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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0x55fb336bfd0f246e14f6a8e014ab0cfe4683f9cec5ea55eec69f056ae8029e7b. Chain 2 (Bitcoin): anchored in block 954667 (2026-06-21T07:29:20Z). Bridge: the canonical record inside this Bitcoin proof contains the same CopyrightID. Verify: download https://artists.proofprofile.net/proofs/artist/e074ac4d-b3e5-4347-b03b-d87676191636.json and https://artists.proofprofile.net/proofs/artist/e074ac4d-b3e5-4347-b03b-d87676191636.ots, run `ots verify -f record.json proof.ots` (https://opentimestamps.org).
Sonata in G Minor, Op. 65: I. Allegro moderato
Sonata in G Minor, Op. 65: II. Scherzo: Allegro con brio
Sonata in G Minor, Op. 65: IV. Finale: Allegro
Trio in G Minor, Op. 8: I. Allegro con fuoco
Trio in G Minor, Op. 8: II. Scherzo: Con moto ma non troppo
Trio in G Minor, Op. 8: III. Adagio sostenuto
Trio in G Minor, Op. 8: IV. Finale: Allegretto
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Dual-chain trust anchor. Chain 1 (CopyrightChains): CopyrightID 0xbedc3df7f6261ee11da3ff50770707756e4e184cec138d85127a17d36f5e6163. Chain 2 (Bitcoin): anchored in block 957145 (2026-07-08T08:56:20Z), registered by our registry partner. The server verifies the private canonical record against OTSHash without exposing internal provider keys. Confirm the public ISRC, CopyrightID, and Bitcoin evidence via https://artists.proofprofile.net/api/v1/bot/ots/verify/track/PLB351218616.
Il fiore della eroine: Aria: Amante ozioso mai sorte non ha
Il Ritorno di Guilio Cesare: Aria: E pur le mie rovine
Sinfonia per camera in C Minor: I. Cantabile
Sinfonia per camera in C Minor: II. Spiritoso
Sinfonia per camera in C Minor: III. Minuet
Ich steh mit einem Fuß im Grabe, BWV 156 1. Sinfonia
Ich steh mit einem Fuß im Grabe, BWV 156 2. Aria and Chorale: Ich steh mit einem Fuß im Grabe
Ich steh mit einem Fuß im Grabe, BWV 156 3. Recitative: Mein Angst und Not
Ich steh mit einem Fuß im Grabe, BWV 156 4. Aria: Herr, was du willt, soll mir gefallen
Ich steh mit einem Fuß im Grabe, BWV 156 5. Recitative: Und willst du, daß ich nicht soll kranken
Ich steh mit einem Fuß im Grabe, BWV 156 6. Chorale: Herr, wie du willt, so schick’s mit mir
Laß, Fürstin, laß noch einen Strahl, BWV 198 1. Chorus: Laß, Fürstin, laß noch einen Strahl
Laß, Fürstin, laß noch einen Strahl, BWV 198 2. Recitative: Dein Sachsen, dein bestürztes Meißen
Laß, Fürstin, laß noch einen Strahl, BWV 198 3. Aria: Verstummt, verstummt, ihr holden Saiten!
Laß, Fürstin, laß noch einen Strahl, BWV 198 4. Recitative: Der Glocken bebendes Getön
Laß, Fürstin, laß noch einen Strahl, BWV 198 5. Aria: Wie starb die Heldin so vergnügt!
Laß, Fürstin, laß noch einen Strahl, BWV 198 6. Recitative: Ihr Leben ließ die Kunst zu sterben
Laß, Fürstin, laß noch einen Strahl, BWV 198 7. Chorus: An dir, du Fürbild großer Frauen
Laß, Fürstin, laß noch einen Strahl, BWV 198 8. Aria: Der Ewigkeit saphirnes Haus
Laß, Fürstin, laß noch einen Strahl, BWV 198 9. Recitative: Was Wunder ist’s?
Laß, Fürstin, laß noch einen Strahl, BWV 198 10. Chorus: Doch, Königin! du stirbest nicht
Liebster Gott, wenn werd ich sterben, BWV 8 1. Chorus: Liebster Gott, wenn werd ich sterben
Liebster Gott, wenn werd ich sterben, BWV 8 2. Aria: Was willst du dich, mein Geist, entsetzen
Liebster Gott, wenn werd ich sterben, BWV 8 3. Recitative: Zwar fühlt mein schwaches Herz
Liebster Gott, wenn werd ich sterben, BWV 8 4. Aria: Doch weichet, ihr tollen, vergeblichen Sorgen!
Liebster Gott, wenn werd ich sterben, BWV 8 5. Recitative: Behalte nur, o Welt, das Meine!
Liebster Gott, wenn werd ich sterben, BWV 8 6. Chorale: Herrscher über Tod und Leben
Concerto for Harpsichord, Flute, Violin, Strings, and Basso continuo in A Minor, BWV 1044: II. Adagio ma non tanto, e dolce
Himmelskönig sei willkommen, BWV 182: I. Sonata
Concerto Grosso in F Major, Op. 6, No. 12: III. Adagio
Ich steh mit einem Fuß im Grabe, BWV 156: I. Sinfonia
Gottes Zeit ist die allerbeste Zeit, BWV 106: I. Sonatina
Concerto Grosso in F Major, Op. 6, No. 12: I. Preludio. Adagio
Serse, HWV 40: "Frondi tenere e belle...Ombra mai fu"
Wachet auf, ruft uns die Stimme, BWV 140: IV. "Zion hört die Wächter singen"
Ich habe genug, BWV 82: III. "Schlummert ein, ihr matten Augen"
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto
Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante
Laß, Fürstin, laß noch einen Strahl (Trauerode), BWV 198: V. "Wie starb die Heldin so vergnügt!"
Concerto Grosso in D Major, Op. 6, No. 4: II. Adagio
Concerto Grosso in D Major, Op. 6, No. 7: III. Andante largo
Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affetuoso
Orchestral Suite (Ouverture) III in D Major, BWV 1068: II. Air
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Night on the Balcony (from ‘The Screens’)
Rebecca Troxler Plays Flute Music By the Sons of Bach
Sonata for Flute and Harpsichord in D Major, Wq. 83: I. Allegro poco
Quartet for Flute, Viola, Cello & Harpsichord in A Minor, Wq. 93: I. Andantino
Sonata for Flute and Harpsichord in D Major, Wq. 83: II. Largo
Quartet for Flute, Viola, Cello & Harpsichord in A Minor, Wq. 93: II. Largo e sostenuto
Sonata for Flute and Harpsichord in D Major, Wq. 83: III. Allegro
Quartet for Flute, Viola, Cello & Harpsichord in A Minor, Wq. 93: III. Allegro assai
Sonata for Flute Solo in A Minor, Wq. 132: I. Poco adagio
Sonata for Flute Solo in A Minor, Wq. 132: II. Allegro
Quartet for Flute, Viola, Cello & Harpsichord in D Major, Wq.94: I. Allegro
Sonata for Flute Solo in A Minor, Wq. 132: III. Allegro
Quartet for Flute, Viola, Cello & Harpsichord in D Major, Wq.94: II. Sehr Langsam und Ausgehatten
Sonata for Flute and Obligato Fortepiano in A Major: I. Allegro
Quartet for Flute, Viola, Cello & Harpsichord in D Major, Wq.94: III. Allegro di Molto
Sonata for Flute and Obligato Fortepiano in A Major: II. Andante
Fantasia in C Major for Fortepiano, Wq. 61
Sonata for Flute and Obligato Fortepiano in A Major: III. Tempo di Menuetto
Quartet for Flute, Viola, Cello & Harpsichord in G Major, Wq. 95: I. Allegretto
Trio for Flute, Continuo & Obligato Cello in D Major: I. Allegro
Quartet for Flute, Viola, Cello & Quartet for Flute, Viola, Cello & Harpsichord in G Major, Wq. 95 in G Major, Wq.95: II. Adagio
Trio for Flute, Continuo & Obligato Cello in D Major: II. Adagio di molto
Quartet for Flute, Viola, Cello & Harpsichord in G Major, Wq. 95: III. Presto
Trio for Flute, Continuo & Obligato Cello in D Major: III. Allegro assai
Trio Sonata for Two Flutes & Brass Continuo in E Major, Wq. 162: I. Allegro
Trio Sonata for Two Flutes & Brass Continuo in E Major, Wq. 162: II. Adagio di Molto
Trio Sonata for Two Flutes & Brass Continuo in E Major, Wq. 162: III. Allegro assai
Pigmalion (Pygmalion), Scene 1: Fatal Amour! [Pygmalion]
Pigmalion (Pygmalion), Scene 1: Pygmalion, est-il possible [Pygmalion, Cephise]
Pigmalion (Pygmalion), Scene 3: Que d'appas! [Pygmalion]
Pigmalion (Pygmalion), Scene 3: Que vois-je? [La Statue]
Pigmalion (Pygmalion), Scene 4: Du pouvoir de l'Amour ce prodige est l'effet [L'Amour, Pygmalion, La Statue]
Pigmalion (Pygmalion), Scene 4: Les caracteres de la danse
Pigmalion (Pygmalion), Scene 5: Le peuple dans ces lieux s'avance [Pygmalion]
Pigmalion (Pygmalion), Scene 5: Pantomimes
Pigmalion (Pygmalion), Scene 5: Ariette: Regne Amour, fais brillet tes flammes [Pygmalion]
Pigmalion (Pygmalion), Scene 5: Air and Conterdanse
L' Impatience: Recitative. Ces lieux brillent
L' Impatience: Aria. Ce n'est plus le poids
L' Impatience: Recitative. Les oiseaux d'alentour
L' Impatience: Aria. Pourquoi leur envier
L' Impatience: Recitative. Mais Corine parait
L' Impatience: Aria. Tu te plais, enfant de cythere
She That Would Gain a Faithful Lover, Z.414
Ein feste Burg ist unser Gott, BWV 80: IV. Komm in mein Herzenhaus
Wer sich selbst erhöhet, BWV 47: II. Wer ein wahrer Christ will heißen
Nun komm, der Heiden Heiland, BWV 61: V. Öffne dich, mein ganzes Herze
Weichet nur, betrübte Schatten, BWV 202: III. Phoebus eilt
Neun deutsche Arien: Süsse Stille, sanfter Quelle, HWV 205
Dietro l'orme fugaci, HWV 105: II. Ah! Crudele
Dolce mio ben, HWV 108: II. Intendimi ben mio
Da quel giorno fatale, HWV 99: V. Per te lasciai la luce
Quando sperasti, o core, HWV 153: IV. Voglio darti
Oh numi eterni!, HWV 145: IV. Aria. Il suol che preme