1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. Open OTSProofURL → extract Bitcoin block number → must equal OTSBitcoinBlock 3. GET OTSBitcoinBlockVerifyURL → block must exist at that height 4. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 5. GET OTSVerificationAPI → pre-computed 6-check result from server 6. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xa12981b31c56d223df694166bf42a880b2db27e714b4b159d042f76ed511d1ac. Chain 2 (Bitcoin): anchored in block 953423 (2026-06-12T21:20:00Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/244de00c-6886-4a88-a08f-f4dfa56731c7.json and https://artists.proofprofile.net/proofs/artist/244de00c-6886-4a88-a08f-f4dfa56731c7.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Adès: Dante, Pt. I "Inferno": I. Abandon Hope—
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1. Compute SHA-256 of OTSCanonicalRecord value → must equal OTSHash 2. GET OTSBitcoinBlockVerifyURL → block OTSBitcoinBlock must exist at that height 3. Read CopyrightID inside OTSCanonicalRecord → must equal the CopyrightID above 4. GET OTSVerificationAPI → pre-computed 6-check result from server 5. If all match: this entity was registered on CopyrightChains at OTSTimestamp, independently verifiable on Bitcoin
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Adès: Dante, Pt. II "Purgatorio": I. Dawn on the Sea of Purgatory—
Adès: Dante, Pt. III "Paradiso": Awakening—Moon—Mercury—Venus—Sun—Mars—Jupiter (The Eagle)—Saturn (The Golden Ladder)—Fixed Stars—Empyrean
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Adès: Dante, Pt. I "Inferno": II. The Selfish—stung by wasps
Adès: Dante, Pt. II "Purgatorio": II. Mount Purgatory—
Adès: Dante, Pt. I "Inferno": III. The Ferryman
Adès: Dante, Pt. II "Purgatorio": III. The Valley of Flowers—
Adès: Dante, Pt. I "Inferno": IV. Pavan of the Souls in Limbo—
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xdf1dab7011c9310cd844271949620993e243a3b614174c45bc875c4db70a0485. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/1MsghC0HkdrwOdM7bcHiPu.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/1MsghC0HkdrwOdM7bcHiPu.
Adès: Dante, Pt. II "Purgatorio": IV. The Healing Fire—
Adès: Dante, Pt. I "Inferno": V. Paolo and Francesca—the endless whirlwind
Adès: Dante, Pt. II "Purgatorio": V. The Earthly Paradise—
Adès: Dante, Pt. I "Inferno": VI. The Gluttons—in slime
Adès: Dante, Pt. II "Purgatorio": VI. The Heavenly Procession—
Adès: Dante, Pt. I "Inferno": VII. The Suicides—the bleeding trees—
Adès: Dante, Pt. II "Purgatorio": VII. The Ascent
Adès: Dante, Pt. I "Inferno": VIII. The Deviants—on burning sand—
Adès: Dante, Pt. I "Inferno": IX. The Fortune-tellers—facing both ways
Adès: Dante, Pt. I "Inferno": X. The Popes’ Adagio—heads first—
Adès: Dante, Pt. I "Inferno": XI. The Hypocrites—in coats of lead
Adès: Dante, Pt. I "Inferno": XII. The Thieves—devoured by reptiles
Adès: Dante, Pt. I "Inferno": XIII. Satan—in the lake of ice
Gerald Barry: The Importance of Being Earnest (Live)
The Importance of Being Earnest, Act I: Auld Lang Syne (Live)
The Importance of Being Earnest, Act I: Did You Hear What I Was Playing? (Live)
The Importance of Being Earnest, Act I: Lady Bracknell and Miss Fairfax (Live)
The Importance of Being Earnest, Act I: Freude, schöner Götterfunken (Live)
The Importance of Being Earnest, Act I: Miss Fairfax, Ever Since I Met You (Live)
The Importance of Being Earnest, Act I: Mister Worthing! (Live)
The Importance of Being Earnest, Act I: I Feel Bound to Tell You (Live)
The Importance of Being Earnest, Act I: Are Your Parents Living? (Live)
The Importance of Being Earnest, Act I: What Should I Do? (Live)
The Importance of Being Earnest, Act I: What Should I Do? (Reprise) [Live]
The Importance of Being Earnest, Act I: Will You Stop!! (Live)
The Importance of Being Earnest, Act II: Garden at the Manor House (Live)
The Importance of Being Earnest, Act II: I Wish Uncle Jack Would Allow (Live)
The Importance of Being Earnest, Act II: Freude, schöner Götterfunken (Live)
The Importance of Being Earnest, Act II: You Are My Little Cousin Cecily (Live)
The Importance of Being Earnest, Act II: Mister Worthing! (Live)
The Importance of Being Earnest, Act II: He's Going to Send Me Away (Live)
The Importance of Being Earnest, Act II: Cecily, Ever Since I Looked (Live)
The Importance of Being Earnest, Act II: You Must Not Laugh at Me (Live)
The Importance of Being Earnest, Act II: Miss Fairfax (Live)
The Importance of Being Earnest, Act II: Orchestral Interlude (Live)
The Importance of Being Earnest, Act II: I Had No Idea (Live)
The Importance of Being Earnest, Act II: And This Is What You Call Bunburying!? (Live)
The Importance of Being Earnest, Act III: Orchestral Introduction (Live)
The Importance of Being Earnest, Act III: Your Christian Names (Live)
The Importance of Being Earnest, Act III: Lady Bracknell (Live)
The Importance of Being Earnest, Act III: Mister Worthing, Is Miss Cardew (Live)
The Importance of Being Earnest, Act III: Pretty Child! (Live)
The Importance of Being Earnest, Act III: I Am Miss Cardew's Guardian (Live)
The Importance of Being Earnest, Act III: Miss Prism! (Live)
The Importance of Being Earnest, Act III: Twenty-Eight Years Ago (Live)
The Importance of Being Earnest, Act III: But Where Did You Deposit the Handbag? (Live)
The Importance of Being Earnest, Act III: What Do You Think This Means (Live)
The Importance of Being Earnest, Act III: Is This the Handbag? (Live)
The Importance of Being Earnest, Act III: Lady Bracknell, Who Am I? (Live)
The Importance of Being Earnest, Act III: Explosion! (Live)
On an Overgrown Path, Series I: Our Evenings
On an Overgrown Path, Series I: A Blown-Away Leaf
On an Overgrown Path, Series I: Come with Us!
On an Overgrown Path, Series I: The Madonna of Frydek
On an Overgrown Path, Series I: They Chattered like Swallows
On an Overgrown Path, Series I: Words Fail!
On an Overgrown Path, Series I: Good Night!
On an Overgrown Path, Series I: Unutterable Anguish
On an Overgrown Path, Series I: In Tears
On an Overgrown Path, Series I: The Barn Owl Has Not Flown Away!
On an Overgrown Path, Series II: Andante
On an Overgrown Path, Series II: Allegretto (Presto)
On an Overgrown Path, Series II: Più mosso
On an Overgrown Path, Series II: Allegro
‘Piano Sonata’ 1. X. 1905, From The Street: Foreboding
‘Piano Sonata’ 1. X. 1905, From The Street: Death
Der Tod und das Mädchen, Op. 7 No. 3, D. 531 (Arr. X. van Dijk for String Quartet)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x685e5ed7aaf893a4ac7e257adc1f66bc1e025a5d5c0c8a7c28320efe30494868. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6RCycdF0hU5n02aBKgVVYh.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6RCycdF0hU5n02aBKgVVYh.
Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": II. Andante
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x5192efc50e439b824a398b5709212cfa9decedd5b65a2bb8fb53dfae61158485. Chain 2 (Bitcoin): anchored in block 956312 (2026-07-02T05:09:12Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/048t7TYf1HRZbXkVzor6k1.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/048t7TYf1HRZbXkVzor6k1.
Violin Sonata in A Minor, Op. 137 No. 2, D. 385: II. Andante
Die schöne Müllerin, Op. 25, D. 795 (Excerpts): No. 1, Das Wandern
String Quintet in C Major, Op. 163, D. 956: IV. Allegretto - Più allegro
Piano Trio No. 2 in E-Flat Major, Op. 100, D. 929: III. Scherzando. Allegro moderato
Winterreise, Op. 89, D. 911 (Excerpts): No. 20, Der Wegweiser
Symphony No. 2 in B-Flat Major, D. 125: II. Andante
Du bist die Ruh, Op. 59 No. 3, D. 776 (Arr. X. van Dijk for String Quartet)
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xf97d60e4edbdec34095874ec50b1700d8e8d7d2da77c3212936db5a48830b7d1. Chain 2 (Bitcoin): anchored in block 957124 (2026-07-08T03:53:27Z), registered by our registry partner. Bridge: the canonical record at https://artists.proofprofile.net/proofs/track/6hADRUsZT2MSKv5P3Bfsxa.json contains the same CopyrightID — hash it and compare to OTSHash, then confirm the Bitcoin block independently via OTSBitcoinBlockVerifyURL or https://artists.proofprofile.net/api/v1/bot/ots/verify/track/6hADRUsZT2MSKv5P3Bfsxa.
Die schöne Müllerin, Op. 25, D. 795 (Excerpts): No. 11, Mein!
Piano Sonata in B-Flat Major, D. 960: III. Scherzo. Allegro vivace con delicatezza
Violin Sonata in D Major, Op. 137 No. 1, D. 384: II. Andante
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4 Gesänge aus "Wilhelm Meister", Op. 62, D. 877: No. 3, Lied der Mignon. So lasst mich scheinen
Symphony No. 3 in D Major, D. 200: IV. Presto vivace
Winterreise, Op. 89, D. 911 (Excerpts): No. 5, Der Lindenbaum
Piano Sonata in C Minor, D. 958: III. Menuetto. Allegro
Symphony No. 1 in D Major, D. 82: IV. Allegro vivace
Lied aus der Ferne, D. 107 (Arr. X. van Dijk for String Quartet)
Fantasy in C Major, Op. 159, D. 934: I. Andante molto
Symphony No. 6 in C Major, D. 589 "Little": I. Adagio - Allegro
Wandrers Nachtlied, Op. 96 No. 3, D. 768 (Arr. X. van Dijk for String Quartet)
Piano Sonata in A Major, D. 959: III. Scherzo. Allegro vivace
Erlkönig, Op. 1, D. 328 (Arr. M. Reger for Voice & Orchestra)
Rosamunde, Op. 26, D. 797 (Excerpts): V. Entr'acte No. 3 in B-Flat Major
6 Moments musicaux, Op. 94, D. 780: No. 3, Allegro moderato
Rosamunde, Op. 26, D. 797 (Excerpts): IIIa. Entr'acte No. 2 in D Major
Symphony No. 5 in B-Flat Major, D. 485: II. Andante con moto
Symphony No. 9 in C Major D. 944 "Great": III. Scherzo. Allegro vivace
Winterreise, Op. 89, D. 911: No. 1, Gute Nacht
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Winterreise, Op. 89, D. 911: No. 2, Die Wetterfahne
Winterreise, Op. 89, D. 911: No. 3, Gefrorne Tränen
Winterreise, Op. 89, D. 911: No. 4, Erstarrung
Winterreise, Op. 89, D. 911: No. 5, Der Lindenbaum
Winterreise, Op. 89, D. 911: No. 6, Wasserflut
Winterreise, Op. 89, D. 911: No. 7, Auf dem Flusse
Winterreise, Op. 89, D. 911: No. 8, Rückblick
Winterreise, Op. 89, D. 911: No. 9, Irrlicht
Winterreise, Op. 89, D. 911: No. 10, Rast
Winterreise, Op. 89, D. 911: No. 11, Frühlingstraum
Winterreise, Op. 89, D. 911: No. 12, Einsamkeit
Winterreise, Op. 89, D. 911: No. 13, Die Post
Winterreise, Op. 89, D. 911: No. 14, Der greise Kopf
Winterreise, Op. 89, D. 911: No. 15, Die Krähe
Winterreise, Op. 89, D. 911: No. 16, Letzte Hoffnung
Winterreise, Op. 89, D. 911: No. 17, Im Dorfe
Winterreise, Op. 89, D. 911: No. 18, Der stürmische Morgen
Winterreise, Op. 89, D. 911: No. 19, Täuschung
Winterreise, Op. 89, D. 911: No. 20, Der Wegweiser
Winterreise, Op. 89, D. 911: No. 21, Das Wirtshaus
Winterreise, Op. 89, D. 911: No. 22, Mut
Winterreise, Op. 89, D. 911: No. 23, Die Nebensonnen
Winterreise, Op. 89, D. 911: No. 24, Der Leiermann
Four Songs: No. 1, By Beauteous Softness (Arr. for Voice & Piano by Thomas Adès)
Symphony No. 1 in C Major, Op. 21 : I. Adagio molto – Allegro con brio
Symphony No. 1 in C Major, Op. 21 : II. Andante cantabile con moto
Symphony No. 1 in C Major, Op. 21 : III. Menuetto. Allegro molto e vivace
Symphony No. 1 in C Major, Op. 21: IV. Finale. Adagio – Allegro molto e vivace
Symphony No. 2 in D Major, Op. 36: I. Adagio molto – Allegro con bio
Symphony No. 2 in D Major, Op. 36: II. Larghetto
Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro
Symphony No. 2 in D Major, Op. 36: IV. Allegro molto
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale. Allegro molto
Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace
Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio
Symphony No. 4 in B-Flat Major, Op. 60: III. Allegro vivace
Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto
Symphony No. 5 in C Minor, Op. 67: III. Scherzo: Allegro
Symphony No. 5 in C Minor, Op. 67: IV. Allegro
Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Allegro ma non troppo 'Awakening of Happy Feelings'
Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Andante molto moto 'Scene by the Brook'
Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Allegro 'Peasants’ Merrymaking'
Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Allegro 'The Storm'
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Allegretto 'Shepherds’ Song. Joyous Thanksgiving After the Storm'
12 Études, Premier Livre, L. 136: I. Pour les cinq doigts · d'après Monsieur Czerny
12 Études, Premier Livre, L. 136: II. Pour les tierces
12 Études, Premier Livre, L. 136: III. Pour les quartes
12 Études, Premier Livre, L. 136: IV. Pour les sixtes
12 Études, Premier Livre, L. 136: V. Pour les octaves
12 Études, Premier Livre, L. 136: VI. Pour les huit doigts
12 Études, Deuxième Livre, L. 136: VII. Pour les degrés chromatiques
12 Études, Deuxième Livre, L. 136: VIII. Pour les agréments
12 Études, Deuxième Livre, L. 136: IX. Pour les notes répétées
12 Études, Deuxième Livre, L. 136: X. Pour les sonorités opposées
12 Études, Deuxième Livre, L. 136: XI. Pour les arpèges composés
12 Études, Deuxième Livre, L. 136: XII. Pour les accords
Armenian Dances: Manushaki of Vagharshapat
Armenian Dances: Shushiki of Vagharshapat
Chansons de Bilitis, L. 90: I. La Flûte de Pan
Chansons de Bilitis, L.90: II. La Chevelure
Chansons de Bilitis, L. 90: III. Le Tombeau des naïades
6 Épigraphes antiques, L. 139: I. Pour invoquer Pan, dieu du vent d'été
6 Épigraphes antiques, L. 139: II. Pour un tombeau sans nom
6 Épigraphes antiques, L. 139: III. Pour que la nuit soit propice
6 Épigraphes antiques, L. 139: IV. Pour la danseuse aux crotales
6 Épigraphes antiques, L. 139: V. Pour l'Égyptienne
6 Épigraphes antiques, L. 139: VI. Pour remercier la pluie au matin
Noël des enfants qui n'ont plus de maisons, L. 147
Page d'album pour piano pour l'oeuvre du "Vêtement du blessé," L. 133
Berceuse héroïque pour rendre hommage à S.M. le roi Albert Ier de Belgique et à ses soldats, L. 132
Élégie from Pages inédites sur la Femme et la Guerre, L. 138
Les Soirs illuminés par l’ardeur du charbon, L. 150
En blanc et noir, L. 134: I. À mon ami A. Koussevitzky (Avec emportement)
En blanc et noir, L. 134: Au lieutenant Jacques Charlot tué à l'ennemi en 1915, le 3 mars (Lent. Sombre)
En blanc et noir, L. 134: III. À mon ami Igor Stravinsky (Scherzando)
Beethoven: Complete Symphonies & Barry: Selected Works
Symphony No. 1 in C Major, Op. 21: I. Adagio molto – Allegro con brio
Symphony No. 4 in B flat Major, Op. 60: I. Adagio - Allegro vivace
Symphony No. 7 in A Major, Op. 92: I. Vivace
Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto
Symphony No. 4 in B flat Major, Op. 60: II. Adagio
Symphony No. 7 in A Major, Op. 92: II. Allegretto
Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace - Trio
Symphony No. 4 in B flat Major, Op. 60: III. Allegro vivace
Symphony No. 7 in A Major, Op. 92: III. Presto meno assai
Symphony No. 4 in B flat Major, Op. 60: IV. Allegro ma non troppo
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio
Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio
Symphony No. 5 in C minor, Op. 67: II. Andante con moto
Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro vivo
Symphony No. 5 in C minor, Op. 67: III. Scherzo
Symphony No. 8 in F Major, Op. 93: III. Tempo di Menuetto
Symphony No. 5 in C minor, Op. 67: IV. Allegro
Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace
Symphony No. 9 in D Minor, Op. 125 'Choral': I. Allegro ma non troppo, un poco maestoso
Symphony No. 6 in F Major, Op. 68 'Pastoral': I. Allegro ma non troppo
Symphony No. 9 in D Minor, Op 125 'Choral': II. Allegro vivace
Symphony No. 6 in F Major, Op. 68 'Pastoral': II. Andante molto moto
Symphony No. 9 in D Minor, Op. 125 'Choral': III. Adagio molto e cantabile
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace - Trio
Symphony No. 6 in F Major, Op. 68 'Pastoral': III. Allegro
Symphony No. 9 in D Minor, Op. 125 'Choral': IV. Allegro assai
Symphony No. 6 in F Major, Op. 68 'Pastoral': IV. Allegro
Symphony No. 6 in F Major, Op. 68 'Pastoral': V. Allegretto
Hotel Suite from "Powder Her Face": I. Overture
Hotel Suite from "Powder Her Face": II. Scene with Song
Hotel Suite from "Powder Her Face": III. Wedding March
Hotel Suite from "Powder Her Face": IV. Waltz
Hotel Suite from "Powder Her Face": V. Finale
Lieux retrouvés (Orchestral Version): I. Les eaux
Lieux retrouvés (Orchestral Version): II. La montagne
Lieux retrouvés (Orchestral Version): III. Les champs
Lieux retrouvés (Orchestral Version): IV. La ville - Cancan macabre
Märchentänze (Orchestral Version): II. —
Märchentänze (Orchestral Version): III. A Skylark for Jane
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Märchentänze (Orchestral Version): IV. —
Dawn, Chacony for Orchestra at Any Distance
Beethoven: Symphonies Nos. 7, 8 & 9 – Barry: The Eternal Recurrence
Symphony No. 8 in F Major, Op. 93: I. Allegro vivace con brio
Symphony No. 9 in D Minor, Op. 125 'Choral': II. Allegro vivace
Beethoven: Symphonies 4, 5 & 6 - Barry: The Conquest of Ireland & Viola Concerto
Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio – Allegro vivace
Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene am Bach. Andante molto moto
Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro
Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
Concert Paraphrase on "Powder Her Face" (Arr. for 2 Pianos): I.
Concert Paraphrase on "Powder Her Face" (Arr. for 2 Pianos): II.
Concert Paraphrase on "Powder Her Face" (Arr. for 2 Pianos): III.
Concert Paraphrase on "Powder Her Face" (Arr. for 2 Pianos): IV.
Mazurkas: No. 2, Prestissimo, molto espressivo
In Seven Days: I. Chaos - Light - Darkness - Live
In Seven Days: II. Separation of the Waters into Sea and Sky - Reflection Dance - Live
In Seven Days: III. Land - Grass - Trees - Live
In Seven Days: IV. Stars - Sun - Moon - Live
In Seven Days: V. Creatures of the Sea and Sky - Live
In Seven Days: VI. Creatures of the Land - Live
In Seven Days: VII. Contemplation - Live
Beethoven: Symphonies 1, 2 & 3 - Barry: Beethoven & Piano Concerto
Concert Paraphrase on "Powder Her Face": I. —
Concert Paraphrase on "Powder Her Face": II. —
Concert Paraphrase on "Powder Her Face": III. —
Concert Paraphrase on "Powder Her Face": IV. —
Concerto for Piano and Orchestra: 1. - - Live at Symphony Hall, Boston / 2019
Concerto for Piano and Orchestra: 2. - - Live at Symphony Hall, Boston / 2019
Concerto for Piano and Orchestra: 3. - - Live at Symphony Hall, Boston / 2019
Totentanz: Der Prediger - Live at Symphony Hall, Boston / 2016
Totentanz: Der Tod - Live at Symphony Hall, Boston / 2016
Totentanz: Der Tod zum Papst – Der Papst - Live at Symphony Hall, Boston / 2016
Totentanz: Der Tod zum Kaiser – Der Kaiser - Live at Symphony Hall, Boston / 2016
Totentanz: Der Tod zum Kardinal – Der Kardinal - Live at Symphony Hall, Boston / 2016
Totentanz: Der Tod zum König – Der König - Live at Symphony Hall, Boston / 2016
Totentanz: Der Tod zum Mönch – Der Mönch - Live at Symphony Hall, Boston / 2016
Totentanz: Der Tod zum Ritter – Der Ritter – Der Tod zum Bürgermeister – Der Bürgermeister - Live at Symphony Hall, Boston / 2016
Totentanz: Der Tod zum Arzt – Der Arzt – Der Tod zum Wucherer – Der Wucherer - Live at Symphony Hall, Boston / 2016
Totentanz: Der Tod zum Kaufmann – Der Kaufmann - Live at Symphony Hall, Boston / 2016
Totentanz: Der Tod zum Küster – Der Küster – Der Tod zum Küster - Live at Symphony Hall, Boston / 2016
Totentanz: Der Handwerker – Der Tod zum Handwerker - Live at Symphony Hall, Boston / 2016
Totentanz: Der Tod zum Bauer – Der Bauer - Live at Symphony Hall, Boston / 2016
Totentanz: Der Tod zum Mädchen – Das Mädchen - Live at Symphony Hall, Boston / 2016
Totentanz: Der Tod zum Kind – Das Kind - Live at Symphony Hall, Boston / 2016
Colette (Original Motion Picture Soundtrack)
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Septet in E Flat Major Op65 IV (Saint Saens)
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Concert Paraphrase on Powder her Face II
Concert Paraphrase on Powder her Face III
Concert Paraphrase on Powder her Face IV
The Twenty-Fifth Hour: The Chamber Music of Thomas Adès
The Four Quarters: II. Serenade - Morning Dew
The Four Quarters: IV. The Twenty-Fifth Hour
Arcadiana: II. Das klinget so herrlich, das klinget so schön
Arcadiana: III. Auf dem Wasser zu singen
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Violin Concerto, Op. 23, "Concentric Paths": I. Rings
Violin Concerto, Op. 23, "Concentric Paths": II. Paths
Violin Concerto, Op. 23, "Concentric Paths": III. Rounds
3 Studies from Couperin: No. 1, Les Amusemens
3 Studies from Couperin: No. 2, Les Tours de passe-passe
3 Studies from Couperin: No. 3, L'Âme-en-peine
Lieux retrouvés: Music for Cello & Piano – Liszt, Fauré, Janáček, Kurtág, Adès
Romance oubliée, S. 132 (Cello & Piano Version)
Die Zelle in Nonnenwerth, S. 382 (Cello & Piano Version)
Die Trauergondel "La lugubre gondola", S. 134 (Cello & Piano Version)
Cello Sonata No. 2 in G Minor, Op. 117: I. Allegro
Cello Sonata No. 2 in G Minor, Op. 117: II. Andante
Cello Sonata No. 2 in G Minor, Op. 117: III. Allegro vivo
Lieux retrouvés: IV. La ville. Cancan macabre
Adès: In Seven Days / Nancarrow Studies Nos. 6 & 7
In Seven Days: ii. Separation of the waters into sea and sky
In Seven Days: iii. Land – Grass – Trees
In Seven Days: Fugue. v. Creatures of the Sea and Sky
In Seven Days: Fugue. vi. Creatures of the Land
Concert Paraphrase on Powder Her Face: I
Concert Paraphrase on Powder Her Face: II
Concert Paraphrase on Powder Her Face: III
Concert Paraphrase on Powder Her Face: IV
Adès: 3 Mazurkas for Piano, Op. 27: No. 1
Mazurkas for Piano, Op.27: Second Mazurka
Mazurkas for Piano, Op.27: Third Mazurka
Arcadiana, Op.12 (1994): I. Venezia notturna
Living Toys, Op.9 (1993): III Militiamen -
Arcadiana, Op.12 (1994): II. Das klinget so herrlich, das Iklinget so schön
Living Toys, Op.9 (1993): IV. H.A.L.'s Death -
Arcadiana, Op.12 (1994): III. Auf dem Wasser zu singen
Arcadiana, Op.12 (1994): IV. Et....(tango mortale)
Living Toys, Op.9 (1993): V. Playing Funerals -
Arcadiana, Op.12 (1994): V. L'Embarquement -
Adès: America, a Prophecy, Op. 19: Pt. 2 "Burn, Burn, Burn"
Thomas Adès/City of Birmingham Symphony Orchestra
Adès: Violin Concerto, Op. 23 "Concentric Paths": I. Rings
Adès: Violin Concerto, "Concentric Paths": II. Paths
Adès: Violin Concerto, "Concentric Paths": III. Rounds
Adès: 3 Studies from Couperin: I. Les Amusemens
Adès: 3 Studies from Couperin: II. Les Tours de passe-passe
Adès: 3 Studies from Couperin: III. L'Âme-en-peine
National Youth Orchestra Of Great Britain
Stravinsky: Complete Music for Violin & Piano
Suite for Violin and Piano from Pulcinella, K34 (1925 Version): I. Introductione
The Firebird, K10: Berceuse (Arr. Stravinsky & Dushkin for Violin & Piano)
Suite for Violin and Piano from Pulcinella, K34 (1925 Version): II. Serenata
The Firebird, K10: Prélude et Ronde des princesses (Arr. Stravinsky & Dushkin for Violin & Piano)
Suite for Violin and Piano from Pulcinella, K34 (1925 Version): III. Tarantella
The Firebird, K10: Scherzo (Arr. Stravinsky & Dushkin for Violin & Piano)
Suite for Violin and Piano from Pulcinella, K34 (1925 Version): IV. Gavotta con due variazioni
Mavra, K39: Chanson russe. Russian Maiden’s Song (Arr. Stravinsky & Dushkin for Violin & Piano)
Suite for Violin and Piano from Pulcinella, K34 (1925 Version): V. Minuetto e finale
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): I. Sinfonia
Pastorale, K6 (Arr. Stravinsky & Dushkin for Violin & Piano)
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): II. Danses suisses
Le rossignol, K18: I. Airs du rossignol (Arr. Stravinsky & Dushkin for Violin & Piano)
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): III. Scherzo
Le rossignol, K18: II. Marche chinoise (Arr. Stravinsky & Dushkin for Violin & Piano)
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): IVa. Pas de deux. Adagio
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): IVb. Pas de deux. Variation
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): IVc. Pas de deux. Coda
Petrushka, K12: Ib. Danse Russe (Arr. Stravinsky & Dushkin for Violin & Piano)
Tango, K62 (Arr. Dushkin for Violin & Piano)
Le baiser de la fée, K49: Ballade (Arr. Gautier for Violin & Piano)
Suite Italienne from Pulcinella, K34 (Arr. Stravinsky & Dushkin for Violin & Piano): V. Scherzino
La Marseillaise (Arr. Stravinsky for Solo Violin as KN20)
The Tempest, Act 1: Scene I: Hell is empty
The Tempest, Act 3, Scene I: (Orchestral)
The Tempest, Act 1, Scene II: Miranda - you are my care
The Tempest, Act 3, Scene II: Spirit must I right
The Tempest, Act 1, Scene II: What you hvae told me
The Tempest, Act 3, Scene II: Fool. You've tired us out
The Tempest, Act 1: Scene III: Fear. Fear to the sinner
The Tempest, Act 1: Scene IV: Sorcerer die
The Tempest, Act 1, Scene V: Sir? Have you recovered them?
The Tempest, Act 1, Scene V: Five Fathoms deep
The Tempest, Act 3, Scene III: Murder this man
The Tempest, Act 1: Scene VI: As i sat weeping
The Tempest, Act 2, Scene I: Alive, awake
The Tempest, Act 3, Scene IV: How good they are
The Tempest, Act 2, Scene I: I had the notion I flew
The Tempest, Act 3, Scene IV: How these things
The Tempest, Act 2, Scene II: A monster!
Adès: The Tempest, Op. 22, Act III, Scene 5: "Who was here..."
Orchestra of the Royal Opera House, Covent Garden
The Tempest, Act 2, Scene II: Friends don't fear...
The Tempest, Act 2, Scene II: We'll find the prince
The Tempest, Act 2: Scene III: They won't find him
The Tempest, Act 2: Scene IV: What was before
Adès: Piano Quintet & Schubert: Piano Quintet
Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": I. Allegro vivace
Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": II. Andante
Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": III. Scherzo. Presto
Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": IV. (a) Thema. Andantino
Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": IV. (b) Variation I
Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": IV. (c) Variation II
Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": IV. (d) Variation III
Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": IV. (e) Variation IV
Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": IV. (f) Variation V
Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": IV. (g) Thema. Allegretto
Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": V. Finale. Allegro giusto
Adès: Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 1, Supernat'ral Light...
Adès: Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 2, We're All in the Dumps...
Stephen Layton/Polyphony/Christopher Bowers-Broadbent
O thou who didst with pitfall and with gin
The Lover in Winter: Iam nocet frigus teneris
The Lover in Winter: Nec limpha caret alveus
The Lover in Winter: Modo frigescit quidquid est
The Lover in Winter: Nutritur ignis osculo
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Come io passo l'estate: I. Arrivo a Tires
Come io passo l'estate: II. La Fossa del Lupo
Come io passo l'estate: III. Andiamo al rifugia Bergamo
Come io passo l'estate: IV. La Valle del Ciamin
Come io passo l'estate: V. Il buco dell'Orso
Come io passo l'estate: VI. La Fontanella di Ganna
Come io passo l'estate: VII. Ghiaccio sul Rosengarten
Come io passo l'estate: VIII. Antonio Ballista dorme in Casa dei Carabinieri
Come io passo l'estate: IX. Fantasma del Castello di Presule
Come io passo l'estate: X. Canzone per il mio compleanno
Grieg: Norwegian Peasant Dances, Op. 72: XIV. Tussebrurefæra på Vossevangen
Grieg: Norwegian Peasant Dances, Op. 72: XV. Skuldalsbrura
Grieg: Norwegian Peasant Dances, Op. 72: X. Knut Luråsen's Halling I
Eekám Te! (I am waiting for you!) from Intimate Sketches
Sonatina No. 3 'ad usum infantis': I. Molto tranquillo
Sonatina No. 3 'ad usum infantis': II. Andantino melancolico
Sonatina No. 3 'ad usum infantis': III. Vivace (alla Marcia)
Sonatina No. 3 'ad usum infantis': IV. Molto tranquillo
Sonatina No. 3 'ad usum infantis': V. Polonaise (un poco ceremonioso)
Three Canons for Ursula: Canon 6/4/10/15
Concerto Conciso: [dotted crotchet = 116]
Sonata da Caccia, Op.11 (1993): I. Gravement -
Michael Niesemann/Andrew Clark/Thomas Adès
Sonata da Caccia, Op.11 (1993): II. Gayëment -
Sonata da Caccia, Op.11 (1993): III. Naïvement
Adès: Sonata da caccia, Op. 11: IV. Galament
The Origin of the Harp, Op.13 (1994): I. Dolcissimo ed espressivo
The Origin of the Harp, Op.13 (1994): II. Largo con moto
The Origin of the Harp, Op.13 (1994): III. Spettrale
The Origin of the Harp, Op.13 (1994): IV. [untitled]
Lynsey Marsh/Anthony Marwood/Louise Hopkins/Thomas Adès
Adès: Under Hamelin Hill, Op. 6: Preambulum
Under Hamelin Hill Op. 6: Fuga (2-6 hands)
Under Hamelin Hill Op. 6: Arietta (2 hands)
Adès: Five Eliot Landscapes, Op. 1: No. 1, New Hampshire
Five Eliot Landscapes Op. 1: II. Virginia
Five Eliot Landscapes Op. 1: IV. Rannoch, by Glencoe
Five Eliot Landscapes Op. 1: V. Cape Ann
Adès: Traced Overhead, Op. 15: I. Sursum
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Adès: Traced Overhead, Op. 15: II. Aetheria
Adès: Traced Overhead, Op. 15: III. Chori
Alchymia: I. A Sea-Change (…Those Are Pearls…)
ACO Originals - Thomas Adès: Shanty – Over the Sea
Thomas Adès: Dante, Pt. I “Inferno”: XII. The Thieves—devoured by reptiles
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Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace (Radio Edit)
Symphony No. 7 in A Major, Op. 92: II. Allegretto (Radio Edit)