1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this artist was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xb09517405b50ddf47b2cad3b4d94e48897a9ac020dffe6470440454a6cc1efdb. Chain 2 (Bitcoin): anchored in block 953758 (2026-06-15T07:48:25Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/b0ec1bdf-2090-4c81-a4f6-1e02a6bb033a.json and https://artists.proofprofile.net/proofs/artist/b0ec1bdf-2090-4c81-a4f6-1e02a6bb033a.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Vaughan Williams: The Pilgrim's Progress - Bantock: 2 Choruses from The Pilgrim's Progress
2 Choruses from the Pilgrim's Progress: No. 1, In Praise of Famous Men
The Pilgrim's Progress: Christian Meets Apollyon
2 Choruses from the Pilgrim's Progress: No. 2, The Pilgrim Now Hath Found His Lord
The Pilgrim's Progress: The Valley of the Shadow of Death
The Pilgrim's Progress: Vanity Fair and the Death of Faithful
The Pilgrim's Progress: Christian Meets the Neighbours
The Pilgrim's Progress: Christian Meets Hopeful
The Pilgrim's Progress: The Slough of Despond
The Pilgrim's Progress: Giant Despair and Doubting Castle
The Pilgrim's Progress: Mr. Worldly-Wiseman
The Pilgrim's Progress: The Delectable Mountains
The Pilgrim's Progress: Return of Evangelist
The Pilgrim's Progress: Christian and Hopeful Meet the Heavenly Hosts
The Pilgrim's Progress: Christian at the Wicket-Gate
The Pilgrim's Progress: Christian Loses His Burden
The Pilgrim's Progress: Shepherd-Boy's Song
The Pilgrim's Progress: Christian Meets Mistrust and Timorous
The Pilgrim's Progress: Christian Meets Watchful, the Porter
The Pilgrim's Progress: Christian in the Armoury
Vaughan Williams: Symphony No. 7 'Sinfonia Antartica'; Symphony No. 9 (Adrian Boult – The Decca Legacy I, Vol. 9)
Symphony No. 7: Sinfonia Antartica: I. Prelude (Andante maestoso)
Symphony No. 7: Sinfonia Antartica: II. Scherzo (Moderato)
Symphony No. 7: Sinfonia Antartica: III. Landscape (Lento)
Symphony No. 7: Sinfonia Antartica: IV. Intermezzo (Andante sostenuto)
Symphony No. 7: Sinfonia Antartica: V. Epilogue (Alla marcia, moderato ma non troppo)
Introduction to Vaughan Williams' Symphony No. 9
Symphony No. 9 in E Minor: I. Moderato maestoso
Symphony No. 9 in E Minor: II. Andante sostenuto
Symphony No. 9 in E Minor: III. Scherzo (Allegro pesante)
Symphony No. 9 in E Minor: IV. Andante tranquilo
The Importance of Being Earnest, Scene 1
The Importance of Being Earnest, Scene 2
The Importance of Being Earnest, Scene 3
The Importance of Being Earnest, Scene 4
The Importance of Being Earnest, Scene 5
The Importance of Being Earnest, Scene 6
The Importance of Being Earnest, Scene 7
The Importance of Being Earnest, Scene 8
The Importance of Being Earnest, Scene 9
The Importance of Being Earnest, Scene 10
The Importance of Being Earnest, Scene 11
The Importance of Being Earnest, Scene 12
Highlights From Shakespeare's Hamlet and Romeo and Juliet
O,That This Too,Too Solid Flesh Would Melt
O All You Host of Heaven!O Earth!What Else?
I Will Tell You Why:So Shall My Anticipation Prevent Your Discovery
What is He Whose Grief Bears Such an Emphasis?
What Lady is That,Which Doth Enrich the Hand
Sir John Gielgud,Pamela Brown and Philippa Gill
He Jests at Scars That Never Felt a Wound
Wilt Thou be Gone? It is Not Yet Near Day
Oscar Wilde: The Importance of Being Earnest
The Importance of Being Earnest: Act III
Sherlock Holmes - The Dying Detective and the Empty House
Act 1 Scene 1: Hamlet 'o That This Too Too Solid Flesh
Act 1 Scene 2: Hamlet 'o That This Too Too Solid Flesh
Act 1 Scene 2 (Cont): Hamlet 'o That This Too Too Solid Flesh
Act 1 Scene 3: Polonius 'Yet Here, Laertes?'
Act 1 Scene 3 (Cont): Polonius 'Yet Here, Laertes?'
Act 1 Scene 4: Hamlet 'Angels And Ministers Of Grace'
Act 1 Scene 4 (Cont): Hamlet 'Angels And Ministers Of Grace'
Act 1 Scene 5: Ghost 'i Am Thy Father's Spirit.'
Act 1 Scene 5 (Cont): Ghost 'I Am Thy Father's Spirit.'
Act 1 Scene 5: Hamlet 'o All You Host Of Heaven!'
Act 2 Scene 1: Ophelia 'My Lord, As I Was Sewing In My Closet'
Act 2 Scene 1 (Cont): Ophelia 'My Lord, As I Was Sewing In My Closet'
Act 2 Scene 2: Polonius 'My Leige, And Madam, To Expostulate...'
Act 2 Scene 2 (Cont): Polonius 'My Leige, And Madam, To Expostulate...'
Great Audio Moments, Vol.35: Hamlet by William Shakespeare
Much Ado About Nothing by William Shakespeare
(Youth) The Merchant of Venice: Act V, Scene 1
(Youth) Romeo and Juliet: Act l, Scene 4
(Youth) Measure for Measure: Act ll, Scene 2
(Manhood) Henry IV, Part l: Act l, Scene 3
(Manhood) Richard ll: Act lll, Scene 3 - Act lV, Scene 1
(Old Age) Henry lV, Pt. 2: Act lll, Scene 1
(Old Age) Measure for Measure: Act lll, Scene 1
(Old Age) Julius Caesar: Act ll, Scene 2
(Old Age) Hamlet: Act ll, Scene 2 - Act lll, Scene 1 - Act V, Scene 2
(Old Age) The Tempest: Act lV, Scene 1 - Act V, Scene 1 - Epilogue
One Man In His Time: Shakespeare's "Ages of Man" Pt. 2
Two Speeches from "A Midsummer Night's Dream" (Act ll, Scene 1)
Three Speeches from "Love's Labour Lost" ( Act lV, Scene 3 - Act lll, Scene 1 - Act V, Scene 2)
Speech from "The Taming of the Shrew" (Act lll, Scene 2)
Speech from "Troilus and Cressida" (Act lV, Scene 4)
Speech from "King Henry V (Act V, Scene 2)
Speech from "King Richard ll" (Act lll, Scene 2)
Three Speeches from "Julius Caesar" (Act lll, Scene 1 - Act lll, Scene 1 - Act lll, Scene 2)
Three Speeches from "Macbeth" (Act l, Scene 7 - Act ll, Scene 1 - Act V, Scene 5)
Dirge from "Cymbeline" (Act lV, Scene 2)
Speech from "Much Ado About Nothing" (Act V, Scene 3)
Vaughan Williams: Symphony No.7 - "Sinfonia Antartica"; Symphony No.8
Symphony No. 8 in D Minor: I. Fantasia (Variazioni senza tema)
Symphony No. 8 in D Minor: II. Scherzo alla marcia (per stromenti a fiato)
Symphony No. 8 in D Minor: III. Cavatina (per stromenti ad arco)
Act III (Concl.); Act Iv; Act V, Scene 1
The Two Gentlemen of Verona: Act III, Scene 4
Romeo and Juliet - Wilt Thou Be Gone It Is Not Yet Near Day
Richard II - John of Gaunt's Death Speech
A Midsummer Night's Dream - Now the hungry lion roars
Hamlet - To Be Or Not To Be That Is The Question
Troilus and Cressida - Troilus parts from Cressida in anguish
Macbeth - If It Were Done When 'Tis Done
Macbeth - When Shall We Three Meet Again
Romeo and Juliet - What light in yonder window
The Taming of the Shrew (Act III, Scene2)
Three Speeches from Julius Caesar (Act III Scenes 1 & 2)
Three Speeches from Love's Labour's Lost
Romeo And Juliet - Scenes from the J. Arthur Rank Film (Remastered)
Fight of the Montagues and Capulets and the Prince's Warning
Juliet's Death and Reconciliation of Montagues and Capulets
Hamlet: Act 2 - Scene 2, "How Does My Good Lord Hamlet?" (Polonius) (Part II)
Hamlet: Act 2 - Scene 2, "You Go to Seek the Lord Hamlet" (Polonius) - Part III
Hamlet: Act 2 - Scene 2, "There Are the Players" (Guildenstern) - Part IV
Hamlet: Act 2 - Scene 2, "Y' Are Welcome Masters, Welcome All." (Hamlet) - Part IV
Hamlet: Act 2 - Scene 2, "Anon He Finds Him, Striking Too Short" (1 Player) - Part V
Hamlet: Act 2 - Scene 2, "O' What a Rogue and Peasant Slave Am I" (Hamlet) - Part VI
Hamlet: Act 3 - Scene 1, " To Be or Not to Be, That is the Question" (Hamlet) - Part II
Hamlet: Act 3 - Scene 1, Ophelia " Oh What a Noble Mind is Here O'erthrown!" (Ophelia) - Part III
Hamlet: Act 3 - Scene 2, "They are Coming to the Play" (Hamlet) - Part II
Hamlet: Act 3 - Scene 2, "Full Thirty Times Hath Phoebus" (Player King) - Part III
Hamlet: Act 3 - Scene 2, "Thoughts Black, Hands Apt, Drugs Fit" (Lucianus) - Part III
Hamlet: Act 3 - Scene 2, "Oh the Recorders, Let Me See One" (Hamlet) - Part IV
Hamlet: Act 3 - Scene 2, ""Tis Now the Very Witching Time of Night." (Hamlet) - Part V
Hamlet: Act 3 - Scene 3, "Oh My Offence is Rank, It Smells..." (Claudius) - Part II
Hamlet: Act 3 - Scene 3, "Now Might I Do It Pat..." (Hamlet) - Part III
Hamlet: Act 3 - Scene 4, "Look Here Upon This Picture" (Hamlet) - Part II
Hamlet: Act 3 - Scene 4, "Save Me and Hover O'er Me..." (Hamlet) - Part III
Hamlet: Act 3 - Scene 4, "This is the Very Coinage" (Gertrude) - Part IV
Hamlet: Act 4 - Scene 4, " How All Occasions Do Inform" (Hamlet) - Part II
Hamlet: Act 4 - Scene 5, "Where is the Beauteous Majesty" Opheila - Part II
Hamlet: Act 4 - Scene 5, "O' Thou Vile King" (Laertes) - Part III
Hamlet: Act 4 - Scene 5, "O' Heat Dry Up My Brains" (Laertes) - Part IV
Hamlet: Act 4 - Scene 7, "I Bought an Unction of a Mountebank..." (Laertes) - Part II
Hamlet: Act 4 - Scene 7, "There is a Willow Grows Aslant..." (Gertrude) - Part III
Hamlet: Act 5 - Scene 1, "In Youth When I Did Love..." (Clown) - Part II
Hamlet: Act 5 - Scene 1, "Alas Poor Yorick!" (Hamlet) - Part III
Hamlet: Act 5 - Scene 1, "But Soft, But Soft!" (Hamlet) - Part IV
Hamlet: Act 5 - Scene 2, "Your Lordship is Right Welcome..." (Osric) - Part II
Hamlet: Act 5 - Scene 2, "Come Hamlet, Come and Take This Hand" (Claudius) - Part III
Hamlet: Act 5 - Scene 2, "Where is This Sight?" (Fortinbras) - Part IV
The Mystery of the Second Stain Chapter 1
The Mystery of the Second Stain Chapter 2
The Mystery of the Second Stain Chapter 3
The Mystery of the Second Stain Chapter 4
The Mystery of the Second Stain Chapter 5
Sir John Gielgud's Favorite Scenes from Shakespeare
A Midsummer Night's Dream: Oberon's Speech (Act III, Scene I)
A Midsummer Night's Dream: Oberon's Speech (Act III, Scene II)
Hamlet: O That This Too Too Solid Fleah Would Melt (Act I, Scene II)
Hamlet: O What a Rogue & Peasant Slave am I (Act II, Scene II)
Hamlet: To Be or Not to Be That is the Question (Act III, Scene I)
Hamlet: What is He Whose Grief Bears Such an Emphasis (Act V, Scene I)
Henry V: King Henry's Speech (Act IV, Scene I)
Julius Caesar (Act III, Scene I, Act III, Scene I, Act III, Scene II)
Love Labor's Lost: (Act IV, Scene III, Act III, Scene I, Act V, Scene V)
Macbeth (Act I, Scene VIII, Act II, Scene I, Act V, Scene V)
Much Ado About Nothing (Act IV, Scene I)
Othello: Othello's Speech (Act I, Scene 3)
Richard II: King Richard's Speech (Act III, Speech III)
Romeo & Juliet: What Lady is That Which Doth Enrich the Hand (Act I, Scene 5)
Romeo & Juliet: He Jests at Scars That Never Felt the Wound (Act II, Scene II)
Romeo & Juliet: Wilt Thou Be Gone It Is Not Yet Near Day (Act III, Scene V)
The Taming of the Shrew (Act III, Scene II)
The Tempest: Ye Elves of Hills, Brooks, Standing Lakes and Groves (Act V, Scene I)
Troilus and Cressida ( Act IV, Scene IV)
Two Speeches from A Midsummer Night's Dream - Act II, Scene I
Three Speeches from Love's Labour's Lost - Act IV, Scene III, Act III, Scene I, Act V, Scene II
Speech from The Taming of the Shrew - Act III, Scene II
Speech from Trolius and Cressida - Act IV, Scene IV
Speech from King Henry V - Act V, Scene II
Speech from King Richard II - Act III, Scene II
Three Speeches from Julius Caesar - Act III, Scene I, Act III, Scene II
Three Speeches from Macbeth - Act I, Scene VII, Act II, Scene I, Act V, Scene V
Speech from Much Ado About Nothing - Act V, Scene III
Scheherazade: III. The Young Price and the Young Princess
Wilt Thou Be Gone It Is Not Yet Near Day from Romeo & Juliet
Serenade in G Major, K. 525 - "Eine kleine Nachtmusik": II. Romanze. Andante
Lakme: Act I, "Wiens, Mallika, Dome epais le jasmin" - The Flower Duet
Clarinet Quintet in A Major, KV 581: II. Larghetto
Chorus and Orchestra of the Opera-Comique, Paris
Sonnet No. 18: Shall I compare thee to a summer's day?
Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2 - "Moonlight Sonata": I. Adagio sostenuto
Sonnets from the Portuguese: XLIII. How Do I Love Thee
Serenade for Strings in C Major, Op. 48: I. Prezzo in Forma di Sonatina - Andante Non Troppo - Allegro Moderato
Ralph Vaughan Williams: Sinfonia Antartica: I. Prelude (Andante maestoso)
Ralph Vaughan Williams: Sinfonia Antartica: II. Scherzo (Moderato)
Ralph Vaughan Williams: Sinfonia Antartica: III. Landscape (Lento)
Ralph Vaughan Williams: Sinfonia Antartica: IV. Intermezzo (Andante sostenuto)
Ralph Vaughan Williams: Sinfonia Antartica: V. Epilogue (Alla marcia, moderato ma non troppo)
Sir John Gielgud's Favourite Scenes from 'Hamlet', 'Romeo and Juliet', and 'The Sonnets'
O That This Too Too Solid Flesh Would Melt (Act 1, Scene 2) from 'Hamlet'
O All You Host of Heaven O Earth What Else (Act 1, Scene 5) from 'Hamlet'
O What a Rogue and Peasant Slave Am I (Act 2, Scene 2) from 'Hamlet'
I Will Tell You Why So Shall My Anticipation Prevent Your Discovery (Act 2, Scene 2) from 'Hamlet'
I Will Tell You Why So Shall My Anticipation Prevent Your Discovert (Act 2, Scene 2) from 'Hamlet'
To Be Or Not To Be, That Is The Question from 'Hamlet'
What Lady Is That Which Doth Enrich The Hand from 'Romeo & Julet'
He Jests At Scars That Never Felt A Wound from 'Romeo & Juliet'
Wilt Thou Be Gone It Is Not Yet Near Day from 'Romeo & Juliet'
Thou Detestable Maw Thou Womb of Death from 'Romeo & Juliet'
Sherlock Holmes: The Empty House & The Norwood Builder
The Adventures of Sherlock Holmes Vol. 5
The Adventures of Sherlock Holmes Vol. 4
The Adventures of Sherlock Holmes Vol. 3
Vaughan Williams: The Pilgrim's Progress
The Pilgrim's Progress: VI. The Palace Beautiful
The Pilgrim's Progress: VIII. Vanity Fair
The Pilgrim's Progress: X. Giant Despair
The Pilgrim's Progress: XI. The Delectable Mountains
The Very Best Of Andrew Lloyd Webber: The Broadway Collection
Peter and the Wolf, Op. 67: I. Introduction
Peter and the Wolf, Op. 67: II. Flute, Bird
Peter and the Wolf, Op. 67: III. Oboe, Duck
Peter and the Wolf, Op. 67: IV. Clarinet, Cat
Peter and the Wolf, Op. 67: V. Bassoon, Grandfather
Peter and the Wolf, Op. 67: VII. Strings, Peter
Peter and the Wolf, Op. 67: VIII. Timpani, Hunters
Peter and the Wolf, Op. 67: IX. The Tale of Peter and the Wolf