1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xdb15858acda895f0386e774ce45878d8cc6894dc08d619163f4b14653e255e82. Chain 2 (Bitcoin): anchored in block 953408 (2026-06-12T19:28:13Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/938a1476-7c3a-494e-9f99-912601a1f105.json and https://artists.proofprofile.net/proofs/artist/938a1476-7c3a-494e-9f99-912601a1f105.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Ouverture-suite in D Major, TWV 55:D7: I. Ouverture
Ouverture-suite in D Major, TWV 55:D7: II. Air
Ouverture-suite in D Major, TWV 55:D7: VII. Rigaudon
Ouverture-suite in D Major, TWV 55:D7: III. Plainte
Ouverture-suite in D Major, TWV 55:D7: IV. Furies
Ouverture-suite in D Major, TWV 55:D7: VIII. Loure
Ouverture-suite in D Major, TWV 55:D7: V. Trezza
Ouverture-suite in D Major, TWV 55:D7: VI. Menuets I & II
Horn Concerto in D Major, TWV 51:D8: I. Vivace
Horn Concerto in D Major, TWV 51:D8: II. Largo
Horn Concerto in D Major, TWV 51:D8: III. Allegro
Sinfonia in D Major, TWV 44:1: I. Sinfonia. Spirituoso
Sinfonia in D Major, TWV 44:1: II. Largo
Sinfonia in D Major, TWV 44:1: III. Vivace
Concerto for 2 Horns in D Major, TWV 52:D1: I. Largo - II. Vivace
Concerto for 2 Horns in D Major, TWV 52:D1: III. Affettuoso
Concerto for 2 Horns in D Major, TWV 52:D1: IV. Allegro
Trumpet Concerto in D Major, TWV 51:D7: I. Adagio
Trumpet Concerto in D Major, TWV 51:D7: II. Allegro
Trumpet Concerto in D Major, TWV 51:D7: III. Grave
Trumpet Concerto in D Major, TWV 51:D7: IV. Allegro
Sinfonia in D Major, TWV 44:1 (Without Trumpet): I. Sinfonia. Spirituoso
Sinfonia in D Major, TWV 44:1 (Without Trumpet): III. Vivace
Flute Concerto in F Major, Op. 10 No. 1, RV 433 "La tempesta di mare": I. Allegro
Flute Concerto in F Major, Op. 10 No. 1, RV 433 "La tempesta di mare": II. Largo
Flute Concerto in F Major, Op. 10 No. 1, RV 433 "La tempesta di mare": III. Presto
Flute Concerto in G Minor, Op. 10 No. 2, RV 439 "La notte": I. Largo
Flute Concerto in G Minor, Op. 10 No. 2, RV 439 "La notte": I. Fantasmi: Presto
Flute Concerto in G Minor, Op. 10 No. 2, RV 439 "La notte": I. Presto
Flute Concerto in G Minor, Op. 10 No. 2, RV 439 "La notte": II. Il Sonno: Largo
Flute Concerto in G Minor, Op. 10 No. 2, RV 439 "La notte": III. Allegro
Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": I. Allegro
Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": II. Largo
Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": III. Allegro
Flute Concerto in G Major, Op. 10, No. 4, RV 435: I. Allegro
Flute Concerto in G Major, Op. 10, No. 4, RV 435: II. Largo
Flute Concerto in G Major, Op. 10, No. 4, RV 435: III. Allegro
Flute Concerto in F Major, Op. 10, No. 5, RV 434: I. Allegro non molto
Flute Concerto in F Major, Op. 10, No. 5, RV 434: II. Largo e cantabile
Flute Concerto in F Major, Op. 10, No. 5, RV 434: III. Allegro
Flute Concerto in G Major, Op. 10, No. 6, RV 437, "Il cavallo": I. Allegro
Flute Concerto in G Major, Op. 10, No. 6, RV 437, "Il cavallo": II. Largo
Flute Concerto in G Major, Op. 10, No. 6, RV 437, "Il cavallo": III. Allegro
Flute Concerto in D Major, RV 783: I. Allegro
Flute Concerto in D Major, RV 783: II. Largo
Flute Concerto in D Major, RV 783: III. Allegro
Concerto for 2 Flutes in C Major, RV 533: I. Allegro molto
Concerto for 2 Flutes in C Major, RV 533: II. Largo
Concerto for 2 Flutes in C Major, RV 533: III. Allegro
Fasch, J.F.: Concertos - Fwv L: A3, D4, D7, D11, D22, G1 (Il Gardellino)
O Ewigkeit, du Donnerwort, BWV 20: Pt. I: Chorale. O Ewigkeit, du Donnerwort (Chorus)
O Ewigkeit, du Donnerwort, BWV 20: Pt. I: Recitative. Kein Ungluck ist in aller Welt zu finden (Tenor)
Concerto in D Minor, FWV L:D7: III. Allegro
Double Concerto in D Minor, FWV L:D4: I. Vivace
Double Concerto in D Minor, FWV L:D4: II. Largo
O Ewigkeit, du Donnerwort, BWV 20: Pt. I: Aria. O Mensch, errette deine Seele (Alto)
O Ewigkeit, du Donnerwort, BWV 20: Pt. I: Chorale. Solang ein Gott im Himmel lebt (Chorus)
Violin Concerto in A Major, FWV L:A3: II. Adagio
Violin Concerto in A Major, FWV L:A3: III. Allegro
O Ewigkeit, du Donnerwort, BWV 20: Pt. II: Duet. O Menschenkind, hor auf geschwind (Alto, Tenor)
O Ewigkeit, du Donnerwort, BWV 20: Pt. II: Chorale. O Ewigkeit, du Donnerwort (Chorus)
Double Concerto in D Major, FWV L:D11: III. Allegro
Oboe Concerto in G Minor, FWV L:G1: I. Vivace
Oboe Concerto in G Minor, FWV L:G1: II. Largo
Ach Gott, vom Himmel sieh darein, BWV 2: Recitative. Die Armen sind verstort (Bass)
Ach Gott, vom Himmel sieh darein, BWV 2: Aria. Durchs Feuer wird das Silber rein (Tenor)
Concerto in D Major, FWV L:D22: II. Andante
Meine Seel erhebt den Herren, BWV 10: Meine Seel erhebt den Herren (Chorus)
Sigiswald Kuijken & La Petite Bande Edition
Così fan tutte, K. 588: Donne mie la fate a tanti
Concerto Grosso Op. 3, No. 3 in E Minor: Grave - Allegro moderato
Kantate BWV 9: " Es ist das Heil uns kommen her": Coro. "Es ist das Heil uns kommen her"
Misero! O sogno... Aura che intorno spiri, K. 431 (K. 425b)
Concerto Grosso Op. 3, No. 3 in E Minor: Andante - Allegro
Kantate BWV 9: " Es ist das Heil uns kommen her": Red. Basso. "Gott gab uns ein Gesetz"
Così fan tutte, K. 588: Al fato dan legge
Concerto Grosso Op. 2, No. 6 A Major: Andante
Kantate BWV 9: " Es ist das Heil uns kommen her": Aria. Tenore. "Wir waren schon zu tief gesunken"
Concerto Grosso Op. 2, No. 6 A Major: (Allegro) - Grave
Kantate BWV 9: " Es ist das Heil uns kommen her": Rec. Basso. "Doch musste das Gesetz erfüllet werden"
Concerto Grosso Op. 2, No. 6 A Major: Allegro
Kantate BWV 9: " Es ist das Heil uns kommen her": Duetto. Soprano, Alto. "Herr Du siehst statt guter Werke"
Die verstellte Gärtnerin (1780): Nach der Welschen Art und Weise
Concerto Grosso Op. 7, No. 2 in d Minor: Grave
Kantate BWV 9: " Es ist das Heil uns kommen her": Rec. Basso. "Wenn wir die Sünd aus dem Gesetz erkennen"
Don Giovanni, K. 527: Deh, vieni al finestra
Concerto Grosso Op. 7, No. 2 in d Minor: Allegro assai
Kantate BWV 9: " Es ist das Heil uns kommen her": Choral. "Ob sich's anliess"
Così fan tutte, K. 588: Un' aura amorosa
Concerto Grosso Op. 7, No. 2 in d Minor: Andante
Kantate BWV 94: "Was frag ich nach der Welt": Chor. "Was frag ich nach der Welt"
Concerto Grosso Op. 7, No. 2 in d Minor: Allegro
Kantate BWV 94: "Was frag ich nach der Welt": Arie. Basso. "Die Welt ist wie ein Rauch und Schatten"
Concerto Grosso No. 6 d Minor: Theme and 23 Variations
Kantate BWV 94: "Was frag ich nach der Welt": Rezitativ und Choral. Tenore. "Die Welt sucht Ehr und Ruhm"
Così fan tutte, K. 588: Rivolgete a me lo sguardo
Concerto Grosso No. 5 in g Minor: Adagio
Kantate BWV 94: "Was frag ich nach der Welt": Arie. Alteo. "Betörte Welt"
Davidde penitente, K. 469: A te, fra tanti affanni
Concerto Grosso No. 5 in g Minor: Vivace - Adagio
Kantate BWV 94: "Was frag ich nach der Welt": Rezitativ und Choral Basso. "Die Welt bekümmert sich"
Così fan tutte, K. 588: Secondate, aurette amiche
Kantate BWV 94: "Was frag ich nach der Welt": Arie. Tenore. "Die Welt kann ihre Lust und Freud"
Concerto Grosso No. 5 in g Minor: Allegro
Kantate BWV 94: "Was frag ich nach der Welt": Arie. Soprano. "Es halt es mit der blinden Welt"
Concerto Grosso Op. 2 No. 5 in c Minor: Andante moderato
Kantate BWV 94: "Was frag ich nach der Welt": Choral. "Was frag ich nach der Welt"
Concerto Grosso Op. 2 No. 5 in c Minor: Presto
Es wartet alles auf dich, BWV 187: Es wartet alles auf dich (Chor)
Concerto Grosso Op. 2 No. 5 in c Minor: Andante
Es wartet alles auf dich, BWV 187: Rezitativ. Basso. "Was Kreaturen hält"
Concerto Grosso Op. 2 No. 5 in c Minor: Allegro
Es wartet alles auf dich, BWV 187: Arie. Alto. "Du Herr du krönst allein das Jahr"
Es wartet alles auf dich, BWV 187: Arie. Basso. "Darum sollt ihr nicht sorgen"
Johannes-Passion, BWV 245, Pt. 1: No. 1, Chorus: Herr, unser Herrscher
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1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x3c40575e91496570c60e0629d44dc04f2248273e164cd66db3b92b5e4bc5ffda. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4DOcd8JiEQu5xvLDHWq8c7.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4DOcd8JiEQu5xvLDHWq8c7.
Johannes-Passion, BWV 245, Pt. 2: No. 1, Chorale: Christus, der uns selig macht
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x1af8fe23ba63f8f54c4097c338089d49a2e61eb3c00c14400337fa161e8cf418. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2l5w8WwtjQv8Noiz9BN2HI.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2l5w8WwtjQv8Noiz9BN2HI.
Johannes-Passion, BWV 245, Pt. 1: No. 2, Recitative: Jesus ging mit seinen Jüngern - Chorus: Jesum von Nazareth - Recitative: Jesus spricht zu ihnen
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x63761590987bfeb29c85e1e95be0c0120cb3e61f779a1daecee1b1aa7f19f7b5. Chain 2 (Bitcoin): anchored in block 956302 (2026-07-02T03:30:09Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/4cSevoZOQwKAJ8mpm9bRhE.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/4cSevoZOQwKAJ8mpm9bRhE.
Johannes-Passion, BWV 245, Pt. 2: No. 2, Recitative: Da führeten sie Jesum von Kaipha vor das Richthaus - Chorus: Wäre dieser nicht ein Übeltäter
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb575ecea2aef9bcbb070f96a91decb8d0487961c86e766f64d3cd43d075832c9. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/5aHa5RureBekjeA9pzEaAy.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/5aHa5RureBekjeA9pzEaAy.
Johannes-Passion, BWV 245, Pt. 1: No. 3, Chorale: O große Lieb
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x727d249b13af64656f740a5d49980affb14ea2ffff7becce32f296cefad98d12. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1o2NMuQp5mCk482SSCxvzi.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1o2NMuQp5mCk482SSCxvzi.
Johannes-Passion, BWV 245, Pt. 2: No. 3, Chorale: Ach, großer König
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x2abcd9b0ac6f3c718e0b76dbcabb42c095a39de1b1144e5521e582a3af1db0f6. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/34h5hoEYdIFzDjjMMG7LZF.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/34h5hoEYdIFzDjjMMG7LZF.
Johannes-Passion, BWV 245, Pt. 1: No. 4, Recitative: Auf dass das Wort erfüllet würde
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Johannes-Passion, BWV 245, Pt. 2: No. 4, Recitative: Da sprach Pilatus zu ihm - Chorus: Nicht diesen, sondern Barrabam! - Recitative: Barrabas aber war ein Mörder!
Johannes-Passion, BWV 245, Pt. 1: No. 5, Chorale: Dein Will gescheh
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd8b7ab9fc8c2a7d6a1e1489b6d1ba82221baf73b969d41dc2b6bbd6a2097542f. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0HGlCRL4i9nEEb523iHTxE.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0HGlCRL4i9nEEb523iHTxE.
Johannes-Passion, BWV 245, Pt. 2: No. 5, Arioso: Betrachte, meine Seel
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd066da9f78f5d07f995ba5c434d4b2de1513ad12b6ec59fb9c0b63b59835397b. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/11JdII67aed1lSe2H0Gpsv.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/11JdII67aed1lSe2H0Gpsv.
Johannes-Passion, BWV 245, Pt. 1: No. 6, Recitative: Die Schar aber und der Oberhauptmann
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xd61e621df29a23e874995e60e870cb1c2cf7ed8f36e1555a5e8048c182405078. Chain 2 (Bitcoin): anchored in block 956304 (2026-07-02T03:55:08Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/3GwpvZ3CFmiUlDFj3QCBjD.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/3GwpvZ3CFmiUlDFj3QCBjD.
Johannes-Passion, BWV 245, Pt. 2: No. 6, Aria: Erwäge, wie sein blutgefärbter Rücken
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa7262077cd6299b88b6dbd928022f2ac19932c1a8478ed2a4a4680f0c205cbdc. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/2jS3nrNNPtD1k1yQlFROSy.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/2jS3nrNNPtD1k1yQlFROSy.
Johannes-Passion, BWV 245, Pt. 1: No. 7, Aria: Von den Stricken meiner Sünden
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Johannes-Passion, BWV 245, Pt. 2: No. 7, Recitative: Und die Kriegsknechte flochten - Chorus: Sei gegrüßet, lieber Judenkönig - Recitative: Und gaben ihm
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Johannes-Passion, BWV 245, Pt. 1: No. 8, Recitative: Simon Petrus aber folgete Jesu
Johannes-Passion, BWV 245, Pt. 2: No. 8, Chorale: Durch dein Gefängnis
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Johannes-Passion, BWV 245, Pt. 1: No. 9, Aria: Ich folge dir gleichfalls
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Johannes-Passion, BWV 245, Pt. 2: No. 9, Recitative: Die Jüden aber schrieen und sprachen - Chorus: Lässest du diesen los - Recitative: Da Pilatus das Wort hörete
Johannes-Passion, BWV 245, Pt. 1: No. 10, Recitative: Derselbige Jünger
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Johannes-Passion, BWV 245, Pt. 2: No. 10, Chorus & Aria: Eilt, ihr angefochtnen Seelen
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Johannes-Passion, BWV 245, Pt. 1: No. 11, Chorale: Wer hat dich so geschlagen
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Johannes-Passion, BWV 245, Pt. 2: No. 11, Recitative: Allda kreuzigten sie ihn - Chorus: Schreibe nicht: der Jüden König - Recitative: Pilatus antwortet
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Johannes-Passion, BWV 245, Pt. 1: No. 12, Recitative: Und Hannas sandte ihn - Chorus: Bist du nicht seiner Jünger einer? - Recitative: Er leugnete aber und sprach
Johannes-Passion, BWV 245, Pt. 2: No. 12, Chorale: In meines Herzens Grunde
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Johannes-Passion, BWV 245, Pt. 1: No. 13, Aria: Ach, mein Sinn
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Johannes-Passion, BWV 245, Pt. 2: No. 13, Recitative: Die Kriegsknechte aber - Chorus: Lasset uns den nicht zerteilen - Recitative: Auf dass erfüllet würde
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Johannes-Passion, BWV 245, Pt. 1: No. 14, Chorale: Petrus, der nicht denkt zurück
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Johannes-Passion, BWV 245, Pt. 2: No. 14, Chorale: Er nahm alles wohl in acht
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Johannes-Passion, BWV 245, Pt. 2: No. 15, Recitative: Und von Stund an
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Johannes-Passion, BWV 245, Pt. 2: No. 16, Aria: Es ist vollbracht
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Johannes-Passion, BWV 245, Pt. 2: No. 17, Recitative: Und neigte das Haupt
Johannes-Passion, BWV 245, Pt. 2: No. 18, Chorus & Aria: Mein teurer Heiland
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Johannes-Passion, BWV 245, Pt. 2: No. 19, Recitative: Und siehe da
Johannes-Passion, BWV 245, Pt. 2: No. 20, Aria: Mein Herz, in dem die ganze Welt
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Johannes-Passion, BWV 245, Pt. 2: No. 21, Aria: Zerfließe, mein Herze
Johannes-Passion, BWV 245, Pt. 2: No. 22, Recitative: Die Jüden aber
Johannes-Passion, BWV 245, Pt. 2: No. 23, Chorale: O hilf, Christe, Gottes Sohn
Johannes-Passion, BWV 245, Pt. 2: No. 24, Recitative: Darnach bat Pilatum
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Johannes-Passion, BWV 245, Pt. 2: No. 25, Chorus: Ruht wohl, ihr heiligen Gebeine
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Johannes-Passion, BWV 245, Pt. 2: No. 26, Chorale: Ach Herr, laß dein lieb Engelein
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Vespro della Beata Vergine, SV 206: I. Domine ad adjuvandum me
Vespro della Beata Vergine, SV 206: XI. Sonata sopra Sancta Maria
Vespro della Beata Vergine, SV 206: II. Dixit Dominus - Psalm 109
Vespro della Beata Vergine, SV 206: XII. Ave Maris Stella à 8
Vespro della Beata Vergine, SV 206: III. Nigra sum
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Magnificat
Vespro della Beata Vergine, SV 206: IV. Laudate Pueri à 8 - Psalm 112
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Et exultabit
Vespro della Beata Vergine, SV 206: V. Pulchra es
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Quia respexit
Vespro della Beata Vergine, SV 206: VI. Laetatus sum - Psalm 121
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Quia fecit
Vespro della Beata Vergine, SV 206: VII. Duo Seraphim
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Et misericordia à 6
Vespro della Beata Vergine, SV 206: VIII. Nisi Dominus à 10 - Psalm 126
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Fecit potentiam
Vespro della Beata Vergine, SV 206: IX. Audi Coelum à 6
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Deposuit
Vespro della Beata Vergine, SV 206: X. Lauda Jerusalem - Psalm 147
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Esurientes
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Suscepit Israel
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Sicut locutus
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Gloria Patri
Vespro della Beata Vergine, SV 206: XIII. Magnificat à 7 - Sicut erat
Recercada segunda sobre tenores Italianos
Prelude in G Major (Arr. for Violoncello da spalla by Anonymous)
Allemande in C Minor (Arr. for Violoncello da spalla by Anonymous)
Passagalia in G Minor, C. 105 "The Guardian Angel" (Arr. for Violoncello da spalla by Anonymous)
Cello Suite No. 3 in C Major, BWV 1009: V. Bourrée I - VI. Bourrée II
Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande
Cello Suite No. 3 in C Major, BWV 1009: VII. Gigue
Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande (Arr. for Clavichord by Anonymous)
Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande
Violin Partita No. 2 in D Minor, BWV 1004: III. Sarabande
Violin Partita No. 2 in D Minor, BWV 1004: II. Courante
Viola da Gamba Sonata in G Major, WK 155: I. Adagio
Viola da Gamba Sonata in G Major, WK 155: II. Allegro
Viola da Gamba Sonata in G Major, WK 155: III. Menuet
Die Zauberflöte, K. 620, Act I: Overture
Die Zauberflöte, K. 620, Act I: No. 1, Introduction. "Zu Hilfe! Zu Hilfe!" (Tamino, Three Ladies)
Die Zauberflöte, K. 620, Act I: Dialogue. "Wo bin ich? Ist's Phantasie, dass ich noch lebe?" (Tamino)
Die Zauberflöte, K. 620, Act I: No. 2, Song. "Der Vogelfänger bin ich ja" (Papageno)
Die Zauberflöte, K. 620, Act I: Dialogue. "He da!" (Tamino, Papageno, Three Ladies)
Die Zauberflöte, K. 620, Act I: No. 3, Aria. "Dies Bildnis ist bezaubernd schön" (Tamino)
Die Zauberflöte, K. 620, Act I: Dialogue. "Rüste dich mit Mut und Standhaftigkeit" (Three Ladies, Tamino)
Die Zauberflöte, K. 620, Act I: No. 4, Recitative and Aria. "O zittre nicht, mein lieber Sohn!" (Queen of the Night)
Die Zauberflöte, K. 620, Act I: Dialogue. "Ist's denn auch Wirklichkeit was ich sah" (Tamino)
Die Zauberflöte, K. 620, Act I: No. 5, Quintet. "Hm, hm, hm, hm, hm!" (Papageno, Tamino, Three Ladies)
Die Zauberflöte, K. 620, Act I: Dialogue. "Ha, ha, ha!" (Slaves, Monostatos)
Die Zauberflöte, K. 620, Act I: No. 6, Trio. "Du feines Täubchen" (Monostatos, Pamina, Papageno)
Die Zauberflöte, K. 620, Act I: Dialogue. "Mutter - Mutter - Mutter!" (Pamina, Papageno)
Die Zauberflöte, K. 620, Act I: No. 7, Duet. "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
Die Zauberflöte, K. 620, Act I: No. 8, Finale. "Zum Ziele führt dich diese Bahn" (Three Boys, Tamino)
Die Zauberflöte, K. 620, Act I: Recitative. "Die Weisheitslehre dieser Knaben" (Tamino, First Priest)
Die Zauberflöte, K. 620, Act I: Andante. "Wie stark ist nicht dein Zauberton" (Tamino)
Die Zauberflöte, K. 620, Act I: Andante. "Schnelle Füße, rascher Mut" (Pamina, Papageno, Monostatos, Slaves)
Die Zauberflöte, K. 620, Act I: Chorus. "Es lebe Sarastro! Sarastro lebe!" (Chorus, Papageno, Pamina)
Die Zauberflöte, K. 620, Act I: Larghetto. "Herr, ich bin zwar Verbrecherin" (Pamina, Sarastro)
Die Zauberflöte, K. 620, Act I: Allegro. "Nun stolzer Jüngling, nur hierher!" (Monostatos, Pamina, Tamino, All, Sarastro)
Die Zauberflöte, K. 620, Act I: Chorus. "Wenn Tugend und Gerechtigkeit" (Chorus)
Die Zauberflöte, K. 620, Act II: No. 9, "March of the Priests" (Orchestra)
Die Zauberflöte, K. 620, Act II: Dialogue. "Ihr, in dem Weisheitstempel eingeweihten Diener" (Sarastro, Priests)
Die Zauberflöte, K. 620, Act II: No. 10, Aria and Chorus. "O Isis und Osiris" (Sarastro, Chorus)
Die Zauberflöte, K. 620, Act II: Dialogue. "Eine schreckliche Nacht!" (Tamino, Papageno, Second Priest)
Die Zauberflöte, K. 620, Act II: No. 11, Duet. "Bewahret euch vor Weibertücken" (Priests)
Die Zauberflöte, K. 620, Act II: Dialogue. "He, Lichter her! Lichter her!" (Papageno, Tamino)
Die Zauberflöte, K. 620, Act II: No. 12, Quintet. "Wie, wie, wie? Ihr an diesem Schreckensort?" (Three Ladies, Papageno, Tamino)
Die Zauberflöte, K. 620, Act II: Dialogue. "Heil dir, Jüngling!" (Speaker, Second Priest, Papageno, Monostatos)
Die Zauberflöte, K. 620, Act II: No. 13, Aria. "Alles fühlt der Liebe Freuden" (Monostatos)
Die Zauberflöte, K. 620, Act II: Dialogue. "Zurücke!" (Queen of the Night, Pamina, Monostatos)
Die Zauberflöte, K. 620, Act II: No. 14, Aria. "Der Hölle Rache kocht in meinem Herzen" (Queen of the Night)
Die Zauberflöte, K. 620, Act II: Dialogue. "Götter, das kann ich nicht!" (Pamina, Monostatos, Sarastro)
Die Zauberflöte, KV 620, Act II: No. 15, Aria. "In diesen heil'gen Hallen" (Sarastro)
Die Zauberflöte, K. 620, Act II: Dialogue. "Hier seid ihr euch beide allein überlassen" (Speaker, Second Priest, Papageno, Tamino, Old Woman)
Die Zauberflöte, K. 620, Act II: No. 16, Trio. "Seid uns zum zweiten Mal willkommen" (Three Boys)
Die Zauberflöte, K. 620, Act II: Dialogue. "Tamino, wollen wir nicht speisen?" (Papageno, Pamina, Tamino)
Die Zauberflöte, K. 620, Act II: No. 17, Aria. "Ach, ich fühl's, es ist verschwunden" (Pamina)
Die Zauberflöte, K. 620, Act II: Dialogue. "Nicht wahr, Tamino, ich kann auch schweigen" (Papageno)
Die Zauberflöte, K. 620, Act II: No. 18, Chorus. "O Isis und Osiris, welche Wonne!" (Chorus of Priests)
Die Zauberflöte, K. 620, Act II: Dialogue. "Prinz, dein Betragen war bis hierher männlich" (Sarastro, Pamina, Tamino)
Die Zauberflöte, K. 620, Act II: No. 19, Trio. "Soll ich dich, Teurer, nicht mehr seh'n?" (Pamina, Sarastro, Tamino)
Die Zauberflöte, K. 620, Act II: Dialogue. "Tamino! Willst du mich denn gänzlich verlassen?" (Papageno, Speaker)
Die Zauberflöte, K. 620, Act II: No. 20, Aria. "Ein Mädchen oder Weibchen" (Papageno)
Die Zauberflöte, K. 620, Act II: Dialogue. "Da bin ich schon, mein Engel!" (Old Woman, Papageno, Speaker)
Die Zauberflöte, K. 620, Act II: No. 21, Finale. "Bald prangt, den Morgen zu verkünden" (Three Boys, Pamina)
Die Zauberflöte, K. 620, Act II: Adagio. "Der, welcher wandert diese Straße" (Two Men in Armour, Tamino, Pamina)
Die Zauberflöte, K. 620, Act II: March-Adagio. "Wir wandelten durch Feuersgluten" (Pamina, Tamino)
Die Zauberflöte, K. 620, Act II: Chorus. "Triumph! Triumph! Du edles Paar!"
Don Giovanni, K. 527 (Excerpts): Overture [Live]
Don Giovanni, K. 527 (Excerpts): Guarda un po' come seppe [Live]
Don Giovanni, K. 527 (Excerpts): Notte e giorno faticar [Live]
Don Giovanni, K. 527 (Excerpts): Presto, presto, pria ch'ei venga [Live]
Don Giovanni, K. 527 (Excerpts): Leporello, ove sei? [Live]
Don Giovanni, K. 527 (Excerpts): Protegga il giusto cielo [Live]
Don Giovanni, K. 527 (Excerpts): Ma qual mai s'offre, o Dei [Live]
Don Giovanni, K. 527 (Excerpts): Riposate, vezzose ragazze [Live]
Don Giovanni, K. 527 (Excerpts): Fuggi, crudele, fuggi! [Live]
Don Giovanni, K. 527 (Excerpts): Venite pur avanti [Live]
Don Giovanni, K. 527 (Excerpts): Orsù, spicciati presto [Live]
Don Giovanni, K. 527 (Excerpts): Eh via, buffone, non mi seccar! [Live]
Don Giovanni, K. 527 (Excerpts): Ah, chi mi dice mai [Live]
Don Giovanni, K. 527 (Excerpts): Leporello! [Live]
Don Giovanni, K. 527 (Excerpts): Chi è lá? [Live]
Don Giovanni, K. 527 (Excerpts): Ah taci, ingiusto core! [Live]
Don Giovanni, K. 527 (Excerpts): Madamina, il catalogo è questo [Live]
Don Giovanni, K. 527 (Excerpts): Amore, che ti par? [Live]
Don Giovanni, K. 527 (Excerpts): In questa forma dunque [Live]
Don Giovanni, K. 527 (Excerpts): Deh, vieni alla finestra [Live]
Don Giovanni, K. 527 (Excerpts): Giovinette che fate all'amore [Live]
Don Giovanni, K. 527 (Excerpts): V'è gente alla finestra [Live]
Don Giovanni, K. 527 (Excerpts): Manco male, è partita [Live]
Don Giovanni, K. 527 (Excerpts): Metà di voi qua vadano [Live]
Don Giovanni, K. 527 (Excerpts): Ho capito, signor si! [Live]
Don Giovanni, K. 527 (Excerpts): Zitto, lascia ch'io senta! [Live]
Don Giovanni, K. 527 (Excerpts): Alfin siam liberati [Live]
Don Giovanni, K. 527 (Excerpts): Ahi! Ahi! La testa mia! [Live]
Don Giovanni, K. 527 (Excerpts): Là ci darem la mano [Live]
Don Giovanni, K. 527 (Excerpts): Vedrai, carino [Live]
Don Giovanni, K. 527 (Excerpts): Fermati, scellerato! [Live]
Don Giovanni, K. 527 (Excerpts): Di molte faci il lume [Live]
Don Giovanni, K. 527 (Excerpts): Ah, fuggi il traditor! [Live]
Don Giovanni, K. 527 (Excerpts): Sola, sola in buio loco [Live]
Don Giovanni, K. 527 (Excerpts): Mi par ch'oggi il demonio si diverta [Live]
Don Giovanni, K. 527 (Excerpts): Mille torbidi pensieri [Live]
Don Giovanni, K. 527 (Excerpts): Non ti fidar, o misera [Live]
Don Giovanni, K. 527 (Excerpts): Dunque quello sei tu [Live]
Don Giovanni, K. 527 (Excerpts): Povera sventurata! [Live]
Don Giovanni, K. 527 (Excerpts): Ah, pietà, signori miei! [Live]
Don Giovanni, K. 527 (Excerpts): Don Ottavio, son morta! [Live]
Don Giovanni, K. 527 (Excerpts): Ferma, perfido, ferma! [Live]
Don Giovanni, K. 527 (Excerpts): Or sai chi l'onore [Live]
Don Giovanni, K. 527 (Excerpts): Il mio tesoro intanto [Live]
Don Giovanni, K. 527 (Excerpts): Come mai creder deggio [Live]
Don Giovanni, K. 527 (Excerpts): Ah, ah, ah, questa è buona [Live]
Don Giovanni, K. 527 (Excerpts): Io deggio ad ogni patto [Live]
Don Giovanni, K. 527 (Excerpts): Finch'han dal vino [Live]
Don Giovanni, K. 527 (Excerpts): Masetto, senti un po' [Live]
Don Giovanni, K. 527 (Excerpts): Batti, batti, o bel Masetto [Live]
Così fan tutte, K. 588: Ouverture (Live)
Così fan tutte, K. 588:, Act I Scene 14: Ah, che tutta in un momento (Live)
Così fan tutte, K. 588:, Act II Scene 8: Amico, abbiamo vinto! (Live)
Così fan tutte, K. 588:, Act I Scene 1: La mia Dorbella capace non è (Live)
Così fan tutte, K. 588:, Act I Scene 15: Si mora, sì, si mora (Live)
Così fan tutte, K. 588:, Act II Scene 8: Donne mia, la fate a tanti, a ianti (Live)
Così fan tutte, K. 588:, Act I Scene 1: E la fede delle femmine (Live)
Così fan tutte, K. 588:, Act I Scene 16: Eccovil il medico, signore belle (Live)
Così fan tutte, K. 588:, Act II Scene 9: In qual fiero contrasto (Live)
Così fan tutte, K. 588:, Act I Scene 1: Una bella serenata (Live)
Così fan tutte, K. 588:, Act I Scene 16: Dammi un bacio, o mio tesoro (Live)
Così fan tutte, K. 588:, Act II Scene 10: E amor un ladroncello (Live)
Così fan tutte, K. 588:, Act I Scene 2: Ah guarda, sorella (Live)
Così fan tutte, K. 588:, Act II Scene 1: Andante là, che siete due (Live)
Così fan tutte, K. 588:, Act II Scene 12: Fra gli amplessi in pochi istanti (Live)
Così fan tutte, K. 588:, Act I Scene 3: Vorrei dir, e cor non ho (Live)
Così fan tutte, K. 588:, Act II Scene 1: Una donna a quindici anni (Live)
Così fan tutte, K. 588:, Act II Scene 13: Tutti accusan le donne (Live)
Così fan tutte, K. 588:, Act I Scene 4: Sento, o Dio, che questo piede (Live)
Così fan tutte, K. 588:, Act II Scene 2: Prenderò quel brunettino (Live)
Così fan tutte, K. 588:, Act II Scene 15: Fate presto, o cari amici (Live)
Così fan tutte, K. 588:, Act I Scene 4: Al fatto dan legge (Live)
Così fan tutte, K. 588:, Act II Scene 4: Secondate, aurette amiche (Live)
Così fan tutte, K. 588:, Act II Scene 16: Benedetti i doppi coniugi (Live)
Così fan tutte, K. 588:, Act I Scene 5: Bella vita mitlitar (Live)
Così fan tutte, K. 588:, Act II Scene 4: La mano a me date (Live)
Così fan tutte, K. 588:, Act II Scene 16: E nel tuo, nel mio bicchero (Live)
Così fan tutte, K. 588:, Act I Scene 5: Di scrivermi ogni giorno (Live)
Così fan tutte, K. 588:, Act II Scene 5: Il coro vi dono (Live)
Così fan tutte, K. 588:, Act II Scene 17: Miei signori, tutto è fatto (Live)
Così fan tutte, K. 588:, Act I Scene 6: Soave sia il vento (Live)
Così fan tutte, K. 588:, Act II Scene 6: Barbara! Perché fuggi! (Live)
Così fan tutte, K. 588:, Act II Scene 18: Sani e salvi agli amplessi amorosi (Live)
Così fan tutte, K. 588:, Act I Scene 9: Ah! Scostati! Paventa oltristo (Live)
Così fan tutte, K. 588:, Act II Scene 7: Ei parte, senti, ah no! (Live)
Così fan tutte, K. 588:, Act I Scene 9: In uomini, in soldati sperare (Live)
Così fan tutte, K. 588:, Act I Scene 11: Alla bella Despinetta (Live)
Così fan tutte, K. 588:, Act I Scene 11: Temerari! Sortite fuori (Live)
Così fan tutte, K. 588:, Act I Scene 11: Non siate ritorsi! (Live)
Così fan tutte, K. 588:, Act I Scene 12: E voi ridete? (Live)
Così fan tutte, K. 588:, Act I Scene 12: Un'aura amorosa del nostro tresoro (Live)
Membra Jesu nostri, BuxWV 75: I. Ad pedes: Sonata
Membra Jesu nostri, BuxWV 75: I. Ad pedes: Ecce super montes pedes
Membra Jesu nostri, BuxWV 75: I. Ad pedes: Salve mundi salutare
Membra Jesu nostri, BuxWV 75: II. Ad genua: Sonata in tremulo
Membra Jesu nostri, BuxWV 75: II. Ad genua: Ad ubera portabimini
Membra Jesu nostri, BuxWV 75: II. Ad genua: Salve Jesu, rex sanctorum
Membra Jesu nostri, BuxWV 75: III. Ad manus: Sonata
Membra Jesu nostri, BuxWV 75: III. Ad manus: Quid sunt plagae
Membra Jesu nostri, BuxWV 75: III. Ad manus: Salve Jesu, pastor bone
Membra Jesu nostri, BuxWV 75: IV. Ad latus: Sonata
Membra Jesu nostri, BuxWV 75: IV. Ad latus: Surge, amica mea, speciosa mea
Membra Jesu nostri, BuxWV 75: IV. Ad latus: Salve latus salvatoris
Membra Jesu nostri, BuxWV 75: V. Ad pectus: Sonata
Membra Jesu nostri, BuxWV 75: V. Ad pectus: Sicut modo geniti infantes rationabiles
Membra Jesu nostri, BuxWV 75: V. Ad pectus: Salve, salus mea, Deus
Membra Jesu nostri, BuxWV 75: VI. Ad cor: Sonata
Membra Jesu nostri, BuxWV 75: VI. Ad cor: Vulnerasti cor meum
Membra Jesu nostri, BuxWV 75: VI. Ad cor: Summi regis cor, aveto
Membra Jesu nostri, BuxWV 75: VII. Ad faciem: Sonata
Membra Jesu nostri, BuxWV 75: VII. Ad faciem: Illustra faciem tuam
Membra Jesu nostri, BuxWV 75: VII. Ad faciem: Salve, caput cruentatum
Membra Jesu nostri, BuxWV 75: VII. Ad faciem: Amen
Fried- und Freudenreiche Hinfahrt, BuxWV 76*: No. 1. Mit Fried und Freud: Contrapunctus 1, "Mit Fried und Freud ich fahr dahin"
Fried- und Freudenreiche Hinfahrt, BuxWV 76*: No. 1. Mit Fried und Freud: Evolutio 1, "Das macht Christus, wahr' Gottes Sohn"
Fried- und Freudenreiche Hinfahrt, BuxWV 76*: No. 1. Mit Fried und Freud: Contrapunctus 2, "Den hat er allen vorgestellt"
Fried- und Freudenreiche Hinfahrt, BuxWV 76*: No. 1. Mit Fried und Freud: Evolutio 2, "Er ist das Heil und selig Licht"
Fried- und Freudenreiche Hinfahrt, BuxWV 76*: No. 2. Klage lied, "Muss der Tod denn auch entbinden"
Harpsichord Concerto No. 4 in A Major, BWV 1055: I. Allegro
Harpsichord Concerto No. 4 in A Major, BWV 1055: II. Larghetto
Harpsichord Concerto No. 4 in A Major, BWV 1055: III. Allegro ma non tanto
Harpsichord Concerto No. 2 in E Major, BWV 1053: I. Allegro
Harpsichord Concerto No. 2 in E Major, BWV 1053: II. Siciliano
Harpsichord Concerto No. 2 in E Major, BWV 1053: III. Allegro
Violin Concerto No. 1 in A Minor, BWV 1041: I. Allegro moderato
Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante
Violin Concerto No. 1 in A Minor, BWV 1041: III. Allegro assai
Concerto for 2 Harpsichords in C Minor, BWV 1062: I. —
Concerto for 2 Harpsichords in C Minor, BWV 1062: II. Andante e piano
Concerto for 2 Harpsichords in C Minor, BWV 1062: III. Allegro assai
Sonata in C Major, KV. 296 for fortepiano and violin (Mannheim, 1778): I. Allegro vivace
Sonata in C Major, KV. 296 for fortepiano and violin (Mannheim, 1778): II. Andante sostenuto
Sonata in C Major, KV. 296 for fortepiano and violin (Mannheim, 1778): III. Rondeau
Duo in G Major, KV. 423 for violin and viola (Salzburg, 1783): I. Allegro
Duo in G Major, KV. 423 for violin and viola (Salzburg, 1783): II. Adagio
Duo in G Major, KV. 423 for violin and viola (Salzburg, 1783): III. Rondeau - Allegro
Fantasie in D Minor, KV. 397 for fortepiano
“Kegelstatt” Trio, KV. 498 in E flat Major: I. Andante (Artaria original edition for violin, viola and piano, 1788)
“Kegelstatt” Trio, KV. 498 in E flat Major: II. Menuetto (Artaria original edition for violin, viola and piano, 1788)
“Kegelstatt” Trio, KV. 498 in E flat Major: III. Rondeaux (Artaria original edition for violin, viola and piano, 1788)
Alles nur nach Gottes Willen, BWV 72: No. 1, Alles nur nach Gottes Willen
Alles nur nach Gottes Willen, BWV 72: No. 2, O selger Christ, der allzeit seinen Willen
Alles nur nach Gottes Willen, BWV 72: No. 3, Mit allem, was ich hab und bin
Alles nur nach Gottes Willen, BWV 72: No. 4, So glaube nun!
Alles nur nach Gottes Willen, BWV 72: No. 5, Mein Jesus will es tun, er will dein Kreuz versüßen
Alles nur nach Gottes Willen, BWV 72: No. 6, Was mein Gott will, das g'scheh allzeit
Ich steh mit einem Fuß im Grabe, BWV 156: No. 1, Sinfonia
Ich steh mit einem Fuß im Grabe, BWV 156: No. 2, Ich steh mit einem Fuß im Grabe
Ich steh mit einem Fuß im Grabe, BWV 156: No. 3, Mein Angst und Not
Ich steh mit einem Fuß im Grabe, BWV 156: No. 4, Herr, was du willt, soll mir gefallen
Ich steh mit einem Fuß im Grabe, BWV 156: No. 5, Und willst du, dass ich nicht soll kranken
Ich steh mit einem Fuß im Grabe, BWV 156: No. 6, Herr, wie du willt, so schicks mit mir
Ich hab in Gottes Herz und Sinn, BWV 92: No. 1, Ich hab in Gottes Herz und Sinn
Ich hab in Gottes Herz und Sinn, BWV 92: No. 2, Es kann mir fehlen nimmermehr!
Ich hab in Gottes Herz und Sinn, BWV 92: No. 3, Seht, seht! Wie reißt, wie bricht, wie fällt
Ich hab in Gottes Herz und Sinn, BWV 92: No. 4, Zudem ist Weisheit und Verstand
Ich hab in Gottes Herz und Sinn, BWV 92: No. 5, Wir wollen nun nicht länger zagen
Ich hab in Gottes Herz und Sinn, BWV 92: No. 6, Das Brausen von den rauhen Winden
Ich hab in Gottes Herz und Sinn, BWV 92: No. 7, Ei nun, mein Gott, so fall ich
Ich hab in Gottes Herz und Sinn, BWV 92: No. 8, Meinem Hirten belieb ich treu
Ich hab in Gottes Herz und Sinn, BWV 92: No. 9, Soll ich denn auch des Todes Weg
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xbdf07b2b8f3831cab2f306ba33429afbe5b11a5a2fefd659bac76a09f35fa02c. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/0teBd7J6hJX0cjk7LyrwvJ.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/0teBd7J6hJX0cjk7LyrwvJ.
Ein Kindelein so löbelich, TWV 9:5: I. Kyrie
Ein Kindelein so löbelich, TWV 9:5: III. Gloria
Ich freue mich in dir, BWV 133: I. Ich freue mich in dir
Ich freue mich in dir, BWV 133: II. Getrost! Es faßt ein heil'ger Leib
Ich freue mich in dir, BWV 133: III. Ein Adam mag sich voller Schrecken
Ich freue mich in dir, BWV 133: IV. Wie lieblich klingt es in den Ohren
Ich freue mich in dir, BWV 133: V. Wohlan, des Todes Furcht und Schmerz
Ich freue mich in dir, BWV 133: VI. Wohlan, so will ich mich
O Jesu Christ, dein Kripplein, TWV 1:1200: I. O Jesu Christ, dein Kripplein ist
O Jesu Christ, dein Kripplein, TWV 1:1200: II. Neugebornes Menschenkind
O Jesu Christ, dein Kripplein, TWV 1:1200: III. O Kind, vor dem das Höllenreich erschrickt
O Jesu Christ, dein Kripplein, TWV 1:1200: IV. Wenn mich Welt und Satan schrecken
O Jesu Christ, dein Kripplein, TWV 1:1200: V. Die ihr schwebt in grossem Leiden
Mozart: Piano Concertos K. 413, K. 414 & K. 415
Piano Concerto No. 11 in F Major, K. 413/387a: Allegro
Piano Concerto No. 11 in F Major, K. 413/387a: Larghetto
Piano Concerto No. 11 in F Major, K. 413/387a: Tempo di Minuetto
Piano Concerto No. 13 in C Major, K. 415/387b: Allegro
Piano Concerto No. 13 in C Major, K. 415/387b: Andante
Piano Concerto No. 13 in C Major, K. 415/387b: Rondeau. Allegro
Piano Concerto No. 12 in A Major, K. 414/385p: Allegro
Piano Concerto No. 12 in A Major, K. 414/385p: Andante
Piano Concerto No. 12 in A Major, K. 414/385p: Rondeau. Allegretto
Cantate Es erhub sich ein Streit, BWV 19: I. Choral Es erhub sich ein Streit.
Cantate Es erhub sich ein Streit, BWV 19: II. Récitatif Gottlob! der Drache liegt.
Cantate Es erhub sich ein Streit, BWV 19: III. Aria Gott schickt uns Mahanaim zu;
Cantate Es erhub sich ein Streit, BWV 19: IV. Récitatif Was ist der schnöde Mensch,
Cantate Es erhub sich ein Streit, BWV 19: V. Aria & choral Bleibt, ihr Engel, bleibt bei mir!
Cantate Es erhub sich ein Streit, BWV 19: VI. Récitatif Lasst uns das Angesicht
Cantate Es erhub sich ein Streit, BWV 19: VII. Choral Lass dein' Engel mit mir fahren
Cantate Befielh dem engel, dass er komm, Bux WV 10
Cantate Herr Gott, dich loben alle wir BWV 130: I. Choral Herr Gott, dich loben alle wir
Cantate Herr Gott, dich loben alle wir BWV 130: II. Récitatif Ihr heller Glanz und hohe Weisheit zeigt
Cantate Herr Gott, dich loben alle wir BWV 130: III. Air Der alte Drache brennt vor Neid
Cantate Herr Gott, dich loben alle wir BWV 130: IV. Récitatif Wohl aber uns, dass Tag und Nacht
Cantate Herr Gott, dich loben alle wir BWV 130: V. Air Lass, o Fürst der Cherubinen,
Cantate Herr Gott, dich loben alle wir BWV 130: VI. Choral Darum wir billig loben dich
Psalmen Davids, Op. 2: No. 4, Aus der Tiefe, SWV 25 (Psalm 130)
Symphoniarum sacrarum II, Op. 10: No. 13, Was betrübst du dich, meine Seele?, SWV 353
Geistliche Chormusik, Op. 11: No. 23, Selig sind die Toten, SWV 391
Symphoniarum sacrarum II, Op. 10: No. 20, Zweierlei bitte ich, SWV 360
Musicalische Exequien, Op. 7: No. 1, Concert in Form einer teutschen Begräbnis-Messe, SWV 279
Musicalische Exequien, Op. 7: No. 2, Motet, SWV 280 "Herr, wenn ich nur dich habe"
Musicalische Exequien, Op. 7: No. 3, Canticum B. Simeonis, SWV 281 "Herr nun lässest du deinen Diener in Friede fahren"
Suite in A Minor, TWV 55:A2: I. Ouverture
Suite in A Minor, TWV 55:A2: II. Les plaisirs
Suite in A Minor, TWV 55:A2: III. Air à l'Italien
Suite in A Minor, TWV 55:A2: IV. Menuets I & II
Suite in A Minor, TWV 55:A2: V. Réjouissance
Suite in A Minor, TWV 55:A2: VI. Passepieds I & II
Suite in A Minor, TWV 55:A2: VII. Polonaise
Quartet in G Major, TWV 43:G6: I. Allegro
Quartet in G Major, TWV 43:G6: II. Grave
Quartet in G Major, TWV 43:G6: III. Allegro
Suite in D Major, TWV 55:D6: I. Ouverture
Suite in D Major, TWV 55:D6: II. La trompette
Suite in D Major, TWV 55:D6: III. Sarabande
Suite in D Major, TWV 55:D6: IV. Rondeau
Suite in D Major, TWV 55:D6: VI. Courante - Double
Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:A1: I. Grave
Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:A1: II. Allegro
Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:A1: III. Dolce
Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:A1: IV. Allegro
La Petite Bande (Sigiswald Kujiken, 70th Anniversary Edition)
Orfeo ed Euridice, Act III: Aria. Che farò senza Euridice?
Così fan tutte, K. 588, Act I: Aria. Un'aura amorosa
Don Giovanni, K. 527, Act II: Deh vieni alla finestra
The Marriage of Figaro, K. 492, Act III: Canzonetta sull aria… Che soave zeffiretto - Non so più cosa son, cosa faccio
The Marriage of Figaro, K. 492, Act III: Canzonetta sull aria… Che soave zeffiretto - Gente! Gente!, all'armi, all'armi
Die Schöpfung, Hob. XXI:2, Pt. II: Zu dir, o Herr, blickt alles auf (The Creation)
Die Schöpfung, Hob. XXI:2, Pt. II: Vollendet ist das große Werk (The Creation)
Requiem in D Minor, K. 626: Introitus. Requiem aeternam
Requiem in D Minor, K. 626: Kyrie eleison
Requiem in D Minor, K. 626: Sequence. Dies Irae
Daphnis et Eglé: Premier et deuxieme tambourin
The 4 Seasons, Violin Concerto in E Major, Op. 8, No. 1, RV 269, "La primavera": I. Allegro
The 4 Seasons, Violin Concerto in E Major, Op. 8, No. 1, RV 269, "La primavera": II. Largo e pianissimo sempre
The 4 Seasons, Violin Concerto in E Major, Op. 8, No. 1, RV 269, "La primavera": III. Danza pastorale. Allegro
Nun komm, der Heiden Heiland, BWV 61: Overture - Nun komm, der Heiden Heiland (Soprano, Alto, Tenor, Bass)
Nun komm, der Heiden Heiland, BWV 61: Recitative. Der Heiland ist gekommen (Tenor)
Nun komm, der Heiden Heiland, BWV 61: Aria. Komm, Jesu, komm zu deiner Kirche (Tenor)
Nun komm, der Heiden Heiland, BWV 61: Recitative. Siehe, ich stehe vor der Tür (Bass)
Nun komm, der Heiden Heiland, BWV 61: Aria. Öffne dich, mein ganzes Herze (Soprano)
Nun komm, der Heiden Heiland, BWV 61: Amen, Amen (Soprano, Alto, Tenor, Bass)
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. —. II. Adagio
Bach: Cantatas, Vol. 18, BWV 9, 70 & 182
Wachet! Betet! Betet! Wachet!, BWV 70: Wachet! Betet! Betet! Wachet! (Chorus)
Wachet! Betet! Betet! Wachet!, BWV 70: Recitative. Erschrecket, ihr verstocken (Bass)
Wachet! Betet! Betet! Wachet!, BWV 70: Aria. Wenn kommt der Tag, an dem wir (Alto)
Wachet! Betet! Betet! Wachet!, BWV 70: Recitative. Auch bei dem himmlischen (Tenor)
Wachet! Betet! Betet! Wachet!, BWV 70: Aria. Lasst der Spötter Zungen (Soprano)
Wachet! Betet! Betet! Wachet!, BWV 70: Recitative. Jedoch bei dem unartigen (Tenor)
Wachet! Betet! Betet! Wachet!, BWV 70: Chorale. Freu dich sehr, o meine Seele (Chorus)
Wachet! Betet! Betet! Wachet!, BWV 70: Aria. Hebt euer Haupt empor (Tenor)
Wachet! Betet! Betet! Wachet!, BWV 70: Recitative. Ach, soll nicht dieser (Bass)
Wachet! Betet! Betet! Wachet!, BWV 70: Aria. Seligster Erquickungstag (Bass)
Wachet! Betet! Betet! Wachet!, BWV 70: Chorale. Nicht nach Welt, nach Himmel nicht (Chorus)
Es ist das Heil uns kommen her, BWV 9: Es ist das Heil uns kommen her (Chorus)
Es ist das Heil uns kommen her, BWV 9: Recitative. Gott gab uns ein Gesetz (Bass)
Es ist das Heil uns kommen her, BWV 9: Aria. Wir waren schon zu tief (Tenor)
Es ist das Heil uns kommen her, BWV 9: Recitative. Doch musste das Gesetz (Bass)
Es ist das Heil uns kommen her, BWV 9: Duet. Herr, du siehst statt (Soprano, Alto)
Es ist das Heil uns kommen her, BWV 9: Recitative. Wenn wir die Sünd (Bass)
Es ist das Heil uns kommen her, BWV 9: Chorale. Ob sich's anließ, als wollt er nicht (Chorus)
Himmelskönig, sei willkommen, BWV 182: Sonata
Himmelskönig, sei willkommen, BWV 182: Himmelskönig, sei willkommen (Chorus)
Himmelskönig, sei willkommen, BWV 182: Recitative. Siehe, ich komme (Bass)
Himmelskönig, sei willkommen, BWV 182: Aria. Starkes Lieben (Bass)
Himmelskönig, sei willkommen, BWV 182: Aria. Leget euch dem Heiland unter (Alto)
Himmelskönig, sei willkommen, BWV 182: Aria. Jesu, lass durch Wohl und Weh (Tenor)
Himmelskönig, sei willkommen, BWV 182: Chorale. Jesu, deine Passion (Chorus)
Himmelskönig, sei willkommen, BWV 182: So lasset uns gehen in Salem (Chorus)
Overture No. 1 in C Major, BWV 1066: I. Overture (Suite)
Overture No. 1 in C Major, BWV 1066: II. Courante (Suite)
Overture No. 1 in C Major, BWV 1066: III. Gavotte I-II (Suite)
Overture No. 1 in C Major, BWV 1066: IV. Forlane (Suite)
Overture No. 1 in C Major, BWV 1066: V. Menuet I-II (Suite)
Overture No. 1 in C Major, BWV 1066: VI. Bourrée I-II (Suite)
Overture No. 1 in C Major, BWV 1066: VII. Passepied I-II (Suite)
Overture No. 3 in D Major, BWV 1068: I. Ouverture (Suite)
Overture No. 3 in D Major, BWV 1068: II. Air, "Air on a G String" (Suite)
Overture No. 3 in D Major, BWV 1068: III. Gavotte I-II (Suite)
Overture No. 3 in D Major, BWV 1068: IV. Bourrée - (Suite)
Overture No. 3 in D Major, BWV 1068: V. Gigue (Suite)
Overture No. 2 in B Minor, BWV 1067: I. Ouverture (Suite)
Overture No. 2 in B Minor, BWV 1067: II. Rondeau (Suite)
Overture No. 2 in B Minor, BWV 1067: III. Sarabande (Suite)
Overture No. 2 in B Minor, BWV 1067: IV. Bourrée I-II (Suite)
Overture No. 2 in B Minor, BWV 1067: V. Polonaise - Double (Suite)
Overture No. 2 in B Minor, BWV 1067: VI. Menuet (Suite)
Overture No. 2 in B Minor, BWV 1067: VII. Badinerie (Suite)
Overture No. 4 in D Major, BWV 1069: I. Overture (Suite)
Overture No. 4 in D Major, BWV 1069: II. Bourrée I-II (Suite)
Overture No. 4 in D Major, BWV 1069: III. Gavotte (Suite)
Overture No. 4 in D Major, BWV 1069: IV. Menuet I-II (Suite)
Overture No. 4 in D Major, BWV 1069: V. Réjouissance (Suite)
Haydn: Die Tageszeiten (The Day Trilogy)
Symphony No. 6 in D Major, Hob. I:6 "Le matin": I. Adagio - Allegro
Symphony No. 6 in D Major, Hob. I:6 "Le matin": II. Adagio - Andante - Adagio
Symphony No. 6 in D Major, Hob. I:6 "Le matin": III. Menuet
Symphony No. 6 in D Major, Hob. I:6 "Le matin": IV. Finale: Allegro
Symphony No. 7 in C Major, Hob. I:7 "Le midi: I. Adagio - Allegro
Symphony No. 7 in C Major, Hob. I:7 "Le midi: II. Recitativo: Adagio - Allegro
Symphony No. 7 in C Major, Hob. I:7 "Le midi: II. Adagio
Symphony No. 7 in C Major, Hob. I:7 "Le midi: III. Menuetto
Symphony No. 7 in C Major, Hob. I:7 "Le midi: IV. Finale: Allegro
Symphony No. 8 in G Major, Hob. I:8 "Le soir": I. Allegro molto
Symphony No. 8 in G Major, Hob. I:8 "Le soir": II. Andante
Symphony No. 8 in G Major, Hob. I:8 "Le soir": III. Menuetto
Symphony No. 8 in G Major, Hob. I:8 "Le soir": IV. La tempesta: Presto
Gelobet seist du, Jesu Christ, BWV 91: No. 1, Gelobet seist du, Jesu Christ
Gelobet seist du, Jesu Christ, BWV 91: No. 2, Der Glanz der höchsten Herrlichkeit
Gelobet seist du, Jesu Christ, BWV 91: No. 3, Gott, dem der Erden Kreis zu klein
Gelobet seist du, Jesu Christ, BWV 91: No. 4, O Christenheit!
Gelobet seist du, Jesu Christ, BWV 91: No. 5, Die Armut, so Gott auf sich nimmt
Gelobet seist du, Jesu Christ, BWV 91: No. 6, Das hat er alles uns getan
Selig ist der Mann, BWV 57: No. 1, Selig ist der Mann
Selig ist der Mann, BWV 57: No. 2, Ach! dieser süße Trost
Selig ist der Mann, BWV 57: No. 3, Ich wünschte mir den Tod, den Tod
Selig ist der Mann, BWV 57: No. 4, Ich reiche dir die Hand
Selig ist der Mann, BWV 57: No. 5, Ja, ja, ich kann die Feinde schlagen
Selig ist der Mann, BWV 57: No. 6, In meiner Schoß liegt Ruh und Leben
Selig ist der Mann, BWV 57: No. 7, Ich ende - Behende - Mein irdisches Leben
Selig ist der Mann, BWV 57: No. 8, Richte dich, Liebste, nach meinem Gefallen
Süßer Trost, mein Jesus kömmt, BWV 151: No. 1, Süßer Trost, mein Jesus kömmt
Süßer Trost, mein Jesus kömmt, BWV 151: No. 2, Erfreue dich, mein Herz
Süßer Trost, mein Jesus kömmt, BWV 151: No. 3, In Jesu Demut kann ich Trost
Süßer Trost, mein Jesus kömmt, BWV 151: No. 4, Du teurer Gottessohn
Süßer Trost, mein Jesus kömmt, BWV 151: No. 5, Heut schleußt er wieder auf die Tür
Das neugeborne Kindelein, BWV 122: No. 1, Das neugeborne Kindelein
Das neugeborne Kindelein, BWV 122: No. 2, O Menschen, die ihr täglich sündigt
Das neugeborne Kindelein, BWV 122: No. 3, Die Engel, welche sich zuvor
Das neugeborne Kindelein, BWV 122: No. 4, Ist Gott versöhnt und unser Freund
Das neugeborne Kindelein, BWV 122: No. 5, Dies ist ein Tag, den selbst der Herr gemacht
Das neugeborne Kindelein, BWV 122: No. 6, Es bringt das rechte Jubeljahr
Bach: Cantatas for the Complete Ligurgical Year, Vol. 13
Oster-Oratorium, BWV 249: Kommt, eilet und laufet (Chorus)
Oster-Oratorium, BWV 249: Recitative: O kalter Manner Sinn! (Soprano, Alto, Tenor, Bass)
Oster-Oratorium, BWV 249: Aria: Seele, deine Spezereien (Soprano)
Oster-Oratorium, BWV 249: Recitative: Hier ist die Gruft (Alto, Tenor, Bass)
Oster-Oratorium, BWV 249: Aria: Sanfte soll mein Todeskummer (Tenor)
Oster-Oratorium, BWV 249: Recitative: Indessen seufzen wir (Soprano, Alto)
Oster-Oratorium, BWV 249: Aria: Saget, saget mit geschwinde (Soprano, Alto)
Oster-Oratorium, BWV 249: Recitative: Wir sind erfreut (Bass)
Oster-Oratorium, BWV 249: Preis und Dank (Chorus)
Bleib bei uns, denn es will Abend werden, BWV 6: Bleib bei uns (Chorus)
Bleib bei uns, denn es will Abend werden, BWV 6: Aria: Hochgelobter Gottessohn (Alto)
Bleib bei uns, denn es will Abend werden, BWV 6: Chorale: Ach bleib bei uns, Herr Jesu Christ (Soprano)
Bleib bei uns, denn es will Abend werden, BWV 6: Recitative: Es hat die Dunkelheit (Bass)
Bleib bei uns, denn es will Abend werden, BWV 6: Aria: Jesus, lass uns auf dich sehen (Tenor)
Bleib bei uns, denn es will Abend werden, BWV 6: Chorale: Beweis dein Macht, Herr Jesu Christ (Chorus)
Wer weiss, wie nahe mir mein Ende!, BWV 27: Chorale and Recitative: Wer weiss, wie nahe mir mein Ende (Soprano, Alto, Tenor, Chorus)
Wer weiss, wie nahe mir mein Ende!, BWV 27: Recitative: Mein Leben hat kein ander Ziel (Tenor)
Wer weiss, wie nahe mir mein Ende!, BWV 27: Aria: Willkommen! will ich sagen (Alto)
Wer weiss, wie nahe mir mein Ende!, BWV 27: Recitative: Ach, wer doch schon im Himmel war! (Soprano)
Wer weiss, wie nahe mir mein Ende!, BWV 27: Aria: Gute Nacht, du Weltgetummel! (Bass)
Wer weiss, wie nahe mir mein Ende!, BWV 27: Chorale: Welt, ade! Ich bin dein mude (Chorus)
Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: Wer sich selbst erhohet (Chorus)
Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: Aria: Wer ein wahrer Christ will heissen (Soprano)
Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: Recitative: Der Mensch ist Kot, Stank, Asch und Erde (Bass)
Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: Aria: Jesu, beuge doch mein Herze (Bass)
Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: Chorale: Der zeitlichen Ehrn will ich gern entbehrn (Chorus)
Warum betrübst du dich, mein Herz, BWV 138: Chorale and Recitative: Warum betrubst du dich (Alto, Chorus)
Warum betrübst du dich, mein Herz, BWV 138: Recitative and Chorale: Ich bin veracht (Bass, Soprano, Alto, Chorus)
Warum betrübst du dich, mein Herz, BWV 138: Recitative: Ach susser Trost (Tenor)
Warum betrübst du dich, mein Herz, BWV 138: Aria: Auf Gott steht meine Zuversicht (Bass)
Warum betrübst du dich, mein Herz, BWV 138: Recitative: Ei nun! So will ich auch recht (Alto)
Warum betrübst du dich, mein Herz, BWV 138: Chorale: Weil du mein Gott und Vater bist
Herr Christ, der einge Gottessohn (Chorus)
Herr Christ, der einige Gottessohn, BWV 96: Recitative: O Wunderkraft der Liebe (Alto)
Herr Christ, der einige Gottessohn, BWV 96: Aria: Ach, ziehe die Seele mit Seilen der Liebe (Tenor)
Herr Christ, der einige Gottessohn, BWV 96: Recitative: Ach, fuhre mich, o Gott, zum rechten Wege (Soprano)
Herr Christ, der einige Gottessohn, BWV 96: Aria: Bald zur Rechten, bald zur Linken (Bass)
Herr Christ, der einige Gottessohn, BWV 96: Chorale: Ertot uns durch dein Gute (Chorus)
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. (Allegro)
Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro
Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio - III. Allegro
Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante
Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro
Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto
Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. —
Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto
Brandenburg Concerto No. 1 in F Major, BWV 1046: I. (Allegro)
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro
Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio
Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (Allegro)
Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro
Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante
Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II
Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai
Halt im Gedächtnis Jesum Christ, BWV 67: Halt im Gedachtnis Jesum Christ (Chorus)
Halt im Gedächtnis Jesum Christ, BWV 67: Aria. Mein Jesus ist erstanden (Tenor)
Halt im Gedächtnis Jesum Christ, BWV 67: Recitative. Mein Jesu, heissest du (Alto)
Halt im Gedächtnis Jesum Christ, BWV 67: Chorale. Erschienen ist der herrlich Tag
Halt im Gedächtnis Jesum Christ, BWV 67: Recitative. Doch scheinet fast (Alto)
Halt im Gedächtnis Jesum Christ, BWV 67: Aria. Friede sei mit euch! (Chorus)
Halt im Gedächtnis Jesum Christ, BWV 67: Chorale. Du Friedefurst, Herr Jesu Christ
Ich bin ein guter Hirt, BWV 85: Aria. Ich bin ein guter Hirt (Bass)
Ich bin ein guter Hirt, BWV 85: Aria. Jesus ist ein guter Hirt (Alto)
Ich bin ein guter Hirt, BWV 85: Chorale. Der Herr ist mein getreuer Hirt (Soprano)
Ich bin ein guter Hirt, BWV 85: Recitative. Wenn die Mietlinge schlafen (Tenor)
Ich bin ein guter Hirt, BWV 85: Aria. Seht, was die Liebe tut (Tenor)
Ich bin ein guter Hirt, BWV 85: Chorale. Ist Gott mein Schutz und treuer Hirt (Chorus)
Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia
Weinen, Klagen, Sorgen, Zagen, BWV 12: Recitative. Wir mussen durch viel Trubsal (Alto)
Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria. Kreuz und Krone sind verbunden (Alto)
Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria. Ich folge Christo nach (Bass)
Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria. Sei getreu (Tenor)
Weinen, Klagen, Sorgen, Zagen, BWV 12: Chorale. Was Gott tut
Es ist euch gut, dass ich hingehe, BWV 108: Aria. Es ist euch gut, dass ich hingehe (Bass)
Es ist euch gut, dass ich hingehe, BWV 108: Aria. Mich kann kein Zweifel storen (Tenor)
Es ist euch gut, dass ich hingehe, BWV 108: Recitative. Dein Geist wird mich also regieren (Tenor)
Es ist euch gut, dass ich hingehe, BWV 108: Wenn aber jener, der Geist der Wahrheit (Chorus)
Es ist euch gut, dass ich hingehe, BWV 108: Aria. Was mein Herz von dir begehrt (Alto)
Es ist euch gut, dass ich hingehe, BWV 108: Chorale. Dein Geist, den Gott vom Himmel gibt (Chorus)
Wahrlich, wahrlich, ich sage euch, BWV 86: Aria. Wahrlich, wahrlich, ich sage euch (Bass)
Wahrlich, wahrlich, ich sage euch, BWV 86: Aria. Ich will doch wohl Rosen brechen (Alto)
Wahrlich, wahrlich, ich sage euch, BWV 86: Chorale. Und was der ewig gutig Gott (Soprano)
Wahrlich, wahrlich, ich sage euch, BWV 86: Recitative. Gott macht es nicht gleichwie die Welt (Tenor)
Wahrlich, wahrlich, ich sage euch, BWV 86: Aria. Gott hilft gewiss (Tenor)
Wahrlich, wahrlich, ich sage euch, BWV 86: Chorale. Die Hoffnung wart' der rechten Zeit (Chorus)
Himmelfahrtsoratorium, BWV 11: Lobet Gott in seinen Reichen (Chorus)
Himmelfahrtsoratorium, BWV 11: Recitative. Der Herr Jesus hub seine Hande auf (Tenor)
Himmelfahrtsoratorium, BWV 11: Recitative. Ach, Jesu, ist dein Abschied schon so nah? (Bass)
Himmelfahrtsoratorium, BWV 11: Aria. Ach bleibe doch, mein liebstes Leben (Alto)
Himmelfahrtsoratorium, BWV 11: Recitative. Und ward aufgehoben zusehends (Tenor)
Himmelfahrtsoratorium, BWV 11: Chorale. Nun lieget alles unter dir (Chorus)
Himmelfahrtsoratorium, BWV 11: Recitative. Und da sie ihm nachsahen (Tenor, Bass)
Himmelfahrtsoratorium, BWV 11: Recitative. Ach ha! So kmme bald zuruck (Alto)
Himmelfahrtsoratorium, BWV 11: Recitative. Sie aber beteten ihn an (Tenor)
Himmelfahrtsoratorium, BWV 11: Aria. Jesu, deine Gnadenblicke (Soprano)
Himmelfahrtsoratorium, BWV 11: Chorale. Wenn soll es doch geschehen (Chorus)
Sie werden euch in den Bann tun, BWV 44: Aria Duet. Sie werden euch in den Bann tun (Tenor, Bass)
Sie werden euch in den Bann tun, BWV 44: Es kommt aber die Zeit (Chorus)
Sie werden euch in den Bann tun, BWV 44: Aria. Christen mussen auf der Erden (Alto)
Sie werden euch in den Bann tun, BWV 44: Chorale. Ach Gott, wie manches Herzeleid
Sie werden euch in den Bann tun, BWV 44: Recitative. Es sucht der Antichrist (Bass)
Sie werden euch in den Bann tun, BWV 44: Aria. Es ist und bleibt der Christen Trost (Soprano)
Sie werden euch in den Bann tun, BWV 44: Chorale. So sei nun, Seele, deine (Chorus)
Pieces de viole, Op. 2, Suite No. 2 in C Minor: I. Prelude. Lentement
Pieces de viole, Op. 2, Suite No. 2 in C Minor: II. Allemande. La Fiere
Pieces de viole, Op. 2, Suite No. 2 in C Minor: III. Rondo l'amoureux: Gracieusement
Pieces de viole, Op. 2, Suite No. 2 in C Minor: IV. Fantasie la clausie: Legerement et a petit coups d'archet
Pieces de viole, Op. 2, Suite No. 2 in C Minor: V. Sarabande
Pieces de viole, Op. 2, Suite No. 2 in C Minor: VI. Les Amusements: Gracieusement
Pieces de viole, Op. 2, Suite No. 2 in C Minor: VII. Tombeau de Marais le Pere: Lentement
Pieces de viole, Op. 2, Suite No. 2 in C Minor: VIII. Rondeau la Weymar
Pièces de viole, Suite No. 3 in D Major: I. La Ferrand: Vivement
Pièces de viole, Suite No. 3 in D Major: II. La Regente: Noblement et son tenu
Pièces de viole, Suite No. 3 in D Major: III. La Trochin: Mouvement aise
Pièces de viole, Suite No. 3 in D Major: IV. La Angrave: Tres vivement
Pièces de viole, Suite No. 3 in D Major: V. La Du Vaucel
Pièces de viole, Suite No. 3 in D Major: VI. La Eynaud: Fierement
Pièces de viole, Suite No. 3 in D Major: VII. Chaconne: La Morangis ou La Plissay, mouvement de Chaconne
Matthäus-Passion BWV 244: Chori: Kommt, ihr Töchter, helft mir klagen
Matthäus-Passion BWV 244: Aria (Alto, Chorus II): Ach! nun ist mein Jesus hin!
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus): Da Jesus diese Rede vollendet hatte
Matthäus-Passion BWV 244: Recitativo (Evangelista): Die aber Jesum gegriffen hatten
Matthäus-Passion BWV 244: Choral: Herzliebster Jesu, was hast du verbrochen
Matthäus-Passion BWV 244: Choral: Mir hat die Welt trüglich gericht’
Matthäus-Passion BWV 244: Recitativo (Evangelista): Da versammleten sich die Hohenpriester
Matthäus-Passion BWV 244: Recitativo (Evangelista, Pontifex): Und wiewohl viel falsche Zeugen
Matthäus-Passion BWV 244: Recitativo (Alto): Du lieber Heiland du
Matthäus-Passion BWV 244: Recitativo (Tenore): Mein Jesus schweigt
Matthäus-Passion BWV 244: Aria (Alto): Buß und Reu
Matthäus-Passion BWV 244: Aria (Tenore): Geduld!
Matthäus-Passion BWV 244: Recitativo (Evangelista, Judas): Da ging hin der Zwölfen einer
Matthäus-Passion BWV 244: Recitativo (Evangelista, Pontifex, Jesus): Und der Hohepriester antwortete
Matthäus-Passion BWV 244: Aria (Soprano): Blute nur, du liebes Herz!
Matthäus-Passion BWV 244: Choral: Wer hat dich so geschlagen
Matthäus-Passion BWV 244: Recitativo (Evangelista): Aber am ersten Tage der süßen Brot
Matthäus-Passion BWV 244: Recitativo (Evangelista, Ancilla I, II, Petrus): Petrus aber saß draußen im Palast
Matthäus-Passion BWV 244: Choral: Ich bin’s, ich sollte büßen
Matthäus-Passion BWV 244: Aria (Alto): Erbarme dich
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus): Er antwortete und sprach
Matthäus-Passion BWV 244: Choral: Bin ich gleich von dir gewichen
Matthäus-Passion BWV 244: Recitativo (Soprano): Wiewohl mein Herz in Tränen schwimmt
Matthäus-Passion BWV 244: Recitativo (Evangelista, Judas): Des Morgens aber hielten
Matthäus-Passion BWV 244: Aria (Soprano): Ich will dir mein Herze schenken
Matthäus-Passion BWV 244: Aria (Basso): Gebt mir meinen Jesum wieder!
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus): Und da sie den Lobgesang
Matthäus-Passion BWV 244: Recitativo (Evangelista, Pilatus, Jesus): Sie hielten aber einen Rat
Matthäus-Passion BWV 244: Choral: Erkenne mich, mein Hüter
Matthäus-Passion BWV 244: Choral: Befiehl du deine Wege
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus, Petrus): Petrus aber antwortete
Matthäus-Passion BWV 244: Recitativo (Evangelista, Pilatus, Uxor Pilati, Chorus): Auf das Fest aber
Matthäus-Passion BWV 244: Choral: Ich will hier bei dir stehen
Matthäus-Passion BWV 244: Choral: Wie wunderbarlich ist doch diese Strafe!
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus): Da kam Jesus mit ihnen zu einem Hofe
Matthäus-Passion BWV 244: Recitativo (Evangelista, Pilatus): Der Landpfleger sagte
Matthäus-Passion BWV 244: Recitativo (Tenore): O Schmerz!; Choral (Chorus II): Was ist die Ursach
Matthäus-Passion BWV 244: Recitativo (Soprano): Er hat uns allen wohlgetan
Matthäus-Passion BWV 244: Aria (Tenore, Chorus II): Ich will bei meinem Jesu wachen
Matthäus-Passion BWV 244: Aria (Soprano): Aus Liebe
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus): Und ging hin ein wenig
Matthäus-Passion BWV 244: Recitativo (Evangelista): Sie schrieen aber noch mehr
Matthäus-Passion BWV 244: Recitativo (Basso): Der Heiland fällt vor seinem Vater nieder
Matthäus-Passion BWV 244: Aria (Basso): Gerne will ich mich bequemen
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus): Und er kam zu seinen Jüngern
Matthäus-Passion BWV 244: Choral: Was mein Gott will, das g’scheh allzeit
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus, Judas): Und er kam und fand sie aber schlafend
Matthäus-Passion BWV 244: Aria (Soprano, Alto - Chorus II): So ist mein Jesus nun gefangen
Matthäus-Passion BWV 244: Recitativo (Evangelista, Jesus): Und siehe, einer aus denen
Matthäus-Passion BWV 244: Choral: O Mensch, bewein dein Sünde groß
Wolfgang Amadeus Mozart: Sinfonia Concertante & Violin Concerto
Sinfonia Concertante in E-Flat Major, K. 364: I. Allegro maestoso
Sinfonia Concertante in E-Flat Major, K. 364: II. Andante
Sinfonia Concertante in E-Flat Major, K. 364: III. Presto
Concerto for Violin & Orchestra in G Major, K. 216: I. Allegro
Concerto for Violin & Orchestra in G Major, K. 216: II. Adagio
Concerto for Violin & Orchestra in G Major, K. 216: III. Rondeau : Allegro
h-Moll-Messe, BWV 232: Ia. Kyrie, Kyrie eleison
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H-Moll-Messe, BWV 232: IIIa. Symbolum Nicenum, Credo in unum Deum
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h-Moll-Messe, BWV 232: Ib. Kyrie, Christe eleison
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H-Moll-Messe, BWV 232: IIIb. Symbolum Nicenum, Patrem omnipotentem
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h-Moll-Messe, BWV 232: Ic. Kyrie, Kyrie eleison
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H-Moll-Messe, BWV 232: IIIc. Symbolum Nicenum, Et in unum Dominum
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h-Moll-Messe, BWV 232: IIa. Gloria, Gloria in excelsis
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H-Moll-Messe, BWV 232: IIId. Symbolum Nicenum, Et incarnatus est
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h-Moll-Messe, BWV 232: IIb. Gloria, Et in terra pax
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H-Moll-Messe, BWV 232: IIIe. Symbolum Nicenum, Crucifixus
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h-Moll-Messe, BWV 232: IIc. Gloria, Laudamus te
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H-Moll-Messe, BWV 232: IIIf. Symbolum Nicenum, Et resurrexit
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h-Moll-Messe, BWV 232: IId. Gloria, Gratias agimus tibi
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H-Moll-Messe, BWV 232: IIIg. Symbolum Nicenum, Et in Spiritum Sanctum Dominum
h-Moll-Messe, BWV 232: IIe. Gloria, Domine Deus
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H-Moll-Messe, BWV 232: IIIh. Symbolum Nicenum, Confiteor
h-Moll-Messe, BWV 232: IIf. Gloria, Qui tollis peccata mundi
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H-Moll-Messe, BWV 232: IIIi. Symbolum Nicenum, Et expecto
h-Moll-Messe, BWV 232: IIg. Gloria, Qui sedes ad dexteram Patris
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H-Moll-Messe, BWV 232: IVa. Sanctus, Osanna, Benedictus, Agnus Dei, Sanctus
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h-Moll-Messe, BWV 232: IIh. Gloria, Quoniam tu solus sanctus
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H-Moll-Messe, BWV 232: IVb. Sanctus, Osanna, Benedictus, Agnus Dei, Osanna in excelsis
H-Moll-Messe, BWV 232: IVc. Sanctus, Osanna, Benedictus, Agnus Dei, Benedictus
h-Moll-Messe, BWV 232: IIi. Gloria, Cum Sancto Spiritu
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H-Moll-Messe, BWV 232: IVd. Sanctus, Osanna, Benedictus, Agnus Dei, Osanna in excelsis
H-Moll-Messe, BWV 232: IVe. Sanctus, Osanna, Benedictus, Agnus Dei, Agnus Dei
H-Moll-Messe, BWV 232: IVf. Sanctus, Osanna, Benedictus, Agnus Dei, Dona nobis pacem
Wolfgang Amadeus Mozart: Concerto in A Major - Concerto in D Major
Concerto for Violin & Orchestra in A Major, K.219: I. Allegro aperto
Concerto for Violin & Orchestra in A Major, K.219: II. Adagio
Concerto for Violin & Orchestra in A Major, K.219: III. Rondeau; Tempo di Menuetto
Concerto for Violin & Orchestra in D Major, K.218: I. Allegro
Concerto for Violin & Orchestra in D Major, K.218: II. Andante cantabile
Concerto for Violin & Orchestra in D Major, K.218: III. Allegro ma non troppo
Bach, J.S.: Cello Suites Nos. 1-6, Bwv 1007-1012
Cello Suite No. 1 in G Major, BWV 1007: I. Prelude
Cello Suite No. 4 in E-Flat Major, BWV 1010: I. Prelude
Cello Suite No. 1 in G Major, BWV 1007: II. Allemande
Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande
Cello Suite No. 1 in G Major, BWV 1007: III. Courante
Cello Suite No. 4 in E-Flat Major, BWV 1010: III. Courante
Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande
Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande
Cello Suite No. 1 in G Major, BWV 1007: V. Menuet I-II
Cello Suite No. 4 in E-Flat Major, BWV 1010: V. Bourree I-II
Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue
Cello Suite No. 4 in E-Flat Major, BWV 1010: VI. Gigue
Cello Suite No. 2 in D Minor, BWV 1008: I. Prelude
Cello Suite No. 5 in C Minor, BWV 1011: I. Prelude
Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande
Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande
Cello Suite No. 2 in D Minor, BWV 1008: III. Courante
Cello Suite No. 5 in C Minor, BWV 1011: III. Courante
Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande
Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande
Cello Suite No. 2 in D Minor, BWV 1008: V. Menuet I-II
Cello Suite No. 5 in C Minor, BWV 1011: V. Gavotte I-II
Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue
Cello Suite No. 5 in C Minor, BWV 1011: VI. Gigue
Cello Suite No. 3 in C Major, BWV 1009: I. Prelude
Cello Suite No. 6 in D Major, BWV 1012: I. Prelude
Cello Suite No. 3 in C Major, BWV 1009: II. Allemande
Cello Suite No. 6 in D Major, BWV 1012: II. Allemande
Cello Suite No. 3 in C Major, BWV 1009: III. Courante
Cello Suite No. 6 in D Major, BWV 1012: III. Courante
Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande
Cello Suite No. 3 in C Major, BWV 1009: V. Bourree I-II
Cello Suite No. 6 in D Major, BWV 1012: V. Gavotte I-II
Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue
Cello Suite No. 6 in D Major, BWV 1012: VI. Gigue
Cantata, BWV 82: Recitative. Ich habe genug! Mein Trost ist nur allein
Cantata, BWV 82: Aria. Schlummert ein, ihr matten Augen
Cantata, BWV 82: Recitative. Mein Gott! Wenn kommt das schöne
Cantata, BWV 82: Aria. Ich freue mich auf meinen Tod
Ich geh und suche mit Verlangen, BWV 49: Sinfonia
Ich geh und suche mit Verlangen, BWV 49: Aria. Ich geh und suche mit Verlangen (Bass)
Ich geh und suche mit Verlangen, BWV 49: Recitative. Mein Mahl ist zubereit (Bass, Soprano)
Ich geh und suche mit Verlangen, BWV 49: Aria. Ich bin herrlich, ich bin schon (Soprano)
Ich geh und suche mit Verlangen, BWV 49: Recitative. Mein Glaube hat mich selbst so angezogen (Soprano, Bass)
Ich geh und suche mit Verlangen, BWV 49: Aria and Chorale. Dich hab ich je und je geliebet (Soprano, Bass)
Ach Gott, wie manches Herzeleid, BWV 58: Aria with Chorale. Ach Gott, wie manches Herzeleid (Soprano, Bass)
Ach Gott, wie manches Herzeleid, BWV 58: Recitative. Verfolgt dich gleich die arge Welt (Bass)
Ach Gott, wie manches Herzeleid, BWV 58: Aria. Ich bin vergnugt in meinem Leiden (Soprano)
Ach Gott, wie manches Herzeleid, BWV 58: Recitative. Kann es die Welt nicht lassen (Soprano)
Ach Gott, wie manches Herzeleid, BWV 58: Aria with Chorale. Ich hab fur mir ein schwere Reis (Soprano, Bass)
Nun komm, der Heiden Heiland, BWV 61: Overture - Nun komm, der Heiden Heiland (Chorus)
Nun komm, der Heiden Heiland, BWV 61: Recitative: Der Heiland ist gekommen (Tenor)
Nun komm, der Heiden Heiland, BWV 61: Aria: Komm, Jesu, komm zu deiner Kirche (Tenor)
Nun komm, der Heiden Heiland, BWV 61: Recitative: Siehe, ich stehe vor der Tur (Bass)
Nun komm, der Heiden Heiland, BWV 61: Aria: Offne dich, mein ganzes Herze (Soprano)
Nun komm, der Heiden Heiland, BWV 61: Amen, Amen (Chorus)
Schwingt freudig euch empor, BWV 36: Chorale: Nun komm, der Heiden Heiland (Soprano, Alto)
Schwingt freudig euch empor, BWV 36: Aria: Die Liebe zieht mit sanften Schritten (Tenor)
Schwingt freudig euch empor, BWV 36: Chorale: Zwingt die Saiten in Cythara (Chorus)
Schwingt freudig euch empor, BWV 36: Aria: Willkommen, werter Schatz! (Bass)
Schwingt freudig euch empor, BWV 36: Chorale: Der du bist dem Vater gleich (Tenor)
Schwingt freudig euch empor, BWV 36: Aria: Auch mit gedampften, schwachen Stimmen (Soprano)
Schwingt freudig euch empor, BWV 36: Chorale: Lob sei Gott, dem Vater, ton (Chorus)
Nun komm, der Heiden Heiland, BWV 62: Aria: Bewundert, o Menschen, dies grosse Geheimnis (Tenor)
Nun komm, der Heiden Heiland, BWV 62: Recitative: So geht aus Gottes Herrlichkeit und Thron (Bass)
Nun komm, der Heiden Heiland, BWV 62: Aria: Streite, siege, starker Held! (Bass)
Nun komm, der Heiden Heiland, BWV 62: Recitative: Wir ehren diese Herrlichkeit (Soprano, Alto)
Nun komm, der Heiden Heiland, BWV 62: Chorale: Lob sei Gott, dem Vater, ton
Bereitet die Wege, bereitet die Bahn, BWV 132: Aria: Bereitet die Wege, bereitet die Bahn! (Soprano)
Bereitet die Wege, bereitet die Bahn, BWV 132: Recitative: Willst du dich Gottes Kind (Tenor)
Bereitet die Wege, bereitet die Bahn, BWV 132: Aria: Wer bist du? frage dein Gewissen (Bass)
Bereitet die Wege, bereitet die Bahn, BWV 132: Recitative: Ich will, mein Gott (Alto)
Bereitet die Wege, bereitet die Bahn, BWV 132: Aria: Christi Glieder, ach bedenket (Alto)
Bereitet die Wege, bereitet die Bahn, BWV 132: Ertot uns durch dein Gute (Chorus)
Fürchte dich nicht, ich bin bei dir, BWV 228
Der Geist hilft unsrer Schwachheit auf, BWV 226
Singet dem Herrn ein neues Lied, BWV 225
Meine Seufzer, meine Tränen, BWV 13: Aria. Meine Seufzer, meine Tranen (Tenor)
Meine Seufzer, meine Tränen, BWV 13: Recitative. Mein liebster Gott lasst mich annoch (Alto)
Meine Seufzer, meine Tränen, BWV 13: Chorale. Der Gott, der mir hat versprochen (Alto)
Meine Seufzer, meine Tränen, BWV 13: Recitative. Mein Kummer nimmet zu (Soprano)
Meine Seufzer, meine Tränen, BWV 13: Aria. Achzen und erbarmlich Weinen (Bass)
Meine Seufzer, meine Tränen, BWV 13: Chorale. So sei nun, Seele
Herr, wie du willt, so schick's mit mir, BWV 73: Recitative. Herr, wie du willt, so schick's mit mir (Tenor, Bass, Soprano)
Herr, wie du willt, so schick's mit mir, BWV 73: Aria. Ach senke doch den Geist der Freuden (Tenor)
Herr, wie du willt, so schick's mit mir, BWV 73: Recitative. Ach, unser Wille bleibt verkehrt (Bass)
Herr, wie du willt, so schick's mit mir, BWV 73: Aria. Herr, so du willt (Bass)
Herr, wie du willt, so schick's mit mir, BWV 73: Chorale. Das ist des Vaters Wille (Chorus)
Jesus schläft, was soll ich hoffen, BWV 81: Aria. Jesus schlaft, was soll ich hoffen? (Alto)
Jesus schläft, was soll ich hoffen, BWV 81: Recitative. Herr! Warum trittest du so ferne? (Tenor)
Jesus schläft, was soll ich hoffen, BWV 81: Aria. Die schaumenden Wellen von Belials Bachen (Tenor)
Jesus schläft, was soll ich hoffen, BWV 81: Arioso. Ihr Kleinglaubigen, warum seid ihr so furchtsam? (Bass)
Jesus schläft, was soll ich hoffen, BWV 81: Aria. Schweig, aufgeturmtes Meer! (Bass)
Jesus schläft, was soll ich hoffen, BWV 81: Recitative. Wohl mir, mein Jesus spricht ein Wort (Alto)
Jesus schläft, was soll ich hoffen, BWV 81: Chorale. Unter deinen Schirmen (Chorus)
Nimm was dein ist, und gehe hin, BWV 144: Nimm, was dein ist, und gehe hin (Chorus)
Nimm was dein ist, und gehe hin, BWV 144: Aria. Murre nicht, lieber Christ (Alto)
Nimm was dein ist, und gehe hin, BWV 144: Chorale. Was Gott tut, das ist wohlgetan (Chorus)
Nimm was dein ist, und gehe hin, BWV 144: Recitative. Wo die Genugsamkeit regiert (Tenor)
Nimm was dein ist, und gehe hin, BWV 144: Aria. Genugsamkeit ist ein Schatz in diesem Leben (Soprano)
Nimm was dein ist, und gehe hin, BWV 144: Chorale. Was mein Gott will, das gscheh allzeit (Chorus)
Mozart, W.A.: Cassations - K. 63, 99 / March in D Major / Divertimento in D Major
Cassation in G Major, K. 63: II. Allegro
Cassation in G Major, K. 63: III. Andante
Cassation in G Major, K. 63: IV. Menuet - Trio
Cassation in G Major, K. 63: VI. Menuet. Trio
Cassation in G Major, K. 63: VII. Finale. Allegro assai
March in D Major, K. 189: March in D Major, K. 189
Divertimento in D Major, K. 205: I. Largo - Allegro
Divertimento in D Major, K. 205: II. Menuetto
Divertimento in D Major, K. 205: III. Adagio
Divertimento in D Major, K. 205: IV. Menuetto
Divertimento in D Major, K. 205: V. Finale. Presto
Cassation in B-Flat Major, K. 99: I. Marcia
Cassation in B-Flat Major, K. 99: II. Allegro molto
Cassation in B-Flat Major, K. 99: III. Andante
Cassation in B-Flat Major, K. 99: IV. Menuetto
Cassation in B-Flat Major, K. 99: V. Andante
Cassation in B-Flat Major, K. 99: VI. Menuetto
Cassation in B-Flat Major, K. 99: VII. Allegro - Marcia da capo
Bach, J.S.: Cantatas, Vol. 7 - Bwv 2, 10, 20
Meine Seel erhebt den Herren, BWV 10: Aria. Herr, der du stark und machtig bist (Soprano)
Meine Seel erhebt den Herren, BWV 10: Recitative. Des Hochsten Gut und Treu (Tenor)
Meine Seel erhebt den Herren, BWV 10: Aria. Gewaltige stosst Gott vom Stuhl (Bass)
Meine Seel erhebt den Herren, BWV 10: Duet and Chorale. Er denken der Barmherzigkeit (Alto, Tenor)
Meine Seel erhebt den Herren, BWV 10: Recitative. Was Gott den Vatern alter Zeiten (Tenor)
Meine Seel erhebt den Herren, BWV 10: Chorale. Lob un Preis sei Gott dem Vater und dem Sohn
Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: III. Rondo. Allegro vivace
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