: Keyboard Concerto in G Major / Divertimento in F Major / Harpsichord Concerto in F Major
Keyboard Concerto in G Major, Hob. XVIII:4: I. Allegro
Keyboard Concerto in G Major, Hob. XVIII:4: II. Adagio
Keyboard Concerto in G Major, Hob. XVIII:4: III. Finale. Rondo
Divertimento in F Major, Hob. II:20: I. Allegro molto
Divertimento in F Major, Hob. II:20: II. Menuett I
Divertimento in F Major, Hob. II:20: III. Adagio
Divertimento in F Major, Hob. II:20: IV. Menuett II
Divertimento in F Major, Hob. II:20: V. Finale. Presto
Keyboard Concerto in F Major, Hob. XVIII:3: I. Allegro
Keyboard Concerto in F Major, Hob. XVIII:3: II. Largo cantabile
Keyboard Concerto in F Major, Hob. XVIII:3: III. Finale. Presto
Bach, J.S.: Cantatas, Vol. 3 - Bwv 82, 102, 178
Cantata, BWV 82: Recitative: Ich habe genug! Mein Trost ist nur allein
Cantata, BWV 82: Aria: Schlummert ein, ihr matten Augen
Cantata, BWV 82: Recitative: Mein Gott! Wenn kommt das schone
Cantata, BWV 82: Aria: Ich freue mich auf meinen Tod
Wo Gott der Herr nicht bei uns halt (Chorus)
Wo Gott der Herr nicht bei uns hält, BWV 178: Recitative and Chorale: Was Menschenkraft und -witz anfaht (Alto)
Wo Gott der Herr nicht bei uns hält, BWV 178: Aria: Gleichwie die wilden Meereswellen (Bass)
Wo Gott der Herr nicht bei uns hält, BWV 178: Chorale: Sie stellen uns wie Ketzern nach (Tenor)
Wo Gott der Herr nicht bei uns hält, BWV 178: Chorale and Recitative: Auf sperren sie den Rachen weit (Soprano, Alto, Tenor, Bass)
Wo Gott der Herr nicht bei uns hält, BWV 178: Aria: Schweig, schweig nur, taumelnde Vernunft! (Tenor)
Wo Gott der Herr nicht bei uns hält, BWV 178: Chorale: Die Feind sind all in deiner Hand
Herr, deine Augen sehen nach dem Glauben, BWV 102: Part I: Herr, deine Augen sehen nach dem Glauben (Chorus)
Herr, deine Augen sehen nach dem Glauben, BWV 102: Part I: Recitative: Wo ist das Ebenbild, das Gott uns eingepraget (Bass)
Herr, deine Augen sehen nach dem Glauben, BWV 102: Part I: Aria: Weh der Seele, die den Schaden nicht mehr kennt (Alto)
Herr, deine Augen sehen nach dem Glauben, BWV 102: Part I: Arioso: Verachtest du den Reichtum seiner Gnade (Bass)
Herr, deine Augen sehen nach dem Glauben, BWV 102: Part II: Aria: Erschrecke doch, du allzu sichre Seele (Tenor)
Herr, deine Augen sehen nach dem Glauben, BWV 102: Part II: Recitative: Beim Warten ist Gafahr (Alto)
Herr, deine Augen sehen nach dem Glauben, BWV 102: Part II: Chorale: Heut lebst du, heut bekehre dich (Chorus)
Vivaldi - The Four Seasons ("le Quattro Stagioni")
Concerto No. 1 In E, "the Spring" (la Primavera) - Allegro
Concerto No. 1 In E, "the Spring" (la Primavera) - Largo E Pianissimo Sempre
Concerto No. 2 In G Minor, "summer" (l'estate) - Allegro Non Molto
Concerto No. 2 In G Minor, "summer" (l'estate) - Adagio
Concerto No. 2 In G Minor, "summer" (l'estate) - Tempo Impetuoso D'estate
Concerto No. 3 In F, "the Autumn" (l'autunno) - Allegro
Concerto No. 3 In F, "the Autumn" (l'autunno) - Adagio
Concerto No. 3 In F, "the Autumn" (l'autunno) - Allegro (la Caccia)
Concerto No. 4 In F Minor, "the Winter" (l'inverno) - Allegro Non Molto
Concerto No. 4 In F Minor, "the Winter" (l'inverno) - Largo
Concerto No. 4 In F Minor, "the Winter" (l'inverno) - Allegro
Così fan tutte, K. 588: Donne mie la fate a tanti
Misero! O sogno... Aura che intorno spiri, K. 431 (K. 425b)
Così fan tutte, K. 588: Al fato dan legge
Die verstellte Gärtnerin (1780): Nach der Welschen Art und Weise
Don Giovanni, K. 527: Deh, vieni al finestra
Così fan tutte, K. 588: Un' aura amorosa
Così fan tutte, K. 588: Rivolgete a me lo sguardo
Davidde penitente, K. 469: A te, fra tanti affanni
Così fan tutte, K. 588: Secondate, aurette amiche
J.S. Bach: Mass in B Minor, BWV 232 (Excerpts)
Mass in B Minor, BWV 232 (Excerpts): Ia. Kyrie. Kyrie eleison
Mass in B Minor, BWV 232 (Excerpts): Ic. Kyrie. Kyrie eleison
Mass in B Minor, BWV 232 (Excerpts): Ij. Gloria. Qui sedes ad dexteram Patris
Mass in B Minor, BWV 232 (Excerpts): Ik. Gloria. Quoniam tu solus sanctus
Mass in B Minor, BWV 232 (Excerpts): Il. Gloria. Cum Sancto Spiritu
Mass in B Minor, BWV 232 (Excerpts): IIf. Credo. Et resurrexit
Mass in B Minor, BWV 232 (Excerpts): IIg. Credo. Et in Spiritum Sanctum
Mass in B Minor, BWV 232 (Excerpts): IVa. Osanna
Rameau, J.-P.: Daphnis Et Egle / Rebel, J.-F.: Les Plaisirs Champetres / Fantaisie
Médée: Medee: Aria. Que me peut demander la Gloire
L'Amour flechi par la Constance: Aria. Tant qua'a dure la nuit
Les plaisirs champetres: V. Bourree - Rigaudon - Bourree
Daphnis et Eglé: Rondeau tendre, "Dieu de l'amitie"
Daphnis et Eglé: La Guirlande - Ariette vive, "Ranimez vous"
Daphnis et Eglé: Ariette vive, "Oiseaux, chantez … "
Daphnis et Eglé: Les Fetes d'Hebee - Ariette vive, "L'object qui regne … "
Orphée et Eurydice, Act II Scene 2: Vieni a' regni del riposo (Chorus)
Orphée et Eurydice, Act I Scene 1: Ah, se intorno a quest'urna funesta (Chorus, Orfeo)
Orphée et Eurydice, Act II Scene 2: Ballo
Orphée et Eurydice, Act I Scene 1: Recitativo. Basta, basta, o compagni (Orfeo)
Orphée et Eurydice, Act II Scene 2: Recitativo. Anime avventurose (Orfeo, Chorus)
Orphée et Eurydice, Act I Scene 1: Ballo
Orphée et Eurydice, Act II Scene 2: Torna, o bella, al tuo consorte (Chorus)
Orphée et Eurydice, Act I Scene 1: Ah, se intorno a quest'urna funesta (Chorus)
Orphée et Eurydice, Act I Scene 1: Aria. Chiamo il mio ben così (Orfeo)
Orphée et Eurydice, Act I Scene 1: Recitativo. Numi, Barbari Numi (Orfeo)
Orphée et Eurydice, Act III Scene 1: Recitativo. Vieni, segui i miei passi (Orfeo, Euridice)
Orphée et Eurydice, Act I Scene 2: Recitativo. T'assiste Amore! (Amore, Orfeo)
Orphée et Eurydice, Act III Scene 1: Duetto. Vieni appaga il tuo consorte (Orfeo, Euridice)
Orphée et Eurydice, Act I Scene 2: Aria. Gli sguardi trattieni (Amore)
Orphée et Eurydice, Act III Scene 1: Recitativo. Qual vita e questa mai (Euridice)
Orphée et Eurydice, Act I Scene 2: Recitativo. Che disse? Che ascoltai? (Orfeo)
Orphée et Eurydice, Act III Scene 1: Aria. Che fiero momento (Euridice)
Orphée et Eurydice, Act II Scene 1: Ballo
Orphée et Eurydice, Act III Scene 1: Recitativo. Ecco in nuovo tormento! (Orfeo, Euridice)
Orphée et Eurydice, Act II Scene 1: Chi mai dell'Erebo fra le caligini (Chorus)
Orphée et Eurydice, Act III Scene 1: Aria. Che faro senza Euridice? (Orfeo)
Orphée et Eurydice, Act III Scene 1: Recitativo. Ah finisca e per sempre (Orfeo)
Orphée et Eurydice, Act III Scene 3: Ballo
Orphée et Eurydice, Act III Scene 3: Trionfi Amore (Chorus)
Orphée et Eurydice, Act II Scene 1: Deh placatevi con me (Orfeo, Chorus)
Orphée et Eurydice, Act II Scene 2: Arioso. Che puro ciel (Orfeo, Chorus)
Historia der Geburt Jesu Christi, SWV 435: Eingang zu der Geburt unsers Herren Jesu Christi
Historia der Geburt Jesu Christi, SWV 435: Intermedium I: "Fürchtet euch nicht!... Und alsbald war da bei dem Engel die Menge der himmlischen Heerscharen"
Historia der Geburt Jesu Christi, SWV 435: Intermedium II: "Ehre sei Gott in der Höhe... Und da die Engel von ihnen gen Himmel fuhren"
Historia der Geburt Jesu Christi, SWV 435: Intermedium III: "Lasset uns nun gehen gen Bethlehem... Und sie kamen eilend und funden beide"
Historia der Geburt Jesu Christi, SWV 435: Intermedium IV: "Wo ist der neugeborne König der Juden?... Da das der König Herodes hörete"
Historia der Geburt Jesu Christi, SWV 435: Intermedium V: "Zu Bethlehem im jüdischen Lande... Da berief Herodes die Weisen heimlich"
Historia der Geburt Jesu Christi, SWV 435: Intermedium VI: "Ziehet hin und forschet fleißig nach dem Kindlein... Als sie nun den König gehöret hatten, zogen sie hin"
Historia der Geburt Jesu Christi, SWV 435: Intermedium VII: "Stehe auf, Joseph!... Und er stund auf und nam das Kindlein"
Historia der Geburt Jesu Christi, SWV 435: Intermedium VIII: "Stehe auf, Joseph!... Und er stund auf und nahm das Kindlein"
Historia der Geburt Jesu Christi, SWV 435: Beschluss der Geburt unsers Herrn Jesu Christi "Dank sagen wir alle Gott unserm Herrn"
Siehe, es erschien der Engel des Herren Joseph im Traum, SWV 403
Deutsches Magnificat: Meine Seele erhebt den Herren, SWV 494
Herr, nun lässest Du noch Deinen Diener im Frieden fahren, SWV 352 - Live
Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396 - Live
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio
Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto
Cello Concerto No. 2 in D Major, Hob. VIIb:2: I. Allegro moderato
Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio
Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Allegro
Sinfonia Concertante in B-Flat Major, Hob. I:105: I. Allegro
Sinfonia Concertante in B-Flat Major, Hob. I:105: II. Andante
Sinfonia Concertante in B-Flat Major, Hob. I:105: III. Allegro con spirito